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| 1. Heathers (THX Version) Director: Michael Lehmann | |
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our price: $15.98 (price subject to change: see help) Asin: B000059PPG Catlog: DVD Sales Rank: 2332 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (127)
Winona, here as Veronica Sawyer, was formerly the best gal pal of dorky yet insanely innocent and kind Betty Finn (both character names are derived from the Archie comic strip). Now, she's taken it up with three girls by the name of Heather. Duke and Chandler may or may not be genuinely evil, while McNamara is just plain pathetically insecure. The thing is, Veronica hates her new so-called friends. It's just their "job to be popular and s***," that's all. Christian Slater, to my utter dismay, seems to have disappeared off the face of the earth since this booming debut. Here, his performance mimicks that of witty and humorous Jack Nicolson. "Greetings and salutations." :) J.D. and Veronica make the ideal couple. Both are witty, bright, and loathe the existence of the high school world. Only J.D. is insanely violent as well, and his actions are bringing about vast repercussions for not only himself, but for Veronica as well. And Veronica is beginning to wise up and realize that J.D., despite his charms and wit, isn't worth all his trouble(s) and excess baggage. Besides, he's got an unhealthy fascination with guns. After the demise of the leading Heather - their doing through liquid bleach - a second Heather takes her place as leader, even more aggressive and bratty than her predecessor. Veronica ponders what to do over old and new friendships and accidental deaths in her diary. She and hunky J.D. manage to kill a Heather and two dim-witted jocks but escape suspicion for murder because they leave behind suicide notes. Veronica can perfectly imitate handwriting styles, as we find out during the first 5 minutes of the film when the three Heathers coerce her into writing a love note to high school outcast Martha "Dumptruck" Dunstock and signing a popular jock's signature to it. She approaches him at his lunch table and uproarious laughter ensues. Teenage suicide seems to be all the rage in the world of Westerburg High, despite the popularity of fictional band Big Fun's hit single, "Teenage Suicide (Don't Do It)." Even though Veronica has left J.D. behind, he still has conjured up his own evil plans concerning the future of Westerburg. And the Heather in control is abusing her privileges - Veronica knows she wants out. HEATHERS is so much more than a screwball comedy. Since its release, no other film has managed to live up to the same wit and dark humor and charm found throughout, making this film a genuine benchmark in the history of movies - and the 80s, for that matter. HEATHERS takes one glimpse at the work of ultra-cool 80s director/writer John Hughes and laughs in his face, making his Molly Ringwald flicks look like garbage in comparison. Could this be why Winona is still alive in Hollywood and Molly is not? Perhaps.
"F*** me gently with a chainsaw. Do I look like mother Theresa?" - Heather C.
As some reviewers lament, be prepared for parts that are dark and disturbing, but the film is also hilarious for the most part, and whatever your emotional reaction, the dialogue is never off-target. In fact the film's script and visual style are so clever that laughing at murder does not seem much of a guilty pleasure. For all the talk of suicide, the underlying theme couches a universal and heartening meaning: that all people are created equal, the "in crowd" as well as the nerds. You need your sense of humor in the right place, and if you've got it there, this movie comes highly recommended from me!
This film is actually smarter than it lets on. It knows its subject matter so well that you can't help but marvel at the relevance. The look, fashion and soundtrack might be dated, but the point sure isn't. ... Read more | |
| 2. The Truth About Cats & Dogs Director: Michael Lehmann | |
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Reviews (39)
That said, this is a completely endearing light comedy. Garofalo plays a woman who does a radio pet advice show, brought into contact over the air with Ben Chaplin, whose dog has a problem. A comedy of errors ensues, as Uma Thurman pretends to be the off air shy Garofalo. Part of the delight of the film is the way the two women manage to perpetuate the misunderstanding, and the way that Chaplin and Garofalo fall in lover over the phone. This is a formula film, in that you know just about everything that is going to happen in the film from the very beginning, but the film is so fresh and innovative in bringing everything to pass, that it never feels like a formula pic. Slight correction to the editorial review. I believe that Henry the Dog is a Bull Mastiff, not a Great Dane. One of my best friends has a dog (Bella) who looks exactly like Henry, but who is most decidedly a Bull Mastiff. That's the truth about this particular dog.
