Reviews (85)

Based on a true story....
Working undercover as a jewel dealer Joe Pistone (Johnny Depp) earns the trust of Lefty Ruggiero (Al Pacino). Lefty vouches for Joe and brings him into his mob family. What was supposed to be a three-month assignment for Joe turns into several years. Joe begins to drift away from his own family and deep into the mob. He and Lefty form a strong bond and a father son relationship. When the investigation is coming to an end Joe realizes that his only way out of the mob is to betray his friend.

The film is presented in 2.35:1 anamorphic widescreen. It is a very nice transfer the only flaw I noticed was a hint of grain occasionally. A Dolby Digital 5.0 audio track is provided. The surround speakers are hardly used. When they are its mostly only for music. With a movie like this that is mostly dialogue its understandable. This special edition DVD has several extras. The highlights are a director's commentary, two featurettes, deleted scenes and trailers. The featurette titled "Donnie Brasco: Out of the Shadows" was excellent. It gives a lot of background on the film and contains several interviews with the cast and crew. The deleted scenes are nice to see but I can understand why they were cut from the film.

For those of you thinking this is just another mob movie, you are wrong. Instead of showing the top of the crime family tree like many other films this one shows the bottom. It shows soldiers that are scraping at the bottom of the barrel and are just trying to make ends meet. This is a film that stands on its own on many levels. It was perfectly cast with Johnny Depp, Al Pacino, Michael Madsen and Anne Heche. If you like mob movies or just fine acting this is one film you need to see.

A Mobster Masterpiece Worth Watching Over and Over Again
Based on a true story that is so amazing and shocking, "Donnie Brasco" is a fantastic film that hooks you from start to finish. With stars like Al Pacino, Johnny Depp, Michael Madsen, and many more, this is a movie that should be seen by all.

FBI Joseph D. Pistone is an undercover agent who's goal is to get into the violent and unpredictable mob world. He goes the by name of Donnie Brasco. Soon he is discovered by Lefty Ruggiero, who sees potential in the kid, not aware of who Brasco really is. He brings him into the family and the world of the Mafia. It doesn't take long for Joseph to get so deep into the action that he starts to become one of them. This unforgettable picture shows us that sometimes you can become what you chase if you're in too long, and that in order to catch a monster you may become one yourself in the process.

I became addicted to this film in no time. It's one of my favorites that I have seen over and over again, and it hasn't gotten old yet. The acting and directing is all fantastic. Al Pacino really shines, as always, and Johnny Depp gives an Academy Award performance as the FBI agent. He actually spent time with the real Joseph Pistone to get his character down, as he did when he was working on "Fear and Loathing in Las Vegas." Michael Madsen is also terrific and can once again send chills down our spines just as he did in "Reservoir Dogs."

This new special edition of the DVD is much, MUCH better than the original. First off, the sound and picture quality has really improved. Especially the picture; it looks a lot better than the first version that came out. There are also a lot of extras, including features such as director's commentary, and exclusive featurette, the original featurette, deleted scenes, trailers, and more. The featurettes are very interesting and makes the DVD that much more special. A very high quality special edition, if you ask me.

All in all, "Donnie Brasco" is an outstanding picture on all fronts. Filled with drama and suspense, this is a film that will take you deep into the world of the Mafia. The only question is how far would you go? And would you risk becoming one of them when it's all said and done? Excellent all the way!

More of the Same
There are so many great mafia/mobster movies out there. This aint one of them. Slow and preachy. Pacino plays a schmuck and Depp's character must have rocks in his head for going undercover. Kind of dull.

Finally we know what 'fuggedaboudit' means
Donnie Brasco is based on a true story but it is still gripping. Donnie Brasco is the alias of Joe Pistone, an undercover agent. He joins the mob as a help of Lefty played by Al Pacino. Pacino again plays a great mobster. This time as just a spoke, and sometimes not very smart.

But DB gets so involved that he does not know on which side he is, that is what loyalty does to him. Even his marriage is almost falling apart.

Depp and Pacino are of course brilliant as ever and this is another great maffia movie like Goodfellas are the Godfather.

Great Movie
Al Pacino learns what its like to be Fredo Corleone in this movie..being stepped on, stepped over, getting no respect, and finally getting killed by people he trusted...he plays a loser trying keep his head above water with great conviction. Johnny Depp holds his own on the screen and gives another great performance as well.. ... Read more

Reviews (17)

A magical family film that brings Ireland home....
"Into the West" is an underrated jewel of Irish filmmaking that follows a rather unconventional storyline: a down-and-out father, Papa Reilly, (Gabriel Byrne), leads a miserable existence in a Dublin slum along with his two young sons. The poverty and bleakness is overwhelming and not what one would expect from a Disney film (which it is). Starving children sing on streetcorners for money, fathers drink away the welfare money, and education and sanitary conditions seem alien. This is not the Ireland of "The Quiet Man" or even "The Secret of Roan Inish."

Papa Reilly is a traveller, or gypsy, although he has forsaken the old ways after his wife's death. His father-in-law tries to convince him in vain to return to the roads, but Reilly stands firm, insolently refusing all help. His two sons Tito and Ossie fall in love with a mysterious white horse that has followed their grandfather's caravan, and the two claim Tir na Nog as their own (but the horse had claimed them first). The lines between fantasy and reality are blurred, and this is not just a children's film, nor is it solely for an older audience. It is hybrid of mythology and magic much like "The Secret of Roan Inish," another Irish fairytale of a film that also dealt with magical animals (in that case seals).

The rest of the movie requires suspension of disbelief, including several improbable chase scenes, but the heartwarming stories of the two boys coming to terms with their past (their mother's death, their father's alcoholism) and forging stronger bonds of brotherhood, and the grieving father and widower coming to terms with his loss and resolving to start a new life with his sons as the king of the travellers once more, truly make this a touching and unforgettable film.

The scenery is beautiful, from the bleak, grey Dublin slums to the gently sloping western mountains, spectacular craggy cliffs and crashing seaspray. The soundtrack is a blend of Irish music old and new, with contributions from Black 47, the Rankin Family and Clannad. Patrick Doyle ("Shipwrecked") composed the score, which uses Irish instruments and haunting Irish Gaelic vocals to build atmosphere.

There are several tense moments during action sequences which may prove frightening to younger children, but nothing overly objectionable in "Into The West." Younger children may find it a bit slow and hard to follow, but patience is truly a virtue in the case of this magical film.

A film between myth and reality
Someone, I've forgotten who, was reported to have reacted to the death of President Kennedy with the words "To be Irish is to know that the world will break your heart." This is true, but it is also true that to be Irish is to know that the world is not always as it seems. This is a story which resonates with both sentiments. The harsh contrast between the fantasy worlds of cowboys and Indians and Celtic mythology and the heartbreaking ugliness of life in council-house Dublin, the greed which can arise in the new "Celtic Tiger" Ireland and even the friendly but harsh life of the travellers make this tale of two small boys and their father and the effect on them of a white horse resound with mythic overtones. This truly beautiful horse belongs to the realm of Celtic myth, a classic example of a shape-changer, in this case very benign. That the horse is more than it seems is delicately conveyed by clever camera shots as well as by the storyline. If you fell in love with "The Secret of Roan Inish" you will probably like this, I certainly did.

This is a wonderful film for all - not just the horse crazy
I love this film. Although I originally rented it for my horse crazy daughter, I have watched it many times and always it makes me smile. It is a tale of Irish traveller boys who overcome all for the love of a horse and with a child-like, innocent sense of justice. There are sad parts, and scary parts and some teaching points regarding alcohol, loss, prejudice and acceptance. I highly recommend this film for the horse crazy and those who love a good tale presented well!

this is wicked
I thought this movie was brilliant because I think the horse in the movie is lush and I love the little boys accent. i T GAVE YOU A REALLY GOOD INCITE INTO THE WAY PEOPLE IN Ireland lived in those days. T he effects were brilliant and the actors were great a truly heartmoving movie I have recomended it to everyone

We can't stop renting, so decided to buy!
We first rented this movie for my 5 year old daughter, not knowing what to expect, but we knew she liked horses. We rented this movie perhaps 10 times since; she is 9 and instead of renting it again, I decided to buy it for her. This is more than a movie about a horse. it is a juxaposition of the past and present, the harsh reality of modern life and the mythology that gives life meaning. Whether Irish, English, or American, you will like this movie, and after watching it once, you will likely have to watch it again to convince yourself you understood what you saw. ... Read more

Amazon.com essential video

A surprise hit and one of the highest grossing films ever to come out of Great Britain, this effortlessly enchanting romantic comedy finds confirmed bachelor Hugh Grant (Nine Months)attending weddings with his single friends as they all lament not being able to commit. Grant keeps running into an attractive American (Andie MacDowell) at these festivities and begins a long-running affair with her, even as he attends her own wedding, the funeral of one of his best friends, and his own pending nuptials. Featuring a spirited supporting cast including Kristin Scott Thomas (The English Patient)as the acerbic friend quietly in love with Grant, this touching and funny film with a mischievous sense of humor and some truly heartbreaking moments is destined to become one of the classic romantic comedies of all time. --Robert Lane ... Read more

Reviews (71)

Very Best Romantic Comedy
"Four Weddings and a Funeral" may not be the greatest movie in the history, but it surely is the best modern romantic comedy I ever saw. The only film that can possibly surpass this delightful one is, perhaps, "When Harry Met Sally ..." Maybe tied.

