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Austin Powers undoubtedly stole a few moves from Matt Helm, the swinging secret agent embodied by Dean Martin in four intentionally dopey late-'60s movies. The Silencers is the first and best of the bunch--but at that, it's barely a movie. Dino is first seen reclining in his automated bed, and he hardly wakes up for the remainder of the picture. (When a stunt double performs athletic moves in the action scenes, you rub your eyes at the impossibility of Martin moving that quickly.) And yet Matt Helm manages to stave off a nuclear disaster in the southwest desert, the nefarious plot of a Chinese archvillain (Victor Buono). The 007-style gadgets include exploding sportcoat buttons, plus the wet bar in Dino's station wagon--so he cangulp whiskey while he drives. The women are, of course, outrageously sexist playthings, although Stella Stevens remains the most adorable of '60s sex kittens. --Robert Horton ... Read more

Reviews (18)

Censorship and bad cropping give Helm hell!
I've waited many years to see this fearsome foursome of cheese find a decent release in DVD. Sadly, thanks to bad cropping and seemingly random censorship, it still hasn't happened yet.

The four films are, of course, The Silencers, Murderers' Row, The Ambushers, and The Wrecking Crew. (A fifth intallment was storeyboarded but never shot.)

Letting the studio off the hook by saying things like "widescreen areas always crop full frame versions," is being much too gracious in the face of these money-grabbing studio weasels who also CUT entire parts of the film and never even gave you an original trailer.

And I should know about the widescreen concept, since I am, after all, the chairman of the WWS - the Widescreen Watchers Society. (Yes, my organization has a movie site online, but an Amazon review is not the place to plug it by posting links to it.)

Rather I just wanted to point out that it is instead within the "full frame" or "standard screen" format that all cropping takes place. The most dominant style is pan-and -scan, which is done by zooming in on whatever the TV film editor decides is the most important area on screen at any given moment.

That's why you often end up with the ridiculous sight of one person chattering happily away to the air for long periods of time, since you can't see the other person he's talking to. And because of the zoom effect, naturally you also get a more blurred focus on the overall picture.

But a presentation in widescreen, whether it be a regular rectangle (Vista-Vision style) or a more narrow rectangle (Panavison style), or somewhere in between, never crops and/or zooms in after the fact at any point - resulting in a vast difference of ultimate picture composition in crystal clarity, giving you the best total viewing experience possible - which is why the original director filmed it that way for its theatrical release in the first place!

How today's studios stamping out inferior DVDs think the public will never notice such a huge difference is completely mind-boggling! And who buys most of the DVDs of older movies anyway? Film buffs who are very picky about such things to begin with!

RECOMMENDATION: Wait until all four films are put out together in an improved deluxe edition - TRUE widescreen (non-cropped and non-censored), featuring behind the scenes featurettes (which they shot back in the '60s as long commercials for such films), surviving crew interviews, trailers, etc. Otherwise, forget it.

Hey, Rat Pack fans - or just fans of Dean Martin in general - you know ol' Dino deserves far BETTER than this shoddy treatment! Mama mia!

Funniest spy spoof ever
Although I loved reading James Bond books and Matt Helm books, I also enjoyed the first movies of those books very much. After "Thunderball" 007 moved further away from the book each new movie. In the meantime I discovered Matt Helm on film. The first film was a very humorous impression of the book "The Silencers". Dean Martin, to me, was a very good choice for the Helm-figure. His jokes appealed to me, especially the autoradio-joke on his own hit-music. Also the joke with the reverse-firing gun takes care of some fun. But I must admit: Stella Stevens' appearance was the real finishing touch. I still have a clear image in my mind (after 33 years) of the scene where Helm tears off her dress in the hotel room. I guess it must be considered now a typical 60's movie, but reviewing it will undoubtedly amuse you again. If so ... you could also try other Helm-movies, especially "The ambushers", and another amusing Spy spoof, with James Coburn, called "Derek Flint". You could even try Bond's own spoof "Casino Royale", but that's very much pop-art and confusing, next to being funny. Even if you don't like secret agents you can enjoy these movies. But ""The silencers" is the best as a try-out!

