Reviews (86)

In both senses, a black comedy
After the terrors of "Summer of Sam", Spike Lee has come up with "Bamboozled", in which he roasts TV and the way it exploits the black population. Unhappy with his situation at a television network, Pierre knows he can be sued if he quits, thus breaking his contract, so he figures out a fail-safe solution: he'll get himself fired by producing a show so outrageously offensive it will cause a racial backlash. (It's a variation of "The Producers"; even the initial audience reaction is similar.) Pierre is a re-invented man: he wears expensive suits and greets us with "Bonjour", but about half-way through the movie we learn his name is really Peerless and his father is a second-level night club comic. Pierre is very sensitive to racial issues, and so he's convinced his proposed showcase will be a shocking failure: a minstrel show for the new millennium. Two Afro-American street performers are re-named Man-Tan and Sleep 'n' Eat and put into situations (in a watermelon patch, no less) displaying how lazy and untrustworthy Negroes are -- but, hey, great tap dancers! The two are even required to wear black face. (I assume the N word cannot be used in Amazon.com, but it's used ad nauseam in this screenplay.)To Pierre's consternation, the show is a big hit; and he is faced with the dilemma of denying his principles to court success. In fact, he has fantasies of winning everything except a Nobel Prize. One of Spike Lee's strongest points as a writer-director is providing flashy roles for capable actors. I was appalled that Samuel L Jackson's performance in "Jungle Fever" was ignored by the Academy. In "Bamboozled" Lee has provided several such oppportunities, though nothing as showy as Jackson's. At first viewing, Damon Wayans may seem a little excessive with Pierre's affectations, but look again. Paul Mooney is compelling as his father, an entertainer who realizes he's gone as far as he's going to go. Savion Glover, Tommy Davidson, Michael Rapaport, and Jada Pinkett-Smith are all good in their different roles. (Al Sharpton and Johnnie Cochran play themselves, and one can't help but wonder: did they realize they were satirized?) The big flaw in "Bamboozled", the reason I can't give it four stars, is the violence with which Lee has chosen to end his dark comedy. I think it would have been much more powerful to circumvent the deaths and have the characters, chastised, watching the devastating montage which closes the picture: the humiliations, the buffooneries, the relentless yassuh yassuh yassuh that degraded black people for generations. It's the death of the spirit that is the revelation in Spike Lee's screenplay,and he weakens that message with physical destruction.

Minstrel Shows Aren't The Only Cliche
.... Let's take as a given that some of [Spike Lee's] films are "heavy-handed". Anyone see Jungle Fever? Do The Right Thing? School Daze (oh, never mind...)? Anyone ever see or read a Spike Lee interview? He's an intense Brother who makes intense films, and true, subtlety isn't one of his strong suits. But you knew that going in.

...

In Bamboozled, as in many of his other flicks, Spike rubs your face in the problem and challenges the viewer to action, if so inclined.

This was "black comedy" in the more ways than one. Damon Wayans was an excellent choice to play the part of media corporate climber Delacroix, whose plan to stick it to The Man went cataclysmically awry. But I still believe Wayans' best work is before him. He's a talented actor who happens to be a comedian, and he just hasn't broken through the mold yet.

As with many Spike Lee joints, this film either satirizes or condemns everything in sight. In Bamboozled, he sets his sights on "wiggers", rappers and the hip hop lifestyle, the WB, UPN and the television and movie industry in general. Robert Townsend addressed similar problems about a decade before in his film, "Hollywood Shuffle". It wasn't as "heavy-handed", and there weren't any "solutions" offered other than from his grandmother, who told him to eschew portraying racial stereotypes on film for money, because after all, "there's always work at the Post Office".

Bamboozled, on the other hand, took no prisoners. From Scatman Crothers to Shirley Temple's dance routines to Farina and Stymie to Aunt Jemima to Fleishman's cartoons to "Good Times" to "In Living Color" (the reference to which was humorous in that both Wayans and the minstrel show side-kick, Tommy Davidson were cast members of that show) to "Martin" (a true minstrel show) to Jerry Springer.

Tommy Davidson is deserving of more work.

Bamboozled isn't too far from the truth. Martin Lawrence used to bug his eyes out and stick out his [behind] and show his teeth and it was a favored show in police departments throughout Ohio. Don't ask me how I know, but some of you might wanna be judicious in your application of the accelerator, if you know what I mean...

This was a better movie than I thought it would be. I didn't buy Wayan's performance for a minute, but there's some really good acting from people you wouldn't expect. That's all I'm saying.

Say what you want about the other Spike Lee joints. In this one, he was completely on point. And as with the rest, the solution is up to you.

Spike Lee's Best
This is the movie that got me turned on to Mr Lee. When I rented this movie just a few years ago I watched it 3 times and then watched it with the audio commentary. I found the movie *that* interesting. Also, the movie has a few layers to its plot so each time one watches it, they're sure to pick up on something new.

The characters are also great - I especially love Damon Wayan's boss who is a caucasian married to a black woman and tells Damon "I'm more black than you are" From that point on, you know this movie is going to put a lot of stuff in your face.

The basic premise - Damon's character is tired of the types of shows with black people that show on tv nowadays. It's all very stereotypical (think this summer's "Method and Red" on fox) and he wants to do something creative. His boss wants something along the lines of "homeboys in outer space". Damon's character is so incensed that he decides he'll get fired in order to break his contract.

What could be better for getting him fired than to make the most racist and ignorant show on tv? He decides to make a show called "Bamboozled" which will recreate the blackface shows of the 30s and 40s only it will be black actors putting on blackface. There's only one problem with his plan: the show becomes a hit.

The rest of the movie shows what happens to the rest of the characters in the style of a Shakesperean tragedy. In other words, a few things don't quite go according to plan and everyone suffers. (ie Romeo & Juliet, MacBeth, etc)

Another thing that makes this movie so awesome is the fictitious commercial spot during the show Bamboozled. Spike Lee takes a pot shot at Tommy Hilfigger's alleged marketing directed at blacks with another brand whose name I can't write or my review will be banned. You'll be shocked, but in a revealing sort of way.

Some People Just Don't Get It
I have to applaud Spike for making this film. People can argue if he is a racist or not, but on this film he showed how corporate America market their products to black inner city people. I for one used to work in a marketing department at a large corporation and this type of behavior went on all the time. So many times, I had to smile and walk away when I heard "you people" and "those people like stuff like that". What is worst is some black artists (namely rappers) help build on these negative stereotypes. They are NO different from the black actors of the 30s who was paid to demean their race. Instead of black people getting mad at Spike for making these films, I suggest you take your anger out on the real culprits and their marketing schemes. BTW, these culprits come in ALL RACES.

What I really want is O Stars...
In high school, I tried to convince our African American STudies teacher to plan a field trip to see this movie. He rebuffed me, and when I saw this movie on tape, I knew why.

I am glad that I am not the only one who knows Spike Lee is a racist. And a slick one at that. He does these movies and black people go see them (I am black, so don't attack me). Do The Right Thing was horrible, Jungle Fever (he ought to be ashamed) all in the name of "eye-opening" filmmaking. Give me a break

Bamboozled...I don't know what to say about this movie. Stereotypes, senseless violence, just downright shameful. There was no message here...except that, we, as black people, sometimes do it to ourselves (ex. Soul Plane? same problem). And helping this man, for the sake of a paycheck is deplorable.

