Reviews (10)

The Wren Classic on Film
This classic movie holds up pretty well to the basic storyline of Wren's novel. A few subtle changes have been made because no movie can ever reproduce a book perfectly, but everything has been done faithfully to the spirit of the original story. Readers of the book will find that the evil sarjeant is named Markov in the movie as opposed to Lajeaune in the book. The name sounds more evil perhaps! A few minor quibbles I have with the movie is that it has that 1930s Hollywood feel to it, in terms of the acting and characterizations. It would have been nice to have heard French commands in the Legion as opposed to flat American voices. Later Foreign Legion movies like "March or Die" provide this kind of detail which this classic lacks. Also, in the attacks on the fort the Arabs look foolish charging with cavalry against walls that are too high. In the book the fort's walls are described as being lower so that someone climbing up from a camel's back could almost succeed with an escalade. In the book John, Digby and their two American friends wander in the desert in Arab guise for several years. This is rather condensed in the film. The impossible shot that kills Digby from horse-back is more realistically described in the book where John relays that the Arab fired from his horse at 30 feet striking Digby as he played his bugle. A more realistic scenerio I find. Of course these are minor quibbles, none of which detract from the beauty and haunting nature of the movie. The music is also striking, in particular the opening scene when we see the dead Legioners manning the fort's walls. That scene is probably one of the most haunting in all movies, and conveys so much without being overly graphic. This is probably the best Foreign Legion movie that will ever be made. All since have been based on it. Since Four Feathers has recently survived another re-make I wonder if Beau Geste is due for another attempt? Arabs, sand and desert battles seem to be compelling these days. I wonder why?

A Romantic Classic
I first saw this movie as a child, and like many others, never forgot the images of the dead soldiers at the fort, the cruelty of Markov, or the gallantry of the Geste brothers. I went on to read the book and its two sequels (which tell what REALLY happened to the Blue Water) which are dated but none the less riveting (and amusing). The author, P.C. Wren, really was an officer in the Foreign Legion, and claimed that everything he wrote was grounded in the experience of people he knew. As for the movie, my only complaint is that such very American actors were chose to play such charming young Englishmen (and were a bit old for their roles), but it is a very minor complaint, since there is nothing to fault in their performances. Otherwise, the movie spoiled me for every other Foreign Legion film I have ever seen. It could perhaps stand a remake - but only in the hands of a great director (as great as the original William Wellman) who respected his source material and didn't try to turn it into a brainless "action" film. (And it has been tried.) As others have pointed out, the wonderfully atmospheric black and white photography and the music add to the film's perfection.

Needs to Be on DVD and Needs to be Updated
The story is great. The treatment is very old and dated. Seems to be sort of a forgotten golden oldie. Purhaps a remake without the silly prank section. At least the DVD should be made. Still a fun movie w the classic battle scene w the mad officer propping up the dead bodies. Great for Cooper fans.

Classic melodrama
Beau Geste, a melodramatic 1939 period piece depicts the comradery of three brothers during Victorian times. It falls short of a 5 star rating as it lacks the high degree of drama seen in similar type classics such as Gunga Din and Four Feathers.

The wholesome Gary Cooper along with Robert Preston and Ray Milland play three brothers, Beau, Digby and John Geste, adopted into the affluent baronial lifestyle of English Lord and Lady Brandon. When the lord threatens to sell the family's most precious possession, the Blue Water, a huge cerulean sapphire, to finance his gambling, one of the brothers absconds with it. In a chivalrous gesture the three brothers flee and enlist in the French Foreign Legion and get shipped to North Africa.

While in the foreign legion they are cruelly commanded by star of the movie Brian Donlevy, who plays the facially scarred, sadistic heavy Sergeant Markoff. The brothers strive to survive the elements, the Arabs and Markoff while they protect the secret of the prized sapphire.

The flick is hopelessly dated but still remains hugely entertaining to a classic movie buff. A youthful and ravishing Susan Hayward plays Milland's love interest, Isobel Rivers, a ward of Lady Brandon in one of her earliest starring roles.

