Reviews (2)

this is the best fukin SNL movie ever
this is one hilarious gut busting comedy with all of chris farleys greatest SNL moments. GET THIS DVD

Mostly great for boring times
I saw this at a friends house. It's pretty funny, but some is not. ... Read more

Reviews (5)

Good, but pales in comparison to "The Best of Will Ferrell"!
Will Ferrell and Molly Shannon were like two peas in a pod on "Saturday Night Live." They had good chemistry and when they combined forces they could induce plenty of laughs. Of course, Will Ferrell is equally funny without Molly Shannon. "The Best of Molly Shannon" proves it is exactly the opposite for her.

Yeah, she's a funny lady, but she pales in comparison to such "SNL" comediennes as Gilda Radner, Jane Curtain, and even Chery Oteri, who is very goofy. Molly Shannon's "Best Of" collection is fine, I suppose, but I didn't laugh that much -- and not nearly as often as I did with Will Ferrell's "Best Of" DVD.

Here she plays her most famous (and mostly original) characters: Salley O'Malley, Mary Katherine Gallagher, Courtney Love and Anna Nicole Smith (in a disgusting but funny segment with Ben Affleck), among others. But they're never exactly laugh-out-loud funny; I smiled a few times. I enjoyed some of the gags. But I was only really laughing when Will Ferrell was interacting with Molly.

Whether or not they are good films is definitely arguable, but there's a reason that Will Ferrell has been cast in virtually every mainstream Molly Shannon film. They go together. She cameos in his movies, he cameos and/or stars in hers. Remember "Superstar"? Remember "A Night at the Roxbury"? Maybe they're not good, but at least Lorne Michaels was smart enough to realize that the two have some sort of chemistry.

I noticed that Molly Shannon likes to move around a lot. I watched the Conan O'Brian interview with her (included on the DVD), and she absolutely could not sit still at all, just like her "Joyologist" character, who, in the DVD's outtakes, flipped over her chair from moving around so much.

She's good as Courtney Love, and Molly Shannon is undoubtedly a good comedic actress, but to say that she deserves her own collection of best moments at this point in time is a bit presumptuous, especially considering the fact that classic "SNL" actors have yet to appear in any sort of "Best Of" DVD collections. (Or am I just not finding them on Amazon and in the stores?) Besides, most of the compiles sketches aren't even that great -- or is it just that Molly Shannon herself isn't that great? I hope it's the former.

If you're a fan of Molly Shannon and/or "Saturday Night Live," I would definitely pick up this DVD. I bought it for fourteen dollars, and I've got to say that I'll probably return to it once and a while for some good grins. But not nearly as often as I am already returning to "The Best of Will Ferrell," which still stands as the best "Saturday Night Live" DVD I own at the current time (only three, but I'm getting there).

"Saturday Night Live: The Best of Molly Shannon" runs 76 minutes. It contains outtakes, a deleted dress rehearsal scene, a picture gallery, two TV interviews with Conan, and so on. It is not rated, but contains some language and sexual content/partial nudity. The feature's guest stars include, among others: Val Kilmer, Matthew Broderick, Gabriel Byrne, Tina Turner, Alex Baldwin, et al. It is now available on video and DVD.

Molly: One of the all time GREAT TV ladies of comedy!
Molly Shannon's presence is sorely missed on "Saturday Night Live" but not you can relive some of her finest moments with this DVD. Although I personally would have chosen some different sketches , this DVD is sure to put a big smile on even the grumpiest of faces.

Included are:

"Mary Katherine Gallagher"- Mary auditions for the school variety show and sings "Sometimes When We Touch" and does a Meredith Baxter Birney tv movie monologue. (with Gabriel Byrne)

"Helen Madden, Licensed Joyologist"- "I love it! I love it!" Helen appears on "Pretty Living", hosted by Ana Gasteyer. (with Matthew Broderick)

"The Courtney Love Show"- Courtney's got a talk show, and she interviews Julie Andrews (played by Christine Baranski)

"Elizabeth Taylor"- Elizabeth picks the winning lottery numbers on Weekend Update ("Gladiator!")

"Jeanne Darcy"- the very unspontaneous and over rehearsed comedienne makes an inappropriate appearance at a nursing home.

"Monica Lewinsky"- Monica addresses court, with Hillary watching.

"Sally O'Malley"- Sally auditions to be a Rockette! "I'm 50 years old! And I like to kick! Stretch! And kick!" (with Danny DeVito).

"Veronica & Co."- The European supermodel has a talk show whose set is located in the middle of a fashion show runway (with Val Kilmer).

"Delicious Dish On NPR"- Molly & Ana Gasteyer as the very low-key hosts of a radio cooking show. This is the famous "Schweaty Balls" episode (with Alec Baldwin).

"Leg Up!"- Molly as Ann Miller, and Cheri Oteri as Debbie Reynolds. (with Phil Hartman as a very cranky Frank Sinatra)

"MTV FANatic"- Molly as Anna Nicole Smith (with Ben Affleck as an obsessed fan who looks to Anna Nicole for a mother figure).

"Mary Katherine Gallagher"- Mary meets the real Tina Turner by hiding in her dressing room. (with Alec Baldwin)

"Rae Murphy"- an awkward blind date at an airport bar goes horribly wrong (with Will Ferrel and Chris Kattan).

"Dress Rehearsal Sketch"- that was cut from the final broadcast features Molly as an odd, accent loving girl who brings home date Bill Paxton to meet her parents (with Ana Gasteyer and Horatio Sanz).

Also features a photo gallery of Molly in different costumes, outtakes: Molly as Xena, Princess Warrior (with Brendan Frasier), as Helen Madden (with Ben Stiller), NPR's Delicious Dish (with Alec Baldwin), 70's Ladies In Bar (with Calista Flockhart), Dog Show! (with Will Ferrell- it's just a teeny blooper clip), and Jeanne Darcy on Weekend Update.

Two more goodies: two appearances on Conan O'Brien. On the first one she discusses how Courtney Love didn't seem pleased to be parodied and how Gary Coleman once trapped her in his hotel bathroom and tried to put the moves on her; the other appearance is with Will Ferrell and she talks about dating and a new sketch she was working on called "Hot Cocoa Girls."

Great collection! I would have given it five stars had it included some "Goth Talk" and "Dog Show" sketches on it. My absolute favorite Mary Katherine Gallagher sketch isn't here either (Gwenyth Paltrow was the host that week)- but it'd be nearly impossible to include everyone's favorites. I'd say that Molly Shannon definitely deserves a second "Best Of" DVD!

Good, but brief.
I believe that most people buy a "Best of" title mainly to see some of their favorite skits. Don't set your expectations too high here. This is just 76 minutes long, which includes outtakes, tv interviews, a dress rehearsal, and some recognizable skits. One can always argue about what should be on a "Best of", but this is so limited as to leave one convinced that this was made short to allow for other "Favorites" to be bundled up by producers for other DVD's to be released later. Disappointing.

Query about review
What happened to the review I wrote two weeks ago?

