Reviews (27)

Great Movie
In the movie Tuesdays With Morrie, Mitch (Hank Azaria) is a successful sportswriter who suddenly learns that one of his old professors, Morrie (Jack Lemmon) is ill. Mitch visits Morrie and the two form an emotional bond, allowing Mitch to see what is really important in life. Tuesdays With Morrie is categorized as a drama but it does contain some funny parts and some sports. Some things that Morrie said made me laugh. They show Mitch at sporting events and press conferences. Mitch ends up flying 700 miles to Boston from Detroit every Tuesday to visit his dying professor. Mitch feels bad the first time he goes to visit Morrie because he had not talked to Morrie for 16 years after he said that he would keep in touch at his graduation at Brandeis University. At the end of the movie, Morrie finally got Mitch to open up and cry. He also got Mitch to talk about what he was afraid of in life. He taught Mitch a lot about living and about dying. Tuesdays With Morrie is an easy flowing movie and it is very simple to understand. It is a movie for people of all ages. The actors, especially Jack Lemmon, do an exceptional job playing their roles in the movie. The book and the movie are almost identical. There are not really any major differences between the book and the movie. One of the differences is that in the book Janine is Mitch's wife and in the movie Janine is Mitch's girlfriend. I think that Tuesdays With Morrie was a very good movie. It made me think of what is important in life, including friends and family. This movie changed my outlook on life. It made me realize what is most important in life and how I need to treat people, especially my elders. I think the theme of this movie was to get people to treat people better, with dignity and respect. I think that anybody that watches this movie will leave happier and with a better understanding about life and how to treat others.

Genuine.
A genuinely touching movie is a rare thing. Attempting to pull at our heart-strings often results in a lot of sap and drama, without much substance.

However, Tuesdays with Morrie is heartfelt, somber, funny, and sad.

The movie details a relationship (The film is adapted from a best selling nonfiction book) between a sports columnist, and his beloved professor which he learns is dying of Lou Gehrigs disease. What follows is a look at the short, poingant relationship they shared. You see, Morrie was a man of the world. He often showed a keen insight into the nature of man. He did much to teach his former student about life, often quoting W.H. Auden's poem "September 1st, 1939"

The movie, as the book, is filled with philisophical, as well as practical insights. Deeply moving, even while not being cinematically brilliant.

Excellent movie ---really worth your time and tears!!!!
This movie has touched my heart and enriched my mind so much! (I cried the entire 2 hours.) Yes, we already know a lot of the things that it tries to convey, but this movie has encouraged me to act now and address many of my own personal issues---family, career, friendships, health, etc. and what's really important in life. Jack Lemmon is so good here, and made me think about the importance of caring for my own sick parents. I love him in this movie and God bless his soul for his contribution to humanity--good acting!!!. --of course, kudos to the author Mitch Albom for sharing Morries' wisdom . I will make sure that my daughter gets to watch this movie and read the book and so as all my siblings and dear friends. The book and the DVD are great 40th b-day gifts that I will also make sure I get.=:) AAAAAAA++++++++++++++

The Best Farewell
Wasn't this Jack Lemmon's last film before his death?? Anyway, I found it deeply stirring and enjoyable to watch. The first time I saw it I vowed that anyone whose life I care about should have this... I truly loved it. If this was Jack's last, what a gift to be able to make this movie while making his own transition... Wow!

Some get it & some don't
I've read the book & watched the movie. I've read the reviews on this movie as well. Most get it & a few wasted their precious time watching it, then wasted my time with their childish & foolish comments. They probably loved Lost In Translation .. now that was a major yawn for me!

Jack Lemmon was at his best in my opinion.

Unless you've confronted death up close & personal and who hasn't by now or truly have a sensitive side, this movie will likley only distract you. Probably because you're too busy not being in the NOW! Slow down, watch it again, without phones or kids or talking .. just take it in and if it still doesn't touch you in some way then you're probably already dead! ... Read more

Reviews (62)

*Scratches head* Why did this do bad at the box office?
Actually I can probably answer my own question: because everyone went to see this movie expecting The Jerk and got Woddy Allen. This is not a bad thing, in fact this is (in my opinion) Steve Martin's finest achievement, a brilliantly written, witty, well-rounded romantic comedy that is definately a "cult-favorite". I hate most romantic comedies, detest them because they use stupid plots designed only to drive the characters together. This movie builds a world of comedy around Steve Martin's character, then gently and subtly introduces the romance in a very artistically delightful bit of filming, with a dreamy Enya soundtrack in the background (back when she was at her best). How can you not laugh when Steve Martin is on the freeway and, to his horror, hears it's the first day of spring and consequently "open season on the LA freeway", to which he immediately takes out his gun and starts firing blindly at the old granny in the car next to his, who fires back. Or all the great cameos like Rick Morrannis, Patrick Stewart, Chevy Chase, and even Terry Jones. If you're a fan of Steve Martin's more subtle wit instead of his goofy antics (read his book Pure Drivel for similar subtle humor), you will love this movie.

L.A. STORY is Steve Martin's masterpiece
It's always a delight to follow a movie comic who really knows what he's doing, because eventually you hit the jackpot. With Woody Allen, it was HANNAH AND HER SISTERS; with co-exec-producer/writer/star Steve Martin, it's L.A. STORY. Rarely does any movie, much less a comedy, keep me bolted upright in my seat in anticipation of what might happen next. But from its schizoid opening ballet to its sweetly happy ending, even when I wasn't laughing, I was enchanted.

Martin plays Harris K. Telemacher, a Los Angeles TV weatherman who's unsatisfied with his superficial lifestyle. He woos and beds some women whom most men would probably be thrilled to have (Marilu Henner, "Sex and the City's" Sarah Jessica Parker), but he is unsatisfied until he meets a British journalist (Martin's then-wife Victoria Tennant) whose very unpretentiousness is enough to knock him off his feet.

This is obviously Steve Martin's attempt to be another Woody Allen--there's the Annie Hall-like quirky romance, the use of jazz great Django Reinhardt on the soundtrack (he also uses Enya, which was my introduction to this beautiful vocalist), and he romanticizes L.A. the way Allen does The Big Apple. Funny thing is, it all works. Even if you're as anti-L.A. as Manhattanite Allen is, it's an L.A. crafted in Steve Martin's mind, anyway--and what an original landscape it is.

It even goes Allen one step better. One scene Allen filmed and then deleted from ANNIE HALL featured the rolling news marquee in Times Square telling him to return to Annie in L.A. I have no idea whether Martin ever heard about this or not, but in L.A. STORY, he gets romantic advice from a highway traffic sign. The concept sounds hopeless (as Allen obviously decided it was), but Telemacher is so disbelieving about the concept that its comedy comes across. After all, everything else offbeat happens in L.A.; why not this?