Hugh Grant has starred in many films since then, but his best role is still Charles of this film, who unwittingly finds his love in Carrie, an open-hearted American played by beautiful Andie MacDowell at his friend's wedding. One miatake is, he foolishly couldn't realize it before he let her go after one-night stand. But as the number of ceremony goes up (including one funeral), he gradually comes to notice that he threw away the best thing in his life. And while he is wondering what to do, friends around him start to search for their real love, including his own brother David, his timid friend Tom, Tom's sister Fiona, and Charles's eccentric roommate Scarlet. But where should Charles go? Going back to his countless ex-girlfriends? Or, Carrie? But she got already married.

To be honest, a little abrupt ending of the film damages an entire movie's strength a bit, but all comedies have to pay the price to end the show within an appointed hour. What is incredibly splendid about "Four Weddings" is that the characters are all so lively and sparkling with witty dialogue that you think they are not acting at all. Actually, on top of Hugh Grant, many actors are still associated with the roles in this film even if they got more populality after this film; Kristin Scott Thomas is later to be nominated Oscar for her turn in "English Patient," but she will be remembered as deliciously aristocratic Fiona. John Hannah made his name popular through the Hollywood blockbuster series of "Mummy," but still he is kind-hearted Matthew to those who have seen him recite W H Auden (most touching moment) in "Four Weddings." This is that kind of film that changes the cast's life. It happens once in your lifetime.

With this great ensemble cast, we have fantastic script by Richard Curtis, filled with funny lines uttered by completely believable characters. He does not fail to take great care of minor characters, and give them equally good moments. Look how Serena, in love with handsome David who is hearing impaired, learns sign. Trying to impress him, she mixes up "nice" with "mice," but, you know, when boys and girls are in love. nothing can stop them from understanding each other. Cute.

Brilliantly written, "Four Weddings" is a superb model of romantic comedy. If you like this type of movie, you surely will fall in love with it; and if you're not, your mind will be changed just like mine (I didn't expected much from it, so I didn't go to theater until the last day). And the film never forgets the sad side of life as the title implies. Sad thing is one of the cast Charlotte Coleman, who played most unconventional bridesmaid Scarlett, has passed away recently. She is terrific.

Insightful and Fun!
This movie features memorable comic vignettes and great insights into relationships, love and fear of commitment. The mumbling Hugh Grant delivers an effortlessly charming performance, he is rapidly becoming the British Cary Grant. Also extremely good supporting cast. Unfortunately Andie MacDowell doesn't add enough life to her important character and makes 'Carrie' almost lifeless and dull, which is the exact opposite of Kristin Scott Thomas performance which is quiet but right on the money. The whole movie is ultimately entertaining, fun and very funny at times. The ending is out of place and doesn't seem as smart as the rest of the film. From a scale of 1-10 I give this film a 7!

Great Movie . . . Ugh! Except for Andie MacDowell!
Yet another smashing British comedy. Yes . . . Yes . . . It would have been perfect if not for Andie MacDowell.

The movie carries on rather wittily (if not cynically) as seven friends: one pair of siblings: Charles and Scarlet; another pair of siblings, decidedly richer: Fiona and Tom; a pair of homosexual lovers: Garreth and Matthew; and a deaf man: David; attend four weddings (one being Charles'own) and a funeral with a particular air of skepticism.

Hugh Grant plays the main character, Charles, who in the first wedding is the best man, the tardy best man. During the reception, Charles falls in love with Andie MacDowell's character, the uncharismatic Carrie. That night the two "make love." The following morning is another wedding at which Tom is the best man (hilarious wedding indeed!) and Charles arrives late again. He finds Carrie's there also to discover that she is engaged to a Scottish "gentle"man, after which the two end up in bed again. Over the course of the movie, and after a considerable period since their last lovemaking session, Charles receives Carrie's wedding invitation and the gift list. She asks him to help her pick out a wedding dress, then accompanies her to coffee where she gives him the lowdown on her thirty-three sex partners. Charles actually attends her Scottish wedding (still in love with her). After which he decides to settle down with a woman who, for lack of a better word, stalked him after they dated. Carrie shows up, confesses her divorce to Scottish bloke, and her love for Charles.

In the end Charles denies his bride at the altar and lives happily ever after with Carrie after she agrees that she will not marry him.

Yes, it' just that empty. Only where Charles and Carrie are concerned, though!

MacDowell is just . . . all wrong for this movie. How Grant's character could still love her after he discovered she was a jaunty harlot (33?!) and engaged escapes me! MacDowell wasn't even a likeable harlot (Kristin Scott Thomas's character, Fiona, said it right: American slut). Her plain country voice just clashed horribly with Grant's charming British one. Nothing she said was funny. She just should not have been here. Another American actress would have been better suited, or a British actress even better.

Having said that, the rest of the movie is fantastic. Most of the humor is laughable, at other times it is clever without being sidesplitting, like most British humor.

James Fleet is wonderful as the bumbling Tom.
Simon Callow is perfectly cast as the flamboyant Gareth whose funeral is the Funeral from the title.
John Hannah has a lot of chemistry as Gareth's Scottish lover, Matthew, the more optimistic of the group.
Kristen Scott Thomas brilliantly plays Fiona, the more critical of the seven because of her secret feelings for Charles.
Charlotte Coleman is Charles' sister, Scarlett: the wild child with scarlet hair.
David Bower is the deaf David who, despite speaking in sign language, adds to the film (whereas Andie MacDowell, who spoke often, contributed nothing).
And of course Hugh Grant is Charles, the convincing bachelor who falls into an unconvincing relationship that flaws the movie.

Highly Recommended!

Overrated Piece of Garbage
I can't believe this movie was a hit, unless I saw a different movie with the same title.

We are given the rare priviledge spending time around a bunch of shallow, annoying, whiney, vacuous people as they attend the titular events. Why we are meant to care what happens to any of them, we are never told.

The only character who is almost halfway likable is a condesending jerk, and its his funeral in the title.

The only reason I went to see this was that Rowan Atkinson is billed as one of its main players. He is only in two scenes, and is even less funny than the rest of the cast ("Oh, he said 'spigot' instead of 'Spirit,' I think my sides are about to burst.") Screenwriter Richard Curtis, who also wrote for "Black Adder," must have blackmailed him.

I think Americans who like this movie, and others like it (the Curtis genre), think that seeing it makes them really sophisticated. The joke is on them, however. Just before dying, the jerk makes fun of some Americans for not knowing Oscar Wilde is dead. The American who is ignorant of things British is one of the most tired cliche's in Brithish "comedy." Many who laught at it, I'm sure, don't recognize a difference between types of Americans. We're all stupid, in their books. The ones who vist Britain as tourists or watch their movies and TV shows are the most visible to them. They like to take our money, as much as they seem to resent us.

Don't get me wrong. There is a lot of British stuff I like. I dream of one day visiting the Sceptre'd Isle. The Curtis genre, however, occasionally mocks Americans while pandering to a certain type of American, while the charcaters, but for their accents alone, are indistinguishable from the most boring types of shallow, middle-class Americans.

And seeing Hugh Grant in this movie caused me to wonder from under which rock he was found. The slime oozing off his body was quite obviously palpable to me. Why nobody else? Is this a hoax? Is everyone just pretending to like this guy for some reson? Even assuming he's good looking and all that, so what? There are lots of pretty boys, and some of them don't engage in marathon sessions of nodding and blinking. I think hundreds of actors could do just as well, if not better than him in most of his movies in I've seen. For a list of the few good movies he's been in, see my "Films with Hugh Grant that are Actually Worth Watching" in Listmania Lists.

After ten years, the bad aftertaste of this movie lingers on.

Not enough funerals
If it's possible for a movie to be any worse, I don't know how. Oh, that's right... LOVE ACTUALLY!

This meandering, pointless hodgepodge of unsympathetic and amoral characters in unbelieveable settings is a complete waste of time and film. And what was the ending about, anyway? Hugh and Andie agree to "not be married" for the rest of their lives? So, like, they're gonna just shack up for life? We all know that works soooooo well... see Hugh's non-marriage to Liz Hurley for details.

