Reviews (2)

"Six feet two and a half inches at your service, Madam..."
Patrick McGoohan is back as John Drake, the stylish no-nonsense good guy. Sets 4 and 5 of this clever spy show contain some of the best Danger Man episodes of all. Drake himself is a shade more cynical than in the earlier sets, and he is more reluctant than ever to blindly obey his upper-class superiors. Sometimes he seems tired of his job which forces him to live without wife and family and one can feel he is on the brink of resigning. As he is shown to be a chivalrous man, he is genuinely upset when his missions force him to inflict emotional distress on a lady.

The quotation above is from the delightful comedy "Have A Glass Of Wine" from set 3, but there are few as lighthearted episodes in sets 4 and 5. Most of the stories here are serious dramas, with lots of memorable scenes and sometimes tragic endings.

In "To Our Best Friend" Drake has to investigate one of his oldest friends who is suspected of being a double agent. Drake has to find the real traitor and at the same time save his friend from being executed by his own department.
In "The Man On The Beach" Drake's own loyalty is being questioned. The arrogance and cynicism he displays in this episode do not help him in that difficult situation. The episode has two spectacular and brutal fight sequences and memorable scenes with Patrick McGoohan and three leading ladies. Watch out for Drake's powerful scenes with Lady Kilrush and the dramatic ending.
The atmosphere of "The Man Who Wouldn't Talk" is particularly oppressive. Much of the story is set in a hotel room in Sofia - with the Bulgarian secret police closing in on Drake and a colleague of his who has to be rescued from imprisonment and torture.
In "Sting In The Tail" Derren Nesbitt almost steals the acting honours as psychopathic assassin Nourredine. In a chilling, film-noir like scene, two of Nourredine's thugs prepare to beat Drake up with the murderer cynically commenting on the procedure and a record playing Chopin's Nocturnes in the background.
"Someone Is Liable To Get Hurt" shows Drake in a very "Number-Sixish" mood. Part of the episode is set in a spacious villa where Drake is being held captive by a beautiful femme fatale. The situation makes him furious and we can watch him pacing up and down like a caged panther, constantly snapping his fingers and barely able to contain his rage. Patrick McGoohan is always great in scenes like these.

One of my all-time favourite episodes is "Are You Going To Be More Permanent?" which is a companion piece to "You Are Not In Any Trouble, Aren't You?" In both stories Drake obviously breaks his no-romance rule and both have the lovely Susan Hampshire as leading lady. She and Mr. McGoohan have several terrific scenes together and there are moments of intense sensuality between them. In the final scenes, which include some of the finest acting moments in the whole series, Drake's loneliness and disappointment are almost tangible.

"Danger Man" is a unique show. It has clever plots, beautiful filming, haunting music and a charismatic leading man. What further adds to its attraction is the way it captures the political climate of the Sixties which was so different from ours today. Britain still had parts of her empire, some of the episodes show the problems of newly independent countries and the British people left behind in their former colonies and in the Middle Eastern episodes the spirit of the Great Game of the 19th century can still be felt. This spirit of adventure makes the show still highly enjoyable and interesting to watch.

Danger Man Is a REAL Man
I am struck watching these shows at how different they are from James Bond. I am a Bond fan, but DANGER MAN almost makes Bond movies (especially the recent ones) look silly. In one episode contained in set 5, Drake passes out from blood loss. In another episode he is trying to escape detention and is out on the roof attempting to get a better grip on a rain gutter when it gives way and he falls and breaks his ankle. Drake then spends the balance of the episode forced to use a cane. Can you imagine Bond ever breaking his ankle like that or, for that matter, even breaking a sweat? McGoohan turned down offers to play Bond (twice) and let's all be thankful he did. Danger Man, John Drake, is a real man. And what a great series this is. Let's just hope A&E releases the rest of the episodes (about 8 or 9 more I think). Danger Man Tip: One thing I like to do is have a good supply of beverages on hand (I like rum and Coke) when watching DANGER MAN because people offer Drake an average of 5 drinks per episode, and it makes me pretty darn thirsty! ... Read more

Reviews (1)

The Saint Set 5: Solid action with The Saint...
Roger Moore returns as Simon Templar, alias "The Saint" in the fifth boxed DVD set of his exploits. Templar, the suave "Robin Hood of Modern Crime" is featured in seven more adventures from the 60's TV series. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).

Volume 9: (Disc 1)

The Gadic Collection - Episode 98: Rating (4)
This tale is set in Istanbul, and unfolds in classic "Saintly" fashion. While observing an assortment of museum pieces know as the "Gadic Collection", a beautiful young woman catches the Saint's eye, leading to an investigation into the collection's authenticity. Soon, Simon is up to his neck in murder, intrigue and deception. Except for some contrived silliness involving moving spiked walls, this a solid well-written story that holds together. Dark-haired beauty, Nicole Shelby is a plus.

The Best Laid Schemes - Episode 99: Rating (3)
In contrast to his "jet set" type adventures, from time to time The Saint would also become embroiled in more run of the mill "domestic" concerns. Here, Simon is in an English fishing village, when a dead body washes up on shore, apparently that of a cantankerous local sea captain. The Saint looks into the matter, and finds no shortage of suspects. The investigation is further complicated by evidence that the good Captain may still be alive. Who is the dead man, and how did he die? Sylvia Syms guest stars.

Invitation To Danger - Episode 100: Rating (4)
Once again, The Saint is set up to be the fall guy, in this instance he is suspected of robbing the casino of one Brett Sunley, a broker in international espionage. A victim of "the neatest piece of framing since the Mona Lisa", (to use the Saint's own words) Simon is backed into a corner, and forced to come out fighting hard. Featured in this episode is Shirley Eaton, the striking actress who had a golden finish as Jill Masterson, in the movie "Goldfinger". A complicated story with twists and turns aplenty.

Volume 10: (Disc 2)

Legacy For The Saint - Episode 101: Rating (4)
When Ed Brown, an ex-criminal leader is killed, The Saint gets involved with his daughter Penny, and in the execution of the dead man's will. The will challenges four of Brown's former criminal rivals to raise a sum of money, in order to receive a matching amount from Brown's estate. The deceased mobster has also left behind a plan for a criminal caper, one that could provide a payoff big enough for someone to claim the prize. All this, and Claude Eustace too, as the intrepid Inspector Teal from Scotland Yard is also on the case. A young and beautiful Stephanie Beacham guests as daughter Penny. This episode is the first to feature the new theme and closing music for the program.

The Desperate Diplomat - Episode 102: Rating (3)
Jason Douglas an old comrade of the Saint, and a diplomat to an African country, is suspected of stealing a fortune, and has now disappeared. Suspecting that he is in Geneva, Simon Templar arrives there with the missing diplomat's daughter Sara, looking to make contact. Also present is a group of criminals looking to get their hands on the loot. Suzan Farmer guests as Sara, the Saint's resourceful partner. Robert Hardy makes a most dislikable villain.

The Organization Man - Episode 103: Rating (3)
Set in England, The Saint goes undercover for the Queen, infiltrating a paramilitary organization training mercenaries for an unknown mission. Of course Simon's task is to find out just what they are up to. A rather implausible story with a lazy conclusion, that indulges someone's desire to see men in kilts. Why would the Saint ever become a mercenary?

The Double Take - Episode 104: Rating (2)
A fairly ridiculous tale, as the Saint is dragged into helping a Greek shipping tycoon who claims he is being impersonated by a perfect double. A dubious Simon Templar reluctantly agrees to help recover a code book, vital to the control of the tycoon's shipping empire. The screenwriting here is scraping bottom, bordering on the absurd, where irrational behavior by the Saint nearly gets him killed.

