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| 41. Star Trek - The Original Series, Vol. 34, Episodes 67 & 68: Plato's Stepchildren/ Wink Of An Eye Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Description Reviews (13)
Wink of An Eye is also very intriguing, and superior to Plato's Stepchildren, but it bites off more than it can chew. The situation with hyperaccelerated existence and normal existence is very interesting and fun, but it is carelessly done, and the episode becomes more confusing than anything else. An average, but passable episode.
Wink of an Eye-This episode, involving an accelerated species, has always been a favorite of mine. It is a very dreamlike episode; the scene depicting Kirk's acceleration must be one of the show's most bizarre segments. Tilting the camera and returning to music used in 'The Cage' were nice ways of embellishing acceleration. The idea also struck me as quite original (although I must confess I've read very little science fiction). Others have noted that when you sit down and work out the times involved, there are a lot of inconsistencies and implausible outcomes, but I do not look to Star Trek for that kind of realism.
PLATO'S STEPCHILDREN opens this one. Yeah I know. I've heard it a thousand times: "tv's first interracial kiss" between William Shatner and Nichelle Nichols. The truth is (according to Shatner himself) that two scenes of this were shot. One that was actually a kiss and the other that wasn't. The latter was chosen in the original airing and they have never bothered to put the actual kiss in any reruns. Therefore technically there is nothing special about this one. The plot is typical Star Trek and this episode showcases some of the actors most embarassing moments. Still this is good for a laugh. Especially when the dwarf Alexander mounts Kirk like a horse and our good Capt. begins to 'neigh'. Apart from those embarassing moments and a few touching acting scenes between Kirk and Alexander this episode is pretty forgettable. The second episode here is WINK OF AN EYE which fairs little better than PLATO'S STEPCHILDREN. For whatever reason I have always felt the sound in this one was muffled. Maybe it was just me? Anyways the supposed off camera sex scene between Kirk and the girl isn't very noteworthy. As a matter of fact I didn't even notice it until another Amazon.com reviewer mentioned it! The plot to WINK OF AN EYE is interesting but in the long run it's merely the Star Trek crew being invaded by bizarre aliens once again. As I said many times before, it's been done! Anybody else notice that the camera work of this episode was almost always on a slant? Just a thought... Overall these two episodes are definetly watchable but I find neither them are as special as they claim to be. Keep in mind these were released in 1968 so perhaps they were considered more shocking back then but I find it hard to believe since Star Trek's ratings and popularity were at an all time low when they aired. Not the best but it's classic Trek so go on try it! Recommended! ... Read more | |
| 42. Star Trek - The Original Series, Vol. 30, Episodes 59 and 60: The Enterprise Incident/ And the Children Shall Lead Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Amazon.com "And the Children Shall Lead" Reviews (11)
The Enterprise Incident is a successful and riveting story, even though its plot--full of Nixonian plotting and plausible deniability--runs counter to Gene Roddenberry's Star Trek philosophy. What makes this episode work is the taut writing, tight editing, powerful scoring, and excellent performances from all involved. The scenes between Leonard Nimoy and guest star Joanne Linville--as the Romulan Commander smolder with erotic tension. The visuals are also superior to most of the series. However, some of the Romulan makeup looks rushed, with some clumsy ear appliances. Despite an interesting concept, And The Children Shall Lead is not a success. The episode, essentially an allegory about religious cults, is undone by tortured dialogue, weak plotting, and the most egregious incident of "stunt" casting in Trek history: Lawyer Melvin Belli portrays the evil Gorgon. Dressed in a silver gown with a floral patterned collar, Belli looks like a second-rate televangelist in drag. Most of this episode is so laughably ridiculous that it's best ignored or viewed as a party gag. What a wasted opportunity. No complaints about the picture and sound restoration. However, Al Francis' lighting and camerawork lacks the beauty and subtlety of Jerry Finnerman's, who resigned after the second season.
