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| 181. Absolutely Fabulous Complete DVD Collection (4-Disc Set) | |
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Amazon.com essential video When anyone raves about Sex and the City, you need only to remind her that the Brits did it first--and better--with the creation of the brave say-anything show about sex, drugs, and the battle of the bulge. Absolutely Fabulous is a groundbreaking, off-the-wall comedy from the early 1990s, which began with a skit from The French and Saunders Show, about a moral, uptight daughter and her extremely loose mother. Ab Fab has taken this to the extreme. Edina (Jennifer Saunders) is the queen of excess. Her clothes are outrageous, her attempts at weight loss comical, and her efforts at motherhood (her daughter, Saffron--played to perfection by Julia Sawalha--is a practical-minded, reliable teenager) are uneven at best. Eddy's best friend is Patsy, a promiscuous Ivana Trump look-alike who always has a cigarette between her lips, a drink in her hand, and a fine-looking man (or boy) in her bed. The entire show lasted for three seasons, and all are included in this set.From organizing an orgy to a brush with poverty to the death of Eddy's father, nothing--and we mean nothing--is sacred in this show. Without a doubt, Ab Fab is one of the greatest television satires created, although keep in mind that it's strictly for adults. --Jenny Brown Reviews (68)
Ab Fab centers around Edina Monsoon (Jennifer Saunders) and Patsy Stone (Joanna Lumley) as they generally slack their way through life. Edina and Patsy have enjoyed a lifelong friendship, enduring longer than Edina's two marriages. However, most of the time of their friendship has been spent in a daze, leaving Edina and Patsy middle aged and somewhat outdated. Edina has also managed to have 2 children during her marriages, the unseen Sarge and the intelligent Saffron (Julia Sawalha). Saffron, known as Saffy adds conflict to the plot, giving Edina and Patsy a central enemy at times. This DVD set is wonderful, giving loads of extras and 3 seasons. You get loads of outtakes, mostly featuring Saunders rambling as she fowls up a line. I was completely satisfied with my purchase. There is an entire disc featuring loads of information for the Ab Fab savvy, inculding the pilot episode to Mirrorball. Also, news of season 5 of Ab Fab is coming to surface, giving all of us fans something to really look forward too.
The cast of "Ab Fab" is one for the history books. A classic cast that can stand along side of the great one like "I Love Lucy", "All In The Family" and so one. I never get tired of seeing the antics of Eddy, Pats and Saffy! Right, cheers thanks a lot! ... Read more | |
| 182. The Art of Buster Keaton | |
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Amazon.com In addition to the previously released 11 features and 19 shorts from the peakof Keaton's career, this set boasts the exclusive Keaton Plus, acollection of rarities and tributes. The greatest find is the long-lost endingto Hard Luck (1921), now restored to complete the film's final inspiredgag. Other highlights include newly discovered scenes from Daydreams(1922) and The Love Nest (1923), entertaining excerpts from Keaton's 1951TV show Life with Buster Keaton (he's still got it!), and his raredramatic turn in the 1954 television play The Awakening. --SeanAxmaker Reviews (13)
Those caveats aside, I would put this collection (along with Image's box of the Chaplin Mutuals and Essanays) in the 'essential' category for silent movie fans. Considering that a lot of movie classics are yet to see DVD issue, we are fortunate that Kino has put together such a comprehensive collection of Keaton's pre-MGM movies. Bogart fans will have to wait for the African Queen, but Keaton fans can enjoy these films right now. And unlike the Chaplin boxed set mentioned above, there's hardly a dud in the Keaton collection. Pretty much everything here will bring enjoyment over repeated viewings. With Image Entertainment's wonderful Arbuckle/Keaton issue now readily available, all we need is The Cameraman and Spite Marriage! I'd love to see these films make it to DVD...
