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An atmospheric and sexy crime caper, this stars Dennis Quaid as a New Orleans police detective. He's a smooth talker who butts heads with the new assistant district attorney, Ellen Barkin. She's rigid and plays by the rules; he is mildly corrupt. They soon find themselves romantically entwined, and a bit chagrined.

Director Jim McBride (Great Balls of Fire) was in top form with this 1987 sizzler. You may not remember the particulars of the plot, which concerns supposed gang killings and police corruption, because it is the romance that has staying power. Blame this on Quaid and Barkin, who send off enough sparks to light up Bourbon Street. They are not only sexy together, but endearing, which makes you want to like them as much as they like each other. --Rochelle O'Gorman ... Read more

Reviews (27)

party on down, Cher!!!
This is what I call a personality movie. The plot is fine, maybe a few holes and you sort of can see it coming down the turnpike, but that is not what you will watch this movie for time and again. It's the actors. They are the whole show and they give you a great one at that. Dennis Quaid jumped into leading man spotlight with this film, and Ellen Barkin is a delight as his adversary and can't-help-falling-for-you-lover...she is cute, engaging and not your typically blonde!! Quaid and Barkin are friends in real life, and that chemistry carries over into their roles. They have fun with the characters and so will you.

I have viewed this movie and will continue to do so, it's just that sort of a good time. I absolutely adore New Orleans, and you get some good scenery and even better cajun music (though where is Doug Kershaw??? I ask!), with excellent supporting performances from John Goodman and Ned Beatty.

Dennis plays Remy McSwain, a police Lieutenant that loves the Big Easy and takes everything in laid back stride, until problems arise. There is a supposed drug war going on, he thinks he has all the answers until Burkin's ADA Anne Osbourne starts asking questions of her own. Their attraction is instantaneous, sexy and fun, as she knows she cannot fall for the man she is investigating, but she cannot seem to stop herself.

Uncle Souse tells Barkin's character at once point "put your purdy face in the car, cher."....well, put your purdy face in front of the telly and enjoy a trip down to Dr. John's way.

Please note that is Jim Garrison playing Jim Garrison!! For those who do not recall the name, see Oliver Stone's JFK.

Mature audiences as there is one sexy, steaming love scene between the leads (which they said they had trouble doing since they were friends in real life - well, it sure does not show!!!)

Look out for the gator, baby!!!

Sexy and Colorful
This colorful and fast moving film from director Jim McBride about an only slightly corrupt cop in 'The Big Easy' and the pretty Assistant District Attorney sent to investigate the department is filled with cajun spice and atmosphere. The lines between right and wrong are blurred like a rainy windshield in this lightning paced and very sexy cop film.

Dennis Quaid gives a terrific performance as Remy McSwain, a second generation cop who sold out early on in his career, accepting it as the norm but not letting it hinder him from doing his job. When the prim and sexy Ellen Barkin arrives on the scene in the form of D.A. Anne Osborne he attempts to wine and dine his way out of trouble as bodies start piling up in an apparent drug war.

The sexy encounters between Remy and the shy Anne blend seamlessly with some very brutal crime scenes and a lot of New Orlean's music to propel this film at a breezy and very enjoyable pace. When Remy's own corruption is exposed their relationship becomes more complicated as he tampers with evidence and gets off. But her comments to him that he is no longer one of the 'good guys' causes him to take a serious look at himself. When cops are discovered to be behind all the recent drug trouble, the answers will hit far too close to home.

A very unique cop thriller that manages to maintain a light and breezy ambiance throughout, this is one of the most memorable films of it's kind. It's spicy flavor goes down easy and makes you crave more. The supporting cast that includes Ned Beatty, John Goodman, and Lisa Jane Persky offer fine support in this very seductive and one of a kind film you must see. Pick this one up today!

Glad I finally watched it.
A friend of mine has chased me around with this DVD for weeks, telling me it is a must see. She was right! The only problem is, it's her copy and now I'm going to HAVE to buy my own. I live about an hour away from New Orleans and let me tell you, they have the Cajun flavor down pat. I just wish Dennis Quaid were there all the time. This movie is sexy, steamy and very entertaining. It's amazing that it is from 1987 and yet is not outdated at all. If you haven't seen it yet, then buy it now!