The Silencers Revisited
Dean Martin's Matt Helm and James Coburn's Derek Flint were both well done serio-comic Superspies in the James Bond genre. While the two Flint flicks have been available on DVD for some time, The Silencers is the first Matt Helm film to make it to DVD. After watching The Silencers, my only question is--When will the rest of the Matt Helm movies be available on DVD?

Glad I Read Reviews
As much as I would like to have this movie on DVD, I would
not buy this issue because of the reviews posted here. When
are studios going to get it? We don't want DVD issues of movies
that are sub-standard or something that is different than
theatrical release.

A word about The Silencers.
This is a very nice transfer to DVD and only appears cropped to other reviewers because this is the way audiences saw it in the theater almost forty years ago. The 1.85:1 widescreen area is indeed cropping the full frame but the cropped area was never meant to be seen. Only television introduced the full frame area to viewers. To fully understand this one must discard his ignorance of projected film formats and do some research in this area. That way, a decent film to video transfer like this one won't receive such bad billing and we can all be happy! ... Read more

Reviews (24)

Big Man, Big Stick!!!
This movie is certainly one of the bloodiest true stories ever filmed. Even though many of the scenes in the film are fictionalized for dramatic effect, there are many scenes in this film that did happen to Buford Pusser in real life and that is what makes so many scenes in the film shocking.

Joe Don Baker gives his best performance as Buford Pusser, a retired wrestler who after being brutally beaten in a local nightclub, exacts revenge on the very same people who did it. Pusser is arrested by the corrupt town sheriff and is taken to court for his actions. Thanks to a sympathetic jury, Pusser is rightly found not guilty and takes up his friend's plan to run for town sheriff against his wife's wishes.

While serving his term as sheriff, he is constantly followed, shot at, lied to, and eventually in one of the bloodiest scenes ever put on film, ambushed while driving with his wife, Pauline (played by Elizabeth Hartman). Pauline is brutally murdered and Buford Pusser is severely wounded when he is shot in the face several times with a machine gun.

Director Phil Karlson managed to make a terrific biographical action film with just one serious flaw. People who love spotting bloopers will find more than their fair share in this film. There are at least seven scenes in this movie where the boom mic comes into the frame or the shadow of the boom mic operator is seen along the wall.

If you can get by that, you will be left with a terrific movie.

Parents: Don't let children younger than 14 watch this film. There are numerous scenes of graphic, extreme violence (eg: Pusser's many beatings and gunfights) and coarse language.

Excitement From Start To Finish!
This was a movie that never had a dull moment. Joe Don Baker gives an outstanding performance as Sheriff Buford Pusser. Pusser
is a retired wrestler who returns home. He is savagely beaten by
local hoodlums. He creates his trademark,a big stick,and returns to the bar and gains revenge by beating the whole group senseless. He is arrested and put on trial where he is found not guilty.He decides to run for Sheriff and is elected.From here on it is nonstop action and violence.His wife is killed and he is badly shot up. He recovers and continues his crusade against the forces of evil. A very gripping film that you will not forget.This movie was a box office smash that literally swept the country. See this movie,it is great.

Good movie; less-than-good sound & pic quality
Whenever I feel the need to catch an action flick that's a change of pace from the usual "lone-wolf-big-city-cop-meting-out-justice-whilst-going-up-against-the-system" kinda movies I watch, the original "Walking Tall" is what I turn to. It's got a nice touch of drama to add to the shootin' and fisticuffs, and the southern rural setting is a refreshing departure from the usual urban fare the other actioners have. I also like that the hero is more of an average Joe kinda guy who isn't portrayed as some kinda unstoppable one-man army... even though he managed to barely survive not one, but two hails of bullets from the baddie minions. And it doesn't hurt that this mo-pic includes one of the most eff'd-up killings I've ever seen in the genre... which I don't wanna divulge to you directly, lest I ruin it for ya. Let's just say this death quite literally drove our pine-staff-wielding sheriff into finishing off the last couple of bad guys once and for all! Well, once and for all until the sequel that is...

