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| 1. Zorro Director: Duccio Tessari | |
![]() | list price: $7.99
our price: $7.99 (price subject to change: see help) Asin: 1896306454 Catlog: DVD Sales Rank: 11002 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
Richard Lester labored in the clay of The Three Musketeers before he discovered the perfect art of The Four Musketeers, but there it is. It helps to be a genius, and what is that but recognizing the possibilities of the material? The ladies in church are bathed in tongues of fire, in the midst of which is Zorro, answered by a child's laughing face. His foppish alter ego is naturally built on the Scarlet Pimpernel, with a flash of inspiration drawing on The Great Race (Jack Lemmon as Professor Fate and the Prince). As such, Alain Delon arises from the throne at a formal gathering, takes a few steps forward with a fairy grace and trips over something all the way down to the red carpet, face-first---and springs up again, laughing. Rich costumes fill the palace Tessari films in, with a great eye for the angular impression that gives life to the scene. The advantages of the Italian school are these: a soldier doing a spit take at the sight of Zorro has the serene outward manner of a piece of fountain statuary; the one-second gag can become your forte, even if it involves a dozen actors and a barrack-room full of props; you can set up leisurely variations on the Harry James bugle gag in Private Buckaroo. Rolling barrels down a slope against your victim, that's a gag varied here by making it a narrow curved corridor deep in the palace. The soldiers climb it, Zorro rolls out the barrels, they topple, he climbs into a large one and barrels past them all. Tessari's impressionism is best seen in a plein-air pursuit on horseback, with rapid cuts, a one-second dolly shot à la Olivier, every freshness available in the variation of angles and approaches, brought to a perfectly cogent end. He understands from Welles the value of Griffith's editing. Battle affray is smeared across a few comprehensive shots, clear or blurred, and there's Zorro's mastiff having a pee in a medium long shot, then loping off with a lolling tongue. Stanley Baker plays a figure who is Zorro's only equal, at first more comical the more serious he tries to be, and then in the final swordfight a worthy opponent, at least in appearance. This long sequence is fought so bravely and filmed so well that when Zorro seems to have been vanquished with a stupendous gag (swung on a rope crashing through the rose window of the chapel) you honestly have to cheer his vanquisher for a moment. Ah, but "Zorro's back," as the truly delightful song has it, and the dramatic conclusion has all the savor of the Saturday sagas. ... Read more | |
| 2. Zorro Director: Duccio Tessari | |
![]() | list price: $24.95
our price: $24.95 (price subject to change: see help) Asin: B0000AZVD6 Catlog: DVD Sales Rank: 16376 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
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| 3. Beyond Justice:Escape From Sabibor Director: Duccio Tessari | |
![]() | list price: $6.99
(price subject to change: see help) Asin: B0001XAS94 Catlog: DVD Sales Rank: 55774 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
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| 4. Beyond Justice Director: Duccio Tessari | |
![]() | list price: $5.99
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Reviews (4)
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| 5. Zorro (1974) Director: Duccio Tessari | |
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Reviews (27)
Richard Lester labored in the clay of The Three Musketeers before he discovered the perfect art of The Four Musketeers, but there it is. It helps to be a genius, and what is that but recognizing the possibilities of the material? The ladies in church are bathed in tongues of fire, in the midst of which is Zorro, answered by a child's laughing face. His foppish alter ego is naturally built on the Scarlet Pimpernel, with a flash of inspiration drawing on The Great Race (Jack Lemmon as Professor Fate and the Prince). As such, Alain Delon arises from the throne at a formal gathering, takes a few steps forward with a fairy grace and trips over something all the way down to the red carpet, face-first---and springs up again, laughing. Rich costumes fill the palace Tessari films in, with a great eye for the angular impression that gives life to the scene. The advantages of the Italian school are these: a soldier doing a spit take at the sight of Zorro has the serene outward manner of a piece of fountain statuary; the one-second gag can become your forte, even if it involves a dozen actors and a barrack-room full of props; you can set up leisurely variations on the Harry James bugle gag in Private Buckaroo. Rolling barrels down a slope against your victim, that's a gag varied here by making it a narrow curved corridor deep in the palace. The soldiers