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| 1. The Sword and the Sorcerer Director: Albert Pyun | |
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Amazon.com Reviews (28)
My Opinion: This is a very fun movie. I loved at when I saw it years ago and I'm very glad to have it in my collection now. I loved Lee Horsley as Matt Houston and he is great here as well. This movie is one of those guilty pleasures for Fantasy fans. It may be cheesy and silly but it's so much fun that I don't even notice. DVD Quality: Pretty much bare bones with a couple of trailers. Hey at least it's on DVD! What You Should Do: If you are a SciFi or Fantasy fan and a collector, you should buy this DVD. I can't imagine them putting out a Special Edition of this one, so there's no need to wait. If you liked Beastmaster, Krull, Dragonslayer, Conan or anything along those lines, then give it a rent. Otherwise skip it.
Talon, the son of a murdered King, turns into a barbarian hero who tries to end the rule of an evil conqueror and his allied demon. To achieve his goal he must free the heirs of the kingdom and avenge his father. In his quest he will encounter all the elements common in most fantasy stories: sword battles, powerful demons and treacherous villains, beautiful and exotic damsels in distress and dark ancient rituals and magic spells. After the credits roll by, you will probably be left expecting to see the second installment of this movie: Tales of the Ancient Empire, which unfortunately, was never made. A word of warning: the image quality of the DVD is not great, nor does this movie have any Special Features, but it's very unlikely it will ever get a better edition. A must for fantasy film buffs.
I love sword and sorcery movies, and while this looks like a gem for your DVD collection, belive me, it is not. This is just as bad as "Dungeons and Dragons." I guess I should add, for the sake of fairness, if you liked "Dungeons and Dragons," you'll love this. But if you thought it was another tired attempt by corporate Hollywood to suck dollars from your pockets, stay away from this loser. Let me put it this way: "Gor" is a better movie than this one. My advice, watch Krull 20 times before you see this p.o.s. once. ... Read more | |
| 2. Cyborg Director: Albert Pyun | |
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Amazon.com Reviews (47)
I've seen other Van Damme films (God were they horrible). This is the only one that captivated me. The fight scenes were just so realistic. You don't got a guy climbing walls like he's spider man throughout the entire film, or jumping off buildings or flying around like he's a bird - he actually gets hurt and falls to his knees every now and again. It's not like the Matrix where you're just sitting there waiting for the guy to win - you really feel the pain of Jean-Claude's character when he gets cut or kicked. All the reviewers are correct. There is hardly any dialog to this film...because it's an atmospheric film. You remember the Shining? No dialog on that one either, just pure atmosphere. And let me tell you, the doomsday world that this movie depicts was mind blowing. It really delivers to the viewer a sense of utter desolation. Everyone in the film is maniacal - totally out of their minds. It's the Drak Ages all over again, where little differentiated bewteen both sexes, and women actually faught in wars, at times accompanied by their children. Take Escape from LA, and combine that with REALISM, and that's just the world you'll enter when you watch this film. Jean Claude did such an excellent job of playing a traveling vagrant consumed by the nightmares of a seriously disturbing past. His only priority in life is to kill the Cyborg that killed him a long time ago. The world is at the mercy of an awful plague, and even when the doors of a possible cure is open to him, all he can think about is vengeance. Note the face he makes when he first sees the Cyborg after years of searching for him. The hatred was so well defined in every contour...I was thinking, 'My God, I would NOT want to be that Cyborg!' Well, whatever he had in mind, it didn't turn out so well. His nemesis proved to be quite...unstoppable. The music in this film has got to be the best I've ever heard in any action film. It plays along perfectly with the atmosphere and the fight scenes. Slow, but hard pounding. Very nice touch. The whole movie was choreographed with the utmost of precision. Right on target with each kick and punch. Had me totally captivated. Get this film if you're not much for that cheesy stuff that comes from all these popular Chinese directors that is totally fake, (with the exception of a few Bruce Lee films). Jean Claude's character actually carries a gun around which in most martial art movies, this element lacks (Hey, a gun is more effective than a sword. Am I right or am I right?) And he is not afraid to use it, but tries to conserve his ammunition by fighting (bullets and guns are scarce in this upside down world). Lots of battles with sharp bladed weapons too. I mean, this movie has it all.
