Reviews (42)

Mostly cliched, but there are some good things. (SPOILERS)
"Jersey Girl," Kevin Smith's first foray away from Jay and Silent Bob, is a father's story. Smith, a new parent when he wrote it, had feelings about his experience that he wanted to share - how a reluctant single father, played by Ben Affleck, sees his life change because of a child and how he comes to embrace it. That part of the film rings true. And there are touching moments regarding how he deals with his seven-year-old girl's questions about sex. And Affleck's performance is better than usual.

However, much of the film is completely mundane, featuring movie cliches that are so tried and true that you'll often know where "Jersey Girl" is going before it gets there. For instance, when you hear the daughter in the film mention her "school play," you know something's going to happen to keep her father from getting there on time. After a downright wacky elementary school performance of "Sweeney Todd" (that no authority figure organizing the event seems completely aware of until it's onstage), the shocked audience proceeds to "slow clap" their way into a standing ovation.

And the movie's essential conflict at the end is between a father's ambition to be something other than a garbageman and loving the quirky life that he and his daughter already have, so the conclusion is far from surprising. (My problem with this film and other movies who pose this conflict, like "Sweet Home Alabama," is because few in Hollywood really picked the small town life, though they make movies about people who do.)

There was a Q&A with Kevin Smith after the screening I attended, and the Q&A was far more entertaining than the film. Smith, who has done edgy films confronting homosexuality and religion in the past, makes his most Hollywood-ized film here.

just a little laugh..a little tear...
Ollie Trinke is a slick Manhattan rock promoter who falls in love, gets married, and has a baby. Things are cool so far. During labor, his beautiful wife delivers a lovely baby girl. But sadly, Mom doesn't make it. Ollie really loved his wife. And the problem is now: Who will take care of the child while Ollie presents Fresh Prince? A talented cast, a witty script, and the devilish Kevin Smith have given birth to the sleeper of the year. Aren't we all chasing that better job? Should I buy a new cell phone? Is my car out of date? Does it matter? "Jersey Girl" attacks the GEN-X madness of modern big-city rat-race. What is happiness all about? The big bucks or the little family? No new ground here, but very flawless execution. "Jersey Girl" stars Ben Affleck, cool and sober, and perfect as big-shot Ollie Trinke. The cast includes Liv Tyler, Jennifer Lopez, Matt Damon, Will Smith, and a very remarkable George Carlin. The real ringer is little Raquel Castro,as 7-year-old Gertie. This tiny ball of dynamite from Long Island steals your heart and leaves you laughing out-loud. Doubt me? Don't just buy a ticket for "Jersey Girl", get down to the theater right now! My mother was from Teaneck. Trust me on this one. There's nothing like a "Jersey Girl".

Why not? Watchable. And Liv Tyler is on fire.
The worst thing that one can say that J Lo is tragically miscast. I am not saying she is a bad actress (because she is not bad, she is quite simple THE WORST), but for the role, it is impossible to feel sorry when she dies: talk about impossibility of separating actor's own image from the role. The saddest moments of the movie are the first minutes when this self-centered, hysterical, unstable, whining cow is actually on the screen.

Ben Affleck is average - I did not mind watching him in this role; and he has a credible go at credible depiction of the type. George Carlin is superb, and his caustic wit, an echo of all-stops-pulled stand up performances, occasionally shines through - a delight.

But of course it is Liv Tyler who makes the movie not just watchable, but very, very pleasantly watchable. Liv is heart-stoppingly cute in this film, even in her slightly unflattering librarian spectacles. The film is family stuff, so don't expect One Night At McCool's type of drooling (foamy car wash and stuff), but oh boy is she worth her royalty check.

Give it a chance!
I don't know what everyone is complaining about. It is a moving tearjerker and cute too. Of course it's not going to get any oscars for acting, but why not just give it a chance? Raquel Castro is an incredibly talented kid, and I am no fan of child actors or actresses, believe me. I also found George Carlin to be perfectly cast. Maybe the folks who are panning this movie are not parents yet, so they see the whole thing differently. I say, "Give it a chance!"

A Little Bit for Everyone....
So I admit that it's not the best I've ever seen of Afleck. It is the best I have seen of J Lo (though that is not saying much). But the movie overall is pretty good. I am an avid Kevin Smith fan and as such I was excited to see the movie, but I did not get my hopes up. I found this movie to cater very much to his fans. In my opinion it is an attempt for Kevin Smith to bring a heartfelt family type, quasi-chickflick to his fans who probably aren't the biggest fans of those types of movie. Unfortunately for other moviegoers, it seems to be lost on them as the style doesn't fit into any "normal" category. It is for that reason that I applaud him. This isn't the best movie Kevin Smith has made, but it is very enjoyable and successfully translates Smith's style to other genres of film. The movie is fun, funny, and touching. Raquel Castro is absolutely enchanting, Carlin gives a wonderfully touching but hilarious performance, and Afleck can be sentimental if you give him a chance and don't prejudge.

Other people say that this film is just a rehash of the cliche, but then aren't most touching chickflick type movies? I think that Kevin Smith's style adds a great deal to the movie to make it stand out from the rest, as I am tired of all the other cliched heartfelt movies.