The Saint Set 5 starts out very strong, but finishes with some lackluster episodes. Still the collection is one of the better ones in the series. The best of the episodes have a no-nonsense approach, with a harder edge, solid action, and some excellent fight scenes. Overall, the writing is good, and not played for laughs. The bevy of beauties is better than average too, with a few ladies below age thirty for a change. As usual, look for Roger Moore's double in most second unit (location) shots.

One note about the episode numbers. Though there are a few different listings for the program, the listing used is one that most closely matches the "broadcast order" sequence that A&E is issuing them in. Episodes were not always released in the order they were produced or filmed. Fans of the Saint, are invited to view my other reviews of the series. ... Read more

Amazon.com

James Spader looks like the hardest-working man in show business as the busy,comic-romantic lead in this enjoyable "film blanc" (a tongue-in-cheek phrasecoined by film critic Andrew Sarris to describe that genre of moviesfeaturing ghosts in love). Spader plays Stevenson Lowe, heir to ahighly respected publishing firm that has recently been purchased by a giantmedia corporation. Though Stevenson has deluded himself into believing thenew owners will allow him to maintain creative control over his family's bookline, he soon discovers the unpleasant truth. A ludicrous executive (funnywork by Buck Henry) is pushing no-brainer tomes about cats and the female fatcell into the spring list, pushing poor Stevenson into the margins of his owncompany.

His helplessness has a way of resonating with other mushy areas of his life.Having purchased an expensive townhouse for himself alone, Stevenson severelydisappoints his long-suffering girlfriend (Polly Walker in a rare comicouting), who thought they were going to get married. The hero's dithering onthis sore subject gets more complicated when he discovers a pair of Jazz Ageghosts (Michael Caine and Maggie Smith) occupying his new home and dispensingunwanted advice about love. Directed by Peter Yates (Breaking Away),Curtain Call has a low-key charm kept alive by the considerable skillsof its admirable cast (including Sam Shepard, Marcia Gay Harden, and FrankWhaley), while a handful of memorable, screwball scenes deliver solid sightgags. Not a masterpiece, but a real treat. --Tom Keogh ... Read more

Reviews (5)

Great Cast, Mediocre Film
I wanted so much to love this film. Maggie Smith & Michael Caine together again (first time: "California Suite")was a big reason I sought this one out. The story idea is pleasasnt enough, but too often the scenes seem to just ramble on. There are bright spots, usually when Smith and Caine are around. The dialogue needed much more sparkle to make this film more memorable. A bit of better editing might have also improved the whole piece. An enjoyable, but rather disappointing experience.

Beetlejuice it isn't but still funny in a sophisticated way
I have watched this movie many times. Michael Caine and Maggie Smith are wonderful, I wish they would do another one like the Topper series. James Spader is great also, sort of Cary Grant similar. I don't remeber Polly Walker very well, the weak link? You also get Buck Henry and Sam Shepard! The music is wonderful also, very beautiful movie. I am delighted with many small production company movies, Kill the Man was a strained comedy but at least it was a true comedy instead of some of the movies big production companies try to pass off as comedies.

A well-acted comedy romance
There are actually two romances going on here, although the younger couple, which consists of Stevenson Lowe (James Spader), a young and successful 4th generation publisher, and his girlfriend Julia have quite a time of it just trying to come together! She wants him to marry her, but the old home he has just purchased has a few resident ghosts whom he needs to deal with first. Because to some degree they have contributed to his rift with Julia, (she says several times "I just don't want this" in confronting Stevenson's seeming inability to commit himself) the ghost couple also go to great lengths to bring the two of them together. However, there is another woman in the picture, one which Stevenson likes but not romantically and, well, things gets good and complicated down this path. Meanwhile, the ghosts, Max and Lily Gale, stage performers in their previous lives, dead as they are, have much to work on in mending their own age old romance. The acting is superb. The customes are posh if adequate. The story is original and thoughtful, and warm, it feels real, in spite of the infighting spirits. And -- a big plus -- the language is clean. It's a feel good movie. It's a great movie, bound to become a classic.

Curtain Call
A delightful romantic comedy with the talented James Spader, Michael Caine, Maggie Smith, and even Sam Sheppard, it is set in Manhattan, with a lovely old home furnished in fabulous antiques, including two ghosts who were famous theatrical personalities in life. Spader inspires giggles with another of his always surprising comedic presentations, especially in his "fright" when the ghosts appear. The music is warm and the characters are rich. The dialogue is bright. The film offers a beautiful fantasy escape to upper class New York and a look into the publishing business - enjoy it with a glass or two of wine, and it will seem very believable.

NICE STORY, TOO BAD IT'S UNINTERESTING
The premise sounds interesting for a romantic comedy: successful commitment-phobic man loses successful girlfriend after saying the wrong thing once too often, man discovers house he just bought is haunted by a former husband-and-wife vaudeville team who constantly bicker, man asks the ghosts for help in repairing his relationship, and everything wraps up nice and neat within 94 minutes. Unfortunately, it's boring to the point where you just don't care. I really wanted to like this movie, but it just didn't happen. What was probably a good idea on paper didn't translate well to the screen. The acting is good, and some of the dialogue (especially between the bickering ghosts) is funny, but the whole thing lacks energy and seems forced at times. This is the second video from Square Dog Pictures that I've suffered through, the first being a very unfunny low-budget comedy titled "Kill The Man". Based on what I've seen so far (and the quality of the previews for their other films), it's best to leave their productions on the shelves. Definitely not worth purchasing unless you enjoy making yourself miserable. Maybe worth a rental if there's really nothing else available. ... Read more

Description

Inspired by a true story, Rocky Holeczek is a uniquely vibrant man, who at the age of 107, is the oldest employed baker in Pittsburgh.His roommate is his grandson, Michael, a 35-year-old surgeon whom he has raised since childhood -- and continues to guide into manhood.Their saga spans over 30 years, beginning when Rocky is 75 years old. During the course of their life together, Michael's world expands to include a wife, children, an overly attentive mother-in-law and a busy career in medicine. Through all the changes, one thing between them remains constant: Rocky's determination to stick around for as long as it takes to teach Michael what he needs to know about living. ... Read more

Reviews (10)

Laughter through tears
Unfortunately, this gem is one of those movies where people look at the box and just pass up. A big mistake. Although "Roommates" starts out as what appears to be light comedy. Peter Falk's portrayal of a cantankerous old man is just great throughout. But as the movie progresses, and down-to-earth hardships such as the loss of family members becomes part of the story, the characters become deeper, and the truly touching love of an old man for his family, and the love of a man for his grandfather come through. It is a beautiful film that will make you laugh out loud, make you cry buckets of tears, break your heart and then repair it again. You cannot help but get absorbed in the characters and relationships in "Roommates". Recommended viewing!

An underrated, great family movie
It's a shame that this movie's largely overlooked by critics and audience alike. However, many people who happen to "stumble" across this movie will be pleasantly surprised. OK, I'm biased because I'm in the movie. But as an avid movie-goer, I have to say this is one of the better family movies in the past 10 years. The relationships are real and touching. Even though I knew -- from the filming -- how it was going to end, the tears that came down my cheeks caught me by surprise. I wish more people would see it and realize what a great movie this is. Peter Falk and D.B.Sweeney have great chemistry. You also get to see other great actors such as Julianne Moore (unfortunately, for some reason, they always fail to mention this film in her bios).

