Reviews (41)

Seminal post-mod UK thriller.
Mike Hodges' Get Carter is a bleak and bitter revenge thriller that has been little seen in the U.S since it's release in 1971. It's humourless tone and grim conclusion prevent it from being embraced by larger audiences, but for the more demanding viewer these are the very features that make it such a memorable delight. Michael Caine gives a solid performance as the title character Jack Carter, a London-based criminal out to seek revenge for the murder of his brother in Newcastle. The film should be applauded for not softening the Carter character in an attempt to make him more appetizing to the viewer. We may think Carter is cool but there is little here on display for us to ever mistake him for a hero.
Apart from it's startling realism, other memorable aspects of the film are composer Roy Budd's proto-Acid Jazz score and the flamboyant post-hippie threads sported by Caine and co. A film so good that you are almost willing to forgive Caine for the many terrible films he has appeared in since.
The disc contains some wonderfully dated theatrical trailers and an audio commentary from Caine, Hodges and the cinematographer.

Caine Has Never Been Better!
For those of you used to seeing Michael Caine from his films in the late 70s through the 90s, be prepared for a surprise. Even Caine has admitted he often chose his films only for the money. But Get Carter (1971) was before all that. Get Carter is the story of a hired killer's return from London to his hometown, a gritty town in England, to investigate and avenge the death of his brother. This is no travelogue; there are no picturesque views of jolly olde England/London in Get Carter. Much of the story was later virtually lifted by The Limey, another great film, in which Caine would also have been perfect. But here, unlike Terence Stamp in The Limey, Caine plays Carter as an ice cold, cruel, brutal ruthless sociopath. You root for Carter, but he doesn't make it easy. Caine has never acted better or looked cooler. Each of the smaller supporting parts are brilliantly played by unknown English charactor actors. The dialogue is dead-on, and the score, by Roy Budd, is unforgettable. Mike Hodges in his directorial debut, shows us the real underbelly of pornographers, hoods and small-time criminals in a gritty working class English town. Neither Hodges nor Caine were ever better. Get Carter is now being remade starring, of all people, Stallone, with Caine playing a bit part, and the setting changed to the USA. Skip it, and order a copy of Get Cater immediately, the day it's out on DVD.

Mike Hodges lean, mean anti-hero epic.
This is the film where young, cool-head cockney actor Michael Caine "made his bones" by mercilously breaking some. Jack Carter is Limey-Mafia enforcer out for vengeance in a grim noir film that cuts no slack on the so-called "glamour of evil". Not a single character in the fine ensmeble cast is spared "poena damni" as either a loser or(brutally killed)lost soul. This is Mike Hodges'(CROUPIER)existential epic about bottom-feeders of British low-life gangster demi-monde. The movie works because Caine is consummate,unapologetic anti-hero who takes us on his cheap sex; cheaper-drugs; rife with punk-thug violence,odyssey. His unholy grail is "'I the Jury!'" JUSTICE"...and its ultimate cost in his own dehumanization. Jack Carter's violent journey to oblivion is "proof" of poet Blake's dictum:THEY BECOME LIKE THAT WHICH THEY BEHOLD...YET AMAZING IN STENGTH or HOWLING IN DREAD AND PAIN.

Before PM amorality became fashionable, GET CARTER presented cinematic view-to-a-kill about how a brave man...who perhaps could have been honorable and heroic. Caine shows how easy it is to sell one's soul for a moment of what the world calls TRIUMPH. This isn't a pleasant movie to watch. But--unlike the bogus remake with Sly Stalone--Caine asks no sympathy for Jack Carter. With jolting portrayal of remorselessness in evil,he redeems a film "about an irredeemable man". Entertaining, no.Illuminating? Yes...(4 & 1/2 stars)

Get this
The grimmest, bleakest, and most often misquoted Caine film of the lot gets a look-in for its peerless use of locations as much as for its set pieces, although they are fantastic - Caine answering door naked with shotgun as drum majorettes march past, Caine making final delirious despatch with aid of seaside slag tipper, and of course the scene that's now forever to be known as "the out-of-shape bloke". Nowadays Old Maurice lives out his dotage on a cheeky chappie rough diamond reputation, but here's a good example of a man who's nothing but coal.