There are few comedies that meld so perfectly. One is tempted to credit its lush visuals and on-the-button pacing to director Mick Jackson, except that Jackson has done little before or since that is this striking (THE BODYGUARD was a big hit, but I can't say it stands out in my mind). It's obviously Martin's comic vision all the way, and it's pure delight.

Martin's physicality and wit are on grand display here. And though Victoria Tennant, like Jackson, has done little else in her career that's this good, Martin certainly makes us see just what he saw in her. When they finally come together, it feels deserved and not at all forced.

In an era where gastric wheezing and room-temperature mentalities substitute for wit, it's refreshing to see a comedy that actually creates its own special world. For me, L.A. STORY ranks right up there with Preston Sturges's screwball comedies--a one-of-a-kind take on the world's craziness and the love that helps us endure it.

L.A. STORY is rated PG-13 for sexual situations and strong language.

One of Martin's Worst...
Having recently been certified as a qualified Steve Martin Critic under the auspices of the ASPG (American Society for the Prevention of Gout), I feel that I must impart what knowledge I have about "L.A. Story" so that the world will be a better place.

"L.A. Story" bombed at the box office after word of mouth killed it. In looking at the overall effort, it's not difficult to see why. "L.A. Story" is, in effect, a vanity effort, something that was manufactured for film critics and industry insiders. After films like "The Jerk", "Dead Men Don't Wear Plaid", and "The Man with Two Brains", Martin probably felt that it was time to move on to films that would appeal to a more mature, demographically correct audience.

The only problem is, "L.A. Story" is an effort that over reaches. As celeberal humor, it's too predictable. The sight gags and dialogue exchanges really don't work as humor, because the story itself plods along in a rather formulaic and mechanical manner.

"L.A. Story" is a film that will appeal mainly to members of the International Steve Martin fan club or certain Hollywood mutual admiration societies. If you want to see a good Steve Martin Film, watch anything else but "L.A. Story".

Incidentally, as of this writing, used VHS copies of "L.A. Story' are selling for $1.10 on Amazon...

Pure Genius
I have to admit, I'm not too keen on Steve Martin's newest (especially family-fare) movies, but can put L.A.Story up there in my top 5 movies of all time. Martin is a comedic genius and I get very excited to see him on Saturday Night Live, or in a movie such as this where he is truly in his element. I have owned this DVD for a few years and have put many miles on it, but long for artisan to release an updated version. Perhaps it is not on the top of the list for the studio or Martin (especially since it stars his ex-wife), but true L.A.Story fans hear me out and respond if you remember this:

Throughout the film there are references to "Harry Zell" (a Hollywood player)- more than I can count on one hand, actually. If you are paying attention, you keep expecting to see a scene with Mr.Zell but alas, it ended up on the cutting floor. I can vividly remember the first time L.A.Story debuted on Showtime in 1993 or so and surprise! the debut was hosted by the talented and hilarious John Lithgow- one Mr.Harry Zell. He introduced the movie and with a tear in his eye, showed his scene at the end of the movie. I'd love the film to be completed with this scene inserted in the appropriate spot- or at least included as a deleted scene.

All in all the movie is just about perfect, and people should get the Cliff's Notes to "A Mid-Summer Nights Dream" if they can't understand it.

Literate Love
Let's get this right out in the open. This is a love story. It is nothing more, and it does not need to be. It's context is a combination of philosophical literature and Los Angeles references, which makes for a dynamic range of comedic styles; testicle humor to Shakespearean parody. The sound track adds some magic and lends a weight to a story that is nothing new to the movie business. Yet it is the combination of elements that makes this movie a favorite of mine. Cinematically, it is clean and surreal.

I have read reviews that have called this movie Martin's masterpiece, and in the genre of romantic comedy, I agree. It is my favorite romantic comedy, and know that as a general rule, I hate romantic comedies. And yes, I still say this is a five star movie, definitely on my top 100 list as a Steve Martin fan and critical reviewer.

If you are looking for the "wild and crazy guy", look to The Jerk or his old stand up albums. If you want an intelligent love story in a unique backdrop, get this movie. ... Read more

Amazon.com

Get mindless for awhile with this 1997 disaster flick, starring the La Brea Tar Pits in Los Angeles as a funky place for lava to spew, plus Tommy Lee Jones and Anne Heche as the brave souls who know how to shut off the spout. Director Mick Jackson (TheBodyguard) wastes no time getting to the good stuff--it's happening even before opening credits are over--and neither should anyone in the mood for technical efficiency without the burden of art. --Tom Keogh ... Read more

Reviews (60)

Better than that other volcano movie with James Bond ;)
I've watched this movie dozens of times, the first being at an ampitheater in Indiana on a cold fall day. I hadn't heard of it before but the tickets were free, so I checked it out. Wow! What a movie! I couldn't believe it, the entire time I was sitting on the edge of my seat, I left with no fingernails at all. All the actors were just terriffic, especially Tommy Lee Jones, who just adds flair to any film he's in. I'm not sure where people get off saying that this movie is too fantastical, either. As they say in the film, one day in Mexico a man saw a smoking fissure in his field; the next day there was a volcano growing there. That story is completely true, and it's happened repeatedly throughout the world. Why couldn't it happen in LA, the most geologically unstable major city? That's like saying that an earthquake can never hit New York City because it just can't happen. And as the current quote on the page said, you can't fight nature? The techniques used in Volcano are used constantly in Iceland and Greenland, which are all highly geologically unstable places with many volcanos. Anywho :) off my soapbox, if you've got a second, check this out on a large TV with a huge sound system! And skip that Dante's whatever, Volcano is the bomb... literally.

Haha, what were you people expecting? Pyroclastic flows?
I think, overall, this is a good disaster movie. I mean, are you ever REALLY looking for a realistic scenerio in an action flick? I think the plot progressed smoothly (not one of those movies where the screen comes on and starts with people running around getting fried), and the music was great.

Obviously this is a small volcano, considering that if it was a Mount St. Helens thing with pyroclastic flows and lava all over, then yeah, LA wouldn't stand much of a chance, but its fun to think how a major city like LA would face a little volcano deciding to pop up in the middle of the city.

