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| 1. Northern Exposure - The Complete First Season Director: Peter O'Fallon, Victor Lobl, David Carson, Michael Vittes, Jack Bender, Mark Horowitz, Michael Katleman, Tom Moore (II), Steven Robman, Stuart Margolin, Bill D'Elia, Oz Scott, Adam Arkin, Lorraine Senna, Dan Lerner, Frank Prinzi, Lee Shallat Chemel, Robert C. Thompson, Dean Parisot, John David Coles | |
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Amazon.com In season 1, we meet Dr. Joel Fleischman (Rob Morrow), an urban New York yuppie who consents to four years of rural servitude after Alaska pays his medical-school tuition. Joel's fish-out-of-water adventures drive the show, but it's the quirky ensemble of characters--Chris, the DJ/philosopher (John Corbett), Holling, the bartender (John Cullum), Maurice, the town patriarch (Barry Corbin), Ed, the filmmaker (Darren E. Burrows), and Maggie, the bush pilot (Janine Turner), among others-that keeps the series consistently entertaining. The town develops its own offbeat personality as well, a Mayberry-meets-Twin-Peaksblend of Native mysticism, Aurora Borealis-induced dreams, unlikely tales of long-lost family members, and rumors of a Bigfoot-like creature known simply as "Adam." Northern Exposure provides a utopian escape--a place where life is interesting but never dangerous, everyone's insightful, the mystical becomes real, and nobody's burdened with a mundane 9-to-6 desk job. Cicely is a delightful place to visit, even if it's only for an hour at a time. A mid-season replacement, season 1 consists of just eight episodes on two DVDs. Each episode includes 5-10 minutes of outtakes and deleted scenes. --Shane Burnett Reviews (167)
Deleted Scenes (and special limited edition "Parka" packaging!)
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| 2. Northern Exposure - The Complete Second Season Director: Peter O'Fallon, Victor Lobl, David Carson, Michael Vittes, Jack Bender, Mark Horowitz, Michael Katleman, Tom Moore (II), Steven Robman, Stuart Margolin, Bill D'Elia, Oz Scott, Adam Arkin, Lorraine Senna, Dan Lerner, Frank Prinzi, Lee Shallat Chemel, Robert C. Thompson, Dean Parisot, John David Coles | |
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Description | |
| 3. Curb Your Enthusiasm - The Complete Third Season Director: Robert B. Weide, Bryan Gordon, David Steinberg, Dean Parisot, Larry Charles, Andy Ackerman, Keith Truesdell | |
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Reviews (3)
301- Chet's Shirt (9/15/02) 302- The Benadryl Brownie (9/22/02) 303- Club Soda and Salt (9/27/02) 304- The Nanny (10/6/02) 305- The Terrorist Attack (10/13/02) 306- The Special Section (10/20/02) 307- The Corpse-Sniffing Dog (10/27/02) 308- Crazy-Eyez Killah (11/3/02) 309- Mary, Joseph, and Larry (11/10/02) 310- The Grand Opening (11/17/02) The first season of Curb Lacks the kind of overall plot connecting the episodes that the most recent three seasons have had. The second season steered Curb in a very "Seinfeld" direction as Larry begins to pitch a TV series (Starring, initially, Jason Alexander, and later Julia Louis-Dreyfus) to several networks, very similar to Seinfeld's fourth season. Finally, it seems, Curb Your Enthusiasm "found itself", so to speak, with its third season. The third season's plot finds Larry investing in a resturaunt along with several other celebrities. So finally, after a hectic albeit funny first and second season, the show settled down and focused on connecting and inter-weaving the episodes in really interesting and unique ways while still leaving each open-ended enough to be enjoyed alone. The time Curb saved slimming down non-plot-essential information went into a good deal of critically needed character development. Remarkably, the deepest character in the first two seasons is Larry's manager, Jeff. Luckily, Larry and Cheryl are at the core of almost every aspect of the third season. Their family lives are fleshed-out in much greater detail, making both seem infinitely more human. And this character-development allowed Curb Your Enthusiasm, in my opinion, to become truly great. -Colin George
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| 4. Galaxy Quest Director: Dean Parisot | |
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Amazon.com essential video Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce.--Jeff Shannon Reviews (394)
DVD has good anamorphic Widescreen (2.35:1)picture quality and excellent dolby digital 5.1 sound also got the alien dubbed track for dolby surround track! is quite funny to listen. Seven deleted scenes. A small behind the scenes featurette and Omega 13, you have to watch the movie first to make it worth. Travia:In one of those deleted scenes has Dian Bachar(Baseketball, Orgamzo) has a comic scene with Tony Shalhoub. Bachar is credited as Nervous Tech Alien. Is also in the film, cast like as a extra. You can spot the actor in a couple of scenes only. Grade:B+. Panavision.
