Amazon.com

Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

Read our CD buying guide

Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties.

DVD Features
The two-disc edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews by composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher. Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

More on The Phantom of the Opera

The Phantom of the Opera (Special Extended Edition Soundtrack) (CD)	The Phantom of the Opera (2004 Movie Soundtrack) (CD)	The Phantom of the Opera (Original 1986 London Cast) (CD)
Evita (DVD)	Andrew Lloyd Weber: The Royal Albert Hall Celebration (DVD)	Visit the Andrew Lloyd Webber Store

... Read more

Reviews (659)

RJ from Blacksburg, VA
Excellent!!The movie is much better than the Broadway production - better character development, better acting, better singing.Madame Giry is a much more intriguing character in the film.Christine's attraction to the Phantom is more understandable and believable. Plus, we get to see the Phantom's past and why he is the way he is.

In response to the comment about the sword fight:The Phantom would know very little about fencing because he's lived alone beneath an opera house all his life.You must practice fencing to become good at it.

All of my family members (ages from 10 to 47) highly recommend the film version of The Phantom of the Opera.(good music, comedy, suspense, romance, lavish costumes and sets)

Beautiful film, great transfer to DVD
I am not going into a long detailed explination of the script, acting, or performances, they are all what the producers wanted, and it all works very well, the film is gorgeous to look at, and the transfer to DVD is the best I have seen so far, it even surpasses the Lord of he Rings trilogy, and that is saying something, the effect is so good it's three dimentional (an almost impossible task when viewed on a 73" screen), my one gripe, and it's a big one, is intelligibility. or rather the lack of it, there was a time when film studios and record companies went to great lengths to make sure every word could be understood, in recent years this is a rarity, this film has far to much of the massed voices recorded so that way to much of it can't be understood, considering the quality of todays recording equipment, I find this to be a disapointment, if not downright disgraceful, but at least there is an english subtitle track, which of course most likely means they know it's the only way to be sure that all the dialog is understood, complaints based upon seeing the stage production just don't fly with me, what works on stage rarely if ever work on film, if it did, Producers could save millions and just film the stage production, view stage productions filmed for PBS, of the many I have seen the only two that have been successful at it are The Merry Widow, and Oklahoma

Film rivals book!
*gasp*

Dare I say it?

Yes, Webber's production is much better than Leroux's novel.

Will everyone agree with what seems to be my very deluded opinion?Of course not!

Perhaps I think like this because while reading Leroux's novel, I couldn't imagine a horrifying, stenchy Erik aka phantom...
forgive me but I just couldn't.I tried, and I shed a couple of tears when Daae ripped off his mask and he taunted her with his ugliness, but that's because I felt sorry for him.

The kidnapping part in the film ROCKED! it had so much action and suspense! while in the book the lights simply go out...*yawn* The chandelier falls in the movie! it also does in the book but while Carlotta is belting out her toad voice.

He horrifies Daae in the book, while in the film he seduces her.Both make sense, and I really can't argue on behalf.

The ring Daae wears as a gift from the phantom should have been included in the film.This makes Erik less of a lunatic.
He actually gave her permission to leave him so long as she didn't take the ring off or lose it.

The sword fighting scene was awesome! it totally makes sense how the phantom would lose to the viscount Raoul de Chagny.
This guy was trained to swordfight, while the phantom's department is music.Yeah it probably makes him look like a sore loser but it makes sense...he loses christine what's losing to a swordfight right?

Now for what I thought about the casting.

Emmy Rossum did a very sweet and innocent Christine. She has a very sweet voice!no complaints except for 2 major details.
1)While Rossums voice could charm a bird out of its nest, it's hard to believe that with such a voice you're expected to believe this girl to be visited by the so-called angel of music who gives her free voice lessons.Don't get me wrong, Rossum has an exquisite voice, but to say that it sounds inhuman is impossible.
There are MANY women out there who are privileged to posess inhuman pipes.I expected something ethereal, haunting, beautiful, jawdropping, INHUMAN, as the book mentions.
2) Perhaps it's because she was only 16 when she filmed the movie, or perhaps she does need to improve on her acting.
I didn't believe for a second that she was hypnotized at the sound of Erik's voice (but then again, who would be listening to Gerard sing right?) I really wasn't convinced that she was Christine Daae, I merely saw her as Emmy Rossum.I think she did good, but I expected for the second star of the movie to be more believable, real.

Patrick Wilson may have the voice, but the guy needs to relax those shoulders and ACT.You'd think he'd know since he's done broadway but then again stage isn't the same as camera.
I forgive him.

*sings* As for our star Mr. Gerard Butler...lol
Let's just say that in my opinion, he BECAME the phantom.
He became Erik.I would've never guessed it!
While his singing leaves much to desire, his acting is among the best around!I was impressed! He delivers presence, emotion, mystery, charisma, sensuality, menacy...
The man is spell-binding in this film.He manages to seduce both Daae and most of the female audience! At the same time, he manages to inspire compassion and a tear here and there.
He's very real!

Webber failed to clue us in on the name! so what's the phantom of the opera's name? As if murdering cold bloodedly and having a disfigured complexion weren't enough to subtract from his humanity.Now he's nameless? he's not an IT you know.

Regardless, it's a very dark and seductive film.
I recommend it any day at any time.Now if you're like my buds who've turned it down for seeming too lovey dovey, weird, or just because it's a musical...you're missing out BIG TIME!

Beautiful and sad!!
Anyone who doesn't like this movie probably doesn't like much of anything.It is visually beautiful and full of emotion.I have the soundtrack of the original play with Michael Crawford and Sarah Brightman; I also saw the play on Broadway with other actors.Frankly, I think the movie is better.Emmy Rossum sings like the innocent she is portraying and her voice is clear and sweet.Patrick Wilson has a nice tenor and is believable as her young suitor, ready to conquer the world for her. (Loved the hair!!)However, it is Gerald Butler who steals the show; he should be called the "Man of a thousand faces" and looks different in every movie I've seen him in.He freely admitted in an interview that he's not a singer; in fact, he had to take a crash course in vocalizing to sing the part.Given that bit of information, I think he did a fine job and his acting is superb. The only complaint is that it must have been hard to make him look bad, given his Scottish good looks. I was rooting for the Phantom for most of the movie, and I wouldn't mind if he wanted to lock me up in his dungeon. He is extremely seductive in the part, and I can't think of anyone in Hollywood who could have done a better job. With his mask, the Phantom is powerful, commanding, fearsome and magical.Without it, he is like most of the rest of us in the world--weak, vulnerable, and emotionally fragile.Minnie Driver was a bit of comic relief, as were the 2 owners of the opera, who made a fortune in "scrap metal" (junk). So far, I have watched the DVD 5 times since I got it, and I reach for the tissues at the end every time.I loved this movie!!!

LOVED IT!!!!!!!!!!!!!!!!!!!1
Yes, I know the last exclamation mark is a 1

This film has taken its place among my top 3 favorite movies, the first 2 being The Lord of the Rings trilogy and the first Pirates of the Carribean movie (they're making a sequel).

First, let's talk about the music. The music is brought to the grand scale that Andrew Lloyd Webber had always dreamed of, now that it is being played by a full orchestra and not a pit band.

The production design is extraordinary. I was rooting for the art department to win the Oscar for Best Art Direction. The grand scale of the stage show has been elevated to new heights.

The treatment of the show itself is excellent. I loved the added touches of backstory and action and mystery. I personally preferred the sword fight in the cemetary because it works better on film than what actually happens on stage (the Phantom throws fireballs.) I also love how Schumacher gave the characters of Madame Giry and Joseph Buquet so much more to do than in the stage version. Frankly, they're just throwaway characters in the stage version but in the movie, we realize what Buquet is all about and we get to see that Madame Giry had a more vital role to play in the Phantom's life.

Now for the cast:

Emmy Rossum has the voice of an angel and is perfect for the part. She's the right age and has a young, crystalline voice.

Gerard Butler as the Phantom. I don't agree that his singing voice is the best in the world. I know he's not really a trained singer but they could have trained him just a tad harder. Then again, Schumacher did not want a pretty voice for the Phantom. So, I forgive him. To tell the truth, his voice isn't that bad.