I think I lost some IQ...
This has to be one of the dumbest movies...ever...Yes ever...Seeing this movie I think my IQ dropped 20 points from it's stupid storyline and totally impossible happenings as a volcano magically forming in LA

Really dumb....the only thing good about this movie is laughing at it the entire way for its sheer stupidity

A stale and lame piece of junk
Is it fun to watch? Yes. Why? Because this is so bad you can't help but enjoy. They completely and utterly disregard any realism and totally defy the laws of physics. Let's put it this way, in this movie the coast is toast and the plot is rot. Tommy Lee Jones gets a major pay check to lead the rescue effort when geological mumbo-jumbo causes the La Brea tar pits and the new L.A. subway system to spit steam, ash, fire and a rolling, molten sea. Actually the coast is not even toast. Let me quote from everyone's favorite smart alleck Mike Nelson: "I hate to start this by nitpicking, but the movie really should be called lava and not volcano. The "film" starring Tommy Lee Jones and Anne Heche, really was long on lava and, as far as I could tell, had only one small-quite small, really-volcano. And, despite all the hype, the coast was not, at any time during the film, toast. The coastal city of Los Angeles, CA, was indeed in no small danger of being incinerated by flowing magma, but the situation was completely handled by disaster workers, and only the most pessimistic naysayer would describe the situation by saying 'the coast is toast.'" Beyond all that, seeing as how close our characters were to the lava, one would have to wonder why they weren't burnt up. At the temperature of the magma the characters could've in no way been as close as they were. Oh well it's simply a terrible movie. Bad acting, boring plot, crumby music, and doesn't even remotely live up to the hype! Unless you're in the mood for a cheeze-fest I suggest you see something else. Heck watching grass grow would be more stimulating than this.

valcano rocks on!
I love the movie valcano. I recemend it only to people who like horror and death movies becuse valcano is one of them. I hope kids don't really belive that this has happend becuse there has not ever been a valcano so powerful to blow up so much ash and magma to destruct a whole state and more than that so dont belive this happend. I will like this movie so much I am willing to pay for 2 copys of it if I had that kind of money but I dont so dont think I will. ... Read more

Amazon.com

Yet another astonishing example of the daring and intelligence of Britishtelevision, A Very British Coup imagines what might have happenedif, during the latter days of the cold war, a left-wing prime minister hadlaunched reforms that seriously threatened the interests of theestablishment--including the United States. While the initial barrage ofpolitical details may confuse American viewers, the complexity soon clearsand this miniseries becomes a gripping, dazzling feast of governmentmachinations, media deviousness, and internal power struggles--leading upto murder, blackmail, and extortion. A Very British Coup cunninglydisplays the tooth and claw of real politics, how personality and policymeld into action and subterfuge. Ray McAnally is fascinating as PrimeMinister Harry Perkins, leading a fantastically skilled cast. This superbthriller is based on the book of the same name by Chris Mullin, a formerreporter who became himself a member of British Parliament. --BretFetzer ... Read more

Reviews (9)

"Yes, Minister" with Brass Knuckles
I ordered this based on raves I've heard elsewhere, and they were spot on. SOMEHOW, a Socialist takes over the Labour Party in England and manages to get elected. OK, so that's already highly unlikely, but if you let that go, you're in for a fantastic ride.

One sees how strings are pulled not only by established powers in England, but by Americans as well. While the body count isn't as high as the US' overthrow or Mossadeq in Iran in 1953 or Allende in Chile in 1973... or Diem in Vietnam in 1963... the overall threat to the PM's government is very real and very determined.

This series has important questions to ask about many aspects of power politics, and the questions apply to every government in the world. Who wields power behind the scenes? How is that power used and abused? Are nations such as England, Germany, and Japan effectively occupied nations that have grown accustomed to the presence of US troops there?

Could the scenario described in the series actually happen? Well, the PM of Australia stepped down in 1975 under heavy pressure from the US via the CIA and Australia's own pro-US president. You betcha this could happen.

Observing the development of events in Iraq in light of this series is very revealing: we can watch as powerful cliques maneuver to get position to control that nation for the foreseeable future. Question: what if the Iraqi PM decided to ask the US troops to leave on July 1? A very Iraqi coup?

I don't mean to pass judgment, but to ask the questions the series gave me. I despised the policies of PM Perkins, but I admired his brand of dirty pool. If you liked "Yes Minister" or "Yes, Prime Minister", you'll really go for this three-hour series.

By the way... when you get to the ending... ask yourself if that's really an ending. Hehehe... Very much like a Philip K. Dick sort of ending.

Glad To See It On DVD
This is a great movie, originally played in the US on PBS's "Masterpiece Theater" in the 1980's. It tells the story of Harry Perkins, a working-class politician and socialist, who is able to do the impossible and win a general election in Britain.

Once he meets with his ministers, he is determined to stick with his campaign promises (a novel idea!) and reform the country for the better. He wants to push the US military out of Britain, disarm the country's nuclear arsenal, and stop the IMF from holding the British economy hostage by using Soviet economic aid. He is also a true democrat -- trying to make the work of the government as transparent and accountable as possible, and making sure the public knows what's going on. This brings Perkins a great deal of popularity, to the detriment of his Tory (and moderate Labour) opponents.

But Perkins' Labour government is being undermined by the conservatives who run the media and government. There are many meetings in "smoke-filled rooms" by the media elite, who seem to closely mirror Rupert Murdoch (owner of Fox News and the New York Post). Even with help from the CIA, they initially can't find any dirt on the Prime Minister -- though Perkins' Foreign Minister is caught having an affair and forced to resign. Eventually, they find that the Prime Minister did have a brief affair in the 1970's, and they try to blackmail him into resigning. But there's a twist ending that I won't spoil in this review.

The main character in this film reminds one of "Red Ken" Livingstone, the maverick leftist mayor of London. Livingstone was purged from the Labour Party by Tony Blair in 2000, only to be reinstated, because Blair's popularity is plummeting and Livingstone's is soaring. Seeing "A Very British Coup" is very much like seeing a documentary of what a Ken Livingstone would have to do in order to maintain his integrity in power.

I highly recommend this film, and I'm very happy to finally see it out on DVD.

C'mon, people, get a grip here!
"A Very British Coup" is a fine example of a left-wing fantasy.

It reminds me of nothing so much as the documentary about Enver Hoxa's Albania that was broadcast by the Canadian Broadcasting Company in the late 1980s. The conclusion of the CBC piece was that the happy Albanians were delighted with their dignified and unspoiled lives, blessedly free from the follies of either West or East. Alas, the problem with the CBC documentary was that within a month of its airing the happy Albanians were busy beating their way past Italian border guards trying to prevent their mad dash toward Western follies and excesses.

And so it is here. In this piece a Labour Party PM achieves power, immediately begins to institute a socialist agenda, kicks the US military out of Britain, and is all the while supported by the limitless financial resources of the Soviet Union. (Score it 0 for prophecy!) The program also shows virtually every leader of the Conservative Party as a thug at heart and without qualms about conspiring against virtuous lefties, even unto assassination. But there is no need to fear, for we are shown that the Cons are all paper tigers who can be overcome with a wave of the Beloved Leader's Benevolent Hand.

Gimme a break! This is for (bitter) laughs only.

Dated Yet Timely
On first sight A Very British Coup seems impossibly old fashioned, dealing as it does with a left wing British Prime Minister who believes in public ownership, non alignment, and a non-nuclear strategy. He borrows money from the Soviet Union and tells the United States to take its bases out of Britain. As a result right wing elements in Britain, with ample assistance from the US government, do all they can to sabotage his government and force him out of power.