The casting for the film was great, all did great jobs on this movie. First off is Uma Thurman who did a great job as the beatifull typical blonde. She is very belivable in this roll, and very lovable at the same time. Next up is Janeane Garofalo who did an excellent job on this film as the typical everyday person. She might be the best person in this film all around, she did a great job. Next up is the very talanted Ben Chaplin, if any one out shines Janeane in this it would be him. I feel he did great in the roll of the missguided lover. He did a great job in this roll, he was perfect for it. Also is the reason I watched, Jamie Foxx delivers with a good performance but he is rarly on screen to deliver a full out classic performance. The story follows Ben as he is drawn into Janeane threw her voice but when he wants to meet her she brings in Uma as her stand in. When she falls for him the games really begin. I'd rather you see for yourself.
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| 3. Hudson Hawk Director: Michael Lehmann | |
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our price: $11.96 (price subject to change: see help) Asin: 0767821513 Catlog: DVD Sales Rank: 4530 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (93)
Yeah, there are some plot problems and pacing is off-kilter, but heck, this film is so much fun from the first second til the end when Eddie finally gets his- no I won't ruin it... Give it a chance. I haven't perused the DVD but doubt it has much extra stuff. This isn't the kind of film the gets the redux. If the thought of Danny Aiello, Bruce Willis, James Coburn, Sandra Bernhardt, Andie McDowell (no relation to Malcolm), a young David Caruso, and a handful of other dynamic character actors doesn't appeal to you then stop reading now. Moreover, if the thought of the world's greatest jewel thief stealing Da Vinci treasures, a Vatican spy agency, an over-the-top madman entrepreneur and his depraved wife aimed at destroying the world's economy, a corrupt CIA covert ops team called "The Candybars," doesn't pique your interest then go back to bed. Some of the best one liners I've ever heard. They never get old. "I must speak with the dolphins now." "Just kill her- Darwin! This is supposed to be torture, not therapy." "Bettie Jo Baijarsky? I can get you an address on that." "Bunny?!? Ball Ball!!!" If you like Bill Murray's everyman attitude in ghostbusters then this film's humor will appeal. In summation- If you dug 'Ice Pirates,' "The Princess Bride," or any Terry Gilliam film you will probably dig this one. ciao.
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| 4. 40 Days and 40 Nights Director: Michael Lehmann | |
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Amazon.com Reviews (93)
For a movie that deals with sex and is very bold about it, expect a lot of jokes and dialogues surrounding that topic. Mix it up with some physical comedies and a great deal with sexual tension, that's pretty much what the film is about. Josh Hartnett did a passable job as the lead, kind of a let down after his brilliant performance in Black Hawk Down. Overall I got a few laughs from 40 Days & 40 Nights, but I thought the point of the movie (if there ever was one) sort of got lost towards the end. Ultimately it falls into the same pattern that defines romantic comedies which you've seen many times before, I found nothing special or memorable about this experience.
Remember that they will stop making bad movies if we dont watch them.
Matt takes his vow because his breakup with Nicole (Vinessa Shaw) has left him a wreck. He keeps bailing out on successful dates and is becoming obsessed with ceilings. He goes for comfort and advice from his brother who is studying to be a priest and practicing hearing confessions. When he sees the banners for Lent going up he takes it as a sign and swears off sex, including foreplay and self-gratification. Unfortunately, once his roommate Ryan (Paulo Costanzo) finds out the deals this becomes the prefect opportunity to use the internet to get a pool going on how long Matt can, uh, last. Now, for the sake of argument we will assume that Matt has no discernable brain activity when he is asleep (despite scenes to the contrary), so that we can have the willing suspension of disbelief to go with the film's running gag that has the hero falling part as he goes longer and longer without relief. In the real world this guy would be able to keep his vow and wake up without any major problems. But writer Rob Perez and director Michael Lehmann ("The Truth About Cats & Dogs") want to milk this guy's discomfort for everything it is worth and, unfortunately, more. It dawned on me that this movie has is clearly bifurcated into the "guy" parts and the "girl" parts and the biggest problem with "40 Days and 40 Nights" is that the two halves do not fit together (as compared to "50 First Dates," which overcomes a similar problem and combines comedy and sweetness). Matt's friends and co-workers treat his vow as a joke and/or money making opportunity. This allows for