Hard to Follow
I was very disappointed with this film. I had watched it immediately after coming back from a wonderful trip to New Orleans and was desiring something that would remind me of New Orleans. The acting in this movie was mediocre. What really made this movie not very enjoyable was the fact that the storyline was very hard to follow. Most murder mysteries are supposed to have their share of twists and turns, however this movie went way beyond that to the point of complete confusion. I gave this movie a 2 star rating because at least the New Orleans backdrop and the Cajun Zydeco music was nice.

Not Quite So Big As I Remember
I used to have this on VHS and adored it- it's a terrific film, with an unbeatable combination of twisty plot, stars that have incredible chemistry, and spicy music.... and yet when I watch it on DVD I find five minutes of the ending has just disappeared into the great old void at the editing room.

Does anyone know why this part has been cut? It doesn't seem to make much sense, as without it, the conclusion of the film is very abrupt and disjointed... it's amazing the difference that one tiny little scene makes!

Don't give up your VHS copy just yet- not until those editors find that damn five minutes and put 'em back in where they belong! ... Read more

Reviews (7)

A Painless Art History Course - and mystery
UNCOVERED is a ten year old film, popular in its co-producing countries of the UK and Spain, and is finally available here for those who want to see 'early Kate Bekinsale'. The story weaves around an art restorer (Bekinsale) who finds bizarre clues in the underpainting of an old Flemish master painting that is being prepared for sale by a once rich/now destitute family. The art restorer has been raised by a fey gentleman who turns out to be part the current family requesting the restoration. As she carefully uncovers the surface of the painting and has it xrayed, she finds clues to a mystery of a murder, a murder that slowly is recreated around her. This is a good little mystery whose solution is tightly pigmented in a rather beautiful painting and a game of chess, which is the centerpiece of the painting. The cast, including Kate Bekinsale, is good if a bit campy: John Wood, Sinead Cusack, Paudge Behan, Art Malik, James Villiers, Michael Gough. But the real star of the film is the beauty of Barcelona, Spain - the setting for the story. Gaudi is everywhere! The lighting is gorgeous and the cinematography excellent. There are things with which one can quibble, not the least the techniques used by the art restoration advisors, but the one major fault with this film is the sound track. The music is abominable and the ambient sound is so loud that it sounds like a home movie instead of a professional production: you have to strain to hear the dialogue over the street sounds outside the rooms. Still in all, this is an entertaining movie, worth a watch.

Good movie
This movie has a good plot, good actors, plenty of mystery and the beauty of one of my favorite actresses: Kate Beckinsale. Maybe it's not one of those movies with plenty of violence, chases and a lot sex (...), but it's an interesting movie. And made in the best city of Spain: Barcelona.

A nice murder mystery
I must agree with the first two reviews. This is an interesting little murder mystery with the fetching Ms. Beckinsale as an art restorer caught up in a centuries old murder mystery based on a painting. Only problem is, someone in the here and now is using that same painting to do some murders of their own.

It's a light and breezy kind of amateur sleuth flick. You could do a lot worse, and if you're a fan of Kate Beckinsale, you'll enjoy this film. Except perhaps for Kate's unshaved armpits (the film is set in Europe). And yes, there are some scenes of Kate "uncovered".

A Very Clever Under the Radar Murder Mystery...
Released in 1994, Kate Beckinsale plays the main character in this convoluted murder mystery. She's living in Barcelona and has just graduated from College and is working at home restoring a painting that looks like it was created some time in the fifteenth century. She gets a knock at the door and a delivery man gives her an infrared overlay that she had taken of the entire painting and she looks at it closely and discovers that underneath a layer of paint there lies an inscription which mysteriously says in Latin "who took the knight?" Of course, looking at the painting which is of two noblemen playing a game of chess with a young woman sitting in the background, using that interpretation of the Latin inscription it looks like the painting is a playful scene where the younger man on the left has stolen the knight from the board and the older man is crouching over the board and in a crotchety way is saying "what happened to the knight?" while the younger man is making eyes at the young woman in the background. Kate's character takes the overlay to her friend, an art dealer to look at and interrupts her friend getting, ahem... serviced by the husband of the woman who is the neice of the man who owns the painting. Kate's character shows the overlay to her friend and convinces her friend to take her to see the owner of the painting to ask him if they can have it tested to see if that inscription underneath the layer of paint is an original one. They visit the owner and tell him about the inscription and the owner tells them that the inscription really should be translated as "who killed the knight?" instead of "who took the knight?" and from then on the entire meaning of the scene being played out in the painting takes a more ominous tone introducing the first murder victim in the story: a knight represented in the painting from five hundred years ago.