So why watch this now, more than ten years after the end of the Cold War, during a British Labour government that sometimes seems more Thatcherite than Maggie herself? Well, first its a dynamic political thriller with tension that lasts right up until the final, rather equivocal moments. Secondly, it asks some difficult questions about the nature of democracy and the relationship of power and privilege. Thirdly, I think for us American viewers it provides an eye-opening look at how the rest of the world sees us, and its not all that flattering. (Most of the American officials look like prize fighters and bully boys, which is what they turn out to be in the end. The Ugly American indeed!)

The DVD version doesn't have many extra features, just some filmographies of the principal stars and an audio interview with the author, Chris Mullin M.P. This seems to have been originally broadcast on radio and is rather scratchy, but you can hear Big Ben in the distance, which is a nice touch. So I recommend this DVD for political junkies, Anglophiles,and any Americans concerned about our international reputation.

Self-indulgent lefty excrement
Imagine if you will a world in which the public starves for more simple-minded leftist slogans, yearns for a "man of the people" to take power and rescue them from their troubles, while the devious right wing plans an elite coup against the noble lefty to prevent him from truly benefiting the nation.

If you still have your supper in you after that description, then this is the movie for you. It will flatter all your prejudices, lift up your pettiest bigotries to the status of virtue, and it will not once force you to swallow a hard truth. This is pablum, pure and simple, and if you like it because it strokes your political views then you have abandoned artistic aims for those of the lowest political propaganda.

For propaganda is what this is, without a shade of subtlety or nuance. Harry Perkins is a paragon throughout, a man so well-intentioned he seems to have been deposited on this planet something in the manner of Mr. Bean, although perhaps minus the pratfall. His enemies do not possess a shred of decency--well, what enemy of such a sterling leftist could?--etc. etc. etc. You can practically write this drivel in your sleep. For die-hards only. ... Read more

Reviews (46)

A GREAT MOVIE
This is a brillient film with 2 great talents coming together to play the main characters. Actor Kevin Costner plays Frank Farmer, The Bodyguard & singer Whitney Housten,plays famous popstar Rachel Marron. She starts being pestered by an obsessive fan who has turned nasty and started sending threatening letters, so Frank farmer is employed to protect her, against her wishes. But she finds herself falling in love with him, & after a lot of nasty incidents is glad that he is there to look after her. Kevin Costner & Whitney Housten both play their parts very well, with great chemistry between them. There are great Whitney songs such as, her no. 1 single "I Will Always Love You" & "I Have Nothing" & "Queen Of The Night" There is also a good supporting cast. Its a film I have seen many times & never get tired of & I`m sure if you buy it you will feel the same. One of the best films of the 90`s.

The Ultimate Date Movie
Kevin Costner stars as a stoic ex-FBI agent who becomes the bodyguard for rock diva/good Mom Whitney Houston. He finds her lifestyle a bit much at first, but thanks to her cute son, he starts to like her (a definite no-no in the bodyguarding business). Someone is trying to kill her and there are very some intense moments as the stalker gets very close. But who hired the killer? That's the real question.

Whitney has a perfect voice and she sings many memorable songs. You'll rock to "Queen of the Night," and could there be a more bittersweet lovesong than "I Will Always Love You"? Their one romantic encounter is much too brief, but the chemistry is palpable. He's icy, she's hot; what a combination. Costner and Whitney are very sexy and also quite vulnerable. Credit goes to the excellent script as well as the stars' talent. This is a real chick flick: it's got romance, action, suspense, music, and a two gorgeous stars.

Outstanding
When this movie first came out the critics panned it mercilessly and frankly I just can't understand why. I thought it was fabulous. Kevin Costner plays an ex-Secret Service agent hired to protect a spoiled, difficult to get along with diva receiving death threats. Whitney Houston portrays the spoiled starlet to perfection. The chemistry and interplay between Houston and Costner was electric. The music in the movie was also great.

There are really some key elements that made this movie extremely good. First, I thought the acting was top notch by all involved. The supporting cast really played their characters well, as did the stars. Secondly, the editing was outstanding. The movie and plot move along at a fast pace. There is not a dull moment in the entire movie. And finally, the plot was plausible (for the most part) and the mystery - who is the hit man - slowly reveals itself. Having watched the movie several times, there a several foreshadowings.

Overall I found it a most entertaining movie both as a mystery, a thriller, and love story.

Are you sick
Its sad that a movie like this that contains no script or story plot is labeled a great movie and is given better reviews than Mariah Carey's Glitter which contained a story and plot.

Come on just think about it. I love Whitney as a singer though.

Visit my site: http://www.mjacksononline.tripod.com

LOVED IT!!
Kevin Costner is a FOX!!! I loved this movie..I bought the DVD since I had never seen it but liked Whitney Houston. I am now a fan of Kevin Costner!! I was so happy and in tears when she stepped off that plane in the end. I had to bust out my Whitney Greatest Hits CD! LOVED it!! ... Read more

Amazon.com

Live from Baghdad tells the story of how CNN became the only newsagency to cover the first Gulf War from within Baghdad. Michael Keatonstars as CNN executive producer Robert Wiener, who took a small news teaminto the Iraq capital after the invasion of Kuwait. Along with producerIngrid Formanek (Helena Bonham Carter), Wiener jousted with teams fromother networks, fought with antiquated equipment, and wrestled with Iraqiattempts to control information--in particular with an informationminister named Naji (the outstanding David Suchet). After numeroussetbacks, Wiener's team triumphed when they had the only connection frominside Baghdad as the American forces began dropping bombs. Though aTV-movie about TV news coverage is a bit incestuous, Live fromBaghdad makes for compelling viewing; the script and direction aretaut, performances are excellent all around, and the perspective on thewar is multilayered. --Bret Fetzer ... Read more

Reviews (13)

Pretty good movie, but...
I liked this movie because I'm a news junkie and a fledgling journalist myself, but I also liked it because of the acting by the various leads. Micheal Keaton has refined the manic energy of his more extreme roles to portray go-getting CNN producer Robert Wiener. You'd never think that Helena Bonham-Carter is British, I had no idea she was this good an actress. David Suchet as the Iraqi official who heads the Ministry of Information is superb also. The rest of the cast likewise deserves a big hand.

The question is whether or not the story is accurate or if the filmakers have taken "liberties." I tend to think that author and scriptwriter Wiener has given himself a small pat on the back in his portrayal of himself. In the movie he starts off as a hotshot relentlessly pursuing his agenda. When he inadvertantly puts the life of an oil worker in danger he finds himself questioning his journalistic ethics as well as his own morality. Ultimately his motives are noble and he is absolved of any wrongdoing. So what's the real story? Is this realism or idealization? I'd say it's some of both. In what proportions it is hard to say exactly. I'll give the movie the benefit of the doubt.