All right, time for a little of the downside: although I found "Walking Tall" a more than worthy waste of two hours, Rhino®'s DVD release of the movie is disappointingly subpar. The picture quality isn't that much better than what you'd see on a VHS copy. Of course, this isn't surprising, since (judging from a couple fleeting scan-lines) it's obvious that the source material used for the DVD was not the master film itself, but from a videotape. Then there was the intermittent sound quality: there were some parts that I could hear quite well, and others where I needed to turn the volume up a notch so I could understand what the subject(s) was/(were) saying. This was especially problematic when a subject was speaking in a soft, low tone. Looks like the rumors I've heard about Rhino®'s cheapness have more than a little merit-- especially in this case...

'Late

Vicious, Brutal and Down Right Tough to Watch!
Despite the brutal nature of the film, Joe Don Baker gives an unforgetable performance as Sherrif Pusser. Elizabeth Hartman also gives an outstanding performance as well. It's very violent and tough to endure, but it is entertaining at times. The "R" rating was well deserved. With the new version out featuring "The Rock", the original may wind up being forgotten.

why isn't it in widescreen?
Walking Tall is definately one of my favorite movies of the 70s! The digital remastering of this awesome movie is top notch- but why isn't it in widescreen? And why no extras like a trailer or some bios?

Rhino could have given this classic much better treatment! Otherwise this movie is 5 stars ... Read more

Reviews (4)

Cobra Venom Is The Weapon
The killer uses venom from a cobra to eliminate his victims in this film. Sidney Toler plays Chan and the cast includes Benson Fong as Tommie Chan and Manton Moreland in the role of Birmingham Brown. Fong and Moreland are really quite good as a comic team. George Callahan and George Wallace Sayre handle the screen play. THE SHANGHAI COBRA is one of the better entries in the Chan series.

By Far The Best Monogram Chan movie
"The Shanghai Cobra" is my favorite of the Monogram Charlie Chans. It is beautifully atmospheric in the opening scenes, and I think Phil Karlson, the director (his first of two Chan outings, the other being "Dark Alibi" [1946]which is also worth watching)adds alot of these great effects, making it an enjoyable mystery that will keep you guessing. The comedy in this entry is superb with a wordplay gag about "u-turns" running all through the film. The sets and the noticable shadows and darkness make it almost like a "film noir" movie. Some action takes place in the sewers below the bank that they are doing investigations in(more darkness.)I also enjoyed the "flashback" when they showed Charlie Chan in his visit to Shanghai in '36 and '37. A fun film, a good mystery, and atmospheric at the same time, I would recommend this film highly to any Charlie Chan fan. Excuse, Please...

One of the best Chans, and miraculous for a Monogram
Low-budget Monogram Pictures usually did a serviceable job with its Charlie Chan mysteries, but this one is exceptional. Thoughtful direction and excellent camerawork give the film far more atmosphere and production polish than usual, aided by a good cast of familiar character actors. If you've never seen a Monogram Chan, try this.

This is one of the better Monogram Chans.
This mystery concerns the murder of several victims by cobra bites. It has Mantan Moreland and Benson Fong again getting into trouble as usual. The criminals' objective is to rob a bank vault of a valuable government depository of radium. The viewer must follow the plot closely since the denouement when Chan finally corners the leader occurs rapidly. This film uses the new invention of television well as part of the criminals' devices. The running gag in this film concerns Birmingham getting an illegal U-turn ticket and saying "But you said 'No, you turn here! So I turned!'" At the end of the film, Chan himself gets an illegal U-turn ticket and uses the same excuse to the inspector. "But you say 'No, you turn here!' and everybody ends up laughing. Classic Chan line is "Cannot sell bear skin before shooting bear". ... Read more

