| UK | Germany |
| Home - DVD - Directors - ( M ) - Mctiernan, John | Help | |
| 21-26 of 26 Back 1 2 |
click price to see details click image to enlarge click link to go to the store
| 21. Die Hard With a Vengeance Director: John McTiernan | |
![]() | list price: $29.98
(price subject to change: see help) Asin: 6305280711 Catlog: DVD Sales Rank: 21335 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com essential video Reviews (84)
DIE HARD WITH A VENGEANCE will certainly entertain action fans, since the action scenes are undeniably creative and well-mounted. Compare VENGEANCE to the first two DIE HARDs, though, and there's no contest. DIE HARD will forever be an action classic, and DIE HARD 2 was a generally worthy sequel. In that company, DIE HARD WITH A VENGEANCE is merely average.
| |
| 22. Die Hard (Double Digipack) Director: John McTiernan | |
![]() | list price: $26.98
our price: $24.28 (price subject to change: see help) Asin: B0000AGWRX Catlog: DVD Sales Rank: 46669 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (189)
You, the viewer, can examine and re-examine, review and re-edit bits and pieces of the film in the editor's workshop section. Believe me, you've never seen anything like this before. Besides being fun to have the power over what you're manipulating, an added appreciation for the craft of editing is easily achieved. The entire screenplay is also on the second disk, word for word as it originally was handed to the actors. This allows the views to see how the script evolved in the hands of those who made the film. The usual outtakes, bloopers, and deleted scenes are here (fairly standard nowadays), too. Commentary and behind the scenes words from those who were there are also here for your enjoyment. The best appreciated bonus is the amazing clarity of the digital transfer. Cinematographer Jan de Bont's dark and moody work is seen sharper and clearer than anything which could have been put on a silver screen in any cinema house. The full-bodied sound is spectrually sharp and defined. This is how all film experiences should be. If you're tired of DVDs which are little more than "theatrical trailer, feature, and scene selection" (and SOOOOO many are just that), then get your hands on this special set right away and see what the DVD experience is all about. For those who don't yet own DVD, this would be the perfect excuse to invest in a player. My only warning would be to not expect all these fabulous goodies on every DVD you buy--for now. I know this set is going to revolutionize the way companies package and "re-package" their upcoming DVD releases.
John McClane (Bruce Willis) is a New York police officer who has arrived in Los Angeles for Christmas. His wife (Bonnie Bedelia) has accepted a vice-president position with Nakatomi Corporation. While McClane is attending a Christmas party at his wife's new office building, a group of terrorists led by Hans Gruber (Alan Rickman) seize the high-rise so that they may steal millions of dollars in negotiable bonds. McClane takes it upon himself to defeat the terrorists and free the hostages they have taken. "Die Hard" does introduce some novel aspects to the genre - it's a nice change of pace to see an everyman hero instead of the typical secret agent or military super-soldier at the center of an action film, it's nice to see an action hero with a sensitive side, and it's also nice to see a villain with a degree of sophistication. But "Die Hard" intermixes these elements with so many loud explosions and gunfights that one becomes numb after awhile. Throw in too many supporting characters who are deficient in the intelligence department and one inexcusable resurrection at the end, and all you're left with is a film that is great to look at but nothing more. Willis more than proves he can play an action hero and Bedelia adds a welcome degree of charm to the proceedings. Yet, "Die Hard" turns out to be only a smidgen better than its action contemporaries from the period and that is not enough to make it something special.
"Die Hard" is, quite simply, as good as an action film can be. Just what makes this movie so different from all the other generic rip-offs out there? "Die Hard" has just the right blend of witty, intelligent writing (yet still not forgetting the profanity), exquisite acting, intense plot twists, and just the right amount of bloody killing. And to top it off, all of this expertly directed at break-neck speed by John McTiernan. This DVD gives the film a cleaner, newer look, keeping it looking fresh and exciting for the digital era. The sharper picture and sound maybe even add a little something. After "Die Hard", every action movie was just a wanna-be. They try to mimic what "Die Hard" managed, but never even come close. (This group of films even include the two sequels the film spawned.) If you're looking for something fun, intense, intelligent, action-packed, and maybe even a little graphic, look no further than the legendary "Die Hard".