However, I'm waiting to buy the movie until it comes out on Special Edition with all those great Kevin Smith extras next year. ... Read more

Reviews (359)

CLERKS WORTH CHECKING OUT
Word of mouth & personal expierience made me want to see this movie.And when I did,it left an indelible mark.Grant,Clerks will have you rolling from beginning to end(such phrases as Chewlies Gum,37,____mopper,Berzerker,shoe polish,& salsa shark bring to mind this film),but it's a look at Gen X 20-somethings in the 90's.The bad job,the stagnation,& the indecisiveness of life at that age.Brian O'Halloran plays Dante Hicks,the convienience store jocky with all the whiny"I HATE MY LIFE BUT DON"T WANT TO CHANGE IT"attitude I hear among Gen-Xer's.But Jeff Anderson plays Randell Graves ,the video store clerk and the ultimate slacker.He hates his job,not his life.Disregard his responsibility to his job 'cos he knows it's a dead end and there is something better.After a day when Dante is conned and complaining about working on his day off(as well as other bizarre circumstances)Randell sets Dante straight telling him that he overdramatise things to make his life seem more interesting than what it is.Kevin Smith is a genius.Even though his movies fall on the wayside sometimes(Mallrats,Dogma),his skewed vision has brought him a following.Legend has it that he sold his comic book collection to finance Clerks.It shows he sacrificed something he loved for something his fans will embrace & love for many moons to come

Take That All You Stupid, Big Budget Excuses For Movies!
Clerks was made on a low budget and it shows, but it's still much more enjoyable, witty, smart, and hilarious than numerous movies on a big budget. The movie follows a day in the lives of two "clerks", one in a convience store (Dante) and one in the "crappy video store" (Randall). The story centers around Dante's troubled love life: he's has a girlfriend he loves (Veronica), but he longs for an ex-girlfriend (Caitlin) who cheated on him numerous times. Dante finds out his ex is engaged and tries desperately to find out if it's true and why he wasn't informed before hand. In the midst of this, Randall and Dante discuss Star Wars, make clever observations on life and the world around them, go to a wake that ends with Dante and Randall being chased out of the funeral home by a mob of angry guests, play hockey on the convience store roof, and put up with some clueless and annoying customers ("You expect me to drink this coffee hot?").

The dialog from writer/director Kevin Smith carries the movie as there is little action, but it works. You get a sense that the characters are real people as opposed to many movies in which the characters are empty and emotionless. Dante and Randall are smart and witty, and you get the sense that they have some kind of great talent that they don't know what to do with. Dante is especially unsure of what he wants to do with his life, and it takes Randall to point him towards the source of his problems. Anyone who has worked retail (including me) can relate to some of the annoying customers and how at times the job can become mind-numbingly and painfully boring.

I will not spoil the most notable scene for those that haven't seen the film. It happens off screen, but will still leave you with a look of shock when you find out what happened. Clerks is not for those who are easily offended by strong language or those uncomfortable with talk about sex (including "snowballing" and deadly means of self-gratification). But the movie works without resorting to crude, sickening humor. And of course, the infamous Jay and Silent Bob make their debut. This is a must-see for Kevin Smith fans and a great place to start if you want to get into Kevin Smith's work.

My favorite comedy
This has to be my all time favorite comedy and one of my all time favorites overall. About three years ago a friend of mine came to school one day raving about the funniest movie he had seen on late night. He talked about this black and white low budget movie about two blue collar losers who talked endlessly about sex. From that description I wasn't anticipating a masterpiece but I decided to rent it anyway. It was probably the best surprise I have ever had. I was laughing the entire time, so much so that I nearly woke up everyone in my house. For months afterwards my friend and I would endlessly talk about and quote this incredible film. Everyone I have recommended it to has loved it and I can easily see why. I know that some people attack the movie as being vulgar and excessive. The way I see it it is being true to life (I'm sure that when you have 10 hours to kill you'll talk about the average pay of a gizz mopper). In short I absolutely love this film and it gets better and better with every viewing. Rent this film as soon as possible if you haven't already.

A great movie
the others have already shown what the special features are so i'll just say that I cannot wait until september 7th. This is a great movie and I would suggest buying this even if you already have the first release edition. The extras themselves are worth the money. This is the best Kevin Smith Movie ever. Dogma, Mallrats, Chasing Amy, and Jay and Silent Bob Strike Back are great movies but, aren't as good. I'm not even going to include Jersey Girl. Back to the point, this is definetly worth buying and is a classic.

What? What do you want?
Getting this movie caused a lot of arguments. In the UK, we tend to pronounce it with an 'a' - so Clarks! But I'm being American, so I pronounce it Clerks, which sounds right to me, but wrong to everyone else. So I still say "clerks" but then correct myself afterwards. (Hey, I'm easily confused, they say "clerks" in the damn movie!)

If you've ever worked as a 'clerk', then you'll really identify with this film. I'm currently working as a waitress, so I didn't identify so much with Dante (although I do get a lot of stupid questions), but I did see a lot of a guy I know, who works in a video store, in Randal, the video store clerk! Much of his lines resulted in me laughing out loud, and saying that they were exactly the same! (Or I imagine them to be the same). My favourite line has to be where Dante says to Randal that he has a customer, and he turns round, with this expression on his face, and says "What? What do you want?"

This was one of the first outings for Jay & Silent Bob, who are both legends. I already have Chasing Amy, Dogma, and now this on DVD, and am now after Jay & Silent Bob Strike Back (I've seen it, just don't have it), and Mallrats. Both of which are proving very hard to get hold of, particularly Mallrats. I officially love Silent Bob (played by Kevin Smith), and despite him speaking in nearly every film in which he plays Silent Bob, I still get a shock when he does speak!