Those who say the entire third season of Star Trek is bad obviously didn't see THE ENTERPRISE INCIDENT. The episode finds the Enterprise crew venturing into Romulan territory under a secret mission. The episode is well written and well acted. Joan Linville makes a fine appearance as the Romulan Commander. Her scenes with Spock are very memorable. A great action packed story with some great moments make THE ENTERPRISE INCIDENT a classic definetly worth seeing. Especially when Kirk is disguised as a Romulan. There is no doubt in my mind that AND THE CHILDREN SHALL LEAD is the worst Star Trek episode of the entire series. The plot tries to take a sort of 'Children Of The Damned' status but comes out as a joke. The casting is terrible as several bad child actors were hired as well as lawyer Melvin Belli (of The Rolling Stone's Gimme Shelter fame) who was cast as the evil spirit whom controls the children. The entire episode is totally unconvincing but particularily because Belli looks more like a Christmas tree than a threatening entity. This is best viewed as a joke but watch it at your own risk. Overall the DVD is worth getting for the classic ENTERPRISE INCIDENT and perhaps if you are bored you should watch AND THE CHILDREN SHALL LEAD but it is the worst episode of the bunch. Recommended but don't get mad at me if your disappointed I warned you about AND THE CHILDREN SHALL LEAD : )
And the Children Shall Lead-Incredibly, the second of the 'children' episodes is even darker than the first (Miri). This atmospheric episode is shrouded in a sense of mystery and dread. I would go so far as to call the episode courageous in it's depiction of evil and willingness to give the children complicity in the adults' deaths. Each individual's insecurities and fears are exploited by the Gorgon, and at the height of the episode Kirk has lost control both of his ship and his entire sense of reality.
THE ENTERPRISE INCIDENT © PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The balance of power; military one-upmanship Historic Milestone: the introduction of the fictional "Vulcan death grip" Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: None REVIEW/COMMENTARY: Jimmers' libido takes a rest in this outing as Spock takes on the task of romancing the babe-of-the-week. And what a job he does: he melts the heart-- whilst earning the trust-- of a Romulan ship commander with his little routine of logic and lack of emotion following the capture of the Enterprise after encroaching into the Neutral Zone. Adding to his credibility with the Romulan commander is his application of the aforementioned 'Vulcan death grip' on the good captain when it appears he may've gone a bit loopy. Um, the captain that is. Meanwhile, Jimmers' 'corpse' is returned to the Enterprise, where he's revived, disguises himself as a Romulan officer, and sets out to steal the enemy's cloaking device. Scotty's expression of joyful surprise as he sees the good captain in Romulan togs is absolutely priceless! Eventually, the Enterprise makes off with their prize, and with a touch of Scotty's miracle-working, uses it to escape detection. In the end, Spock has the temerity to try and salvage his 'relationship' with the captured Romulan officer after using her like a wad of tissues! And apparently she falls for it to a degree, the silly fool. Oh Spock, you smooth character you! AND THE CHILDREN SHALL LEAD © PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The folly of giving Melvin Belli a part on a TV show-- or an acting part of ANY kind! Notable Gaffe/Special Defect: The entire freakin' episode! Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: 2 killed REVIEW/COMMENTARY: I was pretty freaked out by the teaser to this particular eppie, featuring a buncha kids playin' and carrying on whilst their parents lie dead all around 'em! Was Stephen King a contributor to the script, or what? Unfortunately, things break down after the teaser, and never improve one iota. Melvin Belli's ultra-stiff performance as the evil Gorgan proved to me that, as an actor, he makes a pretty good lawyer. Actually, his character is very lawyer-like: he produces and feeds off of the anxiety & paranoia of others! Okay, so I made a cheap shot with that last crack. What'cha gonna do about it-- sue me? No wait, I was only kidding... honest! Please put that summons down... Anyhoo, after pickin' up the adolescent survivors, the Enterprise encounters all sort'sa troubles... like the kids using mind-control to systematically take over the Enterprise, and making Sulu hallucinate huge knives out in space. Fortunately, the Gorgan's power over his prepubescent charges is broken when Jimmers shows 'em a few home movies with their late 'rents. This causes the young'uns to bawl somethin'awful, and frees them from their captor. I can't really blame 'em for their reaction; if I were forced to watch old home movies, I'd be cryin' too... 'Late
On the other hand I think I actually sat through "And the Children Shall lead" them ONCE in all the years I have been watching Star Trek. The Enterprise responds to a distress call from a scientific expedition on Triacus where they are shocked to find not only that all the adults have killed themselves but that their children do not seem to care. It turns out the children are enthralled to Gorgon, a sort of demon entity that lives on the planet. Lawyer Melvin Belli portrays the evil Gorgon is one of those horrendous casting decisions that get made from time to time. Anyhow, now Grogon wants to find a planet with millions of people he can make suffer and to distract the Enterprise crew he has them each imagine their worst fears coming true. If I bothered to put one together, this episode would be in my Bottom 10 episodes of Star Trek. Actually, I think it is the worst of the bunch, mainly because Belli makes the most unthreatening evil etity you have ever seen while the children do not even come close to "Children of the Damned" status. ... Read more | |
| 43. Star Trek - The Original Series, Vol. 3, Episodes 6 & 7: The Man Trap/ The Naked Time Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Reviews (17)
Bringing hidden issues to the surface - confronting what we wish to forget, Star Trek goes boldly where no one has gone before with this innovative series. In "The Man Trap", lost love of Dr. McCoy's Nancy Carter is isolated on Planet M113. There, during an away mission, crew members mysteriously are killed by being desalinated. Confrontation of emotion vs. fact - this episode yields a heart wrenching and character defining moment for our dear Dr. McCoy. In "The Naked Time", the crew becomes exposed to a virus which allows them to act emotionally without thought. The virus is passed on through bodily fluids (in this scenario, perspiration) The forefront of sexually transmitted infections is hidden but very much so an issue in this episode. Overall, two wonderful episodes backed by high quality of sound and picture. This DVD is a must have for the TOS collection.