Molly Shannon at her most hilarious!
Out of all the Saturday Night Live collections that I have viewed, this one is the most consistently funny. Like some of her fellow SNL alumni, she may not have carved out a film career for herself, but she still does some of the most side-splitting routines. This DVD contains two Mary Katherine Gallagher sketches, her Betty Broderick monologue and her meeting Tina Turner; her Sally O'Malley "I'm 50 years old" bit with Danny De Vito; her spot-on impression of Courtney Love; the giddily over-the-top sketch about "joyologist" Helen Madden; her impression of a spaced-out Elizabeth Taylor randomly spewing out lottery numbers; her Jeannie Darcy bit in the elderly ward ("Don't get me started"); and the "Schweaty Balls" sketch with Alec Baldwin. Some of the other routines, such as the Veronica & Co. clip, the Anna Nicole Smith scene (poorly developed) and the airport bar scene with Will Ferrell, are less consistently funny. However, the first 45 minutes or so of this DVD more than compensate for the last 20 minutes. If I wanted to cheer up a friend, I would give him or her this DVD. In fact, I know that I will give it to some of my colleagues in the future. This DVD is heads above my Dana Carvey, Steve Martin, and Will Ferrell DVDs. How much do I like this Molly Shannon? Don't get me started! ... Read more

Reviews (1)

so so so funny
I could not stop laughing its adam sanlers version of kings of comedy very funny good thing to watch whiel your eating not really for seating down and watching it like a film or by urself its better if your having a party or something to put it on. ... Read more

Description

Tim Robbins stars as BOB ROBERTS, a radical folksinger turned senatorial candidate, in this satirical comedy that blends his campaign trail with singing, music videos and scandal.BOB ROBERTS is a hilarious film that will change the way you look at American politics! ... Read more

Reviews (41)

Tim Robbins, Prophet.
When I first saw Tim Robbins' political satire, "Bob Roberts," I had an extremely negative reaction because of what I perceived as the film's smug humorlessness and lack of correspondence to anything resembling political reality. I still think the film isn't as funny as it should be, and is too self-congratulatory by half. But perhaps Mr. Robbins deserves to indulge in a little self-congratulation, for his political prescience is now obvious: George W. Bush IS Bob Roberts. Bush may not sing or play the guitar, but man, he sure plays to the camera--whether landing in a fighter jet on an aircraft carrier or serving fake turkey to the troops in Iraq--while dancing on our basic freedoms and international prestige with football cleats. Similarly, the sinister political adviser played by Alan Rickman now seems a perfect amalgam of Dick Cheney, Karl Rove, Donald Rumsfeld, John Ashcroft and others in the Rogues' Gallery of the Bush Administration. And though I found the zombie-like devotion of the followers of the cold, unappealing Roberts hard to believe, it's no less believable than the fealty that millions of voters swear to Bush. Robbins' spring 2003 speech before the National Press Club--which he made in the wake of being disinvited to the 15th-anniversary celebration of "Bull Durham" because of his stand against the Iraq war--is a brilliant political document, and one that underlines the culmination of many of the dangers Robbins warned against in "Bob Roberts." So while I still don't think this is a particularly good movie from the standpoint of entertainment, its obvious political astuteness mandates my upgrading it from one star to three.

The Best Film Ever Made About Politics and Power in America
How do you give a film more than five stars? For "Bob Roberts" is the best, bar none, film about politics andpower in the United States. It is entertaining; it is enlightening; it is an amusing, satirical romp that time has not rendered out-of-date. Indeed, ten years after its release, it is more timely than ever.

This is due in part to Tim Robbins' deft talent for poking all sorts of holes in the balloons of the sanctimonious prigs who comprise the right wing of the nation's political spectrum. But, above all, it is due to the presence in the film of our greatest living writer and man of letters, Gore Vidal.

Vidal's portrayal of incumbant senator Brickley Paste (D-PA), under siege from a folk-singing "rebel" Neanderthal (of course, Bob Roberts), is pointed, ironic and above all else educational. For in his regretably short time on the screen, Vidal lays open for us his view of recent American history, all in that tired but wise man of the world way he has of stating truths that no one else (save people like Noam Chomsky and Christopher Hitchens) has the guts to say.

"Bob Roberts" is ultimately a film that brings us beneath the surface of American politics; and for this reason I suspect that it will never become as popular as other great political films, such as "Mr. Smith Goes to Washington" and "The Last Hurrah." For these are the films that depict politics as we would like it to be ("Mr. Smith") or at least as we can tolerate it to be (" The Last Hurrah"). They do not however depict politics as it has become. In this respect, "Bob Roberts" is the perfect sequel to "The Last Hurrah;" but the substance of its message is so painful that only the most ardently committed to civil liberties and a republican (small "r")form of government can bear
it.

ultimate election night party DVD
This is a great DVD to watch with friends during an election year. We had a group of 15 people howling with laughter. You have to love a politician who closes a letter to a 7-year-old Vermont girl with the admonition "Don't do crack; it's a ghetto drug."

PULLEASE
"Bob Roberts" was Tim Robbins first foray into political filmmaking. He draws on his family experience as traveling folk singers and fashions a story of a conservative, religious political candidate who sings family songs on the campaign trail. The film itself is good stuff, well acted and produced, but the message is clear: White conservative Christians are just frauds and cannot be trusted. One watches it and wonders what a truthful depiction of Jesse Jackson would look like. Or an inside look at Joseph P. Kennedy pulling the strings in Jack's Congressional and Senate campaigns? Or the inside deals that kept Teddy Kennedy in office after Mary Jo Kopechne was killed? How about Al Sharpton and the Tawana Brawley incident? "Bob Roberts" is one of those movies that you just watch and shake your head.

References to other documentaries
To better appreciate this movie, it's good to know that it makes references (many, in fact) to the 1966 Bob Dylan documentary "Don't Look Back." If you haven't seen this earlier movie, naturally you won't pick up on these references (which are funny). What's interesting, though, is that at about the same time "Bob Roberts" was being made, the director of "Don't Look Back" was making a documentary (or perhaps had made ...), similar in nature to his earlier film, about Bill Clinton's campaign for the presidency called "The War Room." Cinema verite, no doubt. ... Read more

Reviews (52)

WE WILL ROCK YOU
In time of crisis, nothing is better than the 'Panis et Circenses' politics. And the US government kwnew it for sure. So, in the late 20's, early 30's was created the Federal Theatre Project. Many treatre groups nation wide were sponsored by the government, as long as they staged plays that cheer the audience, which, by the way, was formed mostly by unemployed people. Later on, the Congress investigated the FT due to some accusasion of comunism. After a 20% cut in the sponsor, many plays had to close and many artists increased the number of unemployment. One of the plays most affected by it was "Cradle Will Rock", a pro-union musical directed by Orson Wells that is prohibited of being released.

Tim Robbins's movie uses the Wells's production as an 'excuse' to show us how art and politics can affect each other in many levels. The film is a wonderful American quilt with many tiny stories that little by little get togheter and creat a huge power over the audience. Besides "Cradle..." story, there is also the fight between Nelson Rockefeller and Diego Rivera over a mural painted by the artist in the lobby of The Rockfeller Center, in NY. The magnate went mad when he saw displayed in the painting Lenin's face. Another important pole of the movie is an ex-Mussolini's lover, who is in the US selling works by Italian geniuses, like Leonardo and Michelangelo, in order to get money to help Facism in Italy.

All there plots look a bit distant from each other in the beginning, but as the movies grows, one can notice how all of them are showing the power of the art and the artists over a society that is changing. Robbin's direction is very effective and touching. He shows how much he loves the artistic class and arts in genneral. But it is nothing new coming from one of the most political actors in Hollywood. The script mixes comedy, with musical and drama in perfect doses. Although the film takes some Artistic licences, they do not ccpromise the accuracy of the facts. By the way, as it is said in the beginning, it is 'based on a mostly true story'.

The cast is a huge who-is-who, and every actor seem to be perfectly fit in his/her part. Joan Cusack has never been so deliciously hateful. Susan Sarando has a wonderful Italian accent and we can notice how sad her charater is because she has to sell works from masters to get money. Vanessa Redgrave is wonderful as a theatre enthusiast. She shines every scene she is in. The most importat female role belongs to Emily Watson, who perfectly plays an unemplyed-turn-to-actress singer who has to deal with lack of money in order to survive. The male cast is also exceptional. Hank Azaria is wonderful as the composer Mark Blitzstein, and it is amazing to watch his creation process of the show. John Cusack is as hateful as his sister, playing Nelson Rockefeller. Bill Muray is perfectly melancholic as a ventriloquist.

