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| 1. A Touch of Frost - Season 1 Director: David Reynolds (III), Roger Bamford, Sandy Johnson, Roy Battersby, Herbert Wise, Alan Dossor, Paul Harrison, Adrian Shergold, Don Leaver, Anthony Simmons, Graham Theakston, Paul Seed, John Glenister, Peter Smith, Robert Knights, Ross Devenish | |
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Description A Touch of Frost is one of Britain's most successful detective series and stars award-winning actor David Jason as Detective Inspector Jack Frost, a policeman with a knack for attracting trouble. Set in the dreary town of Denton, Frost approaches each case with his characteristic dry wit and a sense of moral justice. A Touch of Frost Season One includes: In "Care and Protection," Frost investigates a missing child case, as his terminally ill wife languishes in bed. A chance digging turns up a 30 year-old skeleton chained to a strongbox. A former bank employee with links to the strongbox is murdered and Frost must find his killer. In "Not with Kindness," Frost grieves for his recently deceased wife, whose visiting sister from the States makes his life unbearable. Frost searches for a missing teenager and a victim of threatening phone calls wakes in the night to find her home engulfed in flames. In "Conclusions," an elderly man is killed in a hit-and-run that involves a prominent local official's son. A casino is robbed of the night's takings. An armed and dangerous fugitive takes a pair of hostages. Episodes: Care and Protection Not with Kindness Conclusions Reviews (4)
The series opens with Frost's wife on her deathbed. Even in such a situation (perhaps, indeed, because of it--for Frost does not handle personal tragedy well), he is unable to spend the time at his wife's side that is expected. While this may sound rather morbid and depressing, I must emphasize that overall the series is not. Certainly, the crimes that are committed are serious and tragic, but like the Inspector Morse series (a series with which this one compares well), the episodes are punctuated by quite a healthy dose of humour, and like Morse it is primarily character humour. In other words, it arises out of the idiosyncrasies in the inspector's character, which become more apparent as we become more familiar with the character. In Frost's case, apart from his questionable tactics, he's extremely disorderly, and his dedication to his work is matched only by his loathing for paperwork--a trait which often has him at odds with his punctilious boss, Superintendent Mullett. Indeed, Frost is perennially ducking into doorways or skipping out of the office in attempts to avoid the unwelcome confrontations. One thing Frost does not have, unlike Inspector Morse, is a regular "Sergeant Lewis" in tow; rather, he has a different sergeant assigned to him for almost every episode. One aspect which, in my opinion, makes A Touch of Frost such a good series is the powerful punch of irony that usually occurs at the end of each episode. Often one can really sympathise with the killer or at the very least understand his or her motivation. Sometimes we find that it's one trifling incident--someone in the wrong place at the wrong time--or a petty misunderstanding that sets the wheels in motion for a tragic outcome. Often it seems that the bringing of the criminal to justice is the greatest injustice. In conclusion, this is a well-acted and an extremely well-written mystery series--one with quite hard-hitting stories, thus making the comic relief all the more welcome. It is a series which I recommend very highly to fans of British mysteries in particular--if you enjoy shows like Inspector Morse, for example, or have enjoyed PBS's erstwhile Mystery! series, I'm sure you'll enjoy this one. I would, however, go so far as to recommend this series to anyone looking for a superior quality mystery series, British or otherwise. Personally, I've always wondered why it was never made a part of PBS's Mystery! series, for it was certainly worthy of inclusion.