Fresh of his success with the popular television series "Moonlighting", Bruce Willis takes his stab at the motion picture business with full force. "Die Hard" works on many levels--mainly as an action flick with a powerful leading star that adds a touch of normalcy and humor--but it also discusses more important views such as the criticism of the culturization of Japanese technology that was taking place at the time as well as the horrific, ongoing threat of terrorism. It s a film that shows just how vulnerable any business or workplace really is to a terrible force but also how one man can stand up to the challenge and ultimately make a difference. John McClane (Willis) is a New York City cop who travels to the Los Angeles area to reconcile with his seperated wife (Bonnie Bedalia) and family, who left him to pursue a lucrative job with a Japanese financial industry skyscraper. While participating in a Christmas Eve party, the building is overtaken by German terrorists who want to use the hostage Japanese executives to break into the company safe. McClane watches as the head terrorist (played brilliantly by Alan Rickman) blows the brains out of the Japenese CEO realizes that the game is on. With the help of a gun-shy cop (Reginald Vel Johnson--yes, that's right--Mr. Winslow from "Family Matters") and to the annoyance of police chief Paul Gleason, McClane runs around like a chicken with its head cut off attempting to save the hostages. While on the explosive one-man war, Bruce Willis plays McClane in a very believable, humorous fashion--which is the quintessential reason for the film being one of the best of its kind. "Die Hard" is a non-stop frenzy of excellent action sequences, a superb and witty screenplay written by Jeb Stuart and Steven D. de Souza (adapted from the Roderick Thorp novel), and top-notch, edge-of-your-seat direction from McTiernan. The Five Star Collection DVD features a deleted scene and some excellent commentary from cast and crew. One of the best action films of the 1980's. A superb roller-coaster ride of thrills. ... Read more | |
| 23. The 6th Day / Last Action Hero Director: John McTiernan | |
![]() | list price: $28.95
our price: $26.06 (price subject to change: see help) Asin: B0000CABC0 Catlog: DVD Sales Rank: 29443 US | Canada | United Kingdom | Germany | France | Japan |
| 24. Die Hard Director: John McTiernan | |
![]() | list price: $29.95
(price subject to change: see help) Asin: 630528069X Catlog: DVD Sales Rank: 15384 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com essential video Reviews (189)
You, the viewer, can examine and re-examine, review and re-edit bits and pieces of the film in the editor's workshop section. Believe me, you've never seen anything like this before. Besides being fun to have the power over what you're manipulating, an added appreciation for the craft of editing is easily achieved. The entire screenplay is also on the second disk, word for word as it originally was handed to the actors. This allows the views to see how the script evolved in the hands of those who made the film. The usual outtakes, bloopers, and deleted scenes are here (fairly standard nowadays), too. Commentary and behind the scenes words from those who were there are also here for your enjoyment. The best appreciated bonus is the amazing clarity of the digital transfer. Cinematographer Jan de Bont's dark and moody work is seen sharper and clearer than anything which could have been put on a silver screen in any cinema house. The full-bodied sound is spectrually sharp and defined. This is how all film experiences should be. If you're tired of DVDs which are little more than "theatrical trailer, feature, and scene selection" (and SOOOOO many are just that), then get your hands on this special set right away and see what the DVD experience is all about. For those who don't yet own DVD, this would be the perfect excuse to invest in a player. My only warning would be to not expect all these fabulous goodies on every DVD you buy--for now. I know this set is going to revolutionize the way companies package and "re-package" their upcoming DVD releases.
John McClane (Bruce Willis) is a New York police officer who has arrived in Los Angeles for Christmas. His wife (Bonnie Bedelia) has accepted a vice-president position with Nakatomi Corporation. While McClane is attending a Christmas party at his wife's new office building, a group of terrorists led by Hans Gruber (Alan Rickman) seize the high-rise so that they may steal millions of dollars in negotiable bonds. McClane takes it upon himself to defeat the terrorists and free the hostages they have taken. "Die Hard" does introduce some novel aspects to the genre - it's a nice change of pace to see an everyman hero instead of the typical secret agent or military super-soldier at the center of an action film, it's nice to see an action hero with a sensitive side, and it's also nice to see a villain with a degree of sophistication. But "Die Hard" intermixes these elements with so many loud explosions and gunfights that one becomes numb after awhile. Throw in too many supporting characters who are deficient in the intelligence department and one inexcusable resurrection at the end, and all you're left with is a film that is great to look at but nothing more. Willis more than proves he can play an action hero and Bedelia adds a welcome degree of charm to the proceedings. Yet, "Die Hard" turns out to be only a smidgen better than its action contemporaries from the period and that is not enough to make it something special.