Based on the book "The Flanders Panel" by Arturo Perez-Reverte who wrote "The Club Dumas" which the movie "The Ninth Gate" was based on, it is no surprise that there are a myriad of nuances that are included inside this story that make references to or are based on the intricate artwork from the high Gothic period right before the Renaissance. The world in which the painting was supposedly made is a Machiavellian world of intrigue, doublecrossing, cutthroats and murder. After the commissioner of the painting realizes that his friend, the young man in the painting, has been killed and because of forces outside of his control he's not able to publically accuse the murderer, he asks the painter to alter the painting in such a way that it depicts who the murderer is, but in a secret code. The code of course is played out in miniature in the chess game the two men are playing and in it each piece represents different players in the plot and eventually by hiring a young man to play the game itself backwards Kate's character is able to figure out who actually did in the end kill the knight in the past. Pretty soon, pieces from a very fancy chess set start to pop up outside of her door and she soon finds herself in the middle of her own little murder mystery as people in her own life start to drop like flies mirroring both the pieces that pop up in front of her door and the pieces that are taken if the chess game in the painting were played out to its logical conclusion. The chess game itself is a microcosm of the intrigue that occurred back in the fifteenth century and of the intrigue that is going on in the present. By going backwards, the young man Kate's character hires is able to figure out what happened in the past and by going forwards with the game itself from where the painter left it off in the fifteenth century the young man is also able to predict who the likely candidates for murder are going to be in the near future. The plot itself mirrors the chess game to a tee to the amusement of the audience to the point where one ends up thinking about which characters in the movie are represented by which pieces in the game and also how would the drama of the chess game where one piece can viciously take hold of or slaughter another piece be played out in real life.

In my opinion, this is much better than the movies you'd see Kate Beckinsale play characters in today. From her choice of movie roles today compared to back when this movie was made one sort of has to wonder where her career priorities have turned to lie. If you disliked the blander, more commercialized and more static roles that she's played from more recently then you might not like this movie that much; but if enjoy a good thriller with a cleverly written thoroughly amusing plot then this is probably the movie for you!

Decent movie
Just watched this movie on DVD. The main attraction of this movie is obviously the beautiful Kate Beckinsale. If you don't like Kate Beckinsale (hard to imagine) then this movie will be a drag. Otherwise, this movie is a decent enough movie with a plot and cast that will keep you interested. I am giving it three stars since I like both Kate Beckinsale and Art Malik. ... Read more

Amazon.com

In some ways, HBO's Six Feet Under plays kid brother to stellar BMOC The Sopranos: it's spunkier, less refined, chancier, and a bit of a punk. Nevertheless, the show set in the Southern California mortuary Fisher and Sons deserves its place in the pantheon of great television series. Ruth (Frances Conroy) is the stern matriarch who has trouble expressing emotion and snaps at the slightest problem. Daughter Claire (Lauren Ambrose) is an underachiever who cultivates a moody, mysterious loner image in high school (she's indulging in illegal substances too). Brother David (Michael C. Hall) works in the family business, and is uptight beyond belief (he's indulging in a secret homosexual relationship too). Elder brother Nate (Peter Krause) is the black sheep, who, eschewing responsibility, fled to Seattle but got lured back. And Dad (Richard Jenkins) watches it all bemusedly. Did we mention Dad's dead? Oh, and that the Fisher family business is a funeral home? It might sound off-putting, but coming from the mind of Alan Ball, the man who strip-mined suburban life to find the mordant wit underneath in American Beauty, Six Feet Under is a trenchant, stylish spin on standard family dysfunction.