Please spare yourself of this film. ... Read more

Amazon.com essential video

As a filmmaker and passionate fan of basketball, Spike Lee was the perfect director for this ambitious and heartfelt sports drama, which brought out the best in both Lee and his well-chosen cast. In his third film for Lee, Denzel Washington plays Jake Shuttlesworth, who is in prison for the manslaughter of his wife. His estranged son Jesus (well played by Milwaukee Bucks basketball player Ray Allen) is the nation's best high school basketball star, and Jake receives a compelling offer from the state's governor: If Jake can convince Jesus to sign a letter of intent to attend Big State University, the governor will reduce his sentence. Lee turns this back-room bargain into a fascinating examination of capitalism in college and professional sports, but the film also works as the moving story of a father's desperate attempt to regain his son's respect. Lee handles the basketball angle with an insider's awareness, and takes a few stylistic risks (including a memorable final image) that pay off with considerable emotional effect. He Got Game fully explores the visual poetry of basketball and the greed that fuels this particular vision of the American dream, but Lee never loses sight of the sport's inherent beauty, or the higher priorities of redemption and family that form the solid foundation of this exceptional film. --Jeff Shannon ... Read more

Reviews (59)

This movie has game
I must say that Spike Lee did a great job in making this movie. Jake (Denzel Washington) plays a prisoner who is in jail for murdering his wife years ago. He is given a chance to get out of prison if he does one thing. He has to convince his son, Jesus (Ray Allen) to attend a certain college. If he does that, Jake is a free man. Of course, it won't be easy because Jesus has to first forgive his dad for what he did to his mom before he can even think of going to a certain university in his dad's favor.

Denzel Washington and Ray Allen both put on great performances to make this a great movie. The basketball sequences in the movie are exciting, but the drama in "He Got Game" is what makes the movie work so well. I recommend anybody to get "He Got Game."

Compelling Story - Senseless Spike Lee Views....
Once again, rather then Spike Lee making trully great movie that will appeal to everyone; Lee injects his political/social views into what could have been a great movie. Good performances by D. Washington and rookie actor NBA star Ray Allen carry this movie. I thought the story had incredible promise, but Spike Lee once again has to inject his personal agenda while turning off 80% of the people who would go see this film.

First, every women featured in this film is white/latin and a whore/slut. An unusual combination considering this film is about about black inner city basketball. Not one black female shows up this film with any of kind of speaking role or substance.

The story turns into the absurd about half way through and stops making sense. Also, Rick Fox is well, Rick Fox. Nuff said. Listening to him try to sound street/from the hood is very laughable. I imagined he listed to some NWA records to prep for this role.

The most compelling part of the movie is the climax, D Washington playing R Allen in a classic Father/son one on one battle. This scene saves the movie.

Ray Allen who has the lead:great b-ball-player but bad actor
This movie probably could've been at least a little good if SPIKE LEE hadn't casted the NBA-player RAY ALLEN, he joins Dennis Rodman, Shaquille O'Neal & Rick Fox (who also is in the movie) in the list of BASKETBALL-PLAYERS who makes movies but can't act.

Denzel does good work in the film YES but it takes more to make a good movie than one or two people in it who knows how to act (Hill Harper is the second one).

Not a very moving story mainly becouse RAY ALLEN's and MILLA JOVOVIC's horrible acting.

If you thought that rappers were bad actors, they are nothing against b-ball players.

Any SPIKE LEE-movie is better than this one so skip it.

Denzel and Allen Great...
Jesus Shuttlesworth (Ray Allen) is the top high school prospect in the country. His father, Jake Shuttlesworth (Denzel Washington) is in jail for accidently killing his wife. THe govenor has promised Jake that if he can convince his son to play for his alma mater that he will cut his prison time signifigantly. Jesus has never forgiven his father and has hatred toward him. There is tons of symbolism in this movie. Ray Allen had a great debut, especially for a basketball player! He really did a great job, and Denzel also gave a great performance as usual. Go see this movie it is very moving and is my personal favorite of all time.

Best from Spike Lee ever!
To me, this movie was and still my all-time favorite movie dealing with Basketball.The Plot was superb. Denzel acting chops were on point in this or any movie he has been in. Ray Allen was amazing in acting debut.I give it two thumb or ten toes up!!!
Go cop that DVD! ... Read more

Reviews (22)

If you don't get it...
To the person who gave this movie five stars yet panned this film, this is a film parodying life at a fictional HBCU during its homecoming, with a focus on three groups on campus: "Da Fellas" and their women (the women are known in the "Straight and Nappy" musical bit as the Jiggaboos, a racist term for African-Americans, because the women refuse to relax their hair), the people who would rather urge Mission College to divest from South Africa because of discrimination at that time; Gamma Phi Gamma and the Gammites, men who claim to have true brotherhood but dish out abusive punishments and orders to "obtain" that brotherhood; and the Gamma Rays (also known as the Wannabes because most--note I did not say all--of these women are light-skinned African Americans that relax their hair and are apparently rich), women that are just mere sex objects and trophies to the Gammas. And no, Spike Lee does not play Urkel--otherwise, he'd be wearing suspenders and speaking in an annoying nasal voice. He plays one of the Gammites who just happens to be connected to Dap (Lawrence Fishburne), one of Da Fellas. Of course, during its time, several people didn't understand this film. For example, while "School Daze" was shooting, the then-president of Morehouse kicked Lee and his cast and crew off of the college (Lee's alma mater) for the portrayal of the Mission College school president in the movie, who is dark-skinned. "School Daze" is a parody focusing mainly on colorism (discrimination among African-Americans based on skin tone), such as the view that the lighter your skin is if you're black, the more doors open for you (which was true prior to intergration laws). I really do like this movie, especially the song sequences done by cast members ("Straight and Nappy," "Be Alone Tonight"). I really encourage people to see this film. Although I realize this movie is not considered to be as good as "Do the Right Thing" or "She's Gotta Have It," this movie does have a point, and most people, despite their race, can relate to the themes presented in this movie.

Great Messages For Any College Student
The movie "School Daze" is as good in my opinion as many movies on "college life" that it transcends time and never becomes archiaic. actors Giancarlo Esposito,Lawrence Fishburne,Spike Lee and Tisha Campbell give talented performances as students and the best lessons were geared to the girls as when Tisha Campbell learns only too late that "she was being tested" as well by the rules of "eliteness":(don't assume that what's popular is considered protocol).The movie ends with the "ringing of the class bells" at sunrise bringing faculty and students out of their dorms "et al" as Lawrence Fishburne's charactor yells "Wake Up"(e.g alert your mentality to a bettr you via smarter actions).

Getting to the Root of Yesterday's and Today's Problems
I have to totally disagree with the editorial review stating the movie doens't come together. The movie does come together speaking of divisions on different planes. Whether it's on the campus of an HBCU or urban city, people of color have come across that division of "wannabees" & "jigaboos". In so many movies, we point our fingers at "them" for not treating us as equals but this movie made us to forcible point at ourselves. It made us look at how we discriminate among ourselves that white is right and black in bad. What is the real purpose of sororities & fraternities. We need to be reminded why HBCUs were built - because we couldn't attend elsewhere because of discrimination - yet we discriminate ourselves. Spike is reminding us to not become lulled into a deep sleep with material trappings (cars, jewelry, etc.) and wake up to reality. We can't stand together if divided among ourselves. I highly recommend this movie. It also allows you to see stars in their early years. I also cherish scenes of the late Phyllis Hyman.

Brings Back Memories!
I saw this film when I was in fifth grade elementary school. It was great seeing it again especially after the black college experience. Mission College...hmm I was there in Atlanta, in "the bottom" and I actually went to the KFC where Samuel L. Jackson's encountered. Brilliant performances by all characters especially at the step show. A must have dvd!