This film is very low budget, and filmed entirely in black & white - which really annoyed me, as I thought my DVD player had gone wrong! (I've actually watched a whole film in black & white - 8 Mile - thinking it was actually in black & white, but my DVD player had decided to be stupid) The entire production costs for this film were $26,800. Combined, the cost of Clerks production and soundtrack was $50,000. This is approximately the cost per second of making Titanic! Also, there are not a lot of sets, and there are a lot of the same actors included. It's very much a film involving two main characters, who talk back & forth. It can get quite tedious, between funny lines, and Jay dancing and singing (yeh!) yet again!

There's an alternate ending on the DVD, but I have to say I preferred the original ending. There are also a lot of deleted scenes, with introductions from Kevin Smith. I tend to skip most of these, as boy, does this guy like the sound of his own voice!

There are some terrific and extremely quotable lines (if only I could remember them, to quote to people!) in this! Some of the best are:

Dante Hicks: Are there any balls down there?
Jay: About the biggest pair you ever seen, dingleberry!

Randal Graves: You know who I could do without? I could do without the people in the video store.
Dante Hicks: Which ones?
Randal Graves: All of them.
[A series of clips]
Bed Wetting Dad: What would you get for a six-year-old who chronically wets his bed?
Video Confusion Customer: So, do you have any new releases in?
[Zoom out to see a huge sign that says "NEW RELEASES" directly above her]
Low I.Q. Video Customer: Do you have that one with that guy who was in the movie that was out last year?
Randal Graves: They never rent quality flicks. They always pick the most intellectually devoid movies on the rack.
Low I.Q. Video Customer: OOOOH! NAVY SEALS!
Randal Graves: It's like in order to join, they have to have an I.Q. that's less than their shoe size.
Dante Hicks: You think you get stupid questions? You should hear the barrage of stupid questions I get.
[More clips]
Cold Coffee Lover: What do mean there's no ice? You mean I gotta drink this coffee hot?
Candy Confusion Customer: So how much is this thing anyway?
[Zoom out to see a huge "EVERYTHING ONLY 99¢" sign behind her]
Hubcap Searching Customer: Do you sell hubcaps for a '72 Pinto hatchback? Ooh, Mini-Trucker Magazine!

Jay: Noinch, Noinch, Noinch, Schmokin Weed, Schmokin' Weed, Doin' Coke, Drinkin' Beers...

There's a few more, but I suppose it depends on your sense of humour.

Despite being a little slow, this is a good film, although not as good as Dogma (my fave Jay & Silent Bob flick). Just prepare yourself for some tedious dialogue, including lots of s*x and Star Wars talk! ... Read more

Description

Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, Chasing Amy offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality. ... Read more

Reviews (355)

Simply Fabulous!
"Chasing Amy" by director Kevin Smith is such an triumph. This movie about love, friendship and taking chances hits with so many punches. It's well rounded, it doesn't take the easy way out, NOR does it go for the safe laugh. The story surrounding comic book writer Holden (Ben Afflect) , his best mate and partner Banky (played beautifully by Jason Lee), and Holden's love for fellow comic book girl, lesbian Allyssa (Joey Lauren Adams) Who SO deserved the Golden Globe Nomination. It's sweet, lovely and such a testament to true love. Conflict between these three characters carries this movie with such intelligence.

One of the BEST love declaration speeches in movie HISTORY is in this movie, when Holden spills his cuts (in the rain, no less) to Alyssa. That scene sums up the whole movie. It's just such a good movie. Supporting cast includes the performance of Fan Fav. "Jay and Silent Bob" in a wonderful moment that sums it all up. Truly inspired writing on Smith's part.

I hope everyone appreciates it like I do. It's fabulous!

blech!
Why did this movie get such good reviews?? Maybe it would've been clearer when it came out, but I honestly thought it was terrible.

The main plotline made no sense whatsoever. There was no chemistry between Ben and Joey's characters, and suddenly, after about 10 minutes, he found himself deeply in love with her and had to make a 5 minute confession to her. Then it turns out she, a former lesbian, was in love with him all along too, and suddenly they're kissing in the rain. There was no build-up to this, and as such I felt nothing for their relationship or anything they were going through.

The drawn-out monologues in the movie are pretty silly as well. The characters talk at each other for long periods of time while the others just stare at them blankly. (Ben Affleck has indeed mastered the blank, gaping stare.) And parts of the movie are so silly that I wasn't sure if any of the movie was supposed to be taken seriously at all. Sometimes it seems it has a message, but then it's just stupid.

It was kind of entertaining at times, and the supporting characters were amusing. So that's why it got 2 stars. But overall it was a pretty bad movie.

another popular release.
This review is for the Criterion Collection DVD edotion of the film.

This film the third release in the Jersey "trilogy" (quintilogy to be exact) is also the one where Silent Bob speaks more than any other release. In this film,(Ben Affleck) a comic book artist falls in love with young women who is also a comic book artist, only to discover that she is lesbian. The film is not for children and like the film "Clerks" almost got an NC-17 rating based solely on sexual dialog.

The Criterion DVD has numerous special features.
There is a new DVD edition video introdiction for the audio commentary explaining a comment made by Kevin blasting DVD's (The audio commentary as originally recorded for the laserdisc edition.)
The is full length audio commentary by director/actor Kevin Smith, producer Scott Mosier, actors Ben Affleck and Jason Mewes, associate producer Robert Hawk, Miramax executive Jon Gordon, and Vincent Pereira. There is also a Theatrical trailer, 10 deleted scenes with introductions. There is also a set of outtakes.

The Criterion Collection remains the exclusive distributer for the film's DVD format as of the time this review is being written.