An overlooked classic
"Get Carter" is one of the original, and definitely one of the best, modern gangster films. There would be no "The Long Good Friday", "Lock, Stock & Two Smoking Barrels" or "Snatch" without this movie. Michael Caine as Jack Carter is the first bad guy in film history that you want to root for, but feel bad because he's such an evil person. The dialogue is razor-sharp, the sets and cinematography are as dreary as the Northern England location, and the last 30 minutes of the movie, especially the ending, will leave you with the need to stand in the sun for a long time. You'll understand why after you watch it. And, most importantly, AVOID THE REMAKE AT ALL COSTS! ... Read more

Description

All bets are off in London's gambling world when struggling writer Jack Manfred (Gosford Park's Clive Owen) accepts his father's offer of a job as a croupier, out the cards of fate and fortune each night to casino patrons. As his relationship with his girlfriend, Marion (Notting Hill's Gina McKee), suffers from the strain of his new job, Jack finds his eye roving to a seductive gambler, Jani (ER's Alex Kingston), who lures him into a dangerous robbery scheme with Jack positioned as the inside man. A critical and commercial smash, this delicious British thriller from director Mike Hodges (Get Carter) and writer Paul Mayersberg (The Last Samurai) is a solid winner from start to finish! ... Read more

Reviews (39)

Yes, Virginia, there really is film noir past the 1940's !
Stylish British flick. Jack Manfred (Clive Owen) has run out of money while struggling to write his first novel. (Shades of Sunset Blvd!)

He has experience as a croupier, a job he loathes, thanks to the influence of his father, a perennial flake who never runs out of big dreams, currently eking a living as a hotel bartender.

Jack is barely on speaking terms with him, alternatively disgusted and bemused by the old man's sleazyness. Nevertheless, he needs a job badly and so when his father informs him of an opening, he re-enters the nightlife world of London casinos, dealing cards to posh, well dressed suckers. "Welcome to the house of addiction." As Jack puts it.

However, unlike his father, Jack NEVER gambles , it's a point of pride with him. So what could possibly go wrong?

The answer of course is everything.

Starting with his first night on the job when he meets his half dressed sultry co-worker, Bella.

Bella: "How do I look?"
Jack : (Voice Over) LIKE TROUBLE!
Jack : "Fine."

We've got three (count 'em !) femme fatales, endearing and deadly in their own way, and cynically beautifull noir-loner speeches that sound as if they came out of Double Indemnity or The Maltese Falcon:

" The world breaks everyone. And afterwards, many are strong at the broken places. Those that will not break, it kills. It kills the very good and the very gentle and the very brave, impartially. If you are none of these things it will kill you too, but there will be no special hurry."

And the plot twists on. . .

Clive Owen's debut finally re-released in the US!
I've been looking for a commerically available Region 1 version of Croupier for quite some time now. I was so excited to see that its being re-released that I had to check other sources to make sure its not a glitch. But, yes indeed, Croupier is scheduled to be re-released March 9, 2004!

As for the film itself, this film introduced Americans to Clive Owen. It opened the doors for Clive's recent film roles in the BMW Films "The Hire," "Gosford Park," "Bourne Identity," "Beyond Borders" and upcoming starring role in "King Authur" (not to mention the James Bond rumors. I've also heard good things about the Brit TV miniseries "Second Sight.") Don't expect a Hollywood thriller here. This modern update of the film noir genre is shot to create disconnect and confusion, and the characters are gritty and flawed. The film centers around Jack Manfred, a struggling-writer-turned-card-dealer. Jack moves through his life like a ghost, detached and disinterested in the events of his own life. Alex Kingston's character Jani de Villiers enters his life and adds color to Jack's dark world. Jani is the femme fatale to Jack's postmodern hard-boiled hero, but I love that Jack and Jani's relationship does not develop in the way you would expect. Overall, an enjoyable film for indie film lovers and a must for Clive Owen fans.