Great!
I am a fan of this movie because I am playing the nurse at the bedside! Loved doing the movie and everyone was great!

A movie which I am sentimentally attached too!
...The art of film-making distinguishes itself from other art forms
because it lends itself quite easily to being experienced by many people at one time. This
quality becomes greater when you experience a great movie with a loved one. That film
then becomes one of your fondest memories. For me, this is the case with "Room-mates."
I will forever remember the first time I watched this movie and who I watched it with.
There are certain movies where you quite willingly turn a blind eye to it's supposed
"imperfections" and enjoy it purely because it left you with a good feeling in your heart
and a memory you will forever cherish. It is very odd indeed that "Room-mates" would
fall into this category. Despite the fact that you know one of the film's saddest moments is
inevitable, it still affects you deeply. Even then, you are left with hope in your heart, and
know that these character's will endure. I love the subtle yet important messages it
imparts. As a small boy, the son has to contend with the old man's incessant snoring yet
when he finally is out on his own and free of it he finds he can not sleep for the lack of it.
(This proves, in a unique and unforgettable way that you do not appreciate what you have
until you've lost it.) Every member of the cast gives stellar performances without
exception. I even enjoyed the moments that some critics would argue went over the top.
Above all else I will remember what this film means to me personally. It was a rare sunny
day (my fellow Oregonians will appreciate the understatement.) My mother and I, refusing
to worship the sun decided to take in a movie. This was that movie, it is a rare gem that
manages to be genuinely heartwarming, without being sugary. It is a film I will never tire
of because it themes are universal. And it will forever be associated with the day my
mother and I shunned the sun, and saw a film that to us is unforgettable. It is a film I am
proud to have in my collection.

A Lovely little movie!
We watched this on a quiet night and didn't expect much. We were pleasantly surprised at how touching it was. I recommend it to anyone sick of blood, guts, sex, etc. but yet doesn't want to watch a Disney cartoon. ... Read more

Amazon.com

"Well, well, of all people to be rescued by--Simon Templar." From Berlin to Nice, our man Simon is always in the wrong place at the right time to get involved in "a bit of adventure." This two-disc set contains seven episodes presented in the order they were first broadcast in 1966 and '67. These entertaining adventures are "more cloak than dagger," but do have some vicariously nasty, Bond-type thrills. Roger Moore is ideally cast as the unflappable Simon, the original international man of mystery created by Leslie Charteris. Whether foiling a counterfeit operation ("The Counterfeit Countess") or masterminding the escape of a Russian spy ("When Spring Is Sprung"), Simon accepts each "extraordinary proposition" with aplomb. This collection also includes "Simon and Delilah," in which a "consistently nasty" screen siren is kidnapped. Lois Maxwell, best known to 007 fans as Miss Moneypenny, costars as the publicist. Speaking of James Bond, there's a nifty little Goldfinger joke in "The Island of Chance," in which the body count rises as an increasingly desperate scientist races to complete a serum that would end all illness. The cold war heats up in "The Gadget Lover," in which the Russians appear to have embarked on a spy "death campaign" using explosion-filled gadgets. "A Double in Diamonds" involves the theft of a priceless necklace. Which is real, and which is the fake? Only Simon may know for sure. Like "The Death Game" in Set 3, "The Power Artists" is bizarre enough to be an Avengers episode. It marks the return of criminal mastermind Adolf Vogler (see "The Death Game" in Set 3) and also includes some hysterical hippie caricatures. Appearing with greater frequency in these episodes is Ivor Dean as the Saint's long-suffering nemesis, Chief Inspector Claude Eustace Teale ("the pride of Scotland Yard") who reluctantly relies on the Saint's cunning to solve these complex capers. --Donald Liebenson ... Read more

Reviews (5)

The Saint - Set 4 Videocassette contents
There seems to be some confusion as to the contents of "The Saint - Set 4" on videocassette. This video set contains the following episodes: "Little Girl Lost", "Paper Chase" and "Locate and Destroy". While all of these are good, do not look for this version to contain the same material as the DVD.

Good, but could be better
This 4th DVD set of The Saint adds another 7 episodes to the collection. The positive side of the set is that the picture quality is -as always with A&E- good and the fact that there are 7 instead of the usual 6 episodes on the two disc set. The negative side is the fact that the extras are rather disappointing as they are completely identical as the ones of set 1 and 2 except for the episode trailers. I hope this is not a sign that set 5 and 6 that will follow later this year, will be identical as well. Any respectable fan of The Saint or Roger Moore will of course buy them, but there is so much material available to add as extra features on the DVD sets it's a shame to let this opportunity pass.

Hello, fellow Bucaneers...
Every Hero has a following; on the 'Big' screen, Saltzman and
Broccoli made a fortune iterpreting Ian Fleming's 'Ernst Stavro
Blofeld's' seemingly endless but always foiled pursuits of Bond,
James Bond. On the other hand, we who 'follow' the adventures of
Simon Templar, are treated to a huge gang of 'Blofelds' in each different episode. Always good episodes, each one very entertaining.
(...)

A&E Should Be More Careful
There are all sorts of positive things to say about this series on DVD (good prints, clear picture) but I have problems with a number of the DVDs released on the A&E label, and this set is no exception.

For one thing, there are no subtitles. Generally, with The Saint that is not a problem - except when the music drowns out certain key dialogue, or an actor does not speak clearly (star Roger Moore is known for his lazy drawal), and of course there are often times when a character will phrase something in British slang with which American audiences may be unfamiliar.

But worse than that, there are mistakes on the boxes. Take Set 4. The box says there is a photo gallery and a history of the Saint included. There is not. Perhaps it is just as well. That History of The Saint is included on Set 2. Now I can't be misinterpreting it - it says "...nearly 100 Saint novels and stories followed, half of which have never been translated into English..." Huh? Are these people crazy or just incompetent? I have all the Saint books and stories and they are all in English. I am sure they were written in English. If they think they were written in some other language, why don't they identify what it is?

And they also play fast and loose with the facts in the Roger Noore biography and filmography they provide. Do yourself a favor and just watch the shows and ignore their extra "bonus features". They are no bonus. _

Thank you, and keep them coming A&E...
Simon Templar, AKA the "Saint" is back, in the fourth boxed DVD set of his adventures from A&E. These episodes are from the 1967 season, and this time you get a bit more for your money, as there are seven episodes instead of six. Volume 7 has three episodes and Volume 8 contains the bonus fourth episode. Here's a quick take on the episodes in this set. These episode ratings are on a scale from one to five (best).

VOLUME 7:

The Counterfeit Countess (4)
In this tale, the Saint is on the trail of a gang of counterfeiters. Following the clues, leads Simon from London to Paris, and then to the Countess's country mansion for the final showdown. This is an excellent example of a classic "by the book" Saint adventure, with Simon investigating alone and then taking on the gang in the heart of their lair.

Simon And Delilah (2)
In Rome, while visiting a movie set, Simon gets involved when the stars of the picture are kidnapped right off the set in their trailer. The Saint, suspects an inside job, and sets about proving it. There is a lack of suspense here, and a bit too much is played for laughs. And the resolution to the case, doesn't play fair with the audience.

Island Of Chance (4)
A cable from a friend brings the Saint to the British West Indies. When that friend is killed, Simon is plunged into another adventure, aided by a pretty reporter. The pair soon find themselves in at the laboratory of an eccentric scientist obsessed with his work. The good doctor and his partners have a secret, and are willing to kill to preserve it. Somewhat typical for his adventures in the Third World, this episode is a bit more violent, with an ending that does leave you wondering a bit about the Saint's moral compass.

