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| 1. The Ugly Dachshund Director: Norman Tokar | |
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Amazon.com Reviews (5)
I've been begging Disney for years to release this movie on DVD. I'm so glad they finally did!
Mark is now even more outnumbered by females 5-1, and he's ready for some more masculinity in the family. When Mark picks up the Dachsies at the Vet hospital, Mark discovers from the doctor that a male Great Dane pup has been rejected by his mother, and agrees to take it home and allow Danke to nurse it. Fran believes that Danke just had another puppy, even though he looks different. As time goes by, Fran realizes that "Brutus" is a Great Dane and insists that he be taken back to the hospital. Mark agrees, but can't get that pup off is mind. When Mark is given a birthday only fit for Dachshunds, he blows his top, only to find Fran surprises him with Brutus, now almost full grown. Over time the Dane and Dachsies grow up and get into lots of mischief. Most of the times the Dachsies were responsible, but Fran can't believe that for one minute! The ending of the film brings Fran and Mark back together and they both become proud of the Dane Brutus has grown up to be. I highly recommend this film to all ages. I watched The Ugly Dachshund when I was little, and now my daughter enjoys it, so it definitely stays a favorite over the generations. This wholesome, comedic type of film is hard to find these days, so grab this dvd up while you can! I also recommend other Disney titles starring Dean and Suzanne- Blackbeard's Ghost and Shaggy D.A.
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| 2. Snowball Express Director: Norman Tokar | |
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Amazon.com Reviews (27)
Johnny Baxter (Dean Jones) is a faceless white collar worker in New York City. A barely remembered uncle leaves him a hotel with a fancy-sounding name in Colorado and Johnny packs up the family to run the hotel. Alas, the hotel's name is far fancier than the hotel itself, inhabited by raccoons and a codger (Harry Morgan of "Dragnet" and "M*A*S*H"). Johnny, his wife Sue (Nancy Olson), son Richard (Johnny Whitaker), and daughter Chris (Kathleen Cody) decide to make a go of the hotel, partially because Johnny has burned a bridge at his old job and partially because of his pride. Johnny tries to obtain a loan and quickly runs afoul of perennial Disney bad-guy Keenan Wynn, playing ruthless banker Martin Ridgeway. Johnny is able to borrow money from Ridgeway and fix the hotel to begin taking in paying customers, but as tends to happen in Disney comedies, Johnny tends to be prone to accidents. In this case the most serious accident comes in the form of a runaway steam engine. Johnny is placed in a position of having no paying customers and no money, and his next loan payment to Ridgeway is coming due. Johnny enters a snowmobile race with the help of a local "expert" who isn't, and with co-rider Harry Morgan. Some of the funniest and most unbelievable moments of the movie occur during the snowmobile race. The ending of the movie unfolds not quite as you might expect, so I'll leave the remainder of the movie for the viewer to discover. The special effects were good for the early 70s, but now appear substantially dated, with a few exceptions, such as the runaway steam engine. Children and those of us that saw the movie when it first came out will still find it enjoyable and very solid, safe family fare.
John Sylvester Baxter inherits The Grand Imperial Hotel in Silver Hill, Colorado (not in Wyoming) from his crazy Uncle and tries to stop the foreclosure by Martin Ridgeway (Wynn)the town Scrooge. Ties with The Shaggy D.A. in my top four Disney favorites
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| 3. Follow Me, Boys! Director: Norman Tokar | |
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Reviews (34)
-- This film is the epitome of old-school Boy Scouting. Every traditionalist Scouter pines for the days when the boys didn't have to be back from the campout early for soccer practice. Every new scoutmaster wants to be the square-jawed, campaign hat-wearing, all-American scoutmaster of Norman Rockwell paintings. You'll never pull it off if you haven't seen this film. In "Follow Me Boys!" Fred Macmurray goes from reluctant scoutmaster to super-scoutmaster, teaching boys to be men, year after year. His boys actually sing. They sing! What traditionalist scoutmaster hasn't given up years ago trying to get the boys to sing around the campfire or on the trail? The Scout program of "Follow me, boys!" is the antidote to the 1980's scouting movement that gave us nasty-colored patches and ball caps. It's the bridge between the scouts of today, and the scouts of 97 years ago. If you ever want to be a great scouter, see this film, and read up on Baden-Powell. Make sure your boys know what he did at Mafeking. Make sure they know that their uniforms are based on the South African Constabulary. Make sure they stand up straight when they recite the Oath and Law. Get them off the trail occasionally. Get them to sing, loud and proud. But you'll have to see "Follow me, Boys!" I don't know if it will work on the boys anymore, but it worked on me when I was a Tenderfoot.