Description

An embittered ex-cop (Preston Foster) masterminds the perfect bank robbery; one in which none of the members of the masked gang ever see each other's faces. But the plan runs into serious trouble when the innocent man implicated in the heist (John Payne) turns out to be a tough-as-bullets WWII veteran who's already experienced the inside of a jail cell and is determined not to go back. Payne tracks down the gang, which includes hard-case legends Lee Van Cleef, Jack Elam, and Neville Brand, to extract his own harsh brand of justice. Along the way he finds romance, double-crosses, punches to the face, and bullets to the body in this explosive action-drama with a plot full of twists and turns. ... Read more

Reviews (6)

Good one!
Excellent noir. The cinematography is classic noir, with assured useage of shadow and light, foreground and background and tight close-ups. The action is gritty and realistic, with the slapping around looking positively brutal and much more frightening than the current movie industry standard of blood splattered gore fests. Mr Elam, in fact, was probably cast because of how pathetic he looked being beaten up! The story revolves around two set-ups, one intended and one a secondary effect. "This is America?" my husband queried as our innocent hero is "worked over" in the Kansas City jailhouse. The action moves south to Mexico where our hero pursues the true criminals in order to clear his name. The extent of the crime and the reasons for it as well as the set up are all eventually revealed in the small Mexican fishing village that is too small to hold all these hot tempered men. The pace slows down noticeably in the village, the only major flaw in this otherwise crackerjack film noir which must have influenced every current young urban crime-film director. Highly recommended.

ALPHA/GOTHAM QUALITY?
No need to comment on the story, it is engrossing. For a Gotham/Alpha release the sound and image quality is good, suprisingly good. Don't misunderstand, there is no crispness here. It's probably worth the money to purchase the Image version if the quality is better. There are some extras on Image version and none on the Gotham/Alpha version.

Classic Noir...
A great, great noir film starring John Payne(HELL'S ISLAND, 99 RIVER STREET). But the cast doesn't stop there! It also stars Lee Van Cleef, Jack Elam and Neville Brand. This really is a gritty little crime caper flick. If you watch it, it will be difficult to ignore how the film might have influenced a guy like Quentin Tarantino in the conception of RESERVOIR DOGS. Great dvd!

Solid '50s noir
Director Phil Karlson (whose best-known work is probably the 1972 crime drama "Walking Tall")switched from being a decent director of routine films to one of the most innovative and influential crime film directors of them all with a remarkable series of tough,distinctive thrillers beginning with this one in 1952 and going on to include "99 River Street" in 1953, "The Phenix City Story" in 1955, and "The Brothers Rico" in 1957. "Kansas City Confidential" follows the pulling off of a well-planned and executed robbery that's been carefully thought out by an embittered ex-police officer. He plans it so that Joe Rolfe(played by John Payne) will be framed for the robbery. Rolfe is a WWII veteran who has some problems with the law in his past. After being grilled and ultimately (and grudgingly) released by the police,he pursues the thieves to Mexico,looking for revenge. Payne is fine in a sharp turnaround from the lightweight roles he usually played in the 1940s. Preston Foster is also good as the mastermind of the robbery, as is Coleen Gray as his daughter, a bright,decent young woman. The best performances however,are those given by three of the greatest heavies in movie history: Jack Elam,Neville Brand,and Lee Van Cleef,in the roles of the thieves who pull off the robbery. Elam,who is first seen sweating heavily and rifling through an overflowing ashtray in a dingy hotel room,looking for a cigarette butt with a few puffs left on it,is particularly good, but Brand and Van Cleef ooze menace and bad blood in just about every scene they're in. The film is filled with close-ups,tough,terse dialogue, and brutal (at least for its time) violence. The payoff of the film goes kind of soft, after what's come before, but this is still a first-rate example of cold,tough 1950s film noir,from a real master of the genre.