What first struck me when watching it was how real everything looked. David Jason, in the title role, looks like a real cop, the town looks like a real town and the people act like real people. The situations are dramatic but you always believe in the characters. Frost is a sloppy, intelligent, gruff and thoroughly likable character in spite of, or maybe because of, his rough edges. The mysteries are literate and manage to get their point across without being horrifically graphic. (Though there is violence and some innuendo and a very brief glimpse of a breast, I can't recommend this show for children) "Care and Protection"- When the young daughter of a local woman goes missing, Frost is called in. Relieved, since he is dealing with a terminally ill wife, Frost sets to work. But when a decades old corpse with a severed arm and a suitcase attached is discovered during the search for the girl, Frost finds himself dealing with two cases at once. In this episode, he is teamed up with the fairly amiable but spoiled nephew of the superintendant. Very good episode that deals with the triple drain on Frost's emotions, his dying wife, a cold case he didn't want and the missing child whose chances for survival decrease as time passes. "Not With Kindness"- Following the death of his wife, Frost is at odds with her Americanized sister. Meanwhile, a papergirl's body is discovered in a graveyard and she may or may not be a victim of rape. The subplot deals with an affluent couple who are being harassed by phonecalls and and deadly practical jokes. Frost is partnered with an even sloppier career cop who has an irritatingly happy family life. A rather sad episode that deals with the dangers of grief. "Conclusions"- A fatal hit-and-run leads Frost to the spoiled rotten son of a mamber of parliament. Meanwhile, there has been a robbery at a local casino and an armed and dangerous fugitive is loose in the area. When a patrolman is brutally murdered, the manhunt is on. Frost is partnered with a surley new transfer who has a perfectly rotten homelife and a brooding manner. He's almost too surly for Frost! I highly recommend this series to all fans of cozies who are ready to try something a little more serious and to any mystery fan, especially if you want something a little more realistsic than is offered in this country.
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| 2. Monarch of the Glen - Series Two Director: Richard Stroud, Richard Signy, Simon Massey (II), Edward Bennett, Robert Knights, Julian Holmes, Brian Kelly (XIII), Paul Harrison, A.J. Quinn, David Caffrey (II), Ian Knox, Marcus D.F. White | |
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Amazon.com Archie's efforts to keep Glenbogle solvent include turning the estate into a sprawling museum and renting the place out for weddings. The tricky bit is that Glenbogle is also a home and touchstone for the MacDonald's appealing staff and friends, and there will always be someone upset about changes in the status quo. Monarch continues to be as much about lovable, boneheaded Duncan (Hamish Clark), the MacDonald's all-purpose assistant; the sexy, strong-willed Lexie (Dawn Steele); grizzled Golly (Alexander Morton); and schoolteacher Katrina (Lorraine Pilkington), whose dodgy, romantic ambivalence toward Archie wears a little thin but finally settles into a promising groove.The radiant Susan Hampshire (The Forsyte Saga) has more to do in this set of stories and thus shines brighter as Archie's intriguing mother. Equally lovely are spectacular views of Highlands scenery: amazing castles, romantic vistas. One wants to stay forever. --Tom Keogh Reviews (2)
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| 3. A Touch of Frost - Season 6 Director: David Reynolds (III), Roger Bamford, Sandy Johnson, Roy Battersby, Paul Harrison, Herbert Wise, Alan Dossor, Ross Devenish, Adrian Shergold, Don Leaver, Anthony Simmons, Graham Theakston, Paul Seed, John Glenister, Peter Smith, Robert Knights | |
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Description | |
| 4. Monarch of the Glen - Series One Director: Richard Stroud, Richard Signy, Simon Massey (II), Edward Bennett, Robert Knights, Julian Holmes, Brian Kelly (XIII), Paul Harrison, A.J. Quinn, David Caffrey (II), Ian Knox, Marcus D.F. White | |
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Amazon.com There is no emergency, as it turns out, just a gambit by Archie's mother, Molly (the radiant Susan Hampshire), to effect a reconciliation between her son and his cantankerous, relentlessly bitter father, Hector (Richard Briers). The reason: Archie, much to his surprise, must legally assume Hector's longtime role as Laird of Glenbogle, the MacDonalds' 400-year-old, financially strapped 40,000-acre estate. Despite their lengthy estrangement, Hector needs Archie to save the family's honor and assets. The eight episodes in this first season of Monarch of the Glen find the urbane Archie fiercely resisting his obligation at first, then warming to it as Glenbogle's plight becomes more personal--not just an issue of hereditary leadership but of new attachments to the series' endearing, mildly eccentric characters. Among them is Lexie (Dawn Steele), the estate's sexy, street-smart cook; shy Duncan (Hamish Clark), an underachieving, kilt-wearing handyman; leftist land-reformer Katrina (Lorraine Pilkington), warily circling Duncan as a romantic interest; and avuncular, lovably laconic groundskeeper Golly (Alexander Morton). Monarch takes a couple of delightful episodes to introduce these good people and establish story particulars and conflicts. But depth and emotional resonance arrive by the third episode (the MacDonalds have their share of repressed, unspoken old agonies) and remain through the last episode's cliffhanger ending. If that's not enough, the spectacular Highlands scenery is pure eye candy: castles, glimmering lakes, misty hills. One never wants to leave, or to see Monarch end. --Tom Keogh Reviews (12)