VOLUME 8:

The Gadget Lovers (3)
The cold war is heating up. Various electronic spy "gadgets" are malfunctioning, resulting in a number of dead Russian agents. The Saint steps in, collaborating with the Russians, impersonating "Colonel Smolenko" to find the source of the sabotaged devices. This adventure veers close to the far end of a credible Saint story, and approaches a poor imitation of "James Bond". One must after all, know one's limitations.

A Double In Diamonds (3)
A bit of concentration is required to follow this story revolving around a valuable diamond necklace. The jewels disappear in the middle of a fashion show, and a copy is found in its place. Simon is along for the ride when the ransom for the necklace is being delivered. The Saint pulls the old "switcharoo" with the jewels more than once, in order to come out on top. This story is a bit complicated, and features a very untidy car crash, that leaves some gaping logical holes in the plot.

The Power Artists (2)
In the Saint's own words, this is a "strange tale", one that goes a bit over the edge. Someone has been impersonating the Saint, setting him up to take a murder rap. Who? Well, not to give it all away, but let's just say that it is an old enemy. In addition, the story features eccentric artists, helpful hippies and large dose of Simon's buddy, Claude Eustace Teal of Scotland Yard. Writer John Kruse's interpretation of the Saint is often not in harmony with the established spirit of the character. This story is a good example of missing the mark.

When Spring Is Sprung (4)
In this adventure, the Saint acts in the interest of the British government, to arrange the escape of a double agent (John Spring) to Russia. Simon must outwit the zealous Inspector Teal, in order to "spring" Spring. The Russians learn an expensive lesson when they try to play the Saint for a fool.

The Saint, Set 4 is a collection with some good stories, and others that are not so well written, but are still entertaining. While there are some fine moments, I would rate Set 3 or 2 above this one. Still it is a must have for any big time fan of the "famous Simon Templar".

What about future releases? I believe there are two episodes from 1967, six from 1968, and thirteen from 1969 left to be released. These include the two part features, "The Saint and the Fiction Makers" and "Vendetta for the Saint". It will be interesting to see how they are packaged. There are also 71 black and white episodes yet to be released on DVD as well. I hope the folks at A&E will keep working hard to ensure that, The Saint will be back! ... Read more

Amazon.com

Much like the U.S. series The Man From U.N.C.L.E., this cool, clever cold war spy show is built on elaborate espionage shell games and diplomatic chicanery, and Patrick McGoohan's John Drake is the ingenious con man behind the bluffs and feints. The eight episodes on set 3 feature the usual array of plots pulled off with tongue-in-cheek charm--the nationalistic fervor of "Have a Glass of Wine" turns espionage into a veritable sporting event between spies, and in "You're Not in Any Trouble, Are You?" Drake gets to the bottom of a murder for hire ring by taking out a hit on himself. But the humor is interspersed with more ambivalent episodes. "That's Two of Us Sorry" offers up a casualty of the cold war mentality, and the assassins school of "Such Men Are Dangerous" rings with an undercurrent of fascism. For sheer invention, "The Ubiquitous Mr. Lovegrove" delivers a mind game worthy of The Prisoner's Number 2. The set also features "A Man to Be Trusted," "The Affair at Castelevara," and "Don't Nail Him Yet."

The episodes feature the complete British cuts, with the Danger Man title and bouncy spinet theme song, but if you miss the Johnny Rivers theme song from the American version of the show, just click to the supplements and you can enjoy the U.S. credits as well as a still gallery and a biography and filmography of star Patrick McGoohan. --Sean Axmaker ... Read more

Reviews (5)

Top Notch
Much has already been said. This is one of the best TV series of all time!

Secret Agent/Danger Man and Combat were the two best series from the 60s.

At last!
I remember watching two or three half-hour episodes of "Danger Man"as a very small child. I am cursed with a photographic memory, so Patrick McGoohan's face and style were imprinted on my mind.The first season of "Danger Man" was a huge success in the German speaking countries and I have always found it strange that the hour-long episodes were never shown here.I got the ITC tapes 10 years ago but I had given up hope to see more of this elegant series. So imagine my joy when I learned about the A&E releases.

The quality of the show is amazing. It is a feast for the eyes with its beautiful black and white filming and the fashion of the Kennedy era. Furthermore I have always loved John Le Carre's books and many of the plots here come as close in complexity as scripts in a TV series can get.Even a comedy like "Have a glass of wine" is basically a clever espionage story.

But of course the most important asset is Mr. McGoohan's portrayal of John Drake as a moral man trying to stick to his values despite doing an often immoral job. It is surprising how much of the drama originates in this conflict between duty and personal honour.I certainly had not expected this depth of characterisation in a cold war spy series.

There are many splendid episodes in these three sets.My favourite in set one is "No marks for servility"-no other actor can convey smouldering aggressiveness like Patrick McGoohan."Whatever happened to George Foster" in set two is surprisingly modern in this era of globalisation and "Colony Three" is a nightmare with many memorable images.It is almost too sinister for my taste.Set three, the best so far, has "A man to be trusted" with lots of clever dialogue and a very sudden violent ending set in a dark rainforest with the hero in severe distress; the delightful "Have a glass of wine", poking fun at the French and featuring among other things a bicycle chase; and "You're not in any trouble" with its hint of romance.

In my opinion this series is highly recommendable and I do hope that A&E release the rest of it .For me this is not a nostalgic memory but exciting and new.

Danger Man Set 3: A mixed bag...
Patrick McGoohan is back as British secret agent John Drake in the third boxed set of episodes of Danger Man. Adventures in espionage without the pyrotechnics. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).

Volume 5: (Disc 1)

That's Two Of Us Sorry (5): A well-written episode, featuring a "red herring" and a sad ironic finish. At the Loch Broom power plant in Scotland, some top secret papers are missing. Fingerprints on a briefcase point to a "Jock Lawson" as the culprit. Strangely, Lawson, a suspected traitor, disappeared 20 years previously and is presumed dead. Drake's investigations take him to the island of "Herta", in search of the mysterious owner of the prints. The presence of Russian sailors raises Drake's suspicions, but the tightly knit island community does not yield its secrets easily. The persistent Drake, while still a bit off track, does eventually find a secret or two, raising local tempers and yielding some bittersweet results. Francesca Annis, guest stars as a fetching Scottish lassie, her second appearance in the series.

Such Men Are Dangerous (2): Drake takes the place of a convict who has been recruited along with several other criminals into a shadowy group called "The Order". A country estate serves as a training ground for murder and mayhem. The story starts out with some promise, but crashes pretty badly at the end. A "lowlight" is the comical car chase across some muddy terrain, sped up to appear more "exciting".

A Man To Be Trusted (3): This complicated tale finds John Drake in the Caribbean, looking into the deaths of two British agents, both killed after being brutally tortured. He has the assistance of a local law officer, but he is still not sure whom he can trust. Greed, lust and voodoo all play a part in this tale that gets a bit too close to Drake's heart.

The Affair at Castelevara (3): A roll of movie film that records an atrocity that took place at Castelevara, holds the key to freeing a man condemned to death. A local subversive group works with both Drake and the Americans, to try and free the prisoner, who could be more valuable dead than alive.