My first DVD!
After finally succumbing to the allure of a DVD player, I bought this film noir gem for a song. I had heard about it for years but
could never find it on VHS. A perfect bank robbery netting $1.2 million goes astray when framed patsy John Payne goes after the real criminals. He discovers that the crooks were masked from one another and only the mysterious "Mr. Big" knows who they are and where the money is. Can John Payne break up the perfect crime and end up with Colleen Gray?
(What do you think?) ... Read more

Reviews (24)

Big Man, Big Stick!!!
This movie is certainly one of the bloodiest true stories ever filmed. Even though many of the scenes in the film are fictionalized for dramatic effect, there are many scenes in this film that did happen to Buford Pusser in real life and that is what makes so many scenes in the film shocking.

Joe Don Baker gives his best performance as Buford Pusser, a retired wrestler who after being brutally beaten in a local nightclub, exacts revenge on the very same people who did it. Pusser is arrested by the corrupt town sheriff and is taken to court for his actions. Thanks to a sympathetic jury, Pusser is rightly found not guilty and takes up his friend's plan to run for town sheriff against his wife's wishes.

While serving his term as sheriff, he is constantly followed, shot at, lied to, and eventually in one of the bloodiest scenes ever put on film, ambushed while driving with his wife, Pauline (played by Elizabeth Hartman). Pauline is brutally murdered and Buford Pusser is severely wounded when he is shot in the face several times with a machine gun.

Director Phil Karlson managed to make a terrific biographical action film with just one serious flaw. People who love spotting bloopers will find more than their fair share in this film. There are at least seven scenes in this movie where the boom mic comes into the frame or the shadow of the boom mic operator is seen along the wall.

If you can get by that, you will be left with a terrific movie.

Parents: Don't let children younger than 14 watch this film. There are numerous scenes of graphic, extreme violence (eg: Pusser's many beatings and gunfights) and coarse language.

Excitement From Start To Finish!
This was a movie that never had a dull moment. Joe Don Baker gives an outstanding performance as Sheriff Buford Pusser. Pusser
is a retired wrestler who returns home. He is savagely beaten by
local hoodlums. He creates his trademark,a big stick,and returns to the bar and gains revenge by beating the whole group senseless. He is arrested and put on trial where he is found not guilty.He decides to run for Sheriff and is elected.From here on it is nonstop action and violence.His wife is killed and he is badly shot up. He recovers and continues his crusade against the forces of evil. A very gripping film that you will not forget.This movie was a box office smash that literally swept the country. See this movie,it is great.

Good movie; less-than-good sound & pic quality
Whenever I feel the need to catch an action flick that's a change of pace from the usual "lone-wolf-big-city-cop-meting-out-justice-whilst-going-up-against-the-system" kinda movies I watch, the original "Walking Tall" is what I turn to. It's got a nice touch of drama to add to the shootin' and fisticuffs, and the southern rural setting is a refreshing departure from the usual urban fare the other actioners have. I also like that the hero is more of an average Joe kinda guy who isn't portrayed as some kinda unstoppable one-man army... even though he managed to barely survive not one, but two hails of bullets from the baddie minions. And it doesn't hurt that this mo-pic includes one of the most eff'd-up killings I've ever seen in the genre... which I don't wanna divulge to you directly, lest I ruin it for ya. Let's just say this death quite literally drove our pine-staff-wielding sheriff into finishing off the last couple of bad guys once and for all! Well, once and for all until the sequel that is...

All right, time for a little of the downside: although I found "Walking Tall" a more than worthy waste of two hours, Rhino®'s DVD release of the movie is disappointingly subpar. The picture quality isn't that much better than what you'd see on a VHS copy. Of course, this isn't surprising, since (judging from a couple fleeting scan-lines) it's obvious that the source material used for the DVD was not the master film itself, but from a videotape. Then there was the intermittent sound quality: there were some parts that I could hear quite well, and others where I needed to turn the volume up a notch so I could understand what the subject(s) was/(were) saying. This was especially problematic when a subject was speaking in a soft, low tone. Looks like the rumors I've heard about Rhino®'s cheapness have more than a little merit-- especially in this case...

