Reviews (182)

certainly memorable
Life as a house is a brilliant movie. There is never a dull moment. Although it does not have war planes crashing at every second, it still keeps your attention. The story is about a divorced man (Kevin Kline)who has drifted from his family and from his son espcially. His son visits him on certain weekends and doesn't like it too much. Then the dad finds out he is going too die soon so he wants to do the things in his life that he has put off for so long, like rebuilding his beach shack and reconnecting with his lost son, Sam (Hayden Christensen). Hayden Christensen turned in a beautiful performance and he really makes you feel what the character was feeling. Sam is somewhat of a case. Certainly not the kind of kid your parents wanted you hanging around. It will surely be a long time before I forget this film, not only because of the wonderful story line and intense drama, but for the wonderful Oscar deserving performances also. Espcially by newcomer Hayden Christensen(Anakin Skywalker in upcoming Episode 2). He really portrayed his character, Sam, perfectly. He is an outstanding actor; not just for a newcomer. He really gets your attention.
Life As A House is one of the best films I have ever seen. It was certainly a memorable film.

A good movie that might have been great
Have you ever watched a movie, totally engrossed, walked out of the theater satisfied that your hard-earned money was well spent, went to sleep, and then woke up the next morning with the sneaking suspicion that someone had pulled a fast one on you? This was my reaction to Life as a House.

Wonderful, engaging performances by Kevin Kline, Kirsten Scott-Thomas and Hayden Christensen make it an enjoyable experience despite the overcrowded, mediocre screenplay, which often resorts to cheap and unnecessary tricks and clichés to tug on our emotions. An early scene involving George (Kline's character) and a compassionate nurse is one example. Another involves an awkward subplot with an angry neighbor and a building inspector. Like many things that happen in Life as a House, it adds nothing to the story, and detracts from the characterizations and struggles of the main players. And the final scene! Well, please. Don't get me started.

Still, despite the flaws, the movie is sweet and enjoyable. After all is said and done, a good movie that might have been great with a better screenplay.

Wonderful
A person walks away from this movie thinking how lucky he or she is to just be alive! Bravo! Kevin Kline's best performance except for "Sophie's Choice."

Life is a house, not American Beauty
First of all, Life As A House is pretty much like American Beauty, only better. Hayden, from Star Wars 2, portrays the teenager in a very dysfunctional family, while Kevin Kline plays his father. Like American Beauty, it seems like the whole block is dysfunctional, and they pretty much are. Yet, when Kevin Kline is diagnosed with cancer he decides to build the house he has always dreamed of, and in doing so try to reconnect with his son. I personally feel that although this is a very typical picture of teen angst and family dysfunction it is shown in a fresh new way, and one that actually connects with the audience.

good movie
this overall was a very good movie. hayden christensen was excellent in it, as was kevin kline. i would have given it the full 5 stars, but some parts were a bit melodramatic. besides that, this movie was both funny and sad, put together with a great cast to produce a very good movie. i would probably give it 4 1/2 stars but thats not really an option. ... Read more

Reviews (11)

A Wonderful Story Riddled with Too Many Unanswered Questions
De-Lovely has all of the makings of a great movie. It has a wonderful and engaging cast, especially Kevin Kline as the American composer and songwriter Cole Porter. Ashley Judd is ethereal as the long-suffering wife of Cole Porter, Linda Lee Porter. Cole Porter?s music?performed mostly by today?s musical contemporaries like Robbie Williams and Sheryl Crow?is still beautiful, catchy and witty. The period suits and dresses are aesthetically pleasing. With all those pluses, De-Lovely should have been an excellent and entertaining movie but it isn?t. It left with me with an empty and confused feeling.

Cole Porter (1891-1964) married Linda Lee Porter (1883-1954) in 1919. Linda was a wealthy divorcée, and several years older than Porter was when they wed. Porter was gay. Linda and Cole shared a mainly platonic marriage, which included separate bedrooms in their lush houses. The biopic De-Lovely inspires to be a celebration of their relationship, a love affair that is higher (and perhaps purer) than sex and sexual orientation. However, it doesn?t succeed.

