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| 41. Star Trek - The Original Series, Vol. 30, Episodes 59 and 60: The Enterprise Incident/ And the Children Shall Lead Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Amazon.com "And the Children Shall Lead" Reviews (11)
The Enterprise Incident is a successful and riveting story, even though its plot--full of Nixonian plotting and plausible deniability--runs counter to Gene Roddenberry's Star Trek philosophy. What makes this episode work is the taut writing, tight editing, powerful scoring, and excellent performances from all involved. The scenes between Leonard Nimoy and guest star Joanne Linville--as the Romulan Commander smolder with erotic tension. The visuals are also superior to most of the series. However, some of the Romulan makeup looks rushed, with some clumsy ear appliances. Despite an interesting concept, And The Children Shall Lead is not a success. The episode, essentially an allegory about religious cults, is undone by tortured dialogue, weak plotting, and the most egregious incident of "stunt" casting in Trek history: Lawyer Melvin Belli portrays the evil Gorgon. Dressed in a silver gown with a floral patterned collar, Belli looks like a second-rate televangelist in drag. Most of this episode is so laughably ridiculous that it's best ignored or viewed as a party gag. What a wasted opportunity. No complaints about the picture and sound restoration. However, Al Francis' lighting and camerawork lacks the beauty and subtlety of Jerry Finnerman's, who resigned after the second season.
Those who say the entire third season of Star Trek is bad obviously didn't see THE ENTERPRISE INCIDENT. The episode finds the Enterprise crew venturing into Romulan territory under a secret mission. The episode is well written and well acted. Joan Linville makes a fine appearance as the Romulan Commander. Her scenes with Spock are very memorable. A great action packed story with some great moments make THE ENTERPRISE INCIDENT a classic definetly worth seeing. Especially when Kirk is disguised as a Romulan. There is no doubt in my mind that AND THE CHILDREN SHALL LEAD is the worst Star Trek episode of the entire series. The plot tries to take a sort of 'Children Of The Damned' status but comes out as a joke. The casting is terrible as several bad child actors were hired as well as lawyer Melvin Belli (of The Rolling Stone's Gimme Shelter fame) who was cast as the evil spirit whom controls the children. The entire episode is totally unconvincing but particularily because Belli looks more like a Christmas tree than a threatening entity. This is best viewed as a joke but watch it at your own risk. Overall the DVD is worth getting for the classic ENTERPRISE INCIDENT and perhaps if you are bored you should watch AND THE CHILDREN SHALL LEAD but it is the worst episode of the bunch. Recommended but don't get mad at me if your disappointed I warned you about AND THE CHILDREN SHALL LEAD : )
And the Children Shall Lead-Incredibly, the second of the 'children' episodes is even darker than the first (Miri). This atmospheric episode is shrouded in a sense of mystery and dread. I would go so far as to call the episode courageous in it's depiction of evil and willingness to give the children complicity in the adults' deaths. Each individual's insecurities and fears are exploited by the Gorgon, and at the height of the episode Kirk has lost control both of his ship and his entire sense of reality.