Entertaining!!
This definitely was one of Spike's weaker joint's. Though it was refreshing to see entertaining musical numbers in his film. Once again, race is the topic. However he concentrates on black America's preoccupation with light and dark skin. At the end of the film, you're bound to get into a conversation about it. That's the one thing Spike wants, a deep conversation about what we can do to improve relations with each other. ... Read more

Description

The hottest day of the year explodes onscreen in this vibrant look at a day in the life of Bedford-Stuyvesant, Brooklyn. Featuring a stellar ensemble cast that includes Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Robin Harris, Samuel L. Jackson, Bill Nunn, Rosie Perez, and John Turturro, Spike Lee's powerful portrait of urban racial tensions sparked controversy while earning popular and critical praise. Criterion is proud to present Do the Right Thing in a new Director Approved special edition. ... Read more

Reviews (94)

A brilliant, scorching movie
Spike Lee takes us to a single block in Brooklyn on the hottest day of the year in his awesomely brilliant movie "Do The Right Thing". The movie opens on a sultry early morning; by the time it ends, on a sweltering midnight of the same day, the heat, and the movie, have built up unbearable tensions that explode in in a confrontation that engulfs the street and everyone in it. At the heart of the block and the movie is Sal's Famous Pizzeria, run by Sal and his two sons from Bensonhurst (also in Brooklyn but it might as well be on the other side of the planet), with its "Wall of Fame" covered with photographs of famous Italian-Americans, glaringly out of place and insultingly insensitive on this African-American street in Bedford-Stuyvesant. The movie presents us with an unforgettable set of characters, including Danny Aiello in a great performance as Sal, Spike Lee as Mookie, his delivery man, Rosie Perez as Mookie's long-suffering and neglected girlfriend, Giancarlo Esposito as Mookie's radical friend Buggin' Out, Bill Nunn as Radio Raheem with his suitcase-size boom box that eats up 20 D batteries at a clip, the nearly legendary husband-wife acting team of Ossie Davis and Ruby Lee as Da Mayor, the street bum, and Mother Sister, the neighborhood snoop (every neighborhood has to have one), Samuel L. Jackson as Senor Love Daddy, and Joie Lee, Spike Lee's real-life sister, who plays Mookie's sister Jade in the film. Among a host of minor characters, the best are the three men parked on the sidewalk, ML, played by Paul Benjamin, Coconut Sid, played by Frankie Faison, and Sweet Dick Willie, played by the late Robin Harris, who act as a kind of Greek chorus to the unfolding events. Much of the speaking parts of these three was ad-libbed on camera, and the actors seem to have had a ball with their characterizations (Buggin' Out: "You wanna boycott Sal's Famous Pizzeria?" Sweet Dick Willie, observing Buggin' Out's every-which-way haircut: "You oughta boycott that barber who f---ed up your head.") Always present, and intrusive, are a squad car with two white cops, who view the neighborhood inhabitants, and are viewed by them, with undisguised contempt. The street, and the environs, are so convincingly portrayed that the heat is palpable; we can almost feel their discomfort as we sympathize at their attempts to alleviate it. One of the most priceless scenes in the film is the loudmouthed "alien" who drives through the block in an open Cadillac convertible and dares the kids to get it wet (when he finally manages to pull over and open the door, Niagara Falls spills out). A demand by Buggin' Out that Sal put some photographs of blacks on the Wall of Fame, which Sal dismisses out of hand, sets the stage for the confrontation that will blow sky-high. Buggin' Out returns to the pizzeria just before closing time with Radio Raheem, boom box blasting away at full volume, and Sal, his last nerve shot, silences the noise with a baseball bat. The resulting free-for-all spills out into the street just as the police arrive; Radio Raheem is pulled off Sal, who he is choking silly, and killed by the police with an illegal choke-hold. The police speed off (one could say they fled the scene of their crime), leaving Sal and his sons alone to face the neighborhood's rage. The pizzeria is torched, the neighborhood riots, and the firetruck arrives with firehoses turned on the rioters instead of the pizzeria, in a scene reminiscent of Sheriff Bull Connor in 1960's Alabama. "Do The Right Thing" is one of the most searing commentaries on American race relations that has ever been put on film. It's provocative, it's insightful, it's profound, it's a masterpiece, and it's definitely Spike Lee's best movie.

Do the Right Thing Review
It's the hottest day of the summer and racial tensions run deep in the Bed-Stuy section of Brooklyn, New York. This is the backdrop for Spike Lee's controversial 1989 film, "Do The Right Thing". Many critics and movie-goers were quick to blast this film for being what they perceived to be a "racist" movie. Most people who say this have probably only seen the movie once and were so quick to complain about its tension-filled ending.

"Right Thing" stars writer-director Lee as Mookie, a somewhat lazy pizza delivery boy who works at the local pizzeria run by Sal and his Italian-American sons. Through Mookie's many trips through the neighborhood, we get acquainted with some of the other "characters" such as the block's "wise man" (or "town drunk", depending on how you perceive him), "Da Mayor" (Ossie Davis). We also get introduced to the trouble-making Buggin' It Out who is intent on boycotting Sal's Famous until they "put some brothas on the wall". Then, there's Radio Raheem, whose boombox blasts Public Enemy's "Fight The Power" loudly through out the movie. He doesn't speak much as the music seems to be his outlet of expression. It also happens to get him in a lot of trouble as the movie progresses.

Lee's treatmant of certain characters in "Right Thing" is questionable at times. He seems to feel strongly that many of the white characters in this New York neighborhood would root for Boston sports teams because their top players are also white. At times, Danny Aiello's Sal seems sympathetic and kind while in the end, he is more or less portrayed as a "closet racist". This might be why some of us are so fast to make observations about the film's racial biases but I've never felt that "Do The Right Thing" has ever been about who is right and who is wrong. In the end, everyone loses out because rather than go about handling certain small problems by compromising, people choose to argue over who is "doing the right thing" and who isn't. In the end, people are hurt and killed, property is destroyed, and all that seems to remain is animosity.

While I may argue with the way that Spike wrote certain characters, this is "his" movie. Would the ending situation have been any different if he had re-wrote them? Probably not. So many of its critics fail to see the big picture with "Do The Right Thing". It isn't about whether Sal was right or whether Mookie was right or Buggin' It Out. The original problem was so small, so minor, and each of the characters allowed it to balloon into a big one. Even the less important characters contributed to the problem by instigating it further. The only character who seemed to understand what was going on was Samuel L. Jackson's almost narrator-like radio DJ, Senor Love Daddy. He understands it, he sees the tension esculating, and he is telling everyone to relax but it's too late. "And that's the triple truth, Ruth".

"The left hand is hate. The right hand is love."
This movie is largely an angry, outrageous film. But it is also a beautiful and enlightening one. DO THE RIGHT THING garnered Spike Lee, writer, director, and star of the film, both praise and criticism. But what you must remember, those who either praise it or look down upon it, is that DO THE RIGHT THING couldn't be further from the truth.

DO THE RIGHT THING was an introduction to Lee's brazen and bold style of filmmaking. He had a part in every aspect: direction, cast, production, writing the screenplay, etc. That's why, if someone is interested in seeing a "Spike Lee joint", I will definitely recommend DO THE RIGHT THING first and foremost.

It's a look at race relations in America circa 1989, a drastic glimpse in which the outsiders, meaning the audience, can feel as if they are right there in Harlem with Mookie (Spike Lee).

Mookie is an unmarried father, a boyfriend to Tina (Rosie Perez), loud and outspoken with her buxom figure. She pushes Mookie to spend more time with her and their son, complaining about him being a deadbeat dad. His excuse? Work.

True, much of Mookie's time is spent working at Sal's, a pizzeria in Harlem, run by white Italians in a neighborhood where the population appears to be around 99.5 percent black.

Other characters include Radio Raheem (Bill Nunn), Da Mayor (Ossie Davis), Mother Sister (Ruby Dee), Buggin' Out (Giancarlo Esposito) and Jade, Mookie's sister (Joie Lee). Radio Raheem's dialogue throughout the film it limited - he more or less expresses his freedom through his incessantly blaring radio. In fact, throughout the entire movie, Public Enemy's "FIGHT THE POWER" blasts throughout the neighborhood. Buggin' Out is irked with a situation at Sal's that he feels must immediately be taken care of. He just wants Sal to "put some brothas" up on his restaurant's walls, right beside pics of Frank Sinatra and Clark Gable. Sal (Danny Aiello) refuses to comply with Buggin' Out's request.

In the end, Radio Raheem and Buggin' Out fuel an argument that quickly evolves into a neighborhoodwide conflagration. Alas, Mookie fuels the fire by hurling a trashcan through the glass window of the pizzeria - his boss' pizzeria - and the brawl proceeds, with Sal and his sons standing on the sidelines.

DO THE RIGHT THING is an odd title for a film like this, some people may think. Is the right thing done? Does Lee believe that the characters in his film did the right thing? I'm not sure. The title can be interpreted in a number of ways, I suppose. First, I suspected it was irony. No, Mookie didn't do the right thing! He fueled the fire and instigated the riot to mammoth proportions! Property was destroyed and damaged! My second conclusion was merely that "doing the right thing" serves as an argument for the people, for people unwilling to make compromises or verbally come to an agreement through reasonable, mature conversation. In reality, the film isn't about who is right and who is wrong and why. You had people like Mookie, who seemed to act on impulse, and then you had Da Mayor, trying to calm the livid people down, trying to talk sense into their heads. People evidently followed Mookie's lead and in the process, they hurt and killed others, seriously damaged and neighborhood properties. Not only that, but mere misunderstanding and hate seems to exist between them, even after the riot ends. That's a sad thing, yet it's also a very true thing.