Volume 6: (Disc 2)

Don't Nail Him Yet (2): Denis Rawson is a bureaucrat living above his means, and is suspected of passing classified information. After a "chance" meeting with Drake brings the two together, the poor young man can't seem to get him out of his life. The game is to uncover the spy ring without letting critical information slip through. A bit slow and tedious, but finishes with an uncharacteristic bang.

The Ubiquitous Mr. Lovegrove (2): Taking a break from the usual tense drama, this tale rooted in an alternate reality, plays with the audience. After a traffic accident, Drake finds himself in an unfamiliar world, not sure what is real, struggling to put the pieces together. There are clues, so if you can see the ending coming from a long way off, you won't be surprised at all. Nice to see the late Desmond Llewelyn, "Q" from the Bond films here.

Have a Glass of Wine (4): Another story involving following a courier to the source. This time it is to the wine country of France, and the results are not pleasant. First Drake is out pedaled on a bicycle, then outsmarted, and left to face a murder charge. Drake must escape from the law, identify the real killer, and then uncover the secret spy network. This is no easy task. With his back against the wall, John gets pretty violent here, taking on the police as well as dealing with the opposition.

You're Not In Any Trouble, Are You? (3): When an agent mysteriously drops out from his hotel window, John Drake is sent to Rome to investigate. He finds a troubled young woman, and clues that lead him to a "killing syndicate", a group that kills for money. Drake puts a contract out on himself, and then waits for the killer to arrive. This episode approaches the edge, and the finale pushes it over.

Danger Man Set 3 is a mixed bag. A couple of outstanding episodes, but also a few clunkers. Drake is on familiar ground, but the writing is not consistently top notch. Once again, not enough positives to justify a ringing endorsement of this set. Give A&E credit for addressing a previous complaint, by upgrading to four episodes per disc. Fans of Danger Man, may find my other reviews of interest.

Heroic, realistic
Wonderful plots. John Drake is a genuine hero in a not-always-clear and not-always-fair world. He does his best to be true to his values. I especially like "A Man to Be Trusted" -- the plot about a third-world election is very ingenious and would apply today.

Fun to watch on DVD where you can back up and slow-mo the stunts. Look at the scene where Drake turns over the dinner table in "Have a Glass of Wine" -- the actor playing the villain subtlely helps McGoohan flip the table!

Many of the actors became stars and are familiar to us in British drama and comedy. But wonderful acting in even the smallest roles. I especially remember Drake's expatriot widowed landlady in "A Man to Be Trusted"

Heroic and realistic, too

Superb Spy Show
A wonderful show for anyone interested in vintage spy series. The B&W filming lends an interesting quality to the episodes and seems to give the viewer a better feel for the Cold War. Some plots are straight forward, but others are as convoluted as an episode of Mission: Impossible, which came some years later.

I haven't seen these episodes in years and was delighted to find them on DVD. In this set, each DVD contains 4 episodes. They're well worth the price. ... Read more

Reviews (3)

The Saint Set 6: Highs and Lows...
Roger Moore returns as Simon Templar, alias "The Saint" in the sixth boxed DVD set of his exploits. Templar, the suave "Robin Hood of Modern Crime" is featured in seven more adventures from the 60's TV series. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).

Volume 11: (Disc 1)

The Time To Die - Episode 105: Rating (2)
The Saint, a man with his share of enemies, finds his life threatened by an unidentified source. With the help of a female reporter, Simon attempts to get to the bottom of things. Mediocre writing produces an uneven story that fails to sustain suspense.

The Master Plan - Episode 106: Rating (5)
Cord Thrandel is a nightclub owner, and big time dealer in narcotics. Tony Lane, a courier for Thrandel, wants out of the drug racket, and has dropped out of circulation. Simon Templar, and Lane's sister Jean, while searching for Tony run afoul of Thrandel and his gang. Burt Kwouk guests as an Asian drug king in this tension filled tale that captures the flavor of a traditional Saint adventure.

The House On Dragon's Rock - Episode 107: Rating (2)
Set in Whales, this plays like bad science fiction. Strange happenings in the countryside has the locals spooked. Simon is called by a friend to help, and begins investigating a mad scientist type, at work in an isolated laboratory. This fantasy is hard to swallow, and the production and special effects are rather poor. This story was filmed in a previous season and aired latter, hence it has the old theme music. Also, the writer of the episode is wrongfully credited on the box.

Volume 12: (Disc 2)

The Scales Of Justice - Episode 108: Rating (5)
Five executives at the same company have unexpectedly died within a few months time. The fifth, a friend of the Saint, drops dead while trying to enlist Simon's aid. Determined to find the truth, and bring the guilty to justice the Saint investigates with a vengeance. The tension mounts, as the surviving directors are threatened with a sudden and unexpected death. Guest star Jean Marsh is a step ahead of the Saint, in this realistic and suspenseful tale that features an ingenious murder weapon. Watch for Moore's energetic double in this episode.

The Fiction Makers (Parts 1 and 2) - Episodes 109 and 110: Rating (3)
This two-part adventure, packaged as a full-length feature, has a light comedic tone that fails to produce any real feeling of suspense or danger, until perhaps the very end. This is the "Disney" version of the Saint. Simon Templar is mistaken for a famous author, and is kidnapped by a band of crooks who want his help in carrying out their criminal scheme. There is probably no other Saint story in the entire series that is played strictly for laughs, the way this is. Roger Moore and costar Sylvia Syms, jump thorough a ridiculous set of hoops, and ham it up, in this cartoonish adventure. While entertaining on some level, a story like this tarnishes the image of the character,

The People Importers - Episode 111: Rating (4)
An unscrupulous band is running illegal aliens into England. When things go wrong, one of aliens turns up dead, ruining the Saint's fishing outing. Templar is then on the case searching for the killers, and trying to save the lives of some of the remaining illegal immigrants. A tense adventure, with the Saint matching up against a ruthless gang of criminals.

The Saint Set 6 contains some excellent episodes, and also some poor ones. On balance the positives outweigh the negatives. If you're a collector you will probably want this set, otherwise you may wish to consider The Saint Set 3 or 5 first. As usual, look for Roger Moore's double in most second unit (location) shots.

One note about the episode numbers. Though there are a few different listings for the program, the listing used is one that most closely matches the "broadcast order" sequence that A&E is issuing them in. Episodes were not always released in the order they were produced or filmed. Fans of the Saint, are invited to view my other reviews of the series and a separate review of "The Fiction Makers".

Fiction Makers
I was actually thrilled that the version of The Fiction Makers on this set was the compiled feature version. I love this feature version and think the score and the title sequence help make it among the very best of Moore's Saint adventures. A nice change of pace and i hope they do the same when they issue Vendetta For The Saint.

missed opportunity
Another decent set from A&E, but despite the packaging offering "seven complete, uncut...color episodes", the two-part story THE FICTION MAKERS is presented here as the compliled film version - what a pity... ... Read more

Amazon.com

An underrated gem of the early 1980s, this film is a solid mystery with a terrific and unlikely romance at its core. Hurt plays a New York janitor whose fantasy life centers on TV reporter Sigourney Weaver. When a murder occurs in the office building where he works, he claims to have seen more than he did just to get her attention. But when the murderers believe him, they both become targets. The plot is workable, but mostly serves as a meet-cute device for throwing together the unassuming janitor and the TV star, and the resulting collision of social strata when he successfully woos her. James Woods nearly steals the film as Hurt's jumpy Vietnam vet friend, a shifty operator of whom cop Morgan Freeman observes, "He was born to be a suspect." --Marshall Fine ... Read more

Reviews (1)

Great Underrated Gem!!
Sigourney Weaver,William Hurt and James Woods rule in this great underrated gem.It's well worth watching!! ... Read more

Reviews (2)

Danger Man Set 4: Gadgets and Gizmos
Patrick McGoohan returns as British secret agent John Drake in the fourth boxed set of one hour long episodes of Danger Man. Presented in black and white, are adventures in espionage around the world. Here are summaries and/or comments for the episodes in this set. Episode ratings are on a scale from one to five (best).

