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| 1. Man on Fire Director: Tony Scott | |
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Reviews (37)
Creasy (Denzel Washington) is a broken-down, alcoholic, ex-special forces assassin. Visiting his friend Rayburn (Christopher Walken) in Mexico City, he ends up taking a job as a bodyguard to make ends meet. A kidnapping spree has spread throughout Latin America and a wealthy young couple hires Creasy to protect their young daughter. Less concerned with her safety, their primary reason for hiring him is to fulfill the terms of a kidnap-insurance policy. Pita (Dakota Fanning)'s spunk and unabashed friendliness slowly penetrate Creasy's veil of pain and alcoholism. Soon, he's not only protecting her, but is also coaching her at swimming and helping with studies. Then, in the turning point of the film, despite Creasy's quick-witted defense, Pita is kidnapped from her piano lesson and Creasy left for dead with multiple gunshot wounds. Corrupt cops, mobsters, and other officials are all taking their cuts from the kidnapping game. As Creasy begins to recover, he sets off on the ultimate roadtrip of revenge. And all hell breaks loose. I rated this film four stars. Tony Scott has to tone down the nausea-inducing quick cuts, fades, over-exposures, and other tricks of the trade. When he gets into story-telling mode, he does his best work, as Fanning and Washington are nearly perfect in their roles. Do yourself a service and read the books. Nothing matches the entire Creasy series.
That is the right line for this movie, spoken by Christopher Walken, the right actor. Obsessed with the grandeur of bloodshed, "Man On Fire" is apocalyptic, spun from the roughest parts of the Old Testament. Tony Scott's movie is a kidnapping drama set in Mexico City - a "special place" according the end credits. Special indeed - take the film at its word, and half the cops are corrupt and in competition with kidnappers for ransom money. The corrupt judicial unit, dubbed "La Hermandad," is impenetrable. Unless you're Denzel Washington. In a performance that melds elements of his Oscar-winning turn in "Training Day" and his work in "Courage Under Fire," Washington is John Creasy, a suicidal alcoholic ex-Marine offered a job through war-buddy Rayburn (Walken) to protect the daughter of a sweatshop industrialist (Marc Anthony). This daughter, Pita, played by the increasingly skilled Dakota Fanning - who's given dialogue and mannerisms better suited to a 16-year-old - charms Creasy out of his shell, makes him become her swim coach. Fanning is, in a sense, a peculiar little girl, so far beyond her years in gestures that when she laughs at a joke of Rayburn's that she'd have no way of understanding, we begin to wonder if her maturity has been misused. So then - Pita's snatched in a setup, Creasy's shot, and after he recovers, his counterpunch makes "Deathwish" look like a cakewalk. "Kill them all," Pita's mother (a glammed-out Radha Mitchell) whispers as Creasy holds his Bible. This vengeance either invigorates you or it doesn't. As these films go, "Man On Fire" is among the most violent and malevolent. The script, by Brian Helgeland, pretends to ask the larger questions about sacrifice and morality, but it isn't into sparing lives. There is torture, then more of it, then death. When a nightclub is blown up, the crowd roars. That's quite a bit unlike the recent fire in Rhode Island. The most controversial scene involves a rectum bomb set to Creasy's digital pager. "I wish - you had more time," Creasy intones ironically. A corrupt cop, stripped to his underwear and bent over a car under a freeway, has no more time. Cynical and a bit beefier, Washington is good as the tough hombre with a rocket launcher. The mark of a good actor is to want what he wants even when we shouldn't. Washington's that guy. Walken shuffles around with his offbeat cadence, utters the movie's best line, and disappears. Anthony is jittery in a limited role. Mickey Rourke makes a cameo using his real, non-sandpaper voice. Mitchell isn't much of an actor, but she's platinum gorgeous, and a perfect trophy wife she makes. Between her and Anthony's character, you wonder where Pita got her smarts. Mexico City, when we can get a clear view of it from Scott's dizzying camera, is a bright, messy backdrop. Scott's editor on "Spy Game," Christian Wagner, achieves the feat making sense out of chaos and vice versa, though an early scene featuring a drunk, bawling Creasy could have been pieced together more clearly. Helgeland adapts A.J. Quinnel's novel, and it's not his best work - the plot holes are big enough to drive Hummers through. Scott resorts to flashing dialogue, both Spanish and English, on the screen in a pop-art, free-verse-poetry presentation that's at first unique, then distracting, then annoying. Notice, too, that it doesn't start happening until Fanning's offscreen. As it unfolds on a desolate bridge near a Biblical tree in the middle of Mexico, the end of "Man On Fire" is the kind of preordained, wide-shot-to-show-significance material Scott has loved since "Enemy of the State," the first of his "import" trilogy that hopefully ends with this film. Prior to that Will Smith vehicle, Scott made hard-boiled, straight-ahead popcorn flicks - "Days of Thunder," "Top Gun," "The Last Boy Scout" "Crimson Tide" - that were shallow, lurid, painfully macho but, at the very least, aware of themselves and fun. "Man On Fire" is enamored with its potential greatness when it's really a B-movie playing with an A-list star and budget.
