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| 1. The Adventures of Pete & Pete - Season 1 Director: Maggie Greenwald, Alison Maclean, Nicholas Jacobs, Damon Santostefano, Katherine Dieckmann | |
![]() | list price: $26.99
our price: $18.89 (price subject to change: see help) Asin: B0007Y08LA Catlog: DVD Sales Rank: 32 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Meet the Wrigleys: redheaded teenager Pete (Michael Maronna, Home Alone), redheaded elementary school student Pete (Danny Tamberelli, The Mighty Ducks) and his tattoo Petunia, Dad (Hardy Rawls), Mom (Judy Grafe)--and the metal plate in her head. First season cast members include Big Pete's almost-girlfriend Ellen (Alison Fanelli), Little Petes pal Natasha (Heather Matarazzo, Welcome to the Dollhouse), bus driver Stu (Damian Young), and Little Pete's personal superhero, Artie (Toby Huss), the strongest man in the world. Buscemi appears as Ellens dad in "Apocalypse Pete" and would return for another episode in the second season. The first season followed three years of 60-second shorts. It features 12 adventures (eight regular episodes plus four specials). Highlights include "King of the Road," in which the Wrigleys battle for road trip supremacy, "Tool and Die," in which Big Pete learns not to judge a shop teacher by his cover, and "Hard Day's Pete," in which Little Pete forms the Blowholes with Syd Straw and Marshall Crenshaw. Then there's "Don't Tread on Pete," in which Little Pete utters the immortal line, "Is this guy pickin' your scabs the way he's pickin' my scabs?" The Adventures of Pete and Pete ran on Nickelodeon for three well-loved, much-missed seasons. --Kathleen C. Fennessy Reviews (45)
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| 2. Sex and the City - The Complete Fifth Season Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel | |
![]() | list price: $49.99
our price: $32.49 (price subject to change: see help) Asin: B00008PW2D Catlog: DVD Sales Rank: 88 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (189)
We can be so hard on celebs. We love them yet we hate then and we are ultra critical of them. Lastly, I again want to remind you, dear reader, to consider the source and look up any info you can find on a reviewer and weigh that against whatever they write. Also take totally anonymous reviews with a big grain of salt. And again...I enjoyed the fourth season of Sex In The City even with it imperfections!
Many fans complained that Season 5 wasn't funny enough. Not enough men, not enough sex. Real single women know that Season 5 was the closest of all the seasons to what all of us experience in our daily lives - loneliness, good friends, occasional romantic connections, and a lot of "in between". Season 5 isn't "filler" or a poor season - its real life. Fans of the show who don't enjoy this season are, perhaps, happy to forget about their own lives while following those of Carrie, Charlotte, Miranda and Samantha. I prefer to think of the women of SATC as myself and my friends - and Season 5 proves that they are. ... Read more | |
| 3. Sex and the City - The Complete First Season Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel | |
![]() | list price: $39.98
our price: $26.49 (price subject to change: see help) Asin: B00004RFCM Catlog: DVD Sales Rank: 37 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description (c) 2003 Home Box Office.All rights reserved.HBO(r) and Sex And The City(r) are service marks of Home Box Office, Inc. Reviews (236)
In fact, if even movies were this good, we'd be going all the time! The writing is superb, as is the acting, sets and fast-paced story line. If you've ever lived, as a single, in a large urban city and were remotely involved in the 'dating game', then you'll be able to relate to the characters. While mostly women, there are enough male characters for both sexes to connect with the 'dating game' and its ups and downs-- and the characters' ambitions, loves, fears and shared joys. Now I know why there has been so much "buzz" about this series... It's a totally sexy, hip romp! (Note: this is defintely not something that "Christian Coalition" types will admit to liking....!)
LOVE THIS SERIES! ... Read more | |
| 4. Jesus' Son Director: Alison Maclean | |
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Reviews (27)
Sidenote: The Velvet Underground's "Heroin", in which Lou Reed proclaims that he feels "just like Jesus' Son" when he's "rushing on [his] run", isn't featured in either the film or on the soundtrack.
The late 60's/early 70's didn't exactly corner the market on lost weirdo's who found solace behind a substance-induced mask of happiness. One of my closest friends IS that character that Denis Leary plays ~ sometimes comical, sometimes tragic. Just like this movie. Jesus' Son offers the really straight, by-the-numbers people a little insight into the people & lives that those folks usually avoid & disregard; "only bad people use drugs". Not so. It's also interesting to watch a movie that has character's using a variety of street drugs that was made at a time, currently, that is, when most young people in this culture have been heavily bombarded with anti-drug/"War On Drugs" propaganda, & have been steadily for about twenty yrs or so . . yet the story is of an era where that level of propaganda wasn't as pervasive & all encompassing as it is today. Well, anyway, other people have already written better reviews of this than I could, or have, but I had to write something about this heartfelt little movie.
