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| 1. The Heroic Trio Director: Johnny To | |
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Reviews (37)
Duh, I'm not even sure which page I'm on; if this is the Americanized version or not. I own the true blue Hong Kong edition which is supposed to contain some flippin' freaky scenes edited out of the American version. I've seen both but cannot remember because, oh, blar!, never mind..... Back to the movie: "Heroic Trio" stars three of Hong Kong's mightiest screen queens as superheroes. Michelle Yeoh plays Invisible Girl who can become, well, invisible and really kick some bad man fanny, Anita Mui plays Wonder Woman who is quite different from the Amazonian Wonder Woman but just as effective, and Maggie Cheung is the streetwise little Thief Catcher who drives a mean motorcycle and carries an arsenal of nasty toys. Despite some personal differences the three gang together to track down the rotten evil doer who is 'napping poor little innocent babes to fulfill his fiendish scheme. The special effects and action scenes are psycho-silly wild yet the atmosphere is dark and moody with just enough bitter-sweetness to snap a heartstring or two. A note on Michelle Yeoh: I don't understand Hollywood for seemingly tossing her aside after sticking her in one James Bond flick. Miss Yeoh is the best female action star around; we see Jackie here and there and Jet everywhere, but where oh where is Michelle? This woman has got the goods (my martial arts instructor Saul-Yu Lingstein will back me on this 100%), yet Hollywood stupidly persists in casting flashy young starlets who don't know kung-fu from King Kong from Donkey Kong from a horse's patootie. Anyway, this movie is one kickin' good time and is REQUIRED viewing for all human beings. So don't just sit there - get watching!
Otherwise the movie is great and the acting superb, plus we get to see the late Anita Mui in action. What can you say... top notch performance from Michelle Yeoh, Maggie Cheung and Anita Mui.
But, I will say that if you do decide to pick up this movie, first, look for the Tai Seng release of it. Though it is out of print, it is still around in places. If you can't, then, fall down to the "mouse" and pick this copy up. A little about the movie: It was influenced by the movie "Batman," and the directors (Ching Siu Tung & Johnny To) liked it so much, they wanted to make a film just lke that. And, how can you go wrong with Michelle Yeoh, Maggie Chung and Anita Mui? You truly can't. I would have given this movie 4 stars, but, seeing I'm not too big a fan of what Disney did to this version, I can only give it a 3. Horrid dubbing and editing so obvious to those that have seen the original. Disney, as well as all the other movie studios, you need to stop cutting and dubbing the Asian films - you do a horrible job. Leave it the way it was supposed to be, and give us the subtitles instead.
So while the movie itself is recommended, Buena Vista's DVD release definitely isn't. The Disney company has once again seen fit to edit yet another Asian movie for its Western market - this time by three minutes to remove the aforementioned gory moments. And, as expected, the original Cantonese soundtrack has been replaced with a dreadful English dub and generic score - denying us the pleasure of hearing Anita Mui's two excellent songs. Still, this is what we've come to expect from the distributor that seems to delight in infuriating hardcore Chinese film fans. Those wishing to own the uncut version of the film would be advised to seek out the 'Universe' DVD from Hong Kong or the now out-of-print 'Tai Seng' American release. Better still (if you have PAL/Region 2 capabilities), waiting for the forthcoming remastered Special Edition from British DVD label 'Hong Kong Legends' would be the ideal solution. ... Read more | |
| 2. The Mission Director: Johnny To | |
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Reviews (19)
Much like a violent twist of THE USUAL SUSPECTS, THE MISSION tells the story of the best hitmen brought together to protect a crime boss from rival assassination. They do succeed after some typical gunplay, but the story isn't quite over as a set of circumstances -- one of them slept with the boss's wife -- sets in motion the final third of the story, pitting killer against killer in a bold, dramatic finish. What works here, though, isn't so much the action or the acting ... it's the film's construction. The scenes are photographed so well, edited so wonderfully, and laced together with such ease that you hardly notice the ticking of the clock inside your head as long scenes of drawn out suspense go by. The viewer gets drawn up into the structure of a scene -- the way the killers stand poised ready for action, the way the men start to bond with one another in clever little ways of playing with a wadded up a piece of paper -- rather than pointless, meandering dialogue. The moments of silence in this film are just as powerful and important to plot development and progression as are the action pieces. Any serious student of film should sit through several viewings of THE MISSION. There is plenty to learn here that isn't a part of American action or suspense films on an artistic basis. One truly great little nifty surprise.