That is, until I began reading the reviews, and then saw the film as soon as it came out on DVD. This is one of those movies that I can't believe has taken me this long to write about on these pages. Make that rave about: GALAXY QUEST is one of the funniest films I have ever seen, and would be in my Top 30 Listmania List if I were allowed to go to 30. It does help that I'm a STAR TREK fan (although not quite a Trekkie; please read my review of the documentary TREKKIES for more exposition on this point), but I honestly think that anyone with a good sense of humor will like this movie. It is written with a knowing wink to the Trekkie phenomenon as well as to Star Trek, and has smart dialogue courtesy of David Howard; unbelievably enough, this was his first---and still his only---film for which he has written. The film opens with a convention for the immensely popular "Galaxy Quest" series, which starred full-of-himself screen hog Jason Nesmith (Allen) as Cmdr. Peter Quincy Taggart (not dissimilar to James Tiberius Kirk), Gwen DeMarco (Weaver) as Lt. Tawny Madison, former Shakesperean actor Alexander Dane (Rickman) and former child actor Tommy Webber (Daryl Mitchell) as Lt. Laredo, the ship's (very) young Navigational Officer. Nesmith secretly hates the Conventions, but plays up to the shows' fans, whose attention he monopolizes at every turn. Naturally, this long-established practice has alienated him from his co-stars, who hate his guts but like participating in the Conventions (except for Alexander Dane, who rues the day he became more famous for his character, and his character's famous rallying cry, than for being a 30+ year veteran of the Shakespeare stage). Nesmith finally loses his cool when being overly nagged by a teenaged nerdy fan (Justin Long), and yells at him in a manner that instantly recalls the "Get a life!" mock admonition that William Shatner gave in a 1986 Saturday Night Live skit. However, on the next drunken-hangover morning, Nesmith is visited by a strange-looking and talking man (Enrico Colantoni) who introduces himself as Thermian Cmdr. Mathesar, whose people are under attack by an evil alien leader named General Sarris (Robin Sachs). He pleads for Taggart's assistance, having seen the "historical documents" of his crew's many victories over greater enemies. Nesmith hazily just assumes that this is another nerdy fan with no life and goes along with him just to appease, and perhaps he has nothing better to do at this point. But then he finds out... Of course, Mathesar and the Thermians are real aliens who had picked up the TV-wave transmission of the "Galaxy Quest" show and, in their childish impressionability, have assumed that the crew, the ship, everything was real. They have replicated the ship in full, both inside & out (since you know, for example, that Star Trek has always been so detailed that exact replicas of the Enterprise have numbered in the thousands) and have modeled their society from their example. Nesmith exitedly gets back to his fellow cynical and unbelieving actors, who go along only because they think it may be a well-paying job. Then they find out... GALAXY QUEST is smart, funny and has a lot of fun with the TREK phenomenon, as portrayed through this fictional TV show and its characters. It also has fun with all the conventions (that is, *customs*) of Sci-Fi TV shows, such as gigantic, death-defying devices being present in a starship's engine room, or that the fate of our heroes comes down to one final second. It nudges & prods at all of these (plus more) with a complete love for the Sci-Fi genre. It also manages to convey a *sense of wonder* through visual effects that are really excellent. As for the acting, everybody---yes, including Tim Allen---gives a terrific performance, including Sam Rockwell as a minor "Galaxy Quest" character who constantly fears for his life during the actors' real mission, because nobody knows his last name, which, of course, is a sure sign that he is going to die, just like his character did on the one episode of the TV show! Enrico Colantoni's performance as Mathesar is infectious, and is perhaps the biggest revelation in the entire film; it can be argued that he may have deserved an Oscar nomination for Best Supporting Actor. Robin Sachs creates an evil presence as the murderous, slimy alien General Sarris. Best of all, everybody's in on the joke. GALAXY QUEST is a great buy on DVD. The "On Location In Space" feature is entertaining and informative. The deleted scenes are a hoot! All in all, this film is a great way to entertain the entire family, as it is among the few comedies that are intelligent yet can be viewed by children. I wholeheartedly give it a "thumbs-up"---wait, no, that's the other guy! In other words, I deem this movie to be HIGHLY RECOMMENDED; AGES 8 & UP
Galaxy Quest mines a shuttle-full of sci-fi cliches for its banter, and while I don't remember anything laugh-out-loud rip-roarious, there is a good deal of congenial charm that permeates throughout. Which makes it a perfect family flick to watch on a lazy Sunday afternoon. Apart from the spoof gags, what took me by surprise were the superb special effects, as octopodal aliens morph effortlessly into humans and back again in articulately designed space (the interior of the spaceship itself borrowed its staid cardboard looks from Star Trek of yore, perhaps as an intentional sardonic effect) Overall, the film's affection for its audience (especially those weaned on Lost in Space, or The Next Generation, etc) and for the characters it parodies covers up for the gaping blackholes in its highly implausible and goofy plotline. Great rental, and even a good buy because it lends itself easily to repeat viewing.
