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| 1. The X-Files - The Complete Seasons 1-9 | |
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| 2. Private Parts Director: Betty Thomas | |
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Reviews (76)
...Fred Norris, the King of Mars. The "King of Mars" moniker was given to him by Howard for his rather strange & unusual behavior and demeanor. Fred reprises his earlier self & behavior beautifully in Private Parts, which at times would come very close to upstaging Howard's own on-air antics. Fred's performance in some ways reminded me of Christopher LLoyd's portrayal of "Reverend Jim" from the Taxi TV sitcom, a character I found both scary and funny at the same time. Fred has been known to be both as well... even to this day. Other great moments in the movie were peoples' reactions to what Howard would say on the air. Be it someone listening to the show in his car, the radio management suits at the station, or even Howard's wife Alison, whenever Howard says or plays something that's sure to cause a reaction, it does... with riotous results. It makes those funny moments even funnier. Enjoy!
Score: 7.5/10
But I do hope that they do a special edition on this film, there's a lot of behind the scenes stories that should be told (like doing the radio show and THEN doing the film later that day), as well as hearing MacCormick, Linney and Giamatti talk about their time working on the film, and Howard's own comments about the making of the film. As well as including some of the clips filmed for TV. It's long overdue, Paramount!!!
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| 3. 28 Days Director: Betty Thomas | |
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Reviews (79)
Bullock is Gwen Cummings, an alcoholic, pill popping journalist who is sentenced to spend 28 days in a rehab center she drunkenly steals a limo and crashes it into a house. Leaving behind her boozy British boyfriend Jasper (superbly played by Domonic West), Gwen soon finds the support and understanding of her eccentric and often hilarious new neighbors. There's Eddie (Viggo Mortensen), the washed up baseball player who'll sleep with anyone; Oliver (Mike O'Malley), the wisecracking Park Avenue pot addict; Andrea (Azura Skye), a young woman addicted to drugs and a preposterous soap opera called "Santa Cruz," which she eventually turns everyone on to; and Gerhardt (Alan Tudyk), the wacky German. "28 Days," unlike an "Erin Brokovich" where one star dominates, is an ensemble film that allows a variety of talents to shine. And with a cast of this caliber, sometimes that shine rivals the stars themselves in brightness. Despite many humorous moments, it's the dramatic aspects of "28 Days" that make it great. When Gwen becomes so desperate for her pills that she jumps out the window to get some she threw away earlier, the obsessiveness and despair of dependency are captured at their most vivid. Then there's her troubled relationship with her sister Lily (sensitively portrayed by Elizabeth Perkins), who can't decide whether she wants to give up on the woman who has never been there for her, or stand by her in the hope that she will reform, risking having her heart broken yet again. It's because Bullock and screenwriter Susannah Grant have made Gwen such a likable character that these situations have real bite. Sine we can't decide whether we love her or hate her, we keep watching the movie on the edge of our seats, searching for something that will proove to us once and for all what Gwen Cummings is. The movie wisely avoids giving us a straight answer to that and many other questions, allowing the viewer instead to make their own decisions and create their own relationaships with the characters and the things they encounter. "28 Days" is a triumph for all involved. There's nothing better for a cynical critic like me then proof on the screen that films moving stories with engaging characters are still being made. Perhaps the best news of all is the resurrection of Sandra Bullock's career after three flops in a row. If she continues to show such wise judgement in choosing her projects, this poor man's Julia Roberts may be topping the A-list once again.