Great Movie !!
What a film! It is so great to see a movie that can not only entertain, but also educate. And it was great to see Michael Keaton doing what he does best, after so much time. It brings to life what was going on over there. I was 15 when I was watching The Gulf War on TV... It was scary, but at that age I didn't understand. I'm glad to learn the truth in history, especially from movies. I felt the same about the movie "Thirteen Days". Keep bringing those movies that teach us our own history. Robert Wiener and Mick Jackson, you did a great job in telling the story from this perspective.

Would have been interesting if it was true
Sadly, this docudrama is built around the infamous 'incubator' story, which was later found to be US and Kuwaiti propaganda. The movie never admits this. I suppose if it had, a lot of the motivation for the movie characters would be lost. It's a pity that the filmmakers decided not to plumb the real depths that surrounded the events that the movie covers, for if they had, there would be a really gripping story of media manipulation (i.e. not only manipulation by Iraq). Sadly, the filmmakers either ignore the more subtle manipulations that went on, or are blithely unaware of them. In the end, this movie becomes a pro-CNN fluff piece, and is as superficial as the network coverage it intends to portray.

Wow
I liked this movie and so would you. It is based on a true story of CNN heroes who are and decide to stay in Iraq during the Gulf War despite the so many risks. Their brave hearts make them the envy of every journalist from all over the world as this CNN crew is the only one that covered Gulf War - LIVE.

Michael Keaton rocks in this movie. I liked his performance here more then in the famous Batman movie or any other he played before.

I would especially and highly recommend this movie to those people who burned their own flags that represent Justice and Democracy for a scumbag such as Sadam Hussein and its loyal followers which today thanks to U.S.A are the sorest losers as they have always been. Then you'll see how "smart" you were to burn your own flag for someone who is a menace to the civilised world.

A must watch movie. Well done to all the people who made this great movie. Well done to CNN heroes too. CNN rocks - as always.

A great Docudrama
I found the story compelling to follow, I've watched this movie 3 times and enjoyed all aspects of it. Because the characters are real (i.e. CNN's crew) it was credible.But the most moving part was the background music. This would make an awesome CD to own, ranking it right up there with Black Hawk Down Sountrack. I can't find any reference as to the availability of this in a soundtrack, but if it exists......I WANT IT! ... Read more

Description

Based on the true story of the McMartin family who, accused of a heinous crime, suffered six years of public humiliation before being found innocent. The scandal that tore a family and a nation apart. ' 'Riveting, frightening, dynamite.' ' (The Washington Times) ... Read more

Reviews (8)

They told the wrong story
I grew up in Manhattan Beach in the 80's. Luckily for me, I went to a different pre-school. I grew up with bumper stickers reading, "I believe the children."
This movie offends me simply because they only told one side of the story, and because they skewed it so much. I was horrified to see the defendants portrayed as victims, and the children and parents portrayed as fools, when I knew the opposite to be true. Parents are not fools. They know when their kids are lying. I helieve the children.
Other reviewers claim this is a true story. I beg any viewer to take it with a grain of salt-- this is the "true" story as told by the defendants. Ask any parent or child involved, and you'll hear a completely different story.

James Woods, Superstar
Armed with a perfect Verbal SAT score and an IQ of 180, intellectual powerhouse James Woods aces his portrayal of a defense attorney who, against the political might of the Los Angeles District Attorney's office, brings the best possible approximation of justice to a family falsely accused of committing the most heinous of non-capital crimes--a family already tried and convicted, though ambitious, reckless, and sensational reporting, in the court of public opinion.

So put the kids in bed, put the DVD in the player, sit back, and prepare to be blown away by Woods's best performance since his guest appearance on "The Rockford Files".

Everybody Loves Raymond
HBO really outdid themselves with this one! The riveting story of the McMartin Pre-School tragedy is delivered with a knock-out punch! The story centers around the molestation charges hurled at the infamous Manhattan Beach pre-school, where head maven Virginia rules with either an iron fist or a mother's heart (depending which side you choose to believe) from her wheelchair. Joining Ma McMartin is her daughter Peggy and her grandchildren, Ray and Peggy Ann. There are also special appearances by Betty Radar and Babette Spitzler. James Woods delievers an inspiring performance as Ray's attorney, while Mercedes Rhuel & Lolita Davidovich play the "villians," Lael Rubin and loose Kee MacFarlane. The film really gets to the heart of the argument that if "children say it is true, they must be believed." I went to school with a guy named FC Gaybo and he knew Kee personally. He said she'd sleep with anything on 2 legs, but that "children don't lie about these types of things." I found this quite an ignorant statement. It is also to note that the writers, Abby & Myra Mann had their home burned to the ground. Insanity! The film is campy too. Watch out for hilarious references to the Alligator Game and (my fave) Naked Movie Star (wish I knew how to play that!). The film also demonstrates the level of paranoia that engulped everyone involved. The mother of the first accuser (a drug addicted psychotic) hits the bottle and makes outrageous claims that the family dog was molested and that she is "Jesus Johnson"! Keep an eye out for Peggy's body cavity search scene!

One side of a very tragic story
Too bad only one side of this story was ever turned into a movie. I would consider it a powerful piece of government propaganda, playing on the incredulity of an audience that would rather not believe the history of this very kind of abuse far beyond what this case attempted to handle ... particularly since it was one of the first to attempt to make its way through the courts.

If one believes everything they see in a movie as the truth, one comes away believing that a terrible injustice has been done. James Woods was, indeed, magnificent as the lawyer defending the accused McMartin clan; as was Mercedes Reuhl as the prosecuting attorney. The McMartin's were portrayed as hapless, innocent victims of a hysterical media circus and Kee MacFarlane was portrayed as ignorant, manipulative and overtly sexy -- bad, boo! evil!

They show you what they want you to see, and so many people have bought it, hook, line and sinker. The children have grown up, their memories intact, and those who survive, continue to suffer and struggle with their healing, moreso because of how the media betrayed them. The children know what this movie could not possibly reveal, they knew it then, and they know even more today.

Someone should make a movie telling *their* story. Not the lawyers, not the accused, not the media, but the children, who are children no longer. It's as if the charges never existed, and the children never existed either.

The fact of the matter is they did, and they still do, as do hundreds of children who were caught up in the nightmare of trafficking in children for nefarious purpose that existed then, and continues to exist today, now in the thousands, globally.

We have a better understanding of this entire phenomenon now, and it is incumbent on all of us to understand the story that is unfolding here so that we can finally put an end to it.

...

......

Vivid and compelling
This account of the most celebrated trial arising out of the child molestation and satanic abuse hysteria of the eighties and nineties-a witch hunt far worse than that of the McCarthy era in terms of lives destroyed and innocent people thrown in jail, and even worse than the Salem witch trials of the 17th century in extent, except that nobody was actually stoned or hanged, was only the tip of the iceberg. Hundreds of innocent people went to jail and some are still there. Nobody can give them back their lives, ruined by immoral prosecutors bent on career-building at any cost and by guilt-ridden latch key parents out to excite their blood lust. Yes, children do lie and more important, as this film demonstrates, they can be brainwashed and coerced into telling the most outrageous and horrific tales (and believing them) to escape the gestapo tactics of their interrogators.