The movie never truly explains why Linda accepted this type of arrangement even though she knew from the start that Cole would rather sleep with men. Did she do it because she was lonely? Did she do it because they were great friends? Or did she do it because she needed a cover for her own sexual orientation? One never knows. In De-Lovely, Linda Lee knowingly marries a gay man yet balks (a lot!) when Cole has trysts with men. She encourages him to move to different parts of the world to work on his music in hopes that it will distract him from his extramarital affairs, and then becomes upset when it doesn?t. She even leaves him, only to come back when he is injured in a horseback riding accident. It only appears in this movie that Linda stayed with Cole to be able to apply for martyrdom.

One is motivated to watch the movie from beginning to end to see if the secrets of their relationship are ever revealed. They are not, and, in the end it, makes De-Lovely a very dissatisfying movie despite its wonderful characteristics.

As earlier mentioned, Kevin Kline?s performance is sublime. The music, although performed with a certain amount of campiness, remains timeless. (Skip the De-Lovely soundtrack and check out the Ella Fitzgerald Sings Cole Porter or the Frank Sinatra Sings Cole Porter CDs.)

Even educated fleas do it.
My main problem with "De-Lovely" has nothing to do with the acting, the music or the way that director Irwin Winkler has chosen to present the material.

Kevin Kline is excellent in this movie, and Ashley Judd gives her best performance in years, which isn't really saying much. The music is excellent, though it's occasionally obtrusive in the movie.

The "It's a Wonderful Life" story device used to tell the story is a bit odd, to be honest. In it, the aged Cole Porter is commanded by some sort of visiting angel or "director," played eerily by Jonathan Pryce, to tell the story of his life. So, occasionally, the entire natural story stops, allowing for aged Cole to interfere or intervene in the way his life is going.

My main problem, I fear, has to do with the arrangement behind the marriage of Cole and Linda Lee Porter, which is not the movie's fault at all.

I'm bugged by the fact that Linda Lee marries Cole knowing full well that he's gay - yet much of the movie is devoted to how it's difficult for her to live with this choice. When she sees him devoted to another man, she moves them to another country, even though she knew he was gay to begin with. It's like she's a hanger-on, even though he didn't love her the way she needed to be loved. There's was a marriage-of-convenience, not of romantic love.

There are too many shots of Linda looking disappointed that her husband is cavorting with men, even though she knew before they married what he did.

Linda herself admits to not much liking men. Her first husband, according to the movie, abused her, so her marriage to Cole, one of "respect," is without passion.

The entire movie is about their compromise, and it's difficult to watch or determine what exactly we as an audience are supposed to feel about it.

Either Cole is horrible for cheating on his wife with her permission. Or Linda is silly for intentionally entering into a loveless marriage to someone who is actually a very dear friend who cares for her intimately.

See it for the music. See it for the acting. And, if you're gay, be very happy that you live now and, more than likely, no longer have to undertake a sham marriage and hide who you really are.

Absolutely Fantastic
I had to drive nearly 60 miles just to see this movie and it was worth the gas money to do so. This film is brilliant, and without a doubt, I would drive the 60 miles just to see it again.

Kevin Kline stars as songwriter Cole Porter, who lives his life to the fullest and doesn't deny himself any happiness, whether it's happiness with his wife (played by the fantastic Ashley Judd) or with a man. It's life shown even at it's weakest moments-- his wife losing a baby and Cole being thrown from a horse and having serious problems with his legs afterwards, making it hard to use the piano pedals.

This film is so poignant and lovely in every aspect. We get plenty of musical numbers of marvelous Cole Porter tunes, sung by wonderful guest stars, including Robbie Williams, Sheryl Crow, Elvis Costello, and Alanis Morissette. The performances by Kevin Kline and Ashley Judd have OSCAR written all over them.

I highly recommend this film! Even if it's out of your way, as it was for me, try and make the trip anyway. If you're one of the lucky few who lives close to a theater playing this wonderful film, do not miss out on the amazing opportunity to see this one!

This Is Your Life, Cole Porter!
Irwin Winkler, the director of this film about Cole Porter, has chosen the device of the movie within the movie or play within the movie to present his story. Cole Porter (Kevin Klein) is an old man (wondrously made up incidentally) sitting in an empty auditorium watching his life unfold before him. There are many good reasons to see this movie, not the least of which is the score (words and music by Cole Porter). Both Klein and Ashley Judd do respectable jobs with their singing, which runs of course in the Judd family along with good looks. Some of the singing done by various artists is uneven; but seeing the movie made me want to buy a Cole Porter CD sung by someone with the talent of Ella Fitzgerald, for instance. Although the critics seem to be agog over Klein's acting-- and he is fine here-- certainly his performance is balanced by that of Ms. Judd, who does a beautifully nuanced portrait of Linda, Porter's (for the most part) understanding wife.