THE ENTERPRISE INCIDENT © PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The balance of power; military one-upmanship Historic Milestone: the introduction of the fictional "Vulcan death grip" Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: None REVIEW/COMMENTARY: Jimmers' libido takes a rest in this outing as Spock takes on the task of romancing the babe-of-the-week. And what a job he does: he melts the heart-- whilst earning the trust-- of a Romulan ship commander with his little routine of logic and lack of emotion following the capture of the Enterprise after encroaching into the Neutral Zone. Adding to his credibility with the Romulan commander is his application of the aforementioned 'Vulcan death grip' on the good captain when it appears he may've gone a bit loopy. Um, the captain that is. Meanwhile, Jimmers' 'corpse' is returned to the Enterprise, where he's revived, disguises himself as a Romulan officer, and sets out to steal the enemy's cloaking device. Scotty's expression of joyful surprise as he sees the good captain in Romulan togs is absolutely priceless! Eventually, the Enterprise makes off with their prize, and with a touch of Scotty's miracle-working, uses it to escape detection. In the end, Spock has the temerity to try and salvage his 'relationship' with the captured Romulan officer after using her like a wad of tissues! And apparently she falls for it to a degree, the silly fool. Oh Spock, you smooth character you! AND THE CHILDREN SHALL LEAD © PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The folly of giving Melvin Belli a part on a TV show-- or an acting part of ANY kind! Notable Gaffe/Special Defect: The entire freakin' episode! Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: 2 killed REVIEW/COMMENTARY: I was pretty freaked out by the teaser to this particular eppie, featuring a buncha kids playin' and carrying on whilst their parents lie dead all around 'em! Was Stephen King a contributor to the script, or what? Unfortunately, things break down after the teaser, and never improve one iota. Melvin Belli's ultra-stiff performance as the evil Gorgan proved to me that, as an actor, he makes a pretty good lawyer. Actually, his character is very lawyer-like: he produces and feeds off of the anxiety & paranoia of others! Okay, so I made a cheap shot with that last crack. What'cha gonna do about it-- sue me? No wait, I was only kidding... honest! Please put that summons down... Anyhoo, after pickin' up the adolescent survivors, the Enterprise encounters all sort'sa troubles... like the kids using mind-control to systematically take over the Enterprise, and making Sulu hallucinate huge knives out in space. Fortunately, the Gorgan's power over his prepubescent charges is broken when Jimmers shows 'em a few home movies with their late 'rents. This causes the young'uns to bawl somethin'awful, and frees them from their captor. I can't really blame 'em for their reaction; if I were forced to watch old home movies, I'd be cryin' too... 'Late
On the other hand I think I actually sat through "And the Children Shall lead" them ONCE in all the years I have been watching Star Trek. The Enterprise responds to a distress call from a scientific expedition on Triacus where they are shocked to find not only that all the adults have killed themselves but that their children do not seem to care. It turns out the children are enthralled to Gorgon, a sort of demon entity that lives on the planet. Lawyer Melvin Belli portrays the evil Gorgon is one of those horrendous casting decisions that get made from time to time. Anyhow, now Grogon wants to find a planet with millions of people he can make suffer and to distract the Enterprise crew he has them each imagine their worst fears coming true. If I bothered to put one together, this episode would be in my Bottom 10 episodes of Star Trek. Actually, I think it is the worst of the bunch, mainly because Belli makes the most unthreatening evil etity you have ever seen while the children do not even come close to "Children of the Damned" status. ... Read more | |
| 42. Star Trek - The Original Series, Vol. 3, Episodes 6 & 7: The Man Trap/ The Naked Time Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Reviews (17)
Bringing hidden issues to the surface - confronting what we wish to forget, Star Trek goes boldly where no one has gone before with this innovative series. In "The Man Trap", lost love of Dr. McCoy's Nancy Carter is isolated on Planet M113. There, during an away mission, crew members mysteriously are killed by being desalinated. Confrontation of emotion vs. fact - this episode yields a heart wrenching and character defining moment for our dear Dr. McCoy. In "The Naked Time", the crew becomes exposed to a virus which allows them to act emotionally without thought. The virus is passed on through bodily fluids (in this scenario, perspiration) The forefront of sexually transmitted infections is hidden but very much so an issue in this episode. Overall, two wonderful episodes backed by high quality of sound and picture. This DVD is a must have for the TOS collection.
Then, in "The Naked Time" an away team finds six scientists dead on planet Psi 2000. When one of the crew takes the glove of his isolation suit off, a small drop of red liquid moves onto his hand. When they return to the Enterprise the crewmembers start acting strangely; Sulu runs around with a fencer's foil, Riley takes over engineering and keeps singing "I'll Take You Home Kathleen," and even Spock becomes an emotional wreck. The strange liquid from the planet affects everyone like alcohol and bares their souls. This is absolutely a great idea, but for "Episode 7"? This is just way too early for Spock to have his meltdown. Ironically, STNG made the same mistake with "The Naked Now" being Episode THREE for crying out loud. Of course, in syndication these concerns are less important because we the second/third/nth time you want a Star Trek episode you can put it in the context of the entire series. Still, way back when, they were really getting a bit ahead of the game with this pair of episodes, although "The Naked Time" is an above average episode.