This is a huge collection of films (11 features and 19 shorts), so reviewing individual items is not going to be beneficiary. These discs have also been released individually, and I've already written many words on each of them. But in general terms, I did find that I preferred his short films to his longer works. The feature films don't quite have the frantic pace to them that made the shorter films so memorable and enjoyable. Of course, comparisons to his short movies a little unfair, as those shorts are rightly praised as some of the funniest sequences ever filmed. But there are some incredible moments in his features as well as some strong movies. But those shorts. Wow. Here are some of the most memorable movie scenes I have ever viewed. Once seen, who can forget the literally hundreds of angry police officers chasing Keaton in COPS, or the prisoner bungee jumping from the end of a noose in CONVICT 13, or the DIY house being demolished by a train in ONE WEEK? These films are fast-paced, surreal, bizarre and hilarious. I loved them to pieces. Prop comedy is something that is now horrifyingly associated with such painfully annoying clowns as Carrot Top (Lord help us). But in the slapstick era, this was something that was not only funny, it could be downright diabolical. I can only imagine how long it must have taken to construct the trap doors and false walls and other goodies that cropped up again and again. Clever, inventive and strangely sophisticated, these physical implements, when combined with Keaton's formidable athletic abilities, produced some amazing and breathtaking scenes. One of the things I would wonder to myself was not simply "How on Earth did Keaton do that stunt?", but "How on Earth did Keaton survive that stunt?" His accomplishments are made all the more impressive given that he was performing all of these aerobatics himself with little in the way of trick photography (decades later, Jackie Chan would work in much the same way to similar acclaim). The major bonus in this set is the final DVD, KEATON PLUS, which contains all sorts of rarities and extras. While the films here show Keaton in the 1920s, these extras focus on Keaton later in his career. It's somewhat sad to see the great man reduced to doing cheesy commercials, but he's always at least watchable. A few short excerpts from his 1950s TV series are included, and while it's fun to see that he could still take a pratfall thirty years on, I suspect that the thrust behind his return was the opportunity to make out with the incredibly tall and gorgeous model who appeared in virtually every clip. Lucky old Buster; though after being teamed up with Jimmy Durante, that's the least that karma owed him. I noticed that some reviewers have had negative things to say about the musical selections used as the soundtrack to these silent pictures. My experience was quite different, as overall I enjoyed the music and was only occasionally annoyed by it. On the other hand, you may wish to take what I say with a grain of salt, as I thought the James Bond musical riff in SHERLOCK, JR. was absolutely wonderful. This was a great purchase, and during the perusal of this set, I felt I was not only seeing some great filmmaking, but a real splice of cinema history. It's really a shame that Keaton's career went down the tubes after the 1920s, as I felt his features were gradually improving as he gained more experience. His shorts (from the early part of the decade) were uniformly excellent, but I got the impression that he was gaining more useful experience in feature-length movies and developing as filmmaker. It may be a bit depressing to know what happened after signing to MGM, but at least here we can enjoy the good times while they lasted. And they certainly were good times and great films.
The Thames TV/HBO Video three-parter "A Hard Act to Follow" has a better variety of rarities, including samplings of Keaton's final works (including Samuel Beckett's "Film", an industrial safety film, "The Railrodder", and some decent interviews and behind the scenes). On the picky side, one of my brand new DVDs had a scuff on it. I contacted Kino and they offered a replacement in return for the damaged disc, which I appreciate. Many of the discs also had fingerprints on them, which they will contact their manufacturer about. A small matter, perhaps, but the relatively high cost of this set and the reputation of Kino as a premier film reissue company means to me that such sloppiness should not be an issue. ... Read more | |
| 183. Star Trek Deep Space Nine - The Complete Fifth Season | |
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Amazon.com As well as new uniforms and the milestone 100th episode, Nana Visitor and Alexander Siddig got to comically disguise the arrival of their child during filming. More laughs came from the fan favorite "Trials and Tribble-ations," with CG allowing Sisko and crew to interact with Kirk and a cameo from Leonard Nimoy. Avery Brooks began taking a backseat, partly a result of the now-overcrowded cast. Although Sisko's destiny would be foreshadowed by his first vision and the introduction of the Pah-wraiths, the Captain was in an increasingly sulky mood. Brooks only directed one episode, allowing room for regulars LeVar Burton and Rene Auberjonois to do more behind the camera. Joining them were Alexander Siddig, Michael Dorn and even Andrew Robinson. Available space started to seem hardly deep enough. --Paul Tonks Reviews (22)
It is difficult to give highlights when nearly every episode is a highlight, but I will try. The season begins with "Apocalypse Rising", which has Sisko, Worf & co. masquerading as Klingons to expose the changeling in the Klingon High Council. After this episode comes the tense "The Ship", which is a sort of mystery story where everything is not as it seems. Next comes "Looking for par'mach..." a fun (and funny) episode which culminates in Quark dueling another Klingon with Batleths! The best episode of the season is perhaps "Trials and Tribble-ations" which has the DS9 crew going back in time to the classic Trek "Trouble with Tribbles" episode. Everything about this episode works: plenty of humor, nostalgia, and trek trivia. The season moved along to a great two parter which dealt with changeling infiltrators (In Purgatory's shadow, By Inferno's Light) as well as "Rapture", which showed the increasing responsibility that Sisko felt in his role as Bajoran Emissary. "Business as Usual" has Quark finally getting into the arms-dealing business, and eventually developing a conscience. The Maquis are dealt with in the satisfying "For the Uniform" and Eddington says good-bye in "Blaze of Glory". "Empok Nor" has the feel of a classic slasher movie, with Garak going just a bit insane. "In the Cards" is a final light episode centering on Jake and Nog's attempt to cheer up Jake's father, then the season ends with "A Call to Arms", one of the show's best episodes and perhaps the best cliffhanger ever. So much great drama in this episode: The Dominion actually takes over Deep Space Nine, Kira has to work with Gul Dukat, Sisko leaves his baseball behind. This episode leaves fans craving more, and those cravings would be fulfilled in the sixth season. Season 5 broke the mold with its bold storytelling and paved the way for the incredible final two seasons. There are many great moments here, and it is a solid season all around.