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| 4. Dr. Dolittle Director: Betty Thomas | |
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Reviews (82)
The truth is that few people grow up entirely. Halfway through this movie, I threw in the towel and decided to admit I was enjoying this adolescent gem. It's infectious. Eddie Murphy's Dr. Dolittle is not recognizable as the character in the Hugh Loftis book. He's been totally updated. The only element left from the novel is Dolittle's ability to talk to animals. He understands them. They converse. Thankfully they do not sing, as they did in the dreadful Rex Harrison musical comedy thirty years ago. That film lost a fortune for Fox Studio. At this late date, Mr. Murphy and friends seem to have recovered its money. It may seem like a gift to be able to communicate with guinea pigs, owls, dogs, pigs, pigeons and other creatures. This gift could be a one-way ticket to the funny farm, which is the problem Dolittle faces. One of the best things about "Dr. Dolittle" is that it's short. The producers were wise enough to get in and out before the audience realized this was basically a one joke, one special effect story. Murphy seems to have undergone a personal transformation in the last few years. Now he is completely at ease and in control in gentle comedies like this and "The Nutty Professor", just as he was in the sexy and crime-driven vehicles that made him a movie star in the 1980s. It was bathroom humor that earned this picture a PG-13 rating. It may have deserved it, but kids seem to learn this stuff younger these days. Maybe they are just more open than my generation was. This touch of crudeness helps "Dr. Dolittle" to work. Full of smart remarks, these animals are survivors. They are also endearing. They assure that the movie never becomes sickeningly sweet. Besides, nobody expects Eddie Murphy to give up his bad boy image completely. One element I found interesting is that, despite all the advances in digital special effects, when you see a lot of animals talking on screen, it doesn't look any more real than it did in the days of Francis the Talking Mule. It just cost ten times as much to create the effect.
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| 5. The Brady Bunch Movie / A Very Brady Sequel Director: Betty Thomas | |
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Amazon.com A Very Brady Sequel Reviews (1)
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| 6. I Spy Director: Betty Thomas | |
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Reviews (71)
The leading players are, of course, Eddie Murphy and Owen Wilson, who provide the film with a sense of energy and fun that it probably doesn't deserve. Murphy, who appears as obnoxious boxer turned secret agent Kelly Robinson, has lost none of his impeccable timing and inimitable style to age or a recent string of unsuccessful films. Given only assorted rants and dictionary full of curse words to work with, the man uses his vocal mannerisms and body language to wring laugh after laugh out of stale dialogue (and turns in one of the best renditions of "Sexual Healing" you're likely to hear). Wilson is equally engaging as bumbling special agent Alexander Scott, winning pathos and belly laughs as he attempts to win the girl and properly activate his spy gizmos. As these two pros traipse through Hungry, attempting to foil the diabolical scheme of the insidious and thoroughly wasted Malcolm McDowal, one can almost forget that they are watching something formulaic and get lost in the effective repartee and humorous battles of one-upmanship among the leads. The television series on which this movie is based broke new ground in the 1960's by presenting an African-American (a young Bill Cosby) as a dignified and dramatic leading man. The goals of this film are considerably lower, but it is consistently hilarious and only worth two hours of your life. In today's film environment, you could do far worse.
When watching a comedy, I've noticed, it helps if you are in the mood to watch a comedy. I figure that I was and many of the other reviewers that gave I Spy only tepid ratings were not. How else could they give this movie only three stars. I Spy was the funniest movie I've seen since Road Trip in 2000,(which also had tepid reviews) and one of the five most hilarious movies I've ever had the pleasure to view in my Forty-seventeen years. Plot It seems the latest Air Force fighter, a plane that has a cloaking device, has been stolen by the test pilot and sold to an International Arms dealer, Arnold Gundars,(Malcolm McDowell) who in turn, will most likely sell it, to bidding terrorist organizations for mega bucks. The fictitious Bureau of National Security has assigned the case to second tier, super-agent Alex Scott,(Owen Wilson) who heads a team sent to Budapest, Hungary to find the missing plane Obnoxious, loudmouth but undefeated middleweight boxing champion, Kelly Robinson,(Eddie Murphy) who happens to have a title defense scheduled in Budapest is also recruited for the mission not as a spy but to provide cover for Scott. Unfortunately Robinson, who at first doesn't get along with Scott and whose ego knows no limits, doesn't get his role and decides he's also a secret agent and then the fun begins. Just to make things more interesting there are a couple sub-plots with the first string super agent, Carlos,(Gary Cole) who gets all the top of the line gadgets and miniature gizmos while Alex gets stuck with cumbersome hand me downs and Alex's not so secret crush on associate agent, Rachael,(Famke Janssen) which was the basis for one of the funniest scenes in the movie. Actors Kelly Robinson, Eddie Murphy Carlos, Gary Cole Director Betty Thomas Conclusion Whenever I read a negative review of what I consider a good Movie / Book, I wonder what the motivations were. This movie had two or three negative reviews for every positive one. Here are the things I read most in the negative reviews, with my comments; No resemblance to the TV series(who cares? It was funny as hell), a buddy movie like ........(so what?), a weak script(yeah, but it wasn't really an action movie!), Black, Eddie Murphy played Stepin Fetchit to White, Owen Wilson(coulda fooled me, I thought Wilson was Murphy's straight man) and Murphy was flat and continued his stretch of losers(I'd like to know what movie they saw, cause I was rolling in the aisle). In summation, I thought the actors did an excellent job, the directing was good, the stunts were very good and the humor was excellent! Now, I'm not really a comedy movie person so I haven't viewed every comedic movie ever made to compare this to, but I thought it was a riot and that's what counts!
