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| 1. American Dreamer Director: Rick Rosenthal | |
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Amazon.com Reviews (70)
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| 2. Bad Boys Director: Rick Rosenthal | |
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Reviews (24)
SEAN PENN'S BAD BOYS IS DEFFINETALY HIS BEST WOK EVER
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| 3. Halloween II Director: Rick Rosenthal | |
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Amazon.com Reviews (292)
Fraught with production difficulties and critically reviled upon its original theatrical release, Rick Rosenthal's entertaining sequel manages to defy low expectations, despite a ho-hum script by co-producers John Carpenter and Debra Hill. Taking place immediately after events in the first film, the movie benefits enormously from the work of ace cinematographer Dean Cundey, who transforms the wide Panavision frame into a patchwork of light and shadow. The immortal theme music (slightly reworked from the original by Carpenter and associate Alan Howarth) is beautifully incorporated into the memorable credits sequence, in which a spectral jack o'lantern dissolves into a grinning skull, followed by an episode which establishes Dr. Loomis (Donald Pleasence) as the central character, an obsessive psychologist whose former patient is now the soulless killer running amok in small-town America. The opening fifteen minutes are terrific, an exhilarating combination of atmosphere, suspense and impressive visual technique. But the narrative quickly succumbs to rambling plot developments and a series of routine set-pieces, much of it centered around one of the most understaffed hospitals in movie history! That said, however, the movie recreates the look and feel of the first film in spades and delivers a couple of really good scares along the way. Pleasence gets most of the best lines ("We're all afraid of the dark inside ourselves"), and Curtis does her best with an underwritten role, but few of the actors are stretched by their material. The gore quotient has been upped this time around, the result of post-production tampering by Carpenter, who added extra 'kill' footage against Rosenthal's wishes, and there's a plot twist at the halfway mark which probably contributed to the movie's poor reception in 1981. Nice touches abound, however, including a ghostly flashback to Laurie's past as she comes face to face with the boy who will grow to adulthood harboring a supernatural impulse to kill her, and the tears of blood which roll down the killer's face during his final showdown with the main protagonists. For all its flaws, the movie has much to recommend the casual viewer, and was followed by the unrelated (and poorly conceived) HALLOWEEN III SEASON OF THE WITCH (1983). Universal's region 1 DVD - which runs 92m 15s - letterboxes the wide Panavision frame at 2.35:1 (anamorphically enhanced). Picture quality is generally OK, though spoiled by faint blemishes which flicker almost constantly across the left side of the image. It's particularly noticeable during dark sequences (check 01:11:16 onwards, for example), and while it may be less of a problem on 4:3 TV's, viewers with widescreen monitors may find it distracting. Sound format is 2.0 stereo, and while the multichannel effects are generally subdued, it makes a real virtue of Carpenter's creepy music score. English captions and subtitles are provided. Extras include a trailer and production notes, along with brief biographies of the movie's key personnel.
We rejoin Dr Loomis and Laurie right where the original film left off. The police are now fully aware of Michael's capabilities after finding the bodies in the house across the street. Laurie is then taken to the local hospital where sadly again she is hunted by Michael who slowly kills off the staff one by one until only he and Laurie are left in the building! But in the meantime Dr Loomis reveals why Michael is obsessed with making sure Laurie doesn't make it through to see daylight! This film is good in terms of the fact that it doesn't fall victim to sequel disease! By that I mean it isn't an exact clone of the first film with new characters. It keeps the story going and introduces many new obstacles. Sadly the fact that John Carpenter felt the need to add lots of blood and gore in this film to make up for the lack of it in the original. The shots look cheap and tacky which doesn't make sense considering the millions that the original film took in! Also the Michael that appears in this isn't as eerie as the one before and his mask clearly isn't the same one used in the first film because it looks as if it's about to fall about! Jamie Lee Curtis and Donald Pleasence reprise their roles excellently although the character of Laurie has changed in a weird way. In the first film she's a quiet bookworm who adores her friends. You'd think she'd be reeling over their deaths yet in this film she seems fine and spends her time flirting with one of the ambulance drivers! However it's not all gloom. The twist John Carpenter throws in is genious. It also makes you feel a lot more sorry for Laurie as well! All in all a good sequel but looks tacky at times and doesn't seem to be carrying over the entire spirit of the first film. However compared to the awful 3rd Halloween film this one is a masterpiece.