The premise is simple enough. "Galaxy Quest" was a TV show that rode the success of "Star Wars" in the late 70s to join "Battlestar Galactica," "Buck Rogers in the 25th Century," and "Star Trek: The Next Generation" as the popular programming of the time. But like those shows, "Galaxy Quest" didn't survive through the early 80s, and now the cast is a bunch of washed-up has-beens who are lucky to be earning paychecks from convention appearances and electronics store openings. That is, until they are approached by a group claiming to be Thermians needing assistance with the interstellar bully in their quadrant of the galaxy. The cast takes the Thermians and their leader, Mathesar (Enrico Colantoni, "Hope and Gloria"), as ardent fans of the show wanting a private appearance of the cast, but the truth is, the Thermians are real aliens with a real problem; it seems the Thermians are a very naive race, believing the television signals from Earth to be real historical accounts of the NSEA Protector and it's gallant crew, and at the same time, gifted scientists and engineers capable of recreating the NSEA Protector as a real spaceship. But they aren't warriors, so they come to Earth looking for the "real" crew of the original Protector to man their version, and to help them in their negotiations with General Sarris (Robin Sachs, TV's "Buffy the Vampire Slayer"), the resident bully. The actors that played the original Protector's crew are lead by Jason Nesmith (Tim Allen, TV's "Home Improvement" and the "Santa Clause" series), who played Cmdr. Peter Quincy Taggart, a character not unlike the original Star Trek's Capt. Kirk, constantly mugging for the camera and sleeping with every alien princess. Gwen DeMarco (Sigourney Weaver, the "Alien" series) played Lt. Tawny Madison, the buxom blonde kitten whose only real job on the show was to look sexy and repeat everything the computer said. Alexander Dane (Alan Rickman, "Robin Hood: Prince of Thieves" and the "Harry Potter" series), a Shakespearean actor, is Dr. Lazarus, the alien science officer. Fred Kwan (Tony Shalhoub, TV's "Monk") is the laid-back engineering officer, Tech Sgt. Chen. Tommy Webber (Daryl Mitchell, "Sgt. Bilko") is the actor who as a child played the Protector's helmsman, Lt. Laredo. And Guy Fleegman (Sam Rockwell, "Matchstick Men") was Crewman #6, who died in his lone episode (in the original Star Trek, Fleegman would have been the crewman in the red shirt on the away mission), but who tags along on the mission anyway, constantly fretting that he'll die in real life on this mission just as his character died on the show. These guys are in no way heroes. For example, none of the other actors can stand Jason Nesmith, for example, because of the constant attention he gets being the commander (which does much to fuel an already sizeable ego), but especially Alexander Dane, who sees him as a scene-stealing hack with no talent, and Gwen DeMarco, who's simply tired of him hitting on her all the time. Are you reading this, William Shatner? In the end, though, the prima donnas find their inner-strength and succeed against Sarris, but that much you already knew going in, right? This movie should have been an instant classic. Seeing actors playing actors is always loads of fun, as we get a peek at how Hollywood really views itself. The sci-fi spoofing is dead-on accurate, and it really is an homage to the classic series as well, most notably "Star Trek." There are also great bonus stuffs on the DVD, including a "making of" special, deleted scenes that made me wonder why they were deleted, and an alternate soundtrack in the Thermian bark-and-squawk language. If you love "Star Trek," you'll love "Galaxy Quest." If you hated "Star Trek," you will also love "Galaxy Quest." ... Read more | |
| 5. Curb Your Enthusiasm - The Complete First & Second Seasons Director: Jeff Garlin, Robert B. Weide, Bryan Gordon, David Steinberg, Dean Parisot, Larry Charles, Andy Ackerman, Keith Truesdell | |
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Amazon.com The second season is more of the same, and for fans, that's a good thing. The closest thing to an arc is David's season-long pitch to the networks for a new show starring former Seinfeld stars Jason Alexander and Julia-Louis Dreyfus. Each network is lampooned, especially HBO, which David has a bad history with in this alternate world. Sure to repel those with soft funny bones, Curb's acerbic comedy allows jokes where David is accidentally framed--if ever so briefly--as a child molester, wife abuser, or murderer. But for those who do love his shtick, there are big laughs, especially when we bump into characters as unbridled as David, like a fellow writer who is quite protective over his dad's invention, the Cobb salad. Many comic actors pop up, some as "themselves" (Richard Lewis, Rob Reiner) and others as characters (Rita Wilson, Ed Asner) along with the delights of co-stars Cheryl Hines as David's wife and his affable manger, Jeff Garlin. There are several touchstone bits: what a thong brief can do to a relationship, a run-in with pro wrestler, Larry's first baptism, and one very collectible doll. To pick one episode to capture this second season--and its grandstanding nature--it would be "Shaq," in which the NBA star is accidentally tripped, changing David's usual bad luck with gut-busting results. --Doug Thomas | |
| 6. The Tick - The Entire Series Director: Danny Leiner, Barry Sonnenfeld, Mel Damski, Dean Parisot, Craig Zisk, Boris Damast, Andrew Tsao, Bo Welch | |
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Amazon.com In the title role, Warburton (with highly expressive antennae) hits all the right notes of dimwitted innocence and brute-force gallantry, aided immeasurably by his moth-costumed sidekick Arthur (David Burke), wannabe lothario Batmanuel (Nestor Carbonell), and buxom beauty Captain Liberty (Liz Vassey). Attentive to the more mundane aspects of superheroism, The Tick offers outrageous villains (like the nefarious "Destroyo") and eccentric allies (like Ron Perlman's hilarious "Fiery Blaze") while showing that even crimefighters have everyday problems and desires. Brilliantly conceived and executed, The Tick can now be enjoyed by an audience it never had a proper chance to cultivate. --Jeff Shannon Reviews (57)
The DVD is, sadly, not perfect. The extras are pretty worthless, and I'm at a loss as to why it needed to be a 2-DVD set with three episodes on one disc and six on the other. They all easily could have fit on one disc and left the annoying "extras" out. I cannot criticize the content, however; the show is just as hilarious as I remember it. The episodes "The Funeral," "Couples" and the wonderful pilot (with Christopher Lloyd in an uncredited role as Mr. Fishladder, Arthur's former boss) are the shining points of the series. And from the viewpoint of a hearing-impaired person, it's a joy to watch a DVD that is properly closed-captioned, with no spelling mistakes, few omissions and without the annoying all-caps some DVDs insist upon. This show was funny, edgy and irreverant...completely different from anything else on TV at the time. In the words of the Tick himself: "When the world says jump, we say pass the salt!"