Then there's KICKBOXER, which, like BLOODSPORT, shows Van Damme as an apprentice on a vendetta with a Mike Tyson-esque Muy Thai champ. That movie is distinguished, if nothing else, by the final battle between Van Damme and Tong Po, who was played by Van Damme's close friend Michael Quissi (though he was still credited as Tong Po.) Then came CYBORG. It was released it 1989, and starred Van Damme as a martial arts master named Gibson Rickenbaker living in the post-apocolyptic ruins of New York. He finds himself rescuing a cyborg codenamed Pearl Prophet (Dayle Haddon) from a murderous gang of hooligans led by the sadistic Fender Tremolo (Vincent Klyn). Seems Pearl has detailed information on how to sythesize a cure to the plague that has caused all the chaos and is on her way to Atlanta to give the info to the last scientists. Tremolo and his gang would do anything to get ahold of the information and rule the world. It up to Gibson to save Pearl. Now, I'll admit that when I was short on cash, and I had a choice between buying CYBORG or TIMECOP, I went with the latter, but I almost immediately after ordered CYBORG over the internet, and it was well worth it. As another customer pointed out, the fights in CYBORG are amazingly realistic and show Van Damme getting hurt and taking just as much of an butt kicking as he dishes out. (In a particularly brutal scene, Gibson is battered and exhausted, and gets beaten to a pulp by Tremolo.) The movie has sort of a ROAD WARRIOR quality to it, the bigeest difference being the budgets of the two films. The villians and even the good guys dress in ragged clothing, like THE ROAD WARRIOR. The land is basically deserted, and there is an utter feeling of helplessness and anarchy. That's the essence of post-apolyptic action films. Bottom Line: CYBORG is a great movie in my eyes, because it shows that in any martial arts movie, what is at it's heart is the fact that the hero can have all the strength, speed, and power in the universe, but no matter what, the hero is always human. In other Van Damme movies, like STREET FIGHTER, UNIVERSAL SOLDIER, TIMECOP, REPLICANT, or DOUBLE TEAM, he was a righteous fighting machine, but he could still be hurt. Even in THE MATRIX movies, Neo was the Chosen One, capable of fantastic, inhuman feats, but he was still just a man, he could be beaten to the point where he would cough up blood, but he had the spirit to back him up. And so it is with CYBORG. Gibson is a fantastic martial artist, but he could be beaten up almost to death by a bigger, stronger opponent. He got into certain situations where he would have to rely more on what he had inside than his blackbelt status. That's what truly makes a great karate flick, having a fighter who has fantastic fighting skils, or even superhuman powers who has the the heart and will to win. CYBORG is such a movie.