Lost souls like JESUS SON'S "FH" were really not uncommon back in the day. They may not have been uncommon back in any day. But the 60s and early 70s brand was perhaps a little more noticeable and, in some senses, sympathetic because of their vaguely anti-establishment stance. For a brief moment in history, outcasts were almost taken seriously. These people really did exist. As surreal as JESUS' SON sometimes gets, it remains grounded in its very vivid, very authentic characters. Yes, there were certain junkie truths that ultimately became cinematic cliches. The numrerous OD's, the failed love relationships and the sporadic attempts at redemption are all elements of JESUS' SON. And yet, they come across as less cliched in this particular druggie film than in some others. Perhaps it's because the acting is almost uniformly excellent--with leads, Billy Crudup and Samantha Morton, deserving of particular praise. Perhaps too it's, at least in part, because FH's ultimate redemption is a plausible one. Out of rehab, he gets a job in a different kind of rehabilitation center, a home for sufferers of rare neurological diseases. It is finally there that he realizes that there may indeed be a place in the world for people like him. Many viewers will find the final, sobered up segment of the film a little weaker dramatically than the drug addled scenes that precede it. That's true, but the end is also something of a relief. FH would surely have joined the ranks of his fallen comrades in arms had it not been for rehab and the chance at a new life in a new city. It's the kind of ending you could call "bittersweet"--if you use terminology like that. It's also one of only two possible endings for someone like "FH"--and, like him, you're grateful for that much. When I first heard of this movie, I immediately recognized the source of the title as being a line from Lou Reed's "Heroin." I was disappointed, at first, to see that that song was not incluced on the soundtrack. But on further reflection, that actually seemed the better choice. Lou Reed is the quintessetial urban poet. FH never even comes close to New York City or any other real metropolis. The Neil Young, Doug Sahm and Louvin Brothers tracks actually used in the film are actually more fitting. ... Read more | |
| 5. Crush Director: Alison Maclean | |
![]() | list price: $24.99
our price: $22.49 (price subject to change: see help) Asin: B0006JMLB6 Catlog: DVD Sales Rank: 33981 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (2)
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| 6. Jesus' Son Director: Alison Maclean | |
![]() | list price: $24.98
(price subject to change: see help) Asin: B00003CWS6 Catlog: DVD Sales Rank: 20463 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (27)
Sidenote: The Velvet Underground's "Heroin", in which Lou Reed proclaims that he feels "just like Jesus' Son" when he's "rushing on [his] run", isn't featured in either the film or on the soundtrack.
The late 60's/early 70's didn't exactly corner the market on lost weirdo's who found solace behind a substance-induced mask of happiness. One of my closest friends IS that character that Denis Leary plays ~ sometimes comical, sometimes tragic. Just like this movie. Jesus' Son offers the really straight, by-the-numbers people a little insight into the people & lives that those folks usually avoid & disregard; "only bad people use drugs". Not so. It's also interesting to watch a movie that has character's using a variety of street drugs that was made at a time, currently, that is, when most young people in this culture have been heavily bombarded with anti-drug/"War On Drugs" propaganda, & have been steadily for about twenty yrs or so . . yet the story is of an era where that level of propaganda wasn't as pervasive & all encompassing as it is today. Well, anyway, other people have already written better reviews of this than I could, or have, but I had to write something about this heartfelt little movie.
Lost souls like JESUS SON'S "FH" were really not uncommon back in the day. They may not have been uncommon back in any day. But the 60s and early 70s brand was perhaps a little more noticeable and, in some senses, sympathetic because of their vaguely anti-establishment stance. For a brief moment in history, outcasts were almost taken seriously. These people really did exist. As surreal as JESUS' SON sometimes gets, it remains grounded in its very vivid, very authentic characters. Yes, there were certain junkie truths that ultimately became cinematic cliches. The numrerous OD's, the failed love relationships and the sporadic attempts at redemption are all elements of JESUS' SON. And yet, they come across as less cliched in this particular druggie film than in some others. Perhaps it's because the acting is almost uniformly excellent--with leads, Billy Crudup and Samantha Morton, deserving of particular praise. Perhaps too it's, at least in part, because FH's ultimate redemption is a plausible one. Out of rehab, he gets a job in a different kind of rehabilitation center, a home for sufferers of rare neurological diseases. It is finally there that he realizes that there may indeed be a place in the world for people like him. Many viewers will find the final, sobered up segment of the film a little weaker dramatically than the drug addled scenes that precede it. That's true, but the end is also something of a relief. FH would surely have joined the ranks of his fallen comrades in arms had it not been for rehab and the chance at a new life in a new city. It's the kind of ending you could call "bittersweet"--if you use terminology like that. It's also one of only two possible endings for someone like "FH"--and, like him, you're grateful for that much. When I first heard of this movie, I immediately recognized the source of the title as being a line from Lou Reed's "Heroin." I was disappointed, at first, to see that that song was not incluced on the soundtrack. But on further reflection, that actually seemed the better choice. Lou Reed is the quintessetial urban poet. FH never even comes close to New York City or any other real metropolis. The Neil Young, Doug Sahm and Louvin Brothers tracks actually used in the film are actually more fitting. ... Read more | |
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