Mild-mannered accountant Arthur (David Burke) quits his job in order to don a spandex moth suit and fight crime. When he's attacked by inept Communist agents, he's suddenly rescued by... the Tick (Patrick Warburton), a dimwitted innocent who lives in a world of his own. Reluctantly recruited by the Tick as a sidekick, Arthur accompanies his bizarre, superhuman friend through a strange array of crime-fighting scenarios With the wannabe Latin lover Batmanuel (Nestor Carbonell) and patriotic amazon Captain Liberty (Liz Vassey), the Tick attacks the eccentric evil of the world: fire-spewing Apocalypse Cow, 112-year-old supervillain The Terror, formerly pudgy ballerina Destroyo, Arthur's relatives, and robots who are trying to kill Jimmy Carter. In the meantime, Our Heroes have to deal with dogs, mixed dating (superhero/ordinary person), porn shoots, Captain Liberty accidently killing the poorly-named celebrity-superhero Immortal (in the sack, no less!), the snobby League of Heroes, and the Tick's search for his true identity. It doesn't get much goofier than "Tick," which spoofs the sort of comic book heroes like Superman and Batman. The villains are over-the-top (check out Destroyo's tanklike exoskeleton), the heroes are more often insane than not, and sidekicks form little clubs to complain about how their heroes treat them. The writing is full of tortured metaphors and strange scenarios (the scene where Captain Liberty and Batmanuel try to explain the Facts of Life to the Tick is priceless -- "blah blah blah"). He's the tiny diamond in a sea of rhinestones, a peach in a barrel of bad apples; Patrick Warburton is outrageously funny as he rolls off the corniest and dumbest dialogue imaginable ("A secret message... from my teeth!") without cracking the tiniest smile. Burke serves as the hapless brain Arthur; Carbonell is quite entertaining as the womanizing Batmanuel, who only fights crime once in the whole series. And Vassey is fantastic as a frustrated 21st-century Wonder Woman who sometimes seems to be the only really sane one there. All too short and all too sweet, "The Tick" wasn't given the long life on television that it deserved. However, fans can now enjoy the nine hysterical episodes of madness, mayhem, Metcalfe, and steaming hot cups of justice. Long live the Big Blue Lug.
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| 7. Curb Your Enthusiasm - The Complete Second Season Director: Jeff Garlin, Robert B. Weide, Bryan Gordon, David Steinberg, Dean Parisot, Larry Charles, Andy Ackerman, Keith Truesdell | |
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Amazon.com Many comic actors pop up, some as "themselves" (Richard Lewis, Rob Reiner) and others as characters (Rita Wilson, Ed Asner) along with the delights of co-stars Cheryl Hines as David's wife and his affable manger, Jeff Garlin. There are several touchstone bits: what a thong brief can do to a relationship, a run-in with pro wrestler, Larry's first baptism, and one very collectible doll. To pick one episode to capture this second season--and its grandstanding nature--it would be "Shaq," in which the NBA star is accidentally tripped, changing David's usual bad luck with gut-busting results. --Doug Thomas Reviews (25)
It has been common knowledge that Larry David, the co-creator of Seinfeld was the real-life version of Jason Alexander's character, George Costanza. When you watch this show, you can't help but see the similarities. One of the more interesting things about this show is that the dialogue is totally unscripted. This adds a freshness to the show that is very unique. The show features a lot of cameos from Larry David's circle of Hollywood friends who generally play themself. My only complaint is that there are only 10 episodes per season. I can't get enough of this show. It's clearly the funniest show on TV today!