'Late

Vicious, Brutal and Down Right Tough to Watch!
Despite the brutal nature of the film, Joe Don Baker gives an unforgetable performance as Sherrif Pusser. Elizabeth Hartman also gives an outstanding performance as well. It's very violent and tough to endure, but it is entertaining at times. The "R" rating was well deserved. With the new version out featuring "The Rock", the original may wind up being forgotten.

why isn't it in widescreen?
Walking Tall is definately one of my favorite movies of the 70s! The digital remastering of this awesome movie is top notch- but why isn't it in widescreen? And why no extras like a trailer or some bios?

Rhino could have given this classic much better treatment! Otherwise this movie is 5 stars ... Read more

Reviews (6)

Good one!
Excellent noir. The cinematography is classic noir, with assured useage of shadow and light, foreground and background and tight close-ups. The action is gritty and realistic, with the slapping around looking positively brutal and much more frightening than the current movie industry standard of blood splattered gore fests. Mr Elam, in fact, was probably cast because of how pathetic he looked being beaten up! The story revolves around two set-ups, one intended and one a secondary effect. "This is America?" my husband queried as our innocent hero is "worked over" in the Kansas City jailhouse. The action moves south to Mexico where our hero pursues the true criminals in order to clear his name. The extent of the crime and the reasons for it as well as the set up are all eventually revealed in the small Mexican fishing village that is too small to hold all these hot tempered men. The pace slows down noticeably in the village, the only major flaw in this otherwise crackerjack film noir which must have influenced every current young urban crime-film director. Highly recommended.

ALPHA/GOTHAM QUALITY?
No need to comment on the story, it is engrossing. For a Gotham/Alpha release the sound and image quality is good, suprisingly good. Don't misunderstand, there is no crispness here. It's probably worth the money to purchase the Image version if the quality is better. There are some extras on Image version and none on the Gotham/Alpha version.

Classic Noir...
A great, great noir film starring John Payne(HELL'S ISLAND, 99 RIVER STREET). But the cast doesn't stop there! It also stars Lee Van Cleef, Jack Elam and Neville Brand. This really is a gritty little crime caper flick. If you watch it, it will be difficult to ignore how the film might have influenced a guy like Quentin Tarantino in the conception of RESERVOIR DOGS. Great dvd!

Solid '50s noir
Director Phil Karlson (whose best-known work is probably the 1972 crime drama "Walking Tall")switched from being a decent director of routine films to one of the most innovative and influential crime film directors of them all with a remarkable series of tough,distinctive thrillers beginning with this one in 1952 and going on to include "99 River Street" in 1953, "The Phenix City Story" in 1955, and "The Brothers Rico" in 1957. "Kansas City Confidential" follows the pulling off of a well-planned and executed robbery that's been carefully thought out by an embittered ex-police officer. He plans it so that Joe Rolfe(played by John Payne) will be framed for the robbery. Rolfe is a WWII veteran who has some problems with the law in his past. After being grilled and ultimately (and grudgingly) released by the police,he pursues the thieves to Mexico,looking for revenge. Payne is fine in a sharp turnaround from the lightweight roles he usually played in the 1940s. Preston Foster is also good as the mastermind of the robbery, as is Coleen Gray as his daughter, a bright,decent young woman. The best performances however,are those given by three of the greatest heavies in movie history: Jack Elam,Neville Brand,and Lee Van Cleef,in the roles of the thieves who pull off the robbery. Elam,who is first seen sweating heavily and rifling through an overflowing ashtray in a dingy hotel room,looking for a cigarette butt with a few puffs left on it,is particularly good, but Brand and Van Cleef ooze menace and bad blood in just about every scene they're in. The film is filled with close-ups,tough,terse dialogue, and brutal (at least for its time) violence. The payoff of the film goes kind of soft, after what's come before, but this is still a first-rate example of cold,tough 1950s film noir,from a real master of the genre.