Although Mr. Porter wrote wonderful music which is still bringing joy to a great many people, his marriage, particularly in his later life, if the movie is accurate, was not always happy. There is never any question, however, that the love between the Porters was true and enduring, in spite of Porter's other gay "night" life. The film is quite moving; the stranger sitting next to me wept several times in the movie and I heard sniffles behind me.

The movie is beautifully filmed. The Coles obviously were high rollers-- lots of alcohol, cigarettes, roses, parties, fine cars and furniture; and the two stars must have worn every costume from the Armani catalogue.

A glossy, sometimes brittle and ultimately sad movie.

Truly being in love and what it calls of us.
This is a magical story of success in love and in the world and what toll each of these takes on the other. Keven Kline and Ashley Judd play the Porters in young and old makeup and you are taken along for the ride without question. Both give oscar nomination performances. After the showing the audience erupted in applause. This is a love story first and foremost. It will captivate your finer feelings, at times likely to insult them but all in all will stretch concepts, perameters and capacities of love. I walked away loving life and feeling hopeful. ... Read more

Amazon.com

The Net, the first of Hollywood's big cyberthrillers of the mid-1990s, was also the most successful, thanks in large part to the natural appeal of star Sandra Bullock.Still riding high from Speed and While You Were Sleeping, Bullock plays a computer expert victimized by sinister cyberforces who steal her identity for reasons unknown. It's a clever combination of high-tech paranoia and Hitchcockian references (including Jeremy Northam as a romantic stranger named Devlin, after Cary Grant in Notorious).Film historians may look back someday on films like this--Roger Ebert calls them "hacksploitation"--to see what they reveal about our society's reaction to the increasing role of technology in our lives, just as we now study the fears of Communism and the atom bomb reflected in films of the 1950s.Dennis Miller and Diane Baker costar.--Jim Emerson ... Read more

Reviews (56)

Thriller, Meet Ms. Bullock
I think Sandra Bullock has covered almost every movie genre but horror. And she's done each with expertise and fun. In The Net, Sandra plays Angela Bennett. A woman committed to her job as a computer virus-detector. After having a one-night stand with a guy on her only vacation in 6 years, her life ... is suddenly gone. All because of a single disc in which the man she slept with wanted. Now she must run from the police, and the group of people out to get her. With only the aide of her old shrink and lover, played by Dennis Miller. Sandra tackled the role of Angel Bennett as well as she has all of her roles. She shines throughout the whole movie. Although her character falls deeper and deeper into insanity. Dennis Miller was the comic relief, and did well at that. The story itself is something that could happen in real life, and that made the premise frightening in a way. To have your whole life stripped away from you in one second is absolutely terrifying. The directing in The Net wasn't topnotch, but does keep you on the edge of your seat. I wish the DVD would've had at least a featurette or something. It doesn't even come with a theatrical trailer. But the picture and sound quality are good, and there are scene selections. The menus look like they're right from a computer program. The Net isn't one of Sandra's best movies (Leave that to Miss Congeniality), but it certainly is one of the entertaining ones.

Underrated Bullock Film
Sandra Bullock stars in THE NET, a suspenseful thriller that will leave you at the edge of your seat. She plays Angela Bennett, a woman who is cut away from reality and the world and works from home as a computer virus detector. She comes across a disk which has a glitch that allows hackers to get into the FBI system. She takes a vacation and has a one night stand, with the man who is after her disk! Soon she finds her identity has been erased, and is forced to take on the identity of Ruth Marx. Soon she discovers this Ruth Marx has a criminal record, and must go on the run to protect herself and try to win back her identity. Dennis Miller plays her ex therapist and lover, who is a bit of a comic relief in the movie. The movie is fraught with mystery and suspense, as the story unfolds you'll find yourself hooked until the very end, when Bullock's character unravels the mystery and regains her life. THE NET is a movie that isn't as well regarded as some of her other hit movies like WHILE YOU WERE SLEEPING, MISS CONGENIALITY or SPEED, but it fits right among them as one of her best. She plays the part really well, of a woman who is terrified to find out that she has lost her identity. A must watch.

The tv-show was better
I remember when I saw this movie the first time I loved it, but ever since I saw the tv-show, this movie isn't much...

I wish they just would release the tv-show on DVD, so I could watch it again...