Lee's picture clarifies the fact that yes, misunderstanding between peoples does fuel hate, which, in turn, fuels even bigger and uglier physical problems. DO THE RIGHT THING was taboo for how it portrayed peoples of different races, yet for film's time, the state of Harlem and its residents was portrayed with frank and genuine realness that simply can't be denied. Certain characters, settings, and events rung clear and true. DO THE RIGHT THING is arguably one of the finest examples of race relations illustrated in film. You can watch and rewatch - and learn - from this tumultuous and dramatic "Spike Lee joint".

An EYE OPENER
The eye opener of the year...I loved it. Excellent story line and a must see movie by mature audiences only. Very compelling!

That¿s the double-truth¿ Ruth
In all likelihood Spike Lee's most important achievement - as director, writer and actor (though to my taste Mo' Better Blues is just as good a picture) and one of the strongest films you'll see about race relations, 'Do The Right Thing' looks dated at times, but it lost none of its impact and relevance. The movie takes place in a particularly hot day in a primarily African-American neighborhood in Brooklyn, and follows the various personalities who live there throughout the day; the center of the story is Sal's Famous Pizzeria - its owners, some of the few white people living in the neighborhood: Sal (Oscar nominated performance for Danny Aiello) and his two sons (John Torturro and Richard Edson), and Mookie (Spike Lee himself), the black delivery boy. What starts out as a light, entertaining movie with some amusing characters and light humor, gradually builds up tension to the point of being unbearable, up to the dramatic and tragic climax. Spike doesn't put as much emphasis on the characters themselves as he does on the relationships and the tension between them; and in this image of a very specific and small frame in time and place, makes a strong and important message about racism and race relations in general.

The film is populated with many different characters, all of them very memorable and each one a representative of a certain belief, mode of behavior or state of mind - on both sides of the conflict. From the uninhibited anger of Buggin Out (Giancarlo Esposito) and Radio Raheem (Bill Nunn) on one side and Pino (John Torturro) on the other side, to Jade (Joie Lee, Spike's sister in the film and in real life) and Vito (Richard Edson), who are trying to connect and live at peace with the other side, to Da Mayor (Ossie Davis), in his isolated but peaceful state of mind, living in complete peace with the world around him, and Smiley (Roger Smith), living in his own isolated existence. Then there's Mookie, who is stuck in the middle, torn between his commitment and responsibilities to both sides. Finally we have Mister Senor Love Daddy - played gorgeously by the one and only Samuel L. Jackson, in one of his finest performances - half active character and half all-knowing narrator - who represents the voice of reason in the conflict, the reason which is bound, ultimately, to collapse. Each and every character plays an important part in the climatic and dramatic conflict to which the movie builds up, and though it's the radical ones - Buggin Out and Radio Raheem - who trigger the events that cause the tragedy, they are not necessarily the ones who finish it. It is Mookie and Sal, in fact, who ultimately play the main part.

Do The Right Thing is not an easy watch; it's a mesmerizing, tense, difficult film that breaks many taboos and slaughters many holy cows. But in the end of it - hopefully - you'll be wiser than you were in the beginning, and that's what Lee have always tried to achieve in all his films. Watch it to get a real view on racism that doesn't duck the difficult issues and isn't afraid to tackle the real problem, and to see a master director at work. It's one of the best films of its time. ... Read more

Amazon.com

In a long and varied career, She Hate Me is easily one of Spike Lee's most unusual films. On the one hand, it's a drama. On the other, it's a comedy. Then there's the structure: a crazy quilt made up out of several different stories. Even the style is a patchwork incorporating animation and pseudo-documentary--in the vein of Lee's 1986 hit She's Gotta Have It. It all revolves around one John Henry "Jack" Armstrong (8 Mile's Anthony Mackie), a successful executive at a biotech company much like ImClone (the one that brought Martha Stewart down). When Jack blows the whistle and loses his job, ex-fiancée Fatima (Ray's Kerry Washington), who left him for another woman, offers the now-penniless Jack $10,000 to impregnate her. All goes well, so they set up business together, and he proceeds to impregnate countless gay women, including mafia princess Simona (Monica Bellucci). If there's one thing that keeps it all together, it's Mackie, who handles the many changes Lee puts him through with admirable aplomb. --Kathleen C. Fennessy ... Read more

Amazon.com essential video

Spike Lee's semiautobiographical, 1994 film about the good and bad times for a Brooklyn family in the '70s has passion and nostalgic good feeling, but it is also a mess of random reflections and arbitrary storytelling. The centerpiece of the movie is a little girl (Zelda Harris) who views the ups and downs of her parents' experiences (mom and dad are played by Delroy Lindo and Alfre Woodard), and who navigates the life of her neighborhood. Lee tosses in a lot of '70s detail (watching The Partridge Family) and other diversions (Harris's journey through suburbia), but he has no master sensibility controlling the flow of it all. The film is more wearying than anything, although bright spots include Lindo's fine performance as a talented man suffering from irrelevance. --Tom Keogh ... Read more

Reviews (31)

A Great movie about Family
"Crooklyn" is a nostalgic story of the ups and downs of an African-American family living in 1970's Brooklyn . It is probably the second best movie that director, Spike Lee has ever made. Lee's best was the classic 80's flick "Do the Right Thing".But while "Do the Right Thing" was about ethnic tensions, racism and strife, "Crooklyn" is a film about love.In the movie we meet the Carmichael family. They yell, scream, call each names, even get into physical fights.But it is very evident, that love is very strong among this large brood.Dad (well played by Delroy Lindo) is a musician who is trying to create some honest music thats important to him. Mom (fabulously played by Alfre Woodard) is pulling her hair out, trying to keep this inner city family's finances above water, while trying to stop the kids from killing each other.But the film really centers on 9 year old Troy (Zelda Harris) who shows us the ins and outs of her family life and the close Brooklyn neighborhood that she is growing up in. Juvenile actress, Zelda Harris gives us an amazing starring performance that is totally believable. The movie is pretty much autobiographical (Lee wrote it with his sister Joie)and it richly lays on the 1970s nostalgia with cultural references among other things to "Soul Train", the "Patridge Family", Walt Fraiser, and baseball stategamatic.The film also has a wonderful soundtrack which is packed with '70s R&B and pop music from groups like the Jackson 5, the Spinners, Curtis Mayfield, the Staple Singers and Sly and the Family Stone.In fact, my favorite part of this movie is the opening credit sequence, where you hear Marc Dorsey's "People Make the World Go Round", while the film shows us the neighborhood's children playing various sidewalk, kids games.Between Soccer practice and video games, do kids even do this anymore? I just love this movie and I highly recommend it!

LOVE,LOVE,LOVE this movie !!!!!!!
This movie will take you "Back Down Memory Lane."
I grew up during the 70's and this movie hit home to me 100%. The sound track alone will sell you on the movie. Spike Lee as well as ALL the characters in this movie will allow those who did NOT grow up in the seventies to know what the experience was like. The young girl in the movie is a STRONG actress and carries her role as the "MISS KNOW IT ALL" sister in the family while each of the brothers give her a hard time. It is up to the sister to keep the family together in the time of crisis.

Much love SPIKE for bringing this time period in the lives of African Americans to the big screen for those to enjoy!

This film's a mess, but still enjoyable.
I think Spike Lee was trying to make an African American version of the wonderful book "A Tree Grows in Brooklyn" -- but all of the Gershwin-esque music and fabulous camerawork can't hide a story severely lacking in purpose and that wastes too much time on irrelevancies. When it suddenly turns to serious drama, the performances warrant it but the tone and direction of the film do not. The most glaring shortcoming of the film is the attempt to pull of the various "characters" of the neighborhood -- with very little to no success. It's a shame because this was one of the great things in "Do The Right Thing." Still, he has such fabulous style and such an ear for dialogue that this film is a rich pleasure to watch. If it weren't for Lee's masterful talents this film would be quite poor -- maybe even a one-star review. That's quite a complement to him I think.