The location switch from Italy to Mexico works well. Of course, we miss out on the Isle of Gozo. As with most novel-to-cinema adaptions, we miss out on a lot of subplot (Creasy's women). And as is inevitable with a major studio production, the ending has been "Hollywood-ized." (can't tell you more without giving away the ending... read the book). However, Denzel Washington does an excellent job portraying the character Creasy, as I knew he would. Dakota Fanning is Pinta, no question about it. Christopher Walken, always a good choice, was an excellent casting choice here. A.J. Quinnell would be proud. Marc Anthony...? Well, A.J. Quinnell would understand.
GO SEE THIS ... Read more | |
| 2. Top Gun (Widescreen Special Collector's Edition) Director: Tony Scott | |
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Description Reviews (209)
Anyone born around 1980 will remember how everyone was doing that double high five and saying 'talk to me Goose' to the kid next to them in class. Certainly one of my all time favourites - entertaining stuff. ... Read more | |
| 3. Enemy of the State Director: Tony Scott | |
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Amazon.com essential video Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humor, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation--just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. --Jeremy Storey Reviews (184)
The only extras on the DVD, (aside from the trailer), are 2 mini-featurettes on the making of the film They seem ok but still are nothing more than EPKs (electronic press kits) If you like Smith and Hackman (and who doesn't?) than this is a keeper. This film is what I like to call a "true popcorn eating movie"
Another producer Jerry Bruckheimer/director Tony Scott thrill ride without substance, this time pitting family man lawyer Robert Clayton Dean (played by Will Smith in a ho-hum performance) against a technologically-driven government. Not knowing that the trivial meeting with an old friend would cause him so much trouble, Dean gets sucked into a conspiracy case involving a rogue National Security Agent (Jon Voight) who killed a United States congressman because he accidentally received a video tape with footage of the murder. With incredible surveillance techniques and technology, Voight is able to track all of the lawyer's moves and keep tabs on him. Our hero's life is turned upside down until he meets up with a stealthy former NSA active named Brill (played very well by Gene Hackman). With the assistance of Brill, Dean attacks the government head on and must learn the truth in order to save his life. Director Tony Scott brilliantly uses the camera to portray his views, jolting the characters through a series of incredible chase scenes, rip-roaring explosions, and intense firearm combat, but ultimately "Enemy of the State" focuses solely on the unbridled advances in special effects abilities that it keeps the audience from understanding the story and getting involved with the characters. Smith is only adequate in his first major "dramatic" role, while Hackman and Voight pick up some of the slack in their devilishly effective parts. A must-see if you are into big explosions and dynamite cinematography, but one to leave on the shelf if over-acting and a mediocre script are an annoyance.