This film also includes terrific performances by some Hollywood's who's who including the great Fred MacMurray (MY THREE SONS) as Lemuel Siddons, the would-be lawyer who settles for shopkeeping and leading the local scout troop, Vera Miles (THE SEARCHERS) as Vida Downey, the bank secretary who supports Siddons, falls in love with him and ultimately becomes his wife, Kurt Russell (MIRACLE) in one of his first films as Whitey, the tough who is adopted by Lem and Vida and becomes a boy-leader n the troop and finally a soldier and doctor. Look for a cameo by a bona fide screen legend, Lillian Gish as one of the town's business leaders Hetty Seibert. Whether you've been a scout, know one or have had nothing to do with scouting FOLLOW ME, BOYS! Tracks the development of the troop and their experiences that bond them together. One of Siddon's later troops even captures a tank. Yes, it's squeaky clean but who can't use a dose of Disney fantasy now and again. THE HORSEMAN
The DVD itself needs some help. For reasons unknown the film is not presented in it's original aspect ratio and worse, there is a yellow border around the picture while the opening credits are playing. On the plus side, there is a great 11 minute bonus documentary, "Looking back With Lem's boys" which features interviews with the grown up kids who appeared in the film. Kurt Russell does not appear in it but it's still a great feature ... Read more | |
| 4. Savage Sam Director: Norman Tokar | |
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Description Reviews (5)
All three are abducted by Indians, who intend to make Tommy a slave, Kevin a brave, and Marta a squaw (they leave Tommy and Marta pretty much alone, but their voracious manhandling of little Kevin would certainly be censored today) When Tommy is accidentally left behind, he teams up with the dog, Savage Sam, to rescue the others (although the fragile little thing loses consciousness at the drop of a hat). Eventually a posse of white men joins them, and they shoot the Indians and go home. Aside from the anti-Indian prejudice, "Savage Sam" is superior...in plotting, characterization, and suspense. I loved Uncle Bill. . .um, I mean Uncle Beck (Brian Keith) strutting around in his flamboyant pink shirt as if daring us to draw conclusions about his character...
One thing that didn't age as well as the rest of the film is the title song. Really hokey. But after that's over, the story is told in a no-nonsense style. It dramatizes something Texas settlers contended with for four decades: the abduction of children in an Indian raid. As befits a family film, "Savage Sam" soft-pedals the realities of such raids. Tommy Kirk's character, a teenage boy, would have been treated more harshly. Torture on the trail and a horrendous death upon arrival at the tribe's base camp would have been his fate. The teenage girl would have been raped right off. But Kevin Corcoran's character, a young child, would have been taken for adoption, just as the film shows, and the Indians' good-humored toleration of his combativeness is right in line with that. All in all, a serious depiction of a slice of history that few Americans learn about in school anymore.
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| 5. Candleshoe Director: Norman Tokar | |
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Reviews (18)
Interesting plot, humour, no blood, sensational actors: do you need more?!