'Till the other shoe drops
Interesting but pretty improbable, and ultimately it will be unworkable. It should have been written as a tragedy instead it is a farce.

ok but no clerks
this was an ok film, but still highly overrated i recommend clerks, clerks the series, or maybe mallrats instead of this. ... Read more

Reviews (426)

Fans Only. Others Need Not Apply
Title: Jay and Silent Bob Strike Back

Director: Kevin Smith

Cast: Jason Mewes ... Jay
Kevin Smith ... Silent Bob
Ben Affleck ... Holden McNeil/Himself
Jeff Anderson ... Randal Graves
Brian O'Halloran ... Dante Hicks
Shannon Elizabeth ... Justice
Eliza Dushku ... Sissy
Ali Larter ... Chrissy
Jennifer Schwalbach Smith ... Missy
Will Ferrell ... Federal Wildlife Marshal Willenholly
Jason Lee ... Brodie Bruce/Banky Edwards

Tagline: "Hollywood had it coming."

Plot Summary: Jay and Silent Bob must travel to Hollywood to stop production on the movie adaptation of Bluntman and Chronic.

Review and Comments: Don't ask why, just sit back and enjoy the ride. Or don't enjoy it. This movie is one huge "in joke" for people who enjoyed the movies Clerks, Mallrats, Chasing Amy, and Dogma...particularly the first three. And it helps if you have a working knowledge of Hollywood inside jokes and United States Popular Culture. This isn't just a "Jay and Silent Bob" movie, it's a send-up of movies and filming in general.

Basically, what happened here was that Kevin Smith decided to make one long movie about the characters of Jay and Silent Bob, the annoying stoner and his usually silent sidekick that will be familiar to fans (and anti-fans) of Smith's films. If you've watched the movies and you know that the characters annoy you, it's a safe bet that this movie will annoy you even more. If you think the movie might be fun, watch it. Jay and Silent Bob aren't alone here. There's a long list of actors reprising their various roles from earlier Smith films, and they appear at different points throughout the journey.

Oh yeah...the journey...there is a story here, however slight. There's a movie being made about the Bluntman and Chronic comic. Jay and Silent Bob find out that people on the internet are bad mouthing the movie and the characters, so they travel to Hollywood to stop production on the movie before it can ruin their reputations. Or something like that. Along the way, they meet up with various side characters, including a group of girls traveling in a van fulfilling virtually every Charlie's Angel's joke you ever dreamed of. Jay falls in love with one of the girls. She loves him. There's an orangutan involved...

Listen. If you've read this far, you know what kind of movie it is. It's not pretending to be good (in fact, there's a running joke about just how bad this movie actually is that continues throughout the actual movie). It's one joke after another, a lot of them miss, but there's enough jokes to ensure that some of them will be funny. After watching several serious movies and immersing myself in Kevin Smith films for the past few weeks, I appreciated this movie. What else can I say?

The Bottom Line: Strictly for those who are fans of the characters.

The Tackier they get, the funnier they can be
I loved Jay & Silent Bob Strike Back. From the actual DVD, to the outtakes and deleted scenes on the second disk. Our not so bright heros learn of a movie being based off of the comic book Bluntman and Chronic, and are talked into going after their cut of the royalties. With cameo performances by Jason Lee as both his prior characters Banky (Chasing Amy), and Brodie (Mallrats), Ben Affleck as Holden (Chasing Amy), Brian O'Halloran (Dante/Clerks), Jeff Anderson (Randall/Clerks), Mark Hamill as the 'movie villain' & of course, our overly reprised heros Jay and Silent Bob (Jason Mewes and Kevin Smith).

The story is the trials and tribulations the dynamic duo go through to prevent the Bluntman and Chronic movie from being made due to reviews at a random internet site by people who are self styled movie critics. During the course of the film they duo are duped into breaking into an animal testing lab and stealing an orangutang, falling in love, going across country, and ultimately leading to redemptions.

If you're a Kevin Smith fan, you'll enjoy the comedy in the movie as it's run of the mill Kevin Smith humor, and of course his shots at general pop culture, along with influences of his in filmmaking are always a good reason to watch it.

An insult to Smith fans everywhere.
Prior to this movie, I was a huge Kevin Smith fan. I loved the pseudo-intellectual banter in "Clerks," and discovered a new religion in "Dogma" (no, not Catholicism). Then, this piece of trash came out, where Smith unabashedly mocks every loyal fan that's ever quoted Dante, frequented the Quick Stop, or glued a Buddy Christ figurine to their dashboard. I was so disappointed, I posted an inflammatory note on his website (www.viewaskew.com). I suggest you do the same.

1 of the greatest movies of all time... no joke!!
This is an awsome film where two best buddies Jay(Jason Mewes), and Silent Bob(Kevin Smith, who also wrote and directed this film), two stoners from jersey half to stop a film, that is based on the charictars they are in a comic book/tv show. They need to stop it because... there not making 1 penny on it. They get arrested, get in dangerous situations and its all just a fun and good movie. Unless you are sensitive, then dont watch this film because Jay says the f word 3 times in a sentance, and it has sexual humor that some may not like, but if you dont care about the content of the film (like me) and are just out there for good laughs get this and the film CLERKS.

worst movie ever
I was so dissapointed by this film. I am a big Kevin Smith fan - Clerks, Chasing Amy, Dogma all are great films but THIS MOVIE SUCKS! A half hearted effort at best, only retarded adolecents will find this movie engaging. Save your money for his other films - they merit your time. ... Read more

Amazon.com

On October 20, 2001, this now-historic concert took place at Madison Square Garden, a mere six weeks after the horrific terrorist attacks on the World Trade Center. Thousands of firefighters, police officers, survivors, families, and fans witnessed a once-in-a-lifetime event as, in the space of nearly six hours, many legendary musical performers donated their time and their talent to one of the greatest causes ever, in the process giving their audience an unforgettable burst of pure emotion.