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| 7. The Brady Bunch Movie Director: Betty Thomas | |
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Description Reviews (50)
The movie is hilarious. It parodies everything that made the Brady the Bradys (Cindy's lisp, Mike's family talks, potato sack races, etc) . All the actors have a dead-on impersonations of the original characters and make the spoof totally believable. The major plot of the film is fairly simple. The Brady's owe $20,000 in back taxes and their beloved home is going to be sold if they can't raise the funds. Their next door neighbor is a greedy developer who wants to build a shopping mall in the Bradys neighborhood. All the other homeowners have sold, but the Bradys won't bite. The desperate developer seems to have lost, until he finds out about the Bradys' back taxes. Then things get messy. There is also a subplot revolving around Jan's struggle with being a middle child and always being overlooked by Marcia. Jan's "struggle" is one of the most hilarious things I have seen on film in a long time. You'll never think of hearing voices the same again (or Jan Brady for that matter). Overall a hilarious film that parodies the original television series. The movie has the blessing of the Bradys creator (he wrote the screenplay). It is a delight for anyone who remembers the original series and even if you don't, you're sure to have a few laughs with this 70's family living in a modern world.
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| 8. Dr. Dolittle (Full Screen Edition) Director: Betty Thomas | |
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Reviews (82)
The truth is that few people grow up entirely. Halfway through this movie, I threw in the towel and decided to admit I was enjoying this adolescent gem. It's infectious. Eddie Murphy's Dr. Dolittle is not recognizable as the character in the Hugh Loftis book. He's been totally updated. The only element left from the novel is Dolittle's ability to talk to animals. He understands them. They converse. Thankfully they do not sing, as they did in the dreadful Rex Harrison musical comedy thirty years ago. That film lost a fortune for Fox Studio. At this late date, Mr. Murphy and friends seem to have recovered its money. It may seem like a gift to be able to communicate with guinea pigs, owls, dogs, pigs, pigeons and other creatures. This gift could be a one-way ticket to the funny farm, which is the problem Dolittle faces. One of the best things about "Dr. Dolittle" is that it's short. The producers were wise enough to get in and out before the audience realized this was basically a one joke, one special effect story. Murphy seems to have undergone a personal transformation in the last few years. Now he is completely at ease and in control in gentle comedies like this and "The Nutty Professor", just as he was in the sexy and crime-driven vehicles that made him a movie star in the 1980s. It was bathroom humor that earned this picture a PG-13 rating. It may have deserved it, but kids seem to learn this stuff younger these days. Maybe they are just more open than my generation was. This touch of crudeness helps "Dr. Dolittle" to work. Full of smart remarks, these animals are survivors. They are also endearing. They assure that the movie never becomes sickeningly sweet. Besides, nobody expects Eddie Murphy to give up his bad boy image completely. One element I found interesting is that, despite all the advances in digital special effects, when you see a lot of animals talking on screen, it doesn't look any more real than it did in the days of Francis the Talking Mule. It just cost ten times as much to create the effect.