From a 1970's kids'-eye view, this movie has it all: Sassy and savvy lead character Casey Brown (Jodie Foster) is the kind of brash, street-smart survivor every kid imagines he would be if left to his own devices. It may not be the '70s anymore, and I am certainly no longer a kid, but I still love this movie. Given the chance, I think kids of today will love it as well. ... Read more | |
| 6. The Cat From Outer Space Director: Norman Tokar | |
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Reviews (20)
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| 7. The Apple Dumpling Gang (Special Edition) Director: Norman Tokar | |
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Reviews (15)
The plot has Donovan (Bill Bixby), a bachelor and small time hustler of sorts, getting stuck with the care of three orphan children. As he tries to unburden himself of his three wards, he finds the townspeople to be less than receptive to the idea of taking in the children. These orphans hold the deed to a goldmine, thought by everyone to be dried up, but an earthquake turns up a huge gold nugget, and now the townspeople are falling over themselves to take custody. Donovan, actually concerned with the welfare of the children, works up a plan to marry Dusty (Susan Clark), and pass the children on to her care, as she seems truly interested in the welfare of the children, and not their money. Don Knotts and Tim Conway play a pair of bungling thieves who scheme, among other things, to try and steal the huge gold nugget. The whole ladder theft from the firehouse scene was pretty funny. Some other easily recognizable stars in this movie are Harry Morgan and Slim Pickens. As I said before, while the movie didn't seem as humorous to me now as it did when I was a child, it was certainly entertaining. It's a fine wide screen presentation, but what I really enjoyed was the special features. The interactive menus are excellent and grant access to quite a lot of interesting information like lengthy biographies, interviews, history of the back lots at Disney studios, promotional stills and advertising material for the movie, a synopsis of what was going on at Walt Disney in 1975 (the year this movie was released), and so much more.
Here is a brief Description: 3 kids are sent to a backwoods town and are supposed to belong to a backwoods drunk. Well the backwoods drunk has other plans so he gives them to a town newcomer Donnavan. Well than the kids find gold, and that is when they meet the 2 hilarious crooks Tim Conway, and Don Knotts. Well after they find the gold everybody wants the kids . And it attracts attention to a group of crooks. Well as the movie goes on you find out that Tim Conway, and Don Knotts used to work for the Head of the gang of crooks until Tim Conway acidentally show the guys leg in a hold up. well it ends the Donavan and his friend Dusty get married and they move to St. Louis where he starts a Gambling Joint. But in the sequel you don't here anything about it, and in the sequel they said that Donavan and Dusty and the kids moved onto a farm. Did I miss something somewhere ? Great Movie. 5 Star Rating.
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| 8. The Happiest Millionaire Director: Norman Tokar | |
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Reviews (40)
Cordy Biddle (Lesley Ann Warren) becomes engaged to Angie Duke (John Davidson). When this should be a happy occasion, Angie's snooty mother (Geraldine Page) still ensures that Angie hangs onto her apron strings. Cordy's mother (Greer Garson) tries to sort things out while Aunt Mary (Gladys Cooper) engages in some bitchy repartee with Mrs Duke! The entire production is flawless, and while Leonard Maltin has criticised this film for being too long, I think the time flies by. The Sherman brothers songs are strong throughout, and the supporting cast, including a very young Joyce Bulifant, are wonderful. Highly recommended.
The plot is a fictionalized account of real life circumstances that concern an eccentric Philadelphia millionaire, Anthony J. Drexel Biddle (Fred MacMurray). He runs a combination Bible and physical fitness college of sorts, loves boxing and keeps alligators in a solarium adjacent his dining room. When immigrant John Lawless (Tommy Steele) becomes Biddle's new butler he does indeed find his new surroundings rather odd. Not that Lawless isn't odd himself - it's just that, unlike Biddle's quirkiness, which can be grating to the point of distraction, Lawless becomes a genuinely loveable reprobate of congenial good humor, thanks to Tommy Steele's remarkable performance. The plot is thread bare to the point of nonexistent. It concerns Biddle's only daughter, Cordelia (Lesley Ann Warren). She's a sort of tomboy desperate to be feminine and sent off to a lady's finishing school where she meets and becomes engaged to New Yorker Angie Duke (John Davidson). Mrs. Duke (Geraldine