Patrick Wilson has vocal chords made of gold, which is only right since he has done Broadway. He is perfect as the dashing, romantic, swashbuckling, and somewhat wimpy Raoul.

Minnie Driver is hysterical as La Carlotta (I 'ATE MY 'AT!!!!)It's a pity that she's not really an opera singer.

Miranda Richardson has an ok singing voice. She also puts on a convincing French accent. I've noticed that Madame Giry is normally the only member of the cast who has to do a French accent. She's less of a throwaway in the movie than in the stage version and more of a driving force. We see that she truly cares about Meg and Christine. So when the new managers are checking the two out, she's like, "Don't even think about it!"

Simon Callow and Ciaran Hinds (pronounced KEE-ran HINDS; long I) are hysterical as the two managers (this never happened in the junk business; scrap metal!)I feel that Simon Callow's singing voice rivals Ciaran Hinds by far.

Jennifer Ellison is a little delight as Meg Giry. And she's the first Meg I've ever heard who can sing. She's so petite and adorable that I thought Kristen Chenoweth was playing the part!

Victor McGuire as Piangi is wonderfully hammy and henpecked. He has a wonderfully exaggerated tenor which gets crappy in all the right places. (Sad to return to find the la-a-a-and we love).

I still don't understand why that midget was there all the time.

Kevin McNally as Buquet. Well, he's better than the stage Buquet, who was a total throwaway character. At least he has more to do (like trying to catch the Ballet Girls getting dressed)

The makeup on the Phantom was somewhat of a let down. It looked more like he had an encounter with acid as a young child. Then again, in the movie, it's never established that he was deformed from birth, so that may be what happened.

The guy who played Monsuier Reyer was also funny (UNDERSTUDY!? There is no understudy for La Carlotta!)

Just for the record, the horse in the title song is a homage to the original novel. The Phantom takes Christine to his lair on a horse.

And now the special features:

The featurette on the history of the musical was really cool. I especially liked the film clips of the Sydmonton production, the current production in England and clips from the music videos (the British DVD has the full, unedited music videos. Lucky dogs! Oh, well, they've had this show and Andrew Lloyd Webber longer.)

The deleted song, No One Would Listen, is lovely even if it is really the first draft of Learn to Be Lonely.

It's an awesome film and if the upcoming movie versions of Rent, The Producers, and Dreamgirls once again kill the movie musical which has barely been resurrected by Chicago and Moulin Rouge, this will be a reminder that this generation had its share of movie musicals. What can I say? I'm a sucker for movie musicals. I even liked Man of La Mancha. ... Read more

Amazon.com

Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

Read our CD buying guide

Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties.

DVD Features
The two-disc edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews by composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher. Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

More on The Phantom of the Opera

The Phantom of the Opera (Special Extended Edition Soundtrack) (CD)	The Phantom of the Opera (2004 Movie Soundtrack) (CD)	The Phantom of the Opera (Original 1986 London Cast) (CD)
Evita (DVD)	Andrew Lloyd Weber: The Royal Albert Hall Celebration (DVD)	Visit the Andrew Lloyd Webber Store

... Read more

Reviews (659)

RJ from Blacksburg, VA
Excellent!!The movie is much better than the Broadway production - better character development, better acting, better singing.Madame Giry is a much more intriguing character in the film.Christine's attraction to the Phantom is more understandable and believable. Plus, we get to see the Phantom's past and why he is the way he is.

In response to the comment about the sword fight:The Phantom would know very little about fencing because he's lived alone beneath an opera house all his life.You must practice fencing to become good at it.

All of my family members (ages from 10 to 47) highly recommend the film version of The Phantom of the Opera.(good music, comedy, suspense, romance, lavish costumes and sets)

Beautiful film, great transfer to DVD
I am not going into a long detailed explination of the script, acting, or performances, they are all what the producers wanted, and it all works very well, the film is gorgeous to look at, and the transfer to DVD is the best I have seen so far, it even surpasses the Lord of he Rings trilogy, and that is saying something, the effect is so good it's three dimentional (an almost impossible task when viewed on a 73" screen), my one gripe, and it's a big one, is intelligibility. or rather the lack of it, there was a time when film studios and record companies went to great lengths to make sure every word could be understood, in recent years this is a rarity, this film has far to much of the massed voices recorded so that way to much of it can't be understood, considering the quality of todays recording equipment, I find this to be a disapointment, if not downright disgraceful, but at least there is an english subtitle track, which of course most likely means they know it's the only way to be sure that all the dialog is understood, complaints based upon seeing the stage production just don't fly with me, what works on stage rarely if ever work on film, if it did, Producers could save millions and just film the stage production, view stage productions filmed for PBS, of the many I have seen the only two that have been successful at it are The Merry Widow, and Oklahoma

Film rivals book!
*gasp*

Dare I say it?

Yes, Webber's production is much better than Leroux's novel.

Will everyone agree with what seems to be my very deluded opinion?Of course not!

Perhaps I think like this because while reading Leroux's novel, I couldn't imagine a horrifying, stenchy Erik aka phantom...
forgive me but I just couldn't.I tried, and I shed a couple of tears when Daae ripped off his mask and he taunted her with his ugliness, but that's because I felt sorry for him.

The kidnapping part in the film ROCKED! it had so much action and suspense! while in the book the lights simply go out...*yawn* The chandelier falls in the movie! it also does in the book but while Carlotta is belting out her toad voice.

He horrifies Daae in the book, while in the film he seduces her.Both make sense, and I really can't argue on behalf.

The ring Daae wears as a gift from the phantom should have been included in the film.This makes Erik less of a lunatic.
He actually gave her permission to leave him so long as she didn't take the ring off or lose it.

The sword fighting scene was awesome! it totally makes sense how the phantom would lose to the viscount Raoul de Chagny.
This guy was trained to swordfight, while the phantom's department is music.Yeah it probably makes him look like a sore loser but it makes sense...he loses christine what's losing to a swordfight right?

Now for what I thought about the casting.

Emmy Rossum did a very sweet and innocent Christine. She has a very sweet voice!no complaints except for 2 major details.
1)While Rossums voice could charm a bird out of its nest, it's hard to believe that with such a voice you're expected to believe this girl to be visited by the so-called angel of music who gives her free voice lessons.Don't get me wrong, Rossum has an exquisite voice, but to say that it sounds inhuman is impossible.
There are MANY women out there who are privileged to posess inhuman pipes.I expected something ethereal, haunting, beautiful, jawdropping, INHUMAN, as the book mentions.
2) Perhaps it's because she was only 16 when she filmed the movie, or perhaps she does need to improve on her acting.
I didn't believe for a second that she was hypnotized at the sound of Erik's voice (but then again, who would be listening to Gerard sing right?) I really wasn't convinced that she was Christine Daae, I merely saw her as Emmy Rossum.I think she did good, but I expected for the second star of the movie to be more believable, real.

Patrick Wilson may have the voice, but the guy needs to relax those shoulders and ACT.You'd think he'd know since he's done broadway but then again stage isn't the same as camera.
I forgive him.

*sings* As for our star Mr. Gerard Butler...lol
Let's just say that in my opinion, he BECAME the phantom.
He became Erik.I would've never guessed it!
While his singing leaves much to desire, his acting is among the best around!I was impressed! He delivers presence, emotion, mystery, charisma, sensuality, menacy...
The man is spell-binding in this film.He manages to seduce both Daae and most of the female audience! At the same time, he manages to inspire compassion and a tear here and there.
He's very real!

Webber failed to clue us in on the name! so what's the phantom of the opera's name? As if murdering cold bloodedly and having a disfigured complexion weren't enough to subtract from his humanity.Now he's nameless? he's not an IT you know.

Regardless, it's a very dark and seductive film.
I recommend it any day at any time.Now if you're like my buds who've turned it down for seeming too lovey dovey, weird, or just because it's a musical...you're missing out BIG TIME!