Still waiting for the DVD!
I agree with other five stars comentators/reviewers. Just a small precision, the original Trilogy "BEAU GESTE", "BEAU SABREUR" and "BEAU IDEAL" was completed with "GOOD GESTES" (wich deals with the period of service in the Legion between the separation of the three brothers and the Zinderneuf's tragedy in form of short stories) and "SPANISH MAINE" wich explains what ultimately was the fate of "The Angel of Death" ... Will not tell more for not spoiling the read to those fans as me wich will hunt this small romantic literature treasures in the out of print services... (It took me years to complete my collection of P.C. Wren's FFL novels but was well worth the time...).
Interestingly enough such a Bible on the FFL as Douglas Porch book, mentions the dislike of French Commanders with the Hollywood versions (I do not understand why because as a boy I seriously doubted where to enlist between the FFL and the NWMP as a matter of course...).
Incidentally as other reviewers say get a go at "Morocco", Cooper (younger) and Dietrich... What a pair!. There just don't do films like this anymore... ... Read more

Reviews (21)

Weak Plot, Awesome Fighting Scenes!
Although silent goddess Clara Bow headlines the cast, I was surprised how limited her role in this movie was. The plot she is tied to is very weak and I don't think the conclusion helps it too much (Clara's character leaving the war and her love interest changing his affections so effortlessly once he returned home). Her sexy image is really toned down as well. One scene has her luring her drunken boyfriend (a very funny drunken boyfriend) from a Paris night club in a skimpy number. The dress didn't fit the character's girl-next-door image at all.

The real storyline is between pals Jack Powell and David Armstrong (played expertly by Buddy Rogers and Richard Arlen). Anyone interested in the First World War will find this film a real treat! The training scenes I found particularly interesting. Then there are the many aerial fighting scenes. They are so well done they look like documentary footage. Scenes shot from the pilot's point of view put the viewer right into the action! Scenes like these make the "two guys in love with the same girl" plot seem so insignificant.

You also get two brief but excellent performances by a very young Gary Cooper and an aged Henry B. Walthall from Birth of A Nation fame. Although only 49 in this film, Walthall does an amazing job portraying a crippled old man grieving the departure of his son.

An Oscar First
"Wings" is one of the best silent films ever made. It deservingly became the first movie to win the Oscar for Best Picture (1927-1928). It stars Clara Bow, Charles Rogers, and more, including a cameo appearance by then-unknown Gary Cooper. This film was ahead of its time with its visual effects, cinematograghy, and plot. Few other films at the time successfully made such elaborate scenes realistic looking. They obviously made great use with the technology that they had then. Few films were able to take a chain of events and spread them out to keep the audience's interest for over two hours. This plot is brilliant! It explores two friends who travel to Germany to fight WWI. Little do they know is that they left the same girl behind in the US. The drama and the war theme combine beautifully, keeping the emotion intact. The lucky charms add an added interesting touch. The acting is wonderful. Clara Bow, the 1920's "It"-girl(and the Marilyn Monroe of the 1920's), beautifully and emotionally plays her role as a woman left behind by her "friend" fighting in the war who struggles to get him to realize that she's in love with him. The men who play the soldier friends add their own harsh was realisms into the film. Such performance the movie its added enjoyment. "Wings" is a great movie for those looking for war sequences. Even those not interested in silent movies will enjoy this. Those who watch it will easily figure out why this movie is a classic.

Great Movie-Shame You Can't Own it
Apparently it is out of print in VHS and unavailiable in DVD. Inexcusable. Paramount needs to get with the program. Wings is extremely important as film history and is also a great movie on its own. One of the last great silents. The aerial acrobatics are worth watching just in themselves. The story isn't the stuff of genius. Basic love triangle stuff. The genius is in how the story is told, the perfect acting and the several fascinating scenes throughout the movie. I really can't recommend renting or buying a used vhs copy of Wings highly enough.

A bit above average, I guess.
Well, here is exactly the type of silent film that most people do not watch nowadays; it's neither a comedy like the Charlie Chaplin movies, nor a horror film like Nosferatu. This, instead, is a typical American action/drama flick, with ample quantities of both.

It certainly suffers at times for being a silent film; dialogues have to be displayed on the screen, and this happens quite often because the story here is sometimes quite complex. Not only do the characters talk a lot, but the story also often requires some explaining, and some of the explanations can be quite long.