Then, in "The Naked Time" an away team finds six scientists dead on planet Psi 2000. When one of the crew takes the glove of his isolation suit off, a small drop of red liquid moves onto his hand. When they return to the Enterprise the crewmembers start acting strangely; Sulu runs around with a fencer's foil, Riley takes over engineering and keeps singing "I'll Take You Home Kathleen," and even Spock becomes an emotional wreck. The strange liquid from the planet affects everyone like alcohol and bares their souls. This is absolutely a great idea, but for "Episode 7"? This is just way too early for Spock to have his meltdown. Ironically, STNG made the same mistake with "The Naked Now" being Episode THREE for crying out loud. Of course, in syndication these concerns are less important because we the second/third/nth time you want a Star Trek episode you can put it in the context of the entire series. Still, way back when, they were really getting a bit ahead of the game with this pair of episodes, although "The Naked Time" is an above average episode.
"The Man Trap:" A shape-shifting creature that drains its victims of their natural salt content terrorizes the Enterprise crew. Even though this segment was the sixth Trek episode produced (if you count the first pilot, "The Cage") it was the public's first taste of Star Trek, debuting September 8, 1966. The creators obviously chose "The Man Trap" to lead off the series because it best exemplified Star Trek's "strange new worlds" concept. This is an excellent horror/mystery story, both haunting and tragic (inexplicably criticized by William Shatner in his book 'Star Trek Memories' as "a dreadful show, one of our worst ever" -- Huh? Did we see the same show?). A great first exposure for the masses, which nicely establishes the tone of the series; but it strangely got mediocre reviews -- the fools! GRADE: A "The Naked Time:" This is one of my personal faves. The Enterprise crew gets infected by a space virus that causes them to lose all inhibitions resulting in ship-wide pandemonium. This episode answers one of the most burning questions of the series: Why does Kirk go after EVERY female he meets in the galaxy -- including aliens and androids? Because he's not allowed to fraternize with any of the women on his ship! (If this is true then what was he doing with Helen Noel at the ship's Christmas party as revealed in "Dagger of the Mind" [episode #11]? Ms. Noel is so incredibly gorgeous that Kirk can be forgiven this one transgression). Bottom Line: A fan favorite because it's got everything a viewer might be in the mood for -- mystery, drama, comedy, romance, action and suspense. It also happens to be a great episode in which to get to know the characters, seeing as how they all get to 'let loose.' WATCH OUT for the powerful scene in which Chapel admits her love to the emotionally distant Spock. GRADE: A+
The Naked Time-This episode, in which a virus causes the crew to lose their inhibitions, was the best offering yet from the new show. The episode commences with an effective teaser, and the story unfolds at a good pace once aboard the Enterprise. The basic premise is a good one, since it enables the cast to both playfully embellish their roles and have some serious ruminations. The episode certainly has its share of action, and is one of the more creative 'Enterprise in danger' shows. We are also introduced to adult themes such as tradeoffs between duty and responsibility on the one hand and joyous, unconstrained intoxication on the other. Some of the soul-searching monologues are a bit much though for characters who weren't exactly our friends yet (this was the 3rd show to air), and as others have noted Nimoy-who seems to really need to believe in the material-was not terribly effective here. The same can (as usual) be said of Takei, and the inclusion of a 'drunken Irishman' character was also somewhat unfortunate. The boomerang premise is also kind of silly, but what the heck, enough hating; this is Star Trek, and it's a good episode. (4 stars) ... Read more | |
| 44. Star Trek - The Original Series, Vol. 10, Episodes 19 & 20: Arena/ The Alternative Factor Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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If you're a fan of the original series, I recommend getting Vol. 10 of the original series. It contains one of the best episodes of Star Trek with "Arena" and a mysterious, but likable episode with "The Alternative Factor."