Will Smith is startlingly good in his best performance since Six Degrees Of Seperation - if only he would turn in these great performances in credible, interesting films more often, and is well supported by a strong cast that includes Gene Hackman, Jamie Kennedy and Jack Black amongst others. This comes highly reccomended for an evening's entertainment and is truly exhilirating and packed with plot and intrigue that puts most regurgitated, lame excuses for a storyline to shame. Great stuff.
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| 4. Days of Thunder Director: Tony Scott | |
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Reviews (52)
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| 5. The Hunger Director: Tony Scott | |
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Reviews (71)
Sarah is very interested about John's aging problem. So, out of curiosity, she visits Miriam (John's wife), and they form a sexual relationship. Immediately after Sarah and Miriam make love, Sarah feels very ill and has these weird urges. The movie was pretty entertaining for the most part, and I gave it three stars because I had a hard time understanding what was going on by the middle of the movie. You'll like this one if you like sexy horror movies.
The cast is uniformly good. Catherine Deneuve is hard and glamorous. Susan Sarandon is open and, um, hungry. David Bowie is, well I won't spoil it for you but the performance is fine. Music is deftly used throughout the film. The Bauhaus sets a tone of dread and anticipation. The Shubert piece is haunting and sorrowful and used so well it suggests more depth than the movie possesses. The "Flower Duet" from "Lakme" was used here before it became a cliche and it's used well--Deneuve uses it to seduce Sarandon in a scene that is probably the most erotic that I have ever seen (coming from a gay man that is quite a compliment). The themes of aging love and the quest for more life (Harold Bloom would be proud) still work. The cult of "Donnie Darko" would do well with this one. Also fans of both sitcom TV and performance art will enjoy the cameo from Ann Magnuson. Not quite a classic but well worth your time.
DENEUVE, BOWIE, SARANDON trio in this forbidden tale of superior elegance and [give or take] possibly one of the most sensual scenes on screen ever seen [between Deneuve and Sarandon]. Trouble is Deneuve is this ancient vampire - the embodyment of elegance and culture - she takes a lover every two hundred years - seems they last briefly - like cut flowers - then age rapidly but don't die. So into the coffin with the remains .... so she has quite an entourage of sarcophogi stashed upstairs in her New York pad. She also selectively teaches music - perhaps selecting another mate? Bowie is the current companion - suddenly stricked by 'the age' -Sarandon is the doc. specilizing in the 'reason behind age' .... Sarandon slowly discovers the secret ...... This one's a guilty pleasure - worth watching over and over again - splendid cinematopgraphy [very hazy], artsy costumes, and a great classical score to boot. Rivalled only by DAUGHTERS OF DARKNESS - another super elegant piece of wit with Delphine Seyrige [could be Deneuve's double!] Watch out for those ANKH's though! ... Read more | |
| 6. True Romance (Unrated Director's Cut) (Two-Disc Special Edition) Director: Tony Scott | |
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Description Reviews (173)
Directed by Tony Scott (The Hunger, Top Gun, Enemy of the Gates) made an excellent, clever thriller with romance. Excellent Performances from the Cast, including:Dennis Hopper, Val Kilmer, Micheal Rapaport, Bronson Pinchot, Brad Pitt, Saul Rubinek, Chris Penn, Tom Sizemore, Samuel L. Jackson, James Gandolfini & Conchata Ferrell. This wasn't a huge success at the Box Office but it did recieve great reviews by Critics and it become a Cult Classic. DVD's has an terrific anamorphic Widescreen (2.35:1) transfer and an digitally remastered-Dolby Digital 5.1 Surround Sound (Also on DTS). DVD's has three separate feature-length Audio Commentaries by Stars:Slater & Arquette, Director:Scott & Writer:Quentin Tarantino. DVD has nearly 30 mintues of Deleted Scenes (also an Alternate Ending) with/without commentary by the director & writer. This DVD has great extras. Tarantino wrote a terrific written script, which he's best known for Reservoir Dogs, Pulp Fiction & Jackie Brown. This DVD is a great 2-Disc Set. Do not miss this great film. Panavision. Grade:A.
