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| 1. Shaft Director: John Singleton | |
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Reviews (86)
After watching this film, I can say I don't mind it. I've seen a lot worse, and I've seen better. Atleast with this film, you have Samuel Jackson playing another cool, suave character. It's too bad Venessa William didn't play a more integral part to the story. I would've liked to see a better dynamism between the two. But then again Shaft has always been a lone-ranger of sorts. This is not a plot-heavy story. It's about a rich kid that murders an African American, but this crime is witnessed by a waitress who goes into hiding after being threatened. Shaft is disheartened by the inadequacy of the system and decides to investigate on his own. Like I said, not plot-heavy. LEAP rating (each out of 5):
Shaft's (Richard Roundtree) nephew, also last-named Shaft (Samuel L. Jackson), is the star in this movie. But it is nothing like the original starring Roundtree and directed by Gordon Parks (although both of them make cameos in this film). The first "Shaft" was a blaxploitation flick and is a classic. This movie, directed by John Singleton, seems less black, more made-for-Hollywood. The plot is thin and unlike the original, the only love scene to be found is in pieces during the opening credits. And what was Busta Rhymes' purpose? It added nothing to the movie. Sorry, Sam Jackson is a hell of an actor but his Shaft doesn't make me forget about Roundtree's. -EJR
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| 2. 2 Fast 2 Furious (Widescreen Edition) Director: John Singleton | |
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Reviews (132)
But its lack of an intriguing storyline doesn't destroy its fun factor. the souped up hot rods polished to a fine sheen speeding down the streets of miami make for some rather satisfying guilty pleasures. And if you'd rather feast your eyes on something more than oversized hot wheels in a rainbow of colors, you won't be disappointed. the men have the pleasures of drooling a little puddle over shapely women, but we girls definately aren't left out in the cold. Studly Paul walker with his charmingly innocent grin, and his accomplis Tyrese with his toned body (and urge to constantly rip his shirt off) would make any girl faint (if they weren't sitting in a chair) if you want something quick, that doesn't require too much thought, is loaded with eye candy, light hearted, fun, and will help you munch your way through your stale, overly buttery popcorn, than this movie is what you've been searching for. ... Read more | |
| 3. Rosewood Director: John Singleton | |
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Amazon.com The film is blessed with richly authentic production design, lush cinematography, and a subtly effective John Williams score, and director John Singleton and screenwriter Gregory Poirier embellish the truth of Rosewood with a fictional hero named Mann (Ving Rhames), who arrives to buy a five-acre plot coveted by Rosewood's white grocer (John Voight). The emerging trust between these two characters--and the fate of an extended family led by a defiant father (Don Cheadle)--gives shape to the movie's devastating depiction of racism and the courage of those who opposed the lynch mob's brutality. Singleton and Poirier fall prey to some bad dialogue and a broadly unbalanced depiction of bloodthirsty hayseeds, but the film's passion is maintained by its superb cast and the timeless echoes of history. --Jeff Shannon Reviews (30)
"One party and their abolitionist supporters believed the Bible instructed them to lay down their lives for the slaves, the other party and their supporters believed the Bible gave them the right to take the lives of blacks if they rebelled against being slaves. "On the issue of slavery, one party and its supporters gave their lives to expand it (to Northern states) and the other party and their supporters gave their lives to ban it. "One party was heavily influenced by the Abolitionists and the radical wing of their party ... and the other party was influenced by the Ku Klux Klan and other terrorist groups. "One party and its supporters started the Freedman's Bureau and other programs to help build communities for blacks, the other party and their supporters engaged in practices to hinder those efforts and to destroy those communities (Wilmington, North Carolina). "One party and its supporters established quality schools and colleges for blacks, the other party and their supporters engaged in practices that attempted to close some of those schools or diminish their quality. "One party passed laws and Constitutional Amendments (13th , 14th , 15th) to include blacks as part of mainstream society, the other party passed laws to exclude them from the mainstream (Jim Crow Laws and Black Codes). ..." Sadly, many do not know that that "one party" was the Republican Party, while the "other party" was the Democratic Party. I myself didn't know at the time I watched this stirring film. I suppose burning crosses make us assume the bad guys are aligned with the religious right. Unfortunately, the "other party" used a nonsensical interpretation of the "curse of Ham" to justify slavery; fortunately, "one party" saw through it. This film is also a great example of how history is being rewritten or dumbed down. While many films have shown lynchings and other abuse of African Americans, they usually leave you with the impression that the bigots were "Bible bashers" ... as you can see, this is only half the truth. Very rarely are we reminded that it was Republicans who laid their lives on the line to defend blacks, based on their Christian faith. We are all sinners. Perhaps the shameful past that the Democrats are trying to forget - indeed, most youngsters today do not need to forget, they haven't even been taught - will spur them onto greater deeds that may even outshine the "one party".
