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| 1. Pride and Prejudice (Special Edition) Director: Simon Langton | |
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Reviews (596)
There are no annoying "Hollywood stars" in it like in Ang Lee's Sense and Sensibility, yet the acting is incredible. Although I enjoyed Sense and Sensibility (on the second viewing because the first time I watched it I fell asleep), it doesn't hold a candle to Pride and Prejudice. This adaption lets your imagination steep in the imagery, language, and essence of the film so you never get "pulled out" of a scence. If you're unsure as whether or not to buy this gem, just do what I did and rent it for the weekend. You'll soon discover that your movie collection will be lacking without this rendition of Pride and Prejudice.
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| 2. Jeeves & Wooster - The Complete First Season Director: Ferdinand Fairfax, Robert Young (III), Simon Langton | |
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Amazon.com This boxed set contains the entire first season of Jeeves and Wooster. In "Jeeves Takes Charge," young man-about-town Bertie Wooster employs a new valet called Jeeves, and not a moment too soon. Thanks to his Aunt Agatha, Bertie faces the terrible prospect of marriage to the statuesque Honoria Glossop, and only Jeeves can save the day. "Tuppy and the Terrier" finds Bertie in trouble again when he loses Aunt Agatha's dog. Further aunt-related complications arise when Bertie's chum Tuppy falls for our hero's cousin Angela. Aunt Dahlia is not amused. An uncle in love with a waitress, a trip to the country, a speedy choirboy, and a secret betting syndicate all lead to trouble in "The Purity of the Turf." Jeeves, of course, is the only one who can put things right. Jeeves and Wooster really hits its stride in the final episodes of the first series, "The Hunger Strike" and "Brinkley Manor." When Bertie visits Aunt Dahlia, he is called upon to solve the romantic problems of his friends Tuppy Glossop (in love with cousin Angela) and the delightful Gussy Fink-Nottle (in love with Madeleine Basset, a young lady who believes the stars to be God's daisy chain.) Unwisely, Bertie decides to cook up his own plan and before long disaster strikes. Aunt Dahlia's superb chef Anatole gives his notice, and Bertram is to blame. Thank goodness for Jeeves. --Simon Leake Reviews (23)
Two memorable characters are introduced: the ever-amiable, charming and foppish gentleman of the '30s, Bertie Wooster, and his stately, cultured and dignified valet, Jeeves. Bertie (and his helpless friends) finds himself in trouble all the time, and only the priceless Jeeves can extricate him and make things run smoothly again, until the next imbroglio comes up. Their creator is P. G. Wodehouse (1881-1975). If you already met him, then no more talk is necessary. If he hasn't crossed your path yet, your happiness is even greater; you will be able to discover his sunny world starting afresh. What wouldn't I give to be able to read his short stories and novels again without knowing the way they end (always happily) beforehand! Bertie Wooster is played by Hugh Laurie and Jeeves by Stephen Fry. They are simply brilliant and I laughed myself into stitches watching the series. Usually TV adaptations are disappointing, but in this case, none of the original flavor is lost! I've seen all four seasons, and the one thing I found confusing is that sometimes secondary characters are played by different actors. Plot lines are not followed exactly sometimes and separate novels and short stories are combined together in one episode to make the whole thing livelier, but the final result is, somehow, exactly right.
Stephen Fry (Jeeves) and Hugh Laurie (Wooster) are well-known English comedians. They both had major roles in the Blackadder series and Laurie starred in Stuart Little. Here, Laurie plays Bertie Wooster, an air-headed young English aristocrat, a character exactly like his Blackadder roles, and Fry plays Jeeves, Bertie's valet, a man of sophistication and cunning, equally at home in the sitting room of a county manor or in a rowdy East End mission. A character completely unlike any Fry played in Blackadder. The series is set in the 1930's, and is rich with period atmosphere. Poor addled Bertie may be rich, debauched and carefree, but he forever seems to be getting into social trouble with either his aunts or his eccentric school chums. The punch line every time is that, after Bertie has made such a pig's breakfast of things that you can't imagine he'll ever be invited to anyone's mansion for dinner again, Jeeves comes up with a simple and elegant resolution. Along the way, we are treated to crisp, witty dialog, in the best British tradition. I particularly enjoyed Jeeves's reaction to the mess jacket he finds in Bertie's clothes closet: "I assumed it had gotten into your wardrobe by accident...or else been placed there by your enemies." Bertie protests. "I wore this jacket at Cannes, Jeeves, and all the young ladies tried to catch my eye." "No doubt they mistook you for a waiter, sir." The striking thing about this series (unlike, say, Blackadder) is that it will keep you laughing without the slightest sexual innuendo or a smidgeon of violence (unless you count Bertie's golf game). You could show this whole series at a Sunday School picnic and no one would blush. How many comedies can you say *that* about?