This HBO series initially aspired to fits of Twin Peaks-like whimsy, with each episode starting with a death more outlandish than the previous, but soon settled into a comfortable groove that harkened back to the most familiar of TV family dramas (in fact, it's almost a mirror image of '70s drama Family, down to the three sibling archetypes). Of course, its HBO roots allowed it ample leeway with sex, drug usage, profanity, and violence. While the writing strove to be a little too clever, the overall look and tone of the show remained solid and sometimes profound (sometimes absurd too, but usually with good reason). Krause and Hall, as initially warring brothers who come to a wary understanding, are solid anchors, but it's the women in the cast who do the most phenomenal work. Conroy infuses her almost stereotypical mom with an obstinate but ultimately accepting heart, and Ambrose's Claire is by far the show's most appealing character. And stealing scenes left and right is Rachel Griffith's Brenda, a mystery woman with an outlandish backstory who meets Nate on a plane, has sex with him at the airport, and infiltrates his life. Like Brenda herself, Six Feet Under is fascinating--and highly addictive.

Slowly, the major force in season 2 is the unassuming lead, Peter Krause. Part of the long line of good-looking actors who never get respect because they make it look too easy, Krause (Sports Night) finds the perfect blend of optimism with a wonderful, bittersweet anguish as Nate, the prodigal son.The initial season's happy ending is forgotten as relationships change, the business is still under fire from the evil conglomerate Kroehner, and a lively dream sequence is just around the corner. The eccentricities of the characters are shaped, and not always suddenly. Take daughter Claire (Lauren Ambrose), who sheds her bad boyfriend only to find more complex relationships on her road to discovering her own groove. One person in the mix is Ruth's beatnik sister (Patricia Clarkson, in an Emmy-winning role), a joyous embodiment of thriving--if aging--counter culture. Another new character is Nate's old girlfriend, the granola-loving Lisa (Lili Taylor). For fans who groove with the wild, serio-comedic world of the Fishers (and let's face it, many didn't), the second season goes down like a fine meal of fusion cuisine. The show shares an unfortunate family trait with its HBO big brother: although both were lavished with multiple Emmy nominations the first two seasons, both took home only token awards. But then there's always next year. ... Read more

Amazon.com

Dennis Quaid's delightfully over-the-top performance dominates this 1989 biopic about the life, times, and music of rocker Jerry Lee "the Killer" Lewis. It's all here: his snazzy threads, his devil-may-care Southern charm, his mane of golden hair, his underage girlfriends (Lewis's infamous marriage to his 13-year-old cousin, played here by Winona Ryder, and its effect on his career is a big part of the story), his fascination with "the devil's music" (much to the chagrin of cousin Jimmy Swaggart, portrayed by Alec Baldwin), and of course the classic tunes like "Great Balls of Fire" and "Whole Lotta Shakin' Goin' On." Director Jim McBride plays the whole thing broadly, for laughs, much like Quaid plays Lewis. The result is tongue-in-cheek entertainment with a strong musical component, made all the more so by the fact that all the singing and playing on the soundtrack is done by Lewis himself. --Sam Graham ... Read more

Reviews (41)

I can't believe it's not fiction!
Goodness, gracious.. Great Balls of Fire is one of the best movies I have ever seen. Based on the life of Jerry Lee Lewis, responsible for such classic oldies as (obviously) "Great Balls of Fire," and "Whole Lotta Shakin' Goin' On," it truly keeps your eyes glued to the screen. Dennis Quaid stars as 'The Killer' himself and portrays the ups and downs of Lewis' rocky road to success quite superbly. Staying with relatives, Jerry Lee meets and quickly moves in on his thirteen year old cousin, Myra (played by Winona Ryder, who gives Quaid a run for his money with her own stunning performance), immediately after his first song plays on the radio. People automatically love the song, and so begins the story of unbelievable success, love, and scandals -- every plot twist and turn that you would expect from a soap opera -- but these events actually DID happen! Keeping that in mind throughout the movie only makes it that much better. At times quite serious and dramatic, Great Balls of Fire keeps it just light enough to be absolutely hilarious at just the right times. In addition to the quite intriguing plot, this movie is also an in-depth look into the lifestyle of the fifties and sixties, and how what we don't give as much as a second thought to these days is what made heads spin back then. A definite must-see for fans AND non-fans of Jerry Lee Lewis, as it is a very informative and extremely entertaining movie.