ONE OF MY FAVORITE MOVIES
THIS MOVIE IS GOOD AND SEMI-REALISTIC....ALL THE ACTORS WERE GREAT(ESPECIALLY ZELDA HARRIS AS LADYBUG)I JUST HATE THE CIRCUMSTANCES AT THE END(IT'S REALLY SAD)BUT OVERALL IT'S A GOOD MOVIE

Superb !!!!!!
This is a great film about some kids it is about the oldest child being a girl and living with her litle brothers and how they got on her last nerve and how she had stood up for them and living with her mother and father and growing up in the 1970's . This film also showed how it is living in New York the terms and the conditons, and challenges tht you have to face growing up I really enjoy this film!!! I would reccommend anyone to buy this movie!!!! ... Read more

Amazon.com

On October 20, 2001, this now-historic concert took place at Madison Square Garden, a mere six weeks after the horrific terrorist attacks on the World Trade Center. Thousands of firefighters, police officers, survivors, families, and fans witnessed a once-in-a-lifetime event as, in the space of nearly six hours, many legendary musical performers donated their time and their talent to one of the greatest causes ever, in the process giving their audience an unforgettable burst of pure emotion.

Organized by Sir Paul McCartney, the Concert for New York City was an overwhelming experience that deserves to be saved for posterity. The two-CD audio recording is crammed with dozens of superb performances but doesn't give a sense of the whole show that this two-DVD set certainly does. Not only can we relive such seminal performers from that evening as the Who, David Bowie, John Mellencamp, and Sir Paul himself, we can see the charming and personal short films made for the occasion by such New York filmmakers as Woody Allen and Martin Scorsese, or the dozens of celebrities and unsung firefighters and police officers who immortalized that day with their stories and musical introductions.

There is one quibble: the Goo Goo Dolls' "Iris," one of the blues standards Eric Clapton and Buddy Guy played, and McCartney's "From a Lover to a Friend" and "Lonely Road" are all missing, which seems curious, considering that the entire show could have easily fit onto two DVDs. So don't erase that videotape you made of the concert the night it aired, because that remains the definitive version. But this DVD (with very good Dolby 5.1 surround sound) comes close. --Kevin Filipski ... Read more

Reviews (37)

POWERFUL
I preordered my dvd in early january, i was not fortunate enough to see this event live. Why buy this? You could cop out and only say: Mc Cartney, jagger,keif, elton john, james taylor etc. etc.. You could buy this to feel the emotions of the firefighters and police who lost so many. Listen to politicians who represent the emotion that we felt at the time. Not fighting for a partisan but for the people. Toss in a few entertainers who can make us laugh and cry. Still you have not gotten to the point of why to buy. This may be the most powerful dvd you can ever buy. You cannot watch washington cross the delaware or see lincoln give the gettysburg address. We have watched the towers be struck and tumble again and again. This concert is the beginning of the healing. We cry with our great servicemen and women We sing along to the songs that we have grown up with. We cannot, will not forget sept. 11th and if only one penny from each item purchased goes to help someone who lost a loved one. Then it is a penny well spent. GOD BLESS AMERICA and may god bless new york city. Thank you for a great piece of history and an even better night of entertainment

Heart and Soul of New York
This concert exemplified the magic of music as the background for Americans coming together to grieve collectively. Watching this concert will show you raw emotional energy rarely seen on television. It is a sad concert and there are many times where you can see individual instances of personal grief among the music of many different superstars. It is a long concert and well worth a viewing. Among other things, I thought Paul McCartney was cheesy and his song "Freedom" was a situation where you had an amazing song writer reacting to bad circumstances but with poor results. The Who in my opinion, stole the show and then some, they were amazing as always. I don't think Jay-Z was placed at the right time when he came out. Billy Joel was everything New York as he always has been.
The ultimate point for you, is that you should own this DVD as it is a recorded reminder of music's response to an American tragedy with an audience showing us the rawest and most powerful of human emotions out for the world to see. Some may say it was convenient for superstars to show up and act really concerned and to use their fame as a pulpit to try and relate to everyday people; however, those people are uptight, why else do you go to concerts?, to be taken away from everyday routines and tragedies of life, so a concert of this magnitude after 9/11 was exactly what the country needed.

The Best Concert Ever...With a Few Exceptions
Overall, 99% of this concert is very good. David Bowie, the Who, Mick Jagger, Keith Richards, Paul McCartney and Elton John all played fantastic sets here. But I have a problem with some of the other music. Eric Clapton plays "I'm Your Hoochie Coochie Man," totally unreated to 9/11. Jay-Z also had no business appearing at this show, especially if the only piece he can come up with is "H to the Izzo." My other complaint is that this DVD is incomplete. Two Paul McCartney songs, one Eric Clapton song, one Goo Goo Dolls' first song, and a good cover of "With a Little Help From My Friends" are all missing. The entire 6-hour concert could've easily been released. But what's here, for the most part, is very good. So on the whole, this is a good buy.

The Concert That Proved New York Is Still Number One
It was a night of healing. It was a night of reconcilliation. It was a night for firefighters, policeman, paramedics, musicians, actors and "Saturday Night Live" alumni alike to join together and prove New york did not grow weak after 9/11. It grew stronger and this 5 - hour concert showed those shems in the Middle East right.

Disc 1 is chock full of memorable moments. For me, the highlights were Billy Joel doing "New York State Of Mind", Eric Clapton and Buddy Guy doing a scorching rendition of the blues standard "I'm Your Hoochie Coochie Man" and Adam Sandler reviving Operaman. But as just about every reviewer pointed out, The Who blew everyone away. I think it was "Won't Get Fooled Again" that stood out. It was also a spectacular swan song for the band's bassist, John Enthwistle. This was his last live appearance ever. He died suddenly in June 2002.

Disc 2 is even better. My favorite performer here is Elton John, who delivers a powerful version of "Mona Lisas And Mad Hatters". Mick Jagger and Keith Richards do great versions of "Salt Of The Earth" and "Miss You", though I would have liked it if all of The Rolling Stones were onstage. Jimmy Falon does an interesting medley of 1980s' hits that includes "Who's Johnny", "Der Komisar", and "I Just Died In Your Arms Tonight". Paul McCartney brings down the house at the end. I really enjoyed it when Richard Gere got booed. He was asking for it.

Overall, a great concert.

Support a Good Cause
Just a reminder that proceeds from the sale of this video still go to the Robin Hood Relief Fund. ... Read more

Description

A trumpeter thinks his life is complicated when he must choose between his two girlfriends, but things get worse when he is called upon to come to the aid of his manager and childhood friend. ... Read more

Reviews (26)

Not perfect but far from a dud
The music clearly is the star of this film. Mixing avant garde jazz with more standard fare and doing it successfully. You love music, you love this film. The film itself is worth watching too. The usual expert and hardworking performance from the very photogenic Denzel Washington. Cynda Williams is so sexy I wouldn't care if she couldn't act (but she is a competent actress). Spike Lee (properly speaking, his long-time cinematographer Ernest Dickerson) is an artist and the way he photographs his scenes is always a pleasure. This is a better story than some of his other films. Don't see how a real lover of cinema could hate this movie.

A genius musician battles his inner demons.
This is a masterpeice. Bleek Gilliam is a talented musician and the leader of the Bleek Gilliam quartet, a famed jazz band in New York. Bleek has a problem. He has three loves in his life. He is forced to choose between his two worshipful lovers - Indigo and Clarke, and his true baby - his music. Further complicating his life are his lifelong freind and mooch - Giant, and his bandmate, Shadow. Giant is in and out of trouble, and Shadow longs to move out of Bleeks shadow to form his own band.

This is a visually stimulating film. Spike Lee's uses of colors and lighting creates a mood that is essentially Jazz. The ambiente atmosphere of the film is highlighted by outstanding music composed by Branford Marsalis.