Here's another film dealing with life in a post-apocalyptic world. Gibson Rickenbacker (Van Damme) arises from the ruins to play the part of a Good Samaritan. He tries to help survivors of a plague flee from the ruined cities to the countryside, hopefully so they can reconstruct some semblance of a normal life. Rickenbacker, as the hero, of course has an unpleasant memory of one of his missions. He tried to save a family and ended up falling in love with a woman. You don't need me to spell out what happened next. Ever since this unfortunate incident, Gibson struggles with what he should do next. When he runs into a woman named Pearl Prophet (Dale Haddon), a cyborg attempting to carry a cure for the plague back to the Centers for Disease Control in Atlanta, he must decide whether to resume the role of hero. Why not take part in helping Pearl carry the antidote? This mission could turn Rickenbacker into the savior of the world. Unfortunately for Rickenbacker and Pearl, Fender Tremolo (Vincent Klyn), a scary looking dude with weird eyes and a mechanical voice, and his gang of like-minded cyborgs have their own ideas. They think if they can capture Pearl and get her to Atlanta, they will control the future of the world. When Prophet falls into the hands of Tremolo's gang, Rickenbacker decides to get her back. With the help of a mouthy young lady he picks up along the way named Nady Simmons (Deborah Richter), Gibson lurches from one violent confrontation to another. Thugs fall to the ground like leaves as the two pursue Tremolo with malevolent intent. Numerous showdowns in burnt out and broken down buildings provide Pyun and Van Damme with plenty of opportunities to showcase martial arts madness. Kicks, punches, and blunt and sharp instruments-anything you can think of that will cause damage to a human or cyborg body finds a use in this movie. And for the most part Pyun carries off the action well, much better than he has in many of his other movies. You are surprised that you actually root for this guy who speaks English like he just walked off a boat. Before feelings of giddiness carry you away, however, you need to reconcile yourself with a few of the cheesy aspects of the movie. Nearly all of the characters are named after musical instruments, the outfits look like the film crew robbed a New Wave band's wardrobe closet, and the dialogue tends towards the insipid. Still, "Cyborg" entertains as few Pyun films do. "Cyborg" works largely due to the gritty, blasted urban background that the characters move through. It is here, in the ruins of civilization, where most of the action takes place. Moreover, the picture quality of the film (probably as a result of poor film stock) has a dirty look to it, which actually gives the movie a better, more realistic atmosphere. I even thought Pyun tried to inject a philosophical statement in the film (yeah, right) when we see Rickenbacker staked to that ship's mast. Is Gibson a Christ figure "rising" from the grave to help save the world? Maybe, but I'm probably reading more into "Cyborg" than the director intended. Sure, the acting could be better-lots better-and the fight scenes are a little over the top, but why else would you watch this movie? You don't expect Oscar performances and you don't get them. What you do get is an entertaining way to spend eighty plus minutes (the movie doesn't run for even an hour and a half). The DVD version is strictly bare bones. If memory serves me correctly, the only extra on this disc was a trailer. Too bad, but a bit surprising considering this is officially a cult classic. It's interesting to note that none other than Cannon, the company that released TONS of low budget action flicks in the 1980s, helped fund this effort. Charles Bronson benefited from Cannon's attentions back then, so why not Van Damme? I recommend "Cyborg" not only to fans of action films, but even to fans of science fiction since the movie takes a stab at incorporating both elements under one umbrella. Is it intelligent cinema? Nope, but who says it needs to be?
If you can get past that, it's actually really good. I've always enjoyed postapocalyptic reality-of-life depictions. The music is a bit much, but it does portray survival of the fittest in a realistic sense. The characters beat each other up a bit unbelievable and the breaking-himself-off-the-cross scene was absurd even then, but the fight scenes are well done and closefaced showdown scenes were gold. Definitely one for the collection. ... Read more | |
| 3. Nemesis Director: Albert Pyun | |
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Amazon.com Reviews (18)
The movie has mediocre special effects, the stop-go animation in parts is reminscent of the Terminator. However, there are a few very nice looking explosions and some great gun-fu. Gruner brings his experience from his military service and his kick-boxing training and leaves the fewer satisfied. Overall the movie is pretty good, aside from some pretty odd scenes (like Thomas Jane walking around naked). If you like movies such as Blade Runner, the Terminator, or any other Olivier Gruner movie, you will like this one. If you pick-up the DVD version, you will be treated to a Making-of featurette and Nemesis TV Spots.
The movie has mediocre special effects, the stop-go animation in parts is reminscent of the Terminator. However, there are a few very nice looking explosions and some great gun-fu. Gruner brings his experience from his military service and his kick-boxing training and leaves the fewer satisfied. Overall the movie is pretty good, aside from some pretty odd scenes (like Thomas Jane walking around naked). If you like movies such as Blade Runner, the Terminator, or any other Olivier Gruner movie, you will like this one. If you pick-up the DVD version, you will be treated to a Making-of featurette and Nemesis TV Spots.