Nice actor performances, GREAT MUSIC ! ! ! ! ! ! !
Well, I gave the movie five stars, because of The Killer's great soundtrack. Dennis Quaid, Winona Ryder and the others did a fine job as actors, but I think the movie gives you a wrong picture of Jerry Lee Lewis. I strongly recommend Jerry Lee's soundtrack GREAT BALLS OF FIRE! under Polydor Records...It leaves you BREATHLESS!

Not bad, but then not good
This is okay. Dennis Quaid is rather over the top and Winona Ryder is her usual humdrum self. Looks good and there are some good comedic touches.

However, rather than his career being trashed by the scandal depicted here, in that he marries his 13 year old cousin, and then she gets pregnant, and slaps her about, he should have been jailed. Sorry, distasteful is not the word for it.

The best movie I ever saw
Great Ball's of fire has everything anyone could ever want in a movie! it's got action, drama, romance,comedy and truth. Dennis Quaid is marvelous as 'The Killer' and Winona Ryder was amazing as 'Myra' what make's this movie even better is that it is a true story. I think every one should have this in their collection.

sexy denniis quaid you so fine
I think that this movie was great.and dennis quaid did a grat job as being jerry lee lewis and winnona wryder did an great job as being his cousin but I think that I would have been better because I think that I look better than her. and all she did in the movie was wnine but other than that I loved the movie and that's why I gave the movie five stars. ... Read more

Reviews (21)

Richard Gere is sensational
I loved Breathless the first time I saw it and I have watched it many, many times now. The main reason is Gere's performance. It may not be his best but it's his most original and spaced-out performance of his career. The movie itself is quite entertaining, but no masterpiece. It never takes itself too seriously and mostly depends on the charms of Gere to keep it going. The ending is the best part, where his character seems to have nowhere to go and everything is closing down on him, and his only answer is to escape to his fantasy world and of course; sing the opening lines to Jerry Lee Lewis's Breathless. Another plus is the music, for this is the only film I know of that has Presley's Suspicious Minds playing in the background.

A great performance by Gere and an entertaining film.
This film is a remake of Godard's "A Bout du Souffle" but that is more of a problem than a blessing for this film. Breathless is not good enough to cut it as a worthy US version of the original but, seen as a film it it's own right, it makes a lot more sense and it is entertaining to watch.

Richard Gere plays Jesse Lujack, a small time criminal who just happens to kill a cop. He doesn't set out to do so, it just happens but this one act drags him into a trap which is, of course, of his own making.

His flight from the police who are determined to nail the cop killer takes him back to student Monica Poiccard (Kapriski) an old girlfriend. To him, she was an important and significant part of his life but to her, he was just an interlude whom she never expected to see again but, in a kind of "what the heck" mood she takes up with him and his troubles.

Gere really is doing a fine job here. The script favours him but nonetheless, he is totally convincing in this film He really is Lujack.

However much he tries to prevent it, the ending is pretty much inevitable but on the way Gere and Kapriski have some laughs. They live for the moment and, essentially they do enjoy the moments despite the bigger picture and that is what this film is all about. It's good to watch and enjoy. It is not a polarising moment in cinema history but, if you can forget the film's origins and hope only for an entertaining movie, it will not let you down.

If you like this film, I'd recommend "The Passenger" with Jack Nicholson and Maria Schneider. It shares the same theme of a woman taking up with a man in big trouble and it is a much better movie although it is a serious film and does not have the laughs of Breathless.

If you had to pick 10 Richard Gere films ...
Just say you were asked to pick 10 of Richard Gere's all time great films. Ok, I agree he's probably only done 5 great films so finding 10 enough would be hard. But I think I could do it. "Breathless", however would not be included because it is one of the most boring and ridiculous films I have seen. Back in 1983 it hit the cinemas and people went and saw it because of Richard Gere's full frontal nudity. But blink and you will miss those bits, they are so fast on your screen.

"Breathless" may be a remake of a French classic, but that does not make it a masterpiece.

jean-luc godard's vision was killed.
Jean-luc godard's first major motion picture, BREATHLESS, is still known to this date for being one of the most influential films of all time. It has a serious plot, but very comedic undertones and that's what this director and these actors could not capture. They took everything that was unique and original in Breathless and still would be to this day, and they painted a soap opera picture over it with over-dramatized acting and unnecessary suspense.
whoever made this is a moron.