Beautiful and sad!!
Anyone who doesn't like this movie probably doesn't like much of anything.It is visually beautiful and full of emotion.I have the soundtrack of the original play with Michael Crawford and Sarah Brightman; I also saw the play on Broadway with other actors.Frankly, I think the movie is better.Emmy Rossum sings like the innocent she is portraying and her voice is clear and sweet.Patrick Wilson has a nice tenor and is believable as her young suitor, ready to conquer the world for her. (Loved the hair!!)However, it is Gerald Butler who steals the show; he should be called the "Man of a thousand faces" and looks different in every movie I've seen him in.He freely admitted in an interview that he's not a singer; in fact, he had to take a crash course in vocalizing to sing the part.Given that bit of information, I think he did a fine job and his acting is superb. The only complaint is that it must have been hard to make him look bad, given his Scottish good looks. I was rooting for the Phantom for most of the movie, and I wouldn't mind if he wanted to lock me up in his dungeon. He is extremely seductive in the part, and I can't think of anyone in Hollywood who could have done a better job. With his mask, the Phantom is powerful, commanding, fearsome and magical.Without it, he is like most of the rest of us in the world--weak, vulnerable, and emotionally fragile.Minnie Driver was a bit of comic relief, as were the 2 owners of the opera, who made a fortune in "scrap metal" (junk). So far, I have watched the DVD 5 times since I got it, and I reach for the tissues at the end every time.I loved this movie!!!

LOVED IT!!!!!!!!!!!!!!!!!!!1
Yes, I know the last exclamation mark is a 1

This film has taken its place among my top 3 favorite movies, the first 2 being The Lord of the Rings trilogy and the first Pirates of the Carribean movie (they're making a sequel).

First, let's talk about the music. The music is brought to the grand scale that Andrew Lloyd Webber had always dreamed of, now that it is being played by a full orchestra and not a pit band.

The production design is extraordinary. I was rooting for the art department to win the Oscar for Best Art Direction. The grand scale of the stage show has been elevated to new heights.

The treatment of the show itself is excellent. I loved the added touches of backstory and action and mystery. I personally preferred the sword fight in the cemetary because it works better on film than what actually happens on stage (the Phantom throws fireballs.) I also love how Schumacher gave the characters of Madame Giry and Joseph Buquet so much more to do than in the stage version. Frankly, they're just throwaway characters in the stage version but in the movie, we realize what Buquet is all about and we get to see that Madame Giry had a more vital role to play in the Phantom's life.

Now for the cast:

Emmy Rossum has the voice of an angel and is perfect for the part. She's the right age and has a young, crystalline voice.

Gerard Butler as the Phantom. I don't agree that his singing voice is the best in the world. I know he's not really a trained singer but they could have trained him just a tad harder. Then again, Schumacher did not want a pretty voice for the Phantom. So, I forgive him. To tell the truth, his voice isn't that bad.

Patrick Wilson has vocal chords made of gold, which is only right since he has done Broadway. He is perfect as the dashing, romantic, swashbuckling, and somewhat wimpy Raoul.

Minnie Driver is hysterical as La Carlotta (I 'ATE MY 'AT!!!!)It's a pity that she's not really an opera singer.

Miranda Richardson has an ok singing voice. She also puts on a convincing French accent. I've noticed that Madame Giry is normally the only member of the cast who has to do a French accent. She's less of a throwaway in the movie than in the stage version and more of a driving force. We see that she truly cares about Meg and Christine. So when the new managers are checking the two out, she's like, "Don't even think about it!"

Simon Callow and Ciaran Hinds (pronounced KEE-ran HINDS; long I) are hysterical as the two managers (this never happened in the junk business; scrap metal!)I feel that Simon Callow's singing voice rivals Ciaran Hinds by far.

Jennifer Ellison is a little delight as Meg Giry. And she's the first Meg I've ever heard who can sing. She's so petite and adorable that I thought Kristen Chenoweth was playing the part!

Victor McGuire as Piangi is wonderfully hammy and henpecked. He has a wonderfully exaggerated tenor which gets crappy in all the right places. (Sad to return to find the la-a-a-and we love).

I still don't understand why that midget was there all the time.

Kevin McNally as Buquet. Well, he's better than the stage Buquet, who was a total throwaway character. At least he has more to do (like trying to catch the Ballet Girls getting dressed)

The makeup on the Phantom was somewhat of a let down. It looked more like he had an encounter with acid as a young child. Then again, in the movie, it's never established that he was deformed from birth, so that may be what happened.

The guy who played Monsuier Reyer was also funny (UNDERSTUDY!? There is no understudy for La Carlotta!)

Just for the record, the horse in the title song is a homage to the original novel. The Phantom takes Christine to his lair on a horse.

And now the special features:

The featurette on the history of the musical was really cool. I especially liked the film clips of the Sydmonton production, the current production in England and clips from the music videos (the British DVD has the full, unedited music videos. Lucky dogs! Oh, well, they've had this show and Andrew Lloyd Webber longer.)

The deleted song, No One Would Listen, is lovely even if it is really the first draft of Learn to Be Lonely.

It's an awesome film and if the upcoming movie versions of Rent, The Producers, and Dreamgirls once again kill the movie musical which has barely been resurrected by Chicago and Moulin Rouge, this will be a reminder that this generation had its share of movie musicals. What can I say? I'm a sucker for movie musicals. I even liked Man of La Mancha. ... Read more

Amazon.com

Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

Read our CD buying guide

Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties.

DVD Features
The two-disc edition of The Phantom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews by composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher. Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

More on The Phantom of the Opera

The Phantom of the Opera (Special Extended Edition Soundtrack) (CD)	The Phantom of the Opera (2004 Movie Soundtrack) (CD)	The Phantom of the Opera (Original 1986 London Cast) (CD)
Evita (DVD)	Andrew Lloyd Weber: The Royal Albert Hall Celebration (DVD)	Visit the Andrew Lloyd Webber Store

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Reviews (659)

RJ from Blacksburg, VA
Excellent!!The movie is much better than the Broadway production - better character development, better acting, better singing.Madame Giry is a much more intriguing character in the film.Christine's attraction to the Phantom is more understandable and believable. Plus, we get to see the Phantom's past and why he is the way he is.

In response to the comment about the sword fight:The Phantom would know very little about fencing because he's lived alone beneath an opera house all his life.You must practice fencing to become good at it.

All of my family members (ages from 10 to 47) highly recommend the film version of The Phantom of the Opera.(good music, comedy, suspense, romance, lavish costumes and sets)

Beautiful film, great transfer to DVD
I am not going into a long detailed explination of the script, acting, or performances, they are all what the producers wanted, and it all works very well, the film is gorgeous to look at, and the transfer to DVD is the best I have seen so far, it even surpasses the Lord of he Rings trilogy, and that is saying something, the effect is so good it's three dimentional (an almost impossible task when viewed on a 73" screen), my one gripe, and it's a big one, is intelligibility. or rather the lack of it, there was a time when film studios and record companies went to great lengths to make sure every word could be understood, in recent years this is a rarity, this film has far to much of the massed voices recorded so that way to much of it can't be understood, considering the quality of todays recording equipment, I find this to be a disapointment, if not downright disgraceful, but at least there is an english subtitle track, which of course most likely means they know it's the only way to be sure that all the dialog is understood, complaints based upon seeing the stage production just don't fly with me, what works on stage rarely if ever work on film, if it did, Producers could save millions and just film the stage production, view stage productions filmed for PBS, of the many I have seen the only two that have been successful at it are The Merry Widow, and Oklahoma

Film rivals book!
*gasp*

Dare I say it?

Yes, Webber's production is much better than Leroux's novel.

Will everyone agree with what seems to be my very deluded opinion?Of course not!

Perhaps I think like this because while reading Leroux's novel, I couldn't imagine a horrifying, stenchy Erik aka phantom...
forgive me but I just couldn't.I tried, and I shed a couple of tears when Daae ripped off his mask and he taunted her with his ugliness, but that's because I felt sorry for him.

The kidnapping part in the film ROCKED! it had so much action and suspense! while in the book the lights simply go out...*yawn* The chandelier falls in the movie! it also does in the book but while Carlotta is belting out her toad voice.

He horrifies Daae in the book, while in the film he seduces her.Both make sense, and I really can't argue on behalf.