If your looking for something fresh give this one a try, just try not to think too much while watching it.
Los Angeles cop Alex Rain works hard to break up crime rings and terrorist groups. It's the year 2027, and humanity has changed quite a bit in the near future. It appears that technology dominates, with doctors capable of implanting robotic machinery directly into the human body. In 2027, you've got millions of people ambling around the country with implants, many of them more machine than human. The growing numbers and strength of these cyborgs is starting to become a real problem for the rest of humanity. Eventually, some people fed up with the increasingly metallic composition of the population form resistance groups to fight the growing cyborgs. It is Alex Rain's job to help keep the peace, and to bring in these people when they break the law. After all, killing a cyborg is still a crime since most of these creatures still possess a significant percentage of human parts. Many of Alex Rain's fellow police officers have machine implants. Actually, Rain himself has a few parts in him, too. In the future, it is just too difficult to discern who is completely human and who isn't, and it's about to get much harder. After a lengthy opening sequence that shows us how Alex ends up in retirement, the movie starts in earnest. Rain's old boss, Farnsworth, approaches him about a new mission. The United States and Japan have decided to merge into one country (a process not unusual in the near future, according to the movie). A cyborg that worked with the police rebelled against the system and took some important information about the merger with her to Java, where she is presently hiding out while attempting to contact a terrorist organization named the Hammerheads. Rain, who has a contentious history with this sexy cyborg, must go to Java and kill her in order to retrieve this critical information. Rain reluctantly goes for reasons made obvious in the film, and soon discovers that things are not quite what they seem. It turns out that the mission Farnsworth sent Rain on is merely a cover for a much more important mission involving the fate of the planet, humanity, and the cyborgs. We don't find this out for some time, and until we do, the movie does tend to confuse the viewer. Not to worry, though, as you can content yourself with the bevy of beautiful women wearing tight skirts, some nudity, massive amounts of gunfire, and a healthy dose of bloody special effects. "Nemesis" may well rank as one of the most violent shoot 'em ups made in the last few years. The movie contains elements that reminded me of both "The Terminator" and "The Matrix," although I wouldn't go so far as to say that "Nemesis" serves a bridge between those two movies. I will say that if you love films overflowing with huge guns and a super high body count, you will love this Pyun picture. The plot zips along at mach speed, but the acting often fails to engage. Lead star Oliver Gruner, a French actor who must have once been on the same "up and coming action star" list as Jean Claude Van Damme, tanks as the tough yet caring cop Alex Rain. I suspect Gruner graduated from the Joe Dallesandro School of acting because his wooden expressions to some extent resemble those of the co-star of "Blood for Dracula" and "Flesh for Frankenstein." The female stars take second fiddle, and are usually on screen to serve as eye candy for the mostly young male audience that would watch a film like this one. At least "Nemesis" gives us the ever reliable Tim Thomerson in the role of Farnsworth, along with late B movie star Brion James as one of Farnsworth's sidekicks. James's pseudo German accent alone makes this movie worth watching. In fact, I doubt I would have even watched this movie if I hadn't known beforehand that Thomerson and James appeared in it. The DVD gives us several extras, including a trailer and some behind the scenes action about the film. The extras list said there were a few television spots, but when I selected that option, I got more behind the scenes footage. At least the transfer is decent, although it isn't as good as it should be. Colors occasionally look washed out, and there are a few rips on the print. Overall, I give a hearty round of applause to Albert Pyun. It is going to be tougher for me to criticize this guy after watching "Nemesis." The movie not only entertains, it is entertaining enough to watch again. This picture just goes to show that even a hack filmmaker can turn out a great treat every now and again. ... Read more | |