One star, but only because I can't give it zero. ... Read more

Reviews (71)

Very Best Romantic Comedy
"Four Weddings and a Funeral" may not be the greatest movie in the history, but it surely is the best modern romantic comedy I ever saw. The only film that can possibly surpass this delightful one is, perhaps, "When Harry Met Sally ..." Maybe tied.

Hugh Grant has starred in many films since then, but his best role is still Charles of this film, who unwittingly finds his love in Carrie, an open-hearted American played by beautiful Andie MacDowell at his friend's wedding. One miatake is, he foolishly couldn't realize it before he let her go after one-night stand. But as the number of ceremony goes up (including one funeral), he gradually comes to notice that he threw away the best thing in his life. And while he is wondering what to do, friends around him start to search for their real love, including his own brother David, his timid friend Tom, Tom's sister Fiona, and Charles's eccentric roommate Scarlet. But where should Charles go? Going back to his countless ex-girlfriends? Or, Carrie? But she got already married.

To be honest, a little abrupt ending of the film damages an entire movie's strength a bit, but all comedies have to pay the price to end the show within an appointed hour. What is incredibly splendid about "Four Weddings" is that the characters are all so lively and sparkling with witty dialogue that you think they are not acting at all. Actually, on top of Hugh Grant, many actors are still associated with the roles in this film even if they got more populality after this film; Kristin Scott Thomas is later to be nominated Oscar for her turn in "English Patient," but she will be remembered as deliciously aristocratic Fiona. John Hannah made his name popular through the Hollywood blockbuster series of "Mummy," but still he is kind-hearted Matthew to those who have seen him recite W H Auden (most touching moment) in "Four Weddings." This is that kind of film that changes the cast's life. It happens once in your lifetime.

With this great ensemble cast, we have fantastic script by Richard Curtis, filled with funny lines uttered by completely believable characters. He does not fail to take great care of minor characters, and give them equally good moments. Look how Serena, in love with handsome David who is hearing impaired, learns sign. Trying to impress him, she mixes up "nice" with "mice," but, you know, when boys and girls are in love. nothing can stop them from understanding each other. Cute.

Brilliantly written, "Four Weddings" is a superb model of romantic comedy. If you like this type of movie, you surely will fall in love with it; and if you're not, your mind will be changed just like mine (I didn't expected much from it, so I didn't go to theater until the last day). And the film never forgets the sad side of life as the title implies. Sad thing is one of the cast Charlotte Coleman, who played most unconventional bridesmaid Scarlett, has passed away recently. She is terrific.

Insightful and Fun!
This movie features memorable comic vignettes and great insights into relationships, love and fear of commitment. The mumbling Hugh Grant delivers an effortlessly charming performance, he is rapidly becoming the British Cary Grant. Also extremely good supporting cast. Unfortunately Andie MacDowell doesn't add enough life to her important character and makes 'Carrie' almost lifeless and dull, which is the exact opposite of Kristin Scott Thomas performance which is quiet but right on the money. The whole movie is ultimately entertaining, fun and very funny at times. The ending is out of place and doesn't seem as smart as the rest of the film. From a scale of 1-10 I give this film a 7!

Great Movie . . . Ugh! Except for Andie MacDowell!
Yet another smashing British comedy. Yes . . . Yes . . . It would have been perfect if not for Andie MacDowell.

The movie carries on rather wittily (if not cynically) as seven friends: one pair of siblings: Charles and Scarlet; another pair of siblings, decidedly richer: Fiona and Tom; a pair of homosexual lovers: Garreth and Matthew; and a deaf man: David; attend four weddings (one being Charles'own) and a funeral with a particular air of skepticism.

Hugh Grant plays the main character, Charles, who in the first wedding is the best man, the tardy best man. During the reception, Charles falls in love with Andie MacDowell's character, the uncharismatic Carrie. That night the two "make love." The following morning is another wedding at which Tom is the best man (hilarious wedding indeed!) and Charles arrives late again. He finds Carrie's there also to discover that she is engaged to a Scottish "gentle"man, after which the two end up in bed again. Over the course of the movie, and after a considerable period since their last lovemaking session, Charles receives Carrie's wedding invitation and the gift list. She asks him to help her pick out a wedding dress, then accompanies her to coffee where she gives him the lowdown on her thirty-three sex partners. Charles actually attends her Scottish wedding (still in love with her). After which he decides to settle down with a woman who, for lack of a better word, stalked him after they dated. Carrie shows up, confesses her divorce to Scottish bloke, and her love for Charles.

In the end Charles denies his bride at the altar and lives happily ever after with Carrie after she agrees that she will not marry him.

Yes, it' just that empty. Only where Charles and Carrie are concerned, though!

MacDowell is just . . . all wrong for this movie. How Grant's character could still love her after he discovered she was a jaunty harlot (33?!) and engaged escapes me! MacDowell wasn't even a likeable harlot (Kristin Scott Thomas's character, Fiona, said it right: American slut). Her plain country voice just clashed horribly with Grant's charming British one. Nothing she said was funny. She just should not have been here. Another American actress would have been better suited, or a British actress even better.

Having said that, the rest of the movie is fantastic. Most of the humor is laughable, at other times it is clever without being sidesplitting, like most British humor.

James Fleet is wonderful as the bumbling Tom.
Simon Callow is perfectly cast as the flamboyant Gareth whose funeral is the Funeral from the title.
John Hannah has a lot of chemistry as Gareth's Scottish lover, Matthew, the more optimistic of the group.
Kristen Scott Thomas brilliantly plays Fiona, the more critical of the seven because of her secret feelings for Charles.
Charlotte Coleman is Charles' sister, Scarlett: the wild child with scarlet hair.
David Bower is the deaf David who, despite speaking in sign language, adds to the film (whereas Andie MacDowell, who spoke often, contributed nothing).
And of course Hugh Grant is Charles, the convincing bachelor who falls into an unconvincing relationship that flaws the movie.

Highly Recommended!

Overrated Piece of Garbage
I can't believe this movie was a hit, unless I saw a different movie with the same title.

We are given the rare priviledge spending time around a bunch of shallow, annoying, whiney, vacuous people as they attend the titular events. Why we are meant to care what happens to any of them, we are never told.

The only character who is almost halfway likable is a condesending jerk, and its his funeral in the title.

The only reason I went to see this was that Rowan Atkinson is billed as one of its main players. He is only in two scenes, and is even less funny than the rest of the cast ("Oh, he said 'spigot' instead of 'Spirit,' I think my sides are about to burst.") Screenwriter Richard Curtis, who also wrote for "Black Adder," must have blackmailed him.

I think Americans who like this movie, and others like it (the Curtis genre), think that seeing it makes them really sophisticated. The joke is on them, however. Just before dying, the jerk makes fun of some Americans for not knowing Oscar Wilde is dead. The American who is ignorant of things British is one of the most tired cliche's in Brithish "comedy." Many who laught at it, I'm sure, don't recognize a difference between types of Americans. We're all stupid, in their books. The ones who vist Britain as tourists or watch their movies and TV shows are the most visible to them. They like to take our money, as much as they seem to resent us.

Don't get me wrong. There is a lot of British stuff I like. I dream of one day visiting the Sceptre'd Isle. The Curtis genre, however, occasionally mocks Americans while pandering to a certain type of American, while the charcaters, but for their accents alone, are indistinguishable from the most boring types of shallow, middle-class Americans.

And seeing Hugh Grant in this movie caused me to wonder from under which rock he was found. The slime oozing off his body was quite obviously palpable to me. Why nobody else? Is this a hoax? Is everyone just pretending to like this guy for some reson? Even assuming he's good looking and all that, so what? There are lots of pretty boys, and some of them don't engage in marathon sessions of nodding and blinking. I think hundreds of actors could do just as well, if not better than him in most of his movies in I've seen. For a list of the few good movies he's been in, see my "Films with Hugh Grant that are Actually Worth Watching" in Listmania Lists.

After ten years, the bad aftertaste of this movie lingers on.

Not enough funerals
If it's possible for a movie to be any worse, I don't know how. Oh, that's right... LOVE ACTUALLY!

This meandering, pointless hodgepodge of unsympathetic and amoral characters in unbelieveable settings is a complete waste of time and film. And what was the ending about, anyway? Hugh and Andie agree to "not be married" for the rest of their lives? So, like, they're gonna just shack up for life? We all know that works soooooo well... see Hugh's non-marriage to Liz Hurley for details.

One star, but only because I can't give it zero. ... Read more

Amazon.com

Blessed by a fantastic cast and slick direction by Mike Newell,Pushing Tin is one of those invigorating movies (like Wall Street or All the President's Men) that takes you behind the scenes of a dramatic profession--in this case, the high-stress world of air-traffic controllers--and throws in a source of conflict to ramp up the tension. For ace "tin-pusher" Nick Falzone (John Cusack), that conflict arrives in the form of Russell Bell (Billy Bob Thornton), an Irish/Choctaw half-breed whose Zen-like control of air traffic immediately puts Nick on the defensive. Add an incident of infidelity and Nick's subsequent self-loathing and guilt, and Pushing Tin turns into a macho pissing match, with Nick's and Russell's spouses (Cate Blanchett and Angelina Jolie, respectively) stuck in the middle.

