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| 1. Hysteria:Def Leppard Story Director: Robert Mandel | |
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Reviews (3)
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| 2. School Ties Director: Robert Mandel | |
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Reviews (41)
David Green becomes the nemesis of Charlie Dillon (Matt Damon) early in the movie by being a better dancer and capturing the interest of Charlie's blonde thoroughbred date, Sally, played by Amy Locane in one of her only big roles. Charlie, who has attended the school for years, feels put out by this popular newcomer and when he finds a chance to bring him down, he goes for it full-force. When racial slurs and hate crimes abound, the boys are divided between their personal friendships and loyalties and doing the right thing. This is made more interesting by the fact that they are only teenaged boys, who have all lived a privileged life amongst those exactly like themselves, so their struggle to empathize and feel from someone else's perspective is more difficult, and their varied responses are interesting, especially when David's personal and social future at the school hangs in the balance.
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| 3. Def Leppard - Historia / In the Round, In Your Face Director: Robert Mandel | |
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Amazon.com Reviews (46)
As far as the videos go, I am impressed to see that they actually did a video from thier 1980 debut album (Hello America) despite the fact that they seem embarrased by thier early years. It was also a nice treat to see the U.K video version of Pour Some Sugar On Me, which i've never seen here in North America, as well as the Bringing on The Heartbreak remix version 2 (with Phil Collen instead of Pete Willis on guitar) which arent aired on North American music TV, or at least not that I've seen. And my personal favourite, "Work It Out", this video I've never been able to get my hands on until now and I think seeing that alone on the back of this box grabbed me and I had to own this. The additon of 1996-1999 video era is great too, but.... Why are the 5 videos spanning SLANG and EUPHORIA tacked on as "bonus" material? In think they should have been added on in the same chronological order as the rest of the videos were. Hell, the card within the DVD box lists them as being right along with the other videos, but upon viewing the disc, you see that they are bonus material and thats not really where they should, though I guess considering how rare "Work It Out" is. The live performances are nice to have as well, I wouldnt watch them often though because I am not a huge fan of live stuff. I think my only other beef is lack of some really other special bonus material, and I was a little disapointed that there wasn't more interview time dedicated to the band, or past interview segments to feast on. Oh well this DVD is still top notch and I recommend it to anybody, it has tons of great videos, some you may have not seen before, the live footage is decent too, it only really lacks in the "bonus" section but then alot of DVDs do anyway. I'm going to check out VISUALIZE to further add to my Def Lep DVD collection. You should add this too.
The videos are good (Photograph), some are cheezy (Rock of Ages) and some gave you an idea of what the Hysteria Tour would be (Pour some Sugar on Me). The Hysteria concert is very well done. The film crew did a great job with the rotating stage and all. Def Leppard weren't for everyone, but we all remember the girls who went nuts for their new 'Hysteria' sound. Even today my chicks gets all weak in the knees when 'Pour some Sugar on Me' is blaring from the TV set. ... Read more | |
| 4. F/X Director: Robert Mandel | |
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Description Reviews (9)
Sadly, the sequel - FX2 - is a big letdown.
The always underrated australian actor, Bryan Brown, plays Rollie -- an independent special effects artist who specializes in creating gore effects for cheap horror and action films. Indeed, when we first meet him, he is working on a film that bares a hilarious resemblance to Brian DePalma's Scarface which, whatever its qualities, is most definitely represenative of the type of film that F/X strives not to become. Brown is recruited by an uptight but reassuringly paternal federal agent (Mason Adams) to help fake the death of a mobster (Jerry Orbach) about to go into the federal witness protection program. Once Brown agrees to help, he finds himself being targeted and pursued by mysterious killers who might be the government, might be the mob, or might be something else. The film's main selling point is that, in order to protect his own life and clear his name once the police become convinced that he's a murderer, Brown is forced to rely on his expertise in hollywood special effects. While that certainly is true, it also makes the film sound a lot more gimmicky than it actually is. As opposed to its sequel, F/X never allows itself to become reliant solely on that gimmick. Instead, the film concentrates on presenting its fast-paced plot which, over the course of many twists and turns, avoids the common action film fate of collapsing on the wieght of its own complications. That said, the F/X sequences are pretty cool and the film's conclusion provides perhaps the wittiest advertisement for superglue that I've ever seen. The film's main strength comes from the cast who all seem to be having a good time on screen and bring a surprising sense of conviction to roles that could easily have been played as B-movie stereotypes. Bryan Brown is one of those charismatic, obviously talented leading men who rarely gives a bad performance yet for whatever reason (though making movies like Cocktail probably didn't help) has never become a bona fide star. Playing the lead in this film, he proves that he did have the talent and the charisma to be a leading man and indeed, his low-key but likeable lead performance is reponsible for a great deal of F/X's strength. As the gruff police detective who becomes Brown's ally, Brian Dennehey is -- well, he's Brian Dennehey and, as always, that's more than good enough. That said, he also brings a welcome sense of humor to the proceedings and he proves once again that nobody in the '80s delivered profanity as wittily and skillfully as Brian Dennehey. The rest of the cast is full of character actors who all turn in nicely quirky performances with the standouts being Diane Venora who is sweet as Brown's girlfreind (whose ultimate fate -- if predictable -- is also well handled and rather sad), Cliff De Young who gives perhaps his best variation on his standard Yuppie henchman role in this film, Joe Grifasi as Dennehey's put upon partner, Mason Adams who perfectly captures the essence of everyone's kindly but kinda strange uncle, and the great Jerry Orbach who, playing a mobster with an all-important pace maker, overacts as if the world depending on it but is still a lot of fun to watch because, afterall, he's Jerry Orbach. They all come together to create (without any trendy angst or computerized special effects to show us what animated human beings look like when they get blown up) one of the most purely enjoyable movies of the '80s.
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| 5. A Season on the Brink Director: Robert Mandel | |
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| 6. Perfect Witness Director: Robert Mandel | |
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Description | |
| 7. The Substitute Director: Robert Mandel | |
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Reviews (17)
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| 8. Winds of Terror Director: Robert Mandel | |
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