ARENA is easily considered a classic. In the classic tale Kirk and the crew are in an intergalactic battle with a enemy Gorn ship. The Gorn ship attacks the Enterprise after it invaded their territory. Soon however a "superior" peaceful race captures the two ships and takes Kirk and The Gorn Cpt. to a nearby habitable planet to do beattle. The winner can continue on his mission the loser will be destroyed along with his ship in the interests of peace. The episode sontains two hilarious moments the Gorn (who looks really fake) and the ridiculous superior being whom appears in the end. He asks "Does My Appearance Shock You Captain?" Well it sure shocked me. Later on he says there is hope for the human race and that they can be like the superior race. I don't know but if thats the superior race then I would prefer to stay the way we are! Anyways the episode is a classic. Easily one of the best Trek episodes of the first season. The second episode here is THE ALTERNATIVE FACTOR where Kirk meets a crazed mad man named Lazerus who is bent on destroying his double in a parallel universe. I have always found this episode a headache to watch (similar to the Dagger In The Mind episode). Sure the episode has a deep complex interesting plot but it was not translated well into an episode as it would have belong better in a book. That is why THE ALTERNATIVE FACTOR is reviewed so negatively. The episode is quite trippy and complex but I understood it although many viewers don't. Overall Volume 10 is worth a look particularily for the classic ARENA but you may like THE ALTERNATIVE FACTOR depending on your taste. It wasn't my favourite but the plot was quite good. This collection is definetly worth it though.
The Alternative Factor-This episode, in which a loner travels between universes in a small ship, just never comes together. Despite the fact that nothing short of the universe is at stake, the episode feels trivial. While Robert Brown certainly has a tough assignment here as the two Laseruses (Laserii?), he seems torn between trying to make each of them 'real' while still being sufficiently different that the viewer will not become confused. Unfortunately he does not succeed in either regard, and the seemingly haphazard storyline doesn't assist the viewer any either. The team also seems to struggle to fill up the episode's allotted hour, but the main problem is the story is presented in a way that doesn't make sense; everything feels arbitrary and desultory. The self-flagellation between universes, while memorable, is not particularly effective either. About the best thing about this episode is the end-the disturbing idea of someone spending eternity battling a madman. (2 stars)
"Alternative Factor" - Episode 20 - An excellent episode that deals with the orignal crew being thrown into unfamilar territory. A man named Lazarus is thrown into an odd state of flux where him and his counterpart switch between a positive and negative universe. An insane Lazarus on one of the sides is bent on destroying both universes. They both eventually meet to fight in the gap between universes eternally. Great epsiode that explores a more complex concept of the universe than the crew usually deals with!! ... Read more | |
| 45. Star Trek - The Original Series, Vol. 3, Episodes 6 & 7: The Man Trap/ The Naked Time Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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| 46. My Favorite Martian Director: Alan Rafkin, Byron Paul, James Komack, James V. Kern, Wes Kenney, David Alexander, Oscar Rudolph, Sheldon Leonard, Sidney Miller, Leslie Goodwins, Jean Yarbrough, John Erman, Mel Ferber | |
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| 47. The Monkees (Volumes 1 & 2) Director: Jon C. Andersen, Micky Dolenz, Mike Elliot (III), Bob Rafelson, Alexander Singer, Peter Tork, Gerald Shepard, David Winters, James Komack, James Frawley, Richard Nunis, Bruce Kessler, Sidney Miller, Russ Mayberry | |
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Amazon.com The pilot (which features cowriter and series developer Paul Mazursky as a TV reporter) shows the Monkees in embryonic form; their hair's much shorter, and you can even spot a Beatles poster in their Monkee-pad. But it wasn't long before the group's distinct personalities emerged (Davey was always molded as the heartthrob), and by the time "The Picture Frame" aired on September 18, 1966, the show's combination of silly slapstick, groan-worthy punch lines, and catchy pop tunes had become a ratings smash. (Indeed, that episode's featured song, "Pleasant Valley Sunday," had recently topped the Billboard pop chart.) And while "Alias Mickey Dolenz" is clearly a Mickey showcase (in which he aids police by doubling as a wanted killer), it also features two songs ("Mary, Mary" and "The Kind of Girl I Could Love") that established Mike Nesmith as a talented songwriter. All in all, these four episodes neatly summarize what the Monkees were--a marketing ploy that took flight as a legitimate pop-cultural phenomenon. --Jeff Shannon Reviews (5)