Sandra Bullock is the Best!!!!!!!!!!!!
I love Sandra Bullock she is a very good actress. You will even like the movie if you are not a techie.

medicore
Sandra Bullock- you either love her or you hate her. I must love her, because I can sit through even her worst movies, this being one of them. She gets into trouble with some computer crap, guys try to kill her blah blah blah. Boring and unoriginal but if youre a Sandra fan like me youll grin and bear it ... Read more

Reviews (66)

Artistic Myopia Prevails in Disappointing Drama
Irwin Winkler's AT FIRST SIGHT, ostensibly based upon a true story, begins promisingly as an affecting romance that soon takes a turn into sappy Hollywood "feel good" territory, which is a shame considering the caliber of the performances and the man in the director's seat. Mira Sorvino is quite wonderful as a woman who falls in love with a blind masseur, played with commendable plausibility by Val Kilmer. Kilmer has been blind since the age of one, and reluctantly agrees to undergo an operation at Sorvino's suggestion that may restore his sight. The big question is, will their romance weather the emotional storm ahead? Does the audience know? Does the audience care?

Despite the film's nearly 130-minute running time, the story feels rushed. An hour should have been devoted to Sorvino and Kilmer's budding romance and allowing the audience to take emotional stock of their situation, with the second hour focusing on the complications that ensue following the operation. For a theatrical treatment, it all feels so "Movie-of-the-Weekish". Both Kilmer and Sorvino are accomplished performers, and quite frankly they deserved better. The biggest problem lies with the script. The characters are not three-dimensional, and everyone says what they mean (yeah, right - just like in reality), and if they don't someone else says it for them. Nothing is left up to the audience, it's merely presented to us. A story like this requires far more complexity and emotional depth. One gets the impression the film was rushed or taken away from the director during post-production.

One can only wonder how this story would have fared under the cinematic microscopic scrutiny of Atom Egoyan.

A fine romance drama, which is Based on a True Story.
A Blind Musseur named Virgil (Val Kilmer), been blind by the age of Three, his older Sister (Kelly McGillis). When Virgil has meet a attractive woman (Mira Sorvino) named Amy, he helps Amy to hear and sense of the world, giving her a new spirit and a burst of creativity. When Amy takes Virgil to New York for a Opearation on his eyes, a few days after the Operation, he could see. He falls in love with Amy but the Operation wasn`t that successful and he slowly losing the sight.

This film is based on a Original Article by Dr. Oliver Sacks. Fine Performances by Kilmer, Sorvino, McGillis and Nathan Lane. Directed by Irwin Winkler has a made a touching drama about Love and Sight. A Well made film. Grade:A-.

Quite enjoyable. I truly enjoyed this movie.........
Based on a true story of a blind man who regains eyesight and is able to see. This movie is beautifully written. Although I have not read the book or original material related to the movie, I would definitely say that it is an enjoyable couple's movie, a movie about the bonds of love despite all the "handicap stigmas," and how a couple finds a deeper meaning to their lives.

Good movie, worth the viewing..........

Diego R. Rodriguez
Chicago, Illinois

Val Kilmer is Wonderful
There were parts of this movie that will make you wish that you were blind(and deaf) these are just all the parts that Mira Solvino was around for, I'm sorry she just can't do romanitic commidies.

Kilmer was great playing a blind man who is given his sight and has no idea how to react to it. His performance at least is something everyone should see.

Kilmer is amazing
Kilmer gives a caring and powerful performance as a masagge therapist whose blind and encounters the lovely Mira Sorvino and they fall romantically in love, its just great, then Kilmer goes and gets his blind eyes fixed and then he can see but hes not adapted to the world with its shapes and sizes and then he goes blind again at the end. you cant take your eyes of Kilmer, you really care for his character and what hes going threw and Nathan Lane is great as the blind school teacher. ... Read more

Reviews (11)