Cool, Ironic, Understated Mayhem
A struggling writer who's a talented cardsman gets a job as a croupier, thanks to his father, in a London casino. From there the film moves into a complicated scheme to rob the casino, with violence and double dealing along the way. The one unexpected bit of retribution that hits Jack Manfred (Clive Owen) has emotional power. The ending is not exactly nihilistic, but has more than a bit of irony.

Mike Hodges, who directed the first-rate Get Carter with Michael Caine, brings the same cool approach here. Owen is perfect in the lead, and the rest of the cast is excellent. Croupier is a very good story very well done.

The DVD transfer also is excellent. There are no extras.

Quintessential Guy's Movie.
Well, of course their are no car chases (that's a joke) but this is a film most men will love. What there is in the film is an excellent plot that's so clever it ought to have a PhD from Harvard. I guarantee that the ending will surprise you. The lead character's travails are fascinating and will cause many a man to feel envy. I personally never thought much about what it would be like to be a dealer, or croupier, before I saw it but I gained an honest appreciation for what their jobs entail by watching it. Its also a film for writers.

Nice British character study
A nice British character study of a struggling writer, Jack Manfred, who goes back to his former love, being a croupier. He gets a job at a low-scale casino and decides to write a book about his own experience. His wife does not want him to lead the life of a croupier and, spurred on by an affair he is caught in, leaves him. Jack gets attached to a shady customer, who makes him an offer that might change his life.

Manfred has a priviledged perspective on gambling, being able to discern the psychological flaws of everyone around him, much like Matt Damon's character in Rounders (a cliché but interesting movie precisely because of that). In the same way, Croupier goes beyond the relatively simple story by having Manfred always narrating the events as he sees them in his own worldview. It provodes a lot more depth in his character and the movie in general.

Manfred is not a cruel character, but his love of croupier work, and how it intimately relates to his own life, gives him a detached quality. I would say he is definitely an egoist character, and has no qualms in examining moral issues dispassionately. Very refreshing. ... Read more

Amazon.com

Mike Hodges and Clive Owen, director and star of the stylish 1998 crime drama Croupier, team again in this moody, almost contemplative thriller about a former gangster, Will Graham (Owen), who returns to London after a lengthy self-exile. In a tragic coincidence, Will's brother, Davey (Jonathan Rhys-Meyers), has just committed suicide following a rape by a wealthy car dealer (Malcolm McDowell). Convinced there is more to Davey's death than meets the eye, Will--arguing he is nothing like his old, violent, urban self--slowly evolves again into a formidable criminal. Hodges and screenwriter Trevor Preston emphasize tone and spiritual inference over precise character motivation. Not everything that can be known about Will (especially his rocky psychological state and history with a former lover, played by Charlotte Rampling) is expressly stated. But one can feel his stifled nature rising, paradoxically, toward revenge, and his final actions have an existential power and mystery. --Tom Keogh ... Read more

Reviews (1)

Clueless
Beautifully photographed, moodily and hiply scored, dripping with charisma and sex appeal from Clive Owen and Charlotte Rampling, "I'll Sleep When I'm Dead" nonetheless fails to inspire anything but bewilderment: with all this talent and these superior production values...what happened?
Clive Owen plays Will, an exiled criminal that returns home to solve the death, supposedly suicide, of his younger brother Davey: a spiffy, low level drug dealer and Babe magnet. Director Mike Hodges ("Croupier") wants to have it all and he throws everything but the kitchen sink at us: there is an extended discussion of suicide that is better left for an educational film, there are old grudges thrown at Will from all sides none of which are resolved nor explained and then there is the character of Boad (Malcolm MacDowell) whose motivations are at best silly and at worst, empty-headed and ill-conceived.
"ISWID" is beautiful to look at then, but on closer inspection it's empty and illogical and more importantly a huge waste of talent and money. ... Read more

Reviews (1)

5 Stars for the Hitchhiker and 1 Star for Amazon
This is false advertising, this is not the complete seasons. This simply volume 1 and 2 shrink wrapped together. No box set whatsoever.