Unfortunately the 'extras' option on the DVD (an 'Audio Commentary') is desperately bad. It completely misses the program's natural ebullience and the commentator discusses Jeeves and Wooster as if they died in a suicide pact sometime during the Depression. It has absolutely no place in the running, and drains all the colour and enjoyment from the rest of this magnificent disc. So buy it- definitely. Just don't touch the add-ons...
The talent included here is incredible. Stephen Fry and Hugh Laurie, one of the greatest comic duos of our time, have never been better, and they play off each other quite well here. Bottom line? It's worth buying. Trust me.
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| 3. Jeeves & Wooster - The Complete Fourth Season Director: Ferdinand Fairfax, Robert Young (III), Simon Langton | |
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Description Return to New York Reviews (8)
After watching the first DVD, I hesitated with the second. Eventually I did break down, however, and I'm glad I did. The last three episodes find young Bertram back in his native land, and the result is enjoyable. Again, the stories were based on old favorites intermixed with ones I did not recognise. Again, it could simply be that I have missed a few over the years. Whatever the case, I did enjoy the last three shows. So to sum up, if you buy this one, set your drink on the first disc and pop the second in your player, put your feet up, and enjoy. If you want more Wodehouse for your money, however, order "Wodehouse Playhouse" Season One. It's from 1975, is made up mostly of Mr. Mulliner stories, and for ...(at present) it's a much better value.
Overall, I do still enjoy the series.
If you are dying for your J & W fix, re-watch one of the earlier seasons and save yourself the pain.
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| 4. Jeeves & Wooster - The Complete Second Season Director: Ferdinand Fairfax, Robert Young (III), Simon Langton | |
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Reviews (19)
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| 5. Nancherrow Director: Simon Langton | |
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| 6. Jeeves & Wooster - The Complete Third Season Director: Ferdinand Fairfax, Robert Young (III), Simon Langton | |
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Amazon.com The first three episodes of this third season of Jeeves & Wooster take place in Manhattan, where Bertie helps old pal Tuppy to make a business deal. At the same time he has to keep Motty Malvern on the straight and narrow, while helping two writer friends deceive their prying relatives. The final straw comes in the shape of Cyril Bassington-Bassington, the stage-struck son of Aunt Agatha's closest friend. Back home in England, Bertie and Gussie Fink-Nottle switch identities, the lunatic Roderick Spode reappears, Bertie is forced to commit burglary (again!), and there's a spot of trouble with a tin of treacle and some communists. The unflappable Jeeves is Bertie's only hope. Although the humor in this collection sometimes feels a little less assured than in earlier episodes and the new actor playing Gussie is a disappointment, the central performances of Hugh Laurie and Stephen Fry are as good as ever.Few actors have ever brought such beloved characters so convincingly to life. --Simon Leake Reviews (11)
But the fixes these two get into, oh, thanks for P.G. Wodehouse! The vacuous Bertie Wooster is never silly, but roaringly funny, while Jeeves' smoothness is actually quite sexy. And every now and then, Bertie does or says something that proves he's got a very sharp spot somewhere in that brain of his. I cannot recommend enough - I can't even think of a British comedy that so sharply defines the early 20th century Brit upper crust with such biting humour.