See Richard Gere in all his glory!
This film is Richard Gere in his heydays. Gere was a likeable actor at this time in 1983. This role is probably the most wildest he has ever played next to LOOKING FOR MR GOODBAR (1977). This is one of those films that you could have watched over again when on television. However, this will be heavily edited for television. Recommend the DVD version. DVD is in Full-Screen, however their are no extras or bonuses. This DVD contains all the language, sex scenes and full frontal male nudity (use the 1/2 on the APEX) and female nudity cut out on television network. Some nude scenes are necessary to watch due to story development. You'll also see some recognizable Southern California locations. Twenty years old, this film is no longer considered a great film, but some people will watch it again, even if the tone is crude. Good soundtrack music. Actor Art Metrano who plays "Birnbaum" is also in this film! ... Read more

Reviews (17)

What Could Have Been...
I would have started out this review by saying that "LaserLight" should be ashamed for putting something like this out, but then I realized I have never heard of "LaserLight" and DVDs of this quality may very well explain why. I am a closet Wonder Years fan, and I was eagerly anticipating this "Best of" compilation. Unfortunately, all the reviews before mine accurately sum up every one of the faults of this DVD. The disc only has one episode on it, with a "Highlights" section preceding this lonely episode to round out the paltry 71 minutes of material. Admittedly, I found that the editing done during the "Highlights" portion was accomplished reasonably well, with no harsh jumps or obvious transition flaws. The section does not, however, lay any type of background down about the show or its characters before sending the viewer off to the Series Finale. Tech. wise my biggest complaint was the audio, it was atrocious. A TV show of this caliber deserves so much more and I can only hope that at some point (in the near future?) a company goes back and does it justice, for this DVD surely doesn't.

Awsome Show
I used to watch this show when i was a little kid, right before it ended. I really felt that this show was an accurate depiction of life issues and i really feel that alot with what i am going through in high school is shown in this show with great accuracy.

Great Show, Fair DVD
The visual side of all The Wonder Years DVDs are certainely good enough for the average viewer. The audio, however, for some reason does not contain the original WG Snuffy Walden score music. I'm sure it had something to do with licensing but its very unfortunate. The original score was so seamless and powerful, I hated to see a cheesey replacement used instead. Maybe someday we'll have a newly remastered entire series on DVD like we finally go for My So-Called Life.

The best of the wonder years
This is the last 2 episodes of the series, the end of such a great TV show. Also some good highlights from all of the shows. If you have watched all the TV episodes, Im sure at some point in your life you have experienced The Wonder Years.

I have lost my copy of this great DVD and urgently require it.
...

The Wonderful Wonder Years
I seriously miss this show, and this DVD lets me watch my favorite episodes (114/115). I was always dissapointed with the way the show ended, but I love the show and feel deeply connected to it. ... Read more

Reviews (5)

Pretty Good as vampire movies go
Let's face it, if you're a fan of the genre, you know that most vampire movies suck (no pun intended). This one doesn't. It's actually pretty good, especially if you like a view that's sympathetic to the vampires. The vampires in this movie are a subspecies of humans, with their own society and laws. Sounds sort of like Kindred, The Embraced, doesn't it? It even has the stylish old-world vampires at odds with the younger, rebel vampires. It also has the beautiful blonde human reporter who's in love with one of the vampires. The movie has some good twists, attractive women, cool settings...and it's entertaining.

I Love This Movie!
This is one of the few vampire movies I could watch again and again. It's not very gory but it's very entertaining nonetheless. It stars Jason London, and he plays his role as that of vampire-who-doesn'-t know-he's-a-vampire very well. Blood Ties has its very funny moments as well (I'm not sure they were supposed to be that funny...). Get this movie today. Happy watching!

Views more like a murder drama than a vampire movie...
Frankly, I'm surprised it even got an R rating. The story isn't half bad, except they break the cardinal rule that vampires can't exist in the daylight. In most ways they don't even seem like vampires--just a strange branch of humanity who can feed on blood when riled enough. Anyway, don't expect any nudity. What scenes there are could probably be boadcast without censorship, in my opinion. The violence must be what makes it restricted, but again compared to most vampire movies of today, the violence is very tame.

If you're looking for a borderline R vampire flick to watch with teen members of the family, this is it. Enjoy the tale. But, hardcore horror fans will think this extremely disappointing....