Volume 7: (Disc 1)

Sting in the Tail (3): This episode features Derren Nesbitt, as "Rachid Noureddine", a hit man headquartered in Beirut. Drake's plan is to lure him to where he can be captured, by using his girlfriend, a nightclub singer. Drake's cover is as an artist, interested in painting the woman's picture. Nesbitt is an actor who usually has a riveting screen presence, and this is the case here. There are sparks, when he and Drake, clash swords over the woman. The plot is simple and direct, though accepting McGoohan as a romantic figure is always a challenge. This episode's title is drawn from a gadget weapon similar to those provided by Q Branch in the Bond films.

The Black Book (4): Sir Noel Blanchard has been indiscreet, and is feeling a blackmailer's bite. John Drake is enlisted to look into the situation, and is sent to Paris to investigate. Tracking the payoff money, Drake encounters a mysterious young woman, and a connection to a Russian spy network. An above average episode, that has a gritty edge. More gadgetry, this time it is a typewriter that tracks and transmits radio signals.

English Lady Takes Lodgers (4): After George Stanway, a well known local smuggler disappears, Drake is sent to Lisbon to investigate. Stanway's wife Emma, takes in boarders, and is on unusually good terms with her lodgers. Drake too becomes a guest, and is soon swept up into the mysterious affairs of the villa's occupants.

Loyalty Always Pays (4): There's trouble in an unnamed African country, where the Minister of Defense has signed a secret treaty with China. Drake is sent in to get proof the treaty's existence. Making use of the local intelligence network to get the information he needs, Drake runs a con game, forcing a security official to help him to get access to the Ministry. This is a well-written episode full of intrigue, and featuring more gadgets.

Volume 8: (Disc 2)

Are You Going To Be More Permanent? (3): The last two comptrollers in Geneva have disappeared. The three local agents are under suspicion. Prepared for a trap, Drake is sent in to ferret out a double agent. A solid, no-frills tale of espionage.

Parallel Lines Sometimes Meet (4): A couple employed at an English atomic research lab, mysteriously disappears. Seeking to discover their fate, John Drake turns up in Haiti, of all places. There he encounters a mysterious English couple, a Russian agent, an overly intrusive police official, and the owner of a mining operation with much to conceal. Forming an alliance with the Russian; Drake explores the secrets of the mine, leading to an explosive finish.

A Very Dangerous Game (4): Drake assumes the identity of a teacher on his way to take a position in Singapore. Upon arrival, Drake is contacted by Chinese spies, and instructed to help trap a British agent. Soon Drake has located the ring's base of operations, and is playing a dangerous game of deception, where the price of failure is death. A fast paced adventure with an interesting but somewhat curious resolution.

The Mercenaries (3): Once again in an unnamed African nation, John Drake's initial undercover role is as a mercenary. Uncovering a connection between the leader of the mercenaries and an unscrupulous surgeon, Drake then must prevent the death of the country's Prime Minister, and avert a forced takeover. This episode is not with some humor, featuring a native witch doctor, and a most impressive pole vault.

In Danger Man Set 4, gadgets and gizmos seem to be more prominent than in previous episodes, particularly in Volume 7. The inclusion of such devices does not detract too much, as they remain tools used within context of the stories. In summary, another solid collection that should satisfy fans of the series, and cold war espionage.

The editors at A&E might pay a bit more attention to detail, and get the location correct in the episode synopsis. Spain is substituted for Portugal, Vienna for Geneva, and Hong Kong for Singapore. Fans of Danger Man, may find my other reviews of the series of interest. Be seeing you.

More realistic than James Bond
The people involved in producing and writing this program were previously involved in early post war journalism specializing in espionage. This is what makes the program so realistic. Some liberties are taken from reality by the use of gadgets. Watching this series will give members of the X generation a feel for what the world was like a few decades before they were born. ... Read more

Reviews (104)

Bullitt Hits The Mark
1968's Bullitt is best known for its classic car chase scene that is still considered by many to the best of all time. The movie is worth watching for that scene alone as Steve McQueen's fastback Mustang chases down a Dodge Charger for a tense ten minutes through the streets of San Francisco. Even without that memorable scene, Bullitt is a classic 60's film. Mr. McQueen's performance as steely police detective Frank Bullitt is one of his best and the forerunner of the anti-heroes that would dominate films of the 70's. The plot revolves around a seemingly routine job for Bullitt and his men to protect a mob informant (Pat Renella) who is set to testify before a Senate subcommittee. When two hitmen break into the safe house and fatally wound the informant and injury another detective, Bullitt begins to have questions and takes up investigating the case on his own with the help of fellow detective Delgetti (Don Gordon). Fighting them at every turn is ruthless and ambitious senator Chalmers played with unctuous smarm by Robert Vaughan. Jacqueline Bissett co-stars in one of her first roles as Bullitt's girlfriend and Robert Duvall has a bit part as a cabbie. Director Peter Yates crafts a gritty look to the film and editor Frank Keller won the Academy Award for his superb work.

Steve McQueen scorches the streets of San Francisco
Arguably the best crime film of 1968, and certainly one of the most influential films of the genre...."Bullitt" established new directions in the mood and style of crime thrillers, and firmly established McQueen as one of the key anti-hero stars of the 60's. Based on the gritty novel "Mute Witness" by Robert L. Pike, this was the first, and only, time McQueen portrayed a police officer (albeit a maverick one) in his movie career. In 1968 Steve was then riding high on the success of his previous crime film, "The Thomas Crown Affair", and "Bullitt" just propelled his star even higher into the heavens !

The plot is tight, economical and well crafted....taciturn, moody Detective Frank Bullitt (McQueen) is charged with the protection of a key witness vital to an upcoming trial involving Mafia connections. Whilst hidden away in a supposed secure location, the witness and his police guard are brutally gunned down by unknown assailants. The heat is turned up on Bullitt by his tough Captain (Simon Oakland) and the manipulative, opportunistic politician Walter Chalmers (Robert Vaughn) to come up with the right answers fast ! Between the draining investigation, Bullitt struggles to maintain his relationship with his cultured, sensitive girlfriend, Cathy (Jacqueline Bisset)

Primarily coming from a TV series background, Englishman Peter Yates (directing his fourth movie) did a commendable job as director on "Bullitt"...producing a complex, intense crime thriller with a unique style that would ultimately influence many other films. Yates would later to go onto direct Robert Mitchum in the excellent "sleeper" crime film "The Friends of Eddie Coyle" !

And of course "Bullitt" is reknowned for it's now legendary car chase between Frank Bullitt's 390 GT Mustang and the two hitmen in their black, Dodge Charger 440 Magnum barrelling through the city streets and highways of San Francisco....just don't pay too much attention to how many times they pass that slow-moving, green VW Beetle !!

The DVD transfer is excellent in both sound and picture quality, and the Limited Edition Set with the extra goodies (Single sheet poster, shooting draft, lobby cards etc.) is a real bonus for keen film fans !!

One of my favourite cop thrillers....McQueen sizzles on screen !!