"Die Hard" is, quite simply, as good as an action film can be. Just what makes this movie so different from all the other generic rip-offs out there? "Die Hard" has just the right blend of witty, intelligent writing (yet still not forgetting the profanity), exquisite acting, intense plot twists, and just the right amount of bloody killing. And to top it off, all of this expertly directed at break-neck speed by John McTiernan. This DVD gives the film a cleaner, newer look, keeping it looking fresh and exciting for the digital era. The sharper picture and sound maybe even add a little something. After "Die Hard", every action movie was just a wanna-be. They try to mimic what "Die Hard" managed, but never even come close. (This group of films even include the two sequels the film spawned.) If you're looking for something fun, intense, intelligent, action-packed, and maybe even a little graphic, look no further than the legendary "Die Hard".
Fresh of his success with the popular television series "Moonlighting", Bruce Willis takes his stab at the motion picture business with full force. "Die Hard" works on many levels--mainly as an action flick with a powerful leading star that adds a touch of normalcy and humor--but it also discusses more important views such as the criticism of the culturization of Japanese technology that was taking place at the time as well as the horrific, ongoing threat of terrorism. It s a film that shows just how vulnerable any business or workplace really is to a terrible force but also how one man can stand up to the challenge and ultimately make a difference. John McClane (Willis) is a New York City cop who travels to the Los Angeles area to reconcile with his seperated wife (Bonnie Bedalia) and family, who left him to pursue a lucrative job with a Japanese financial industry skyscraper. While participating in a Christmas Eve party, the building is overtaken by German terrorists who want to use the hostage Japanese executives to break into the company safe. McClane watches as the head terrorist (played brilliantly by Alan Rickman) blows the brains out of the Japenese CEO realizes that the game is on. With the help of a gun-shy cop (Reginald Vel Johnson--yes, that's right--Mr. Winslow from "Family Matters") and to the annoyance of police chief Paul Gleason, McClane runs around like a chicken with its head cut off attempting to save the hostages. While on the explosive one-man war, Bruce Willis plays McClane in a very believable, humorous fashion--which is the quintessential reason for the film being one of the best of its kind. "Die Hard" is a non-stop frenzy of excellent action sequences, a superb and witty screenplay written by Jeb Stuart and Steven D. de Souza (adapted from the Roderick Thorp novel), and top-notch, edge-of-your-seat direction from McTiernan. The Five Star Collection DVD features a deleted scene and some excellent commentary from cast and crew. One of the best action films of the 1980's. A superb roller-coaster ride of thrills. ... Read more | |
| 25. Predator (En Espanol) Director: John McTiernan | |
![]() | list price: $14.98
(price subject to change: see help) Asin: B000083C7J Catlog: DVD Sales Rank: 48976 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (269)
Terror comes in many forms, but so does action, and "Predator" successfully combines both. We already know the fate of our hero, but that does not matter, simply because we enjoy the ride. This is a smart action/horror/thriller that doesn't fall back on cliches, but pushes forward, aware that it may be following such films as "Alien" (1979) but yet only improving upon the presented material. The Predator is a work of genius--originally fitted for Jean-Claude Van Damme and shaped like a giant bug, it was later reworked by creature effects artist Stan Winston (with the help of James Cameron) after Van Damme was fired due to complaining too much about how hot and stuffy his suit was. The villain helps make this movie, and if there were ever a terrifying creature it is the Predator, which is not only visually haunting but an emphasis of how advanced life forms could hunt us like we hunt animal prey. Kevin Peter Hall hadn't gotten much work then; a few stage performances but nothing serious. He was picked up by John McTiernan because he was taller than Arnold Schwarzenegger and, when placed in the alien suit, he not only looked fierce but he also looked like he could be the one and only true opponent to Arnold, a man who looks like he eats babies for breakfasts. (And perhaps grown humans for lunch.) Not only is he the perfect opponent, he helps make the movie. A lot of the film's positive elements come from the lush Cambodian jungles, the haunting direction by McTiernan, the ultimate macho combat role by Arnold, the paranoia and startlingly effective idea of the remote settings. Much of it also comes from the fact that the alien, when finally revealed, looks real. It looks real, all right, and also pretty darn horrifying. (Who can forget when it drops its face mask and reveals its true self?) Major Dutch Schaefer and his elite team of US Commandos are sent deep into the swampy depths of a Columbian jungle, trying to locate a downed chopper carrying a Cabinet Member. "Do your Cabinet Members always fly on the wrong side of the border?" Dutch quips before he and his men are loaded into their means of transportation. They arrive in the jungle and soon find that a camouflaged creature is ritualistically stalking and murdering them. But this isn't just random slasher style--it picks off its prey on a whimsy, and only attacks fair game (e.g. those with weapons). Soon Dutch and his team realize that getting out of the jungle isn't going to be as easy as they thought. For me, "Predator" is one of the best action films of all time. It has everything. It isn't messy and over-paced; it takes its time getting where it's going, building up the tension for the audience, and then unleashes a bombardment of action set pieces and visual effects. Another great thing is that it is sort of Hitchcockian in a way; it doesn't show us the killer, at least not at first. It again takes its time, building up the tension, getting us primed. When it finally does show us the creature, we're shocked. Arnold Schwarzenegger fits the role like a glove; criticize him all you want, Dutch was made for him. Can you imagine Sly or Willis playing Dutch? Not me, either. This is his time to shine. Shine he does. The series is getting a jumpstarted revival next year with "Alien vs. Predator" (2004). There are doubts as to whether or not it will live up to long-growing expectations, especially with Paul W.S. "Resident Evil" Anderson at the helm, but I remain the optimist as far as I can. The idea of the two species joining together for a feature film was hinted at in "Predator 2" (1990), then hinted at even further with a line of comic books, fan fiction, and great videogames. I, personally, cannot wait.