The show itself is centred around Archie MacDonald, Laird of Glenbogle (and, in the 2nd series, Chief of Clan MacDonald), who abandons his London lifestyle to return to his ancestral home in the West Highlands of Scotland. Indeed, it is this conflict that forms the basis of this 1st season and, although Archie ultimately chooses to stay with his family and kinsmen in the glen, he at times appears to yearn for his former life on the Thames. This homesick-whist-at-home contradiction serves to make Archie a complex yet accessible character, at times unsure of where he truly belongs. Add romantic intrigue, and some genuinely lovable supporting characters, and you have in essence the simple brilliance of this show. Of the support characters, for me the standouts must surely be the ever bushy-tailed Lexie, the delightfully dotty Molly (Susan Hampshire at her most winsome), and that dependable old highlander, Golly MacKenzie. As a series, Monarch of the Glen possesses a charm rarely found on modern television and, whilst the mood is for the most part light and funny, many scenes are surprisingly moving. The emphasis on clanship and the bonds of family and homeland are unashamedly sentimental, and the ruggedly beautiful highland landscape is simply breath-taking. Conversation between the characters is superbly constructed and, beneath the pleasantries and somewhat misleading appearance of landed gentry, lays the reality of simple, kind-hearted folk, bound together by loyalty and love for one another. A witty, charming, and heart-warming show, Monarch of the Glen stands as a rare gem in comparison to the formulaic and rigidly structured nature of modern television. It is also presented here on a brilliant DVD, with the widescreen transfer displaying the luscious landscapes of the Scottish Highlands in majestic style. The Dolby Stereo soundtrack is also well mastered and proves more than adequate, as well as being a vast improvement over the audio transfer on the UK Disc.
This series means much to me and my partner. I have been Anglophilic for much of my life. I've never experienced such a combination of subtly complex acting, photography, and script. The product is a thing of beauty that, as usual, American television has no idea how to produce. I gave up on our TV years ago. Beautiful DVD copy, nice clear picture and sound. And this is one series where I couldn't care less about the "extras"- it's that good. No one has mentioned the music. This has to be one of the many elements that glues this series together, yet stands completely on its own. I can't wait to own the soundtrack as well as the series. If you enjoy anything Scottish/Irish, you'll certainly find the music immensely satisfying. Perfectly blended with the action. I've seen 3 of the 5 years available, and it only gets better! Unfortunately, this is all we have so far, series 1. In the meantime, go join your local PBS television station, and support these programs being here in the U.S. You'll no doubt find even more than "Monarch" that you'll love.
My only complaint is the ENORMOUSLY long waiting period fans have had to endure before the release of the show on DVD...Series One was filmed back in 1999. Over in the UK, they have recently enjoyed the release of series FOUR on DVD this past year. Waiting (not so) patiently for the release of Series Two in May.....
Best of all, the scripts are terrific. They can best be described as comedy, though there are moments of real pathos woven throughout (as in the third episode, when a family tragedy from the past is revealed). The parent-child relationship between Archie and his parents, especially his addled and irascible father, is so authentic and well-developed. Some episodes on the DVD are more memorable than others; the episode in which Archie's sister comes home, for example, didn't have quite the same sparkle as the others. But it's all relative, and even the least memorable of the eight episodes is leagues beyond what you'll find when you switch on an American sitcom. I've never laughed so hard at a TV show as I did in Episode Two, when Duncan did his Braveheart-style attack on the banker who was trying to muscle in on his girl ... but I'll stop there. Do yourself a favor, pay a visit to Glenbogle, and see for yourself.
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| 5. Rumpole of the Bailey - The Lost Episode Director: Robert Knights | |
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Amazon.com Reviews (1)
The "special features" on the DVD are mostly worthless, but the real reason you're buying this is to see an episode of Rumpole you've probably never seen before. That alone is worth the price. ... Read more | |
| 6. The Dawning Director: Robert Knights | |
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