If Karl Marx had written musicals instead of essays, he probably would have written something very close to " Cradle Will Rock", the play. It has an extremely polical tune. Once I read in an interview Tim Robbins saying that Emily Watson's character was the hero of the movie. But I'm not sure of it. I think she may be the most important, but it seems to me that the hero -- if it happens to be one-- is the ART, which is portrayed as having a power to transform society. It is a wonderful smart and touching movie, that needs be discovered. Another thing, how do you understand the ending? I could not come up with a conclusion. It is very open.

No Lenin -- Rather, Lennon...
This is a brisk, fun film in many ways, because director Tim Robbins understands that it is very difficult to be didactic and entertain. But, as Oliver Stone uses fast cuts and snappy dialogue so as to "keep it moving," Robbins does just that too; and -- also like Stone -- he employs an exemplary cast to great result.

Ramon Blades portrays Diego Rivera as a wryly perceptive charmer; John Cusack is a superficially sophisticated Nelson Rockefeller; Emily Watson is a poignant portrait in sadness as the actress actually "off the streets," Olive Stanton; Bill Murray is equally impressive as the melancholic, resentful vaudeville ventriloquist, Tommy Crickshaw; John Turturro is powerful and inspiring as the principled Italian immigrant who plays the union organizer in the radical Federal Theatre project musical that gives its title to this film. (And I must add an accolade for Corina Katt, who is Frida Kahlo: she takes a small part with only a few lines -- in Spanish, already! -- and you literally can not take your eyes off her when she is on screen.)

As I say, there is a great deal of "fun" in this film, yet its essential story is serious and sad. It chronicles the erosion of politically potent (meaning "radical") popular theatre into the (generally) escapist entertainment that pervades most American arts today. From "Lenin" (who does not "stay" -- as Rivera's Rockefeller Center mural attacking imperial capitalism is destroyed by a self-righteously indignant Nelson) we have declined to "Lennon" -- i. e., a song like John Lennon's "Imagine" is as "radical" as pop culture is likely to allow.

And note especially the masquerade ball sequence in which Nelson Rockefeller, William Randolph Hearst, and "Gray Mathers" (a fictional but representative steel magnate) discuss their scheme to exalt "individualistic" (i. e., ego-centered) abstract, scenic and erotic art at the expense of art with social purpose and a social conscience. If you wonder why there are so few good films that seriously critique our society and system (and so much silly, adolescent-oriented soft pornography), here is an explanation worth pondering -- as well as a movie worth seeing.

INTERESTING PASTICHE OF CHARACTERS, BUT TRIES TOO HARD
Tim Robbins' ambitious attempt to blend the spirit of a screwball comedy with the conscience of a meaningful film with a message. A dazzling ensemble of characters who are seemingly separate from one another but all their loose ends are woven back together at the end, just like in Altman's movies.

The subject I'd say is a bit cliche (Business = bad, Unions = good) but under proper direction could have been made interesting. Yet, Robbins chooses to apply such a hamfisted hand that it's difficult to get caught up in the story, despite the blistering pace at which he tells it.

Plus, the protagonists seem shallowly defined. Either they're good, salt of the earth sort of people, or they're insecure, lonely and desperate whistle-blowers (like the character played by Bill Murray).

At roughly 2.5 hours length, some judicious editing was in order, but despite the epic scale of the production and the calibre of the actors, this film ultimately winds up being little more than a overdrawn diatribe on the state of big businesses in the US.

Recommended rental perhaps for some neat camerawork, or perhaps the last 20 minutes that were without a doubt the most clever and entertaining bit of the entire film.

Will Rock You... Awake!
Where is class warfare now that we need it? In the 1930s, when most decent people feared a Communist in every closet, no one thought twice about the fascists and their capitalist allies despoiling the commons. Into this time stepped the

Federal Theater Project (an offshoot of the New Deal's Works Progress Administration), which provided outlet and employment for Depression-era artists. Too bad they were Socialists, too. If you don't know the history of the period, you'll miss a lot of this fascinating story. Cradle Will Rock reflects the title of an FTP production, a real musical written by the real-life playwright Marc Blitzstein (played by Hank Azaria).The anti-communist Dies Commission tried to close down the FTP because it criticized capitalism and harbored Communists. But The Cradle Will Rock opens defiantly in another venue, on June 16, 1937, when the original theatre is padlocked.

Getting to opening night is a fascinating, serpentine historical journey. Imagine this mix of personalities: Orson Welles (Angus Macfadyen) crossing creative swords with John Houseman (Cary Elwes), Nelson Rockefeller (John Cusack) trying to temper the revolutionist artist Diego Rivera (Ruben Blades) - a confrontation played somewhat better in Frida. And then there were other, lesser-known and fictional, characters, such as real-life actress Olive Stanton (Emily Watson), pining for a role; real-life Margherita Sarfatti (Susan Sarandon), passing the hat among capitalists like fictional steel magnate Gray Mathers (Philip Baker Hall) to support the fascist Mussolini; fictional actor Aldo Silvano (John Turturro), balancing his socialist theatre aspirations against his pro-fascist family; and the FTP director and advocate, Hallie Flanagan (Cherry Jones), who fights the good fight for survival against the Dies Committee and do-gooder Hazel Huffman (Joan Cusack). (Huffman is lusted after by jaded ventriloquist Tommy Crickshaw, played by Bill Murray).

It is gratifying to know we can still get a pro-union film produced in this country, even though a lot of films escape to Canada to avoid union rules and negotiated pay rates. Just to give you an example of why rights for workers are necessary, here is an excerpt from a 23 December 2002 news story:

"Last week a jury confirmed what labor activists have argued for years - Wal-Mart is a corporate criminal making its profits by illegally breaking wage and labor laws: `In the lawsuit, 400 current and former employees from 18 stores in Oregon accused the company of violating federal and state wage laws by systematically pressuring them to work unpaid overtime.' And this case is just one example, as Wal-Mart has been quietly settling other lawsuits by employees across the country. Globally, Wal-Mart's drive for low wages extends to contracting with sweatshops in developing nations that systematically violate human rights and workers rights."

Writer-director Tim Robbins has venerable liberal credentials, dating to the wicked satire Bob Roberts (1992), and he juggles all of these story lines with consummate skill. He and his excellent cast capture the excitement of putting on a show that might actually change minds, rather than just bring in spare change. There was a time in American history when some people were paying attention to what's good for American people rather than just American corporations. Cradle Will Rock is meant to rock you, not to sleep, as most entertainment does, but wide awake.

Brilliant Exploration of Art and American History
The only thing one can say after watching this film is WOW. Tim Robbins takes on such a wide range of issues and does it well. The cast is amazing. The subject matter -- Art/Censorship/Wartime Politics/Patriotism - is so relevant today. I wish the studios would re-release this and soon, before we wind up with an Ashcroft/Rumsfeld witch hunt related to Iraq and 9/11. Even without thinking of these larger issues, the movie is simply great entertainment. There's romance, drama, comedy, rags to riches sub-plots and history. Characters include Nelson Rockerfeller, WR Hearst, Diego Rivera, and Orson Wells. I mean this is ambitious stuff. If I taught high school or college American History, I would show this film as a teaching tool. Enjoy this film and hope that hollywood makes more like it. ... Read more

Reviews (1)

Hilarious
When one sees the opening sketch, "Total Bastard Airlines", one is suddenly reminded of the wit and humor that "SNL" skits once possessed...This is the first "Best Of" dvd to be devoted to more than one cast member. Here, 5 cast members get their due: Adam Sandler, David Spade, Rob Schneider, Chris Rock and Chris Farley. And it stays true to the title, showing each cast member at their raunchiest.

Sandler seems to get the most coverage, appearing in about half the sketches. His are probably my favorite. I enjoyed every minute of his sketches, from "Operaman" to "Canteen Boy" to "The Hanukkah Song", I laughed my pants off. I only wish they'd included "Cajun Man" and "The Present Song".