Put on a Sweater
This detective drama aimed to be the essence of cool, and succeeded, in fact it's a little too cool, can somebody turn up the thermostat? Barely anybody in the picture is allowed to show any genuine emotion, although one of the hoods looks a little upset before he's shotgunned. Director Peter Yates apparently planned to tell the whole story with action and came up with a near-classic. In fact his spectacular staging of McQueen's car pursuit of two Mob assassins is usually blamed for the countless imitation car chases that have blighted American movies ever since. It's certainly one of McQueen's signature roles, but why give him a hokey name like Bullitt?

McQUEEN COOL!
Ignore the paisley pajamas, Steve McQueen was an icon of cool and BULLITT is the proof. Peter Yates has a smart thinking man's cop drama, bolstered by (yes) the best chase scene on film. Great locations in San Francisco. Superior acting by McQueen, Robert Vaughn as a sinister U.S. Senator and Don Gordon, as McQueen's partner. Why didn't Don Gordon become a bigger star?

The good, the bad, and the pretty
"Bullitt" is highly regarded by many for either "the chase", or the drama.

The good and the bad: True, there is a high-speed car chase in part through the hilly streets of San Francisco. Is it "the best ever" chase? Depends on how you look at it. Plus - It was very high speed. Plus - It had a cool-looking Mustang fastback vs a big GTO. Negative - They pass the same VW 4 times, and another car 2 times (why? if not intentional, then very poor continuity) Negative - double-shifting or not, there are about 97 too many gear changes, and some of those are at top speed on the flat stretch near the end. Neg - the bad guys lose too many hubcaps. Still, it's fairly exciting. However, though not car vs car, I think the chase in "The French Connection" is as good if not better.

As for the drama, some of it seemed a bit drawn out. Lt. Frank Bullitt is supposed to protect the state's witness "Ross" against the Chicago "Organization". Ross and one cop are shot, and Ross is later killed in the hospital, where Bullitt is hanging out. Bullitt does not want the prosecutor who gave him the assignment (Robert Vaughan) to know Ross died, so he will have time to find the killers. Turns out Ross may not be who the cops think he is, and this leads to a good foot-chase across the airport runways and the airport itself.

Some of the police procedure as portrayed in the movie is rather shoddy - such as handling a lot of evidence, then asking for it to be fingerprinted, etc.

The pretty: Bullitt has a girlfriend played by Jaqueline Bisset, who gives him grief for his callous attitude. This sets up the final scene of the movie where Bullitt ambiguously questions his existence. Otherwise, her appearance in the movie is useless.

Good acting by McQueen and Vaughan. Look for Robert Duval, Georg Sanford Brown, Norman fell, Simon Oakland and a few other names.

The jazzy score by Lalo Schifrin sounds like a bad TV movie. Wide-screen movie has decent picture and sound quality. DVD extras include a short behind the scenes documentary, text-based cast/crew/location info, list of awards, and a trailer.

In short - Not the best cop movie, not the best McQueen movie, and not the best chase. Watchable but not a stand out. ... Read more

Reviews (4)

Maybe I Am Easily Pleased
I just watched this movie again last night, having watched it before when it was first released. My motive for writing this review is to add one positive contribution to this collection of downward pointing thumbs.

Well, yes, it is sort of an ordinary cloak and dagger film, but I enjoyed seeing a female lead character who was gutsy, a lady who didn't follow the stereotype of the ankle sprainer who has to lean on the big strong man for protection. Actually it is a good thing that Kelly McGillis isn't prone to ankle injuries, because she certainly does a lot of running in this flick. She just seems to be in a hurry wherever she goes, and trots along at a good clip even when she isn't being chased. Sometimes I felt I was watching another version of Run Lola Run.

Anyway the time period is the Joe McCarthy era, and Kelly loses her job because she refuses to name names to Congress. By chance she discovers some strange happenings that indicate maybe there are some ex (current?) Nazis inflitrating her pleasant neighborhood. Well the FBI is involved, too, and the chase is on. Evil people flit in and out, and surprises happen when people open doors.

Admittedly the tale is sort of muted Hitchcock, and not particularly exceptional in its plot, but I found it to be a pleasant thriller to watch. I must also confess that I was mesmerized by Ms McGillis's breathtaking beauty. She was about 30 when this movie was made, and, gosh, I just fell in love with her.

Disappointing
I agree with the Leonard Maltin review. This starts off well, but becomes a very ordinary, unexciting melodrama, that tries to have some Hitchcock tension, but it doesn't work very well. Towards the end of the film, I was muttering, "what a waste of time."

The reviewer Peter(can't remember the rest of his or her name) should have his or her review REMOVED, for revealing too much of the plot of the film. I'd write to Peter, if there were an e-mail address. Do NOT reveal too much about plot details. It's nice to be surprised when you see a film, Peter.

For the price, a best buy at 3 ½ stars
Though the Australian reviewer's comments are too harsh, they are entertaining with some points well-taken. But this reviewer would move the overall rating up to 3 ½ stars out of 5 possible.

Having purchased the DVD and seen it without any preconceptions or prior reviews, this reviewer was pleasantly satisfied: not a classic film, but quite entertaining, keeping one on the edge of the seat pretty much throughout. There is never a dull moment, but not overly so as is too often the case in today's hyperactive and mindless 'action and adventure' flicks. This film was definitely not written by 13-year-olds for 13-year-olds and contains a lot of well-presented material. Kelly McGillis gives a credible performance as a balanced and generally level-headed woman being persecuted by governmental agencies. Her portrayal is not the weepy, hysterical and too-vulnerable type that can find its way into films like this. Mandy Patinkin does well as a chilling, oily and thoroughly corrupted and unscrupulous politician/attorney (or whatever) with too much power in the wrong places. Jessica Tandy is good in what few scenes she has; too bad she couldn't have had a more central role.

As to the production values, the film is the letterboxed theatrical presentation at 1.66:1 (as stated on the case, and this seemed about right.) The picture, for a 1988 film, while not exceptional, is mostly clear, though with suggestions of fuzziness for purists. Overall, the image is on the dark side and there is some loss of detail in deep shade scenes, though not annoyingly so. Color fidelity of details in some scenes struck this reviewer as almost exceptionally good. The Dolby Digital mono sound is strong and clean.

There are no annoying advertising impositions or preliminary and unrelated material to try to get around (something becoming increasing annoying in many new DVD releases, sometimes necessitating drastic action to curtail!) The DVD is well-packaged in a quality case. If you like a thriller in the Hitchcock vein with reasonable and well-restrained message content that doesn't get in the way of the story, this DVD is a good buy for the price, and recommended.