Clarence Worley (Christian Slater) likes comic books, Kung Fu Films, and Elvis. He leads a fairly normal life, that is, until he meets call girl Alabama (Patricia Arquette). After a spending a passionate night together, they declare their love for each other, and they decide to get hitched. Clarence is visited by the ghost of Elvis (Val Kilmer) who tells him that he should kill Alabama's pimp Drexel (Gary Oldman)... Dennis Hopper Michael Rappaport Christopher Walken and Brad Pitt also star in this quirky, sometimes dark, love story. The 2 disc DVD director's cut is a must for fans of the film, over the movie only disc version, that still available. Disc One has the unrated director's cut of the film. There are 3 audio commentary tracks. Each one offers a unique perspective on the same film and it's kind of fun to have these different takes on the same film. All of the tracks are decent and never lag (especialy Tarantino's who barely misses a beat) The director's storyboard track allows for a side by side comparison between the final film and how Scott laid everything out beforehand. DVD-ROM stuff includes the original script, production notes, and a web site archive with a few links Disc Two has interviews with both cast and crew, some interesting on the set footage. Cast members offer audio reactions to specific scenes that they appear in as they watch them--this is really cool. Comments are from Hopper Kilmer Pitt and others There are a number of deleted scenes that can be viewed optional commentary from Scott. The best extra is the alternate ending. Rounding out the extras are the ususal trailers and photo galleries and such. This 2 disc set comes highly recommended
Tony Scott's sugar-coated adaptation works wonders though. It was made very clear in the script that the relationship between the two leads was very strong. Scott took this unison and gave the film a fairy-tale tone. The villains in the film are very colourful, contributing to the feel that Scott has established. Hans Zimmer's score does nothing better, than to enforce this vision. The cast is one of the most impressive line-ups I've ever seen. Much of the film rests on the shoulders of Christian Slater and Patricia Arquette, both characters come off very likable with clear, clean, simple motives. These are career performances. Dennis Hopper gives good in his limited screen-time as Christian's ex-cop, ex-alcoholic father. It is in his time shared with Christopher Walken (being a one-scene wonder, like in "Pulp Fiction"), that he comes off at his best. The Sicilian scene is Walken's most intense since "Deer Hunter". Gary Oldman also gives another deliciously evil and memorable performance, the man is a chameleon, he is yet to unimpress me. But one of my favourite things about the cast is seeing then-relative-unknowns Samuel L. Jackson, Brad Pitt and James Gandolfini in small, but memorable roles. A real shame that Jackson's performance was cut down heavily from the script, some of the dialogue in his one scene was very amusing, if maybe a little offensive to some. "True Romance" is a brilliant crime drama, and a perfect (if phased) introduction to Tarantino's work, it is probably the most accessible film he's penned. People will always ponder over whether or not Tarantino's directorial version would have been better, but they can always rest-assure that Scott has given a wonderful adaptation, supported by a very strong cast. It could have been much, much worse.