climb it, Zorro rolls out the barrels, they topple, he climbs into a large one and barrels past them all. Tessari's impressionism is best seen in a plein-air pursuit on horseback, with rapid cuts, a one-second dolly shot à la Olivier, every freshness available in the variation of angles and approaches, brought to a perfectly cogent end. He understands from Welles the value of Griffith's editing. Battle affray is smeared across a few comprehensive shots, clear or blurred, and there's Zorro's mastiff having a pee in a medium long shot, then loping off with a lolling tongue. Stanley Baker plays a figure who is Zorro's only equal, at first more comical the more serious he tries to be, and then in the final swordfight a worthy opponent, at least in appearance. This long sequence is fought so bravely and filmed so well that when Zorro seems to have been vanquished with a stupendous gag (swung on a rope crashing through the rose window of the chapel) you honestly have to cheer his vanquisher for a moment. Ah, but "Zorro's back," as the truly delightful song has it, and the dramatic conclusion has all the savor of the Saturday sagas. ... Read more | |
| 6. Zorro Director: Duccio Tessari | |
![]() | list price: $4.99
our price: $4.99 (price subject to change: see help) Asin: B00005UM3I Catlog: DVD Sales Rank: 43566 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
Richard Lester labored in the clay of The Three Musketeers before he discovered the perfect art of The Four Musketeers, but there it is. It helps to be a genius, and what is that but recognizing the possibilities of the material? The ladies in church are bathed in tongues of fire, in the midst of which is Zorro, answered by a child's laughing face. His foppish alter ego is naturally built on the Scarlet Pimpernel, with a flash of inspiration drawing on The Great Race (Jack Lemmon as Professor Fate and the Prince). As such, Alain Delon arises from the throne at a formal gathering, takes a few steps forward with a fairy grace and trips over something all the way down to the red carpet, face-first---and springs up again, laughing. Rich costumes fill the palace Tessari films in, with a great eye for the angular impression that gives life to the scene. The advantages of the Italian school are these: a soldier doing a spit take at the sight of Zorro has the serene outward manner of a piece of fountain statuary; the one-second gag can become your forte, even if it involves a dozen actors and a barrack-room full of props; you can set up leisurely variations on the Harry James bugle gag in Private Buckaroo. Rolling barrels down a slope against your victim, that's a gag varied here by making it a narrow curved corridor deep in the palace. The soldiers climb it, Zorro rolls out the barrels, they topple, he climbs into a large one and barrels past them all. Tessari's impressionism is best seen in a plein-air pursuit on horseback, with rapid cuts, a one-second dolly shot à la Olivier, every freshness available in the variation of angles and approaches, brought to a perfectly cogent end. He understands from Welles the value of Griffith's editing. Battle affray is smeared across a few comprehensive shots, clear or blurred, and there's Zorro's mastiff having a pee in a medium long shot, then loping off with a lolling tongue. Stanley Baker plays a figure who is Zorro's only equal, at first more comical the more serious he tries to be, and then in the final swordfight a worthy opponent, at least in appearance. This long sequence is fought so bravely and filmed so well that when Zorro seems to have been vanquished with a stupendous gag (swung on a rope crashing through the rose window of the chapel) you honestly have to cheer his vanquisher for a moment. Ah, but "Zorro's back," as the truly delightful song has it, and the dramatic conclusion has all the savor of the Saturday sagas. ... Read more | |
| 7. Beyond Justice Director: Duccio Tessari | |
![]() | list price: $4.98
our price: $4.98 (price subject to change: see help) Asin: B0000CNY5O Catlog: DVD Sales Rank: 53549 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
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| 8. Beyond Justice Director: Duccio Tessari | |
![]() | list price: $14.95
our price: $14.95 (price subject to change: see help) Asin: B0000B0JI0 Catlog: DVD Sales Rank: 48823 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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| 9. Beyond Justice Director: Duccio Tessari | |
![]() | list price: $24.95
(price subject to change: see help) Asin: B0000DG994 Catlog: DVD Sales Rank: 54326 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
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| 10. Beyond Justice Director: Duccio Tessari | |
![]() | list price: $4.99
our price: $4.99 (price subject to change: see help) Asin: B00005Q4EQ Catlog: DVD Sales Rank: 34232 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
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