Spade gets some coverage as well. In addition to a well - thawed "Hollywood Minute Montage", he captures the audience with his witty sarcasm in "Total Bastard Airlines" and the one in which he plays Dick Clark's snotty receptionist who is able to absorb catchy comebacks from Roseanne Barr.

Scheider does not appear that often, but when he does, you can't help but laugh. He seems to be at his best when he is doing his famed Richmeister (makin' copies) sketch with Sting. But he's even funnier in "The Gap Girls" and "Orgasm Guy".

Unfortunately, Rock and Farley do not get as much coverage, but when they appear, they steal the show. Rock's "Nat X" and editorials are some of the freshest and rawest humor "Saturday Night Live"'s writers ever came up with. Farley outshines the rest with his interview wuith Jeff Daniles and his chubby Gap Girl.

It's especially funny when more than one cast member works together in the same sketch. Schneider and Sandler have a ball playing sex - crazed Italian waiters pining for Kirstie Alley at "Il Cantore" alongside a showstoppingly funny Dana Carvey. And Sandler and Farley are just to funny for this world in the uproarious "Zagat's".

I recommend this dvd to just about every "SNL" fan in the world. It features some extremely funny stuff, some of which is all too underrated. I hope to see a dvd in the future devoted to women of "Saturday Night live", like Jan Hooks, Molly Shannon, and Tina Fey. ... Read more

Reviews (26)

A Sandler CelebraSHON
For me, Saturday Night Live stopped being funny enough to watch about the same time Adam Sandler left the show. This collection of Sandler moments is a little uneven and fails to include some of my favorites, but there is still plenty of great comedy to be found here. You get performances of such Sandler classics as The Chanukah Song, Lunch Lady Land, and a less famous little Christmas ditty (but, alas, no Red Hooded Sweatshirt song), not to mention his Springsteen performance of Dancing in the Dark alongside Courteney Cox. His Operaman persona is well represented with performances scattered throughout the 87 minutes of comedy mayhem. Cajun Man puts in an appearance, as does Lucy the Gap sales girl. The Canteen Boy segment is rather hard to forget, featuring the icky advances of Scout leader Alec Baldwin to Sandler's innocent persona. Proving that this comedy remains timely, Iraqi Pete shows up to draw the jeers of an American audience. There are a couple of skits of the typically inane SNL variety that seemed out of place here: the house-sitting and New York restaurant guide commercials; it is actually Chris Farley who manages to extract significant humor out of these otherwise unimpressive offerings. The selection from The Denise Show is very funny, but I would have favored the final one featuring Nicole Kidman as the better choice. I was very happy to see one of Sandler's Halloween costume suggestion skits included here; as funny as this selection is, though, I was a little disappointed that it was not the very first one-that was one of the funniest things I have ever seen in my life. All in all, there is something here for every Adam Sandler fan; it is a tribute to his comedic genius that there was not enough room on this tape to include all of his fans' favorite moments from the show.

Please God, give me cancer now!
This is probably funnier than all of AS's films, and that is saying a lot! From the Zagat's skit (the book is gone, but the mouth keeps on!) to the now classic Schmitts Gay commercial, it really is the BEST of Adam Sandler, the best in the series. The Denise Show was a skit I don't remember, but it's funny as hell. (here's the part of the show where I absolutely lose it!) and of course Canteen Boy is another great one. (Alec Baldwin-a great SNL host) The Operaman montage is hilarious (I especially love the two Pearl Jam bits, the Al Gore song, and of course the Demi Moore "dry-humpo!" song) Cajun Man is in here, as well as the Hannukah song. Of course, the now classic "Bellissima!" skits are untouchable, and the Gap girl skits are hilarious. It's very hard to pinpoint the best skit on here, but I would say a tie between Canteen Boy and the Operaman montage. Opera Man, bye bye!

Omigod! It's The Best Of Adam Sandler!
While not as versatile as Dana Carvey or Phil Hartman, Adam Sandler had his own special brand of humor that made him one of "Saturday Night Live's" must - watch comedians during the early 1990s'. Relying more on characters than impressions, he had an intense flair for physcial comedy, something few castmembers were good at.

For a solid 70 minutes of laughter, this dvd can hardly be beat. All of his most popular charcters are here - "Canteen Boy" (in a rather memorable sketch with Alec Baldwin), "Cajun Man", Lucy the Gap girl and , of course "Operaman". Also, there's more than a few one - time characters who make their appearnaces. "Iraqi Pete" seems is hilarious, though has eerie echoes of what's going on in the world today. The bellboy from the "Room Service" sketch (actually, he also appeared in the "Il Cantore" sketch) is also funny. My favorite is Hank Gelfand from the "Zagat's" sketch, though Chris Farley actually does better than him here.
And of course, there's the music: "The Hanukkah Song", "Present Song" and "Lunchlady Song" (though in this one, Farley once again outshines him). Plus, there's his hilarious costume suggestions ("I'm Backwards Man").

I suggest this dbd. I guarantee you'll laugh your pants off. Here's hoping tha Lorne Michaels gets his stuff together and asks Sandler to host the show again soon.

Magnifico
During the years 1986 to 1991, a few new comedians joined the cast of NBC's "Saturday Night Live". Dana Carvey, Mike Meyers, Kevin Nealon, Dennis Miller, David Spade, Rob Schneider, Chris Rock, Victoria Jackson, Phil Hartman, John Lovitz, Julia Sweeney, Chris Farley and a host of others built what is arguably the only ensemble to rival the first five years with Gilda, Dan and Chevy. Another comedian who joined the show around this period was Adam Sandler, then a struggling comedian who (as one reviewer pointed out) had already starred in one movie called "Going Overboard".

"Saturday Night Live - The Best Of Adam Sandler" is an excellent compilation of some of his zaniest characters (and some in which he plays himself singing a song or giving costume suggestions to the unfortunate ones who couldn't find one for Halloween. There are 20 skits here, so I'm going to just the name a few of my favorites.

"Zagats" is my favorite. A bewigged Sandler acts alongside Chris Farley and David Duchovny (both in drag) as an elderly Jewish man who is celebrating his 35 th anniversary with his wife Bev (played by Farley). Sandler's insults and one - liners ("Give me cancer now, God") are among his best work. Liken him to Mr. Roper from "Three's Company", only Jewish.

"Canteen Boy" is a rather provocative skit, with not - so - subtle allusions to sodomy and homsexuality, with Alec Baldwin as a scout master pining for a more than a little uncomfortable Sandler. Very racy, but extremely funny stuff.

Finally, there are four different "Operaman" skits. Here is where you'll hear Sandler zing such notorious figures as Amy Fisher, Lorena Bobbit, George Bush, Hilary and Bill Clinton, Brad Pitt, Tom Hanks and a hilarious song about Pearl Jam in which Operaman expresses his non - gay crush on Eddie Vedder. John Lovitz and Glenn Close also pop as Operaman's brother and his sister - in - law.

Other skits like "The Denise Show", "Grandma" and "The Herlihy Boy"are equally funny and memorable. For me, the only skit not included that I wish they did was "Operaman's Lotto Ticket". But this is still an essential collection, especially if you are a big Sandler fan.

Not the best of Adam Sandler, but still fun for "SNL" fans!
During the early to mid-90s, a few comedians ruled NBC's "Saturday Night Live," and they got future film careers out of it all. Dana Carvey, Mike Myers, Adam Sandler, and now even Rob Schneider have all gone on to fruitful film careers, with Carvey finally getting back in the game (hopefully) after heart problems (though "Master of Disguise" didn't help him too much). Other funny comedians such as Kevin Nealon and Phil Hartman, though equally funny, never got very far. Nealon made some cameos in his fellow "SNL" friends' films ("Happy Gilmore," "Master of Disguise," "Anger Management"), while Hartman was shot by his wife before he got anywhere at all.