Page) is social snob but Angie doesn't share her values. He wants to forgo the family business and build automobiles in Detroit. True to Disney form, everything does indeed work out in the end with Angie and Cordelia driving off toward an unintentionally apocalyptic matte painting that depicts the Motor City as something of a cross between Blade Runner and Mary Poppins, a glowering jungle of towering chimneys blackening the skies with the aftershocks of modernity. Of course, the plot - such as it is - would be largely forgivable if Disney's resident song writers, the Sherman Brothers had come up with a score worthy of their best endeavors. Tommy Steele opens the show with a bang with, Fortuosity, but the rest of the score does not live up to expectations and, in spots, is painfully sweet and cuddly. Valentine Candy or Boxing Gloves is so coy one wishes for the elegant Tommy Steele to burst into the room and tap dance its treacle into silence. All in all, Steele is remarkably well served by the score, belting out I'll Always Be Irish and several other songs with such austerity and charm that he easily dismisses the awkward lyrics. His choreography by Mark Breaux and Dee Dee Wood showcase Steele's finer points, particularly in the barroom number that closes the second half of the show. Unfortunately, there are no memorable showstoppers that leave one with a sudden urge to run out and buy the soundtrack or even leave the theater humming. THE TRANSFER: This re-released DVD of The Happiest Millionaire is about as dismal as the film itself. Everything's present: the Overture, Entr'acte and Exit music, but the transfer is not enhanced for widescreen televisions. Unlike the previously available DVD from Anchor Bay, colors seem somewhat more dated this time around and fine details breaks apart with a considerable amount of pixelization and edge enhancement, especially when viewed on a larger monitor. There are also several cases where mis-registration of the camera negative results in an excessively blurry print - something else absent on Anchor Bay's version. This DVD compresses the entire running time on one side of the disc, which I suspect is the biggest problem. There are no extras, not even the trailer. BOTTOM LINE: Get the Anchor Bay version instead!
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| 9. The Horse in the Gray Flannel Suit Director: Norman Tokar | |
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Reviews (17)
Jones is an advertising executive that is stuck between an employer who is pressuring him for a jazzy new ad campaign, and being a single parent of a daughter that desperatley wants a horse. He is not to keen on horses, the cost of the riding instructions she is attending, or even the instructor. Of course the instructor (Diane Baker) feels his daughter is a fantastic rider and should actually compete. He is opposed to the extra cost and the let he fears his daughter will have. Through a few twists, suddenly the 2 needs meet and he not only buys a horse but lets his daughter enter it in shows. But he really does it to promote an ad campaign and figures out a way to have his clients pay for it. Meanwhile his daughter develops a love interest in another horseman, a very young Kurt Russell. And Dad begins to fall for the instructor he hates. Dianne Baker and Dean Jones have a wonderful chemistry and if you loike them together you should really see them as a married couple in another Disney comedy called, "the Ugly Dachsund". The DVD version listed here does NOT include widescreen, or remastered, or have any extras, which is a big dissapointment. My VHS version is clean though and looks fresh even though it is also not in widescreen.
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| 10. Rascal Director: Norman Tokar | |
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Description | |
| 11. Where the Red Fern Grows/Red Fern 2 Director: Norman Tokar | |
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Reviews (3)
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| 12. Where the Red Fern Grows Director: Norman Tokar | |
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Reviews (35)
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| 13. No Deposit, No Return Director: Norman Tokar | |
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| 14. Those Calloways Director: Norman Tokar | |
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Reviews (4)
First, Disney gives us full frame Pan & Scan pictures. Then, once someone has convinced them to start selling widescreen DVD's, they still can't get it right and adjust the picture so we see all of it. In "Those Calloways", it is immediately noticeable during the opening credits....and continually pops up in the form of decapitated actors [or at least the TOPS of their heads.] Tyring to get a decent transfer of a movie out of Disney appears to be like pulling teeth.