It was still worth it in the end, as nothing makes me laugh harder than watching this poor shlub stammer his way through ridiculous situations of his own making. Priceless moments this season include an uncomfortably realistic bit with Jason Alexander suffering the slings and arrows of post-Seinfeld Costanza-typecasting; Ed Asner's hysterical turn as a gruff and horny old geezer on his last legs; and a horrified Larry encountering his shrink sporting a package-revealing thong at the beach -- not to even mention the nightmarish water bottle incident in the "Doll Head" episode. This is "Curb Your Enthusiasm" undergoing growing pains, unsuccessful in fully re-capturing the spontaneous greatness of Season One and not yet on the reliably steady legs that will later hallmark its prime. While the writing and guest spots improve markedly in subsequent years, this series is still superior to everything being served up by the networks, even in its weakest hour. ... Read more | |
| 8. Galaxy Quest - DTS Director: Dean Parisot | |
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Reviews (394)
DVD has good anamorphic Widescreen (2.35:1)picture quality and excellent dolby digital 5.1 sound also got the alien dubbed track for dolby surround track! is quite funny to listen. Seven deleted scenes. A small behind the scenes featurette and Omega 13, you have to watch the movie first to make it worth. Travia:In one of those deleted scenes has Dian Bachar(Baseketball, Orgamzo) has a comic scene with Tony Shalhoub. Bachar is credited as Nervous Tech Alien. Is also in the film, cast like as a extra. You can spot the actor in a couple of scenes only. Grade:B+. Panavision.
That is, until I began reading the reviews, and then saw the film as soon as it came out on DVD. This is one of those movies that I can't believe has taken me this long to write about on these pages. Make that rave about: GALAXY QUEST is one of the funniest films I have ever seen, and would be in my Top 30 Listmania List if I were allowed to go to 30. It does help that I'm a STAR TREK fan (although not quite a Trekkie; please read my review of the documentary TREKKIES for more exposition on this point), but I honestly think that anyone with a good sense of humor will like this movie. It is written with a knowing wink to the Trekkie phenomenon as well as to Star Trek, and has smart dialogue courtesy of David Howard; unbelievably enough, this was his first---and still his only---film for which he has written. The film opens with a convention for the immensely popular "Galaxy Quest" series, which starred full-of-himself screen hog Jason Nesmith (Allen) as Cmdr. Peter Quincy Taggart (not dissimilar to James Tiberius Kirk), Gwen DeMarco (Weaver) as Lt. Tawny Madison, former Shakesperean actor Alexander Dane (Rickman) and former child actor Tommy Webber (Daryl Mitchell) as Lt. Laredo, the ship's (very) young Navigational Officer. Nesmith secretly hates the Conventions, but plays up to the shows' fans, whose attention he monopolizes at every turn. Naturally, this long-established practice has alienated him from his co-stars, who hate his guts but like participating in the Conventions (except for Alexander Dane, who rues the day he became more famous for his character, and his character's famous rallying cry, than for being a 30+ year veteran of the Shakespeare stage). Nesmith finally loses his cool when being overly nagged by a teenaged nerdy fan (Justin Long), and yells at him in a manner that instantly recalls the "Get a life!" mock admonition that William Shatner gave in a 1986 Saturday Night Live skit. However, on the next drunken-hangover morning, Nesmith is visited by a strange-looking and talking man (Enrico Colantoni) who introduces himself as Thermian Cmdr. Mathesar, whose people are under attack by an evil alien leader named General Sarris (Robin Sachs). He pleads for Taggart's assistance, having seen the "historical documents" of his crew's many victories over greater enemies. Nesmith hazily just assumes that this is another nerdy fan with no life and goes along with him just to appease, and perhaps he has nothing better to do at this point. But then he finds out... Of course, Mathesar and the Thermians are real aliens who had picked up the TV-wave transmission of the "Galaxy Quest" show and, in their childish impressionability, have assumed that the crew, the ship, everything was real. They have replicated the ship in full, both inside & out (since you know, for example, that Star Trek has always been so detailed that exact replicas of the Enterprise have numbered in the thousands) and have modeled their society from their example. Nesmith exitedly gets back to his fellow cynical and unbelieving actors, who go along only because they think it may be a well-paying job. Then they find out... GALAXY QUEST is smart, funny and has a lot of fun with the TREK phenomenon, as portrayed through this fictional TV show and its characters. It also has fun with all the conventions (that is, *customs*) of Sci-Fi TV shows, such as gigantic, death-defying devices being present in a starship's engine room, or that the fate of our heroes comes down to one final second. It nudges & prods at all of these (plus more) with a complete love for the Sci-Fi genre. It also manages to convey a *sense of wonder* through visual effects that are really excellent. As for the acting, everybody---yes, including Tim Allen---gives a terrific performance, including Sam Rockwell as a minor "Galaxy Quest" character who constantly fears for his life during the actors' real mission, because nobody knows his last name, which, of course, is a sure sign that he is going to die, just like his character did on the one episode of the TV show! Enrico Colantoni's performance as Mathesar is infectious, and is perhaps the biggest revelation in the entire film; it can be argued that he may have deserved an Oscar nomination for Best Supporting Actor. Robin Sachs creates an evil presence as the murderous, slimy alien General Sarris. Best of all, everybody's in on the joke. GALAXY QUEST is a great buy on DVD. The "On Location In Space" feature is entertaining and informative. The deleted scenes are a hoot! All in all, this film is a great way to entertain the entire family, as it is among the few comedies that are intelligent yet can be viewed by children. I wholeheartedly give it a "thumbs-up"---wait, no, that's the other guy! In other words, I deem this movie to be HIGHLY RECOMMENDED; AGES 8 & UP
Galaxy Quest mines a shuttle-full of sci-fi cliches for its banter, and while I don't remember anything laugh-out-loud rip-roarious, there is a good deal of congenial charm that permeates throughout. Which makes it a perfect family flick to watch on a lazy Sunday afternoon. Apart from the spoof gags, what took me by surprise were the superb special effects, as octopodal aliens morph effortlessly into humans and back again in articulately designed space (the interior of the spaceship itself borrowed its staid cardboard looks from Star Trek of yore, perhaps as an intentional sardonic effect) Overall, the film's affection for its audience (especially those weaned on Lost in Space, or The Next Generation, etc) and for the characters it parodies covers up for the gaping blackholes in its highly implausible and goofy plotline. Great rental, and even a good buy because it lends itself easily to repeat viewing.