Adam Sandler has probably gotten the most out of "Saturday Night Live." He appeared in one film prior to his casting on "SNL." It was a film called "Going Overboard," and it is a true cinematic disaster. After "SNL," however, he has appeared in such flicks as "Billy Madison," "Happy Gilmore," "The Waterboy," "The Wedding Singer," and last year's "Punch-Drunk Love," in which he displayed his true feelings behind the goofy boy persona.

"Saturday Night Live: The Best of Adam Sandler" is a compilation of his greatest moments on the famed television show, ranging from skits involving original characters such as Canteen Boy and Operaman, to the host of "The Denise Show" and The Herlihy Boy Homesitter.

I stumbled upon this DVD while I was at my video store picking up another "SNL" DVD. I was happy because I like the early 90s segments of "Saturday Night Live" much more than the recent episodes, especially now that Will Ferrell has left the show. I was pretty excited that I had found it.

Which is why I was a bit disappointed. I liked this collection of his so-called "greatest moments," but I can't necessarily say that I've seen nothing better. In fact, some of the skits on this DVD are not that funny after a while. The Herlihy Boy Homesitter gets old pretty fast, and while I liked "The Denise Show," I recall seeing a much funnier sequence of the same fake TV show with Nicole Kidman as a guest star - and it was funnier than this one.

Thinking back, I didn't laugh a whole lot at all the skits. They weren't as funny or outrageous as those included in this year's "The Best of Will Ferrell." Is it because Adam Sandler himself isn't funny? Many people think so. I think he's good at what he does. I like his goofy comedies like "Happy Gilmore" because they put a smile on my face (though he's far from being a great comedian at all). Also included on the DVD is the song that inspired his animated feature film "Eight Crazy Nights," as well as Iraqi Pete (an odd skit but pretty funny). I had already seen a few of these skits on television before, including that involving Kevin Nealon and guest star Kirstie Alley being bothered by sex-craved Italians in a hotel.

My favorite skit, however, would have to be one that has Michael Keaton paying Chris Farley to keep an eye on his frail grandmother while he goes back to his room with a girl for a half hour. The grandmother (played by Sandler with a wig) wants Joey (Keaton), and she doesn't want anything to do with Farley. Farley tries to help her with everything but "she" screams and claims he's attacking her. Keaton comes out and beats up Farley a few times in the process. Funny stuff, but still a long shot from anything extraordinary.

And just as with "The Best of Will Ferrell," I am disappointed in this DVD's length. 73 minutes is short for a collection such as this. I understand that it originally aired on television, and with commercials it runs to a full 90 minutes. However, why not make it a full two hours with commercials? That would mean the DVD, without commercials (of course), would run closer to 90 minutes than 70. Or why not include a batch of extra "Best Of" scenes for the Special Edition DVD? That would interest many more buyers.

There are also no special features on this DVD, save one single photo gallery that scans through a handful of snapshots from the skits for about thirty seconds. The new "Best Ofs" contain dress rehearsals, outtakes, Conan O'Brian interviews, and photo galleries. I suppose there wasn't much footage left over since Adam Sandler's skits were filmed before DVDs and Lorne Michaels never thought of saving some deleted scenes and so on and so forth. But it would have been interesting to have more than a photo gallery. Maybe even trailers for some of Sandler's movies?

Strictly speaking, it's not an overblown Special Edition DVD like so many nowadays. It is basically exactly what it says - a collection of his best moments. No real special features, no commentaries, etc. Just the same as the TV broadcast only on DVD format. I guess that's OK.

If you're a fan of "Saturday Night Live" or Adam Sandler, I recommend picking up this DVD. However, if you want a good laugh, I recommend picking up "The Best of Will Ferrell" or "Dana Carvey," which I am told is hilarious and is next on my list. Steve Martin is always a good bet, too, but you may have more trouble finding older episodes - not many people care for them anymore. I'm still waiting on "The Best of Dan Aykroyd," "Chevy Chase," and "Gilda Radner," to name a few of many....

"Saturday Night Live: The Best of Adam Sandler" runs 73 minutes, and includes many different skits. It is not rated and contains some sexual content and language. Its single bonus feature is a photo gallery. ... Read more

Reviews (9)

Prettty good mix of old and new
I'm a pretty big SNL fan. I don't get to watch as much as I'd like to anymore, but it's the most consistent funny show on tv. The SNL Christmas special is a great DVD.

It does have some notable skits. I love the skit with Alec Baldwin and the NPR ladies. It's so funny because all of them play being so serious so well. I laugh so hard every time I see this skit.

I liked the Martha Stewart topless christmas. She is such an easy target to make fun of and they do it great in this skit. Martha Stewart is annoying because of the way she talks and the way she presents herself. They spoof it so well in topless christmas. It's one of the better skits on the dvd.

All the skits with old SNL members are great. Dan Akroyd is one of the funniest guys to live and his skits as the toliet paper saleman and the toymaker are great.

Are two favorite SNL drunks Farley and Belushi both have some good stuff there fans should like.

Adam Sandler does the Hannakuh song. It's not the best version of the song, but it is the original and what a funny song it is.

I love this DVD. It's one of the better best of's they've made and I'm glad it's part of my collection.

SNL XMAS PAST AND PRESENT. a little more past please!
A good look at the best xmas skits from SNL, except they forgot
Hannakuh Harry & Gumby's X-Mas Special. It was great though to see Chevy Chase (as President Ford) open the collection, with other appearences by the BEST & ORIGINAL Not Ready For Prime Time Players Dan Aykroyd, John Belushi, Jane Curtain, Garrett Morris, Gilda Radner and Second Season replacement Bill Murray.
Why Wont Lorne Micheals release SNL Season by season? It would be great to catch ALL the great performances, like the 1st season,PLEASE! Hail Chevy Chase!
Also Recommend:
UNDER THE RAINBOW-Chevy Chase
CADDYSHACK-Chevy Chase, Bill Murray
N.L. CHRISTMAS VACATION-Chevy Chase
SNL-Halloween
SNL-25 Years Of Laughs

Funny, but no Hanukah Harry!
This video was pretty funny. It had mostly newer stuff. I would have liked to have seen stuff from the earlier years. Also, a sticker on the package advertises that the Hanukah Harry skit with Jon Lovitz is on the video, but mysteriously it is nowhere to be found! I am certain there is more material they could have put on this 65 minute video.

Not worth purchasing
I'm a big fan of SNL, but most of the skits on this video weren't that funny. Adam Sandler singing the Hanukkah Song, and Chris Farley as Santa were the only two skits that made me laugh. I bought this as a gift for my father-in-law and I wish I hadn't! Maybe next year I'll buy him the Best of Chris Farley.

WELL BALANCED MIX
THIS 65 MINUTE TAPE IS A WELL BALANCED MIX OF OLD SCHOOL AND RECENT SNL CHRISTMAS SKETCHES. ADD THIS TO THE SNL HALLOWEEN VIDEO AND YOU'RE SET FOR LAUGHS OVER THE HOLIDAYS. I SERIOUSLY HOPE THAT THEY ARE HARD AT WORK ON VOLUME 2. THEY'VE CERTAINLY GOT PLENTY OF MATERIAL. I PRAY THE NEXT TAPE INCLUDES THE SANTA THE TERMINATOR SKIT (DECEMBER '84). EVERYONE I DESCRIBE IT TO THINKS I'M MAKING IT UP. ... Read more

Reviews (7)

Thank you, Anthony!
Anthony - thanks so much for answering my question - you're the greatest! I added you to my favorite reviewers list :)

Great, Spooky Fun
"Saturday Night live - Halloween" was the first "SNL" dvd I bought not devoted to a cast member. While not as good as those retrospectives, this dvd captures the best "Halloween" - style moments on the show.