lots of jokes and some prosthetic humor that leads to the inevitable conclusion that all men are pigs. Where this film had potential was with the idea that Matt would have to date a woman without having sex, both before and after she finds out about THE VOW. However, I find it hard to believe that finding out about such a thing would really be upsetting to a woman, especially if the guy knows how to handle a flower (and Matt really knows how to handle a flower; this film must have given lots of couples ideas for similar epsiodes of flower fun). But if you stop and think about it the idea that a couple could have a good time on a date with sex or any form of physical contact has to be against just about everything Hollywood stands for (assuming, of course, they are in an upright position). I was planning on liking this 2002 comedy more, but then somebody bad does something really bad without consequences. No comeuppance. No joke at their expense. No sense of outraged expressed by another character. Nothing. I was so ticked off by that turn of events that when the film cobbled together the requisite happy ending I was not really in the mood to enjoy it. But the filmmakers do get props for coming up with a nice little gift as Matt's final act of contrition. Final Note: "40 Days and 40 Nights" was certified for 11 year old in Sweden, 12 years old in the Netherlands and Portugal, 13 year olds in Spain, 14 years olds in Brazil and the cantons of Vaud and Geneva in Switzerland, 15 year olds in the United Kingdom, Finland and Norway, 16 year olds in Argentina and in the Swiss canon of Grisons. I have no idea what to make of these numbers but they sure are interesting and make me wonder what is up with those Swiss kids in Grisons (was it the sex or the vow part they are worried about?). ... Read more | |
| 5. Airheads Director: Michael Lehmann | |
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our price: $9.98 (price subject to change: see help) Asin: B00005NGAY Catlog: DVD Sales Rank: 5367 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (47)
It's kind of a Dog Day Afternoon meets Bill and Ted. They have an interesting premise and a cast that tries hard to be energetic and funny but the situations the writers invent quickly become like a bad situation comedy. The characters are all unrealistically dumb and there are very few funny lines. Worse it's all utterly predictable and lacks any kind of sharp satire or edges. It's not without some laughs thanks in large part to Michael McKean and Joe Mantegna but the comedy is often downright desperately unfunny at times. Brendan Fraser, Steve Buscemi, Adam Sandler , Michael Richards , Judd Nelson and Chris Farley play one note characters that wear out whatever welcome you are kind enough to give them way before the film is over. And it's one of those films that believes if it was funny the first time it will be funnier the second and third time. There's a few laughs, but too few to waste your time on.
The DVD is exceptional: Anamorphic Widescreen (1.85:1), Theatrical Trailer, Featurette (made up of clips and fake news coverage), TV Spots, Music Videos for "Born to Raise Hell" by Motorhead (featuring ICE T & Whitfield Crane) and "Feed the Gods" by White Zombie (also performed at a night club in the movie! so Bonus!), 19 Chapter selections, English and French Audio, and English and Spanish subtitles, not to mention a disc with the three AIRHEADS pictured on it! Highly recommended, especially for fans of the cast and pretty much anybody who liked Spinal Tap! Even better than naked pictures of Bea Arthur (I'm just assuming here)!
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| 6. Heathers Director: Michael Lehmann | |
![]() | list price: $24.98
(price subject to change: see help) Asin: B00000IBRT Catlog: DVD Sales Rank: 15135 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com essential video Reviews (127)
I do feel I should clarify, however, that this VHS edition does NOT have clamshell packaging. Rather, its front cover opens to juxtaposed messages from scripter Dan Waters and director Michael Lehmann. For $13.99, this edition of HEATHERS is quite the bargain. For starters, it is 100 times more worthy than the DVD format release. Anchor Bay does well in its VHS territory, but its DVD format releases are problematic. The special features rarely work and my DVD player has actually refused its discs before. What is also nice about this edition is its inclusion of several theatrical trailers (far too many!) and promotional interviews with lead actors Winona Ryder and Christian Slater. Too bad these recorded sessions couldn't have been digitally remastered; they haven't aged well. As for a previous reviewer's joy at the absence of Molly Ringwald in this 1980s black comedy for the teen set, she is way off the mark. Molly Ringwald was hardly featured in every '80s teen flick--just the good ones. Just what, exactly, is she overjoyed at? Christian Slater in a '80s teen pic is supposed to be a relief? I don't get it. Let us leave Molly's good name untarnished, OK?