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| 3. Running on Karma Director: Ka-Fai Wai, Johnny To | |
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Description Reviews (5)
Big is hauled away by the Serious Crimes Unit but is soon rescued by Fung Yee. Feeling that he can trust her, Big reveals to her his gift and that he was once a monk with extraordinary physical abilities. The two join forces to hunt the murder suspect, but all the while, Big sees horrific images in Fung Yee's karma, which he knows point to her inevitable and untimely demise. The first two thirds of Karma are great fun as Fung Yee gets to know and like Big. There are elements of The X-Files mixed with superhero standards and some laugh-out-loud comedy. Had the movie kept this formula and not attempted to jump the tracks, I would have been able to recommend it. Unfortunately, the creative team opted for a bizarre third act that has some rather dark moments and goes into philosophical territory in a clumsy and amateurish fashion. This change in tone is, IMHO, far too drastic; in fact, I would go so far as to say that the final act belongs in a different movie. This sudden shift is really unfortunate as both the Lau and Cheung are incredibly likeable in their roles and deserved a much better script. I would really like to see Big and Fung Yee in a story that's focused and not so eager to shift from genre to genre. In short, Karma has a really promising start but derails towards the finish. My recommendation would be to watch the first two thirds of the movie and then write your own ending for it. 2.5 out of 5 ... Read more | |
| 4. Running Out of Time Director: Johnny To | |
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Amazon.com Reviews (8)
What makes TIME tick is the slickness of the characters: Wah only has a few weeks to live, suffering from a form of incurable cancer, and he finds himself paired with police negotiator Sang in his final act toward redemption. Redemption, however, already has its price tag on it, as Wah's condition quickly deteriorates, and he must rely on an unlikely friendship with Sang to help make end-meet-end before meeting his Maker. These two actors make the picture work, despite some clunky dialogue (especially clunky in the English-dubbed version, so be warned). Their chemistry onscreen elevates TIME to higher levels of interest for the viewer as you don't know who to root for here: the cop being hustled by the shylock, or the shylock living out his last few days trying to mend life's wrongs. Regardless of whom you root for, RUNNING OUT OF TIME is a great achievement -- a welcome twist to the cop/crook formula -- that gives you some wonderfully unexpected laughs as the story unfolds.
Running out of Time, is a Hong Kong action movie staring Cheung (Andy Lau) and Inspector Ho (Lau Chin Wan). Cheung is a handsome young burglar with Terminal cancer and three days to live. Ho is a bored police officer determined to apprehend him. Cheung, in an effort to make his last days on earth worthwhile, is determined to avenge his father's death, by stealing a large, improbably blue diamond, and framing his enemy for the deed. During the course of events, he has run-ins with police officer Ho and a beautiful woman he meets on the bus. Regretfully most of the action consisted of scenes where the bad guys chase Ho, and scenes of Cheung crawling through air ducts, (its amazing how many person-sized air ducts there are in high security buildings), or scenes with Cheung messing with security cameras. This movie failed for me because I kept expecting to explore Cheung's character more deeply. (If he was dying of cancer, why did he wait so long to seek revenge? Why was he so determined to frame the bad guys? What was his motivation for baiting Ho?) So many of these questions were unanswered, and for this reason, I was left feeling unsatisfied with this movie.
Inspector Ho( Lau Ching Wan) is a police negotiator who's playing cat-and-mouse with the thief Cheung( Andy Lau). Cheung robs a hong kong high rise, but the reason why is unclear. Sure, there are some plot holes, but how many HK movies can you point out with no plot holes??? especially genre like this? Andy won best actor for 19th annual Hong Kong film awards.