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| 7. Crimson Tide Director: Tony Scott | |
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Amazon.com Reviews (104)
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| 8. The Last Boy Scout Director: Tony Scott | |
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Amazon.com Reviews (43)
Hallenback is a P.I. and scrounges for work wherever he can find it. So he takes up a job protecting a stripper named Cory and soon finds himself in a lot of trouble. Bad guys are trying to get him left right and centre and his bratty 13-year-old daughter tagging along doesn't help much. The bad guys are truly evil and Hallenback seems more like an anti-hero. This adds to the rough nature of the movie and heightens the sense of adventure. Tony Scott's style of direction is best suited to this type of action flick. The flashy, exotic editing and cinematographic techniques lend a lot to the witty script and compliment the seedy or pretty locations. Shane Black has also written dozens of one-liners and riddled the script with funny dialogue and exciting situations. It's no surprise that this was once the most expensive script ever sold in Hollywood. Some people say that this film is too violent and misogynist but I honestly cannot understand what they are talking about. I guess it was just a little out of the norm back in 1991. But still the tone of the film is so light and enjoyable you begin to wonder how this never made up for it. Check it out for yourself and I am sure that you will enjoy. The DVD is in 2.35:1 anamorphic widescreen and is remastered in Dolby 5.1. Love that opening song, man
Of course, you could make a very good case against this film. Though I did not find it quite as woman-hating as some of the critics said it was upon the film's release, I would recognize that there is a subtle layer of misogyny throughout the movie---particularly with the two women characters in Joe Hallenbeck's life, his uncaring, cheating wife and his bratty, verbally abusive daughter---that might make some viewers more queasy than I was. And, objectively speaking, THE LAST BOY SCOUT is basically a retread of writer Shane Black's superior LETHAL WEAPON---a more foul-mouthed, ultra-violent retread with a lot of corny humor. This is an all-out testosterone-fest if I've ever seen one. If you've got a problem with people, just punch 'em in the "head or gut"---if anything else, that's the message of this movie. Really, Shane Black, where did your taste go since LETHAL WEAPON and LETHAL WEAPON 2? Despite all that, though, this movie still delivers what matters most in this genre: thrills and exciting action scenes. Having seen this movie only recently, I must say that it is probably one of the most exciting action pictures I've seen in a long while, perhaps enjoyable because of its excesses. Tony Scott definitely knows how to film action scenes well (the climactic action scenes in the football stadium is a good example of his skill here), and of course he brings his customary slick style to the material. And its plot, involving a ruthless attempt to legalize gambling in pro football, takes some kinda intriguing twists and turns along the way. (It's like a hardcore action-film version of one of those hardboiled detective films of the '40s.) In short, THE LAST BOY SCOUT is very trashy but still entertaining action movie that can be quite fun to watch, depending on whether you can overlook lapses of character logic (why on Earth is Shelly Marcone giving away his plan of framing Hallenbeck for Senator Baynad's murder just so Hallenbeck can outsmart 'em all?) as well as the more objectionable misogynistic aspects of the film. Personally, I felt a little guilty about enjoying it so much...but not guilty enough not to admit it. Marginally recommended.
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| 9. Top Gun Director: Tony Scott | |
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Anyone born around 1980 will remember how everyone was doing that double high five and saying 'talk to me Goose' to the kid next to them in class. Certainly one of my all time favourites - entertaining stuff. ... Read more | |
| 10. True Romance (Unrated Director's Cut) Director: Tony Scott | |
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Reviews (173)
Directed by Tony Scott (The Hunger, Top Gun, Enemy of the Gates) made an excellent, clever thriller with romance. Excellent Performances from the Cast, including:Dennis Hopper, Val Kilmer, Micheal Rapaport, Bronson Pinchot, Brad Pitt, Saul Rubinek, Chris Penn, Tom Sizemore, Samuel L. Jackson, James Gandolfini & Conchata Ferrell. This wasn't a huge success at the Box Office but it did recieve great reviews by Critics and it become a Cult Classic. DVD's has an terrific anamorphic Widescreen (2.35:1) transfer and an digitally remastered-Dolby Digital 5.1 Surround Sound (Also on DTS). DVD's has three separate feature-length Audio Commentaries by Stars:Slater & Arquette, Director:Scott & Writer:Quentin Tarantino. DVD has nearly 30 mintues of Deleted Scenes (also an Alternate Ending) with/without commentary by the director & writer. This DVD has great extras. Tarantino wrote a terrific written script, which he's best known for Reservoir Dogs, Pulp Fiction & Jackie Brown. This DVD is a great 2-Disc Set. Do not miss this great film. Panavision. Grade:A.