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| 9. 28 Days/The Net (Double Feature) Director: Betty Thomas | |
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Amazon.com The Net Reviews (2)
Enjoy both! ... Read more | |
| 10. Dr. Dolittle/Dr. Dolittle 2 Director: Betty Thomas | |
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| 11. Doctor Dolittle (1998) (Full Screen Edition) Director: Betty Thomas | |
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Reviews (82)
The truth is that few people grow up entirely. Halfway through this movie, I threw in the towel and decided to admit I was enjoying this adolescent gem. It's infectious. Eddie Murphy's Dr. Dolittle is not recognizable as the character in the Hugh Loftis book. He's been totally updated. The only element left from the novel is Dolittle's ability to talk to animals. He understands them. They converse. Thankfully they do not sing, as they did in the dreadful Rex Harrison musical comedy thirty years ago. That film lost a fortune for Fox Studio. At this late date, Mr. Murphy and friends seem to have recovered its money. It may seem like a gift to be able to communicate with guinea pigs, owls, dogs, pigs, pigeons and other creatures. This gift could be a one-way ticket to the funny farm, which is the problem Dolittle faces. One of the best things about "Dr. Dolittle" is that it's short. The producers were wise enough to get in and out before the audience realized this was basically a one joke, one special effect story. Murphy seems to have undergone a personal transformation in the last few years. Now he is completely at ease and in control in gentle comedies like this and "The Nutty Professor", just as he was in the sexy and crime-driven vehicles that made him a movie star in the 1980s. It was bathroom humor that earned this picture a PG-13 rating. It may have deserved it, but kids seem to learn this stuff younger these days. Maybe they are just more open than my generation was. This touch of crudeness helps "Dr. Dolittle" to work. Full of smart remarks, these animals are survivors. They are also endearing. They assure that the movie never becomes sickeningly sweet. Besides, nobody expects Eddie Murphy to give up his bad boy image completely. One element I found interesting is that, despite all the advances in digital special effects, when you see a lot of animals talking on screen, it doesn't look any more real than it did in the days of Francis the Talking Mule. It just cost ten times as much to create the effect.
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| 12. Doctor Dolittle 2 (Widescreen Edition) Director: Betty Thomas | |
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Reviews (82)
The truth is that few people grow up entirely. Halfway through this movie, I threw in the towel and decided to admit I was enjoying this adolescent gem. It's infectious. Eddie Murphy's Dr. Dolittle is not recognizable as the character in the Hugh Loftis book. He's been totally updated. The only element left from the novel is Dolittle's ability to talk to animals. He understands them. They converse. Thankfully they do not sing, as they did in the dreadful Rex Harrison musical comedy thirty years ago. That film lost a fortune for Fox Studio. At this late date, Mr. Murphy and friends seem to have recovered its money. It may seem like a gift to be able to communicate with guinea pigs, owls, dogs, pigs, pigeons and other creatures. This gift could be a one-way ticket to the funny farm, which is the problem Dolittle faces. One of the best things about "Dr. Dolittle" is that it's short. The producers were wise enough to get in and out before the audience realized this was basically a one joke, one special effect story. Murphy seems to have undergone a personal transformation in the last few years. Now he is completely at ease and in control in gentle comedies like this and "The Nutty Professor", just as he was in the sexy and crime-driven vehicles that made him a movie star in the 1980s. It was bathroom humor that earned this picture a PG-13 rating. It may have deserved it, but kids seem to learn this stuff younger these days. Maybe they are just more open than my generation was. This touch of crudeness helps "Dr. Dolittle" to work. Full of smart remarks, these animals are survivors. They are also endearing. They assure that the movie never becomes sickeningly sweet. Besides, nobody expects Eddie Murphy to give up his bad boy image completely. One element I found interesting is that, despite all the advances in digital special effects, when you see a lot of animals talking on screen, it doesn't look any more real than it did in the days of Francis the Talking Mule. It just cost ten times as much to create the effect.
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| 13. Doctor Dolittle Director: Betty Thomas | |
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