Its the story of a man, played by Andy Lau, who has *cough cough* only weeks to live due to some unspecified disease. As a result he goes on a rampage to make the most of his short term existence. The highlights of the movie would probably be the cinematography, first and foremost... the movie does have an interest mood. Second would probably be the rhad chick who isnt some helpless annoying chick like in most asian movies and thirdly the fact that this movie doesnt distract itself too much from the main plot. Take that last statement how you wish. Dont expect a Wong Kar Wai movie here with a million sub-plots. I find it hard to relate to the characters in this movie. | |
| 5. Needing You Director: Ka-Fai Wai, Johnny To | |
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Reviews (9)
Andy Lau plays Wah-Siu, a player/top sales manager of an Electronics firm. Sammi Cheng is Cinki, his new assistant, and she finds her Bf cheating on her. She is very weird(emotionally) she's a pure-hearted girl( how many grls have we seen in HK cinema that are *pure hearted*??)Though at first, Wah-Siu finds Cinki a horrible assistant, he eventually recognizes her kindness and work ethic, and becomes friend with her starts to give her advices, to resolve the situation with her bf. Then Fiona arrives and senses that they are spending too much time together so she sets up a little somethin somethin... Andy Lau and Sammi Cheng, seem to have great chemistry. She is probably the best Andy Lau grl in the business. Sure it's cheesy, weepy, and been made over and over and over, but MilkyWay did a very fine job of direction, so it is very enjoyable. watch with your friends, gf/bf anyone....i stil think this was one of the best movies of 2000.
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| 6. Ptu Director: Johnny To | |
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Description | |
| 7. Chuen jik sat sau Director: Ka-Fai Wai, Johnny To | |
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Reviews (18)
Pros: Cons:
"Fulltime Killer" is in fact co-directed with Wai Ka Fai, but the subdued style is definitely that of Johnny To. The film traces the two free-lance killers, "O" (Takashi Sorimachi, popular Japanese actor), and Tok (Lau). O is the top dog of the killers, but Tok, confident of his professional skills, wants to bring him down in his own style. In between comes a female cleak working at a rental video store (beside the escalator which was shown in one famous Hong Kong film), Chin (Kelly Lin), and the determined policeman Lee (veteran Simon Yam). The gun action of the film is an average one, but sadly, as the story lacks coherent developing, it is often hard to follow what is going on. Johhny To's cool style and oddball humor are not given much chance to be shown, and the result is curiously devoid of tension, even though the actions themselves are decetly done. Some people might find the languages it uses slightly troublesome, for Andy Lau often speaks Japanese, which is very hard to understand (I am a Japanese, and watched it in the origiunal language). But more lamentable thing is the lack of charisma of Sorimachi as "O" whose one-dimentional performance as a killer with a heart lacks convincing power. And as for Andy Lau, he was much better in "Running Out of Time." The film is a result of recent Hong Kong film industry, which tries to capitalize on the name of Japanese actors who are gaining popularity in Hong Kong. But I think the casting here has backfired. I do not say "Fulltime Killer" is bad. I only say you can get better ones from To, underrated Hong KOng filmmaker, and that is "The Mission" which you should see first.
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| 8. Running Out of Time 2 Director: Wing-cheong Law, Johnny To | |
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Reviews (1)
Ekin did a wonderful job as Ken. He is handsome and charismatic, and fully believable as a magician and a criminal mastermind. Wan, is great as the much beleaguered and put upon Inspector Ho. I liked this sequel much more than the original movie. Ekin did a great job of acting, and Hong Kong at Christmas was simply beautiful. I recommend this movie for fans of Hong Kong cinema, or fans of Ekin. While the plot is not especially deep, it was a light and fun action movie, sure to entertain fans of the HK action film genre. ... Read more | |
| 9. Hero Never Dies Director: Johnny To | |
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Reviews (6)
Leon Lai and Lau ChingWan are the 2 ace hitman in the middle of the gangwar. Tho they work for different bosses, they develop a strange friendship. Sadly, they expect one to die by the other's hand. And the opportunity comes up, as they get a lil *competiion* at Malaysia. But their bosses join force, to leave them dead. It's only through each killer's sense of honor and perseverance that payback can be done. Once again, Lau Ching Wan turns in a fine performance. Charismatic and layered performance. Leon Lai is pretty good as Jack.
'A Hero Never Dies' is a must for people that enjoyed any of the mentioned films and, like the Longest Nite, it is definetly not for people with out a mind. The film is involveing, emotional, and creative.
