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| 1. Agatha Christie's Miss Marple Gift Set Director: John A. Davis (II), Tony Wharmby | |
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Amazon.com Reviews (6)
One of the most irritating things about this set is that each movie is split up into 3 episodes, each with the same opening and closing credits, just like they are broadcast on TV. Of course, the viewer can fastforward through this, but it was a stupid thing to do, and it's just another indicator of the lack of care in making this set of DVDs. It's wonderful to have these mysteries available again on video, but it's aggravating to see the indifference of big business to its customers and to its own product. Buyer beware! ... Read more | |
| 2. Agatha Christie's Why Didn't They Ask Evans? Director: Tony Wharmby, John Davies | |
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Amazon.com Reviews (4)
The lead characters, played by Francesca Annis and James Warwick, are just as attractive a couple as they are in Tommy and Tuppence, except they don't seem to realize it until they've both had romantic "flings" with other characters in the cast. The sets and costumes look authentic 1920s, and the cars are particularly interesting, especially in the used car lot. Nit-picking aside, this is a thoroughly worthwhile DVD that should appeal to most mystery and Agatha Christie fans in particular.
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| 3. Agatha Christie's Partners in Crime - Tommy & Tuppence, Set 2 Director: John A. Davis (II), Tony Wharmby | |
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Description Francesca Annis (RECKLESS) stars as Tuppence, in stunning period outfits created especially for the series, with James Warwick (LILLIE) as the dry-witted and dapper Tommy. In this collection of six episodes from the popular TV series PARTNER IN CRIME, the stylish pair ply their trade as proprietors of Blunts Detective Agency. Reviews (1)
The best thing about this "Tommy & Tuppence: Partners in Crime" series is the outrageous costumes Francesca Annis gets to wear, the most spectacular appearing in the last episode in this boxed set. Now this is featherlight Agatha Christie, so do not expect the complex kind of case that Wimsey always--and Poirot often--has to solve. The inside joke of the T&T novels is that in each one they emulate the techniques of a famous fictional detective. For example, in one episode Tommy (James Warwick) is dressed as Father Brown and the last mystery is described by the team as a real Edgar Wallace case. "The Case of the Missing Lady" is probably the silliest of them all, and even Tuppence is required to do a comic turn that is frankly embarrassing. "The Unbreakable Alibi" has a solution that is utterly predictable, while the same could be said about the culprit in "The Man in the Mist." "The Crackler" is probably the most satisfactory. All in all, good lightweight fun, but few thrills. And the Annis character can get a little "too too" now and then and start to grate in a way that she does not in the novels. | |
| 4. Agatha Christie's Partners in Crime - Tommy & Tuppence, Set 1 Director: John A. Davis (II), Tony Wharmby | |
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Reviews (8)
Not as eccentric as Poirot and Miss Marple, Tommy and Tuppence are nevertheless immediately likeable, and perfectly cast in this 1980 - 1982 TV series with Francesca Annis and James Warwick, reprising their successful collaboration from the 1980 realization of Christie's "Why Didn't They Ask Evans?" Taking its title from the second entry in the Beresford cycle, originally only the short stories contained in "Partners in Crime" were developed for television; "The Secret Adversary," although set earlier in the literary originals' sequence and providing critical background information on the couple's friendship, was only adapted as a feature film two years later. (Fortunately, the original order is restored in this video and DVD release.) Although "The Mysterious Affair at Styles" had already proved Christie to be a writer of exceptional talent, her first Tommy and Tuppence adventures - penned for financial reasons as much as out of a desire to write - still show her style as a work in progress, sometimes lacking certainty as to what exactly works in terms of characterization and storylines. While she succeeds, like in the first Poirot mystery, to immediately draw in her audience, and the Beresfords are presented in as much detail as the little Belgian with the many gray cells, the plotlines - particularly that of "The Secret Adversary" - sometimes stretch credibility and have a whiff of the kind of story that Arthur Conan Doyle could get away with 20 years earlier, but which Christie herself (wisely) only took up infrequently later (and generally with more solidly constructed plotlines and often with Poirot as the main character). Thus, if the televised versions of these early Tommy and Tuppence stories appear somewhat less convincing than the subsequent, more acclaimed adaptations of Christie's Poirot and Miss Marple mysteries, this is at least partly owing to the literary originals themselves: The creators of the TV series reproduced the mysteries' "swinging Twenties" setting successfully and with a fine eye for detail; and Francesca Annis and James Warwick give terriffic performances as the vivacious, hat-loving Tuppence and her (almost) equally witty, slightly more settled husband. Tommy and Tuppence's boisterous young assistant Alfred is portrayed by Reece Dinsdale (best known, since, as Guildenstern in Kenneth Branagh's "Hamlet" and D.I. Scott in the mid-1990s British cop show "Thief Takers"); and there are recurrent appearances by British TV regular Arthur Cox as Detective Inspector Marriott, in the televised version chiefly responsible for establishing the couple as owners of Blunt's International Detective Agency (in the books, the agency is a cover for the Beresfords' spy activities), who informally continues to consult them whenever he feels that Scotland Yard's official capacities have reached their limits. "The Secret Adversary" sees Tommy and