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| 4. Law & Order - Special Victims Unit - The Premiere Episode Director: Chad Lowe, David Hugh Jones, David Platt (III), Steve Wertimer, Joyce Chopra, Jud Taylor, Michael Zinberg, Alexander Cassini, Clark Johnson, Steve Shill, Rick Rosenthal, Peter Medak, Darnell Martin, Michael Fields, Juan José Campanella, Alan Metzger, Constantine Makris, Guy Norman Bee, Jean de Segonzac, James Quinn | |
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Amazon.com Reviews (10)
Pro - strong enough concept to survive on its own away from the original Law and Order series (material). Let's break that down for all ye non-rocket-scientists out there. It would take over 50 million bowls of your cereal...err...umm... I mean, buying only three independent episodes of SVU (which mercifully you can't, and the producers gave the consumers' brains atleast SOME credit) would have bought you the entire first season (now going for roughly $50), a net loss of, again, roughly 20 episodes (I've done some rounding for the non-rocket-scientists). A quick justification for the 3 stars - A) SVU, like the original Law And Order, has so much going on, you'll ALWAYS pick oodles up upon subsequent viewings (the rewind button can offer you everything that Munch was saying that you just sort of glossed over the first time).... thus, purchasing one episode won't REALLY give you just 45 minutes of something to watch. B) This is especially true, as they've packed those infamous "DVD extras" in - the original "Everybody's favorite Bag Man" pilot, as well as some interesting interviews and extra footage (the squad room walk-through) keep "Payback" from feeling lonely.
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| 5. Halloween - Resurrection Director: Rick Rosenthal | |
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Amazon.com Reviews (341)
The DVD almost makes up for the movie, with impressive video of 2.35:1, and audio of Dolby Digital 5.1. A DTS 5.1 would've been nice, too, but they didn't include it. The special features include deleted scenes, audio commentary, featurettes, behind-the-scenes look, and a special featurette on the "cameras" of Halloween: Resurrection. The title to the film, I found, to be misleading. Overall a disappointing movie not worth much more than a rental. But me, I had to buy it to complete my Halloween DVD collection. Nothing so far has surpassed the original, but at least this keeps up the continuity between the 1st one, H20, and this one.
Despite what the previews would lead you to believe, Curtis is not the main character of the film. She's mainly in this one to give the Laurie Strode character a proper send off. Unfortunately, it's not a happy ending. The story for this Halloween movie centers around a group of kids who are doing an internet broadcast show run by Busta Rhymes' character, Freddie. The catch is that this show is being broadcast from Michael Myers' house and, of course of all days of the year, the show is being broadcast on halloween. Once the kids are inside the house, the doors and windows are locked as they are to spend an entire night in the house. What the kids don't know is that Michael is back home and he's not happy with his uninvited guests. You can pretty much figure out the rest of the plot of this film. For a Halloween film, it's not too bad. I liked the originality of the headsets the kids had to wear that showed their points of view. As the kids get picked off one by one, their deaths are shown from the P.O.V.s so it feels like Michael is looking right into your eyes as he kills everyone. It does feel creepy at times. As usual the whole cast of characters are mainly unknowns with a few celebrity cameos like Busta Rhymes' character and his girlfriend played by Tyra Banks. You'll also see Sean Patrick Thomas (Save the Last Dance) and Thomas Ian Nicholas (American Pie) playing two potential victims in the house. Overall, the movie isn't too bad. If your a hardcore Halloween fan, it's right up your ally. But if your just a casual viewer and you saw H20 you might want to skip this one. The one gripe I have with the film is the explanation of Michael's survival from H20. It doesn't make sense and the writers definately could've done better. All I can say is thank God they ditched the whole cult angle from H6. That was just too much. Of course, as usual, the ending leaves room open for another sequel. Halloween 9 is probably being made right now as we speak.
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| 6. Halloween II Director: Rick Rosenthal | |
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Reviews (292)
The difference between the two films is pretty clear. In the original the worst thing you see in terms of the violence is when Annie gets her neck sliced open in car in the garage; but even then the blood and gore is obscured somewhat by the dirty windshield of the car. Most of the violence in the original is suggest and implied rather than shown. But in the first few minutes of "Halloween 2" we are already pushing the envelope big time. Just seeing Nancy's corpse (at least Nancy Kyes got a paycheck out of it) gives us more blood and gore than the original. Then we proceed to see how far we can go in terms of what we can see (which includes nudity as well as violence). The shock effects are multiplied by the fact that there is a much higher body count this time around. It seems Michael Myers (Dick Warlock, who also takes off the mask to play Patrolman #3) is determined to finish what he started, which means going after our plucky heroine Laurie Strode (Jamie Lee Curtis). If you do not know why Michael is after Laurie, let me take this opportunity to welcome you back to the United States after your many years away. Meanwhile, Dr. Loomis (Donald Pleasence) is running around Haydonville trying to figure out if the evil is finally over. What made "Halloween" so great was that it showed some style and came up with a neat gimmick. You knock down Michael Myers and--he--keeps--getting--up--again--and--again. Of course, today this idea is old hat and the only surprise is when somebody is actually dead after being shot, stabbed, whatever, the first time. "Halloween 2" is just a slaughter fest and with some of these characters, particularly Budd (Leo Rossi), you are rooting for the slasher big time. Curtis is semi-conscious most of the time and you cannot help but think she looks and acts a lot older than she did in the original (three years and seeing your slaughtered friends displayed in a tableau will do that I guess). Still, despite its shortcomings compared to the original, "Halloween 2" looks pretty good compared to the dreck that was to follow in its wake. In fact, compared to most splatter flicks this is an above-average effort, but it just is not the classic original.