The action sequences are not as "big" as in they would be in movies today, but they are a lot more impressive in their own way. I was just amazed at how they could have shot some of those sequences; I got the impression that the person who was shooting was probably in quite a lot of danger, because I knew that they could not have used special effects in 1927; what I was seeing was the real thing. It was quite exhilirating to see those old, unsafe, WW1 planes in the air. I do not think that any director today would be crazy enough to duplicate something like this with real planes, so this is probably the only chance anyone has to see these planes in action, and feel like you're right in the thick of a dogfight.

That having been said, the film does stretch out for a bit too long sometimes. It never really gets boring, but it never really gets particularly interesting for most of the movie either. Most of the time, it's just entertaining enough to keep you watching it.

The reason I gave it a "4" is because the ending, when it comes, is quite good (don't let anybody spoil it for you; watch for yourself), and also because of the action sequences. The film is also quite funny in a few spots, notably in any scene with the patriotic Dutch aviator (I wish we had seen more of him), and in the Paris "drunken man" scene.

Overall, not a bad movie, and one that I know others may like more than me; so go ahead and see it (don't forget, though; it's 131 minutes)!

Luminescent Wings
This exceptional film is indeed long overdue for its DVD release. (Paramount Home Video, get on the ball!)

Like Eric Player, I saw this film many years ago, and it too is one of those rare flicks that remains imprinted on one's memory.

I don't know if any of my fellow reviewers have seen this film as it was meant to be seen -- in a pristine restored print, shown on an actual movie screen with live organ accompaniement.

And Not on VHS tape (yuchh)!!!

I live in the Washington DC area, which also happens to have, outside of Hollywood, two centers of film preservation and restoration: the Library of Congress Motion Picture archives, and the American Film Institute.

Some 15 - 20 years ago, I attended a screening through the AFI, as part of its great classics film festival, and was blown away by this presentation.

The quality of the restored print was so startingly crisp that it looked as if it was shot the day before.

No need to expound further upon the performances, nor the plot, save to say that Wings just about has everything that makes a special film great.

Incidentally, the always handsome Charles Buddy Rogers had a special regard for this film, and often in his later years, accompanied Wings when it was shown at festivals and college film classes.

Rogers lived into his early nineties -- the last surviving star of the film -- and died just around 5 years ago! ... Read more

Amazon.com

As they march into yet another devastated Italian town, one of the soldiers of Company C neatly sums up the average infantryman's experience of World War II: "When this war's over, I'm gonna buy me a map and find out where I've been." Released less than three months after the German surrender, The Story of G.I. Joe is a gritty portrayal of the reality of war: defeat as well as victory, blood and mud as well as glory.

William Wellman's film was based on the newspaper columns of war correspondent Ernie Pyle (played by Burgess Meredith), and through him we get to know a small group of ordinary infantrymen as he follows them from North Africa into Italy. They're led by Captain Bill Walker (Robert Mitchum), who claims he earned his rank by living longer than the other lieutenants, and Sergeant Warnicki (Freddie Steele), a tough, gruff career soldier who carries a carefully wrapped recording of his son's voice across Italy in search of a gramophone. The soldiers--many played by real veterans of the Italian campaign--mature as we get to know them, becoming battle-hardened but increasingly exhausted.

Meredith is effective as Pyle, who quickly becomes something of a company mascot. He earns the respect of the GIs by sticking around when the shells start to fly, and he becomes an even bigger hit when he brings them all turkey and cigars at Christmas. But if this quintessential ensemble piece belongs to anyone, it's Mitchum as the battle-weary C.O. Fiercely loyal to his men, he feels every death as a personal loss but refuses to flinch from his duty. Mitchum brings an extraordinary depth of emotion to his performance, and he received a well-deserved Oscar nomination.

Much of the film's strength lies in the contrast between the human side of war--bored men trying to stay sane in cramped dugouts--and the inhuman randomness of its destruction. After every battle, ambush, or artillery attack there's a terrible moment when we wait to see who is dead--"We lost three," says Sergeant Warnicki as a few men stagger in from a patrol. The nerve-shatteringly realistic battle sequences bring to mind Saving Private Ryan, and The Story of G.I. Joe is a strong competitor with Spielberg's acclaimed film for the title of greatest-ever war movie.

Several of the soldiers who appear in the film, along with Ernie Pyle himself, died in action before The Story of G.I. Joe was released. Fifty-five years later it still stands as a memorial to them and to all of the ordinary men and women who died in World War II. --Simon Leake ... Read more