At that point, this otherwise splendid comedy-drama turns almost fatally silly, and it hits additional turbulence by lapsing into a predictable series of pat resolutions. Fortunately, the jazzy cast avoids a nosedive into the tarmac, and if you recall Blanchett's Oscar-nominated performance in Elizabeth, you'll be amazed by her flawless transformation into a smart and sweetly devoted New Jersey housewife. Dialogue is a major asset here, and the script (by TV veterans Glen and Les Charles) gives Cusack & Co. plenty to chew on. That makes Pushing Tin a breezy good time, and its flaws are easily forgiven. --Jeff Shannon ... Read more

Reviews (56)

Okay Movie
Pushing Tin has it's moments but anyone who watches it has to wade through some rather dull scenes to get to them. It's wasn't written that well and the plot isn't all that great. Let's face it: air traffic controllers can only be so interesting and then what? That's where this movie fails; it doesn't make up for the fact that the plot is a dud. So why did I give it four stars? The acting; I'm just too big of a fan of Angelina Jolie and Billy Bob Thornton to give it any less. What an interesting match! That is where most of the movies good moments come from. John Cusack does do his best but he doesn't have much to work with and it shows. Only buy this movie if you're a die hard fan of one of the actors. If you're anything else, you'll probably end up disappointed.

An Excellent Comedy.
Nick Falzone (John Cusack) turns out to be, the most Busiest and the best Air Traffic Controller on Long Island, when Nick become jealous and curious at the same time about an unusual man named Russell Bell (Oscar-Winner:Billy Bob Thornton), who is actually a very intelligent man, who has a young beautiful wife (Angelina Jolie). Nick has all, has all what he needs including a nice, pretty, caring wife (Cate Blanchett). Everything turns up side down, when Nick and Russell goes Head to Head with eacother by doing uproarious contest of Wit and Wills that can ultimately only have one winner.

Directed by Mike Newell (Donnie Brasco, Four Weddings and a Funeral, Into the West) made a winning (if long) one of a kind comedy to being Free-Spirited and Wildly funny flick (With a Snappy Repartee). Cusack, Thornton and Blanchett offers great and engaging performances. This underrated film was a missed with the Critics and at the Box Office. The movie has become a Cult Classic. DVD's has an strong non-anamorphic Widescreen (2.35:1) transfer and a terrific Dolby Digital 5.1 Surround Sound. The film only extra is a Tralier. This film is better on video and DVD. This has a fine Screenplay by Glen Charles & Les Charles (T.V.`s Cheers). Based on a Article by Darcy Frey-Something's got to Give. Super 35. Grade:A-.

Not that great
This movie is predicated on the premise that Air Traffic Control is an interesting job. About halfway through, the filmakers abandon the exitement of the control room for a plot about adultery and revenge. The characters are really uniteresting. John Cusack should be embarrassed for hamming it up as this guy who thinks he is macho because he's an Air Traffic Controler. Or is he an Air Traffic Controller because he thinks he is macho? Australian actress Kate Blanchette, whose best known role before doing this movie was Queen Elizabeth I in "Elizabeth," here plays Cusack's wife as a setrotypically dull middle-class American who doesn't really do that much. Her talent is completely wasted here. The main interest for this movie is that Billy-Bob Thornton and Angelina Jolie seem to have first met while making it, resulting in there breif, yet highly publicized marriage.

Somebody else who reviewed this for Amazon says this movie is a comedy. While I admit there is some comic relief, it never occurred to me that this movie was ever meant to be a comedy.

Pushing Tin
This has to be one of the funniest films I have ever seen. John Cusack plays airtraffick controller extraordinaire Nick Falzone. The environment could be any work place that encompasses a great amount of stress. Billy Bob Thornton (Bell)arrives on the scene, a quiet but brilliant, airtraffick controller. The complete opposite to Falzone's personality. The reaction of the two main characters to each other is swift and combustable. Falzone happens to chance meet (Angelina Jolie)Bell's wife followed by one night of togetherness. Falzone and Mrs. Bell are already feeling guilty. She tells Bell of the occurence and the fun begins. Bell cleverly plays mind games on Falzone by "noticing" Mrs. Falzone (Cate Blachett). Falzone's becoming fanatical about the (implied)relationship between Bell and Mrs. Falzone.Nothing is happening but his desperation drives his wife away.The best scenes are those in the car after the funeral of Mrs.Falzones dad and the scene on the aeroplane. All the actors do a great job of defining real life scenarios, John is wonderful and has a great cast alongside him to present this fabulous film.

Scrary job where split-second decisions are essential.
Starring John Cusack as an air traffic controller, Pushing Tin introduced me to a scary world where split-second decisions can decide the fate of planes full of people, where being good enough to do this job and command good salaries requires quick thinking, fast talking and steady nerves. Set in pre-9/11 New York, I'm familiar with the neighborhoods and the skyline and I must say that every time a camera panned the World Trade Center, I got a little twinge. The year the film was made, 1999, comes across as a much more innocent age.

Anyway, John Cusack is married to Cate Blanchett and they live with their children in an area that looks like Staten Island or Queens. She's a real babe in this film and plays her part well, being so good at her New York accent that I could have sworn she had grown up in Brooklyn.

When Billy Bob Thornton, an air traffic controller from another part of the country, is transferred into the New York area, there is immediate competition between the two men. They compete on the job and I realized that the term "pushing tin" means pushing the planes on their computer screens through the complicated ritual of landing in a way to make sure they come in on time. This sometimes requires big risks be taken, as these planes have to be very delicately manipulated.

The two men also compete for women. Billy Bob is also married to a babe, Angelina Jolie, and it doesn't take long for the two couples to get caught up in a romantic web. There's tension throughout as bedroom shenanigans seem to be getting out of hand and Billy Bob's propensity for unpredictable violent behavior becomes more and more threatening.

Acting was excellent, and I loved the cinematography of the planes and the skylines. The romances were a little silly and maybe that was why the film is billed as a comedy, but it really didn't matter because I was totally caught up in the story itself. Certainly, Pushing Tin gave me a new understanding about the challenges of keeping airline passengers safe in the sky and the jobs of the people who do this for a living. ... Read more

Reviews (20)

A Lovely, Sad Movie...woefully misleading adverts
This is an excellent film, moving, sad, even tragic. It is NOT a "warm hearted comedy," as it says on the back of the DVD. And it certainly is not "hilarious". The blurb on the cover is quite possibly the most misleading I have ever come across. Despite that, it is a lovely film. It is a solid, serious British drama, with an excellent all round cast. The humour where present is decidedly low key. Its predominant mood is one of sadness and loss, there is warmth to be sure, but certainly not what is projected on the cover or in the trailer. One wonders why the publicists chose to so misrepresent such a fine film. Was it because they were worried its serious and even dark nature would put off the popcorn munchers? Perhaps it would have been better if they had. Then we wouldn't have been saddled with so many negative reviews from viewers who naturally felt short-changed. Then again, this is not a movie that American audiences would readily take to.

Set in 1947, it tells the story of a 16 year old girl, Stella (Georgina Cates), abandoned at birth by a wayward mother and brought up by her aunt and uncle, who aspires to join the Theatre. Into this milieu she willingly plunges herself. She encounters sordid seedy characters. She takes on menial tasks without pay. She embraces all with a gushing eager naivete. She falls for the stage director (Hugh Grant) who in her young innocence she doesn't realise actually has a preference for boys. She then latches on to an aging Lothario (Alan Rickman) who does appreciate young girls. In this darkness in which she finds herself, past and present intersect. The absent mother she faithfully places a call to everyday, the same mother who gave her away years ago, becomes the silent confidant of her hopes and fears. The aging Rickman character constantly pines for his own past even as he happily deflowers the young girl. The stage director's sordid history of seducing and then spurning young men finally comes to a head. All combine to create an air of loss and decay. A nice touch was the use of a lone flute playing "The Last Rose Of Summer" whenever the Rickman character thinks back to his lost love. If you know the song, it perfectly encapsulates the mood of this movie. And yes there is a twist at the end, but if you have been paying attention, it won't come as too much of a shock. Although the prudes and the self-righteous will as usual recoil in moral outrage.

New Line Entertainment has given us a fine if bare-bones DVD. The film is transferred in it's original theatrical aspect ratio of 1.85:1 (enhanced for widescreen TV). Picure quality is good, clean and clear with natural warm colors. Black levels are just right. Audio includes the original stereo plus both DTS and Dolby 5.1 remixes. Excellent presentation. There are even optional English subtitles for people who can't get round the British accents. Thank goodness not everybody makes sanitized, Hollywood dross.