"The Man Trap:" A shape-shifting creature that drains its victims of their natural salt content terrorizes the Enterprise crew. Even though this segment was the sixth Trek episode produced (if you count the first pilot, "The Cage") it was the public's first taste of Star Trek, debuting September 8, 1966. The creators obviously chose "The Man Trap" to lead off the series because it best exemplified Star Trek's "strange new worlds" concept. This is an excellent horror/mystery story, both haunting and tragic (inexplicably criticized by William Shatner in his book 'Star Trek Memories' as "a dreadful show, one of our worst ever" -- Huh? Did we see the same show?). A great first exposure for the masses, which nicely establishes the tone of the series; but it strangely got mediocre reviews -- the fools! GRADE: A "The Naked Time:" This is one of my personal faves. The Enterprise crew gets infected by a space virus that causes them to lose all inhibitions resulting in ship-wide pandemonium. This episode answers one of the most burning questions of the series: Why does Kirk go after EVERY female he meets in the galaxy -- including aliens and androids? Because he's not allowed to fraternize with any of the women on his ship! (If this is true then what was he doing with Helen Noel at the ship's Christmas party as revealed in "Dagger of the Mind" [episode #11]? Ms. Noel is so incredibly gorgeous that Kirk can be forgiven this one transgression). Bottom Line: A fan favorite because it's got everything a viewer might be in the mood for -- mystery, drama, comedy, romance, action and suspense. It also happens to be a great episode in which to get to know the characters, seeing as how they all get to 'let loose.' WATCH OUT for the powerful scene in which Chapel admits her love to the emotionally distant Spock. GRADE: A+
The Naked Time-This episode, in which a virus causes the crew to lose their inhibitions, was the best offering yet from the new show. The episode commences with an effective teaser, and the story unfolds at a good pace once aboard the Enterprise. The basic premise is a good one, since it enables the cast to both playfully embellish their roles and have some serious ruminations. The episode certainly has its share of action, and is one of the more creative 'Enterprise in danger' shows. We are also introduced to adult themes such as tradeoffs between duty and responsibility on the one hand and joyous, unconstrained intoxication on the other. Some of the soul-searching monologues are a bit much though for characters who weren't exactly our friends yet (this was the 3rd show to air), and as others have noted Nimoy-who seems to really need to believe in the material-was not terribly effective here. The same can (as usual) be said of Takei, and the inclusion of a 'drunken Irishman' character was also somewhat unfortunate. The boomerang premise is also kind of silly, but what the heck, enough hating; this is Star Trek, and it's a good episode. (4 stars) ... Read more | |
| 43. Star Trek - The Original Series, Vol. 10, Episodes 19 & 20: Arena/ The Alternative Factor Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Reviews (17)
If you're a fan of the original series, I recommend getting Vol. 10 of the original series. It contains one of the best episodes of Star Trek with "Arena" and a mysterious, but likable episode with "The Alternative Factor."
ARENA is easily considered a classic. In the classic tale Kirk and the crew are in an intergalactic battle with a enemy Gorn ship. The Gorn ship attacks the Enterprise after it invaded their territory. Soon however a "superior" peaceful race captures the two ships and takes Kirk and The Gorn Cpt. to a nearby habitable planet to do beattle. The winner can continue on his mission the loser will be destroyed along with his ship in the interests of peace. The episode sontains two hilarious moments the Gorn (who looks really fake) and the ridiculous superior being whom appears in the end. He asks "Does My Appearance Shock You Captain?" Well it sure shocked me. Later on he says there is hope for the human race and that they can be like the superior race. I don't know but if thats the superior race then I would prefer to stay the way we are! Anyways the episode is a classic. Easily one of the best Trek episodes of the first season. The second episode here is THE ALTERNATIVE FACTOR where Kirk meets a crazed mad man named Lazerus who is bent on destroying his double in a parallel universe. I have always found this episode a headache to watch (similar to the Dagger In The Mind episode). Sure the episode has a deep complex interesting plot but it was not translated well into an episode as it would have belong better in a book. That is why THE ALTERNATIVE FACTOR is reviewed so negatively. The episode is quite trippy and complex but I understood it although many viewers don't. Overall Volume 10 is worth a look particularily for the classic ARENA but you may like THE ALTERNATIVE FACTOR depending on your taste. It wasn't my favourite but the plot was quite good. This collection is definetly worth it though.