My first DVD!
After finally succumbing to the allure of a DVD player, I bought this film noir gem for a song. I had heard about it for years but
could never find it on VHS. A perfect bank robbery netting $1.2 million goes astray when framed patsy John Payne goes after the real criminals. He discovers that the crooks were masked from one another and only the mysterious "Mr. Big" knows who they are and where the money is. Can John Payne break up the perfect crime and end up with Colleen Gray?
(What do you think?) ... Read more

Reviews (6)

Good one!
Excellent noir. The cinematography is classic noir, with assured useage of shadow and light, foreground and background and tight close-ups. The action is gritty and realistic, with the slapping around looking positively brutal and much more frightening than the current movie industry standard of blood splattered gore fests. Mr Elam, in fact, was probably cast because of how pathetic he looked being beaten up! The story revolves around two set-ups, one intended and one a secondary effect. "This is America?" my husband queried as our innocent hero is "worked over" in the Kansas City jailhouse. The action moves south to Mexico where our hero pursues the true criminals in order to clear his name. The extent of the crime and the reasons for it as well as the set up are all eventually revealed in the small Mexican fishing village that is too small to hold all these hot tempered men. The pace slows down noticeably in the village, the only major flaw in this otherwise crackerjack film noir which must have influenced every current young urban crime-film director. Highly recommended.

ALPHA/GOTHAM QUALITY?
No need to comment on the story, it is engrossing. For a Gotham/Alpha release the sound and image quality is good, suprisingly good. Don't misunderstand, there is no crispness here. It's probably worth the money to purchase the Image version if the quality is better. There are some extras on Image version and none on the Gotham/Alpha version.

Classic Noir...
A great, great noir film starring John Payne(HELL'S ISLAND, 99 RIVER STREET). But the cast doesn't stop there! It also stars Lee Van Cleef, Jack Elam and Neville Brand. This really is a gritty little crime caper flick. If you watch it, it will be difficult to ignore how the film might have influenced a guy like Quentin Tarantino in the conception of RESERVOIR DOGS. Great dvd!

Solid '50s noir
Director Phil Karlson (whose best-known work is probably the 1972 crime drama "Walking Tall")switched from being a decent director of routine films to one of the most innovative and influential crime film directors of them all with a remarkable series of tough,distinctive thrillers beginning with this one in 1952 and going on to include "99 River Street" in 1953, "The Phenix City Story" in 1955, and "The Brothers Rico" in 1957. "Kansas City Confidential" follows the pulling off of a well-planned and executed robbery that's been carefully thought out by an embittered ex-police officer. He plans it so that Joe Rolfe(played by John Payne) will be framed for the robbery. Rolfe is a WWII veteran who has some problems with the law in his past. After being grilled and ultimately (and grudgingly) released by the police,he pursues the thieves to Mexico,looking for revenge. Payne is fine in a sharp turnaround from the lightweight roles he usually played in the 1940s. Preston Foster is also good as the mastermind of the robbery, as is Coleen Gray as his daughter, a bright,decent young woman. The best performances however,are those given by three of the greatest heavies in movie history: Jack Elam,Neville Brand,and Lee Van Cleef,in the roles of the thieves who pull off the robbery. Elam,who is first seen sweating heavily and rifling through an overflowing ashtray in a dingy hotel room,looking for a cigarette butt with a few puffs left on it,is particularly good, but Brand and Van Cleef ooze menace and bad blood in just about every scene they're in. The film is filled with close-ups,tough,terse dialogue, and brutal (at least for its time) violence. The payoff of the film goes kind of soft, after what's come before, but this is still a first-rate example of cold,tough 1950s film noir,from a real master of the genre.

My first DVD!
After finally succumbing to the allure of a DVD player, I bought this film noir gem for a song. I had heard about it for years but
could never find it on VHS. A perfect bank robbery netting $1.2 million goes astray when framed patsy John Payne goes after the real criminals. He discovers that the crooks were masked from one another and only the mysterious "Mr. Big" knows who they are and where the money is. Can John Payne break up the perfect crime and end up with Colleen Gray?
(What do you think?) ... Read more