Organized by Sir Paul McCartney, the Concert for New York City was an overwhelming experience that deserves to be saved for posterity. The two-CD audio recording is crammed with dozens of superb performances but doesn't give a sense of the whole show that this two-DVD set certainly does. Not only can we relive such seminal performers from that evening as the Who, David Bowie, John Mellencamp, and Sir Paul himself, we can see the charming and personal short films made for the occasion by such New York filmmakers as Woody Allen and Martin Scorsese, or the dozens of celebrities and unsung firefighters and police officers who immortalized that day with their stories and musical introductions.

There is one quibble: the Goo Goo Dolls' "Iris," one of the blues standards Eric Clapton and Buddy Guy played, and McCartney's "From a Lover to a Friend" and "Lonely Road" are all missing, which seems curious, considering that the entire show could have easily fit onto two DVDs. So don't erase that videotape you made of the concert the night it aired, because that remains the definitive version. But this DVD (with very good Dolby 5.1 surround sound) comes close. --Kevin Filipski ... Read more

Reviews (37)

POWERFUL
I preordered my dvd in early january, i was not fortunate enough to see this event live. Why buy this? You could cop out and only say: Mc Cartney, jagger,keif, elton john, james taylor etc. etc.. You could buy this to feel the emotions of the firefighters and police who lost so many. Listen to politicians who represent the emotion that we felt at the time. Not fighting for a partisan but for the people. Toss in a few entertainers who can make us laugh and cry. Still you have not gotten to the point of why to buy. This may be the most powerful dvd you can ever buy. You cannot watch washington cross the delaware or see lincoln give the gettysburg address. We have watched the towers be struck and tumble again and again. This concert is the beginning of the healing. We cry with our great servicemen and women We sing along to the songs that we have grown up with. We cannot, will not forget sept. 11th and if only one penny from each item purchased goes to help someone who lost a loved one. Then it is a penny well spent. GOD BLESS AMERICA and may god bless new york city. Thank you for a great piece of history and an even better night of entertainment

Heart and Soul of New York
This concert exemplified the magic of music as the background for Americans coming together to grieve collectively. Watching this concert will show you raw emotional energy rarely seen on television. It is a sad concert and there are many times where you can see individual instances of personal grief among the music of many different superstars. It is a long concert and well worth a viewing. Among other things, I thought Paul McCartney was cheesy and his song "Freedom" was a situation where you had an amazing song writer reacting to bad circumstances but with poor results. The Who in my opinion, stole the show and then some, they were amazing as always. I don't think Jay-Z was placed at the right time when he came out. Billy Joel was everything New York as he always has been.
The ultimate point for you, is that you should own this DVD as it is a recorded reminder of music's response to an American tragedy with an audience showing us the rawest and most powerful of human emotions out for the world to see. Some may say it was convenient for superstars to show up and act really concerned and to use their fame as a pulpit to try and relate to everyday people; however, those people are uptight, why else do you go to concerts?, to be taken away from everyday routines and tragedies of life, so a concert of this magnitude after 9/11 was exactly what the country needed.

The Best Concert Ever...With a Few Exceptions
Overall, 99% of this concert is very good. David Bowie, the Who, Mick Jagger, Keith Richards, Paul McCartney and Elton John all played fantastic sets here. But I have a problem with some of the other music. Eric Clapton plays "I'm Your Hoochie Coochie Man," totally unreated to 9/11. Jay-Z also had no business appearing at this show, especially if the only piece he can come up with is "H to the Izzo." My other complaint is that this DVD is incomplete. Two Paul McCartney songs, one Eric Clapton song, one Goo Goo Dolls' first song, and a good cover of "With a Little Help From My Friends" are all missing. The entire 6-hour concert could've easily been released. But what's here, for the most part, is very good. So on the whole, this is a good buy.

The Concert That Proved New York Is Still Number One
It was a night of healing. It was a night of reconcilliation. It was a night for firefighters, policeman, paramedics, musicians, actors and "Saturday Night Live" alumni alike to join together and prove New york did not grow weak after 9/11. It grew stronger and this 5 - hour concert showed those shems in the Middle East right.

Disc 1 is chock full of memorable moments. For me, the highlights were Billy Joel doing "New York State Of Mind", Eric Clapton and Buddy Guy doing a scorching rendition of the blues standard "I'm Your Hoochie Coochie Man" and Adam Sandler reviving Operaman. But as just about every reviewer pointed out, The Who blew everyone away. I think it was "Won't Get Fooled Again" that stood out. It was also a spectacular swan song for the band's bassist, John Enthwistle. This was his last live appearance ever. He died suddenly in June 2002.

Disc 2 is even better. My favorite performer here is Elton John, who delivers a powerful version of "Mona Lisas And Mad Hatters". Mick Jagger and Keith Richards do great versions of "Salt Of The Earth" and "Miss You", though I would have liked it if all of The Rolling Stones were onstage. Jimmy Falon does an interesting medley of 1980s' hits that includes "Who's Johnny", "Der Komisar", and "I Just Died In Your Arms Tonight". Paul McCartney brings down the house at the end. I really enjoyed it when Richard Gere got booed. He was asking for it.

Overall, a great concert.