Most of the skecthes here are just random "Halloween" sketches. "Gay Dracula" features a hilarious turn by John Travolta as the famed bloodsucking count. Kvein Nealon and Jeneane Garrofolo play road - weary travelers who think the count is gay. "Vampire Dating" is the worst sketch here. James Woods turns in accurate Dracula, but I just didn't get the plot of the sketch. "Consumer Probe" is the oldest sketch here, a satiical take on the many complaints of dangerous costumes.

On this dvd, it's fun to see recurring sketches like "Matt Foley, Motivational Speaker", "Wayne's World", "The Richmeister", "Daily Affirmation With Stuart Smalley" and "Spartan Cheerleaders" put into a Halloween context, as it allows them to expand the realm of the ordinary, non - holiday sketch. Also, Adam Sandler's hilarious costume ideas ("Crazy Pickle Arm") ar here, as is Ana Gasteyrer's hilarious impersonation of Martha Stewart.

This is a hilarious dvd recommended to anybody who enjoys "Saturday Night Live". Also pick up the 8 - pack dvd set.

Can anyone answer a question?
Does this DVD contain the Adam Sandler "Crazy Pickle Arm Man" skit?

Howl - larious
Hosted by Wayne and Garth, "Saturday Night Livve - Halloween" is a great collection of old and new sketches hosted by Wayne and Garth, spanning from to the early days to the mid - 1990s'. Among the best sketches are "The Richmeister", "Sandler's Costume Suggestions", and "Return Of The Coneheads". There are some sketches I suggest you skip, but I won't name the, because you might actually enjoy them.

SNL, so funny it's spooky
It's lacking a few great skits, the Landshark opening was nice but one of the JAWS spoofs could have been added. It's definitley worth it but lets hope we see a season by season deal soon! Stuart Smalley, James Woods Dracula, Scream spoof with the
CheerSquad, Wayne & Garth's Halloween Costumes and Landshark are the highlights. But, come on, lets see NBC's SATURDAY NIGHT (live) Complete 1st Season on DVD soon! With Lorne Micheals & former Cast, Writers and Hosts interviews and behind the scenes stuff, maybe 5 discs? 4 for the show, one for extra's. It sounds good to me. "Oh well, good night and have a pleasant tomorrow"
Check out:
SNL-Christmas
SNL-25 Years Of Laughs
Nothing But Trouble-Chevy Chase
Caddyshack-Chevy Chase, Bill Murray, Rodney Dangerfield ... Read more

Reviews (22)

"Clean" Eddie Murphy!
It is extremely rare to use the words "Eddie Murphy" and "clean" in the same sentence, which ring true in "Saturday Night Live-The Best Of Eddie Murphy". After watching Murphy convey such a unique and endearing comical warmth in which he brings to many of his SNL characters, especially in this video, it makes you wonder why Murphy resorts to using rather obscene language and risque adult themes prevalent in many of his stand-up comedy videos, such as "Eddie Murphy:Raw" and "Delirious", which are highly recommended for laughs, even though these are not satisfactory for young audiences to view. If Mr. Murphy cleaned up his act in the language department, he'd still be just as hilarious. On the other hand, if the adult themes and language were excluded entirely, the routines wouldn't be as interesting and much of their viewer appeal would be lost. No need to worry with "The Best Of Eddie Murphy-Saturday Night Live". It's "G" rating means that it's a video the whole family can watch together, although there is a slight possibility that the ethnicity present in certain skits may offend certain people, so it's best to watch this with an open mind and just laugh out loud! The only thing I dislike about this version is due to the fact there are two different skits, one that replaced the jazz skit where Murphy portrays a "Thelonius Monk"-type musician, sporting a clear plastic mask, which I found quite hilarious! Instead there's a drone skit with Eddie dressed up as Gumby, saying the oft-used phrase "I'm Gumby, Dammit!" Somebody please gag me with a spoon! Another skit featured here that wasn't in the original video was a different second skit of "Mister Robinson's Neighborhood" featuring Mr. T. Even though I don't remember the original second skit that was in the original video, I would say the Mr. T skit is/was as equally as funny. The most hilarious skit of the bunch here is definitely the "Jesse Jackson" skit. You'll have to check that one out for yourself! You rarely see any clean, wholesome and comical productions starring Eddie Murphy that are out there, which is why it is necessary to include "The Best Of Eddie Murphy-Saturday Night Live" in your comedy video library. Purchase this rare gem before it is taken out of print!

Funny, yes, but the VHS version from late 80s was better
This DVD has collected most of the best moments compiled on the VHS best-of Eddie Murphy version that came out circa the late 80s, but is missing a few moments that could have easily been fit in.

1) The Eddie Murphy "Ronald Reagan is my father" skit, which has Murphy pleading for his father to return, talking about how the last time he saw him was when he asked him to get some cereal, and he never came back.

2) Where Eddie Murphy interviews Ron Howard about his new movie, but Murphy can't get over that Ron Howard once played Opie on The Andy Griffiths Show, frustrating Howard.

3) Where Eddie Murphy and Stevie Wonder do a commercial for something called similar to Plantation Land, where people can go and pick cotton, being treated like slaves.

4) A talent show at a veterans post, with Tyrone and his Reggae Band, where Eddie Murphy plays the lead singer singing some hilarious lines I probably can't mention here, so I won't, but it would also ruin the humor. but let's just say the crowd is mad, and starts to leave. Murphy manages to both show the honesty in reggae music, and also make fun of reggae itself.

5) Popeil's Galactic Prophylactic, a superstrong condom that can last decades and be passed down generation to generation. ultra-hilarious.

So the DVD version is funny, but it's too bad they couldn't find room for these. rather disappointing. The DVD is still worth getting, but try finding a copy of the videotape.

Comedy At Its Best
After 5 years of classic comedy, "Saturday Night Live" entered a cold streak in 1980. Heavyhitters like John Belushi and Gilda Radner were replacd with Gail Matthius and Charles Rocket, and Jean Domanian (and later Dick Ebersol) replaced the show's guiding force, exceutive porducer Lorne Michaels. The results: bad reviews and the show's worst ratings. The show needed someone to revive the show's magic. Someone who could elicit guffaws in even the worst sketch. They found that in 19 - year old comedian Eddie Murphy.

Murphy's best moments in his 3 - year stint on the show are all on this 28 - sketch set. Whether you enjoy "Buckwheat", "Gumby", or "Mr. Robinson's Neighborhood", there'll never be a more comprehensive Eddie Murphy/"SNL" retrospectie. Also, a lot of less popular sketches are here. "Buckwheat Shot" and "Buckwheat Dead" (one of the few 2- part "SNL" skecthes) is among the show's greatest staircal news parodies. Eddie does the Little Rascal flawlessly, while Joe Piscopo does a dead - on Ted Koppell. (Piscopo is actually in most of the sketches, probably because he brough out the best in Murphy). Also, a variety pf his classxci impressions are here: Desmond Tutu, James Brown, Stevie Wonder (the real wonder pops up in the final sketch), Jesse Jackson and others. I wish they'd included his Michael Jackson impression, though. Another plus: Eddie's hilarious Little Richard Simmons, a sidesplitting amalgam of Little Richard and Richard Simmons that most likely inspired Dana Carvey's Carsenio. And the classic short film "White Like Me" is here. The makeup artists did a great job of making Eddie look white.

This dvd is also special because it's Eddie's cleanest material aside from "Shrek" and "Doctor Dolittle". Aside from a few curses, everything here is tame compared to his movies and standup routines. I suggest this dvd for all comedy fans. Also, get the other "SNL" dvs.

Total Ripoff
I agree that this was a total rip off. One would assume that a DVD version of a show would have all the same contents as the VHS version if not more. I was shocked to find out about the missing episodes. Unfortunately I didn't read the reviews before purchasing it so tough luck on my part.