The series are awesome though. ... Read more

Description

Page Fletcher is "The Hitchhiker," walking a lonely road where terror awaits around every curve. Walk with him, and you'll find yourself in some very dark places...places you wouldn't want to visit alone. That's why he's there. That's why he's always there. He won't hold your hand - but he'll make sure the only ones who get hurt are those who deserve to. ... Read more

Reviews (9)

Where's Episode 4 : Love Sounds????
While it's nice that this series is out on dvd, I'm disapointed to learn that "Love Sounds, episode 4"" was not included here as it's the best episode from THE HITCHHIKER series.

Is there going to be a SECOND dvd release with MORE episodes on it?. Please, anyone, email my agent if you have any info on this.
Thanks. Tovrich

AGENT : perillij@yahoo.com

Welcome back Hitchhiker
Wow, there's a great collection of talent there! With episodes featuring award-winning actors such as Helen Hunt and Joe Pantoliano, and participation from fan-favorite director Paul Verhoeven, this surely is a must-have for any DVD collector
Koch Canada will release The Complete First Season on DVD April 20th. This 3 disc set will contain 26 episodes The show must have aired differently in Canada because what Koch considers the first season is actually the first 3 seasons according to the episode guide at EPGuides.com. It's not all good news though; the people at Koch Canada said that they don't own the Canadian rights to the second Canadian season so they're unable to release those episodes.

The Hitchhiker series is stil the Best
The Hitchhiker was the best show on tv(then again, my parents never wanted HBO in their home so they could keep their kids from having access to TV T&A, thus, I didn't catch it in the early years.) Page Fletcher, however, was like a cooler Alfred Hitchcock, the Fonz of suspense. And that intro (bump-dump-bump-chhhhhhh-bump-dump-bump-chhhhhhh-ooorrrwouoonnnnhhhhh) with the rattlesnake chiming in as we see him walking through dust on the shoulder of the highway

The Hitchhiker Rules!!
The Hitchhiker was an awesome show! I remember watching it on HBO when I was a kid. I also enjoyed the later episodes on USA network. The stories were great. I just wish some network would show the Hitchhiker again

Going my way?
I watched this show all the time back int he old HBO days. It had that eerie them music and good stories. The sex scenes weren't bad either. ... Read more

Description

Page Fletcher is "The Hitchhiker," walking a lonely road where darkness is always by his side and terror lurks around every turn. Pick him up if you dare. He will guide you to your destination, where the good are spared and the wicked are damned. Episodes: OD Feeling, True Believer, Perfect Order, Cabin Fever, A Whole New You, Dead Heat, The Curse, Out of the Night, Secret Ingredients, Man of Her Dreams. ... Read more

Reviews (1)

Drivel
Bleah. I never caught this back when it was on HBO, and I'm glad. It's terrible. I couldn't get through two whole episodes. They call these tales of terror. What's terrible is that this ever got put on DVD. Don't bother picking this title up. It's cheesy and not terrifying at all. Maybe really late at night back in the 80's. But probably not even then. ... Read more

Description

Strange energy waves from the planet Mongo pull the moon out of orbit threatening Earth, and NY Jets quarterback Flash Gordon and the lovely Dale Arden must destroy Mongo's ruler, Ming the Merciless, before Earth is annihilated. Music by Queen. ... Read more

Reviews (99)

An overlooked classic from the 80's
Sometimes certain films end up being much better than they have any right to be. Flash Gordon is one of those films. It is, in fact, and I say this in mortal fear of being mocked and shunned by my peers, one of my all time favotite movies. I can watch this film endlessly, and every time I see it I walk around smiling for the rest of the day... it's just that kind of movie.