Definitely worth a second look...and a third...and a fourth
I first saw An Awfully Big Adventure on TV at two o'clock in the morning.It made very little sense, and I couldn't understand about a third of what was being said, but the movie still, as another reviewer succinctly put it, "hijacked my consciousness."It was subtle, honest, unforgiving, amazingly well-acted, and a lot of other good things that I can't find the words for right now.

I recently purchased a copy of the video, and realize now that while it loses nothing upon further viewing, An Awfully Big Adventure benefits greatly from a second watching.The dialogue becomes clearer the more you listen to it and the nuances of the characters and the story become more pronounced.Even though my first reaction to the film was favorable, I still think that one cannot judge this movie fairly after only seeing it once (although if you enjoyed it the first time, you probably will again).I have a feeling that nearly all of the reviews here are by first-time watchers, and while you shouldn't entirely discredit their remarks, keep in mind that, like most complex movies, An Awfully Big Adventure only gets better the more you watch it.

I also feel that it cannot be stressed enough that this is not a happy, uplifting movie."Disturbing" is a word used often to describe it, but the word that comes to my mind is "uncomfortable."There's really nothing at the end of the film to redeem all of the sadness, as is common in most movies.Thus, if you don't like to watch depressing movies, DON'T WATCH AN AWFULLY BIG ADVENTURE.And if you're an Alan Rickman or Hugh Grant fan (both of whom are great) and insist upon seeing it, don't write a review that discourages others from watching it just because it was too dark for your tastes.

*I haven't read the novel of the same title by Beryl Bainbridge, but I've heard that it helps to clarify the confusing points in the movie, besides being a good book.Just a thought...

Great film...highly inaccurate synopsis
First and foremost, I want to state that this is NOT a comedy.The summary on the back of the box, describing it as "hilarious," "warmhearted," and so forth, reads as though it was written by somebody who never saw the movie.It is about as much of a comedy as Hamlet is a go-kart race.

That said, it is a super film.Set in 1947, the story centers on sixteen-year-old Stella Bradshaw, who has lost her mother in the war and lives with her aunt and uncle.Stella joins an amateur theatre company and falls instantly in love with the company's slimeball of a director, Meredith Potter.It doesn't take long for her to be lured into the milieu's seedy underbelly, and eventually she has her first (and second and third...) sexual encounter with P.L. O'Hara, star of the company's production of "Peter Pan".

The end of the movie will certainly be found disturbing and/or sad by most (hence my omission of the fifth star in rating the movie), but it's still worth watching - most likely more than once, so you can start to fill in the details you might have missed before.(There's a whole lot of information packed into this plot, and it's very easy to let stuff slip by!)

The cast, of course, is wonderful.Georgina Cates is well cast as Stella, and very pretty too.Her characterization of the shy, unsure-of-herself girl is engaging and well thought out.(She looks about twelve until a scene where we see her topless.Then the illusion is pretty much shattered.) Alan Rickman, as P.L. O'Hara, is great as usual.The big surprise here for me was Hugh Grant's performance as Meredith Potter.He is actually playing a character here - and a nasty one at that.That alone is worth watching the movie!The supporting cast is terrific as well.It was fun to see such first-rate actors bringing such life to such teeny roles (for example, Edward Petherbridge, who has all of approximately fifteen seconds onscreen).

To sum up, An Awfully Big Adventure - though certainly disturbing in places - is an awfully good film.

Awfully difficult to describe this movie adventure
This is another in a long line of films I have viewed solely to enjoy Alan Rickman's performance, and what a performance; but more about that later.

Having read all the Amazon reviewers' comments and a multitude of professional critics' articles I was still unable to get a sense of this film.The plot was somewhat clear, some reviewers having given away the ending (shame on them and what a shame), but the true atmosphere of the film still eluded me.Frankly, I couldn't convince myself this was a film I would enjoy.Having now viewed this unusual but very interesting film, I find that nothing prepared me for what it truly was about and what it had to offer as real entertainment.

Lest I reveal more of the plot than I intend, I will instead stick mostly to my point and say that Alan Rickman is an actor of absolutely unbelievable talent.I say this after every film; he selects the widest range of roles of any actor, and he never gives a less than perfect + performance.His Captain Hook and O'Hara are sublime characters.He looks fantastic in both roles, of course. Again we get to see him dance, not the tango this time, but variety is the spice of his work.The love scenes, and I feel comfortable identifying them as 'love', because his character displays a sense of love despite his shallow nature; and also exhibits a desperate need for love that would be difficult to believe in this particular character if it were portrayed by a lesser actor.His comic reactions have perfect timing and his emotional reactions display feelings that overwhelm and pale the efforts of every other character in the film.This is a considerable feat because this film offers an usual, but solid, performance by Hugh Grant; a side of his talent I had not previously seen and which proved very intriguing.Georgina Cates as Stella, the naive young girl struggling to find both herself and her past, is flawless.She wears her feelings as open as a book on her sweet young face and states her thoughts as directly (and comically) as any adolescent innocent would.Apparently it is like learning the ukulele.

This film is not a comedy; if it were not British, there probably would have been no humor at all.The British it seems have a way of inserting their own manner of dry wit and humor into the most serious of situations without ever losing their direction.Perhaps I have been viewing too many English films of late; as I had no trouble with the accents and understood every word clearly.

There are other reviewers here who have certainly bested my efforts at describing Rickman's attraction in this film, as I think unfortunately my statements certainly fail to do justice to the work he does in 'An Awfully Big Adventure'.I continue to owe him thanks for the unusual scope of entertainment genres I have explored just because I am so awed by his abilities and do not want to miss of minute of an opportunity to watch him work.Others also have provided more of the plot and I too have fallen short of explaining the true nature of the film.All I am left to hope for is that I canencourage any fans of Rickman's or movie-lovers who enjoy the unusual, and who have not yet viewed this film, to get themselves a copy of this rare video and see just what the 'awfully big adventure' is truly all about.I think you will be awfully glad you did.

Tragedy or comedy? Fine actors, at least...
Ok, I wouldn't have wathed it, if it didn't have Alan Rickman. One sees his acting so little, Harry Potter -movies really are a waste of time for people like me, who appreciate the fine adult actors in them - and see them only briefly.

Again Alan Rickman has a difficult part and comes in late in the movie. But what the heck: the movie isn't bad. And Hugh Grant can be really sleezy! I can't tell how much I enjoyed his sexually vague, self-centered director. And Georgina Cates is really wonderful. She is the one that makes this a comedy. Stella (Cates) is so determined to become a real actress, that she hangs on every word the director says and writes down his pseudo-artistic ponderings - which he himself doesn't believe after he's said them. She worships even his nicotine-stained fingers, starts wearing a hidden cross after hearing all in the theatre are catholics - she is a protestant - and fakes a venerial disease, because everyone seems to have sex with everything that moves - except her. So she decides to get rid of her virginity as soon as possible.

Rickman enters in a scene that seems to be designed for someone like him, who can hold your attention without speaking or doing anything, just looking. He walks through the theatre, people come and talk to him, say things to him... He hardly stops or opens his mouth. The director isn't happy to have him back, but everyone agrees, that no one can play Captain Hook like he can, so he is invited to join the cast. Again: Captain Hook: who else? Rickman is the villain we love. And the glimpses of Hook are really delicious. It made me again think, how people send different messages, even professional actors playing the same part. When Grant does the Hook, the children are sitting silently, filled with suspence, even fear, whereas Rickman's Hook makes them laugh out loud. Of course it's been directed that way, but it has some truth in it.

I would also like to mention Alun Armstrong, uncle Vernon, who is always good, in this movie also.

And then... In case you haven't read other reviews: this is not an easy film to watch, even though it's at times very funny. Even though Stella almost demands Rickman's character to take her, it isn't always comfortable to watch their relationship. Even though Cates turns out some comedy in it and some kind of real love seems to be budding between them. And the end is tragic, though it didn't come to me as a big surprise after Rickman said - first seeing Cates -: "I know her." So I was pretty much aware of the real tragedy, but was still touched by the unnecessarily sad solution.

This isn't a feel-good movie. But it's a damn good one and I do like stories that unfold slowly to let you know bit by bit how things really are and where you thought wrong. But no, this really isn't easy. I suppose I should have expected it. When does Rickman play easy parts? ... Read more

Reviews (146)

The feel-good movie of the year for women.
The "Mona Lisa Smile", directed by Mike Newell, is a story about women in society during the 1950s, when they were expected to become educated and then get married and become a mother.