The premise is simple enough. "Galaxy Quest" was a TV show that rode the success of "Star Wars" in the late 70s to join "Battlestar Galactica," "Buck Rogers in the 25th Century," and "Star Trek: The Next Generation" as the popular programming of the time. But like those shows, "Galaxy Quest" didn't survive through the early 80s, and now the cast is a bunch of washed-up has-beens who are lucky to be earning paychecks from convention appearances and electronics store openings. That is, until they are approached by a group claiming to be Thermians needing assistance with the interstellar bully in their quadrant of the galaxy. The cast takes the Thermians and their leader, Mathesar (Enrico Colantoni, "Hope and Gloria"), as ardent fans of the show wanting a private appearance of the cast, but the truth is, the Thermians are real aliens with a real problem; it seems the Thermians are a very naive race, believing the television signals from Earth to be real historical accounts of the NSEA Protector and it's gallant crew, and at the same time, gifted scientists and engineers capable of recreating the NSEA Protector as a real spaceship. But they aren't warriors, so they come to Earth looking for the "real" crew of the original Protector to man their version, and to help them in their negotiations with General Sarris (Robin Sachs, TV's "Buffy the Vampire Slayer"), the resident bully. The actors that played the original Protector's crew are lead by Jason Nesmith (Tim Allen, TV's "Home Improvement" and the "Santa Clause" series), who played Cmdr. Peter Quincy Taggart, a character not unlike the original Star Trek's Capt. Kirk, constantly mugging for the camera and sleeping with every alien princess. Gwen DeMarco (Sigourney Weaver, the "Alien" series) played Lt. Tawny Madison, the buxom blonde kitten whose only real job on the show was to look sexy and repeat everything the computer said. Alexander Dane (Alan Rickman, "Robin Hood: Prince of Thieves" and the "Harry Potter" series), a Shakespearean actor, is Dr. Lazarus, the alien science officer. Fred Kwan (Tony Shalhoub, TV's "Monk") is the laid-back engineering officer, Tech Sgt. Chen. Tommy Webber (Daryl Mitchell, "Sgt. Bilko") is the actor who as a child played the Protector's helmsman, Lt. Laredo. And Guy Fleegman (Sam Rockwell, "Matchstick Men") was Crewman #6, who died in his lone episode (in the original Star Trek, Fleegman would have been the crewman in the red shirt on the away mission), but who tags along on the mission anyway, constantly fretting that he'll die in real life on this mission just as his character died on the show. These guys are in no way heroes. For example, none of the other actors can stand Jason Nesmith, for example, because of the constant attention he gets being the commander (which does much to fuel an already sizeable ego), but especially Alexander Dane, who sees him as a scene-stealing hack with no talent, and Gwen DeMarco, who's simply tired of him hitting on her all the time. Are you reading this, William Shatner? In the end, though, the prima donnas find their inner-strength and succeed against Sarris, but that much you already knew going in, right? This movie should have been an instant classic. Seeing actors playing actors is always loads of fun, as we get a peek at how Hollywood really views itself. The sci-fi spoofing is dead-on accurate, and it really is an homage to the classic series as well, most notably "Star Trek." There are also great bonus stuffs on the DVD, including a "making of" special, deleted scenes that made me wonder why they were deleted, and an alternate soundtrack in the Thermian bark-and-squawk language. If you love "Star Trek," you'll love "Galaxy Quest." If you hated "Star Trek," you will also love "Galaxy Quest." ... Read more | |
| 9. Monk - The Premiere Episode Director: Ron Underwood, Tony Bill, Michael Zinberg, Nick Marck, Adam Arkin, Adam Davidson, Andre Belgrader, Randall Zisk, Jerry Levine, Robert C. Thompson, Dean Parisot, Craig Zisk, Lawrence Trilling, Michael Fresco, Michael Spiller, Stephen Cragg, Tom DiCillo, Michael Nankin, Kevin Inch, Adam Shankman | |
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Reviews (17)
The idea is that Monk is now a private consultant with an uncanny ability to pick up details missed by other detectives. You can think of Monk as a really quirky Sherlock Holmes, with his full-time nurse Sharona Fleming (Bitty Schram) in the role of Watson. However, she spends more of her time serving as a buffer between Monk and the real world. The result is one of the rare delights on television from last season and the first television show to cross over from cable to networks. By the time you get to the scene where Monk knocks all of the little colored pins out of the candidate's map, you will be hooked and checking your television schedule to see when the next episode is airing. That is one of only a half-dozen scenes where Monk provides his bona fides as a detective. The most important thing is that in addition to all the quirky comedy shtick with Monk's super attention to detail, the crimes he is investigating are worthy of his attention. The dynamic between Monk and Sharona becomes the pivot on which the pilot and all other episodes have turned, even though the idea of a potential romance between the two misses the point. Just watch the scene where he blows away her date and you can see the foundation of their relationship and just more proof that this is the role of Shalhoub's career. If you are not on the "Monk" bandwagon, then check this out. If you are already a fan and do not have everything on tape, keep hope alive that all of Season 1 will be available sooner or later.