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| 7. Just a Little Harmless Sex Director: Rick Rosenthal | |
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Description Reviews (9)
Good to watch once.
The plotline centers around the age-old problem of the straying husband. In this case, however, the fellow does not have a pre-meditated inclination to cheat on his wife. Rather, he picks up a stranded motorist (who somehow ends up being a courtesan) and gets caught by what seems to be an anti-prostitute SWAT team. And, his luck seems to go from bad to worse from there! After his wife & her friends & her mother find out, the poor fellow begins his penance and all of the typical human rituals of attempting to get her to take him back. Thanks to his two buddies, the whole situation is put in the most zany perspective imaginable! The film is almost a real-time movie as 90% of it takes place in a bar. One would think that the one-setting-framework would tend to get tedious, but there are enough twists & turns in the storyline to keep the viewer interested. As is so often the case these days, you get the typical plain Jane knockout (capably played by Kimberly Williams). However, I could tell from the get-go that she was no plain Jane, no matter how much they tried to make her look like a geek. If you want a light-hearted look at the serious issue of infidelity, this one would appear to be a clear-cut winner. Or, if you're simply in the market for another Romantic Comedy & good fun, you can do a whole lot worse than a little harmless sex.
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| 8. Russkies Director: Rick Rosenthal | |
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Reviews (1)
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| 9. Bad Boys Director: Rick Rosenthal | |
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Amazon.com Overcrowding results in Mick and Paco's being sent to the same facility (one of the film's few stretches of credibility), and this leads to a rather predictable showdown that will take the juvie prison's violence to its inevitable extreme. It's a shame this conclusion ultimately doesn't live up to the film's superior first hour, but Bad Boys remains a remarkably authentic, even touching portrait of troubled youth whose torment is conveyed through thoughtful and richly emotional development of characters. Director Rick Rosenthal (who had previously helmed Halloween II) maintains a vivid sense of setting within the correctional facility's cold walls, and through the performances of Penn and a superb supporting cast (including Ally Sheedy in her film debut as Mick's girlfriend), Bad Boys emerges as one of the best films of its kind, forcing the viewer to ask difficult questions about at-risk youth and the proper way to improve or at least preserve their endangered lives. --Jeff Shannon Reviews (24)
SEAN PENN'S BAD BOYS IS DEFFINETALY HIS BEST WOK EVER
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| 10. Distant Thunder Director: Rick Rosenthal | |
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Description Reviews (2)
I think people dislike films like this the most because they feel uncomfortable being in the face of mental illness. I assume it's much more comfortable for them to turn their back.
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| 11. Just a Little Harmless Sex Director: Rick Rosenthal | |
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Reviews (9)
Good to watch once.
The plotline centers around the age-old problem of the straying husband. In this case, however, the fellow does not have a pre-meditated inclination to cheat on his wife. Rather, he picks up a stranded motorist (who somehow ends up being a courtesan) and gets caught by what seems to be an anti-prostitute SWAT team. And, his luck seems to go from bad to worse from there! After his wife & her friends & her mother find out, the poor fellow begins his penance and all of the typical human rituals of attempting to get her to take him back. Thanks to his two buddies, the whole situation is put in the most zany perspective imaginable! The film is almost a real-time movie as 90% of it takes place in a bar. One would think that the one-setting-framework would tend to get tedious, but there are enough twists & turns in the storyline to keep the viewer interested. As is so often the case these days, you get the typical plain Jane knockout (capably played by Kimberly Williams). However, I could tell from the get-go that she was no plain Jane, no matter how much they tried to make her look like a geek. If you want a light-hearted look at the serious issue of infidelity, this one would appear to be a clear-cut winner. Or, if you're simply in the market for another Romantic Comedy & good fun, you can do a whole lot worse than a little harmless sex.
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| 12. Point Pleasant Director: David Straiton, Lev L. Spiro, Tucker Gates, Mel Damski, Rick Rosenthal, Marita Grabiak, Chris Long, Michael Lange | |
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| 13. Witchblade Director: Vern Gillum, Anghel Decca, Paul Holahan, David Carson, Joe Chappelle, David Jackson, Ralph Hemecker, Paul Abascal, Robert Lee (III), James Whitmore Jr., Rick Rosenthal, Neill Fearnley, Bradford May | |
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