Mo-Better blues is an urban tale that will strike at the heart of all. Those who are new to Spike Lee's brand of photography are in for a treat. Also be sure to check out other Lee classics Do the Right Thing, Jungle Fever, Crooklyn, and He Got Game.

Beautiful
This is one of the most visually beautiful film with African-American actors I've ever seen (another that comes to mind is Devil in a Blue Dress, also starring Denzel Washington). The opening credits are a masterful combination of music and shadows.
Overall, an enjoyable contemporary story of young, single African-Americans filmed in Brooklyn and Manhattan, a rarity for its time. They're making more of this type of film today . . . but the actors are getting younger and younger!

Nice...
I saw this film when it was released (summer of 1990). I didn't appreciate it because I was 21 (a kid who wouldn't get the major theme). I recently purchased the DVD, and I watched it for the first time in 13 years.

I really enjoyed this film. Everyone has (or has had) a Bleek in his life: someone who is so self-centered on his/her desires that he/she doesn't show respect or regard for anything else. However, we always lose the love of our life for various reasons. Then, what do you do when the love of your life is suddenly taken from you? That is this film's theme. Bleek's true love was music - jazz music. Bleek's love of music was the most important thing to him. Music overrode everything: an incompetent manager (who just happened to be his best friend), his lovers, and the contentment of his bandmates (the money issue which is related to having an incompetent manager).

I enjoyed the score and the jazz pieces included in this film (after all, Bleek played the trumpet). I really liked the cinematography in this film because the film showed the beauty of New York City - the brownstones, the Manhattan skyline (a brief glimpse), the Brooklyn Bridge, etc.

All in all, a good film. Rated 4 stars (not 5 stars because I thought the ending of the film was too rushed).

Under rated gem.
Ok Denzel is in it playing a bit of a cad. But the real news here is that this is one of Spike's better movies, unlike the forgetable Girl 6 or Bamboozled, both nice efforts but far off the mark. Wesley Snipes, who to me is always better when he plays an evil character, is wonderful in this. Denzel is a little on the flat side in this one, this isn't a Malcolm X or Training Day performance for him. Wesley is wonderful. No action hero [stuff], just a great acting job. Spike is in it as expected and does his usual in his role. Joi Lee is credable and the soundtrack is good if not spectacular. If you are a Spike or a Wesley fan, add it to your collection. If not rent it and give it a look, its worth the price of a rental for sure. ... Read more

Amazon.com essential video

The Original Kings of Comedy achieves the seemingly impossible task of capturing the rollicking and sly comedy routines of stand-up and sitcom vets Steve Harvey, D.L. Hughley, Cedric the Entertainer, and Bernie Mac and the magic of experiencing a live concert show. Director Spike Lee and his crew plant a multitude of cameras in a packed stadium and onstage (as well as backstage, as they follow the comedians) to catch the vivid immediacy of the show, which is as much about the audience as it is about the jokes. And the jokes are funny.

All four riff fast and furiously (and with much swearing) on the world in terms of race, family, sex, and in one routine, outer space. Hughley takes comedic aim at extreme sports and eating disorders, while Cedric harks back to the day when gang fights meant calling opponents out onto the dance floor. Bernie Mac, the self-confessed id comedian of the group, presents a routine that is simultaneously offensive and hilarious--an apt reminder that comedy can and should be vicious if we are ever to learn to laugh at ourselves and hopefully be the better for it. Harvey, who acts as the MC for the show, has some transcendent moments with the crowd (a '70s slow jam sing-along, anyone?) that have to be seen to be believed. There's no doubt as to why Kings was a hit with concert and movie audiences; the laughs keep coming, in the tradition of Richard Pryor and Eddie Murphy, with a sharp eye on the nuances of today's racially affected culture. --Shannon Gee ... Read more

Reviews (71)

More like one king, two princes, and one sucker
Bernie Mac is undeniably THE king of comedy in this movie, his set smokes all of the others. That's not to say that the other's aren't funny. D.L. Hughley is really funny, especially when talking about how black people and white people view work. Steve Harvey sort of MC's the concert and does like two 10-15 minute sets that are decent. The only reason I didn't give this 5 stars is that I really didn't think that Cedric the Entertainers set was funny at all. It's a good thing Spike Lee didn't open the film with him because I probably would have shut it off. The funniest part of the whole movie is hearing Bernie Mac's views on child raising, it's just simply hilarious. Bernie comes from the old school of child rearing where it's ok to give a kid an @ss whippin'. Anyway, this is definitely worth buying just for Bernie Mac's set alone, but D.L. Hughley and Steve Harvey do a good job as well...a good addition to any comedy collection.

Almost a classic
The Original Kings of Comedy is not a movie per se; rather, it's an assortment of comics doing, well, comedy. Steve Harvey is the emcee, and he is joined by Cedric "The Entertainer", D.L. Hughley, and Bernie Mac. They each do an exceptional job of bringing their own comedic style to the stage, and I don't want to really go into the specifics because that would be giving away too much of the movie.

So why didn't I give it five stars? Because there was one problem: part of D.L. Hughley's routine. Sure, his jokes were funny as ever, but we all know damn well that several of those jokes were the same jokes he told a year before (or a year later, depending on when this movie was taped) in his HBO special "Going Home". And I don't mean similar jokes, I mean EXACT jokes. Although the jokes are still funny, you can't help but ache for more new material. I've noticed that with a lot of black comedians. (I'm black too, so that's not a racist remark.) For example, several of Chris Rock's jokes from his HBO special "Bigger & Blacker" were the same jokes given during his monologue when he hosted Saturday Night Live in 1996...minus the profanity, of course. I think that kind of pattern isn't good to follow. I mean, how would you feel if you bought a new album from your favorite artist and discovered that the exact same songs from the previous album are on there? (Are you listening, Jesse Powell?)

This is still a good video, so add it to your collection.

A
this movie is hilarious. you should buy it or even rent it. i cant garantee you'll like it. dont listen to them haters hatin on this dvd. yeah, i agree that maybe its none too smart to make fun of your own culture, but its still funny. it would still be funny if any body from another race made fun of thier own culture. well anywayz this is a good movie. but its not as funny as the latin kings of comedy.

The King of the Stand-up Comedy DVDs
The first time I saw a blurry picture of Steve Harvey in a magazine I thought I was looking at a young Richard Pryor. My mistake, but besides that, I wasn¡¯t too far off; at least they¡¯re in the same business of making people laugh. Harvey, who is more or less the MC of the show, introduces the other comedians while adding in his own jokes along the way. I love that Harvey is so proudly ¡®old school¡¯ and dishes out critique at the ever-so-annoying unenlightened Hip Hop artists; Original Kings of Comedy came out in 2000, but four years on, Harvey¡¯s observations are truer than ever.

Obviously everyone will have his or her favourite comedian, but for me, the weakest link was by far DL Hughley. Maybe the younger crowd will like him more, but to me he seems more pretentious than the others. Unlike them, Hughley isn¡¯t self-effacing or self-deprecating, which to me is an essential quality for a comedian, because to be able to laugh at oneself is Basic Comedy 101. He¡¯s the first one on stage and to me he just sounds a lot like all the other stand up comedians out there. He lacks presence and charisma, which he probably thinks he makes up for by being loud and boisterous. Don¡¯t get me wrong, some of his jokes were funny, but the other 3 comedians just had a more unique style and flair.

Next up is Cedric The Entertainer: I had high expectations of him, so along with his routine and his backstage banter plus Latin singing warm up in the men¡¯s¡¯ bathroom, I was won over. He's got a real knack for pacing his jokes, that is, he takes his time more than the others. I mean this in a good way. It provides a nice contrast to the rapid-fire laughs of Mac and Hughley. He also plays with language a bit, and like Harvey, is excellent at creating a scene, where his characters and ensuing jokes come to life.

When Bernie Mac arrives I was at first surprised by his thick accent, because I¡¯m used to seeing him in movie roles where he pronounces and articulates his lines more clearly. So admittedly I actually had to switch on the subtitles briefly while I reacquainted myself with his accent. Anyway, Mac is just dynamite. He really is. He¡¯s such a great combination of honesty (especially about himself) and saying what the rest of us don¡¯t dare. And by the way he¡¯s right, it¡¯s not about black or white, we all just do things differently.