Oliver Stone produced, and Abby Mann, who wrote the celebrated Stanley Kramer film, "Judgement at Nuremberg" (1961) and Myra Mann penned the compelling script. James Woods is excellent as Ray Buckey's attorney, but Lolita Davidovich who plays the evil and sick Kee MacFarlane (who led the indoctrination of the children) is both too pretty and too sane to be truly effective. Mercedes Ruehl plays incompetent L.A. County prosecutor Lael Rubin with enough vile to drip. Sada Thompson brings warmth and charm to the part of Virginia McMartin, and Henry Thomas plays Ray Buckey to a perfect fit.

But this movie was made too soon. In the five years since its production, the full extent of the hysteria has come to light. When a significant portion of a society is taken in by something like this, it takes the passage of time before the full truth can be accepted. Had director Mick Jackson known of the near pandemic extent of the sickness he might have made a larger film. As it is, this is a vivid and compelling film. ... Read more

Reviews (3)

Very cheesy, but entertaining nonetheless
Being somewhat of a geek myself and former resident of silicon valley, this movie immediately appealed to me. However, my girlfriend, nothing like me, found it innane and stupid.

The film manages to deliver a few laughs and lots of cheese, all of which make for an entertaining movie. And really, that is the key to this one. You will be telling yourself while watching this that everything about it sucks, the plot is unbelievable, if not predictable, the acting, well for what it is the acting isn't bad, and there is a total lack of real character development. However, these shortcomings will quickly fade away as you find yourself enjoying this one in spite of your own inner critic.

On the whole it is fun to watch, not just once, but even multiple times. And in the end, even for all its flaws, it ends up being a cute and fun flick.

The 1 Hour and 45 Minutes are Very Entertaining
Somewhat predictable but deserving better praise, THE FIRST 20 MILLION IS ALWAYS THE HARDEST works because we care about the characters in this movie and it is very funny and entertaining. This is due in part that it was co-written by Jon Favreau (SWINGERS) with a script that has some thought and wit behind it compared to many low-brow comedies. Also, it is exec-produced by Harold Ramis (ANIMAL HOUSE, CADDYSHACK, STRIPES, GHOSTBUSTERS). Andy (Adam Garcia--BOOTMEN)is very likable as the high tech ad exec who leaves a high profile job in Silicon Valley to join a research and development/think tank company. He hand picks a team of creative and intelligent (but socially inept) engineers to create a "99 dollar personal computer" only to discover that the the assignment was given to him only because the company needs a tax write-off. In other words, the company expects that it can't be done. Instead, they invent a computer that uses no monitor and keyboard, only interaction with hologram icons. The special effects are pretty good in these sequences. Then, the movie shifts gears with the predictable corporate takeover twists and turns as they find their invention taken from them. However, these sequences are intriguing as they are a topical (yet satirical) look at today's headlines of troubles in the high tech industry especially among the dot-com companies. Jake Busey (tv's - SHASTA MCNASTY) as Darrell once again plays one of his patented support characters as one of the misfit engineers, and Enrico Colantoni (tv's JUST SHOOT ME)plays the evil corporate executive,Francis Benoit, out to steal their invention and get the profits. Lastly, Rosario Dawson (PLUTO NASH) as Alisa plays the down-to-earth artist and love interest to Andy. Overall, a decent comedy with great casting, a plausible inventive high-tech concept, good production values and issues that reflect the real world.

B version of Office Space!
Hilarious! I was entertained by all the great supporting cast members here - Rosario Dawson, Jake Busey, Enrico Colantonio! You find yourself rooting for these losers right from the very start! Not sure why this movie wasn't in theaters, you'll be seeing it on Comedy Central in five years! Some of the emotional connections in the movie weren't believable, but I guess that entertainment! I recommend this movie as a pick me up after any day at work! ... Read more

Amazon.com

This 1992 crowd pleaser made almost as much money for Whitney Houston as its chart-busting soundtrack. A high-wattage star vehicle as only Hollywood can make, The Bodyguard stars Houston as a pop-music diva (now there's a stretch) and Kevin Costner as the stern bodyguard who is assigned to protect her after the singer receives some nasty death threats. Pop star and bodyguard don't hit it off at first, but they wear down each others' defenses, and before long Houston is baring her tonsils with a rousing rendition of the Dolly Parton chestnut "I Will Always Love You." The film, written by Lawrence Kasden, was originally intended for Steve McQueen, but the script languished for years before Houston took an interest in the project. A proposed sequel would potentially have starred Costner and Princess Diana, until Diana's tragic death precluded that possibility. --Jeff Shannon ... Read more

Reviews (46)

A Good Movie With a Few Minor Flaws
First off I'd like to mention that even though it lists the remastered soundtrack as one of the special features, it doesn't mean that it is has the actual soundtrack included, it just means the scenes of the movie with music are remastered. This DVD isn't really good as far as special features, but the movie is as good as it was 10 years ago. Whitney is excellent in her film debut, and Kevin is no worse than he usually is. The only big problem with this movie is that Whitney's character, Rachel, curses more than half the time. If you have a child that you don't think is old enough to listen to Whitney Houston saying the F word, I suggest you tape this off TV (it's always on) and watch that copy when with your child, as they always edit the curses out. Other than these things, this movie is excellent, suspenseful, romantic, and gives you insight into the dangerous life of a superstar. If you like these things, or just like Whitney, or, umm, Kevin, you will love this movie, just don't expect "I'm Every Woman" to show up anywhere, it doesn't.

Outstanding
When this movie first came out the critics panned it mercilessly and frankly I just can't understand why. I thought it was fabulous. Kevin Costner plays an ex-Secret Service agent hired to protect a spoiled, difficult to get along with diva receiving death threats. Whitney Houston portrays the spoiled starlet to perfection. The chemistry and interplay between Houston and Costner was electric. The music in the movie was also great.

There are really some key elements that made this movie extremely good. First, I thought the acting was top notch by all involved. The supporting cast really played their characters well, as did the stars. Secondly, the editing was outstanding. The movie and plot move along at a fast pace. There is not a dull moment in the entire movie. And finally, the plot was plausible (for the most part) and the mystery - who is the hit man - slowly reveals itself. Having watched the movie several times, there a several foreshadowings.

Overall I found it a most entertaining movie both as a mystery, a thriller, and love story.

Are you sick
Its sad that a movie like this that contains no script or story plot is labeled a great movie and is given better reviews than Mariah Carey's Glitter which contained a story and plot.

Come on just think about it. I love Whitney as a singer though.