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| 7. My Giant Director: Michael Lehmann | |
![]() | list price: $9.97
our price: $9.97 (price subject to change: see help) Asin: 0780623258 Catlog: DVD Sales Rank: 38309 US | Canada | United Kingdom | Germany | France | Japan |
| 8. Heathers (Limited Edition Tin) Director: Michael Lehmann | |
![]() | list price: $39.98
our price: $35.98 (price subject to change: see help) Asin: B000059PQ1 Catlog: DVD Sales Rank: 29000 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (127)
Winona, here as Veronica Sawyer, was formerly the best gal pal of dorky yet insanely innocent and kind Betty Finn (both character names are derived from the Archie comic strip). Now, she's taken it up with three girls by the name of Heather. Duke and Chandler may or may not be genuinely evil, while McNamara is just plain pathetically insecure. The thing is, Veronica hates her new so-called friends. It's just their "job to be popular and s***," that's all. Christian Slater, to my utter dismay, seems to have disappeared off the face of the earth since this booming debut. Here, his performance mimicks that of witty and humorous Jack Nicolson. "Greetings and salutations." :) J.D. and Veronica make the ideal couple. Both are witty, bright, and loathe the existence of the high school world. Only J.D. is insanely violent as well, and his actions are bringing about vast repercussions for not only himself, but for Veronica as well. And Veronica is beginning to wise up and realize that J.D., despite his charms and wit, isn't worth all his trouble(s) and excess baggage. Besides, he's got an unhealthy fascination with guns. After the demise of the leading Heather - their doing through liquid bleach - a second Heather takes her place as leader, even more aggressive and bratty than her predecessor. Veronica ponders what to do over old and new friendships and accidental deaths in her diary. She and hunky J.D. manage to kill a Heather and two dim-witted jocks but escape suspicion for murder because they leave behind suicide notes. Veronica can perfectly imitate handwriting styles, as we find out during the first 5 minutes of the film when the three Heathers coerce her into writing a love note to high school outcast Martha "Dumptruck" Dunstock and signing a popular jock's signature to it. She approaches him at his lunch table and uproarious laughter ensues. Teenage suicide seems to be all the rage in the world of Westerburg High, despite the popularity of fictional band Big Fun's hit single, "Teenage Suicide (Don't Do It)." Even though Veronica has left J.D. behind, he still has conjured up his own evil plans concerning the future of Westerburg. And the Heather in control is abusing her privileges - Veronica knows she wants out. HEATHERS is so much more than a screwball comedy. Since its release, no other film has managed to live up to the same wit and dark humor and charm found throughout, making this film a genuine benchmark in the history of movies - and the 80s, for that matter. HEATHERS takes one glimpse at the work of ultra-cool 80s director/writer John Hughes and laughs in his face, making his Molly Ringwald flicks look like garbage in comparison. Could this be why Winona is still alive in Hollywood and Molly is not? Perhaps.
"F*** me gently with a chainsaw. Do I look like mother Theresa?" - Heather C.
As some reviewers lament, be prepared for parts that are dark and disturbing, but the film is also hilarious for the most part, and whatever your emotional reaction, the dialogue is never off-target. In fact the film's script and visual style are so clever that laughing at murder does not seem much of a guilty pleasure. For all the talk of suicide, the underlying theme couches a universal and heartening meaning: that all people are created equal, the "in crowd" as well as the nerds. You need your sense of humor in the right place, and if you've got it there, this movie comes highly recommended from me!
This film is actually smarter than it lets on. It knows its subject matter so well that you can't help but marvel at the relevance. The look, fashion and soundtrack might be dated, but the point sure isn't. ... Read more | |
| 9. Pasadena Director: Bill L. Norton, Roy H. Wagner, Mary Harron, Sanford Bookstaver, David Petrarca, Diane Keaton, Michael Lehmann, R.W. Goodwin, Michael Lange, Miguel Arteta | |
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| 10. The Larry Sanders Show - The Entire Second Season Director: Ken Kwapis, Judd Apatow, Roy London, Thomas Schlamme, Dennis Erdman, Alan Myerson, Paul Flaherty, John Riggi, Todd Holland, Michael Lehmann, Brent Carpenter, Melanie Mayron, David Mirkin, Garry Shandling, Michael Lange | |
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Reviews (5)
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