The ring Daae wears as a gift from the phantom should have been included in the film.This makes Erik less of a lunatic.
He actually gave her permission to leave him so long as she didn't take the ring off or lose it.

The sword fighting scene was awesome! it totally makes sense how the phantom would lose to the viscount Raoul de Chagny.
This guy was trained to swordfight, while the phantom's department is music.Yeah it probably makes him look like a sore loser but it makes sense...he loses christine what's losing to a swordfight right?

Now for what I thought about the casting.

Emmy Rossum did a very sweet and innocent Christine. She has a very sweet voice!no complaints except for 2 major details.
1)While Rossums voice could charm a bird out of its nest, it's hard to believe that with such a voice you're expected to believe this girl to be visited by the so-called angel of music who gives her free voice lessons.Don't get me wrong, Rossum has an exquisite voice, but to say that it sounds inhuman is impossible.
There are MANY women out there who are privileged to posess inhuman pipes.I expected something ethereal, haunting, beautiful, jawdropping, INHUMAN, as the book mentions.
2) Perhaps it's because she was only 16 when she filmed the movie, or perhaps she does need to improve on her acting.
I didn't believe for a second that she was hypnotized at the sound of Erik's voice (but then again, who would be listening to Gerard sing right?) I really wasn't convinced that she was Christine Daae, I merely saw her as Emmy Rossum.I think she did good, but I expected for the second star of the movie to be more believable, real.

Patrick Wilson may have the voice, but the guy needs to relax those shoulders and ACT.You'd think he'd know since he's done broadway but then again stage isn't the same as camera.
I forgive him.

*sings* As for our star Mr. Gerard Butler...lol
Let's just say that in my opinion, he BECAME the phantom.
He became Erik.I would've never guessed it!
While his singing leaves much to desire, his acting is among the best around!I was impressed! He delivers presence, emotion, mystery, charisma, sensuality, menacy...
The man is spell-binding in this film.He manages to seduce both Daae and most of the female audience! At the same time, he manages to inspire compassion and a tear here and there.
He's very real!

Webber failed to clue us in on the name! so what's the phantom of the opera's name? As if murdering cold bloodedly and having a disfigured complexion weren't enough to subtract from his humanity.Now he's nameless? he's not an IT you know.

Regardless, it's a very dark and seductive film.
I recommend it any day at any time.Now if you're like my buds who've turned it down for seeming too lovey dovey, weird, or just because it's a musical...you're missing out BIG TIME!

Beautiful and sad!!
Anyone who doesn't like this movie probably doesn't like much of anything.It is visually beautiful and full of emotion.I have the soundtrack of the original play with Michael Crawford and Sarah Brightman; I also saw the play on Broadway with other actors.Frankly, I think the movie is better.Emmy Rossum sings like the innocent she is portraying and her voice is clear and sweet.Patrick Wilson has a nice tenor and is believable as her young suitor, ready to conquer the world for her. (Loved the hair!!)However, it is Gerald Butler who steals the show; he should be called the "Man of a thousand faces" and looks different in every movie I've seen him in.He freely admitted in an interview that he's not a singer; in fact, he had to take a crash course in vocalizing to sing the part.Given that bit of information, I think he did a fine job and his acting is superb. The only complaint is that it must have been hard to make him look bad, given his Scottish good looks. I was rooting for the Phantom for most of the movie, and I wouldn't mind if he wanted to lock me up in his dungeon. He is extremely seductive in the part, and I can't think of anyone in Hollywood who could have done a better job. With his mask, the Phantom is powerful, commanding, fearsome and magical.Without it, he is like most of the rest of us in the world--weak, vulnerable, and emotionally fragile.Minnie Driver was a bit of comic relief, as were the 2 owners of the opera, who made a fortune in "scrap metal" (junk). So far, I have watched the DVD 5 times since I got it, and I reach for the tissues at the end every time.I loved this movie!!!

LOVED IT!!!!!!!!!!!!!!!!!!!1
Yes, I know the last exclamation mark is a 1

This film has taken its place among my top 3 favorite movies, the first 2 being The Lord of the Rings trilogy and the first Pirates of the Carribean movie (they're making a sequel).

First, let's talk about the music. The music is brought to the grand scale that Andrew Lloyd Webber had always dreamed of, now that it is being played by a full orchestra and not a pit band.

The production design is extraordinary. I was rooting for the art department to win the Oscar for Best Art Direction. The grand scale of the stage show has been elevated to new heights.

The treatment of the show itself is excellent. I loved the added touches of backstory and action and mystery. I personally preferred the sword fight in the cemetary because it works better on film than what actually happens on stage (the Phantom throws fireballs.) I also love how Schumacher gave the characters of Madame Giry and Joseph Buquet so much more to do than in the stage version. Frankly, they're just throwaway characters in the stage version but in the movie, we realize what Buquet is all about and we get to see that Madame Giry had a more vital role to play in the Phantom's life.

Now for the cast:

Emmy Rossum has the voice of an angel and is perfect for the part. She's the right age and has a young, crystalline voice.

Gerard Butler as the Phantom. I don't agree that his singing voice is the best in the world. I know he's not really a trained singer but they could have trained him just a tad harder. Then again, Schumacher did not want a pretty voice for the Phantom. So, I forgive him. To tell the truth, his voice isn't that bad.

Patrick Wilson has vocal chords made of gold, which is only right since he has done Broadway. He is perfect as the dashing, romantic, swashbuckling, and somewhat wimpy Raoul.

Minnie Driver is hysterical as La Carlotta (I 'ATE MY 'AT!!!!)It's a pity that she's not really an opera singer.

Miranda Richardson has an ok singing voice. She also puts on a convincing French accent. I've noticed that Madame Giry is normally the only member of the cast who has to do a French accent. She's less of a throwaway in the movie than in the stage version and more of a driving force. We see that she truly cares about Meg and Christine. So when the new managers are checking the two out, she's like, "Don't even think about it!"

Simon Callow and Ciaran Hinds (pronounced KEE-ran HINDS; long I) are hysterical as the two managers (this never happened in the junk business; scrap metal!)I feel that Simon Callow's singing voice rivals Ciaran Hinds by far.

Jennifer Ellison is a little delight as Meg Giry. And she's the first Meg I've ever heard who can sing. She's so petite and adorable that I thought Kristen Chenoweth was playing the part!

Victor McGuire as Piangi is wonderfully hammy and henpecked. He has a wonderfully exaggerated tenor which gets crappy in all the right places. (Sad to return to find the la-a-a-and we love).

I still don't understand why that midget was there all the time.

Kevin McNally as Buquet. Well, he's better than the stage Buquet, who was a total throwaway character. At least he has more to do (like trying to catch the Ballet Girls getting dressed)

The makeup on the Phantom was somewhat of a let down. It looked more like he had an encounter with acid as a young child. Then again, in the movie, it's never established that he was deformed from birth, so that may be what happened.

The guy who played Monsuier Reyer was also funny (UNDERSTUDY!? There is no understudy for La Carlotta!)

Just for the record, the horse in the title song is a homage to the original novel. The Phantom takes Christine to his lair on a horse.

And now the special features:

The featurette on the history of the musical was really cool. I especially liked the film clips of the Sydmonton production, the current production in England and clips from the music videos (the British DVD has the full, unedited music videos. Lucky dogs! Oh, well, they've had this show and Andrew Lloyd Webber longer.)

The deleted song, No One Would Listen, is lovely even if it is really the first draft of Learn to Be Lonely.

It's an awesome film and if the upcoming movie versions of Rent, The Producers, and Dreamgirls once again kill the movie musical which has barely been resurrected by Chicago and Moulin Rouge, this will be a reminder that this generation had its share of movie musicals. What can I say? I'm a sucker for movie musicals. I even liked Man of La Mancha. ... Read more

Reviews (62)

Best of the 'Brat Pack' Movies
"St. Elmo's Fire" is my favorite 'Brat Pack' movie. With an all-star cast, how can you go wrong? First you have Rob Lowe who is simply gorgeous as Billy, a guy who can't decide what he's going to do after graduating college. He plays the sax (quite well I might add) for fun and sometimes for money.