Cam Calloway (Brian Keith) is regarded as a crank by the locals because of his wish to build a bird sanctuary to save the Geese. While Cam is fighting the city. His son Bucky (Brandon DeWilde) is in the meantime in love with the beautiful Bridie Mellot (Linda Evans) well a wealthy man offers to buy Cams place and turn it into a bird sanctuary. Well Cam later finds out that they actually want to turn it into a hunting reserve. And Cam risks his life to save the birds Great Family Classic. ... Read more | |
| 15. The Boatniks Director: Norman Tokar | |
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Reviews (3)
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| 16. Big Red (Full Screen Edition) Director: Norman Tokar | |
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Reviews (5)
"Big Red" is obviously about the love between a boy and a dog, but a strong element of the film is the transformation of Walter Pidgeon's character from a lonely old man to a loving father figure for an orphan. There is a simple elegance to this film and even if the basics are pretty much predictable, it is carried off quite well by both the cast and the beautiful dog. "Big Red" can be enjoyed by both kids and parents, who will take different things away from this film. Not a great film, but still a solid effort from Disney. This 1962 film, directed by Norman Tokar, features a pair of songs by Richard & Roger Sherman ("Mary Poppins").
I have been searching for this film for 5 years and the wait was well worth it. This is one for the dog lovers and famalies with young children who love dogs.
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| 17. The Happiest Millionaire Director: Norman Tokar | |
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Amazon.com Released in 1967, a watershed year for youth culture and social upheaval, The Happiest Millionaire romanticizes Philadelphia's upper crust circa 1916. Its title character, Anthony J. Drexel Biddle (MacMurray), is a militant industrialist urging America's mobilization against Germany, and noteworthy for an eccentric lifestyle that includes his own bible study classes, martial arts training, and (in a lone nod toward any remotely modern social values) a readiness to empower his lovely, headstrong daughter, Cordelia (Warren). Under Norman Tokar's busy but routine direction, the project does muster moments of charm, and packs its story line with enough twists to partly explain its excessive 144-minute length. But the unintended irony of paeans to capitalism and conservative politics in an era of Sgt. Pepper isn't masked by the Shermans' music, which is eminently forgettable, despite the game mugging of Tommy Steele as an immigrant Irish butler. Equally game is MacMurray, but as a singer, he's no Rex Harrison. --SamSutherland Reviews (40)
Cordy Biddle (Lesley Ann Warren) becomes engaged to Angie Duke (John Davidson). When this should be a happy occasion, Angie's snooty mother (Geraldine Page) still ensures that Angie hangs onto her apron strings. Cordy's mother (Greer Garson) tries to sort things out while Aunt Mary (Gladys Cooper) engages in some bitchy repartee with Mrs Duke! The entire production is flawless, and while Leonard Maltin has criticised this film for being too long, I think the time flies by. The Sherman brothers songs are strong throughout, and the supporting cast, including a very young Joyce Bulifant, are wonderful. Highly recommended.
The plot is a fictionalized account of real life circumstances that concern an eccentric Philadelphia millionaire, Anthony J. Drexel Biddle (Fred MacMurray). He runs a combination Bible and physical fitness college of sorts, loves boxing and keeps alligators in a solarium adjacent his dining room. When immigrant John Lawless (Tommy Steele) becomes Biddle's new butler he does indeed find his new surroundings rather odd. Not that Lawless isn't odd himself - it's just that, unlike Biddle's quirkiness, which can be grating to the point of distraction, Lawless becomes a genuinely loveable reprobate of congenial good humor, thanks to Tommy Steele's remarkable performance. The plot is thread bare to the point of nonexistent. It concerns Biddle's only daughter, Cordelia (Lesley Ann Warren). She's a sort of tomboy desperate to be feminine and sent off to a lady's finishing school where she meets and becomes engaged to New Yorker Angie Duke (John Davidson). Mrs. Duke (Geraldine Page) is social snob but Angie doesn't share her values. He wants to forgo the family business and build automobiles in Detroit. True to Disney form, everything does indeed work out in the end with Angie and Cordelia driving off toward an unintentionally apocalyptic matte painting that depicts the Motor City as something of a cross between Blade Runner and Mary Poppins, a glowering jungle of towering chimneys blackening the skies with the aftershocks of modernity. Of course, the plot - such as it is - would be largely forgivable if Disney's resident song writers, the Sherman Brothers had come up with a score worthy of their best endeavors. Tommy Steele opens the show with a bang with, Fortuosity, but the rest of the score does not live up to expectations and, in spots, is painfully sweet and cuddly. Valentine Candy or Boxing Gloves is so coy one wishes for the el | |