Tuppence after the end of WWI, both out of work (Tommy has been an intelligence officer, Tuppence a nurse) and looking for adventure. That opportunity presents itself when, as a result of two newspaper ads, they are sent on the hunt for a lost treaty which, if published now, would cause a general strike and throw the country into turmoil, thus playing into the hands of a mysterious criminal known only as "Mr. Brown," and set on nothing less than the attainment of absolute power. The key to the treaty is believed to lie with a young American woman named Jane Finn, who has likewise disappeared and whose cousin Julius P. Hersheimer (or is he really?), Tommy and Tuppence learn, is "the third richest man in America." - Further notable appearances here include those of Alec McCowen (influential barrister Sir James Peele Edgerton), Gavan O'Herlihy (Hersheimer), Peter Barkworth (intelligence chief Carter) and Honor Blackman, as well as George Baker of "Inspector Wexford" fame, as members of "Mr. Brown"'s gang. The shorter "Partners in Crime" mysteries have Tommy and Tuppence hunting for a vanished perl and uncovering, in turn, the mastermind behind a string of poisonings (drawing on Christie's trademark knowledge acquired when she was a nurse in WWI herself), the culprit of a murder during a masked ball, and the evil spirits responsible for a series of seemingly unearthly occurrences in an old house (again drawing on Christie's own experience, as the sleuthing couple's client is compelled - like Christie's mother periodically - to rent out rooms in her large house as a means of survival). The common trait of these mysteries is Tommy and Tuppence's repeated assumption of the roles of famous literary detectives; most obviously by attending the aforementioned masked ball disguised as Sherlock Holmes and Dr. Watson. While not quite on the level of Christie's more famous mysteries and their recent TV adaptations, this series is an enjoyable romp through the the swinging 1920s' London. And who knows - maybe 20+ years after its initial airing we'll see a realization of one of Tommy and Tuppence's later adventures? Annis and Warwick might be about the right age for "N or M" now ... or even better, "By the Pricking of My Thumbs," which unlike the earlier mysteries easily stands up with the best of Christie's other works!
"Secret Adversary" is a puzzle to me. I've read the book and studied the period but I can't imagine what unsigned treaty with the US when we were neutral, if it turned up some six years later in the UK, would be inevitably cause a general strike and a revolution. (The Atlantic Charter didn't do that in WWII.) And it's unsigned so why not just deny, deny, deny? Throughout the T & T series in the spy stories Christie hints but doesn't give us enough information to understand, all these years later and an ocean away, the gravity of the situation. Apparently Christie felt the UK was teetering on the brink of a Communist coup. She may have been warning the British public,--which is odd, really, in a book that spun off short stories that are lighthearted and humorous.
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| 5. Agatha Christie's Seven Dials Mystery Director: Tony Wharmby | |
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Description Reviews (1)
Acorn Media states that due to age deterioration of the original 1981 TV materials, image and audio flaws were beyond their ability to correct. Indeed, pronounced image grain exists, especially in low-light and frequent night-time scenes; full-light scenes are somewhat better. Occasional color fidelity flaws and slight audio-volume fall-out also occur. While this reviewer considered these flaws a nuisance, their endurance is the price of having this otherwise great production available. Christie afficianodos may notice plot devices she used elsewhere. Adapted by Pat Sandys, the script has only trivial variations from the original novel. The large cast makes the opening scenes a little confusing as to the characters' relative importance, the several locations involved, and the convoluted plot elements. But it's all there from the book. Those encountering this mystery for the first time must either pay very close attention, especially initially before things sort out or, as this reviewer did, enjoy a repeat performance of this imminently re-watchable production. Attractively, in the denouement critical scenes are re-played in flashback; events being shown as they "really happened", including critical details necessarily omitted previously. The extravagant multitude of ticking and chiming clocks (even a giant clock tower); the lush room set interiors and period dress; the building exteriors, ivy, grounds and countryside; and the perfect-condition period cars generate a classic and satisfying atmosphere. For American audiences: diction is clear, accents presenting no problem. Great fun and highly recommended, essential for classic mystery lovers and collectors. Also included are cast filmographies and a Christie biography. Acorn Media strikes again in their commitment to great British material on DVD. ... Read more | |
| 6. Trade Winds Director: Charles Jarrott, Reza Badiyi, Tony Wharmby | |
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Description | |
| 7. The X-Files - The Complete Seasons 1-8 Director: William A. Graham, Paul Shapiro, Glen Morgan, Larry Shaw, Terrence O'Hara, Tucker Gates, James Wong (IV), Rod Hardy, Kim Manners, Robert Lieberman, Tony Wharmby, Richard Compton, James A. Contner, Michael W. Watkins, Allen Coulter, Stephen Surjik, Michael Vejar, Thomas J. Wright, Ralph Hemecker, Nick Marck | |
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| 8. To Be the Best Director: Tony Wharmby | |
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| 9. JAG Director: Ian Toynton, Jeannot Szwarc, Oz Scott, Doug Lefler, Harvey S. Laidman, Winrich Kolbe, Bradford May, LeVar Burton, Peter Ellis (III), Paul Schneider, Donald P. Bellisario, Hugo Cortina, Terrence O'Hara, Jim Johnston, Michael Schultz, Les Landau, Mark Horowitz, Tony Wharmby, Jerry Jameson, Richard Compton | |
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