Enter Sharona Fleming (Bitty Schram), a nurse and single mom who doesn't always treat Adrian Monk with kid gloves. He relies on her yet she never allows him to become too dependent upon her. While she may supply antibacterial hand wipes along with note-taking/phone calling as Monk's hired assistant and nurse, she is a fiesty and independent woman who doesn't take much guff; yet, she also enjoys tracking down the baddies and solving the murder mysteries with her boss, Monk, whom she both admires and is aggravated by. She often threatens to quit, but Monk somehow never believes she really will. When she goes on a date, which Monk thought she was only joking about going on, he turns up at the restaurant where the couple is dining and after a few moments of sitting at their table blurts out that the guy she's with is both a phony and a liar--not even the entertainment attorney he claimed to be... All so low key it's as if he's talking about menu items' pros and cons... And he wonders why Sharona becomes very upset and says she's quitting her job with him. He seems more taken with the fact she'd been a dancer in Atlantic City (as he's sure she'll return to her job with him). The mystery in the pilot episode revolves around a seemingly small little murder of a young woman that Monk has been working on but is later able to tie to the supposed assassination attempt of a local political candidate. It's as if Monk has ESP, but it's plain common sense, a photographic memory, attention to detail, and logic which aid Monk in his deductions. Higher stakes matter here, though, as we learn Monk is also working to gain re-instatement to the police force he was discharged from when his wife was killed and his OCD flared up full-force. He's been working as a private detective and also a consultant to the police for about a year (with Sharona's assistance) for very meager pay. Monk's shrink, Dr. Kroger, initially believes Monk may be ready to re-join the force (which does get Adrian's hopes and spirits up) after Monk solves both murders (plus a third, another campaign aide's murder, which happens along the way) and saves Sharona from being murdered in the sewer! The reaction he has to his unexpected recognition for solving the case--by the candidate (with full media coverage)--the will both touch and move even the hardest heart watching. The comedy is a treat: fresh, although often bizarre, upbeat (yet sometimes dark) and sure to take you by surprise and make you laugh in spite of your feeling you shouldn't (maybe) even be laughing. The role of Adrian Monk in this series' pilot garnered Tony Shalhoub a Best Actor in a Comedy Series Emmy Award Nomination. The pilot is well-paced, superbly acted by a talented cast, effectively directed, and is rich with strong production values (just having some of it filmed in San Franscisco alone is enough to set mood and tone). And even when the pilot ends, we want to see/know more. It's the relationship between Monk and Sharona which grabs our attention, our interest--and it's Tony Shalhoub as Monk who makes us care. The man's a magician--the plastic gloves and antibacterial wet wipes, like smoke and mirrors, are simply an added bonus to the genuine life he breathes into the character and the comedy/drama. Two clean hands way up for this rare gem!--Lenore Hutton
I came to the party rather late, not watching until season 2. I was quite anxious to see the pilot because I wanted to get the complete background on the character. Since I've seen almost every episode now, I did know the basics of what I needed to know, so I could just sit back and enjoy the storyline. I am a mystery fiend, and I especially love a good puzzle. Monk is wonderful for that, and this episode is no exception. I should have seen the ending coming, but, as usual, was taken completely by surprise. There are some wonderful laugh out loud moments as well. The episode does fall into the traps of a series premier. Since we need to know about our characters, story is often slowed down for exposition. While it would have been helpful the first time around, I didn't need it. Fortunately, we were treated to the back story in small doses, so it didn't slow the story down for long. Also, the actors and writers are still trying to define the characters. While not as sharp as they later in the series, they're quite acceptable here. I'm not completely sure why this DVD was put out. Maybe it was to test the waters or hold over fans until season one was released. Either way, all you get here is the two part pilot episode. No extras whatsoever. Since it's included again in the recently released complete season 1 set, if you are a fan of the series, just pass right on by. Monk is one of the most original and entertaining shows currently on TV anywhere. While not perfect, this is a great intro to the character and tone of the series. If you only want an intro, get this disc. Otherwise, save your money for all of season 1.