Support a Good Cause
Just a reminder that proceeds from the sale of this video still go to the Robin Hood Relief Fund. ... Read more

Reviews (616)

Smith's fun movie shows what he can do with Hollywood budget
Kevin Smith ("Clerks", "Mallrats" and"Chasing Amy") continues to get better with each film. If"End of Days" does not sound like a fun Armageddon-themed film, try Dogma. Dogma is fun, for sure, but not for the easily offended. S those who would prefer not to see angels use profanity, or the wrath (i.e. violence) of misguided angels of death, they should avoid this film like the plague. Chris Rock also makes an appearance as the 13th apostle Rufus, who claims that he was left out of the Bible because he's black. Witty dialogue, plenty of pop culture references (Who's house? Run's house!) and some interesting philosophical questions make for a very entertaining way to spend an evening. The only negative aspects are the bad special effects (in one scene, there is a s--- demon that looks like something from "Jason and the Argonauts".) and a lame ending including an appearance by Alanis Morisette as God. It might've been four, but with the Alanis Morisette appearance, three stars. Josh Bob says check it out as a matinee, or pay full price and leave when "God" arrives ...

Great writing, wonderful cast, bland direction.
Let's be frank: visually, "Dogma" is unimpressive. The special effects look TV-quality, the editing is jerky, the cinematography is bland and Kevin Smith's direction is unispired.

Thankfully, the sins of "Dogma" are far outweighed by its virtues. Smith's script is hilarious, thought-provoking, and ultimately touching. To act it out, he's rounded up a top-notch cast that brings genuine life to their roles.

Brainy bombshell Linda Fiorentino is Bethany, chosen seemingly at random by the sarcastic angel Metatron (Alan Rickman) to work for God. Her mission: to stop a pair of fallen angels (Ben Affleck and Matt Damon) from exploiting a Catholic Church loophole that will get them back into Heaven. If they do, they'll prove God wrong, thus erasing everything He/She has created.

Bethany's reluctant allies in her quest include Chris Rock as Rufus, the unrecorded 13th apostle, kicked out of Earth, Heaven and history for rightly insisting that Jesus was black; Salma Hayek as a Muse with a heavenly body and a brain to match; and everyone's favorite potheads Jay and Silent Bob (Jason Mewes and Smith.)

Fiorentino gives yet another great performance, contrasted nicely by Rickman's sad, exasperated angel. Affleck and Damon's menacing twist on their pretty-boy images is genuinely disturbing. Mewes is reliably funny as the imbecilic Jay, and Smith shows perfect comic timing and impressive range as Silent Bob.

The story mostly coasts along on a vast supply of smart-alec wit, but a few scenes rise above the rest: an unnerving parking-garage confrontation between Affleck and Damon, and a quiet lakeside chat between Fiorentino and Rickman. "Dogma" also scores points for keeping most of its script's excessive violence stylishly offscreen.

Bottom line: "Dogma" is not a well-made film, but it is a good one. You will laugh loudly and often, and come away with a greater respect for the power of faith and the importance of believing in something greater than yourself.

Film fans take note: in October 2000 View Askew will release the "collector's edition" of this film, with more than an hour of cut footage and plenty of other extra goodies.

BOLDLY CYNICAL (AND OCCASIONALLY FUNNY) LOCKER-ROOM PRATTLE
As a sweet bite of blaspemy this Kevin Smith stinker may do fine, supported by a star-studded cast and a crunchily inventive premise to sink our collective teeth into the heart of Catholicism.

But it is amusing to see a horde of reviewers call this clever and thoughtful. Sorry folks, the film's troop of eccentric characters do very little to bail it out of its convoluted ramble about theology.

When it comes to intellectual muck-raking, the film with its doozy "loophole" simply drowns under the weight of diminishing returns. Religion is not an intellectual exercise, it's role is to fulfill spiritual, psychological and emotional needs in our lives. A person needs his world to make some sense to them, and religion can comfort with answers that science can not yet provide.

If on the other hand you're game for some tongue-in-cheek degenerative humor (for example, giant monsters of bubbling human excrement) sure, this may be right up your alley. Just make sure you have plenty of time as the circus goes on for a while.

dogma is cosmic law.
two angels,who were kicked out of heaven long ago,find a loop-hole so they may return.they need to go to new jersey.jay and silent bob go with the last zion,the 13th apostle rufis-left out of the bible because hes black,and the muse join forces to prevent this for if the angels get to heaven all creation will go poof!it stars matt damon and ben affleck as the 2 angels.alanis morriseete as god,chris rock is rufis and even george carlin as a bishop in the church.of the jay and silent bob movies it ranks second id say,but a lot of people say its the best also.it is the best religious based movie of all time!however,it will piss off all church goers.no naked chicks in this one either.chris rock,although normaly one of the most obnoxious racist bigots alive,actualy doesnt bitch too much in this one.he does make a good point that if there is a christian god-and lets face it theres probaly not-hes black.why would he be anything else?the world started in AFRica right?i abselutely love this movie!

Didn't live up to the hype
The idea of skewering the Catholic Church is not new. Nor is it particularly "brave", since they're supposed to love their persecutors. I'm still waiting for the "brave" film that skewers, say, militant Islam. Yeah, you kind of lose your courage when you might actually get hurt.

Anyway. The general hype looked promising. A film that pokes fun at Catholicism. I popped in the DVD and waited.

And waited.

And waited.

Let's see: there were excrement demons, a black apostle, some homicidal angels ... but where was the satire?