A small town, Rosewood, is usually a peaceful, loving town. In New Years Eve 1922, everything functioned as usual. Around that time, a woman from a nearby town, Sumner, falsely accuses a black person of raping and assaulting her (it was actually a white man, but there was no rape). Once word is out, all hell breaks loose. The recreation of the town is perfect. Every detail is flawless, including the styles of the early 1920's. Every building structure and creation is flawless. The costume designs are as flawless, looking like actual 1920's clothing. The acting was intensely great. Everyone offers their own heart and soul sense into this movie, making it more powerful. Jon Voight and Ving Rhames capitalize the acting talents. This is Rhames's best role in years. His tough warrior image never fades for a second, which is very convincing. His presentd talents were wrongfully overlooked in the 1997 Acadamy Awards for Best Supporting Actor. Jon Voight's role as a man who comes to terms of what a true ally is. His heartdrenching role forces audiences to feel his character's learning progress and emotions. "Rosewood" is a great movie for those looking for an factual intense drama. This will surely educate audiences about reality. This movie will become a classic in the near following years as it deserves.
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| 4. Higher Learning Director: John Singleton | |
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| 5. Michael Jackson - Video Greatest Hits - HIStory Director: John Singleton, John Landis, Rupert Wainwright, Martin Scorsese, Herb Ritts | |
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Description Reviews (50)
-Billie Jean -The Way You Make Me Feel -Black or White* -Rock with You -Bad (shortened version without Wesley Snipes) -Thriller (entire video with credits) -Beat It -Remember the Time -Don't Stop 'Til You Get Enough -Heal The World This is a great video that shows not only the evolution of Michael Jackson's music, but also that of his appearance. Co-stars include Eddie Murphy, Iman, Magic Johnson, McAuley Culkin, Bart and Homer Simpson, and others. An exceptional video!!! *In the video Black or White, Michael appears to be furiously smashing the windows of a car for no reason. In the original, racist graffiti is painted on the windows. This was edited out in this version. Relax, Michael is not crazy. Or at least not that crazy.
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| 6. Boyz N the Hood (2-Disc Anniversary Edition) Director: John Singleton | |
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| 7. Baby Boy Director: John Singleton | |
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Reviews (80)
"Baby Boy" tells the story of Jody,played by model/singer Tyrese STEROTYPICAL is a term I hear a lot when people bring up "Baby Yet while I can see where the nay-sayers are coming from in a way I also don't feel offended by "Baby Boy".To Singleton's credit,the characters are never turned into carictures. All in all,I feel that "Baby Boy" is showing a diversity in black images.Yes,I love films like "Best Man" and "love jones"
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| 8. Poetic Justice Director: John Singleton | |
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Amazon.com Reviews (59)
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| 9. Michael Jackson - Dangerous: The Short Films Director: David Kellogg, Billy DiCicco, Vincent Paterson, David Fincher, Andrew Morahan, Joe Pytka | |
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Description Reviews (32)
The Video and most likely the DVD contains the full videos of: -Black or White (controversy, plus making of) -Remember The Time (behind scenes) -Jam (behind scenes Michael Jordan comentary) -In The Closet (an awesome MJ song and video, plus behind scenes) -Heal the World (two times, super bowl performance and the video) -Will You Be There (the complete and non-Free Willy version) -Gone Too Soon (about that kid with AIDS that everyone forgot about) -Dangerous (played while showing us snip shots from ihs concert world tour) -Why You Wanna Trip On Me (played durring the credits) -Give Into Me (Michael knows good rock with Slash) -Who Is It (done by the director of FIGHT CLUB, excellent beat) -(Bonus stuff) of 2 awards and a pretty deep speech from Michael and a little Michael singing with Michael "I'll Be There" Lets hope this wish of having avaliable this long awaited DVD comes true and we may get it. Michael still has fans in the USA, so let them have their DVD!