PLOT SUMMARY: Katherine Watson (Julia Roberts) portrays a single woman in the 1950s who, freshly graduated from graduate school, gets a job working as an Art History professor at the exclusive Wellesley College for women in Massachusetts. Katherine is shocked when she learns her students have already fulfilled the requirements in their syllabuses by the very first class, and decides to stray against the rules by showing the girls modern art and teaching them that they have a choice in life besides becoming a housewife and mother. Katherine shares a special bond with her students, though a few students really stand out. Betty Warren (Kirsten Dunst) is a "proper young lady" who quickly gets married because her family wants her to and soon learns about marriage the hard way--she becomes rebellious towards Katherine's teachings in the meantime; Joan Brandwyn (Julia Stiles) is a bright and intelligent girl who gets into Yale Law School but must make a choice when she falls in love with a man; and then there's Giselle Levy (Maggie Gyllenhaal) who is kind of like Katherine herself, except Giselle is a "player" and likes to fool around with guys...especially men who are a lot older than her. Through these students, Katherine learns about herself and life as she goes against school board rules.

MY OVERALL THOUGHTS: The film was a bit feminist in my opinion, but since I'm a bit of a feminist myself, this only made me enjoy the "Mona Lisa Smile" even more. The acting, of course, was spectacular. I was quite surprised by the acting of the younger cast, though I always knew how talented these young women were and expected nothing less from them. Julia Roberts is as good as ever...she never fails to impress me. The storyline was wonderful and so was the dialogue and overall message of the story. The directing, costumes, settings, etc. were all brilliant. If you are a feminist and like feel-good movies, then you will certainly enjoy the "Mona Lisa Smile".

I highly recommend the "Mona Lisa Smile".

100/100
A+

Empowering
This was an empowering film to me. I loved how Julia Roberts' character, Katherine Watson, challenged these women into different ways of thinking. She helped them all to see what potential they have and that they didn't have to fit a binary of a woman in the 50s. Watson challenged every idea that these women were brought up with: the ideas that a woman's role was to serve her husband and keep house and home. Watson was a teacher ahead of her time and the fact that Julia Roberts played her character allowed Watson to come alive for me. This film was excellent and very well done.

Entertaining but Cliched Plot
I love Julia Roberts' glowing smile and infectious laugh, but this movie is just another cliché of the inspirational teacher. This time, it's not inner-city gang members, but privileged college girls at Wellesley who are motivated by a special teacher. I was pleasantly surprised by the ending, in which Julia Roberts' character admits that marrying and raising a family might not be evil incarnate after all.

a masterpiece...
I was very pleased with how this movie turned out (except the whole Bill situation could have been taken out. it didn't really match her ideals really..). When I saw previews for it, I knew at once I wanted to see it but was afraid Hollywood would ruin it. On the contrary, I was very moved.

I was really impressed how they addressed what is expected from all women, but also how all women are DIFFERENT. On one hand, there is Katherine Watson who believes women should not simply get married and have children, that there is "more to life" than motherhood. On the other hand, there is the university and most of its faculty and students who believe the opposite. And then there are the very few (or maybe one) in between who believe in possibilities... Though the character Katherine Watson has a noble agenda to change the rigid motherly ideals of the school, she has simply fled to the opposite extreme with rigid academic ideals.

Though this movie takes place in the 1950's, these themes are NOT irrelevent. Take it from a college girl herself (and many of my friends) - many of these expectations and pressures still exist in different forms. Replace Katherine with your high school, your peers, and your parents, and replace the Wellesley of the 1950s with your grandmothers, your aunts, your friends and you have MY life with a seemingly opposite but very similar struggle.

Therefore, I give this movie 5 stars. It realistically depicts the struggle that can still be seen in many women's lives today, but does not provide a cop-out answer for the masses. Like the analogy in the film of the paint-by-number sets, women are not cookie cutter shapes!

All the actresses in this movie did a wonderful job. Julia Stiles, Julia Roberts, Maggie Gyllenhaal, and more.. I was easily able to relate to these characters, and their development is exceptionally interesting. This film holds much significance to those of us women who have lived it out in one way or another.

another teacher-as-messiah film
**1/2 In the wheezingly old-fashioned "Mona Lisa Smile," Julia Roberts joins the ranks of Robert Donat, Glenn Ford, Sidney Poitier, Sandy Dennis, Robin Williams, Edward James Olmos, Michelle Pfeiffer and Kevin Kline, all of whom have played inexperienced teachers who manage to win over and inspire their initially recalcitrant students. It matters not whether these pupils are hardened inner city gang types or snooty prep school geniuses, the arc of the story is always the same. The teacher, armed with a sense of optimism and a zeal to "make a difference" in the students' lives, arrives at the institution nervous and unsure of whether she is really up to the challenge (or "he" in the case of many of these films). After a predictably disastrous start, in which the students belittle her idealism and efforts and attempt to take advantage of her inexperience, the teacher invariably throws out the standard, stuffy, boring curriculum and finds a way to make learning relevant, fun and engaging. This, of course, makes her the most popular teacher at the school, but also a threat to the ossified educational establishment, which throws up endless roadblocks in an effort to keep this know-it-all upstart from upsetting the applecart. Undeterred, the teacher manages to get down to the students' level, rapping with them as if she were one of their own, helping to solve their problems and inspiring them to take their rightful place in society as freethinking, morally upstanding individuals. Then comes the inevitable moment when the teacher must decide, midway through the term, whether or not she will be returning for the next semester, with the student who gave the teacher the most trouble at the start pleading with her to stay on and work her magic for generations of students to come. All of this invariably culminates in a tear-soaked finale wherein all the students gather in worshipful adoration of this almost godlike embodiment of Learning. A number of the movies that have utilized this storyline have been quite good, actually, but "Mona Lisa Smile" is not one of them. By bringing nothing particularly new to the formula, the film can't help feeling derivative and clichéd. Where is Miss Jean Brodie when we really need her?

"Mona Lisa Smile" begins in 1953 with Katherine Anne Watson's arrival as an art history instructor at Wellesley College. The school, as it turns out, is a haven for elite snobs - and its educational philosophy of rote, tradition-bound learning shows that the school is more concerned with turning the girls into dutiful, supportive wives and mothers than freethinking career women (the only classes we ever see the girls attending are art history, Italian, table setting and synchronized swimming, not exactly a rigorous course of study for a bunch of young ladies we are led to believe graduate with some pretty impressive degrees). Enter Katherine Anne, fresh from a state school in "liberal" California, who clearly does not buy into the false value system she finds here. After some initial resistance on the part of the girls and the powers-that-be at the institution, Katherine begins, slowly but surely, to win people over to her modernistic, iconoclastic way of thinking.

As a social document, "Mona Lisa Smile" is yet another film dedicated to exposing the "Stepford Wife" mentality of the conformist 1950's. The problem is that "Far From Heaven" did a much better job of that two years ago. In that film, the main character experienced a gradual awakening as to both her value as an individual and the societal prison in which she lived. During the course of the film, we grew along with her. Katherine, on the other hand, feels like a 21st Century woman transported magically to the 1950's. Not that there weren't such forward-looking women at the time, of course, but it's not very illuminating watching a person, spouting ideas no one in the audience could possibly disagree with, bringing knowledge and enlightenment to the ignorant masses. The acting is good but the characters are all either shallow stereotypes or straw men designed for Katherine to knock down easily. Ironically, the film is every bit as conventional as the conformity it's railing against.

Now that Ms. Roberts has gotten the Messianic Teacher Syndrome out of her system, perhaps she can move on to bigger and better things. This particular hole in her resume has at last been filled. ... Read more

Reviews (85)

Based on a true story....
Working undercover as a jewel dealer Joe Pistone (Johnny Depp) earns the trust of Lefty Ruggiero (Al Pacino). Lefty vouches for Joe and brings him into his mob family. What was supposed to be a three-month assignment for Joe turns into several years. Joe begins to drift away from his own family and deep into the mob. He and Lefty form a strong bond and a father son relationship. When the investigation is coming to an end Joe realizes that his only way out of the mob is to betray his friend.

The film is presented in 2.35:1 anamorphic widescreen. It is a very nice transfer the only flaw I noticed was a hint of grain occasionally. A Dolby Digital 5.0 audio track is provided. The surround speakers are hardly used. When they are its mostly only for music. With a movie like this that is mostly dialogue its understandable. This special edition DVD has several extras. The highlights are a director's commentary, two featurettes, deleted scenes and trailers. The featurette titled "Donnie Brasco: Out of the Shadows" was excellent. It gives a lot of background on the film and contains several interviews with the cast and crew. The deleted scenes are nice to see but I can understand why they were cut from the film.

For those of you thinking this is just another mob movie, you are wrong. Instead of showing the top of the crime family tree like many other films this one shows the bottom. It shows soldiers that are scraping at the bottom of the barrel and are just trying to make ends meet. This is a film that stands on its own on many levels. It was perfectly cast with Johnny Depp, Al Pacino, Michael Madsen and Anne Heche. If you like mob movies or just fine acting this is one film you need to see.