So if I disliked Hughley so much, why do I still award the film 4 stars? Come on now, you can¡¯t beat the laughs in this one. The deleted scenes are all great (especially Mac¡¯s) and yes, perhaps Hughley is the weakest link to me, but thanks to him you really do get to see a variety of talent, and besides, maybe YOU will like him. This film by Spike Lee is a heap of fun. I¡¯ve seen other stand-up comedy DVDs, but this one is undoubtedly the ¡®King¡¯ of ¡®em all!

Sickeningly Hilarious!
This film captures stand-up performances from comedians Steve Harvey, D.L. Hughley, Cedric The Entertainer and Bernie Mac, and is a non-stop laugh-fest in the highest sense of the term. This review is not going to be a very long one - to be rather honest. The humor, of course, revolves around many taboo subjects like racial stereotypes, sex, religion and other things - if you are easily offended by any of these things, I suggest you avoid this film like the plague, because it is no holds barred! A few of the many hilarious scenes that I consider personal favorites from each comedian:

(1). Steve Harvey does a pretty good job of mocking the characters in the Titanic film who choose to keep playing their violins amidst a major catastrophe. He later goes into detail about why he prefers "old-school" music; particularly old-school R&B, over the hip-hop and rap trends that seem to be preferred by the modern generation. He does an effective job of lambasting rappers, and is absolutely laugh-out-loud hilarious. I was practically in tears from laughing so hard at this. Needs to be seen to be believed.

(2). D.L. Hughley was hilarious too, but like some have pointed out, some of his routines came from other, earlier stand-up specials. Side note: If you can find a copy of his stand-up comedic special entitled "Going Home," pick it up. That performance I believe to be his funniest, and it leaves me rolling on the floor everytime.

(3). Cedric The Entertainer's humor was the least brash of all the four, and has more of a laid-back, subtle charm, which still manages to make you laugh. The whole break-dance scene was funny, as well as his "cruising into outer space" scene, his self-made "martial art style" scene, and others.

(4). Bernie Mac - good lord. He was without a doubt the craziest, most brash, most (messed)-up comedian in this set. Sadistic and intensely cathartic, even. It's only fitting that he would be the last performer. His routine was just a little too much for me - and still is - and I mean that in the best way possible. His takes on kids and how they get (or should get) punished, sex and orgasm, and the "stuttering" kid were just too much - not only was I laughing too hard, but my lungs began to hurt, I nearly lost my voice for a brief period, and I was nearly out of oxygen. The guy was too much! Saying that he cracked me up would be a HUGE understatement.

All in all, recommended for many who want (or need) a major laugh-fest. Sometimes, one of the best ways - if not the best way - to deal with unpleasant situations in life is to be able to laugh at them - as exemplified in this film. If you suffer from chronic asthma, heart disease, and/or are easily shocked - particularly by the things mentioned in the above paragraphs (including loads of profanity) - stay VERY far away from this - you will be digging yourself an early grave. ... Read more

Reviews (23)

How things have changed...
I think Do the Right Thing is Spike Lee's best movie, and the early 1990s was a time where Spike was making his movies with a message. Do the Right Thing is a movie that stands the test of time in my opinion, because so much of it rings so true, it's incredibly funny, and heartbreaking at the same time. Lee received a lot of flak for that movie while making it. When it came out, it shut everybody up.
About one year after that, Jungle Fever was released. It was definitely a big deal at the time - a movie about a black man and an Italian woman in a relationship in NYC, a city at the time still basically reeling from the well-known racist killings of two black men at the hands of Italians in their neighborhoods. So this whole interracial thing and the ramifications of it seemed groundbreaking at the time.

I watched this movie the other day and marveled in terms of the interracial aspect of it how much of it is just not the case anymore in 2003 America. It was a big deal for a black man to be seen with a white woman. Now, it's totally taboo, and desired, and nobody really cares. I mean, I actually found myself giggling during the movie and saying to myself, "Come on, now. It's not even like that!"

Okay. A quick review of the movie: Wesley Snipes stars as Flipper, who starts an affair (for no damn good reason) with a white temp worker, Angie, played by Annabella Sciorra, and then has to deal with the repercussions of it. In the midst of this are storylines with Flipper's brother and his drug use, his strict bible-thumping father, and other storylines with Angie's folks, part-time boyfriend, etc. Spike Lee's ensemble cast is featured, and they do not disappoint. Samuel L. Jackson is absolutely fantastic as the crack addcited brother. His performance is both hilarious and pitiful, Ossie Davis is wonderful in his role (hated the actions of his character at the end, though, did he go to the slammer? He should've), John Turturro is excellent (when is he not? Absolutely phenomenal in Do the Right Thing, btw), and the list goes on and on. Fortunately, these actors all balance out Wesley Snipes who is basically ineffective in his performance. In my opinion, he just can't act. You feel so sympathy for him as he has to deal with his wife and all her anger about the affair, you don't care about him and his issues with his job, and everything else he goes through. And I think we're SUPPOSED to care and sympathize with this guy, I just think Snipes was just unable to pull off the role. BTW, Annabella Sciorra is excellent.

On another note: much has been made of Halle Berry's performance in this movie, how groundbreaking it was, etc. Not! She is totally overrated in this movie. All she does is act crazy, fire off expletives and the like to the point of annoyance. She has proven herself to be a good actress in movies following this, but in this one, give me a break. It's Samuel L. Jackson who makes that storyline, let me tell you.

The bottom line is if you watch this movie around Wesley Snipes, you can actually enjoy it. It gets a little long-winded at points, but the performances are pretty good. Some other performance notes, the little girl who plays Snipes and McKee's daughter Ming (someone explain the chinese name for this black child to me, please?), annoying! I know she was young, but she was totally not cute, though she tries very hard to be. Totally irrelevant to my review of the movie, I just wanted to say that I found her incredibly annoying and not cute.

BEST SPIKE MOVIE EVER!!
I'm a Spike Lee fan and i have to admit that this is his best work ever! I'm a teenager and ever since this movie came out I had always wanted to see it. I finally saw it 2 hours ago and I thought it was excellent. I'm a big fan of Sam Jackson and I think in a way he stole the show. Everybody played their part accordingly specially Anthony Quinn and Lonette McKeen. This actors did a great job and I do think this is an "underrated masterpiece." This movie has been overlooked by some people and I think it deserves way more reviews than it has received. The issue of white/black dating was discussed throughout this movie and I loved the scene where the "girls" were talking in the living room about why they thought black men dated white women. Go rent this movie now if you haven't seen it and if you don't liek it then you're crazy!

One of Spike's Most ambitious films
But he apparently was still having some trouble with balance. The story is , well, you know. And it's a great thing that Spike had the guts to do something like this. And while there was some balance, the scale was a shade racist. Just a shade. Still, one of his absolute best and a must, although he really did have trouble with ending this one.

Spike Showed Truth With This Film
First of all, I am a black female who could care less if someone dates out their race. And I don't know if Spike is a racist or not (because he has dated white women and his father is married to a white woman). But one thing is clear; SOME black people do get offended when they see a black man with a white woman. I have personally seen black women confront black men for dating white women and I have seen black men act crazy when they see a black woman with a white man. In my opinion, Spike showed reality in this film, whether you agree with it or not. However, I don't like this film because it was so unfocused to me. There were too many things going on and in the end, it all seemed useless. I guess Spike wanted to get people talking about race and if that was his goal, then he achieved it. Personally, what I find most offensive and racist is the person who is playing the lead character. He (Snipes) made nasty comments about black women to a black magazine, which explains why his popularity has gone down.

Spike Lee ought to be banned from filmmaking
This is one of the absolute worst movies I have ever seen. Spike Lee is not a brilliant filmmaker. He clearly has racist views that he feels the need to display on film. Jungle Fever is the story of a black man who has an affair with an Italian woman. When their affair is found out, everyone is up in arms. The woman is accused of stealing the Black Man. Black women sit around dissing her when Flipper's (Snipes) wife needs to be questioning her husband. Last I checked, the ring was on Flipper's finger. The very idea that these women can sit around dogging white people and it be deemed ok is deplorable to me. As a young black female, I was disgusted at this image. Queen Latifah's portrayal of that waitress was even worse.