The cast, first and foremost, is excellent. They work wonders with the material they're given... admittedly this isn't Shakespeare, but it plays remarkably well, with very few cringe-worthy moments. Standout performances include Max Von Sydow as the astoundingly evil Ming, Peter Wyngarde as the almost equally evil Klytus, Brian Blessed as the leader of the Hawkmen, and Topol(?) as an eccentric Dr. Zarkov. Then, of course, there's the absolutely stunning Ornelia Muti as Ming's beautiful daughter Aura... she's wonderful to look at, and has an exotic accent to boot. When I saw this film in the theater as a wee lad, I had quite the childhood crush on Miss Muti... sigh. Anyway, all of the actors seem to be having a grand time with their roles, and it definitely shows.

With all due respect to the actors, however, I really think it's the brilliant soundtrack that makes Flash Gordon stand out most in my mind. Queen, near the peak of their popularity, provided a wonderful, throbbing, highly eccentric collection of songs and instrumental bits that fit the film perfectly. I badgered my poor mother to buy me the 8-track, in fact, and then proceeded to play it at every opportunity... a very patient woman, my mother. She probably still hears "dumdumdumdumdumdumDUMDUM **FLASH!!** ah-AHH!..." in her sleep. Sorry, mom.

The special effects are actually still pretty impressive, as well... bear in mind, however, that I have a soft spot for 1980's effects. I really miss the days when the answer to "How'd they do that?" wasn't always "With computers." There's a certain mystery to these old effects, and I always respect the effort and creativity that went into making things happen with such limited technology. Sigh... Still, the film is very,very colorful, and there are a LOT of costumes, backgrounds, etc. Everything has a very shiny, surreal sort of look to it, in stark contrast to the realistic, worn-out look of the Star Wars films. It's pretty neat in its own way.

In the end, though, Flash Gordon is just plain entertaining. There's hardly ever a dull moment, and the film's almost 2 hour running time goes by in a flash (pun fully intended, with all apologies to the reader). You get a lot of action in those 2 hours... there are laser battles, lots of starships, hand to hand combat on a floating spike disk(?), catfights (in a harem, no less), flame-throwing rings, dominatrix henchladies, evil Space People, a surprising amount of implied sexuality, and the list goes on and on. Just put it in, turn off your brain, and for God's sake HAVE FUN!

On a side note, I have to say that the DVD release is a bit disappointing. The five star rating is strictly for the film itself, not for the disc. Although the video and audio quality is fine (easily the best version currently available), there is absolutely nothing in the way of extras. Zip. Zilch. Nada. Not even a trailer, for crying out loud. Here's hoping that someone, perhaps Anchor Bay (king of the cult classic), will have the good sense to release a Special Edition. I would love to see outtakes, trailers, making of bios, commentary, etc. This film certainly deserves better treatment than it's given here.

Still, this DVD is currently the best edition of Flash Gordon you're going to find (and it's WIDESCREEN!). Plus, it can be picked up pretty cheaply, if you can actually find it. I wholeheartedly recommend that you search it out, watch it over and over, and then join me in waiting patiently for a collector's edition to come along. Even with its shortcomings, Flash Gordon on DVD most definitely deserves a spot in your collection. Just file it under "Guilty Pleasures." :)

Goofy but Affectionate Escapism
"Flash Gordon" has more in common with 1968's "Barbarella" than the comic strip hero of the same name, but still manages to deliver many of the goods expected of campy adult fantasy. Sam Jones is a dopey version of Buster Crabbe's dashing serial hero--fittingly, an over-hormoned football star with a heart that works faster than his brain. Lovely Melody Anderson embodies Dale Arden as a spunky 1930's girl-next-door transplated into the plastic, "modern" 1980s, while sultry Ornella Muti, as Princess Aura, is every adolescent boy's imagining of sex. International stars Topol and Max Von Sydow chew up the scenery as astrophysicist Zarkhov and evil Emperor Ming, respectively, and Peter Wyngarde and ex-James Bond Timothy Dalton do dark turns in secondary roles. The story, laced with PG-rated violence and sexual innuendo, is a tongue-in-cheek rehash of the serials, as Ming ravages Earth until our intrepid heroes rocket to his kingdom to set things straight. This time, they find worlds created with the most elaborate visual effects of the day, some convincing, many not, but all strangely beautiful. If you liked the original, you'll see that most of the swipes are gentle and that as juvenile as the script is, the movie is really aimed at grown-ups. A spirited performance by British TV veteran Brian Blessed and a thumping soundtrack by rock supergroup Queen help make this one memorable.