Then you have Julie (Demi Moore in a wonderful performance), who is very high-strung after learning about her father's marriage to another woman. Her life is basically like kettle with hot water that is about to boil. She's happy then she's sad, then she's manic...She's everything! But she does a wonderful job.

I loved seeing Judd Nelson and Ally Sheedy together. After seeing "The Breakfast Club," I never thought I'd see them as a couple. They are cute together and the scenes they share are fun to watch.

Emilio Estevez's performance was just as wonderful as the others. He falls in love with a doctor (Andie McDowell) who is already involved with someone else, but he's determined to make things go his way. It doesn't work, but watching him try to make it work is just as much fun.

Andrew McCarthy is a lot of fun to watch. Everyone thinks he's gay because he doesn't have a girlfriend and doesn't date very much. It's a typical stereotype, but I got over that. The end of the movie proves that he is not gay. Mare Winningham gives a stunning performance as a girl who comes from a very wealthy family. She loves Billy but her father wants her to marry a successful businessman. Since she is 'daddy's girl,' she doesn't want to disappoint him.

Overall, this movie is just fun to watch and listening to the director's commentary is great. You get to learn about all these things that went on behind the scenes and what roles the actors were originally up for.

Boring Brat Pack Feature
1985's St. Elmo's Fire is the film that created the Brat Pack. The film is about yuppie angst instead of the usual teen angst depicted in like kind films of the era. The seven stars, Rob Lowe, Emilio Estevez, Ally Sheedy, Andrew McCarthy, Demi Moore, Mare Winningham and Judd Nelson are all appealing, but the film suffers from an overall malaise. All seven are friends from Georgetown University and they trying to cope with the problems facing them in the real world. There is a lot of unrequited love between several of the friends, drug use and emotional baggage. Mr. Lowe's character is supposed to the one character that, instead of getting to the wrong marriage or job, just follows his dreams. His speech to Ms. Moore, who is on the verge of a serious mental breakdown or worse, in which he lights hair spray on fire is truly cringe worthy. Overall, St. Elmo's Fire is more of a cultural document, showing what yuppie life was like in the mid-80's and the state of the young and upcoming stars of Hollywood at the time. It also features the famed number one theme song by one-hit wonder John Parr.

Talk about your loads of crap!
Like most others who grew up on the Brat Pack flicks, I couldn't wait for the next one. I loved the earlier flicks that had not only great writing and warm stories to tell, but characters you cared about and situations that we could ALL relate to, at least to some point. Pick your flick - 16 Candles, Breakfast Club - they had at least SOMETHING everyone could relate to. Not "St. Elmos's Fire." Talk about taking a red hot cast of actors and doing absolutely nothing with them. This movie wasted so much talent and threw unlikeable, pretentious morons at us with some of the corniest dialogue I have ever seen. There is not ONE likeable character in this movie. Rob Lowe's character is a moron - not in the directionless sense the movie tries to protray him sympathetically, but in everything he does throughout the film, particularly his acting. I actually laughed at the night club scene when Lowe and his band perform. His "sizzlin" sax performance with his band is one of the most contrived, directionless displays of music in movie history - ranks right up there with the final play scene in Travolta's pathetic sequal to "Saturday Night Fever" ("Staying Alive"). Even the extras in that bar scene are terrible actors who not only have no clue how to dance or even react to that "song" (I guess it was a song), but the scene's climax where Lowe and his wife embrace passionately to the adoring masses is contrived, soap opera worthy material. DeMI Moore... don't get me started on her character. And Ally Sheedy (a fave of mine up till this flick), Judd Nelson, Andrew McCarthy and all the rest of these stooges' over act so much they make Carrot Top seem like Orson Welles or Marlon Brando. Even the bit role players are hammy and cliched - the artistic gay neighbor of Moore's, the wealthy Japanese business man who for some reason trusts just out of college puds with his expensive pad. And the final scene when the gang all seems to come to grips with the reality of their situations while sending Lowe off is as corny as one of the epilogues from the "Charlies Angels" TV show in the 70s. It's sad when recent movies about the 80s seem more authentic than one like this that was made IN the 80s. The only thing I credit this movie with is instilling in me an insatiable appetite for Andie Mc Dowell, who I absolutely love to this day and give most of her movies at least a peak (though a lot of those come up short as well). I suppose I should a acknowledge the hypnotic theme song from the Soundtrack, which I'll admit is appealing, if only for the real life memories of the 80s it brings back. This movie was a lame attempt at using the Brat Pack we grew up with and trying to parallel their lives with where their legions of the fans who grew up loving them were now with their own lives. And in that it fails miserably. This movie is self indulgent and over the top, full of obtrusive characters. One thing I will admit - this is one of those movies that is so bad, you can't help but watch in when it comes on. Again, I thinks it's the way the theme song hooks you. Frankly, this movie sucks.

Brat Pack, here we come
The Real World of cinema I call this. Definitely influential to MTV starting that series. Seven best friends recently graduate from Georgetown Univ. Trying to find their way in life for the future. They all hang out at St. Elmos bar in downtown Washington DC. The characters are somewhat stereotyped the conservative, the artsy journalist, the rebel badboy, the party girl, the niave virgin etc... But that's true to life in a way we all can be put into some category sorry to say. They all have their own set of problems to deal with but end up helping each other out in their own way. Defining 80's coming of age film about relationships & hardships of facing an uncertain future after college. Entertaining script written by Joel Schumacher & an ensemble cast showcasing talent to come. One of my favorite brat pack films. Essential to anyone who grew up in 80's cinema.

Not one likeable character!
All right, let's take 'em one by one:

Emilio Estevez as Kirby: Obsessed with and stalking an older woman, who finally is forced to sic her fiance on his pathetic punk a**.

Judd Nelson as Alec: Pathologically cheats on his live-in girlfriend, then pressures her to marry him because he thinks marriage is the magic pill that will make him stop cheating. When she refuses, he beats her up.

Rob Lowe as Billy: Tortures us with his gratuitous sax-playing.

Andrew McCarthy as Kevin: Thinks that wearing sunglasses at night and chain-smoking makes him a cool existentialist instead of a dateless poseur. Consumed by lustful thoughts about his best friend's girlfriend.

Ally Sheedy as Leslie: Living with Judd Nelson. Need I say more?

Mare Winningham as Wendy: Passive doormat who is shocked and horrified to find, upon becoming a social worker, that not all welfare recipients are noble, misunderstood living saints.

Demi Moore as Jules: Parties with Arabs, maxes out her credit cards and barricades herself in her fabulous-yet-bare (the furniture's been repossessed) loft apartment, finally attempting suicide by opening all the windows and letting her floor-length curtains blow oh-so-artfully about in the cold winter wind as she rocks back and forth on the floor.

Now tell me...are these people you want to spend 110 minutes of your life with? ... Read more

Reviews (147)

fun
THE LOST BOYS
*****
THIS IS POSSIBLY THE BEST VAMPIRE MOVIE WITH QUEEN OF THE DAMNED CLOSE BEHIND. THE ENDING WAS BRILLIANT AND THE SONG THAT PLAYED IN THE CLOSING CREDITS WAS HAUNTING. FOR ALL THOSE WHO DONT KNOW THE SONG. IT'S PEOPLE ARE STRANGE AND IT'S BY ECHO AND THE BUNNYMEN. OK SO THE MOVIE WASNT FROM MY ERA SINCE I'M 17 AND I DIDNT EXPECT TO LIKE IT BUT MY COUSIN BOUGHT OVER THE DVD AND I WAS SHOCKED BY HOW GOOD IT WAS. KEIFER SUTHERLAND IN HIS ONLY GOOD MOVIE FROM THAT ERA SINCE PROMISED LAND STUNK. I'D BE EXTREMELY HAPPY IF THEY RE RELEASED IT INTO THEATERS WITH DELETED FOOTAGE. I WOULD GO SEE IT AS MANY TIMES AS I COULD AND THEN WHEN THE DVD CAME OUT I'D BUY IT SINCE IT'S MY ALL TIME FAVORITE MOVIE. OK SO NOW TO THE STORY MIKE IS THE NEW KID IN TOWN AND HE FALLS INTO THE WRONG CROWD. THE VAMPIRE CROWD. THE REASON HE MOVED INTO TOWN IS BECAUSE HIS FAMILY WAS MOVING IN WITH THIER GRANDPA. HIS MOTHER SUPERBLY PLAYED BY DIANE WEIST SUSPECTS HES WITH THE WRONG CROWD AND SO DOES EVERYONE ELSE. SO RENT THIS AND ENJOY A TRULY GOOD MOVIE. YOU WONT BE UPSET. YOU WILL ACTUALLY BE HAPPY THAT YOU RENTED IT. I WAS VERY PLEASED WITH WATCHING IT.