What you have heard is true, this season is not nearly on par with the first two but this set still has a few joys to offer. Another note, most of the younger characters in the cast have been replaced. Although most of the replacements are good, the new Madeline is painful. Don't let the cover fool you, only the first three episodes take place in the USA and then its back to England for Jeeves and Wooster. This is a very good thing. Most of the actors playing Americans are not as good as they could be. I think this is because they are english putting on American accents (even the New Yorkers have a distinct western twang!) and they are struggling with them. The best scenes in America come from the elevator operator (who is most likely a genuine American) who has seen it all and considers Bertie with a sardonic attitude. I found myself wishing he had more scenes. The first disc (or the New York disc if you will) is weaker than the second. The first and third episodes are okay but the second is pretty bad. (Jeeves acts completely out of character, he goes carousing and learns, gasp, modern music) But for all this, there is a marvelous scene in the first episode where Bertie compares the statue of liberty to Honoria Glossop in evening garb. The second disc is much better, Jeeves and Bertie being safely back on home soil. The last two episodes are almost up to snuff. The first episode would have been too had it not been for the helium voiced Madeline. The second episode involves Jeeves saving Bertie from marriage to a young clone of the dreaded Aunt Agatha. The third episode is about Bertie's chum Bingo joining a communist cell (!) and Bertie trying to steal a painting. This season depends more on slapstick than previous seasons did. (Bertie gets shot at three times in four episodes and then knocked out twice in the last episode) While most certainly a high class effort, it dims in comparison to the first two seasons. Stephen Fry and Hugh Laurie are marvelous in their respective roles as Jeeves and Wooster. I only wish more care had been taken with casting and scripts. Bottom line, is it worth the money? Answer: Depends on how big of a fan you are. If you are a dabbler you can probably get by with the first two seasons but if you are a dyed in the wool J&W fanatic, you will find this a weaker but sometimes very funny romp with a pair of incredibly talented comedians.
Worth watching, just don't get your hopes up! ... Read more | |
| 7. Therese Raquin Director: Simon Langton | |
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| 8. The Whistle Blower Director: Simon Langton | |
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Reviews (3)
The 36-year-old Nigel Havers (who has a viable "family-resemblance" to his "father" Frank) portrays a 28-year-old Bob Jones. As one intelligence eavesdropper remarks, Bob is a "self-righteous little prick." How true. Bob is a Russian language specialist at British intelligence GCHQ. Despite age and experience, his world view is a 17-year-old's. He sees lies and paranoia throughout GCHQ. "Nothing is as it is made out to be." Bob sees "burglary, bribery, blackmail, drug trafficking ... (even) murder!" (the horror, the horror). Why, (he says) "Our secret world is on exactly the same tack as theirs." British intelligence is as corrupt as the Americans' and the Russians.' Despite patriotic father Frank's (Michael Caine) advice to not rock the boat and either continue this necessary and important work quietly; or at least exit gracefully; Bob plans to quit with a whistle-blowing bang, thereby being a "man in the white hat" who "always wins in the end," thus saving England, perhaps the world. To add insult to injury, Bob is also stucking his acquaintance Alan's wife, Cynthia, married with child, presumably Alan's. This stucking may be a factor in Alan's death: Cynthia had just so advised Alan, telling Bob that Alan took it "terrible." Was it carbon monoxide suicide or perhaps another GPSC murder? We'll never know, but it apparently has a big effect on paranoid Bob. It's also difficult to see what (beyond plot requirements) Cynthia sees in Bob (or for that matter what he sees in her): Alan was better-looking than Bob and an extroverted but faithful reveler to boot, though admittedly with unsavory political connections. The film succeeds brilliantly if intended to portray Bob an ideological idiot. Indeed, Bob gets his just deserts after just 45 grueling minutes, markedly improving the film's gene pool in the process, likely not the reaction intended. And that is the principal problem with this film. Induced by the script, Havers does well but his portrayal so poisons the water that it is difficult for subsequent sympathetic engagement. Even worse, the bad guys' performances and motivations are so strong (if Bob carries out his threat, he'll create a first magnitude British intelligence failure) that the film risks making them the true white hats despite their government-sanctioned murderous intentions! In this sense, the film has a refreshing ambiguity. Prolog being over, the story gets down to brass tacks. Bob's grieving father Frank tries to find out why Bob died and if he can do anything about it. He risks getting acquaintances bumped off just before they can spill the beans (a time-honored movie tradition). And when Frank confronts someone about Bob's (and others') deaths, the intelligence folks are so (literally) wired in that they know all about it and other "private" and politically sensitive conversations Frank and son had as they strolled through "safe" terrain. (Watch for the guy with the "suitcase" and ear phones, the nearby upper floor open window, the trailing taxi, the brief glimpse of a major player at the subway "accident".) But when Frank finally confronts someone much higher in the food chain, presumably under more intense scrutiny, said agents must be out to lunch, conveniently facilitating a plot twist. The performances of Caine, Barry Foster as Charlie Gregg, Kenneth Colley as Pickett and the several intelligence agents (including James Fox and Gordon Jackson, with character names like "Lord" and "Bruce" never occurring in conversation) are actually quite good, as is John Gielgud (as always) who's lesser supporting role as Sir Adrian Chapple has pretty limited screen time. The dual-sided DVD presents both a widescreen (16x9) and a pan scan version. The widescreen picture and sound are generally satisfying. The pan scan version is surprisingly crisp and pleasing.