Here Come The Monkees - the debut episode filmed in November 1965, the episode telegraphs that this series will not be like anything on TV to that point in its brilliant prologue as Paul Mazursky conducts man on the street interviews and elicits from a doctor a vow to break up any outburst of violence - which goes out the window when Davy appears, being beaten senseless by Micky, Mike, and Peter. The episode then proceeds into its main plot - The Monkees are hired for the sweet-sixteen party of Vanessa Russell, a gig that nearly gets the boys canned when Vanessa and Davy's dating ruins her history studies. A corporate board meeting ensues and the boys work out a plan. When Vanessa aces her makeup exam as a result, her teacher tries to persuade Vanessa's father to relent, but initially he won't, until shamed into doing so by his distraught daughter. Following the madcap events of the episode - highlighted by both versions of "I Wanna Be Free" and the party rocker "Let's Dance On" - the episode closes with the October 1965 screen tests of Davy and Mike being interviewed by off-camera Bob Rafelson - scren tests that reveal Davy's love affair with horses and being a jockey, and also Mike's love of music and his anxiety to get this series. The Picture Frame - The most overtly slapstick episode of the series, The Monkees are tricked into robbing a bank by a phony movie director. Bank cameras film the incident - which Micky, Mike, and Davy think is just rushes from the movie - and interrogation by the sergeant who manages to out-Friday Joe Friday ensues, highlighted by the boys' comedic turns - such as wehn they agree to spill the beans, and use the empty cans as phones, and when Mike catches the overdue book thrown at them. Trial then ensues, and Micky, Mike, and Davy make a shambles of the results, complete with bribery of the judge, hilarious cross-examination by Micky, hotdogs, and Mike's Wile E. Coyote gag on the prosecutor. All the while Peter is snooping around the studio and finds the evidence that will clear the others - but he must outrun the real crooks amid the snarling strains of "Pleasant Valley Sunday." When Peter succeeds in getting the boys acquitted, they celebrate with the video of Micky's London mod scene anthem "Randy Scouse Git." Alias Micky Dolenz - Members of the gang of Baby Face Morales mistake Micky for their jailed boss, and two attempts on Micky's life - the second, a drive-by machine-gunning, leads to the show's funniest speed-up photography shot - force him to impersonate the jailed malfeant and infiltrate the gang. A bar brawl establishes Micky's bona fides with the gang, but the worst ensues when the gang force Micky into helping them spring the loot they've hidden, and Mike and Peter must go along as "specialists" - until the real Baby Face Morales escapes and appears. Hillbilly Honeymoon aka Double Barreled Shoutgun Wedding - The first episode to feature Micky's second-season afro hairdo, it finds the boys caught in the middle of a feud between two hillbilly families, which snares Davy when the sweet young thing of one of the families seduces him and he is kidnapped - leading the show's funniest wordplay: the girl's father snarls, "All right, say it! 'Will you marry me?'" Davy replies, "Will you marry me?" and Mike deadpans about how millions of chicks (Dixie and otherwise) are madly in love with Davy.
The extras were a little disappointing. There are some brief cast bios and a short band history but I thought it was rather odd that Micky Dolenz's name was spelled wrong (with an E) and even the title of one of their songs was listed incorrectly. Rhino has a long and extensive history of releasing Monkee products so mistakes like these are inexcusable. Overall, I hope Rhino releases more Monkees episode on DVD (especially the alternate version of the pilot). I think the following would make great extras on future Monkee DVDs: 1)Include the original Kellogg's and Yardley commercials, as well as the Kool-Aid commericals from the CBS reruns. Network promos would be nice too. 2)Have the ability to swich the soundtrack to play the original songs, songs from the summer 1967 reruns and CBS reruns. 3)Have a chaper break for each of the songs. 4)Captioning. 5)Interviews or audio commentary with the Monkees. 6)A booklet about the episodes instead of just a piece of paper with the chapter breaks.