Underrated
This movie is a saddening look at one of America's darkest times. It has received lots of negative reviews, but don't listen to them. It is the best movie I have seen about the times and it captures the essence of Hollywood during the 1950s when McCarthy and the House Un-American Committee were at the peak of power. Robert De Niro is excellent, as always, as David Merrill, a director with success, fans, and he is living his dream. Then he goes on a vacation, and when he returns, the town is different. The movie opens up with a typical Committee meeting in which David's friend Larry is spooked by the committee. Before long he is burning his books and disowning his wife as a communist. Red Fever has hit town, and David is next in line. Somebody has named him as a Communist sympathyzer, and he refuses to testify to the Committee because he is angry and doesn't want to hurt his friends. Before long he finds he cannot get a job, not directing, producing, or even working in a film repair shop. His life is turned upside down, and he decides finally to testify to the Committee. The acting is what makes this movie, De Niro, but also Annette Bening, George Wendt, Martin Scorsese is great in a cameo. My favorite part is when one cast member is called a commie by the producer for siding with David. "I turned in commies without the government even asking. If you want to call me a commie, you got to back it up." David replies, "If he wants to call you a commie, he doesn't need to back it up." Some people say it is contrived or unbelievable, but the transformation in David, from materialistic director to a man seeing the need to defy the McCarthyists is done well. If you like history, or if you like De Niro, you will enjoy this film.

Guilty By Communism (If The Shoe Fits...)
Another attempt by leftists to rewrite history and generate sympathy for (and disguise) their collaboration with those who seek to destroy our American way of life. Don't fall for it.
In relation to this dramatized account, I recently watched "Hollywood On Trial", which also seeks to generate sympathy for anti-American activity by showing genuine footage of the "terrible/tragic/unfair/mean spirited/hateful/etc, etc, etc" actual hearings. The interesting thing is that instead of accomplishing the mission of showing the Hollywood Ten as poor, helpless, innocent victims, rather it shows them up for what they actually were (are): communists. It is hilarious to watch them squirm, backpedal and crawfish when asked a simple, straightforward, easy question: "are you now, or were you ever, a member of the communist party?" Anyone who cannot answer this simple question in one word does not need to be in hollywood cranking out subversive, unpatriotic, communist, anti-American propaganda disguised as "entertainment".
For the real story on communist infiltration of hollywood (which is still very much prevalent today, as evidenced by this production of "Guilty By Suspicion"), as well as the real story about Senator McCarthy's efforts to resist those whose goal was (is) to destroy America, I highly recommend the book "Treason" by Ann Coulter (also available on audio CD), which exhaustively documents that communists in America were (and are) not "Guilty By Suspicion", but instead were simply guilty because, despite all their loud, thrashing-around, indignant, tearful, smoke screen laden protestations to the contrary, they were and are communists, committed to the destruction of America.

Guilty by Fact
This is just another pro-communist film that tries to re-paint the 1950's as some type of ruthless time subjected by patriots against innocent leftists. The reality is that Hollywood was full of not only leftwingers but with hardcore communists as well. These people conspired with Soviet agents to tilt the U.S. to the Left and to aid the Soviets in their global war against the U.S.

This film is pure lies in the way it tries to portray these communists as innocent filmakers. The reality is that they were quite guilty and the evidence demonstrating this was without a doubt quite valid.

There's nothing to see in this film that would relate to historical fact so don't waste your time.

A MOVIE THAT PRESENTS THE ANTI-COMMUNISM SUBJECT.
The movie is set in the times when the sole mention of the term "communist" was seen as synonymous of "evil". The film is a critique to the House Un-American Activities Committee (HUAC), when it created a Hollywood blacklist, which included Hollywood celebrities considered as communists, banning their works and denying them the opportunity of getting new jobs, until they provided names of more people that "attempted against the American Way Of Life".

Despite the fact that a lot of people confusedly relates the communism with the word "criminal", actually the communism is another way of life of some countries, mostly Europeans. "Guilty By Suspicion" criticizes the paranoia that a lot of people suffered when they heard the word "communism". The thing is that there were (and there are) some criminal communists, as well as there were (and there are) some criminal German, Americans, Mexicans, English, Asians, etc., in all the world there are criminals. But is ridiculous to judge a whole culture with a different way of life based on a few bad people.

Perhaps "Guilty By Suspicion" is not the best political drama movie, but its message is clear, and also features good performances (the fantastic Robert De Niro and the attractive Annette Bening), interesting situations, and a Martin Scorsese cameo. At the end of the day, "Guilty By Suspicion" is an interesting political drama.