It's a shame. This film would have worked better as a comedy. That is, if the writer/director(s) had said, hey, let's make this humorous. Throw in some jokes, some laughs. After all, they had Chris Rock. The idea of a black apostle is sort of funny; why not make it intentionally funny? They had George Carlin; why not make him say some funny lines? Why not have those two *write* some funny lines?

But no. As it is, I'm not sure what the film really is. The heroine's deadpan, bored delivery might be a clue.

Apparently some viewers thought it was a satire or comedy, but perhaps it's sarcasm. Or just plain meanness, trying to convince others to suffer through this tedious film. Or maybe - maybe they really thought it was funny - no, wait, I'm starting to entertain really wacky thoughts here.

Borrow, don't buy. ... Read more

Amazon.com

Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but aless-than-stellar director. --Mark Englehart ... Read more

Reviews (616)

Smith's fun movie shows what he can do with Hollywood budget
Kevin Smith ("Clerks", "Mallrats" and"Chasing Amy") continues to get better with each film. If"End of Days" does not sound like a fun Armageddon-themed film, try Dogma. Dogma is fun, for sure, but not for the easily offended. S those who would prefer not to see angels use profanity, or the wrath (i.e. violence) of misguided angels of death, they should avoid this film like the plague. Chris Rock also makes an appearance as the 13th apostle Rufus, who claims that he was left out of the Bible because he's black. Witty dialogue, plenty of pop culture references (Who's house? Run's house!) and some interesting philosophical questions make for a very entertaining way to spend an evening. The only negative aspects are the bad special effects (in one scene, there is a s--- demon that looks like something from "Jason and the Argonauts".) and a lame ending including an appearance by Alanis Morisette as God. It might've been four, but with the Alanis Morisette appearance, three stars. Josh Bob says check it out as a matinee, or pay full price and leave when "God" arrives ...

Great writing, wonderful cast, bland direction.
Let's be frank: visually, "Dogma" is unimpressive. The special effects look TV-quality, the editing is jerky, the cinematography is bland and Kevin Smith's direction is unispired.

Thankfully, the sins of "Dogma" are far outweighed by its virtues. Smith's script is hilarious, thought-provoking, and ultimately touching. To act it out, he's rounded up a top-notch cast that brings genuine life to their roles.

Brainy bombshell Linda Fiorentino is Bethany, chosen seemingly at random by the sarcastic angel Metatron (Alan Rickman) to work for God. Her mission: to stop a pair of fallen angels (Ben Affleck and Matt Damon) from exploiting a Catholic Church loophole that will get them back into Heaven. If they do, they'll prove God wrong, thus erasing everything He/She has created.

Bethany's reluctant allies in her quest include Chris Rock as Rufus, the unrecorded 13th apostle, kicked out of Earth, Heaven and history for rightly insisting that Jesus was black; Salma Hayek as a Muse with a heavenly body and a brain to match; and everyone's favorite potheads Jay and Silent Bob (Jason Mewes and Smith.)

Fiorentino gives yet another great performance, contrasted nicely by Rickman's sad, exasperated angel. Affleck and Damon's menacing twist on their pretty-boy images is genuinely disturbing. Mewes is reliably funny as the imbecilic Jay, and Smith shows perfect comic timing and impressive range as Silent Bob.

The story mostly coasts along on a vast supply of smart-alec wit, but a few scenes rise above the rest: an unnerving parking-garage confrontation between Affleck and Damon, and a quiet lakeside chat between Fiorentino and Rickman. "Dogma" also scores points for keeping most of its script's excessive violence stylishly offscreen.

Bottom line: "Dogma" is not a well-made film, but it is a good one. You will laugh loudly and often, and come away with a greater respect for the power of faith and the importance of believing in something greater than yourself.

Film fans take note: in October 2000 View Askew will release the "collector's edition" of this film, with more than an hour of cut footage and plenty of other extra goodies.

BOLDLY CYNICAL (AND OCCASIONALLY FUNNY) LOCKER-ROOM PRATTLE
As a sweet bite of blaspemy this Kevin Smith stinker may do fine, supported by a star-studded cast and a crunchily inventive premise to sink our collective teeth into the heart of Catholicism.

But it is amusing to see a horde of reviewers call this clever and thoughtful. Sorry folks, the film's troop of eccentric characters do very little to bail it out of its convoluted ramble about theology.

When it comes to intellectual muck-raking, the film with its doozy "loophole" simply drowns under the weight of diminishing returns. Religion is not an intellectual exercise, it's role is to fulfill spiritual, psychological and emotional needs in our lives. A person needs his world to make some sense to them, and religion can comfort with answers that science can not yet provide.

If on the other hand you're game for some tongue-in-cheek degenerative humor (for example, giant monsters of bubbling human excrement) sure, this may be right up your alley. Just make sure you have plenty of time as the circus goes on for a while.

dogma is cosmic law.
two angels,who were kicked out of heaven long ago,find a loop-hole so they may return.they need to go to new jersey.jay and silent bob go with the last zion,the 13th apostle rufis-left out of the bible because hes black,and the muse join forces to prevent this for if the angels get to heaven all creation will go poof!it stars matt damon and ben affleck as the 2 angels.alanis morriseete as god,chris rock is rufis and even george carlin as a bishop in the church.of the jay and silent bob movies it ranks second id say,but a lot of people say its the best also.it is the best religious based movie of all time!however,it will piss off all church goers.no naked chicks in this one either.chris rock,although normaly one of the most obnoxious racist bigots alive,actualy doesnt bitch too much in this one.he does make a good point that if there is a christian god-and lets face it theres probaly not-hes black.why would he be anything else?the world started in AFRica right?i abselutely love this movie!