Cool Movie, Lousy DVD
This review applies to the current Image DVD release. Most people who purchase Flash Gordon remember it from their childhood and wish to relive a part of it. No complaint there! Unfortunately, the DVD is now out of print and a copy can be expensive. About the only thing commendable about the disc is its widescreen aspect ratio. The soundtrack clearly warbles in places, the sound mix is not in 5.1 and generally lousy, and the video is grainy throughout. This is quite a shame, because the soundtrack and effects lend themselves to a great presentation. There are no extra features at all.

The DVD release rights were licensed by Universal to Image Entertainment. I have purchased 3 Image DVDs and they have all been massive disappointments. Fortunately, Universal re-released Sixteen Candles and I hope they will eventually do the same for Flash Gordon.

Flash Gordon and Max
Many reviewers have focused on how fun this movie is. Others have commented on Princess Aura who is...very fine indeed. However, I enjoy the performance of Max von Sydow. As Ming, he is perfect. Max has a sneer that meets if not beats that of Harry Potter's Professor Snape. Ming is amazing to the end...or did he end?

Classic filmaking
It's ia classic right up there with Star Wars. The acting isn't all that great but, it deserves credit for great scenery and costumes. It is definitely worth buying. ... Read more

Description

Sci-fi meets hilarity in this wildly adventurous comedy that goes where no man—or moron—has gone before. We can now safely conclude that there is no intelligent life in space. Four holiday travelers from the planet Blob have somehow lost control of their rented spaceship and crash-landed on Earth. At first, the military and scientific teams assume they are higher life forms. But not for long. Idiocy is hard to hide. The stranded wayfarers are complete morons, content to drink their green beer, sing ear-splitting pop songs and talk to trash cans, which they assume are the planet's leaders. But not until an enterprising journalist decides to market their dazed innocence and turn them into glitzy superstars do they find their true mission to Earth. With amusing parodies of famous film classics like Close Encounters of the Third Kind and warp-speed laughs, this is one screwball comedy that's out of this world. ... Read more

Amazon.com

Suffering from a bad case of writer's block, author Jack Manfred (Clive Owen) sits in his London flat, staring at an empty computer screen and trying to find the words to narrate his meandering life. Reluctantly Jack accepts a job from his absentee father (Nicholas Ball) at a second-rate casino as a dealer, or croupier, a job he once held in South Africa. His immersion back into this world is intoxicating, thanks primarily to the power he holds over his nightly clientele. Jack is a straight arrow on the floor (unlike his coworkers) but the whisper of an inside-job robbery makes his life suddenly more intriguing, as do the women who begin to drift into his life: a fellow croupier (Kate Hardie) and an alluring gambler (Alex Kingston). Suddenly, Jack finds his own life is his best book material. There's something visceral about watching the world of gambling, and director Mike Hodges (who directed the original Get Carter) taps into this allure; Jack's simple croupier tryout--handling cards and chips with skill and grace--is as captivating as most action scenes in big popcorn films. In the end, this little film, which went on to become an art-house hit, is as unpredictable as a roll of the dice. --Doug Thomas ... Read more

Reviews (39)

Yes, Virginia, there really is film noir past the 1940's !
Stylish British flick. Jack Manfred (Clive Owen) has run out of money while struggling to write his first novel. (Shades of Sunset Blvd!)

He has experience as a croupier, a job he loathes, thanks to the influence of his father, a perennial flake who never runs out of big dreams, currently eking a living as a hotel bartender.

Jack is barely on speaking terms with him, alternatively disgusted and bemused by the old man's sleazyness. Nevertheless, he needs a job badly and so when his father informs him of an opening, he re-enters the nightlife world of London casinos, dealing cards to posh, well dressed suckers. "Welcome to the house of addiction." As Jack puts it.