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| 10. Fulltime Killer - Special Edition Director: Ka-Fai Wai, Johnny To | |
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Reviews (18)
Pros: Cons:
"Fulltime Killer" is in fact co-directed with Wai Ka Fai, but the subdued style is definitely that of Johnny To. The film traces the two free-lance killers, "O" (Takashi Sorimachi, popular Japanese actor), and Tok (Lau). O is the top dog of the killers, but Tok, confident of his professional skills, wants to bring him down in his own style. In between comes a female cleak working at a rental video store (beside the escalator which was shown in one famous Hong Kong film), Chin (Kelly Lin), and the determined policeman Lee (veteran Simon Yam). The gun action of the film is an average one, but sadly, as the story lacks coherent developing, it is often hard to follow what is going on. Johhny To's cool style and oddball humor are not given much chance to be shown, and the result is curiously devoid of tension, even though the actions themselves are decetly done. Some people might find the languages it uses slightly troublesome, for Andy Lau often speaks Japanese, which is very hard to understand (I am a Japanese, and watched it in the origiunal language). But more lamentable thing is the lack of charisma of Sorimachi as "O" whose one-dimentional performance as a killer with a heart lacks convincing power. And as for Andy Lau, he was much better in "Running Out of Time." The film is a result of recent Hong Kong film industry, which tries to capitalize on the name of Japanese actors who are gaining popularity in Hong Kong. But I think the casting here has backfired. I do not say "Fulltime Killer" is bad. I only say you can get better ones from To, underrated Hong KOng filmmaker, and that is "The Mission" which you should see first.
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| 11. My Left Eye Sees Ghosts Director: Ka-Fai Wai, Johnny To | |
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Reviews (1)
Forget what Amazon, IMDB, even the actors in the DVD extras tell you; My Left Eye Sees Ghosts is not a horror film any more than Saturday the 14th or The Frighteners is a horror film; it uses some of the genre's trappings, true, but this wonderful little gem is nothing more than a romantic comedy, a chick flick with ghosts, or an episode of Coupling directed by Dario Argento. May (Sammi Cheng of The Monkey King) met and fell in love with a rich guy while they were both on a cruise. They got married within a week, and soon after, he drowned in diving accident while still on the cruise. (You can tell it's not an American film, no one suspects May of killing her new husband.) She returns to Japan, where her mother-in-law wants to make her into a productive member of society, her husband's ex-girlfriend can't stand to be in the same room with her, and her new sister-in-law wants to help, but is your basic airhead. And they all work for the same company as executives. Like I said, an episode of Coupling (except that Steve is dead). May, who's basically a wastrel, isn't getting anywhere fast, and ends up behind the wheel of her husband's favorite classic car, drink in one hand, smoke in the other, nose of car to wall. She dies, and her ghost floats around the accident, asking people if she's dead; no one can hear her except another ghost, whom we later find out is Ken the Class Clown (the incomparable Ching Wan Lau, known to Americans thanks to a few roles in Jet Li films), who tells her it's not her time yet, and she needs to get back into her body. Once she does, however, she finds out she has a certain nasty affliction (mentioned in the movie's title). Soon, the world's ghosts are all after her to do things for them, when all she wants is to find her husband's spirit and tell him how much she misses him. Seeing a non-American chick flick is a revelation of sorts, and one wishes the American directors of movies like this would all be sat down in a theater to watch My Left Eye Sees Ghosts. None of the manipulation; it's all storyline, character chemistry, and pacing. And because of that, My Left Eye Sees Ghosts rises head and shoulders above almost anything the American romantic-comedy world has turned out in decades (Return to Me is the only film even approaching the subtlety and brilliance here). Absolutely wonderful. A must-see. **** ½ ... Read more | |
| 12. Executioners Director: Siu-Tung Ching, Johnny To | |
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Reviews (9)
On the bright side, it's well acted and Anita Mui stands out in a stunning performance that features her mercurial beauty and her martial arts guile. Michelle Yeoh is Michelle Yeoh and there's no greater compliment than that. Maggie Cheung treats the film as though she's slumming with a B-script instead of starring in an A-level art film but she's still a treat whenever she's chewing up the scenery with her grumpy outbursts. Anthony Wong provides the necessary touches of Evil that make you yearn for the Heroic Trio to hasten his demise. Damian Yau will make you cry. The music is, as always, a plus in any HK film that features Mui.
But I don't know if anyone could have worked with this ruin of a plot. Even by HK action standards, the plot is lacking. Several of the most interesting plot threads that began in Heroic Trio (the fact that Wonder Woman and Invisible Girl are sisters, for example) are dropped completely or handled poorly in this movie. The characters are denied the depth and humanity they could have had. The actresses (for the most part) do the best they can with the script (except for Cheung, who really is not very likable here), but the overall pessimism and ugliness eventually overwhelms them - and everyone else in the movie. Overall, this sequel is very disappointing. I can wholeheartedly recommend "Heroic Trio," but not this movie. Fans of the first film would be well advised to give this one a pass. There's really nothing to recommend this depressing, sludgy mess.