A Mobster Masterpiece Worth Watching Over and Over Again
Based on a true story that is so amazing and shocking, "Donnie Brasco" is a fantastic film that hooks you from start to finish. With stars like Al Pacino, Johnny Depp, Michael Madsen, and many more, this is a movie that should be seen by all.

FBI Joseph D. Pistone is an undercover agent who's goal is to get into the violent and unpredictable mob world. He goes the by name of Donnie Brasco. Soon he is discovered by Lefty Ruggiero, who sees potential in the kid, not aware of who Brasco really is. He brings him into the family and the world of the Mafia. It doesn't take long for Joseph to get so deep into the action that he starts to become one of them. This unforgettable picture shows us that sometimes you can become what you chase if you're in too long, and that in order to catch a monster you may become one yourself in the process.

I became addicted to this film in no time. It's one of my favorites that I have seen over and over again, and it hasn't gotten old yet. The acting and directing is all fantastic. Al Pacino really shines, as always, and Johnny Depp gives an Academy Award performance as the FBI agent. He actually spent time with the real Joseph Pistone to get his character down, as he did when he was working on "Fear and Loathing in Las Vegas." Michael Madsen is also terrific and can once again send chills down our spines just as he did in "Reservoir Dogs."

This new special edition of the DVD is much, MUCH better than the original. First off, the sound and picture quality has really improved. Especially the picture; it looks a lot better than the first version that came out. There are also a lot of extras, including features such as director's commentary, and exclusive featurette, the original featurette, deleted scenes, trailers, and more. The featurettes are very interesting and makes the DVD that much more special. A very high quality special edition, if you ask me.

All in all, "Donnie Brasco" is an outstanding picture on all fronts. Filled with drama and suspense, this is a film that will take you deep into the world of the Mafia. The only question is how far would you go? And would you risk becoming one of them when it's all said and done? Excellent all the way!

More of the Same
There are so many great mafia/mobster movies out there. This aint one of them. Slow and preachy. Pacino plays a schmuck and Depp's character must have rocks in his head for going undercover. Kind of dull.

Finally we know what 'fuggedaboudit' means
Donnie Brasco is based on a true story but it is still gripping. Donnie Brasco is the alias of Joe Pistone, an undercover agent. He joins the mob as a help of Lefty played by Al Pacino. Pacino again plays a great mobster. This time as just a spoke, and sometimes not very smart.

But DB gets so involved that he does not know on which side he is, that is what loyalty does to him. Even his marriage is almost falling apart.

Depp and Pacino are of course brilliant as ever and this is another great maffia movie like Goodfellas are the Godfather.

Great Movie
Al Pacino learns what its like to be Fredo Corleone in this movie..being stepped on, stepped over, getting no respect, and finally getting killed by people he trusted...he plays a loser trying keep his head above water with great conviction. Johnny Depp holds his own on the screen and gives another great performance as well.. ... Read more

Reviews (8)

Oscar Worthy Performance By Miranda Richardson
This is as good a cinimatic portrait of a factual homocide as I've seen since In Cold Blood, the infamous Truman Capote nonfiction novel, starring alleged murderer Robert Blake. Miranda Richardson is rivoting, her performance superlative, as she plunges deep into the depths of depair and self pity. Her portrayal of the attention starved and insecure Ruth Ellis is deeply inspired. How? I ask myself with each repeated viewing of this movie, could such a finely crafted flim be overlooked , almost ignored.

Noteworthy as well is the fine performance delivered by Rupert Everett, as David Blakley, Ellis's part-time lover and object of obsession. And, of course the brilliant direction of Mike Newell, who creates perfection in almost a Hitchcockian way. His vision gives this movie the tention, the edgeiness, the underlying danger and the oh so real atmosphere, as to absolutely suck you into the dark seedy, lustful world of an obsessed and scorned woman.

A Cinematic Masterpiece You must See
If there is one problem with Dance With a Stranger it has to be that inevitably one becomes so mesmerized with the performance of Miranda Richardson there is a danger of missing the other performances. The nuances of her character's brittle emotions are perfectly pitched with the arch of penciled eyebrows, the tightening of blood-red lips, and the lisp of her tense voice. A total victim of her own weakness she is drawn into an emotionally and physically abusive relationship, but is powerless to escape. Even under the wing of a man who truly loves her, she throws his devotion aside in a reckless and indeed masochistic spiral. In Richardson's potrayal Ruth Ellis seems almost to crave the violence and mercurial passion, watch her eyes and face as Blakely hits her. The movie drips ambience, wonderfully creating the London nightclub scene in the early 50's. Costumes and makeup are impeccable. Superlative performances from Ian Holm and Rupert Everett, and indeed all members of the cast. Mike Newell has taken a wonderful slice of an evocative era and portrayed a tragedy that we must hope, could never have reached such an awful conclusion today. Breathtaking.

Some dance to remember.
Before Brit director Mike Newell became famous for rom-coms starring Hugh Grant, he directed this intense little masterpiece called *Dance with a Stranger*, based on the true-life story of the Last Woman Hanged in England, Ruth Ellis. Firstly, one is shocked to discover that they were still HANGING people in England 50 years ago! -- in the progressive United States, we had moved on to electric chairs and other inventive methods for dispatching our undesirables. Onward and upward! At any rate, this film is an engrossing experience, with dynamite acting from the British Meryl Streep, Miranda Richardson. (Another shocking thing to consider is that this was her first starring role in the movies! She carries herself like a 20-year screen veteran, here.) A very young Rupert Everett acquits himself well as the lover that Ellis eventually guns down. He plays the part with a curious mixture of viciousness and sleepiness. And Ian Holm finds himself in the type of role he was born to play; that is, the repressed, lip-gnawing little man on the sidelines. His character is a torch-carrying friend of Ellis, as equally obsessed with her as she is with the Everett character. (The Everett character is equally obsessed with himself.) There's some social commentary here, if one cares to search for it: it's a feminist saga by its very nature, in which the heroine serves as either a) a repository for Everett's "jam", or b) a punching bag . . . and sometimes as a combination of the two. As you might imagine, Ellis finally gets her fill of this treatment, but don't expect a feel-good, you-go-girl speech as a side-dish for the vengeful main course. This is a woman in living damnation. She's not Susan Sarandon with an accent. There's also a nod toward the caste system in post-war Britain. Ruth Ellis was little better than a hooker, one of those "very friendly" bar-maids who indifferently sings torch songs and keeps the gentlemen company. The Everett character, despite his moonlighting as a race-car driver, came from a family whose home in the country resembled Blenheim Palace. And Everett's comfortably bourgeois friends can muster only contempt for this woman, who -- to them -- seems no better than a tarty and shrill Marilyn Monroe look-alike. Yah yah yah, the social commentary is there, all right; but the movie isn't terribly interested in it. You're better off just watching Richardson portray this woman whose life spirals vertiginously out of control. One senses that she has been waiting all along for a chance to self-destruct: it's not an easy life, coming home to your young son reeking of gin and cigarette smoke. As she slowly but surely turns into a masochistic, lust-soaked monster, pulling down three different people (including her own son) into the abyss right along with her, we can only watch with appalled fascination. I highly recommend this ice-cold film.

DEATH AT THE TOP.
A WORTHY sister to Susan Hayward's "I Want to Live" both based on fact, this scorching look at 'fatal attraction' across the Class line will stay with you for a long long time.

Depressing? Of course! MIRANDA RICHARDSON as the much abused real life Ruth Ellis glistens in the sultry expose of 'Life Reaching for the Top' - you just cannot take your eyes off this woman as she battles through this hellish liason with the upper-class David [another brilliant turn by Rupert Everett].

One almost applauds when she is driven to the inevitable conclusion of the affair, but it gets even worse ..... Yes, it's a shocking ride though this mangled life.

This IS the versatile and highly gifted Ms. Richardson's movie.

Other viewings? "Tom and Viv", "Enchanted April", "Damage".

Flawlessly Cast And Expertly Directed
This a rivoting story, made all the more incredible given the fact that it is based on the true-life events surrounding the life of Ruth Ellis, the last women to be hanged in the UK. The casting of Miranda Richardson as the love obsessed, call girl in a seedy London hostess club is inspiried to say the least. The intensity of her character in all its frailty and flaws is meticulously portrayed by Richardson. As she endures disappointment and humiliation at the hands of her young lover, David Blakley, (Mike Newell) her obsessive love grows to a heated frenzy, as she is compelled to distroy the object of her obsession.