Paranoia at its worst
This is a great film about one of the darkest period of American history, the Committee on Un-American activities in 1952, what is known as McCarthyism. It deals only with Hollywood though it had a quite wider range. What is striking about the film is that it looks at this unbearable negation of the American constitution only from the human consequences it created : wives, children, and of course husbands too, but most of the victims were men, at least as shown in the film. The people who came under suspicion were tracked down, under permanent surveillance from the FBI, and they lost all their jobs, all employment possibilities, in the film industry but also in any field possible, no matter how small. They were pushed into suicide, or dereliction. They lost their houses, their property, any means of living and they had to disappear. Happy were those who had passports from other countries, because they were able to leave the country in time, like Charlie Chaplin, and to get refuge in England, France or other countries. There is absolutely no excuse for this action, even if there are many explanations : the Cold War, the anticommunist panic, jealousy and competition from those who were not at the top and managed to get rid of those who were at the top and blocked them, ambition to be able to have a career even if the ambitious did not have the value of their victims, etc. It created a society based on rumors, denunciations, hatred, and a total lack of human values and rejection of all moral and ethical principles. The State had become crazy and had reinvented the fascism that it had fought in Germany and Italy. But the worst part of it is that it took America twenty years to repair the damage. A nd some were not repairable, like the execution of the Rosenbergs. In spite of all, the film is optimistic on human nature, too optimistic, because it is centered on two friends who refuse to talk, who refuse to answer the questions and give names. But those courageous individuals are so few that this optimism is reduced to nearly nothing, a few human beings who consider that their principles, the very principles of their American constitution are more important than their present and their future, that it is easier to explain to their children the victimization they suffer than to explain to them when they are of age that their fathers or mothers had been finks, unhuman an inhumane vultures giving their own friends to the claws of vengeance rather than defending those friends as best they could, which was their Christian duty too. Dr Jacques COULARDEAU, Paris Universities II and IX. ... Read more

Reviews (56)

Thriller, Meet Ms. Bullock
I think Sandra Bullock has covered almost every movie genre but horror. And she's done each with expertise and fun. In The Net, Sandra plays Angela Bennett. A woman committed to her job as a computer virus-detector. After having a one-night stand with a guy on her only vacation in 6 years, her life ... is suddenly gone. All because of a single disc in which the man she slept with wanted. Now she must run from the police, and the group of people out to get her. With only the aide of her old shrink and lover, played by Dennis Miller. Sandra tackled the role of Angel Bennett as well as she has all of her roles. She shines throughout the whole movie. Although her character falls deeper and deeper into insanity. Dennis Miller was the comic relief, and did well at that. The story itself is something that could happen in real life, and that made the premise frightening in a way. To have your whole life stripped away from you in one second is absolutely terrifying. The directing in The Net wasn't topnotch, but does keep you on the edge of your seat. I wish the DVD would've had at least a featurette or something. It doesn't even come with a theatrical trailer. But the picture and sound quality are good, and there are scene selections. The menus look like they're right from a computer program. The Net isn't one of Sandra's best movies (Leave that to Miss Congeniality), but it certainly is one of the entertaining ones.

Underrated Bullock Film
Sandra Bullock stars in THE NET, a suspenseful thriller that will leave you at the edge of your seat. She plays Angela Bennett, a woman who is cut away from reality and the world and works from home as a computer virus detector. She comes across a disk which has a glitch that allows hackers to get into the FBI system. She takes a vacation and has a one night stand, with the man who is after her disk! Soon she finds her identity has been erased, and is forced to take on the identity of Ruth Marx. Soon she discovers this Ruth Marx has a criminal record, and must go on the run to protect herself and try to win back her identity. Dennis Miller plays her ex therapist and lover, who is a bit of a comic relief in the movie. The movie is fraught with mystery and suspense, as the story unfolds you'll find yourself hooked until the very end, when Bullock's character unravels the mystery and regains her life. THE NET is a movie that isn't as well regarded as some of her other hit movies like WHILE YOU WERE SLEEPING, MISS CONGENIALITY or SPEED, but it fits right among them as one of her best. She plays the part really well, of a woman who is terrified to find out that she has lost her identity. A must watch.

The tv-show was better
I remember when I saw this movie the first time I loved it, but ever since I saw the tv-show, this movie isn't much...

I wish they just would release the tv-show on DVD, so I could watch it again...

Sandra Bullock is the Best!!!!!!!!!!!!
I love Sandra Bullock she is a very good actress. You will even like the movie if you are not a techie.

medicore
Sandra Bullock- you either love her or you hate her. I must love her, because I can sit through even her worst movies, this being one of them. She gets into trouble with some computer crap, guys try to kill her blah blah blah. Boring and unoriginal but if youre a Sandra fan like me youll grin and bear it ... Read more