Visit my site: http://www.mjacksononline.tripod.com

LOVED IT!!
Kevin Costner is a FOX!!! I loved this movie..I bought the DVD since I had never seen it but liked Whitney Houston. I am now a fan of Kevin Costner!! I was so happy and in tears when she stepped off that plane in the end. I had to bust out my Whitney Greatest Hits CD! LOVED it!!

I sorta like it, but I don't respect it...
You're going to see "The Bodyguard" spoofed a lot. Just two days ago I saw an episode of "The Simpsons" with Homer saving Mark Hamill from a horde of geeks. As the song "I Will Always Love You" swelled in the background, the image of Homer carrying an animated Mark in his arms filled the screen.

Of course, the film itself isn't a good movie. "The Bodyguard" is, in fact, a very bad movie. But I like it, in an odd sort of way. It's one of those likable but stupid movies that make the time fly by on a Friday night -- unless, of course, you have something better to do than waste your time watching Kevin Costner attempt to act and Whitney Houston attempt to love him.

The movie stars Kevin Costner as Frank Farmer, a bodyguard who blames himself for events from the past that come back to haunt him. Whitney Houston basically plays Whitney Houston (though the character's name is different in the film), a famous singer like herself who falls in love with her newly-aquired bodyguard and sparks an interracial romance that threatens her career almost as much as the death threats she has been receiving in the mail.

Frank's mission is to protect her at all costs from the assassinator, who is not a metallic cyborg and who does not bear an uncanny resemblance to Arnold Schwarzenegger (though it would have helped market the film). The surprise at the end is that the killer is not who we think it is throughout -- so don't think at all! Just watch. I hope I didn't ruin any part of the movie for you. But don't tempt me -- I'm about to give away the rabid fan's identity to you.

"The Bodyguard" is a big, mushy mess, filled with bad acting and bad scriptwriting. The entire movie is bad. It's way too long for its own good -- especially when it is broadcast on network television and stretched to a near three-hour showing. (Do they really provide fifty minutes of commercials these days on CBS?) I've seen the movie numerous times, on network television and unedited, and it always seems too long. But, despite its (extremely) bad traits, the movie is a lot of fun to watch.

I don't like Kevin Costner. I think he is, what I call, a *blah* actor. He talks with such a lightweight mumble that it often induces sleep. If Costner wants to make money after his film career is depleted (that's happening, folks), he should market Costner Sleep Cassettes. Insert a cassette tape/CD of Kevin Costner reading your least favorite book, and you're guaranteed to fall asleep in less than five minutes -- or your money back!

I found one great role that Kevin Costner has played over the years, and it was the role he played in "The Untouchables," opposite Robert De Niro's Al Capone. Brian DePalma directed that movie, and it worked because the role for Costner fit his dull acting talent. Watching him attempt to *really* act is quite sad. Remember his interpretation of Robin Hood? Some people liked it, but I thought it was a disgrace to Robin Hood.

For what it's worth, Costner is good here, mainly because he acts like a dull bodyguard who is required to show absolutely no feelings whatsoever. His character basically walks around with a single expression on his face throughout the film, including while he's on a date with Whitney and the night after (if you know what I mean).

The movie sparked a lot of controversy because the couple embrace in a passionate kiss at the end of the film. If you don't mind sitting through bad acting, bad directing, bad scriptwriting, all stretched out to two and a half hours...then this is the movie for you. I, personally, sorta like it. But I don't respect it. ... Read more

Reviews (62)

*Scratches head* Why did this do bad at the box office?
Actually I can probably answer my own question: because everyone went to see this movie expecting The Jerk and got Woddy Allen. This is not a bad thing, in fact this is (in my opinion) Steve Martin's finest achievement, a brilliantly written, witty, well-rounded romantic comedy that is definately a "cult-favorite". I hate most romantic comedies, detest them because they use stupid plots designed only to drive the characters together. This movie builds a world of comedy around Steve Martin's character, then gently and subtly introduces the romance in a very artistically delightful bit of filming, with a dreamy Enya soundtrack in the background (back when she was at her best). How can you not laugh when Steve Martin is on the freeway and, to his horror, hears it's the first day of spring and consequently "open season on the LA freeway", to which he immediately takes out his gun and starts firing blindly at the old granny in the car next to his, who fires back. Or all the great cameos like Rick Morrannis, Patrick Stewart, Chevy Chase, and even Terry Jones. If you're a fan of Steve Martin's more subtle wit instead of his goofy antics (read his book Pure Drivel for similar subtle humor), you will love this movie.

L.A. STORY is Steve Martin's masterpiece
It's always a delight to follow a movie comic who really knows what he's doing, because eventually you hit the jackpot. With Woody Allen, it was HANNAH AND HER SISTERS; with co-exec-producer/writer/star Steve Martin, it's L.A. STORY. Rarely does any movie, much less a comedy, keep me bolted upright in my seat in anticipation of what might happen next. But from its schizoid opening ballet to its sweetly happy ending, even when I wasn't laughing, I was enchanted.

Martin plays Harris K. Telemacher, a Los Angeles TV weatherman who's unsatisfied with his superficial lifestyle. He woos and beds some women whom most men would probably be thrilled to have (Marilu Henner, "Sex and the City's" Sarah Jessica Parker), but he is unsatisfied until he meets a British journalist (Martin's then-wife Victoria Tennant) whose very unpretentiousness is enough to knock him off his feet.

This is obviously Steve Martin's attempt to be another Woody Allen--there's the Annie Hall-like quirky romance, the use of jazz great Django Reinhardt on the soundtrack (he also uses Enya, which was my introduction to this beautiful vocalist), and he romanticizes L.A. the way Allen does The Big Apple. Funny thing is, it all works. Even if you're as anti-L.A. as Manhattanite Allen is, it's an L.A. crafted in Steve Martin's mind, anyway--and what an original landscape it is.

It even goes Allen one step better. One scene Allen filmed and then deleted from ANNIE HALL featured the rolling news marquee in Times Square telling him to return to Annie in L.A. I have no idea whether Martin ever heard about this or not, but in L.A. STORY, he gets romantic advice from a highway traffic sign. The concept sounds hopeless (as Allen obviously decided it was), but Telemacher is so disbelieving about the concept that its comedy comes across. After all, everything else offbeat happens in L.A.; why not this?

There are few comedies that meld so perfectly. One is tempted to credit its lush visuals and on-the-button pacing to director Mick Jackson, except that Jackson has done little before or since that is this striking (THE BODYGUARD was a big hit, but I can't say it stands out in my mind). It's obviously Martin's comic vision all the way, and it's pure delight.

Martin's physicality and wit are on grand display here. And though Victoria Tennant, like Jackson, has done little else in her career that's this good, Martin certainly makes us see just what he saw in her. When they finally come together, it feels deserved and not at all forced.

In an era where gastric wheezing and room-temperature mentalities substitute for wit, it's refreshing to see a comedy that actually creates its own special world. For me, L.A. STORY ranks right up there with Preston Sturges's screwball comedies--a one-of-a-kind take on the world's craziness and the love that helps us endure it.