This movie is disgusting and it is a very good example of irresponsible filmmaking. This does not promote racial unity or racial tolerance.

Avoid it at all cost. ... Read more

Reviews (72)

Awesome man, excellent tribute
Denzel Washington makes this little understood nearly mythical man breath. After studying the life of Malcolm X in a sociology of religion class, we watched this film to relax a bit. The script seems fairly accurate to history, and the imagery helps bring the conflict, drive and sincerity of Malcolm X to life.
In the movie, it becomes so obvious that Malcolm had just reached a kind of Buddhist nirvanna in his Islamic faith. Had he been allowed to live, his newly found spiritual insight gained from his pilgrimage to Mecca most likely would have helped to enlighten other Americans, Muslim or Christian, white or black. Malcolm appears on the verge of something even greater than he had previously been. Malcolm appears to be on the verge of becoming a national and perhaps even global spiritual and secular leader at the time of his death. Denzel makes more mourn the death of a man I never met. Inspiring, insightful. I'm grateful to Denzel and Spike for bringing me this "joint."

Excellent Biopic, One of the Best!
A sweeping biopic of an admirable man, who, while his ideas were wrong, had the will and the determination to defend his ideas and to say them publicly. A powerful film, with a sweeping force and excellent production values. While the film is extremely long (200+ min.), it is never boring ans always fascinating, it is divided in equally interesting stages; Malcolm's youth, prison time, his dedication to Elijah Muhammad, and the ultimate betrayal and death of Malcom X. A compelling study of a complicated, angry man, and whether you agree with his ideas or you don't, the movie remains a riveting biopic that is one of the best movies of the 90's. The reason the film works so well is mainly because of the performances and the assured direction by Lee. Not as incendeary or provocative as one would expect from a Spike Lee film, only the first and last few minutes are controversial. Denzel Washington delivers a powerful performance that ranks among his best. Also Angela Bassett is great in support. From a scale of 1-10 I give this film a 9!

Powerful...
...is the best way to describe Malcolm X, Denzel Washinton's greatest work in cinema so far. It tells the story of Malcolm X, the strong-willed black revolution leader whose ironic and powerful views differed very differently from Martin Luther Jr.
Denzel Washington gives an extraordinary performance, and with heart he shows the metamorphosis of Malcolm X, from hip young kid, to his life of crime days, to when he was a white-hating civil rights leader.
There are many other great performances in the film, and Spike Lee makes Malcolm X his best "joint" ever. You can feel that this is a Spike lee film, because it is a little strange and it swings from one mood to another. Spike lee also stars in the film, but as a minor character.
I thoroughly enjoyed watching Malcolm X, and it ranks as one of the best film of the '90s. If you love Denzel Washington, you haven't seen him perform until you have seen him in Malcolm X.

BEST MOVIE EVER
Movies are never good as the book, but its good to see a visual. One thing I didn't like about the movie is the way they protrayed Elijah Mahammad.
This movie changed my life, for someone like me in High School that didn't like to read. lol It was becasue of this movie I joined the Nation Of Islam when I was 18. I figured I would go to the source, Malcom X just repeated what Elijah said, and look how great he became. Malocom X was so great, but always thought he would come back to the N.O.I....Give thanks to Malcom X our living Ancestor...

Definite classic
But... while this film marks Spike's high point as a director and one of Denzel's highest points as an actor (THIS is what he should've goitten the Oscar for, not Training Day, and it's criminal that Spike wasn't nominated.)
That being said, the film is overall excellent and historically accurate, even when it hurts, such as the corruption of the Nation of Islam. Two things, however, mar it: First, Freeman's Elijah sounded like he belonged in Kung Fu film; the real Elijah (there are tapes)didn't quite sound that Asian. Second, the ending just didn't fit. That was just Spike trying way too hard to say something that really didn't need to be said. The film could've ended at the assassination and been near perfect. The rest was attempted spin-doctoring.
DEFINITELY see this film. It's essential in understanding a lot of the early '60s political scene. ... Read more

Reviews (57)

Great Collection
While Jackson's ego as the "King of Pop" has folded over recent years, his legacy lives in this compilation of his videos and performances. With the advent of DVD, Jackson's fans will get to see and hear the great quality of his performances and music finally. Two videos on this compilation are worth seeing. The first, "Liberian Girl," is a beautiful ballad, and the celebrity-filled video is one of Jacko's rarely seen videos. The other, "Scream," which was the most expensive video ever made has Michael and his sister, Janet, in a futuristic spaceship setting, that was beautifully directed by Music Video guru Mark Romanek (Madonna's "Bedtime Story" was also his work). Forget the scandals and his wierd habits, and buy this coolection.

KING OF POP
Micheal Jackson is definetly the king of pop - after u see this collection of his videos you wont dispute that.
THE DVD
1.PROGRAM START
2.teaser-elaborate teaser showing micheal jackson as a huge statue.
3.BILLIE JEAN motown 25- an amazing performance of micheal jackson singing billie jean and doing moonwalk for first time- here he shows his amazing talent - in this performance u think it cant get any better than this but yet he ceases to amaze me - performances keep getting better. 5 star performance
4.BEAT IT- classic mj video great dancing - good song 4.3 stars
5.LIBERIAN GIRL- ok/ catchy song with alot of appearances by celebritys - very rare video- 3 stars
6.SMOOTH CRIMINAL-this one i rank up there with billie jean- here he outdoes himself again showing his amazing talent and dancing abilitys- 5 star performance
7.1995 mtv video music awards-another amazing performance- my personal favorite along with smooth criminal- here he does many songs in a mix of some sort and shows many diffrent dances and it amazes me how he can switch so quick into the diff dances -one of a kind performance - 5 stars
8.THRILLER- classic masterpiece /great performances by all- 5 stars
SIDE TWO
1.SCREAM- innovative original video with sister janet- very cool video - 4 stars
2.CHILDHOOD-pretty good video -3.5 stars
3. YOU ARE NOT ALONE- not one of my favorites but still good video/ shows micheals sensitive side- 4 stars
4.EARTH SONG- beautiful video - have to see it to believe it -5 stars
5.THEY DONT CARE ABOUT US- so so video / fun to watch- 3.5 stars
6.STRANGER IN MOSCOW- diffrent type of video yet beautiful-3.8 stars
7.BLOOD ON THE DANCE FLOOR- the worst video on whole disk - i didnt like this song or video at all but the other videos make up for this one - 1 star( this just wasnt micheal jackson- it wasnt his style ) i expect more from this - hes more talented and hes shown that in his past but maybe he just wanted to try somthing diffrent
8.BRACE yourself-3.5-4 stars
SO I RECOMEND THIS DVD TO ANYONE - any pop music lover or micheal jackson fan - even if ur not a big micheal jackson fan u will be after veiwing this collection and this dvd is also good for chronicaling some very memorable video masterpieces.

Michael Jackson is the King! Period!
How can someone who hasn't released any commercially successful material in the last six years be the King? Watch this video and you'll find out!

This is packed with some of Michael's most ambitious video's and live performances.

Video listing:

1. Bille Jean (Motown 25: yesterday, Today and Forever)

2. Beat It 3. Liberian Girl (very rare)

4. Smooth Criminal (one of his finest and higly overlooked videos)

5. 1995 MTV Video Music Awards Performance (Killer 15 minute Jackson performance!)

6. Thriller

7. Scream (duet with sister Janet and an amazing visual effect video!) 8. Childhood

9. You Are Not Alone (Video for the first song ever to debut at No.1 on the Billboard #100)

10. Earth Song (Beautiful video!)

11. They Don't Care About Us (Highly contorvercial song and video from 1996)

12. Stranger In Moscow (rare)

13. Bllod On The Dance Floor (rare in North America)

14. Brace Yourself

Get this DVD 'cause these are some fine pieces of work from the greatest entertainer of the last twenty years!

Five out of five

Video HIStory,volume 2
This package was released sometime after the 1997 release of Michael Jack