| 4. Kickboxer 2: The Road Back Director: Albert Pyun | |
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| 5. Ticker Director: Albert Pyun | |
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Description Reviews (27)
The cop on the edge in "Ticker" is Ray Nettles (Tom Sizemore), a vice cop with an attitude carrying the horrific memories of witnessing his wife and child perish in an explosion. He spends most of his day hanging out with his partner Art "Fuzzy" Rice (Nas), busting women of the night in San Francisco's dirty slums. Just so we know what Nettles and Rice do all day, and presumably to tell us Sizemore's character isn't a bad guy, "Ticker" supplies with the obligatory scene of a bust where Rice and Nettles catch Lilly (Chilli of TLC fame) with a client. The two cops let her go rather than run her in yet again after she pleads with them to let her go for the sake of her kids (!). A few minutes later, Fuzzy takes the big fall in a gun battle with a trio of brutes in a warehouse. Nettles swears to avenge his partner's untimely demise despite interference from Captain Spano (Joe Spano) and an obnoxious underling who has it in for Nettles. Yep, you heard it right. The conflicts between Nettles and the department establish the classic "cop on the edge" theme. Locked out of the investigation, Ray only has Claire (Jaime Pressly), a girl brought in because of the warehouse shooting, as a possible way to keep his hand in the case. He subsequently turns to the bomb squad for help. The bomb squad in "Ticker" is a bunch of guys who work outside the normal police channels. Led by Glass (Steven Seagal), an expert on every sort of military and non-military explosive, the crew is a goofy bunch of smart alecks with little time to deal with the rest of the department. They treat Ray Nettles like he's dirt under their shoes-which he is to some extent, or at least he looks like he is-but decides to take the detective under their wing when he shows them an explosive device he found in the warehouse shooting. Seagal finds the break he's been looking for: a series of bombings in the city have flummoxed the higher ups, but with this new evidence Glass and his crew begin to put the pieces together. Turns out Claire has information on a guy named Swann (Dennis Hopper), an Irish terrorist and one of the premier bomb makers in the world. Swann isn't happy about Claire hiding in the police station, so he starts a new campaign of bombings in order to free her. She's got some secrets about his operation and what he's ultimately planning, secrets Glass and his pals would like to learn so they can capture the guy. Eventually, the cops let Claire go so they can trick Swann into coming in, but things go horribly wrong and she gets away. Witness the exciting (yawn) plot twist that follows. The movie wraps up with Seagal and Sizemore working together to bring down the baddies. "Ticker" should rightly be classified as a disaster movie because that's exactly what it is. The script, acting, action scenes, and plot are terrible. Seagal always strikes wooden poses and delivers lines you'd find in a fortune cookie like he has a mouth full of lead, so picking on him isn't too original. Dennis Hopper, on the other hand, should have known better. Not only does he sport the worst Irish accent ever captured on film, his performance is uninspiring. Does Hopper need a paycheck this badly? Heck, I'd loan him some money if he's this desperate for cash because I hate to see a good actor hit the skids. Perhaps it's not the performers' fault since Pyun's uninspired cinematography and pacing virtually insured the film would tank. This director, at least with this picture, subscribes to the "tell don't show" school of film. We don't even get to see most of the explosions, just someone walking around in the wreckage afterwards. Worse, the booms we do see are shot in such extreme close-ups that you soon realize Pyun didn't have a decent budget to lens shock and awe type pyrotechnics. Extras on the DVD include the aforementioned "cop on the edge" trailer, production notes, cast and crew biographies, and a few other goodies of questionable interest. This is one of the few films I have seen lately where I actually wished the picture transfer wouldn't be that good. "Ticker" might well classify as the worst action film made in the last ten years. If that interests you, and it should if you like bad films, go ahead and give it a shot. All others need to steer clear.
Steven Seagal is as bad as only he can be (bad at acting that is).