L.A. STORY is rated PG-13 for sexual situations and strong language.

One of Martin's Worst...
Having recently been certified as a qualified Steve Martin Critic under the auspices of the ASPG (American Society for the Prevention of Gout), I feel that I must impart what knowledge I have about "L.A. Story" so that the world will be a better place.

"L.A. Story" bombed at the box office after word of mouth killed it. In looking at the overall effort, it's not difficult to see why. "L.A. Story" is, in effect, a vanity effort, something that was manufactured for film critics and industry insiders. After films like "The Jerk", "Dead Men Don't Wear Plaid", and "The Man with Two Brains", Martin probably felt that it was time to move on to films that would appeal to a more mature, demographically correct audience.

The only problem is, "L.A. Story" is an effort that over reaches. As celeberal humor, it's too predictable. The sight gags and dialogue exchanges really don't work as humor, because the story itself plods along in a rather formulaic and mechanical manner.

"L.A. Story" is a film that will appeal mainly to members of the International Steve Martin fan club or certain Hollywood mutual admiration societies. If you want to see a good Steve Martin Film, watch anything else but "L.A. Story".

Incidentally, as of this writing, used VHS copies of "L.A. Story' are selling for $1.10 on Amazon...

Pure Genius
I have to admit, I'm not too keen on Steve Martin's newest (especially family-fare) movies, but can put L.A.Story up there in my top 5 movies of all time. Martin is a comedic genius and I get very excited to see him on Saturday Night Live, or in a movie such as this where he is truly in his element. I have owned this DVD for a few years and have put many miles on it, but long for artisan to release an updated version. Perhaps it is not on the top of the list for the studio or Martin (especially since it stars his ex-wife), but true L.A.Story fans hear me out and respond if you remember this:

Throughout the film there are references to "Harry Zell" (a Hollywood player)- more than I can count on one hand, actually. If you are paying attention, you keep expecting to see a scene with Mr.Zell but alas, it ended up on the cutting floor. I can vividly remember the first time L.A.Story debuted on Showtime in 1993 or so and surprise! the debut was hosted by the talented and hilarious John Lithgow- one Mr.Harry Zell. He introduced the movie and with a tear in his eye, showed his scene at the end of the movie. I'd love the film to be completed with this scene inserted in the appropriate spot- or at least included as a deleted scene.

All in all the movie is just about perfect, and people should get the Cliff's Notes to "A Mid-Summer Nights Dream" if they can't understand it.

Literate Love
Let's get this right out in the open. This is a love story. It is nothing more, and it does not need to be. It's context is a combination of philosophical literature and Los Angeles references, which makes for a dynamic range of comedic styles; testicle humor to Shakespearean parody. The sound track adds some magic and lends a weight to a story that is nothing new to the movie business. Yet it is the combination of elements that makes this movie a favorite of mine. Cinematically, it is clean and surreal.

I have read reviews that have called this movie Martin's masterpiece, and in the genre of romantic comedy, I agree. It is my favorite romantic comedy, and know that as a general rule, I hate romantic comedies. And yes, I still say this is a five star movie, definitely on my top 100 list as a Steve Martin fan and critical reviewer.

If you are looking for the "wild and crazy guy", look to The Jerk or his old stand up albums. If you want an intelligent love story in a unique backdrop, get this movie. ... Read more

Reviews (8)

Hilarious!!!
This is my all time favorite funny movie. I must have seen it about 50 times, and it hasn't gotten a bit old. I laugh so hard I cry. This isn't slapstick humor, it is suddle and that's what makes it so great!

Good plot, but one problem: its not funny
This movie almost looks like memento ripped off of it. This guy has temporary amnesia, and the plot unfolds as the movie goes on. The plot is very well thought out and clever, revealing something new each minute, but there is one problem. This movie is supposed to be a comedy, and tries hard, but fails to deliver the laughs. There are many desperate attempts at humor in this movie, but only about 3 times does it work. But nonetheless it is an enjoyable 90 minutes, and although it wastes his talent, as one of the few movies Dana Carvey stars, and he is usually so funny, but in this movie he just doesnt deliver.

dumb humor
This is the best comedy of all time. Dana Carvey pulls off the best character of a guy who's got temporary amnesia. He plays the perfect role waking up as a complete moron to the world every morning, whenever he goes to sleep ~ he loses his memory. If you liked Dumb & Dumber...etc. you will love this movie. And it's a good one to buy because you have definately got to watch it more than once. You can't catch everything the first time you watch it. Hope this review helped.

Brilliant
I loved this movie, I think its genius. It has depth, detail, atmosphere, and is hilarious with clean humor (which is kind of refreshing). A great vehicle for Carvey (and I'm not a huge Carvey fan), I can watch it again and again!

You Golino, girl
The comedy CLEAN SLATE runs hot and cold. Its director, Mick Jackson, has made at least one gem (L.A. STORY) and one dog (THE BODYGUARD), and he's between those extremes this time around. CLEAN SLATE's worth a try on television as opposed to buying or renting.

CLEAN SLATE's imaginative premise involves the plight of lead actor Dana Carvey, who doesn't remember anything previous to his last night's sleep. Before we even get to know his character, the film rushes into the story of the daily amnesia attacks, one reason it took me some time to start enjoying the film. Further, several weak plot devices and too many one-note characters strain the credibility of CLEAN SLATE's otherwise fun, clever story.

While its jokes hit or miss, CLEAN SLATE does not waste the comic talents of "Saturday Night Live" funnyman Carvey. However, it is lead actress Valeria Golino who, playing the friend Carvey may not be able to trust, carries the film. She certainly has the advantage of playing CLEAN SLATE's only three-dimensional role.

CLEAN SLATE ain't bad. With some rewriting here and some editing there, it could have been even better. ... Read more

Reviews (2)

A very authentic film-Great acting!
The video is well rounded. The characters are based from the legendary members of the C.I.A. This is a true story. This video is highly recommended for its: to the point approach and gives a cold-war feel in history.

Yuri Nosenko: KGB Could be Better
Directed by Mick Jackson and starring Tommy Lee Jones as Steve Daley, Josef Sommer as James Angleton and Oleg Rudnik as Yuri Nosenko. Yuri Nosenko: KGB presents a well acted and interesting examination of the defection Yuri Nosenko, an intelligence officer with the Second Chief Directorate of the KGB. How due to the influence of Anatoli Golitsyn a paranoid KGB intelligence officer that defected to the United States in 1961, Nosenko was incarcerated for over three years. It does a good job of representing the conflict that is caused by Nosenko's defection and the damage that it did to the moral of the Central Intelligence Agency. Unfortunately, Yuri Nosenko:KGB fails to properly represent many of the facts of the case correctly, and simply misrepresents many others. ... Read more