"Only Revenge Is Sweeter Than Blood"
"Blood Ties" begins in Anchor, Texas, where three S.C.A.V. (Southern Coalition Against Vampirism) members murder a teen's parents and shoot the young man (Cody Puckett, played by Jason London) with a crossbow before setting the house on fire. Luckily he escapes--or rather, the Amish-looking trio allow him to get away so they can follow him to "the others".

Wounded, 17-year-old Cody seeks the rich, corrupted Uncle Eli Chelarin (Patrick Bauchau) in Long Beach, California. Here Cody meets a few other relatives: Butcherbird "Butch" Vlad (Salvator Xuereb), Eli's rebellious nephew and the apparent leader of the Shrikes (the young troublemakers of the family, which Cody becomes a part of); Harry Martin, aka Harlevon Martinesque (uncertain spelling; played by Harley Venton), another one of Eli's nephews, as well as a reporter for the 'Long Beach Post-Gazette' and Cody's "guardian"; and Celia (Michelle Johnson), Eli's younger halfsister and lover. She's also Harry's occasional lover, which, by the way, if you hadn't noticed, makes her his half-aunt. Grossed out? Then you may not want to watch this one, because there's more incest involving cousins. Nothing graphic though.

In the movie, Harry is one of the leading characters who is trying to track down these "vampire" hunters before they can hurt anyone else. His semi-assistant is D.A. Amy Lauren (Kim Johnston Ulrich), who had tried to put Butch in jail at the beginning of "Blood Ties", but failed because of Eli's monetary charm. Amy's more of a blond-haired-blue-eyed sexual distraction for Harry, though, than any real help.

Although "Blood Ties" is essentially a vampire/horror movie, it doesn't rely on fangs or other vampire myths at all. It's more of a tongue-in-cheek soap opera drama with a hint of vampirism that's more racially charged than scary. This is noticeable in how the word "vampire" is considered a derogatory term, even though that's what they are; "Carpathian" is the appropriate term. Another example of racial undertones in this movie is when the redheaded Western Regional S.C.A.V. member (Grace Zabriskie) spouts off how terrible it is to have to sit with "one of them" on the bus or be with one in the same room. She continues by saying the "vampires" sole purpose is to steal other people's spouses, jobs, parking spaces, etc. Concerning "vampires" it sounds absurd, I know, but realize there's more to this movie than just cursory blood and guts, although the violence is quite tame and nonexistent compared to today's standards. There is some bloodletting, but no graphic vein-ripping, limb-tearing scenes here.

Sure, it's pretty cheesy at times too, i.e., the choreographed dancing of the Shrikes, but "Blood Ties" wasn't meant to be a serious film. It had aired back in May of 1991 on Fox as a pilot, but apparently it didn't take as a series. I remember watching it back then and pretty much fell in love with it at first viewing since it combines my two favorite genres (horror and comedy) and spotlights "vampires" (my favorite type of monster). I simply can't wait for the DVD version to come out this June!

Another fresh twist on the vampire theme
Excuse me -- not "vampire"! That's an ugly word, a slur. These folks preferred to be called "Carpathian -Americans," thankyouverymuch.

And most of what you've heard about ... Carpathians ... is untrue. Wild, exaggerated, ugly tales. (Except the thing about liking the taste of blood. That's true. But that was long ago. They're civilized now. Didn't _your_ ethnic ancestors do some pretty gross things hundreds of years ago?)

"Blood Ties" looks at an extended clan of, uh, Carpathian-Americans as just another group of immigrants, living in Long Beach, CA. There's the first generation -- conservative, with strong ties to the old country and the old ways. The second generation -- assimilationist, more "American" in their thinking. And the young third generation -- rediscovering their heritage, militantly proud of it, and a little bit spoiled.

These immigrants, however, are also victims of prejudice and hate ... which turns deadly ... There are "vampire hunters" abroad, and they are the bad guys.

Suspenseful, sexy, sometimes humorous and maybe even thought-provoking. I don' t think this was exactly a big-budget movie, but it was very entertaining. I wish it could have become a TV series. And I loved the "Carpathian" music -- especially the tune that plays at the beginning and ending. I wish I could get a recording of it. ... Read more