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| 6. Adrenalin: Fear the Rush Director: Albert Pyun | |
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Description | |
| 7. Crazy Six Director: Albert Pyun | |
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| 8. Mean Guns Director: Albert Pyun | |
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Amazon.com Reviews (20)
Like most Pyun films, Mean Guns doesn't stand up to intense logical scrutiny, but that's not the point. The movie ends up being oddly contemplative, as the script draws out a handful of troubled characters thrust into a grotesque situation. While the emphasis is clearly on the action -- and there's plenty of it, well-shot as usual -- there are surprising moments of quiet where the audience is allowed to get close to these "bad guys" and come to at least part of an understanding of what their lives are like, what they think and feel. Lambert and Halsey are particularly good here, as a killer who's come unhinged because of a familial tragedy and another who's lost all hope of ever walking away clean, respectively. Good stuff, marred only by a very poor full-screen presentation.
A powerful, and as sometimes hinted at, supernatural crime syndicate decides it is time to take out the trash that has been bleeding the operation over the years. This organization sends out invitations to the top killers who have worked for them in the past, inviting them to a meeting set to take place in a recently constructed prison. None of these thugs know exactly what is in store for them, but they all know that when the boss calls it pays to listen. As the criminals file into the penitentiary, they soon learn what's going on: each of these men and women must use whatever skills they possess to kill all of the others. To add a little spice to the contest, the syndicate stashed ten million dollars in cash somewhere in the prison as a reward to the last three people left standing. Heading up this operation is a platinum toothed Ice-T, a goon of especially unsavory reputation whose role is that of master of ceremonies. T rigged the prison with cameras and cellular phones so he can watch and hear the unfolding carnage as the murderers go at each other with gusto. The syndicate even supplies loads of guns and metal baseball bats at the start of the game to help things move along. Is this whole thing a trick or is the syndicate actually willing to shell out millions to figure out who is the best of the best? Regrettably, "Mean Guns" fails on so many levels that it is difficult to outline all of the problems. I recognize that many people really enjoy this film as it is, but it could have been so much better. First, a movie that promises not stop action should have some nice, bloody shootouts. Forget about it. "Mean Guns" is as bloodless as an episode of "The A Team." People are beaten, shot, and stabbed with nary a popping squib to show for it. I had to go back and check the rating on this film after watching it because I simply couldn't believe that a 'R' rated film would be this prudish with the sauce. People taking a shotgun blast at close range do have a tendency to bleed, but not here. Sam Peckinpah could have worked wonders with this idea, but in the hands of the stingy Albert Pyun, it simply falls flat. Moreover, the director fails to properly design or photograph the massive gun battles that occur with great regularity throughout the film. Again, using Peckinpah's slow motion mayhem technique would have remedied many of these flaws. I don't know if film fans today just aren't used to seeing bloody action films intelligently captured on celluloid, but this movie had great potential to paint the prison red and it failed completely. What a shame. The characters suffer due to a tedious, hackneyed script. You simply don't care what happens to most of these characters at any point during the film. Sometimes, films can make criminals interesting if the writer and director take a psychological approach to their subject. Look at "The Godfather" or "Casino" as examples. In "Mean Guns," most of the characters are simply cardboard cutouts serving as mere cannon fodder. An attempt to make Lambert's character, a bleach blond killer who cackles and clucks his way through the movie, suffer from some sort of flashback about the death of a child fails because it really isn't all that interesting either in its execution or in its explanation during the film's final showdown. Don't watch this movie thinking you will see smart characters expertly developed, although Pyun regulars will note the presence of leggy Tina Cote, an actress who appeared in "Omega Doom" and a few other Pyun films. Her head catching on fire provides the only sustainable laughs in this film, and only because it is so incredibly cheesy. What do you get with the "Mean Guns" DVD? Not much, really. Some trailers and cast bios for Lambert and Ice-T is about it. The transfer looks acceptable at least, and if you like mambo music you're in luck as the whole soundtrack to the picture consists of nothing but mambo tunes. Bloodless gunfire and mambo; that is about the only thing I will remember about this movie. If you want to see a good Christopher Lambert film, watch "Highlander" again, for only die hard fans of the man with the French accent will appreciate this clunker.