It's fun to be a vampire!!
And yes, it certainly is. As this is a movie I've loved utterly and completely since I was a mere 13 years old, I feel I've got a little authority to review it...although maybe not in a totally unbiased way. We start out with what is perhaps my favorite opening scene in a movie *ever*. David (played so perfectly by Kiefer Sutherland) and the boys (Dwayne, Paul, and Marko) making trouble with the Surf Nazis on Santa Carla's carousel. The security guard who breaks up the fight and kicks the Boys off the boardwalk is going to regret this later, as he becomes yet another face on a missing persons poster.
But the story really centers around Michael and Sam Emerson (Jason Patric and Corey Haim), brothers who have come to Santa Carla to live with their grandfather because their mother has just gone through a divorce and is now 'flat broke.' Michael meets and falls for Star (Jami Gertz), a half-vampire who seems to have been involved with David at some point. David goads him into going to the vampires' lair and he ends up drinking some vampire blood, thereby making *him* a half-vampire. Meanwhile, Sam meets Edgar and Alan Frog (Corey Feldman and Jamison Newlander), two vampire hunters who have never actually hunted any vampires before. Sam finds out what his brother has become and enlists the Frog brothers' help in finding out who the head vampire is and restoring Michael to his former self. That's the basic premise.
I think the reason I've always loved this movie so much is that the Lost Boys are just a great group of vampires. They love their existence and have complete fun with it. Other than that, I find it to be a good mix of horror and comedy, with some classic lines I still use to this day. Of course, I do have a couple of problems, but that could be because I have seen this movie over 100 times and have also read the novelization. There is obviously a day missing between when Michael becomes a half-vampire and when David takes him to the train tracks, and I like that day! It happens to be the day (evening) that Michael gets his ear pierced.
The DVD transfer is pretty good, although it looks a little bit old. It is a lot better than the VHS, however, and it's widescreen. The extras are pretty much non-existant and what I wouldn't give for a special edition of this movie. Well, anyway, sleep all day, party all night, never grow old, never die. Of course it's fun to be a vampire!!

Thou Shall Not Kill
When a single mother (Dianne Wiest) and her two kids (Jason Patric, Corey Haim) pack up and move from Phoenix to southern California, more specifically, Santa Carla, "the murder capital of the world," they have more than a little bit of adjusting to do. The two teens and their mother move in with their quirky but loveable grandfather (Barnard Hughes), who has an inkling that there is more to this town than meets the eye. At first, things seem different but manageable, until Sam meets the "Frog brothers" at the local comic book shop. They hand him a horror comic about vampires and tell him to think of it as a survival manual. Are these two merely kids with an over-active imagination, or is there some supernatural cause for this odd little coastal town's nickname?

When the older brother, Michael, goes into town for a live concert, he runs into a rather attractive woman named Star (Jami Gertz). Star introduces Michael to her friends, who just happen to be vampires, and they decide to invite Michael to be one of them. Unbeknownst to Michael, he drinks the blood of David (Kiefer Sutherland), the leader of a band of motorcycle riding teenage vampires, thus giving Michael this supernatural dark gift. However, he must make his first kill before becoming a true creature of the night. Only one thing can save Michael from an eternity of bloodsucking. The head vampire must be killed. But who is the head vampire, and can he be found before Michael gives in to temptation? Will Sam and his newfound friends be willing and able to help Michael before it's too late?

This film is a classic, light-hearted 80's foray into the horror genre, complete with horrible wardrobe, glam rock, goofy humor, and a stellar cast performing a great screenplay with a cohesive plot. There are indeed some great lines in this film that are quite memorable. The Frog brothers, in particular, serve as some cute comic relief. The effects and make-up are outstanding, and this is really noticeable in the final, knock-down, drag-out fight in the end of the movie. The cinematography is also really well done (for example, the aerial shots when the vampires are flying towards the house).

This movie is not meant to be taken very seriously, and it is certainly not Anne Rice or Bram Stoker by any means, but it is some great old-fashioned weekend entertainment. Overall this is a great movie that everyone who grew up in the 80's should definitely own. Moreover, it's a great addition to anyone's vampire or horror collection. If you can enjoy a light-hearted romp through vampire mythology, then definitely pick this film up!

A small downside to this DVD is that there are few extras. If you merely want a great movie at a low price, then pick up this DVD. Otherwise, there is a two-disc set coming out soon that should be worth checking out!

The Lost Boys! My favorite
This is the movie that started it all for me. Vampires into rock n roll, and the lead actor looking like Jim Morrison who can ask for anything more. I loved how the culture of the 80's was brought out in this classic horror film. The Big Hair, the tight pants, the rock n roll, and vampires all in one, who could ask for more. I highly recommend this movie for anyone who wants a scare.

Bloodsucking Fun and Big Hair
I don't think I was old enough to remember this film hitting cinemas, but I discovered it before I got too cynical and still have a deep affection for it. It combines horror, forbidden romance, comedy, and touches on issues of peer pressure, loss, divorce and the importance of sticking by your family (even if your brother is a vampire).
A mother (Dianne Wiest) and her two sons (Corey Haim and Jason Patric) move from Arizona to sunny Santa Carla and in with their formulaic "crazy granpa" (you know the type I'm talking about) as a result of divorce. The eldest son Michael (Patric) quickly falls in with the Wrong Crowd by accidentally moving in on Head Honcho's girl (the lovely Jami Gertz). Things take a turn for the worse when Michael discovers these aren't your average bike punks, but a gang of wild vampires. Indeed. It's all up to bratty little bro Sam (Haim) and his new allies the Frog Brothers to save the day, and stop his mother from getting too cosy with a new guy who doesn't just run an appliance store (a nice performance from Edward Herrmann who seems to pop up everywhere).
Kiefer Sutherland is a treat as David, leader of the biker vamps, I still marvel at how he can make a peroxide mullet look cool. He plays this role as a sort of seductive bully very well.
Corey Feldman (because 1 Corey is never enough) also puts in a nice turn as Edgar Frog, plus you'll spot Alexander Winter of Bill & Ted's fame as one of the gang.
It's better than any recent vampire movie, has a great 80's soundtrack (Cry Little Sister, you know you love it) and a greasy saxophone man in purple pants. It's fun, there are a couple of scares and a nice hint of splatter (the Surf Nazi attack is like something out of Peter Jackson's Bad Taste). I give the bare-bones DVD package 3, but the movie 4. And fear not, there will be a special edition very soon with retrospectives, making of and tons more stuff, keep eyes peeled! ... Read more

Reviews (23)

"Gone Sailing"
4.5 stars. I was walking up and down the aisles of my local video store the other day and I was getting frustrated. The new release I wanted to rent wasn't there, none of the films on my short rental list were even available. So I wandered the aisles, sulking, when I noticed a movie I hadn't seen in years. It was "Cousins," with Ted Danson and Isabella Rossellini. Why not? I really didn't remember much about it other than rave critical reviews from the time. I was a teenager at the time so it is not really surprising that I don't remember a romance film. That was the last thing on my mind. Anyway, I got it home, dished up some spaghetti, and sat down to watch an "okay" movie. I was pleasantly surprised to find myself interested in the goings on of each and every character in this large ensemble cast. But the throughline story involves the two main actors, Ted and Isabella. Their romance is both realistic and fantastical, where they are able to see all the wonders of the world merely by staring into each other's eyes. Now, at first that may sound sappy. Believe me, I'm the last man on Earth to be attracted to a romance film, but somehow this one got to me. It could have been Isabella Rossellini, who for a large part of the film resembled her gorgeous mother, Ingrid Bergman. It was like watching a "classic romance" filmed for a different era, Mrs. Bergman's daughter absolutely glowing like her mother used to. There are also obvious nods to the film "Moonstruck" with its sometimes quirky characters caught in realistic situations. This movie could have been called "3 Weddings and a Funeral." It has a Hollywood ending, complete with sailing off toward the horizon, all the couple's dreams coming true, but somehow I loved it. I must be getting old. :) What's impossible to believe is that this was directed by Joel Schumacher, who directed the abysmal "Batman and Robin." It's really too bad he didn't stay with films about real people, because this film shines. This is a nearly lost, mostly forgotten gem of a film, and it is easy to recommend.