It's not just that this is one of the dumber Hong Kong movies I've seen, it's also that it had a potential to be really great. It has great stars, it's a sequel to an amazing movie and it just falls flat. Too many places where nothing's happening, dumb jokes, awful musical montages and the fight scenes don't excite me. Nothing really to recommend in this movie. I suppose if you are a diehard fan of Anita Mui, Michelle Yoeh or Maggie Cheung (whose better in Green Snake) watch it, but be prepared to be disappointed. ... Read more | |
| 13. Casino Raiders 2 Director: Johnny To | |
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Reviews (1)
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| 14. The Heroic Trio Director: Johnny To | |
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Reviews (37)
Duh, I'm not even sure which page I'm on; if this is the Americanized version or not. I own the true blue Hong Kong edition which is supposed to contain some flippin' freaky scenes edited out of the American version. I've seen both but cannot remember because, oh, blar!, never mind..... Back to the movie: "Heroic Trio" stars three of Hong Kong's mightiest screen queens as superheroes. Michelle Yeoh plays Invisible Girl who can become, well, invisible and really kick some bad man fanny, Anita Mui plays Wonder Woman who is quite different from the Amazonian Wonder Woman but just as effective, and Maggie Cheung is the streetwise little Thief Catcher who drives a mean motorcycle and carries an arsenal of nasty toys. Despite some personal differences the three gang together to track down the rotten evil doer who is 'napping poor little innocent babes to fulfill his fiendish scheme. The special effects and action scenes are psycho-silly wild yet the atmosphere is dark and moody with just enough bitter-sweetness to snap a heartstring or two. A note on Michelle Yeoh: I don't understand Hollywood for seemingly tossing her aside after sticking her in one James Bond flick. Miss Yeoh is the best female action star around; we see Jackie here and there and Jet everywhere, but where oh where is Michelle? This woman has got the goods (my martial arts instructor Saul-Yu Lingstein will back me on this 100%), yet Hollywood stupidly persists in casting flashy young starlets who don't know kung-fu from King Kong from Donkey Kong from a horse's patootie. Anyway, this movie is one kickin' good time and is REQUIRED viewing for all human beings. So don't just sit there - get watching!
Otherwise the movie is great and the acting superb, plus we get to see the late Anita Mui in action. What can you say... top notch performance from Michelle Yeoh, Maggie Cheung and Anita Mui.
But, I will say that if you do decide to pick up this movie, first, look for the Tai Seng release of it. Though it is out of print, it is still around in places. If you can't, then, fall down to the "mouse" and pick this copy up. A little about the movie: It was influenced by the movie "Batman," and the directors (Ching Siu Tung & Johnny To) liked it so much, they wanted to make a film just lke that. And, how can you go wrong with Michelle Yeoh, Maggie Chung and Anita Mui? You truly can't. I would have given this movie 4 stars, but, seeing I'm not too big a fan of what Disney did to this version, I can only give it a 3. Horrid dubbing and editing so obvious to those that have seen the original. Disney, as well as all the other movie studios, you need to stop cutting and dubbing the Asian films - you do a horrible job. Leave it the way it was supposed to be, and give us the subtitles instead.
So while the movie itself is recommended, Buena Vista's DVD release definitely isn't. The Disney company has once again seen fit to edit yet another Asian movie for its Western market - this time by three minutes to remove the aforementioned gory moments. And, as expected, the original Cantonese soundtrack has been replaced with a dreadful English dub and generic score - denying us the pleasure of hearing Anita Mui's two excellent songs. Still, this is what we've come to expect from the distributor that seems to delight in infuriating hardcore Chinese film fans. Those wishing to own the uncut version of the film would be advised to seek out the 'Universe' DVD from Hong Kong or the now out-of-print 'Tai Seng' American release. Better still (if you have PAL/Region 2 capabilities), waiting for the forthcoming remastered Special Edition from British DVD label 'Hong Kong Legends' would be the ideal solution. ... Read more | |
| 15. Fulltime Killer Director: Ka-Fai Wai, Johnny To | |
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Reviews (18)
Pros: Cons:
"Fulltime Killer" is in fact co-directed with Wai Ka Fai, but the subdued style is definitely that of Johnny To. The film traces the two free-lance killers, "O" (Takashi Sorimachi, popular Japanese actor), and Tok (Lau). O is the top dog of the killers, but Tok, confident of his professional skills, wants to bring him down in his own style. In between comes a female cleak working at a rental video store (beside the escalator which was shown in one famous Hong Kong film), Chin (Kelly Lin), and the determined policeman Lee (veteran Simon Yam). The gun action of the film is an average one, but sadly, as the story lacks coherent developing, it is often hard to follow what is going on. Johhny To's cool style and oddball humor are not given much chance to be shown, and the result is curiously devoid of tension, even though the actions themselves are decetly done. Some people might find the languages it uses slightly troublesome, for Andy Lau often speaks Japanese, which is very hard to understand (I am a Japanese, and watched it in the origiunal language). But more lamentable thing is the lack of charisma of Sorimachi as "O" whose one-dimentional performance as a killer with a heart lacks convincing power. And as for Andy Lau, he was much better in "Running Out of Time." The film is a result of recent Hong Kong film industry, which tries to capitalize on the name of Japanese actors who are gaining popularity in Hong Kong. But I think the casting here has backfired. I do not say "Fulltime Killer" is bad. I only say you can get better ones from To, underrated Hong KOng filmmaker, and that is "The Mission" which you should see first.