I wouldn't recommend this to anyone - get the VHS version if you can.

While we're on the topic of comedy shows. Does wnyone know if Roman Atkinson live will ever be out on dvd?

RIPPED OFF!
I gave this DVD 4 stars the first time it was released and 1 star the second time. I bought it the first time it was released. When I saw the different cover and the words "bonus editon", I assummed it contained the missing episodes fans were requesting that weren't on the first DVD. Wrong. There were too many great episodes missing: "Guy Talk" with Michael Jackson, "Ronald Reagon is My Father", "Cotton Land", "Tyrone & His Reggae Band" and more. Thank goodness I rented this one first, but I still feel cheated. What do fans have to do to get what they want? ... Read more

Reviews (41)

Tim Robbins, Prophet.
When I first saw Tim Robbins' political satire, "Bob Roberts," I had an extremely negative reaction because of what I perceived as the film's smug humorlessness and lack of correspondence to anything resembling political reality. I still think the film isn't as funny as it should be, and is too self-congratulatory by half. But perhaps Mr. Robbins deserves to indulge in a little self-congratulation, for his political prescience is now obvious: George W. Bush IS Bob Roberts. Bush may not sing or play the guitar, but man, he sure plays to the camera--whether landing in a fighter jet on an aircraft carrier or serving fake turkey to the troops in Iraq--while dancing on our basic freedoms and international prestige with football cleats. Similarly, the sinister political adviser played by Alan Rickman now seems a perfect amalgam of Dick Cheney, Karl Rove, Donald Rumsfeld, John Ashcroft and others in the Rogues' Gallery of the Bush Administration. And though I found the zombie-like devotion of the followers of the cold, unappealing Roberts hard to believe, it's no less believable than the fealty that millions of voters swear to Bush. Robbins' spring 2003 speech before the National Press Club--which he made in the wake of being disinvited to the 15th-anniversary celebration of "Bull Durham" because of his stand against the Iraq war--is a brilliant political document, and one that underlines the culmination of many of the dangers Robbins warned against in "Bob Roberts." So while I still don't think this is a particularly good movie from the standpoint of entertainment, its obvious political astuteness mandates my upgrading it from one star to three.

The Best Film Ever Made About Politics and Power in America
How do you give a film more than five stars? For "Bob Roberts" is the best, bar none, film about politics andpower in the United States. It is entertaining; it is enlightening; it is an amusing, satirical romp that time has not rendered out-of-date. Indeed, ten years after its release, it is more timely than ever.

This is due in part to Tim Robbins' deft talent for poking all sorts of holes in the balloons of the sanctimonious prigs who comprise the right wing of the nation's political spectrum. But, above all, it is due to the presence in the film of our greatest living writer and man of letters, Gore Vidal.

Vidal's portrayal of incumbant senator Brickley Paste (D-PA), under siege from a folk-singing "rebel" Neanderthal (of course, Bob Roberts), is pointed, ironic and above all else educational. For in his regretably short time on the screen, Vidal lays open for us his view of recent American history, all in that tired but wise man of the world way he has of stating truths that no one else (save people like Noam Chomsky and Christopher Hitchens) has the guts to say.

"Bob Roberts" is ultimately a film that brings us beneath the surface of American politics; and for this reason I suspect that it will never become as popular as other great political films, such as "Mr. Smith Goes to Washington" and "The Last Hurrah." For these are the films that depict politics as we would like it to be ("Mr. Smith") or at least as we can tolerate it to be (" The Last Hurrah"). They do not however depict politics as it has become. In this respect, "Bob Roberts" is the perfect sequel to "The Last Hurrah;" but the substance of its message is so painful that only the most ardently committed to civil liberties and a republican (small "r")form of government can bear
it.

ultimate election night party DVD
This is a great DVD to watch with friends during an election year. We had a group of 15 people howling with laughter. You have to love a politician who closes a letter to a 7-year-old Vermont girl with the admonition "Don't do crack; it's a ghetto drug."

PULLEASE
"Bob Roberts" was Tim Robbins first foray into political filmmaking. He draws on his family experience as traveling folk singers and fashions a story of a conservative, religious political candidate who sings family songs on the campaign trail. The film itself is good stuff, well acted and produced, but the message is clear: White conservative Christians are just frauds and cannot be trusted. One watches it and wonders what a truthful depiction of Jesse Jackson would look like. Or an inside look at Joseph P. Kennedy pulling the strings in Jack's Congressional and Senate campaigns? Or the inside deals that kept Teddy Kennedy in office after Mary Jo Kopechne was killed? How about Al Sharpton and the Tawana Brawley incident? "Bob Roberts" is one of those movies that you just watch and shake your head.

References to other documentaries
To better appreciate this movie, it's good to know that it makes references (many, in fact) to the 1966 Bob Dylan documentary "Don't Look Back." If you haven't seen this earlier movie, naturally you won't pick up on these references (which are funny). What's interesting, though, is that at about the same time "Bob Roberts" was being made, the director of "Don't Look Back" was making a documentary (or perhaps had made ...), similar in nature to his earlier film, about Bill Clinton's campaign for the presidency called "The War Room." Cinema verite, no doubt. ... Read more

Reviews (76)

Of monsters, murder and divine mercy.
"Sister, I won't ask for forgiveness; my sins are all I have," sings Bruce Springsteen in this movie's title song while the end credits roll over the screen - giving voice once more to Matthew Poncelet and the men portrayed in Sister Helen Prejean's nonfiction account on which this movie is based; that angry "white trash," those men who are "God's mistake," as one victim's father says, inconsolable over the loss of his daughter; those men locked up in high security prisons for unspeakable crimes which many of them claim they didn't commit. And Matt Poncelet (Sean Penn) is just such a guy; locked in bravado and denial, he proclaims his innocence and would rather take a lie detector test on the day of his execution "so my momma knows I didn't do this" than own up to his responsibility.

With Sister Helen Prejean (Susan Sarandon), we first learn about the crime which landed Poncelet on death row - the rape-murder of a couple on lovers' lane - from the account she receives when she starts writing to him and eventually agrees to visit him in prison. It is, as she will soon learn, a story that anti-death penalty advocates are all too familiar with; a story of unequal access to lawyers and of two defendants, each blaming all guilt for their crime exclusively on the other, regardless what truly happened. And as long as she is assured that even if Poncelet would have a new trial he wouldn't go free (as an accomplice, under Louisiana state law he would receive a lifetime prison sentence), Sister Helen is willing to help him find a lawyer and, when the date for his execution is set, try to obtain a reprieve.

But it does not end there, as she soon finds out; and one of this movie's greatest strengths is the way in which it portrays all sides of the moral issues involved in the death penalty. There are the victims' families, a stunning 70% of which break up after the murder of a child, and who are forever stuck with the unloving last words spoken to their loved ones and the memory of all the little homely details reminding them of their loss. There are the prison guards and nurses, trying to see executions as "part of their job" - with varying success. There are the politicians, barking slogans on TV; promising to "get tough on sentencing, get tough on lenient parole boards, get tough on judges who pass light sentences." There are the convicts' families, marginalized as a result of their brothers' and sons' acts, particularly if they refuse to condemn them publicly. ("Now I'm famous," Poncelet's mother comments bitterly on the dubious celebrity status she has attained as a result of a TV show about Matt. "A regular Ma Barker!") And there is the death penalty itself, shown in all its chilling, graphic, clinical detail, here in its allegedly most humane form: lethal injections, which tranquilize the muscles while the poison reaches the convict's lungs and heart - "his face goes to sleep while his inside organs are going through Armageddon," Poncelet's attorney says at his pardon board hearing. "It was important to us to show all sides of the issue," explains director Tim Robbins on the DVD's commentary track, "not to be satisfied with soundbites, and to present the reality ... Ultimately, the question is not who deserves to die, but who has the right to kill."