My favourite episodes are (in no particular order): The special features are all in the same league with the other season, with two features on TRIAL AND TRIBBLE-ATIONS, which are rather interesting, MICHAEL WESTMORE'S ALIENS, O'BRIEN'S CREW DOSSIER (which could have been a little longer) and 10 hidden files.
The previous season had seen the introduction of Worf, and his entry onto the station opened up a large potential for Klingon stories. Season four had devoted a fair amount of time to tales of the Klingon Empire. That trend continued through to the fifth year culminating in "Soldiers of the Empire" which takes place almost entirely on board a Klingon Bird Of Prey with Dax as the only character not buried underneath heavy prosthetics. To my surprise, I really enjoyed this gradual inclination towards more episodes dealing with loud actors shouting at each other about honor. I had been fairly bored during The Next Generation's attempts at building up the Klingons, so I was very happy that the Deep Space Nine people managed to not only hold my interest, but kept me wanting to see more. My enthusiasm for this season is caught between a desire to talk about the various ongoing plot stands and the need to highlight the great standalone episodes. Deep Space Nine did an almost perfect job of balancing the two, making my job even more difficult. The Star Trek universe underwent many changes during this year with all sorts of allegiances forming and/or falling apart. On a more personal level, a few characters had to face demons from their past, but those stories were generally better than one might expect (in Star Trek, "demons from the past" usually involve someone's parent showing up unexpectedly and a Large Argument From Childhood finally being cleared up -- thankfully the show mostly steered away from this). Sisko's role as Emissary of Bajor was given more than just a cursory examination, while Quark and Odo continued to develop their snide arguments. The extras in this release revolve around the fifth season (surprise, surprise). This means that there's not one but two mini-documentaries focused on the "Trials and Tribble-ations" episode (where Sisko and company go back in time and interact with the original 60s Star Trek episode, "The Trouble With Tribbles"). And, to be fair, there's a lot of stuff from and about that episode worthy of discussion. The first documentary involves a lot of talking heads discussing how the premise developed and what kinds of difficulties the production crew encountered getting it to the screen. The second documentary (and the one I found the most interesting, geek that I am) is more about the technical side of the episode -- how they managed to actually get the modern day actors and actresses to appear as if they were standing alongside their TOS counterparts. The "Forrest Gump" technology is expounded upon at length as well as the troubles that the model designers had in recreating the old ships and starbase models. We also have a mini-documentary featuring the character of Miles O'Brien, one of the series' more entertaining and realistic characters. Also, Mike Okuda gives a guided tour of the space-station sets, pointing out little in-jokes that were too small to be seen on-camera. Michael Westmore (as he has in previous seasons) takes a look back at the various alien baddies and their makeup. There were a few clunkers this year ("Let He Who Is Without Sin" - argh! Run away! Run away!), but overall I found this to be an excellent season of television. The storyline continually gets beefed up until one can't figure out exactly how they are going to keep outdoing themselves. The season ender is a great bit of storytelling and gives one a great sense of anticipation for the following year.
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| 184. Agatha Christie's Miss Marple, Collection 2 | |
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Reviews (13)
I did look it up to find that all of Agatha Christie's full Miss Marple novels were made in to movies with Joan Hickson as Miss Jane Marple. And this set has 5. Agatha Christie Collection 1 - Boxed Set ASIN: 6303111564, contains 4 more. Then there are three individual films not in the collection boxes. If you do not obtain them all you will be haunted for the rest of your life wondering what you missed.