Laughed, cried, and have seen it again and again and AGAIN!!
This movie is exactly what I need when I'm ho-humming about what video to watch. It's worked every time. If you like 'Sliding Doors' and 'Sense&Sensibility' (two of my other favorites) try this, you'll probably enjoy it. There are lots of layers to this one too. Ted Danson does an incredible acting job, though it may take a repeat viewing to kick the habit of seeing him as "Sam." Isabella Rosellini personifies beauty (as always)and effectively portrays an unhappy but loyal-'til-the-end wife. And Lloyd Bridges is fantastic, cast as Danson's father. This film is all about extended families, and marriages, and the intertwined inner-workings of the two. Sean Young's outfits are a little cheesy, but fit her character. And at times the film is loudly representative of the 1980's. But it's largely a feel-good movie where what you want to have happen happens and what you don't want to have happen only happens a little.

Superb and sweet romance
This is one of those incredibly charming,disarmingly sweet, and totally touching comedic romances that you can watch over and over and over again- and still get that warm and fuzzy feeling inside.The plot is pretty typical, but the entire cast(Isabella and Ted have GREAT chemistry, the dialogue, and just the entire atmosphere of the thing make it work-big time.They just don't make too many romantic comedies like this anymore.Even if you hate the genre, but are just in the mood for something light, I definately recommend this sweet little gem!

Great Movie.
This is a great movie. Definitely one to own.

An absolutely lovely movie
I have watched this movie a dozen times, and I never tire of it. It is just a beautiful love story and Isabella R. and Ted Danson have wonderful chemistry. It is one of those movies where you laugh and cry and it leaves you feeling better for having seen it. The soundtrack alone is worth watching the movie. One of my all time favorites. ... Read more

Amazon.com

This 1987 thriller was a predictable hit with the teen audience it worked overtime to attract. Like most of director Joel Schumacher's films, it's conspicuously designed to push the right marketing and demographic buttons, and granted, there's some pretty cool stuff going on here and there. Take Kiefer Sutherland, for instance. In Stand by Me he played a memorable bully, but here he goes one step further as a memorable bully vampire who leads a tribe of teenage vampires on their nocturnal spree of bloodsucking havoc. Jason Patric plays the new guy in town, who quickly attracts a lovely girlfriend (Jami Gertz), only to find that she might be recruiting him into the vampire fold. The movie gets sillier as it goes along, and resorts to a routine action-movie showdown, but it's a visual knockout (featuring great cinematography by Michael Chapman) and boasts a cast that's eminently able (pardon the pun) to sink their teeth into the best parts of an uneven screenplay. --Jeff Shannon ... Read more

Reviews (147)

fun
THE LOST BOYS
*****
THIS IS POSSIBLY THE BEST VAMPIRE MOVIE WITH QUEEN OF THE DAMNED CLOSE BEHIND. THE ENDING WAS BRILLIANT AND THE SONG THAT PLAYED IN THE CLOSING CREDITS WAS HAUNTING. FOR ALL THOSE WHO DONT KNOW THE SONG. IT'S PEOPLE ARE STRANGE AND IT'S BY ECHO AND THE BUNNYMEN. OK SO THE MOVIE WASNT FROM MY ERA SINCE I'M 17 AND I DIDNT EXPECT TO LIKE IT BUT MY COUSIN BOUGHT OVER THE DVD AND I WAS SHOCKED BY HOW GOOD IT WAS. KEIFER SUTHERLAND IN HIS ONLY GOOD MOVIE FROM THAT ERA SINCE PROMISED LAND STUNK. I'D BE EXTREMELY HAPPY IF THEY RE RELEASED IT INTO THEATERS WITH DELETED FOOTAGE. I WOULD GO SEE IT AS MANY TIMES AS I COULD AND THEN WHEN THE DVD CAME OUT I'D BUY IT SINCE IT'S MY ALL TIME FAVORITE MOVIE. OK SO NOW TO THE STORY MIKE IS THE NEW KID IN TOWN AND HE FALLS INTO THE WRONG CROWD. THE VAMPIRE CROWD. THE REASON HE MOVED INTO TOWN IS BECAUSE HIS FAMILY WAS MOVING IN WITH THIER GRANDPA. HIS MOTHER SUPERBLY PLAYED BY DIANE WEIST SUSPECTS HES WITH THE WRONG CROWD AND SO DOES EVERYONE ELSE. SO RENT THIS AND ENJOY A TRULY GOOD MOVIE. YOU WONT BE UPSET. YOU WILL ACTUALLY BE HAPPY THAT YOU RENTED IT. I WAS VERY PLEASED WITH WATCHING IT.

It's fun to be a vampire!!
And yes, it certainly is. As this is a movie I've loved utterly and completely since I was a mere 13 years old, I feel I've got a little authority to review it...although maybe not in a totally unbiased way. We start out with what is perhaps my favorite opening scene in a movie *ever*. David (played so perfectly by Kiefer Sutherland) and the boys (Dwayne, Paul, and Marko) making trouble with the Surf Nazis on Santa Carla's carousel. The security guard who breaks up the fight and kicks the Boys off the boardwalk is going to regret this later, as he becomes yet another face on a missing persons poster.
But the story really centers around Michael and Sam Emerson (Jason Patric and Corey Haim), brothers who have come to Santa Carla to live with their grandfather because their mother has just gone through a divorce and is now 'flat broke.' Michael meets and falls for Star (Jami Gertz), a half-vampire who seems to have been involved with David at some point. David goads him into going to the vampires' lair and he ends up drinking some vampire blood, thereby making *him* a half-vampire. Meanwhile, Sam meets Edgar and Alan Frog (Corey Feldman and Jamison Newlander), two vampire hunters who have never actually hunted any vampires before. Sam finds out what his brother has become and enlists the Frog brothers' help in finding out who the head vampire is and restoring Michael to his former self. That's the basic premise.
I think the reason I've always loved this movie so much is that the Lost Boys are just a great group of vampires. They love their existence and have complete fun with it. Other than that, I find it to be a good mix of horror and comedy, with some classic lines I still use to this day. Of course, I do have a couple of problems, but that could be because I have seen this movie over 100 times and have also read the novelization. There is obviously a day missing between when Michael becomes a half-vampire and when David takes him to the train tracks, and I like that day! It happens to be the day (evening) that Michael gets his ear pierced.
The DVD transfer is pretty good, although it looks a little bit old. It is a lot better than the VHS, however, and it's widescreen. The extras are pretty much non-existant and what I wouldn't give for a special edition of this movie. Well, anyway, sleep all day, party all night, never grow old, never die. Of course it's fun to be a vampire!!

Thou Shall Not Kill
When a single mother (Dianne Wiest) and her two kids (Jason Patric, Corey Haim) pack up and move from Phoenix to southern California, more specifically, Santa Carla, "the murder capital of the world," they have more than a little bit of adjusting to do. The two teens and their mother move in with their quirky but loveable grandfather (Barnard Hughes), who has an inkling that there is more to this town than meets the eye. At first, things seem different but manageable, until Sam meets the "Frog brothers" at the local comic book shop. They hand him a horror comic about vampires and tell him to think of it as a survival manual. Are these two merely kids with an over-active imagination, or is there some supernatural cause for this odd little coastal town's nickname?