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| 9. Postmortem Director: Albert Pyun | |
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Reviews (2)
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| 10. Bad Bizness Director: Albert Pyun, Jim Wynorski | |
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| 11. Omega Doom | |
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| 12. Urban Menace Director: Albert Pyun | |
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First of all the filmmakers are using some really weird filter which makes everything seem all fluffy and weird. And the sound is very weird as well, as well as the camera-work. And the only words that the "actors" are saying are stuff like: "Dang, I wanna Smoke some W**d" and "M****erF**ker, Kill That N***a"... If I would have made the movie It would have been 200 times better
come on !
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| 13. Morons From Outer Space/Alien From LA Director: Albert Pyun | |
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Amazon.com Alien from L.A. is a slight but watchable science fiction adventure about a nerdy gal (model Kathy Ireland, hiding behind Buddy Holly specs) who discovers a lost civilization at the center of the Earth. Following clues in a letter concerning her missing adventurer father, Ireland travels to North Africa (the film was actually shot in South Africa), where she discovers-and falls into-a pit that contains the spaceship Atlantis, which crashed and sunk into the Earth generations ago. With the help of a friendly miner, Ireland searches for her dad and gains her self-confidence after wrangling with a host of creatures and treacherous Atlanteans. Alien from L.A. won't win over sci-fi diehards with its tongue-in-cheek tone and overly familiar Mad Max/punk-rock set design, and Ireland's performance can be charitably described as befuddled, but camp and "bad movie" fans may get a kick out of the lighthearted proceedings, and Ireland's sarong and bikini wardrobe isn't too hard to take. Director Pyun (The Sword and the Sorcerer) and Ireland reunited for the 1989 semi-sequel, Journey to the Center of the Earth. --Paul Gaita | |
| 14. Alien from L.A. Director: Albert Pyun | |
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Sure, Alien From L.A. is a complete fantasy and way over the top but it has a certain charm to it that I really love. It often has that Roger Corman B-Movie "cult atmosphere" going for it. Personally I wouldn't change a thing about this movie. It is so much better than similar types of films released in the last few years. Most people probably don't like this film because it seems so unrealistic and cheesy. I think that it was really meant to be satirical comedy, and only a limited percentage of viewers will actually "get" it. You don't have to really believe the things happening in the story could really happen...after all, it is only a fantasy movie! As for the new DVD from MGM...They've done yet another admirable job on this release. It is in full-screen format, but that may possibly be it's original format. This is actually the way many movies are shot, some are later "matted" for theaters. The Picture quality and Dolby 2.0 Surround track are just about as good as could be hoped for on the DVD format. It is vastly superior to the old VHS video I used to have of Alien From L.A. THANK YOU MGM!!!!!!
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| 15. Corrupt Director: Albert Pyun | |
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our price: $9.98 (price subject to change: see help) Asin: B00003BE1I Catlog: DVD Sales Rank: 22620 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
This made WB dramas look like Laurence Olivier films.
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| 16. The Wrecking Crew Director: Albert Pyun | |
![]() | list price: $14.98
our price: $13.48 (price subject to change: see help) Asin: 6305759928 Catlog: DVD Sales Rank: 41124 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
First of all SNOOP DOGG is not in the movie, they have taken interview footage of him speaking about his music and then pretended that this is suppose to be the character Dra-man a gangster & rapper. Even though this movie is longer than "Urban Menace" , Wrecking Crew's 78 minutes has about 13 minutes of start-credits and 13 minutes of end-credtis, while Urban Menace is 72 minutes with only the half runningtime of the credits. (which means that Urban Menace is longer, and also a whole lot better storywise). I was interrested in the dvd-version becouse u get the "soundtrack" so I expected at least one Ice-T song, but NO only "spooky music" seems to be the feature. The movie itself is really bad, It's like URBAN MENACE but 10 times worse
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| 17. Corrupt Director: Albert Pyun | |
![]() | list price: $7.98
our price: $7.98 (price subject to change: see help) Asin: B00005YCTS Catlog: DVD Sales Rank: 53945 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
This made WB dramas look like Laurence Olivier films. | |