The picture was sharp, and colors were crisp and clear.. Much better quality then in the VHS format. The Pilot was cool to see as well as the one about Micky impersonating Babyface Moralas. The picture Frame has me on the floor when Peter is in a shower and covers himself while having a funny look on his face.. Hillbilly Honeymoon is not my favorite episode but the scene where Mike "Plays his nose" was a scream! Aside from that, it is a worthy addition to my DVD collection... THANK YOU RHINO HOME VIDEO! Keep them coming on DVD... ... Read more | |
| 48. Star Trek - The Original Series, Vol. 4, Episodes 8 & 9: Charlie X/ Balance of Terror Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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| 49. Dick Van Dyke Show Director: John Rich, James Niver, Carl Reiner, Peter Baldwin, Coby Ruskin, Theodore J. Flicker, Stanley Z. Cherry, Robert Butler, Sheldon Leonard, James Komack, Claudio Guzmán, Jerry Paris, Howard Morris, Hal Cooper, Lee Philips, Alan Rafkin, Richard Erdman | |
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| 50. My Favorite Martian Director: Alan Rafkin, Byron Paul, James Komack, James V. Kern, Wes Kenney, David Alexander, Oscar Rudolph, Sheldon Leonard, Sidney Miller, Leslie Goodwins, Jean Yarbrough, John Erman, Mel Ferber | |
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| 51. The Dick Van Dyke Show Director: John Rich, James Niver, Carl Reiner, Peter Baldwin, Coby Ruskin, Theodore J. Flicker, Stanley Z. Cherry, Robert Butler, Sheldon Leonard, James Komack, Claudio Guzmán, Jerry Paris, Howard Morris, Hal Cooper, Lee Philips, Alan Rafkin, Richard Erdman | |
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| 52. Dick Van Dyke Show Director: John Rich, James Niver, Carl Reiner, Peter Baldwin, Coby Ruskin, Theodore J. Flicker, Stanley Z. Cherry, Robert Butler, Sheldon Leonard, James Komack, Claudio Guzmán, Jerry Paris, Howard Morris, Hal Cooper, Lee Philips, Alan Rafkin, Richard Erdman | |
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| 53. Get Smart Director: Paul Bogart, James Komack, Don Richardson, Gary Nelson, Richard Donner, Harry Falk, Dick Carson, Nicholas Webster, Bruce Bilson (II), Ron Joy, Eddie Ryder, Howard Morris, Charles R. Rondeau, Earl Bellamy, Jerry Hopper, William Wiard, Frank McDonald, David Alexander, Jay Sandrich, Anton Leader | |
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| 54. Welcome Back, Kotter Director: Alan Myerson, Nick Arnold, Robert Hegyes, Dick King, Bob Claver, Nick Havinga, Bob LaHendro, Al Schwartz, Gary Shimokawa, Bill Hobin, James Komack, Norman Abbott (II), Jeff Bleckner, Bill Persky, Mel Stuart | |
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| 55. Dick Van Dyke Show Director: John Rich, James Niver, Carl Reiner, Peter Baldwin, Coby Ruskin, Theodore J. Flicker, Stanley Z. Cherry, Robert Butler, Sheldon Leonard, James Komack, Claudio Guzmán, Jerry Paris, Howard Morris, Hal Cooper, Lee Philips, Alan Rafkin, Richard Erdman | |
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| 56. Dick Van Dyke Show Director: John Rich, James Niver, Carl Reiner, Peter Baldwin, Coby Ruskin, Theodore J. Flicker, Stanley Z. Cherry, Robert Butler, Sheldon Leonard, James Komack, Claudio Guzmán, Jerry Paris, Howard Morris, Hal Cooper, Lee Philips, Alan Rafkin, Richard Erdman | |
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| 57. Dick Van Dyke Show- 6 Big Episodes Director: John Rich, James Niver, Carl Reiner, Peter Baldwin, Coby Ruskin, Theodore J. Flicker, Stanley Z. Cherry, Robert Butler, Sheldon Leonard, James Komack, Claudio Guzmán, Jerry Paris, Howard Morris, Hal Cooper, Lee Philips, Alan Rafkin, Richard Erdman | |
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