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| 10. Get a Life - Vol. 1 Director: John Fortenberry, David Steinberg, Tony Dow (II), Dean Parisot, Dwayne Hickman, David Mirkin, Peter Baldwin | |
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| 11. Home Fries Director: Dean Parisot | |
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Amazon.com So goes the cleverly amusing plot of this light, character-based romantic comedy, which proves Barrymore's charm and versatility once again, gives O'Hara one of her best roles, and moves rightalong at its own amiable pace. Small-town romance combines with darkly tinged comedy (scripted by X-Files staffer Vince Gilligan), and first-time director Dean Parisot guides it all with casual assurance. There's nothing going on here that's particularly inspired, but Barrymore and Wilson (an off-screen couple during production) make a delightful pair, and the cast makes the most of some hilarious down-home dialogue. All in all, a very pleasant diversion. --Jeff Shannon Reviews (49)
It's been very misunderstood probably because of the fact that it was clearly marketed as a "chick flick" -- and when viewers expecting another cute "Never Been Kissed" style movie from the fact that Drew Barrymore is in it -- it gets mostly negative reactions. It's actually a good movie. Perhaps it's an aquired taste; but then there are movies such as "Beetlejuice" that sort of contain the same over the top, macabre humor. And "Beetlejuice" was very popular back in the 80's. A great example of this humor is in place when the mother (Catherine O'Hara) tells one of her two sons that she likes them exactly the same, and holding two fingers a couple inches apart, she says, "with a difference of this much." And the plot is none the less actually entertaining. It's kind of fun to know what happens next. I'd give it 4 1/2 stars, but there is no "1/2" so 5 stars it'll be. (Also, the main rating for this is kind of low as well, so why not give it some help?)
Being miscast and being a bad actor is not the same thing at all. Everyone in this movie has proved themselves to be good in a number of other projects. They simply are not adapt at the maniacal kind of performing that this movie requires. It's in the same genre as There's Something About Mary, in that a serious subject is not to be taken seriously at all. These are what are often called screwball comedies. Drew Barrymore is Sally, who is mine momhs pregnant She works in a fast food restaurant. Her lover lied to her by claiming was not married. To further complicate matters, Mrs. Lever is lethally jealous. She convinces her son Dorian [Luke Wuksin] and her stepson Angus [Jake Busey] to scare the devil out of the old man by chasing him down a county road in a helicopter. Unfortunately, this gives Dad a fatal heaty attack. The rest if the movie has to do with Angus' trying to save Sally from his totally mad famly. The story is madcap, and the dialog is crisp. Both the photography and the editing are sharp. So we return to the casting problems. Parker Posey would have been ideal as Sally. Kathleen Tuner would have been great as Mrs. Lever. Cast Brad Pitt as the psycho brother, and Keanu Reeves as Angus, and you would have had a gem of a movie.
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| 12. Get A Life Vol. 2 Director: John Fortenberry, David Steinberg, Tony Dow (II), Dean Parisot, Dwayne Hickman, David Mirkin, Peter Baldwin | |
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Amazon.com Reviews (26)
But Get a Life is a five star sitcom, and I am more than happy with this DVD. I have been waiting years for a good copy of "Zoo Animals...", possibly the funniest 30min in television history. The other episodes are good as well, though there are some I would have rather seen than "The Big City". "Meatlocker 2000" anyone? Anyway, it's better than any VHS bootleg you'll ever find. So buy this DVD...Missy!
How do you write comedy when the protagonist is so cut-off from the conventions of normal thought and behavior that the other characters' reactions are little more than exasperated confusion? The answer is, 'with great difficulty.' It's like trying to assemble a wooden structure without nails. It's hard to get laughs through character interaction when the main character doesn't interact in any 'normal' way with the other characters. About all you can do is mine Chris Elliot's innate weirdness. So not only is 'Get a Life' weird -- it's weird merely for the sake of being weird. The writers aren't worried whether the stories make sense, either practically or psychologically, because Chris Peterson neither worries nor makes sense. What other sitcom has ever shown a dummy of the main character being repeatedly run over by cars? Clearly, 'Get a Life' is a show about style, not content. In trying to be different from other sitcoms, the producers painted themselves into a corner that's hard to maneuver in. The reaction of some reviewers -- that 'Get a Life' isn't as funny as they remembered ' isn't surprising. The shock and novelty of a pointless show about someone incapable of mundane social interactions has worn off. Nevertheless, 'Get a Life' is generally funny, and has a few really good episodes. 'Neptune 2000' remains my favorite, if only because it gives Bob Eliot the most on-screen time and the largest number of put-downs. It's a model of how this sort of humor should be done, and is arguably a classic of TV comedy. For me, the show's greatest pleasure is Bob Eliot's deadpan-sarcastic putdowns. I grew up listening to Bob & Ray, two of the great comic geniuses of the last century, who virtually invented 'pointless' humor. Amazon wants reviewers to focus on the content, but I can't resist taking a pot shot at Rhino. Is there any other record company that delivers so little for the consumer's hard-earned buck? There are only four episodes on each disk, where 'Red Green' delivers eight. And 'Get a Life' has a sufficiently large cult following that a multi-disk set with all the episodes would have made sense.
=^..^= waiting patiently for Vol 3 to be released! ... Read more | |
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