Schwarzenegger stars as the leader of an elite commando force sent into Central America to retrieve U.S. hostages being held in guerrilla hands. Little does he or anybody in his team know (with the exception of Carl Weather's character) that they're actually being manipulated into assassinating a group of Communist dissidents and thorns in the thorns in the side of the C.I.A. This is the only the first back-stabbing and leads to a quite harrowing and action packed combat sequence that wouldn't have looked out of place in Platoon or Saving Private Ryan. While all this is going on, comsuming more than a half hour of briskly paced screen time, we still have yet to see the alien. McTiernan utilizes a clever tactic orginated (or at least to the best of my knowledge) by Steven Speilberg in Jaws by shooting from the predator's point of view. By doing this we only get glimpses of the monster, as he has the ability to turn himself invisable at will, which makes the final confrontation all the more terrifying. Also noteworthy is Kevin Peter Hall as the villainous creature who is a constant menace and manages to make a very impressive impression even though we never see his face. For about the last hour of the movie he stalks Arnie and his rebel company, picking them off one by one as is customary in these kinds of films. To me the parrallels to "Dangerous Game" are quite obvious, simply substitute an alien in place of the hunter who preys on humans. The symbolism of the book and the movie is quite clear, or at least in my mind, and is that hunting for sport is inherently wrong. But even the predator has a code of conduct that human hunters have yet to adopt, he doesn't take advantage of another species inferiority or good nature. To me, being as I'm such an animal lover, I'd root for the alien a lot sooner than I would Ted Nugget or his band of ignorant rednecks. Now I'm willing to concede that maybe I'm so intent on justifying my appreciateion for this film that I might be imposing onto it hidden meanings that aren't really there, but even if that is the case it does little to depreciate my enjoyment of one of the most exciting science fiction movies that I've ever seen. Sure the acting is merely adequate and the writing could use some sprucing up, especially in fleshing out the characters a little more, but the directing is superb and the finished product is about as good as anything you have the right to expect considering the genre. And that's not to mention the special effects. Done by Stan Winston, who won recognition as being the best in his field after his work creating the digital dinosaurs in Speilberg's Jurassic Park, he does an equally impressive job here. The "creature features" never get too corny and at the same time aren't so good as to distract from the rest of the film. It's a fine line to walk and I can't think of anybody who does it any better. This is the second four star review I've given a Schwarzenegger movie in as many months (the other being for True Lies) and I'm quietly coming back around to being a big fan of his early work for the first time since I was thirteen.