When the older brother, Michael, goes into town for a live concert, he runs into a rather attractive woman named Star (Jami Gertz). Star introduces Michael to her friends, who just happen to be vampires, and they decide to invite Michael to be one of them. Unbeknownst to Michael, he drinks the blood of David (Kiefer Sutherland), the leader of a band of motorcycle riding teenage vampires, thus giving Michael this supernatural dark gift. However, he must make his first kill before becoming a true creature of the night. Only one thing can save Michael from an eternity of bloodsucking. The head vampire must be killed. But who is the head vampire, and can he be found before Michael gives in to temptation? Will Sam and his newfound friends be willing and able to help Michael before it's too late?

This film is a classic, light-hearted 80's foray into the horror genre, complete with horrible wardrobe, glam rock, goofy humor, and a stellar cast performing a great screenplay with a cohesive plot. There are indeed some great lines in this film that are quite memorable. The Frog brothers, in particular, serve as some cute comic relief. The effects and make-up are outstanding, and this is really noticeable in the final, knock-down, drag-out fight in the end of the movie. The cinematography is also really well done (for example, the aerial shots when the vampires are flying towards the house).

This movie is not meant to be taken very seriously, and it is certainly not Anne Rice or Bram Stoker by any means, but it is some great old-fashioned weekend entertainment. Overall this is a great movie that everyone who grew up in the 80's should definitely own. Moreover, it's a great addition to anyone's vampire or horror collection. If you can enjoy a light-hearted romp through vampire mythology, then definitely pick this film up!

A small downside to this DVD is that there are few extras. If you merely want a great movie at a low price, then pick up this DVD. Otherwise, there is a two-disc set coming out soon that should be worth checking out!

The Lost Boys! My favorite
This is the movie that started it all for me. Vampires into rock n roll, and the lead actor looking like Jim Morrison who can ask for anything more. I loved how the culture of the 80's was brought out in this classic horror film. The Big Hair, the tight pants, the rock n roll, and vampires all in one, who could ask for more. I highly recommend this movie for anyone who wants a scare.

Bloodsucking Fun and Big Hair
I don't think I was old enough to remember this film hitting cinemas, but I discovered it before I got too cynical and still have a deep affection for it. It combines horror, forbidden romance, comedy, and touches on issues of peer pressure, loss, divorce and the importance of sticking by your family (even if your brother is a vampire).
A mother (Dianne Wiest) and her two sons (Corey Haim and Jason Patric) move from Arizona to sunny Santa Carla and in with their formulaic "crazy granpa" (you know the type I'm talking about) as a result of divorce. The eldest son Michael (Patric) quickly falls in with the Wrong Crowd by accidentally moving in on Head Honcho's girl (the lovely Jami Gertz). Things take a turn for the worse when Michael discovers these aren't your average bike punks, but a gang of wild vampires. Indeed. It's all up to bratty little bro Sam (Haim) and his new allies the Frog Brothers to save the day, and stop his mother from getting too cosy with a new guy who doesn't just run an appliance store (a nice performance from Edward Herrmann who seems to pop up everywhere).
Kiefer Sutherland is a treat as David, leader of the biker vamps, I still marvel at how he can make a peroxide mullet look cool. He plays this role as a sort of seductive bully very well.
Corey Feldman (because 1 Corey is never enough) also puts in a nice turn as Edgar Frog, plus you'll spot Alexander Winter of Bill & Ted's fame as one of the gang.
It's better than any recent vampire movie, has a great 80's soundtrack (Cry Little Sister, you know you love it) and a greasy saxophone man in purple pants. It's fun, there are a couple of scares and a nice hint of splatter (the Surf Nazi attack is like something out of Peter Jackson's Bad Taste). I give the bare-bones DVD package 3, but the movie 4. And fear not, there will be a special edition very soon with retrospectives, making of and tons more stuff, keep eyes peeled! ... Read more

Reviews (133)

"Falling Down" and the danger of self pity and bitterness
Michael Douglas is splendid as William Foster who loses both his engineering job and existential place within the universe. Unemployment was not part of the tacit contract he thought existed between him and his social milieu. Hadn't he always played by the rules and conformed to the standard mores? His marriage to Beth (Barbara Hershey) has already dissolved, and this new crisis puts him over the edge. We go along with this alienated man as he travels by foot all over the diverse cultures of Los Angeles. Foster ceases responding to the challenges and slights of everyday life in a mature manner. He instead reacts violently to even perceived insults and minor inconveniences. Needless to add, the resulting death and destruction soon captures the attention of the police. Officer Prendergast (Robert Duval) is committed to putting a stop to Foster's irascible behavior. The resulting situations are riveting and may even be found disturbing. One cannot but wonder if they might likewise flip out sometime in the future.

In one particularly gripping incident, Foster stops into a hardware store and converses with its ultra-right wing owner (Frederic Forrest). Our protagonist may be indulging in self pity and a sense of victimhood, but soon realizes that he is not about to partner with this hate mongering Nazi. Foster might be bitter, but he still retains the ability to say no to unambiguous evil. The last scene is profound, and should be seen by anyone who is ever tempted to think that life is unfair. Prendergast finally corners Foster and listens to the latter complain how he feels deceived by the establishment. The police man quickly dismisses Foster's excuses--and points out that most folks may have legitimate reasons to feel this way at one time or another. Nonetheless, this still does not justify going off the deep end! The makers of "Falling Down" should have been a bit more courageous. The story line had enough going for it that the excess blood shed only got in the way. This film is not quite worthy of a five star endorsement, but it definitely earns a solid four.

America: What's happened?
I found this movie absolutely fascinating and overall quite entertaining. Although the frequent acts of random violence are somewhat comical, the rest of the film is a biosphere of our "American" culture. Douglas treks a path through L.A. and encounters various problems in society - sort of a modernized Greek "Odyssey". Douglas, our tragic hero, is the only character who isn't asleep . . . asleep to all the hate and injustice that is occurring in our lives. And therefore, like any hero, is doomed to die by his convictions.

Michael Douglas portrays your typical patriotic citizen who becomes "obsolete" in a constantly changing world. I think perhaps all viewers can relate with this character because we all have been rubbed the wrong way by the exact same people Douglas encounters in the film. And sometimes we'd like to flip out too.

The end of the film is particularly symbolic in the climactic resolution. There is a sense of sadness when Douglas' character is killed, but at the same time their is a liberation. A liberation from the hell he was living . . . so perhaps the death is not sad at all. If you can't move with society, than you are doomed to fall prey to it. I would definitely recommend this film to anyone who has at times felt betrayed by life or our "American" ideals.

Not Bad.
'Falling Down' is movie about a man who finally snaps because he feels his society, family, and friends have cheated him. He goes on a rampage across Los Angeles only to find that it doesn't solve anything. A fascinating idea, but it wasn't executed that well. Might be worth watching though.

RIGHT IDEA, WRONG EXECUTION
As we journey with Michael Douglas in this excellent film, cant' we all identify with his frustration and anger? 85 cents for a can of soda? A store that won't give you change unless you buy something? Panhandlers looking for food, money and making you feel you owe it to them? People who think gays, blacks and other minorities are worthless? A fast food place that won't serve you breakfast even when they have tons of left overs they'll have to throw out? Wealthy old farts who think they own the golf course they pay membership in?
Yes, indeed, one can see why Douglas is so mad...it's just that his way of dealing with it is not one that we all should take.
Joel Schumacher's direction is right on, I think; people tend to like to pan Schumacher, when he has actually given us some vastly entertaining films. He knows what the audience wants and he knows that in FALLING DOWN, there can be no happy endings, so let's just enjoy Douglas getting revenge on people we'll never get a chance to!
Douglas is superb in the role, one of his best performances. Robert Duvall is very good in his role of the almost retired cop; Tuesday Weld is dazzling in her brief role as Duvall's wife; Rachel Ticotin does well in her role as Duvall's partner; John Diehl is very effective in his very brief role as the guy at the pool who offers to go with Douglas in order to protect his wife and child; and Barbara Hershey does wonders as Douglas' ex-wife.
Manipulative thought it may be, FALLING DOWN makes a statement, and makes one wonder what we would do if we snapped like Douglas!!!

Entertaining but Flawed by a Substandard Director
Joel Schumache