At the heart of the story are two radically different individuals: Sister Helen, who has grown up in an affluent, loving family; and Matthew Poncelet, the convicted killer. And their portrayal is this movie's other great strength: without either of them, this film would not have been half as compelling. Both Sarandon and Penn deliver Academy Award-worthy performances. (Sarandon did win her long overdue Oscar, Penn lost to Nicolas Cage for "Leaving Las Vegas" - this would have been an occasion where I would have favored a split award.) Gradually, very gradually we see them get to know each other; and as they do, the visual layers separating them in the prison visiting room are peeled away. Yet, even after he has learned to accept Sister Helen as a human being (not without attempting to come on to her as if she were not a nun - director Tim Robbins's way of dispelling the notion that they might fall in love, as is so often the case in the more cliched versions of this type of story), Poncelet insists that his participation was limited to holding one of the victims down, but that it was his accomplice who raped and killed them both. And even days before his execution, he is still looking for "loopholes" in the bible, as Sister Helen admonishes him, seeing redemption as a free ticket into heaven instead of a means of owning up to his responsibility. ("I like that," he comments when she quotes Jesus's "the truth shall make you free." "So I pass that lie detector test, I'm home free.") Only in his final hour, he slowly, gradually gives up the protective layers of his bravado and lays bare his raw nerve and innermost anguish. And while he speaks, finally, in a complete flashback, we, the viewers, see what really happened that dark and lonely night in the woods, and what all the previous partial flashbacks have not revealed.

"It is easy to kill a monster, but hard to kill a human being," Poncelet's attorney once explains; and Tim Robbins echoes that sentiment on the commentary track. Yet, this movie is not about romanticizing a brutal killer, any more than it is about demonizing his victims. It is, first and foremost, an attempt to bring a complete perspective to one of contemporary America's most pressing problems, and to find a way past sorrow and hate and move towards the future. And even if you're still for the death penalty after having watched it - don't claim ignorance as to what is involved.

An emotionally charged masterpiece
I saw this in my High school law class. We had just finished discussing the death penalty. I had always been an eye for an eye person, but this movie is so brilliantly presented. It never assumes the role of being too sympathetic to the condemned Sean Penn nor does it outright say he deserves to die. Instead of doing the usual, director Tim Robbins presents every side of the issue, allowing for one of the best masterpieces of the film. The murder scene is never too graphic but is still chilling. My favorite scenes were Sarandon's attempts to win Penn over to Christianity, Penn's moments with his family, and Sarandon singing to Penn as he is being led to the execution chamber. I havenot yet bought this, but it will be in my collection very soon.

ROBBINS, SARANDON AT THEIR BEST
Tim Robbins made another "political" film." "Dead Man Walking" stayed on an even keel. Starring Sean Penn in a bravura performance as a murderer getting ready for his execution, it takes a surprisingly Catholic point of view, in which Susan Sarandon plays a nun who makes him take responsibility for his actions, ostensibly to save his soul. It could be interpreted as being against the death penalty, but this is actually a stretch. This film is a good example of how much talent Robbins has and how, when he avoids major Left wing politics, he produyces some real genius.

STEVEN TRAVERS
AUTHOR OF "BARRY BONDS: BASEBALL'S SUPERMAN"
STWRITES@AOL.COM

"dead Man Walking"
What I liked the most about "Dead Man Walking" is the fact that it shows the issue from the death row inmate`s view. the film is not obviously in favour of one side,the murderers as well as the victim`s families point of view.
it is very emotional, especially the executionscene.
"Dead Man Walking" also leaves much space for your own thoughts and I can imagine that it may change people`opinions about the death penalty, or at least make them think about it.

Dead Man Walking
In my opinion Tim Robbins succeeded in making a realistic film. The fact that it is based on the book by the real Sister Helen avoids that it seems to be pure invention. Futhermore Susan Sarandon and Sean Penn did a very good job because thy did not seem to play a role, but to be the characters. They managed to create an intimacy although they have no physical contact. What I also liked about the film is that it does not influence the watcher in his/her attitude towards capital punishment. It just shows both sides so that the watcher can form an own judgement about the subject.
The only thing that I disliked was the beginnig of the execution scene when Matt is to symbolize Jesus Christ. You cannot compare a cruel rapist and murderer to the most unselfish man there ever was!
But all in all it is a good film that makes you think about your own attitude towards death penalty. ... Read more

Reviews (6)

Not as fun as when I was ten
I think if they had included the studio audience laugh track, it would be more fun to watch (kind of creepy without it). The later shorts do include the laugh track, which must have come from the SNL broadcasts.

so what
can't rewind a one minute film? Who cares? You DVD nerds are the worst.
The menu is cute.

Classic hilarity, abominable DVD
The "Mr. Bill" short films are as bizarrely endearing as ever, but the DVD is a disaster. (Note that all the earlier reviews are for the VHS tape.)

Here's the rub: ***ALL*** scanning and skipping functions are disabled throughout the entire disc! Want to go to the next film? Don't press the skip button; it won't work. You have to go back to the tedious menu and arrow your way slowly to the episode you want. Want to back up or fast forward a little in the film you're watching? Sorry, but there's no way AT ALL to do that.

This disc is a cruel joke and should be withdrawn. It cannot be recommended at all as issued, though I found it impossible to give poor Mr. Bill only one star....

Classic and hilarious
You may feel bad laughing at the sufferings of the benevolent, upbeat Mr. Bill, but you can't help it. This is as funny as anything ever seen on SNL. Although the video is less than an hour long, it packs more laughs than some of the best comedy movies. I highly, highly recommend this.

If you like Mr. Bill (or the Pizza Head commercials) get it!
This Mr. Bill video is very funny I believe. And what makes it so great, of course, is how "cheap" it's done. No one but Mr. Hands ever moves, and Mr. Bill just has to "stand" for anything Mr. Hands does to him, or anything Sluggo, a guy who hates Mr. Bill, tells Mr. Hands to do to him. Hilarious I believe! ... Read more

Reviews (24)

Excellent
For 6 years, Mike Myers remained one of "Satturday Night Live's" most versatile cast members, with his assortment of quirky characters and a few memorable impressions of British celebrites. So anyone would be hardpressed to choose 16 of Mike's best sketches to fit one dvd. Fotunatel, it was an easy task for the people at Broadwat Video, who have put together just about every "SNL" anthology. They sketches span from his first season in 1989 to the 1994 - 95 season, the season in which Myers left during the second half.

All of Mike's classic characters are here. Wayne of "Wayne's World" is represented in 2 hilarius sketches, one in which he and Garth (Dana Carvey) are jamming with Aerosmith and another, more popular one in which they enjoy a "wet dream involving Madonna. I also enjoyed some characters who only appeared once or twice or the ones who appeared many times but never became as popular, like Lothar, Simon, Philip and Middle - Aged Man. His passion for Britian pops more than one in the "Hedley And Wyche" toothpaste commercial, "RAF Hospital", "Simon", "Theatre Stories" and his hilarious impressions of Mick Jagger and Ron Wood. Linda Richman and Dieter are also here. I'm glad that his most popular characters are presented in complete sketches. Carvey and Sandler had to have their most memorable characters (Operaman and The Church Lady) butchered to mere montages on their dvds.

The bonus sketches are okay. I especially enjoyed "Wayen's World" and "Update Ito", bu the others weren't as good. Still, this is an excellent compilation of one of the greatest comedians of our time. Since leaving "SNL", he hit it big as a movie star with "Austin Powers" and "Shrek", but he hasn't forotten the show that made him famous. He hosted in 1997, appeared at the 25th anniversary special and made a cameo in last season's Alec Baldwin episode.

Very funny, but are these really the "best" sketches?
One of the difficulties of the "Best of" series is that someone else is deciding what's be