| |
| 26. Predator Director: John McTiernan | |
![]() | list price: $14.98
(price subject to change: see help) Asin: B00008G8LR Catlog: DVD Sales Rank: 45012 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (269)
Terror comes in many forms, but so does action, and "Predator" successfully combines both. We already know the fate of our hero, but that does not matter, simply because we enjoy the ride. This is a smart action/horror/thriller that doesn't fall back on cliches, but pushes forward, aware that it may be following such films as "Alien" (1979) but yet only improving upon the presented material. The Predator is a work of genius--originally fitted for Jean-Claude Van Damme and shaped like a giant bug, it was later reworked by creature effects artist Stan Winston (with the help of James Cameron) after Van Damme was fired due to complaining too much about how hot and stuffy his suit was. The villain helps make this movie, and if there were ever a terrifying creature it is the Predator, which is not only visually haunting but an emphasis of how advanced life forms could hunt us like we hunt animal prey. Kevin Peter Hall hadn't gotten much work then; a few stage performances but nothing serious. He was picked up by John McTiernan because he was taller than Arnold Schwarzenegger and, when placed in the alien suit, he not only looked fierce but he also looked like he could be the one and only true opponent to Arnold, a man who looks like he eats babies for breakfasts. (And perhaps grown humans for lunch.) Not only is he the perfect opponent, he helps make the movie. A lot of the film's positive elements come from the lush Cambodian jungles, the haunting direction by McTiernan, the ultimate macho combat role by Arnold, the paranoia and startlingly effective idea of the remote settings. Much of it also comes from the fact that the alien, when finally revealed, looks real. It looks real, all right, and also pretty darn horrifying. (Who can forget when it drops its face mask and reveals its true self?) Major Dutch Schaefer and his elite team of US Commandos are sent deep into the swampy depths of a Columbian jungle, trying to locate a downed chopper carrying a Cabinet Member. "Do your Cabinet Members always fly on the wrong side of the border?" Dutch quips before he and his men are loaded into their means of transportation. They arrive in the jungle and soon find that a camouflaged creature is ritualistically stalking and murdering them. But this isn't just random slasher style--it picks off its prey on a whimsy, and only attacks fair game (e.g. those with weapons). Soon Dutch and his team realize that getting out of the jungle isn't going to be as easy as they thought. For me, "Predator" is one of the best action films of all time. It has everything. It isn't messy and over-paced; it takes its time getting where it's going, building up the tension for the audience, and then unleashes a bombardment of action set pieces and visual effects. Another great thing is that it is sort of Hitchcockian in a way; it doesn't show us the killer, at least not at first. It again takes its time, building up the tension, getting us primed. When it finally does show us the creature, we're shocked. Arnold Schwarzenegger fits the role like a glove; criticize him all you want, Dutch was made for him. Can you imagine Sly or Willis playing Dutch? Not me, either. This is his time to shine. Shine he does. The series is getting a jumpstarted revival next year with "Alien vs. Predator" (2004). There are doubts as to whether or not it will live up to long-growing expectations, especially with Paul W.S. "Resident Evil" Anderson at the helm, but I remain the optimist as far as I can. The idea of the two species joining together for a feature film was hinted at in "Predator 2" (1990), then hinted at even further with a line of comic books, fan fiction, and great videogames. I, personally, cannot wait.
Schwarzenegger stars as the leader of an elite commando force sent into Central America to retrieve U.S. hostages being held in guerrilla hands. Little does he or anybody in his team know (with the exception of Carl Weather's character) that they're actually being manipulated into assassinating a group of Communist dissidents and thorns in the thorns in the side of the C.I.A. This is the only the first back-stabbing and leads to a quite harrowing and action packed combat sequence that wouldn't have looked out of place in Platoon or Saving Private Ryan. While all this is going on, comsuming more than a half hour of briskly paced screen time, we still have yet to see the alien. McTiernan utilizes a clever tactic orginated (or at least to the best of my knowledge) by Steven Speilberg in Jaws by shooting from the predator's point of view. By doing this we only get glimpses of the monster, as he has the ability to turn himself invisable at will, which makes the final confrontation all the more terrifying. Also noteworthy is Kevin Peter Hall as the villainous creature who is a constant menace and manages to make a very impressive impression even though we never see his face. For about the last hour of the movie he stalks Arnie and his rebel company, picking them off one by one as is customary in these kinds of films. To me the parrallels to "Dangerous Game" are quite obvious, simply substitute an alien in place of the hunter who preys on humans. The symbolism of the book and the movie is quite clear, or at least in my mind, and is that hunting for sport is inherently wrong. But even the predator has a code of conduct that human hunters have yet to adopt, he doesn't take advantage of another species inferiority or good nature. To me, being as I'm such an animal lover, I'd root for the alien a lot sooner than I would Ted Nugget or his band of ignorant rednecks. Now I'm willing to concede that maybe I'm so intent on justifying my appreciateion for this film that I might be imposing onto it hidden meanings that aren't really there, but even if that is the case it does little to depreciate my enjoyment of one of the most exciting science fiction movies that I've ever seen. Sure the acting is merely adequate and the writing could use some sprucing up, especially in fleshing out the characters a little more, but the directing is superb and the finished product is about as good as anything you have the right to expect considering the genre. And that's not to mention the special effects. Done by Stan Winston, who won recognition as being the best in his field after his work creating the digital dinosaurs in Speilberg's Jurassic Park, he does an equally impressive job here. The "creature features" never get too corny and at the same time aren't so good as to distract from the rest of the film. It's a fine line to walk and I can't think of anybody who does it any better. This is the second four star review I've given a Schwarzenegger movie in as many months (the other being for True Lies) and I'm quietly coming back around to being a big fan of his early work for the first time since I was thirteen.
| |
| 21-26 of 26 Back 1 2 |