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| 10. Boyz 'N the Hood Director: John Singleton | |
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Reviews (71)
"Boyz 'N The Hood" tells the story of three black kids growing up in a dangerous neighborhood: Tre, Ricky and Doughboy; each one of the three kids is very different from the other, but they love and respect each other. The second part of the movie shows the kids now as teenagers: Tre (Cuba Gooding Jr.) and Ricky (Morris Chestnut) about to graduate from high school, and Doughboy (Ice Cube) as a trouble teen with gangster attitude. Tre is being educated by his father (Laurence Fishburne), Ricky is about to get chosen by a college due to his football abilities, and Doughboy along with other friends is about to choose the path of a gangster. But a tragedy will interrupt the life of one of this boys, and the rest must choose: get revenge and ruin their lives or go on with their lives. The realism of "Boyz 'N The Hood" may be its best quality, all the performances are very good, with young talents that later would be famous. Once in a while is good to see this kind of movie, don't limit yourself to popcorn movies. Go see "Boyz 'N The Hood".
The story about 3 friends growing up in the hood in South Central LA. Each one with their own individual struggle and goals in life. Doughboy (Ice Cube) ,who is a drug dealer, has been in and out of trouble throughout his young life and seems to be happy with his surroundings. Doughboy's brother Ricky (Morris Chestnut) a teenage father with bright hopes and aspirations of becoming an NFL football player ; and Ricky's best friend Tre (Cuba Gooding Jr.) who hopes and dreams of higher education and an escape from the dwelling of the hood. "The Hood" where saying the wrong thing or looking at someone the wrong way can end in death. Tre's father (Larry Fishburne) is a responsible, educated and strict father who makes sure his son stays on the right track in achieving his goals in life. Teaching him about responsibility and keeping your cool in adverse situations in order to make a thoughtful descision. Tre's resolve will be tested when tragedy strikes close to home and revenge and murder seem like the only solution. Fantastic direction by John Singleton and equally impressive acting by all characters are the reason Boyz N the Hood was such a huge success. It was nominated for two acedemy awards (Direction and Screenplay.) ... You have to see this one for yourself you won't be sorry.
South Central L.A. is the home of Tre Styles (Cuba Gooding Jr.) and his friends, "Doughboy" and Ricky Baker (Ice Cube and Morris Chestnut). We first meet them at age ten, when Tre's mother (Angela Bassett) sends him to live with his father Jason, a/k/a "Furious" (Laurence Fishburne), who seems better equipped to raise a son in a neighborhood like this. When we see them again they're seventeen, Tre and Ricky about to graduate from high school, while Doughboy has already graduated - from shoplifting to guns and small-time drug deals. And while Furious guides Tre towards moral choices, responsibility and (self-)respect, Doughboy and Ricky are raised by a mother who lacks the wherewithal to steer them out of the ghetto. Yet, Ricky in particular is naively, fiercely resolved to make it out of there; with a football scholarship (provided his SAT scores are high enough) or if that fails, by joining the army. And in a poignant, spot-on conclusion it is ultimately Ricky who forces Tre and Doughboy to choose their own paths in life, to either be drawn into the ghetto's spiral of violence, or conquer their inner demons and extricate themselves from that vicious circle. Upon this movie's 1991 release, several Los Angeles cinemas either refused to show it at all or hired extra security guards: That big, in a city that had recently seen the Rodney King beating, was about to be rocked by the Christopher Commission's scathing indictment of its police department, and was gearing up to the riots that would ravage its inner city the following spring, were fears of the reaction to John Singleton's partly autobiographical film. Yet, while "Boyz N the Hood" paints a starkly accurate picture of inner city life's daily realities, it in no way encourages violence - much to the contrary. That it's told from a profoundly "black" perspective is a given; and with that come charges that those of us with a more fortunate childhood often dismiss as the chip on many black people's shoulders (e.g. the notion that drugs, liquor and guns in the ghetto are tacitly encouraged by society's white-dominated ruling circles to keep inner-city minorities subdued). But while neither such charges nor their "white" response are the be-all and end-all of the problem, there is no question that drugs, alcoholism and guns are major issues in the 'hood, as are teen pregnancies and unemployment; and Singleton intelligently weaves all