who's in the house
This Peter Yates directed thriller was written by Walter Bernstein, who had been blacklisted in the McCarthy era, and had written about it for The Front. Here Bernstein takes his anti-McCarthy paranoia one step further by suggesting that Roy Cohn tried to illegally smuggle former Nazis into America, posing them under the name of dead Jews. Yates' underrated skill manages to overcome this somewhat far-fetched premise, providing a woman in peril drama with various Hitchcock-ian setpieces - a wedding reception, a church, a bookshop, a theatre, and the climax at Grand Central Terminal. He also attempts a romance between the woman targetted by the FBI and an FBI agent who feels guilty about her harassment. While the romance is aided by the score by Georges Delerue, and Jeff Daniels is acceptable, if a bit comically light, to play the male lead, Yates has more trouble with Kelly McGillis as the woman. In spite of her skill, McGillis isn't a romantic actress. No matter how effectively she is styled for the period, she lacks vulnerability so that we never feel she will be defeated. Pauline Kael memorably compared McGillis to Charlton Heston. Yates partially compensates by having her silent and on the run, but when in one scene she is naked in the bath being menaced by Mandy Patinkin as the Roy Cohn figure, while she acts vulnerable, it's not truthful. Patinkin playing his menace with musical comedy timing doesn't help either. Perhaps if he sang to her in his terrifying falsetto, McGillis would be truthfully frightened. Jessica Tandy appears briefly as a woman McGillis is paid to read to, and I was disappointed that Bernstein found no way to bring her further into the plot. Even the Carroll Street house (though I don't recall hearing the name Carroll Street ever mentioned) is disposed of quickly. And Patinkin has an odd speech where he demonstrates the logic of his shenanigans by splashing ketchup on a white tablecloth. The Grand Central climax is handled awkwardly when everyone is climbing the belfry (why do people being pursued always go up and no down?!), but Yates comes off better with a chase in a bookshop, and the wedding reception, with Daniels and McGillis dancing and spying. It's a pity Bernstein decided to take on this comic book style approach to an abhorrent moral and political time in history. You would think that someone who was blacklisted would not pander to such a base Hollywood aesthetic. McCarthy was scary enough without making him and his pals neo-Nazis. ... Read more

Reviews (104)

Bullitt Hits The Mark
1968's Bullitt is best known for its classic car chase scene that is still considered by many to the best of all time. The movie is worth watching for that scene alone as Steve McQueen's fastback Mustang chases down a Dodge Charger for a tense ten minutes through the streets of San Francisco. Even without that memorable scene, Bullitt is a classic 60's film. Mr. McQueen's performance as steely police detective Frank Bullitt is one of his best and the forerunner of the anti-heroes that would dominate films of the 70's. The plot revolves around a seemingly routine job for Bullitt and his men to protect a mob informant (Pat Renella) who is set to testify before a Senate subcommittee. When two hitmen break into the safe house and fatally wound the informant and injury another detective, Bullitt begins to have questions and takes up investigating the case on his own with the help of fellow detective Delgetti (Don Gordon). Fighting them at every turn is ruthless and ambitious senator Chalmers played with unctuous smarm by Robert Vaughan. Jacqueline Bissett co-stars in one of her first roles as Bullitt's girlfriend and Robert Duvall has a bit part as a cabbie. Director Peter Yates crafts a gritty look to the film and editor Frank Keller won the Academy Award for his superb work.

Steve McQueen scorches the streets of San Francisco
Arguably the best crime film of 1968, and certainly one of the most influential films of the genre...."Bullitt" established new directions in the mood and style of crime thrillers, and firmly established McQueen as one of the key anti-hero stars of the 60's. Based on the gritty novel "Mute Witness" by Robert L. Pike, this was the first, and only, time McQueen portrayed a police officer (albeit a maverick one) in his movie career. In 1968 Steve was then riding high on the success of his previous crime film, "The Thomas Crown Affair", and "Bullitt" just propelled his star even higher into the heavens !

The plot is tight, economical and well crafted....taciturn, moody Detective Frank Bullitt (McQueen) is charged with the protection of a key witness vital to an upcoming trial involving Mafia connections. Whilst hidden away in a supposed secure location, the witness and his police guard are brutally gunned down by unknown assailants. The heat is turned up on Bullitt by his tough Captain (Simon Oakland) and the manipulative, opportunistic politician Walter Chalmers (Robert Vaughn) to come up with the right answers fast ! Between the draining investigation, Bullitt struggles to maintain his relationship with his cultured, sensitive girlfriend, Cathy (Jacqueline Bisset)

Primarily coming from a TV series background, Englishman Peter Yates (directing his fourth movie) did a commendable job as director on "Bullitt"...producing a complex, intense crime thriller with a unique style that would ultimately influence many other films. Yates would later to go onto direct Robert Mitchum in the excellent "sleeper" crime film "The Friends of Eddie Coyle" !

And of course "Bullitt" is reknowned for it's now legendary car chase between Frank Bullitt's 390 GT Mustang and the two hitmen in their black, Dodge Charger 440 Magnum barrelling through the city streets and highways of San Francisco....just don't pay too much attention to how many times they pass that slow-moving, green VW Beetle !!

The DVD transfer is excellent in both sound and picture quality, and the Limited Edition Set with the extra goodies (Single sheet poster, shooting draft, lobby cards etc.) is a real bonus for keen film fans !!

One of my favourite cop thrillers....McQueen sizzles on screen !!

Put on a Sweater
This detective drama aimed to be the essence of cool, and succeeded, in fact it's a little too cool, can somebody turn up the thermostat? Barely anybody in the picture is allowed to show any genuine emotion, although one of the hoods looks a little upset before he's shotgunned. Director Peter Yates apparently planned to tell the whole story with action and came up with a near-classic. In fact his spectacular staging of McQueen's car pursuit of two Mob assassins is usually blamed for the countless imitation car chases that have blighted American movies ever since. It's certainly one of McQueen's signature roles, but why give him a hokey name like Bullitt?

McQUEEN COOL!
Ignore the paisley pajamas, Steve McQueen was an icon of cool and BULLITT is the proof. Peter Yates has a smart thinking man's cop drama, bolstered by (yes) the best chase scene on film. Great locations in San Francisco. Superior acting by McQueen, Robert Vaughn as a sinister U.S. Senator and Don Gordon, as McQueen's partner. Why didn't Don Gordon become a bigger star?

The good, the bad, and the pretty
"Bullitt" is highly regarded by many for either "the chase", or the drama.

The good and the bad: True, there is a high-speed car chase in part through the hilly streets of San Francisco. Is it "the best ever" chase? Depends on how you look at it. Plus - It was very high speed. Plus - It had a cool-looking Mustang fastback vs a big GTO. Negative - They pass the same VW 4 times, and another car 2 times (why? if not intentional, then very poor continuity) Negative - double-shifting or not, there are about 97 too many gear changes, and some of those are at top speed on the flat stretch near the end. Neg - the bad guys lose too many hubcaps. Still, it's fairly exciting. However, though not car vs car, I think the chase in "The French Connection" is as good if not better.

As for the drama, some of it seemed a bit drawn out. Lt. Frank Bullitt is supposed to protect the state's witness "Ross" against the Chicago "Organization". Ross and one cop are shot, and Ross is later killed in the hospital, where Bullitt is hanging out. Bullitt does not want the prosecutor who gave him the assignment (Robert Vaughan) to know Ross died, so he will have time to find the killers. Turns out Ross may not be who the cops think he is, and this leads to a good foot-chase across the airport runways and the airport itself.

Some of the police procedure as portrayed in the movie is rather shoddy - such as handling a lot of evidence, then asking for it to be fingerprinted, etc.

The pretty: Bullitt has a girlfriend played by Jaqueline Bisset, who gives him grief for his callous attitude. This sets up the final scene of the movie where Bullitt ambiguously questions his existence. Otherwise, her appearance in the movie is useless.

Good acting by McQueen and Vaughan. Look for Robert Duval, Georg Sanford Brown, Norman fell, Simon Oakland and a few other names.

The jazzy score by Lalo Schifrin sounds like a bad TV movie. Wide-screen movie has decent picture and sound quality. DVD extras include a short behind the scenes documentary, text-based cast/crew/location info, list of awards, and a trailer.

In short - Not the best cop movie, not the best McQueen movie, and not the best chase. Watchable but not a stand out. ... Read more