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| 1. Secret Window Director: David Koepp | |
![]() | list price: $19.94
our price: $14.96 (price subject to change: see help) Asin: B0002234LS Catlog: DVD Sales Rank: 926 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (196)
In "Secret Window", he stars as Mort Rainey, a neurotic writer struggling to overcome his difficult divorce and put his life back into order. Six months after falling out with his wife Amy (played by Maria Bello), he has holed up in a secluded cabin deep in the woods of Upstate New York, refusing to sign the divorce papers and suffering from a bad case of writer's block. However, one day he encounters John Shooter, a strange man from Mississippi who claims that one of Rainey's well-known stories, "Secret Window" (hence, the title) was stolen and plagiarized from him. Shooter even leaves him his manuscript, and Rainey reads it, discovering that it strikes remarkable resemblances to his own story written years before. Although he ignores Shooter's threats at first, Shooter turns out to be much more than he has bargained for, and as his threats turn into violent acts of revenge that grow in severity and meaning, Rainey must figure out how to anticipate and stop him. Not only do tensions rise between Shooter and Rainey, but also between Rainey and Amy's new boyfriend Ted (Timothy Hutton), who also begins to threaten him. As I said before, the highlight of "Secret Window" is the performance by Johnny Depp. He completely absorbs the character of Mort Rainey, giving him a new depth, believability, and suprisingly, humor; something pleasant you don't see often in thriller movies. He brings a crowd-pleasing energy, and still manages to inject his signature personality in his role, which alone carries the film. Had Depp not been a part of "Secret Window" I think I would have given it a much lower rating. John Turturro, as John Shooter, gives a solid and scary performance, bringing back his familiar accent from "O, Brother Where Art Thou?". The rest of the cast is simply mediocre, which does nothing but emphasize the brilliance by Depp. Although Johnny Depp makes a fine effort to save the film, it is not enough, and although "Secret Window" delivers an exciting and suspenseful hour and a half, the last and completely unnecessary twenty minutes completely degrade what credibility the script had earned. The twists and frightful gags are somewhat predictable, and although the movie promises to deliver an eye-opening climax, the actual ending leaves the audience feeling unsatisfied. In my opinion, the film could have ended twenty minutes earlier, and it would be much more chilling and impressive. Although it provides a few good chilling scenes (enhanced by the eerie soundtrack by Philip Glass), the main reason to see "Secret Window" is for the performance by Depp, which, due to his humor and personality keeps this film afloat.
But then I watched the first fifteen minutes . . . and, well, it got interesting. As others have noted, Depp's acting is, as usual, superb. The man is one of the best actors we have at this time. And the story does pull you in. The characters are well drawn (as is the case with most King novels) and viewers will want to see what happens to them as the story progresses. However, the story itself and Stephen King's reputation are part of the problem. "Secret Window" was based on a King novella within the larger work "Four Past Midnight." For some reason, King's novellas and shorter novels (Stand By Me, Shawshank, The Shining, Carrie) have translated the best to film while his longer works (The Stand, Tommyknockers) are utterly horrible. Given this track record, "Secret Window" should have been one of the better King movies. The problem here is that "Four Past Midnight" was never an example of King's better work. Thus, in a sense, the director has to rescue the movie from the perception of King as the "master of horror." When you have the deck stacked against you like that it's hard to come through with the goods. "Secret Window" is basically a love triangle in which one of the characters goes nuts. A plausible story, but it's difficult to present a story as routine as this is in a manner that will satisfy the hype. "Secret Window" is a good movie. It's just not great. And it's certanly not worthy of all the King hype. Still, it's worth a look. Depp's acting is especially worth watching. And the story, if you're in the mood, is a bit scary at times. As for the DVD, it's also worth a look. The deleted scenes are nothing special, but the featurette sequences are interesting, more so in fact than most such extras on other DVDs. Far too often we get DVDs which show us scene after boring scene showing us the technical aspects of how a movie was filmed. Here we at least get a brief glance at some of the human interest aspects behind the camera. I would have liked to have seen an interview with the author, but that seems to be a rarity amongst all DVDs. I think that all movies adapted from books should have this extra feature (assuming the author is still alive). ... Read more | |
| 2. Stir of Echoes Director: David Koepp | |
![]() | list price: $14.98
(price subject to change: see help) Asin: 0784013470 Catlog: DVD Sales Rank: 16928 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Similarity to The Sixth Sense applies only to the basic premise and the character of Bacon's young son. Otherwise, this is more of a hard-edged journey of self-discovery, marital crisis, and recovery, with Bacon's wife (played by the highly underrated Kathryn Erbe) involved in an underdeveloped subplot about a group of people who share Bacon's gift as paranormal "receivers." Furthering his career as a writer-director of intelligent thrillers, David Koepp makes a few missteps in pacing and thematic overkill, but overall Stir of Echoes is a sharp, sensitive thriller that unfolds to reveal a dramatically satisfying solution to its mystery. --Jeff Shannon Reviews (204)
My problem w/ films like this, and I know there are those of you like me, is this: In horror, in Supernatural horror, the supernatural has to be malevolent and it has to be the threat. If an average human is a greater threat to the protagonist than the ghost--which seems to be the common norm of most modern horror/thrillers (Below, 6th Sense, What Lies Beneath, The Others, 28 Days Later, this)--then it does nothing for me. It's not scary. A ghost trying to warn you or avenge its death isn't scary. Sure, the film may manipulate some jumps out of you w/ quick shots of the practically harmless ghost, but after you've experience the thrills, what remains? Once you know the secret of "The Others", what could possibly be scary about the movie after a second viewing? The Exorcist is still scary, because that movie is about an evil presence out to harm you. The Ring gave me some uneasy nights, I admit, because the threat was evil. The Blair Witch Project, the same thing. There's nothing scary about the ghosts in this, in The Others, in the 6th Sense. So, if you really enjoyed movies w/ ghosts who are only harmful in their pop-up-out-of-no-where powers, and human conspiracies about failed coverups scare you more, then you'd like this. If, however, it's the vile nature of the beast that keeps you up at night, then you'd feel you had wasted money on this picture.