Michael Caine is in top form - this is one of his best parts. While there are some parts that spin media culture, it has a transcendent quality that will provoke your thought.
With an excellent cast that includes James Fox, Nigel Havers, John Gielgud, Felicity Dean, and many top-notch character actors, it's a fast paced hour and 40 minutes...one of my favorite parts is how they manage to get information out of the imprisoned double agent, making him believe that he has escaped. Michael Caine is powerful as the former spy and bereaved father, who investigates his son's death. Part vulnerable, part tough guy, it's a subtle, touching, and brilliant performance, and its believability makes this intricate thriller a 5 star film. ... Read more | |
| 9. Pride and Prejudice (BBC TV Miniseries) Director: Simon Langton | |
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Amazon.com essential video The essence of the story is the antagonism between Mr. Darcy, a wealthy single man who believes Elizabeth to be beneath him, and Elizabeth, who upon being insulted at a dance by the aloof Darcy refuses to associate with him in any manner. Austen evokes incredible tension with the wit and flirtation of the two characters, and director Simon Langton (who also directed Upstairs Downstairs) successfully translates the repartee and conflict in this six-hour miniseries. Dialogue, for the most part, is painstakingly replicated, except when fleshing out and smoothing for modern sensibilities was necessary. Darcy, for instance, is drawn out, giving his personality significantly more depth. The acting sweeps you away to Regency England: Jennifer Ehle (of Wilde) is convincing as the obstinate Elizabeth, who, despite her mother's attempts to marry her off, spurs the attentions of Darcy. And Colin Firth (of The English Patient) will have women everywhere longing for a Mr. Darcy of their own. For those who have been on an Austen binge--enjoying such excellent adaptations as Sense and Sensibility and Persuasion--this miniseries will round out the ultimate Austen video library. For those new to these romantic period pieces, this version of Pride and Prejudice will have you hooked and longing for more. One caveat, however: plan to watch it in an entire day, because very few have the self-control to not watch all six hours in a single sitting. --Jenny Brown Reviews (596)
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| 10. The Cinder Path Director: Simon Langton | |
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Amazon.com Charlie overcomes a dangerous secret, a hollow marriage of convenience with the haughty Victoria (Catherine Zeta-Jones), the challenge of running his family's Northumberland farm, and finally the rigors of military boot camp as he is called to serve in World War I. He struggles to vanquish his own ghosts and become the man no one thought he could be. Based on the popular novel by Catherine Cookson, this made-for-television production will please a wide variety of viewers, from fans of PBS and BBC-style programming to anyone who likes a love story with a happy ending. --Tara Chace Reviews (9)
This film features a pre-Hollywood Catherine Zeta Jones as the haughty and spoiled brat. She plays this role to a tee and was (before being "spoiled" by Hollywood) one of my favorite actresses previously because of this role. Everyone can enjoy this movie, relate to the hardships and life's tough decisions. All in all, it has a great message, but learning life's lessons is not all that easy.
The Cinder Path is based on the bestselling novel of Catherine Cookson. If you love period Jane Austen-like romantic drama this one is for you. Why did I not give five stars? I did not like the extensive war and battle-scenes. Furthermore, I thought it a shame that this DVD does not feature any extras (no widescreen, foreign languages, subtitels, behind the scenes information). But all in all it is a beautiful crafted movie. ... Read more | |
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