However, unlike his father, Jack NEVER gambles , it's a point of pride with him. So what could possibly go wrong?

The answer of course is everything.

Starting with his first night on the job when he meets his half dressed sultry co-worker, Bella.

Bella: "How do I look?"
Jack : (Voice Over) LIKE TROUBLE!
Jack : "Fine."

We've got three (count 'em !) femme fatales, endearing and deadly in their own way, and cynically beautifull noir-loner speeches that sound as if they came out of Double Indemnity or The Maltese Falcon:

" The world breaks everyone. And afterwards, many are strong at the broken places. Those that will not break, it kills. It kills the very good and the very gentle and the very brave, impartially. If you are none of these things it will kill you too, but there will be no special hurry."

And the plot twists on. . .

Clive Owen's debut finally re-released in the US!
I've been looking for a commerically available Region 1 version of Croupier for quite some time now. I was so excited to see that its being re-released that I had to check other sources to make sure its not a glitch. But, yes indeed, Croupier is scheduled to be re-released March 9, 2004!

As for the film itself, this film introduced Americans to Clive Owen. It opened the doors for Clive's recent film roles in the BMW Films "The Hire," "Gosford Park," "Bourne Identity," "Beyond Borders" and upcoming starring role in "King Authur" (not to mention the James Bond rumors. I've also heard good things about the Brit TV miniseries "Second Sight.") Don't expect a Hollywood thriller here. This modern update of the film noir genre is shot to create disconnect and confusion, and the characters are gritty and flawed. The film centers around Jack Manfred, a struggling-writer-turned-card-dealer. Jack moves through his life like a ghost, detached and disinterested in the events of his own life. Alex Kingston's character Jani de Villiers enters his life and adds color to Jack's dark world. Jani is the femme fatale to Jack's postmodern hard-boiled hero, but I love that Jack and Jani's relationship does not develop in the way you would expect. Overall, an enjoyable film for indie film lovers and a must for Clive Owen fans.

Cool, Ironic, Understated Mayhem
A struggling writer who's a talented cardsman gets a job as a croupier, thanks to his father, in a London casino. From there the film moves into a complicated scheme to rob the casino, with violence and double dealing along the way. The one unexpected bit of retribution that hits Jack Manfred (Clive Owen) has emotional power. The ending is not exactly nihilistic, but has more than a bit of irony.

Mike Hodges, who directed the first-rate Get Carter with Michael Caine, brings the same cool approach here. Owen is perfect in the lead, and the rest of the cast is excellent. Croupier is a very good story very well done.

The DVD transfer also is excellent. There are no extras.

Quintessential Guy's Movie.
Well, of course their are no car chases (that's a joke) but this is a film most men will love. What there is in the film is an excellent plot that's so clever it ought to have a PhD from Harvard. I guarantee that the ending will surprise you. The lead character's travails are fascinating and will cause many a man to feel envy. I personally never thought much about what it would be like to be a dealer, or croupier, before I saw it but I gained an honest appreciation for what their jobs entail by watching it. Its also a film for writers.

Nice British character study
A nice British character study of a struggling writer, Jack Manfred, who goes back to his former love, being a croupier. He gets a job at a low-scale casino and decides to write a book about his own experience. His wife does not want him to lead the life of a croupier and, spurred on by an affair he is caught in, leaves him. Jack gets attached to a shady customer, who makes him an offer that might change his life.

Manfred has a priviledged perspective on gambling, being able to discern the psychological flaws of everyone around him, much like Matt Damon's character in Rounders (a cliché but interesting movie precisely because of that). In the same way, Croupier goes beyond the relatively simple story by having Manfred always narrating the events as he sees them in his own worldview. It provodes a lot more depth in his character and the movie in general.

Manfred is not a cruel character, but his love of croupier work, and how it intimately relates to his own life, gives him a detached quality. I would say he is definitely an egoist character, and has no qualms in examining moral issues dispassionately. Very refreshing. ... Read more