Rubert Everett deserves kudos for his flawless recreation of the seedy London night-life as seen through the eyes of the denizens of the hostesss club. The overall effect I felt in watching Dance With Stranger was like unwittingly being pulled into a strange and troubling atmosphere...Almost like being in a place where the undercurrent of danger and intrigue have a grasp on you and you can not let go. I've seen this move four times and find it fresh and rewarding with each repeated viewing. ... Read more

Reviews (77)

A Rare Gem
This is the kind of movie that American studios loathe to make. It has too much charm. It was made on a shoestring budget and the major American studios seem to salivate at only the big budget type films. It's a story about women. It's a love story with no sex. It's a remarkable movie, deftly directed by Mike Newell, with no major stars, yet it shines.

Each of the actors, from Alfred Molina to Joan Plowright to the little known but charming Josie Lawrence, give fine performances. Based on the Elizabeth von Arnim novel, two repressed English women seek adventure and find it when they vacation in an Italian villa. The villa seems to change everyone's mood and outlook in life. It's similar in theme to "A Room With A View".

Shot on what had to be a shoestring production, the story, the actors and the camerawork more than make up for any limitations of budget. The film tops off with a satisfying ending that will leave you in a mood quite the opposite of what most films do today. When was the last time that happened?

Wisteria and Sunshine
Enchanted April is simply a wonderful film, filled with quiet romance and the mystery of life, and love. Watching this film is like watching a beautiful flower bloom from the most miniscule bud, wet with the dew of love. There is a charm and warmth found here that is sadly missing in film today.

When an ad is placed in the paper offering a vacation of wisteria and sunshine at a castle by the sea in Italy, two Englishwomen, Lottie (josie Lawrence) and Rose (Miranda Richardson), who are friends from church, leave their mates behind to join two other women for an April to remember. Hesitant at first, everything changes on their first morning there when Lottie opens her bedroom shutters upon the most beautiful vista she has ever seen. She is flooded with love and seems to have a deeper understanding of the human heart than ever before.

Sharing the villa and its enchantment are an older woman with quite a past, and a stunning socialite tired of being pawed at by men. Joan Plowright is delightful as the elderly Mrs. Fisher, who begins to live again under the spell of wisteria and sunshine. But it is beautiful Polly Walker's portrayel of Caroline Hester, with her magic eyes and Louise Brooks look, that nearly steals the show.

The internal musings of Lottie and Rose prompt both women to do the unthinkable and send for their husbands, bringing humorous and unexpected events to this April on the Riviera. Each will begin to find inner happiness and a rebirth of love. Even Caroline, who wanted to be alone, will discover love and beauty beyond her appearance.

Few films have the depth to sooth the soul and leave you feeling good about life like this magical film. Take your own enchanted holiday by picking this up as soon as you can.

The most unusual
While some may say this is a "chick flick" I couldn't disagree more. The form, casting, story, and, well, everything is just so unusual. The cast is superb with Polly Walker and Joan Plowright coming out on top. And the photography and settings are the best. But what I liked most about it was the lack of a formulaic approach. The movie starts out with dissonances and then does nothing but resolve itself slowly so that by the time you're at the end, you feel like YOU'VE been on vacation. This isn't a movie; it's a work of art.

For Rent: Peace of Mind
This is a great movie, it is more of a "Chick Flick" so to speak, but if you are in the mood for a chick flick that you don't really need kleenex for, this is the one. An unhappily married woman is running her errands on a blustery rainy day when on the back of someones news paper she sees an add for a castle in Italy for rent for the month of April. She tells her friend about it, they pool their money, find 2 other women to go in on the expenses with them, and life unfolds before their very eyes. They make realizations about themselves, their lives, and the men in their lives. At some point in everyones life, they need to find this kind of an add... It is heart warming, life affirming, and just a really great movie.

I was enchanted AND I laughed
There's a lot of humor in this film, much of the humor is subtle, and some of it is obvious. For example, some intellectual humor where the simple-minded but endearing Lottie asks the stuffy old woman if she knew Keats, a poet who had been dead for over a hundred years! Or the scene where she's trying to get permission from her husband to go to Italy with her friend.. that whole scene is priceless, very funny. As far as obvious humor, one example would be her husband having a rather... explosive... accident while he's taking a bath!... and then he comes out half-naked and charred only to be met by the old woman!! You'll laugh :)

AS you can imagine, this film is a satire or lampoon of the attitudes and mores of the 1930s which is when this story takes place. But don't worry, it's not a stuffy old boring period piece--far from it! This is an immensely enjoyable and accessible film that will really delight you. Very easy to follow and enjoy, very amusing and funny.

David Rehak
author of "Love and Madness" ... Read more

Reviews (85)

Based on a true story....
Working undercover as a jewel dealer Joe Pistone (Johnny Depp) earns the trust of Lefty Ruggiero (Al Pacino). Lefty vouches for Joe and brings him into his mob family. What was supposed to be a three-month assignment for Joe turns into several years. Joe begins to drift away from his own family and deep into the mob. He and Lefty form a strong bond and a father son relationship. When the investigation is coming to an end Joe realizes that his only way out of the mob is to betray his friend.

The film is presented in 2.35:1 anamorphic widescreen. It is a very nice transfer the only flaw I noticed was a hint of grain occasionally. A Dolby Digital 5.0 audio track is provided. The surround speakers are hardly used. When they are its mostly only for music. With a movie like this that is mostly dialogue its understandable. This special edition DVD has several extras. The highlights are a director's commentary, two featurettes, deleted scenes and trailers. The featurette titled "Donnie Brasco: Out of the Shadows" was excellent. It gives a lot of background on the film and contains several interviews with the cast and crew. The deleted scenes are nice to see but I can understand why they were cut from the film.

For those of you thinking this is just another mob movie, you are wrong. Instead of showing the top of the crime family tree like many other films this one shows the bottom. It shows soldiers that are scraping at the bottom of the barrel and are just trying to make ends meet. This is a film that stands on its own on many levels. It was perfectly cast with Johnny Depp, Al Pacino, Michael Madsen and Anne Heche. If you like mob movies or just fine acting this is one film you need to see.

A Mobster Masterpiece Worth Watching Over and Over Again
Based on a true story that is so amazing and shocking, "Donnie Brasco" is a fantastic film that hooks you from start to finish. With stars like Al Pacino, Johnny Depp, Michael Madsen, and many more, this is a movie that should be seen by all.

FBI Joseph D. Pistone is an undercover agent who's goal is to get into the violent and unpredictable mob world. He goes the by name of Donnie Brasco. Soon he is discovered by Lefty Ruggiero, who sees potential in the kid, not aware of who Brasco really is. He brings him into the family and the world of the Mafia. It doesn't take long for Joseph to get so deep into the action that he starts to become one of them. This unforgettable picture shows us that sometimes you can become what you chase if you're in too long, and that in order to catch a monster you may become one yourself in the process.

I became addicted to this film in no time. It's one of my favorites that I have seen over and over again, and it hasn't gotten old yet. The acting and directing is all fantastic. Al Pacino really shines, as always, and Johnny Depp gives an Academy Award performance as the FBI agent. He actually spent time with the real Joseph Pistone to get his character down, as he did when he was working on "Fear and Loathing in Las Vegas." Michael Madsen is also terrific and can once again send chills down our spines just as he did in "Reservoir Dogs."

This new special edition of the DVD is much, MUCH better than the original. First off, the sound and picture quality has really improved. Especially the picture; it looks a lot better than the first version that came out. There are also a lot of extras, including features such as director's commentary, and exclusive featurette, the original featurette, deleted scenes, trailers, and more. The featurettes are very interesting and makes the DVD that much more special. A very high quality special edition, if you ask me.

All in all, "Donnie Brasco" is an outstanding picture on all fronts. Filled with drama and suspense, this is a film that will take you deep into the world of the Mafia. The only question is how far would you go? And would you risk becoming one of them when it's all said and done? Excellent all the way!

More of the Same
There are so many great mafia/mobster movies out there. This aint one of them. Slow and preachy. Pacino plays a schmuck and Depp's character must have rocks in his head for going undercover. Kind of dull.

Finally we know what 'fuggedaboudit' means
Donnie Brasco is based on a true story but it is still gripping. Donnie Brasco is the alias of Joe Pistone, an undercover agent. He joins the mob as a help of Lefty played by Al Pacino. Pacino again plays a great mobster. This time as just a spoke, and sometimes not very smart.

But DB gets so involved that he does not know on which side he is, that is what loyalty does to him. Even his marriage is almost falling apart.

Depp and Pacino are of course brilliant as ever and this is another great maffia movie like Goodfellas are the Godfather.

Great Movie
Al Pacino learns what its like to be Fredo Corleone in this movie..being stepped on, stepped over, getting no respect, and finally getting killed by people he trusted...he plays a loser trying keep his head above water with great conviction. Johnny Depp holds his own on the screen and gives another great performance as well.. ... Read more

Reviews (9)

amazing grace and chuck
Wonderful for kids and adults. beautiful and touching relationships. Kids standing up for principles. our family favorite!