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| 16. Love on a Diet Director: Ka-Fai Wai, Johnny To | |
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Reviews (2)
It's an intriguing, somewhat socially critical movie. It is also a sensitive topic to touch on, but it is very lighthearted in contrast. In no way does this movie intentionally or unintentionally offend anyone, which is a good thing. Just thought I might add this point. And so, as they say in Japan: Oishi! (Delicious!) Don't pass up this movie! ... Read more | |
| 17. Running Out of Time Director: Johnny To | |
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Reviews (8)
What makes TIME tick is the slickness of the characters: Wah only has a few weeks to live, suffering from a form of incurable cancer, and he finds himself paired with police negotiator Sang in his final act toward redemption. Redemption, however, already has its price tag on it, as Wah's condition quickly deteriorates, and he must rely on an unlikely friendship with Sang to help make end-meet-end before meeting his Maker. These two actors make the picture work, despite some clunky dialogue (especially clunky in the English-dubbed version, so be warned). Their chemistry onscreen elevates TIME to higher levels of interest for the viewer as you don't know who to root for here: the cop being hustled by the shylock, or the shylock living out his last few days trying to mend life's wrongs. Regardless of whom you root for, RUNNING OUT OF TIME is a great achievement -- a welcome twist to the cop/crook formula -- that gives you some wonderfully unexpected laughs as the story unfolds.
Running out of Time, is a Hong Kong action movie staring Cheung (Andy Lau) and Inspector Ho (Lau Chin Wan). Cheung is a handsome young burglar with Terminal cancer and three days to live. Ho is a bored police officer determined to apprehend him. Cheung, in an effort to make his last days on earth worthwhile, is determined to avenge his father's death, by stealing a large, improbably blue diamond, and framing his enemy for the deed. During the course of events, he has run-ins with police officer Ho and a beautiful woman he meets on the bus. Regretfully most of the action consisted of scenes where the bad guys chase Ho, and scenes of Cheung crawling through air ducts, (its amazing how many person-sized air ducts there are in high security buildings), or scenes with Cheung messing with security cameras. This movie failed for me because I kept expecting to explore Cheung's character more deeply. (If he was dying of cancer, why did he wait so long to seek revenge? Why was he so determined to frame the bad guys? What was his motivation for baiting Ho?) So many of these questions were unanswered, and for this reason, I was left feeling unsatisfied with this movie.
Inspector Ho( Lau Ching Wan) is a police negotiator who's playing cat-and-mouse with the thief Cheung( Andy Lau). Cheung robs a hong kong high rise, but the reason why is unclear. Sure, there are some plot holes, but how many HK movies can you point out with no plot holes??? especially genre like this? Andy won best actor for 19th annual Hong Kong film awards.
Its the story of a man, played by Andy Lau, who has *cough cough* only weeks to live due to some unspecified disease. As a result he goes on a rampage to make the most of his short term existence. The highlights of the movie would probably be the cinematography, first and foremost... the movie does have an interest mood. Second would probably be the rhad chick who isnt some helpless annoying chick like in most asian movies and thirdly the fact that this movie doesnt distract itself too much from the main plot. Take that last statement how you wish. Dont expect a Wong Kar Wai movie here with a million sub-plots. I find it hard to relate to the characters in this movie. | |
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