Clarence Worley (Christian Slater) likes comic books, Kung Fu Films, and Elvis. He leads a fairly normal life, that is, until he meets call girl Alabama (Patricia Arquette). After a spending a passionate night together, they declare their love for each other, and they decide to get hitched. Clarence is visited by the ghost of Elvis (Val Kilmer) who tells him that he should kill Alabama's pimp Drexel (Gary Oldman)... Dennis Hopper Michael Rappaport Christopher Walken and Brad Pitt also star in this quirky, sometimes dark, love story. The 2 disc DVD director's cut is a must for fans of the film, over the movie only disc version, that still available. Disc One has the unrated director's cut of the film. There are 3 audio commentary tracks. Each one offers a unique perspective on the same film and it's kind of fun to have these different takes on the same film. All of the tracks are decent and never lag (especialy Tarantino's who barely misses a beat) The director's storyboard track allows for a side by side comparison between the final film and how Scott laid everything out beforehand. DVD-ROM stuff includes the original script, production notes, and a web site archive with a few links Disc Two has interviews with both cast and crew, some interesting on the set footage. Cast members offer audio reactions to specific scenes that they appear in as they watch them--this is really cool. Comments are from Hopper Kilmer Pitt and others There are a number of deleted scenes that can be viewed optional commentary from Scott. The best extra is the alternate ending. Rounding out the extras are the ususal trailers and photo galleries and such. This 2 disc set comes highly recommended
Tony Scott's sugar-coated adaptation works wonders though. It was made very clear in the script that the relationship between the two leads was very strong. Scott took this unison and gave the film a fairy-tale tone. The villains in the film are very colourful, contributing to the feel that Scott has established. Hans Zimmer's score does nothing better, than to enforce this vision. The cast is one of the most impressive line-ups I've ever seen. Much of the film rests on the shoulders of Christian Slater and Patricia Arquette, both characters come off very likable with clear, clean, simple motives. These are career performances. Dennis Hopper gives good in his limited screen-time as Christian's ex-cop, ex-alcoholic father. It is in his time shared with Christopher Walken (being a one-scene wonder, like in "Pulp Fiction"), that he comes off at his best. The Sicilian scene is Walken's most intense since "Deer Hunter". Gary Oldman also gives another deliciously evil and memorable performance, the man is a chameleon, he is yet to unimpress me. But one of my favourite things about the cast is seeing then-relative-unknowns Samuel L. Jackson, Brad Pitt and James Gandolfini in small, but memorable roles. A real shame that Jackson's performance was cut down heavily from the script, some of the dialogue in his one scene was very amusing, if maybe a little offensive to some. "True Romance" is a brilliant crime drama, and a perfect (if phased) introduction to Tarantino's work, it is probably the most accessible film he's penned. People will always ponder over whether or not Tarantino's directorial version would have been better, but they can always rest-assure that Scott has given a wonderful adaptation, supported by a very strong cast. It could have been much, much worse.
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| 11. Man on Fire (All-Access Collector's Edition) Director: Tony Scott | |
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Amazon.com Reviews (200)
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| 12. Revenge Director: Tony Scott | |
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One other scene stands out in my mind. When Costner and Stowe try to make lemonade in his bungalow, the sexual tension is unbelievably real. One of my all-time favorite movies.
Ebert's review can be viewed at the Chicago Sun-Times website. By "Noctem" (paragraph 1) By Roger Ebert (paragraph 3-4) "Revenge" is set mostly in today's Mexico, where Anthony Quinn is a powerful, brutal millionaire who rules his own private empire. He's surrounded by killers and henchmen, but he lowers his guard to allow a friend into his inner circle - a former Navy pilot (Kevin Costner) who once saved his life on a hunting trip. Costner knows that Quinn has an unsavory reputation, but he doesn't plan to get involved in Quinn's business. He's only on vacation." That's before he sees Quinn's young wife, played by the beautiful Madeleine Stowe, first seen in a voyeuristic camera shot that starts at her ankles and climbs hand over hand up every wrinkle of her dress. Costner and Stowe fall in love at first sight, while Costner makes himself at home in Quinn's sprawling hacienda and goes on a hunting trip with him." How monumentally lame.
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| 13. Beverly Hills Cop II Director: Tony Scott | |
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