The Alternative Factor-This episode, in which a loner travels between universes in a small ship, just never comes together. Despite the fact that nothing short of the universe is at stake, the episode feels trivial. While Robert Brown certainly has a tough assignment here as the two Laseruses (Laserii?), he seems torn between trying to make each of them 'real' while still being sufficiently different that the viewer will not become confused. Unfortunately he does not succeed in either regard, and the seemingly haphazard storyline doesn't assist the viewer any either. The team also seems to struggle to fill up the episode's allotted hour, but the main problem is the story is presented in a way that doesn't make sense; everything feels arbitrary and desultory. The self-flagellation between universes, while memorable, is not particularly effective either. About the best thing about this episode is the end-the disturbing idea of someone spending eternity battling a madman. (2 stars)
"Alternative Factor" - Episode 20 - An excellent episode that deals with the orignal crew being thrown into unfamilar territory. A man named Lazarus is thrown into an odd state of flux where him and his counterpart switch between a positive and negative universe. An insane Lazarus on one of the sides is bent on destroying both universes. They both eventually meet to fight in the gap between universes eternally. Great epsiode that explores a more complex concept of the universe than the crew usually deals with!! ... Read more | |
| 44. Star Trek - The Original Series, Vol. 3, Episodes 6 & 7: The Man Trap/ The Naked Time Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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| 45. Star Trek - The Original Series, Vol. 4, Episodes 8 & 9: Charlie X/ Balance of Terror Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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| 46. Mary White Director: Jud Taylor | |
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Reviews (1)
Mary White lived from 1904 to 1921. You learn of her untimely death a few minutes into the movie. The story focuses on her vibrant life. Inasmuch as it deals with her death, the film is touching but stays well clear of being a tear-jerker. It's charming as a period piece and accurately portrays the era. It was filmed in the locale of Emporia, Kansas where Mary White lived, enhancing the authenticity. The script is well written. The dialogue rings true; it's often witty and occasionally brilliant. The casting and the acting are superb. You enjoy spending time with these people. The music serves the story well, never overpowering it but setting the tone nicely. I think William Allen White would have been pleased with this faithful film rendition of his written tribute to his daughter. You do get to know, in the father's words, "the glowing, gorgeous, fervent soul of her". At the end of the movie, I wanted to watch it again to bring her back to life. ... Read more | |
| 47. Guinevere Director: Jud Taylor | |
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| 48. Assassin/Guinevere Director: Jud Taylor | |
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| 49. The Man from U.N.C.L.E. Director: Michael Ritchie, Alvin Ganzer, Richard Donner, Don McDougall, Tom Gries, George Waggner, Herschel Daugherty, Michael O'Herlihy, Jud Taylor, Otto Lang, John Brahm, Don Medford, Charles F. Haas, Ron Winston, John Newland, Vincent McEveety, Boris Sagal, Theodore J. Flicker, James Sheldon, Sherman Marks | |
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Why this show is not on DVD perplexes me. When it was released on tape, they didn't pick the best episodes, but the ones with the biggest guest stars. Bad move, but better than nothing. For a 1960s show that's not in reruns, it still isn't forgotten. I recently heard Elvis Costello on a talk show describing a recording studio that was unexpectedly located in an old building. He said, "It was like 'The Man From UNCLE'". I could hardly believe my ears! See, people still talk about it. Please release it while we're still around to buy it.
I look forward to owning this set. ... Read more | |
| 50. The Old Man and the Sea Director: Jud Taylor | |
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Reviews (3)
The visualisation makes the boring story a bit more exciting and the new elements that are implemented like the author Hemmingway itself and other persons not mentioned so directly in the novella surprise everybody who read the book at first in a positive way. Once one said to me that a film as a visualisation of a novella could never as good as the written form. "The Old Man and the Sea" proves the contrary opinion because this movie simply is better than the original book. Nevertheless also a good visual form cannot hide a weak story. For whose who have read the novella with pleasure or do like the great actor Anthony Quinn I can recommend the movie version. Everyone else who don't like calm stories with philosophical background should take another video tape or DVD like "A Land Before Time" or "Predator"!
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