There's not much to say, other than: If you want a good, rare movie pick this. I warn you however that I'm not promising your liking it. Although with the right mindset, anyone can enjoy this film. Just remember: "Don't be afraid." ... Read more | |
| 3. The Trigger Effect Director: David Koepp | |
![]() | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: B00000IQW8 Catlog: DVD Sales Rank: 30870 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (17)
This was filmed as David Koepp's calling card into feature films as a director (having already written "Carlito's Way" and "Jurrasic Park," among other terrific films) and it is very light on action and very character driven... obviously budget gets in the way of major action set pieces, but that should never be an obstacle to good characters and plausible writing... Koepp handles all those chores adeptly and keeps a very good pace going... While his characters decide what to do when the blackout hits (and then lingers for days, and days, and days and...) you never feel as if their actions are out-of-line with reality and what people might do under the very same conditions. This is a taut thriller, but hardly of the depth of Hitchcock's work. Instead, the film is an elaborate "Twilight Zone" episode (and gives its nods to Rod Serling's classic anthology show in both visual and verbal gags... the characters literally live at the corner of Maple and Willoughby streets (a gag on the episodes "The Monsters Are Due on Maple Street" (a direct antecedent to "The Trigger Effect") and "Last Stop, Willoughby" (which has nothing at all to do with this film, but is still a nice touch for those who feel this film is a direct lift from "The Monsters Are Due On Maple Street") and is filmed in very sparse and minimalist ways to highlight the tension and agitation of the characters. The key scene in this film comes fairly early, when all bets for civilized society are called off... this scene, when Matt (Kyle MacLachlan) attempts to get amoxicilin for his little infant girl (ear infection, very painful and made excruciating in the prior scene with Elizabeth Shue's character holding the crying girl during heatwave-like conditions inside the home). The pharmacist will not let him have it... plain and simple. The electricity does not work, the phones are also screwed and the doctor cannot verfiy the prescription... therefore, no medicine no matter how much pleading and cajoling Matt can attempt with the larger man behind the counter... as the scene progresses it turns ugly, a microcosm of just how frayed our civil attitudes have become in this day of technology handling just about everything for us. It's tense, it's upsetting, and it works very, very well without one punch thrown or one drop of blood spilled, a credit to Koepp's burgeoning (at the time) directorial skills. The film kind of falls apart about 3/4's of the way through... it tries to wrap things up a little too neatly, but in the end, it's a satisfying film for those that like their thrillers with an apocalyptic edge (the film reminded me, just a bit, of the nuclear war thrillers of the 1980's including "The Day After," "Testament" and "Threads"... especially "Threads"). It's not corny, but it's not a masterpiece either... instead it's a competently written film with a first-time director (who wrote it) who pulls off the thrills on a tight budget. Worth a rental, if not a buy (especially at a price of under $10).
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| 4. Stir of Echoes (Special Edition) Director: David Koepp | |
![]() | list price: $19.98
our price: $17.98 (price subject to change: see help) Asin: B0002DB54A Catlog: DVD Sales Rank: 8543 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (204)
My problem w/ films like this, and I know there are those of you like me, is this: In horror, in Supernatural horror, the supernatural has to be malevolent and it has to be the threat. If an average human is a greater threat to the protagonist than the ghost--which seems to be the common norm of most modern horror/thrillers (Below, 6th Sense, What Lies Beneath, The Others, 28 Days Later, this)--then it does nothing for me. It's not scary. A ghost trying to warn you or avenge its death isn't scary. Sure, the film may manipulate some jumps out of you w/ quick shots of the practically harmless ghost, but after you've experience the thrills, what remains? Once you know the secret of "The Others", what could possibly be scary about the movie after a second viewing? The Exorcist is still scary, because that movie is about an evil presence out to harm you. The Ring gave me some uneasy nights, I admit, because the threat was evil. The Blair Witch Project, the same thing. There's nothing scary about the ghosts in this, in The Others, in the 6th Sense. So, if you really enjoyed movies w/ ghosts who are only harmful in their pop-up-out-of-no-where powers, and human conspiracies about failed coverups scare you more, then you'd like this. If, however, it's the vile nature of the beast that keeps you up at night, then you'd feel you had wasted money on this picture.
There's not much to say, other than: If you want a good, rare movie pick this. I warn you however that I'm not promising your liking it. Although with the right mindset, anyone can enjoy this film. Just remember: "Don't be afraid." ... Read more | |
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