Didn't live up to the hype
The idea of skewering the Catholic Church is not new. Nor is it particularly "brave", since they're supposed to love their persecutors. I'm still waiting for the "brave" film that skewers, say, militant Islam. Yeah, you kind of lose your courage when you might actually get hurt.

Anyway. The general hype looked promising. A film that pokes fun at Catholicism. I popped in the DVD and waited.

And waited.

And waited.

Let's see: there were excrement demons, a black apostle, some homicidal angels ... but where was the satire?

It's a shame. This film would have worked better as a comedy. That is, if the writer/director(s) had said, hey, let's make this humorous. Throw in some jokes, some laughs. After all, they had Chris Rock. The idea of a black apostle is sort of funny; why not make it intentionally funny? They had George Carlin; why not make him say some funny lines? Why not have those two *write* some funny lines?

But no. As it is, I'm not sure what the film really is. The heroine's deadpan, bored delivery might be a clue.

Apparently some viewers thought it was a satire or comedy, but perhaps it's sarcasm. Or just plain meanness, trying to convince others to suffer through this tedious film. Or maybe - maybe they really thought it was funny - no, wait, I'm starting to entertain really wacky thoughts here.

Borrow, don't buy. ... Read more

Reviews (304)

A must see!
Mallrats has no plot whatsoever and makes no sense at all, but it is quite possibly one of the best movies in the world! It's so freakin' funny that you don't even care that it has no credibility or base in real life. I reccomend to everyone...especially people who need to loosen up and relax a bit. So if you're in the mood for vulgar humor this is perfect

The bastard child of the New Jersey Trilogy
Despite the scathing reviews of film critics and relatively poor box office receipts, Mallrats endures as one of the funniest if not THE funniest film Kevin Smith has ever penned/directed. Clerks was a brilliant low budget film, and many felt Kevin Smith fell into the sophomore jinx with his second film. Mallrats, is to me the pinnacle of his comedic writing. Brodie Bruce (Jason Lee) is the most powerful character in a menagerie of side-splitting faces that come and go throughout the film. Granted there isn't much of a plot to Mallrats, but to me that doesn't seem important to the progression of the film and its entertainment value.

smoochies boochies!
This is my first Kevin Smith movie, so i cant really compare to clerks or chasing amy. But this movie was great. It was cleverly thought out by Kevin Smith and i can see now why there is such a cult following from him. The movie has plenty of one liners and offensive talk to keep you laughing. Reccomended to everyone looking for a good laugh thats at least 15 years old. Kevin smith was hilarious as was the rest of the cast, and the ending (the game show) was the best part in the movie.

this is hilarious
(S. Dohertery is not the main of the movie!!?) This is one of the funniest and cleverest movies I've ever had the pleasure to watch. I love this movie. Kevin Smith is genious. If you liked Clerks or Chasing Amy (this one's follow-up) you're sure to enjoy this one. It takes you on a journey of a couple of self-described losers who both after getting dumped by thier girlfriends go hang out at the mall where they find about a dating show of the boy's girlfriends father, who she will be paticipating in. Any way they come up with some sort of scam to get both thier girl friends back, with the likes of Jay and Silent Bob to lead the way. It's kind of a love story, but has more comedy. God, the scene where the two are in a thrift shop, inside of a three nippled fortune tellers shop is quite a piece of memorable hilarity.

Ignore the bashers, movie GOOD. Fire BAD! FIRE BAD!
Okay, this isn't Kevin Smith's best, but there are extenuating circumstances. First of all how do you follow Clerks? Secondly, this was a studio production not an indie like Clerks, so Mister Smith didn't hgave total control over his vision. For more on this read the notes in the Chasing Amy DVD. Aside from being hamstrung by hollywood execs (honestly, you will never find a more wicked hive of scum and villany than in movie studio boardrooms), this movie was very funny. Comic geeks will love the references to all their favorite heroes and the questions they ask each other about them. Come on, haven't you wondered about how prehensile Mister Fantastic is? Did the Invisible Woman give him that name? Just wondering...
While I thought this movie was really funny I know it really isn't for everyone, just die hard view askew fans. Even those not from Jersey. Pay close attention especially to the credits for tie ins to other works of Mr. Smith like the monkey from Jay and Silent Bob Strike Back. There's lots of other little tidbits but that would be telling... ... Read more

Amazon.com

Dogma
Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark Englehart

An Evening with Kevin Smith
To know the origin of "Snoochie-Boochies," you must spend An Evening with Kevin Smith. The Jersey-bred auteur of low-budget comedy proves equally adept as an uncensored raconteur, regaling five college audiences--his most devoted demographic--in this two-disc compilation of lively Q&A. Sporting his trademark slacker garb, Smith occasionally bites the loyal, sometimes moronic hands that feed him (as a result, audience participation is drop-dead hilarious), but he's arguably the most publicly and personally honest filmmaker to survive the insanity of Hollywood. His best stories lift the veil of show-biz decorum, describing absurd meetings with studio executives over his ill-fated screenplay Superman Lives; razzing the artsy pretensions of director Tim Burton; or exposing Prince (who hired him to direct a never-completed documentary) as a self-absorbed Jesus freak. These attacks aren't baseless; Smith's too smartly good-natured to provoke without purpose, and with an onstage visit by Jason Mewes ("Jay" to Smith's "Silent Bob"), this ribald, sharply assembled Evening compares favorably to Richard Pryor with its outrageous blend of comedy and candor. --Jeff Shannon ... Read more