of these elements into a compelling picture. Equally well-deserved as the praise for Singleton, who garnered Best Director and Best Screenplay Oscar nominations and several other distinctions, are the kudos to the movie's outstanding actors. Then-23-year-old Cuba Gooding Jr. came practically out of nowhere to give a fully accomplished, emphatic portrayal as Tre, caught between the lessons of ghetto life and those of his father. (Although this wasn't his first movie, he had never before appeared in a remotely as prominent role.) Morris Chestnut's naively determined football-hero-to-be Ricky is similarly compelling; and Laurence Fishburne noticeably didn't have to reach far for his "Furious" Styles: While based on Singleton's father, the role was created specifically with him in mind. So, reportedly, was Ice Cube's Doughboy; and he, too, is a perfect match, giving the teenage trio's most troubled member a depth clearly informed by his own South Central boyhood (although despite his songs' inflammatory lyrics, he himself stayed clear of gangs). Angela Bassett finally is the perfect foil for the movie's male characters, exemplifying a woman who through hard work gets as far out of the ghetto as conceivable and unlike her ex-husband doesn't avoid the moneyed upper-crust, but doesn't forget her origins, either (and is still perfectly capable of talking tough when challenged). The movie's last words are Ice Cube's, both spoken as Doughboy and rapped in "How to Survive in South Central," underlying the closing credits. "Either they don't know, don't show or don't care what's going on [here]," Doughboy comments on a TV program about exotic faraway places he's seen shortly after experiencing the kind of violence that he knows will haunt him forever. And in his rap song, sarcastically premised on a guided tour to the "concrete Vietnam" South Central L.A. ("Have you witnessed a drive-by? Okay, make sure you have your camcorder ready!"), Ice Cube warns: "Rule number one: get yourself a gun ... 'cause jackers ... love to start [things]. Now, if you're white you can trust the police; but if you're black they ain't nothin but beasts. ... So don't take your life for granted, 'cause it's the craziest place on the planet ... This is Los Angeles." - "Boyz N the Hood" was released 13 years ago. It is as topical as ever.
As we follow Tre Styles from childhood toward becoming a young adult (as played effectively by Cuba Gooding, Jr.), and attempting to dodge, with the cautious guidance of his parents, the many dangers and risks associated with growing up in inner-city America, the sense of ever-present danger and, often, hopelessness associated with attempting to avoid falling into the cracks of society is abundantly clear. In the role of Tre's troubled friend Dough Boy, Ice Cube is something of a revelation, and his balanced performance, alongside Singleton's excellent script, prevent him from becoming merely another gangster caricature. Lawrence Fishburne and Morris Chestnut add further depth to a strong cast. All in all a very real, gritty depiction of the challenges faced at every turn by African American men and women in modern America. The building anger bristling beneath the surface in so many scenes is particularly resonant given the outburst of violence in the Rodney King Riots that took place in the very same city of the story just one year later. The film spawned several 'urban gang flick' imitations in subsequent years, but most glorified violence and placed an emphasis on a loud soundtrack and sexual explicitness at the expense of strong plot-line, good character development and a serious social message. All three are to be found in Boyz N the Hood.
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| 11. 2 Fast 2 Furious (Full Screen Edition) Director: John Singleton | |
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Reviews (132)
But its lack of an intriguing storyline doesn't destroy its fun factor. the souped up hot rods polished to a fine sheen speeding down the streets of miami make for some rather satisfying guilty pleasures. And if you'd rather feast your eyes on something more than oversized hot wheels in a rainbow of colors, you won't be disappointed. the men have the pleasures of drooling a little puddle over shapely women, but we girls definately aren't left out in the cold. Studly Paul walker with his charmingly innocent grin, and his accomplis Tyrese with his toned body (and urge to constantly rip his shirt off) would make any girl faint (if they weren't sitting in a chair) if you want something quick, that doesn't require too much thought, is loaded with eye candy, light hearted, fun, and will help you munch your way through your stale, overly buttery popcorn, than this movie is what you've been searching for. ... Read more | |
| 12. Baby Boy/You Got Served Director: John Singleton | |
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