Miss Marple is a noticing kind of elderly woman who lives in the Village of Saint Mary Mead. Occasionally she travels hither and thither to visit friends or take advantage of a lovely trip planned by a nephew. She always has her knitting needles in hand, working on a baby blanket or a sweater for a nephew. Jane Marple--Godmother and Aunt to several young people--I wish I had known her personally--but this is the next best thing after the books. "There she goes, tail up and head down" on the trail of another murderer--and she will get her man or woman as the case may be. I agree with the reviewer who said one doesn't buy these DVDs with the expectation of Criterion remastering. Even so, the quality of the films on these DVDs is pretty darn good. I collect Criterion DVDs and expect them to be the fully restored works of art they are. However, some of the films Criterion has restored were so badly damaged they are NOT better than the Miss Marple films even when Criterion has done it's best. Also, many of the Criterion films are Black and White films from the 1930s and 1940s and of interest because of their filmography and/or the innovative techniques their directors employed. Some of these films were shot on a shoestring budget and it shows. Technology has improved dramatically since the 40s. The reason I buy the older Criterion films is to see how clever directors worked around technological constraints. Call me blind, but I think the quality of the Miss Marple tv films is pretty good. Although some outdoor scenes are faded in spots (the films were shot in color) the director had access to camerawork not available in the 40s. Also, these scripts are excellent and filled with interesting detail. Most Criterion films average 1-2 hours of playing time (not counting the "perks" which you may or may not be interested in) whereas Series 2 of the Miss Marple films offers the viewer 500 wonderful minutes. I am grateful that I have access to DVD copies of the Miss Marple stories, and I can watch them any time I want to. When I am watching them, I am reminded of life in the days when I was a young girl. Plus, today's tv entertainment is pretty much directed to the younger set whereas the Miss Marple films are probably better appreciated by older folks like me who lived through the forties and fifties--or younger folks who wish they had. The British actors in the BBC productions are consumate professionals. Joan Hickson was told by Agatha Chistie that she thought Hickson was the BEST Miss Marple ever! Incidentally, I believe Ms. Hickson appears in the Criterion version of THE LADY VANISHES and I know she is in one of the Margaret Rutherford films. If you've read Christie's novels, you know Hickson fits the description of Miss Marple far better than Margaret Rutherford. Christie described Miss Marple as tall and thin with fine white hair and twinkly blue eyes--a gentle person in a cardigan sweater carrying a bag with her knitting needles and latest project--not an agressive broad in a tweed suit. Many other fine British actors are featured in these films--Joss Ackland, Claire Bloom, Rosemary Crutchly all favorites of mine who can out perform the "mega" stars any day of the week. I love the vintage settings, costumes, clothing, china, knick-knacks and bric-a-brac, jewelry, shoes, hats, handbags, luggage, handkerchiefs--nothing is missing. I still own a handkerchief sachet with hand embroidered handkerchiefs my grandmother made --and one makes a very important appearance in a Miss Marple tale. The BBC maintains a museum in Stratford on Avon where one can view the costumes and other props used in various productions. The Miss Marple films give me a vicarious thrill and a trip down memory lane. Tea anyone?? ... Read more | |
| 185. Have Gun Will Travel - The Complete First Season | |
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Amazon.com Running about 25 minutes each, these 39 episodes are consistently good and economically plotted, since Have Gun boasted stellar talent on both sides of the camera. Each episode began with the memorable theme by legendary film composer Bernard Herrmann, and most of the first season was directed by Andrew V. McLaglen, who worked regularly on Gunsmoke, Rawhide, and Perry Mason before graduating to a prolific big-screen career. Regular writers included Gene Roddenberry (who created Star Trek six years later), and budding maverick Sam Peckinpah co-wrote episode #22, "The Singer." In addition to series regular Kam Tong as Paladin's Chinese-American manservant Hey Boy (a "Coolie" stereotype, but Tong handles it with dignity, especially in "Hey Boy's Revenge"), Have Gun offered a who's-who of 1950s and '60s guest stars, from genre stalwarts like Victor McLaglen (Andrew's father), John Carradine, Strother Martin, and R.G. Armstrong, to promising newcomers like Angie Dickinson, Warren Oates, and Charles Bronson (the last starring in "The Outlaw," one of the season's finest episodes). Each episode is accompanied by background information and guest-star profiles, and while picture quality is quite good overall, the audio quality suffers from a low-level mix with noticeable hiss from aged source materials. Fortunately, this won't prevent anyone from enjoying a first-rate TV series that thrived for another five seasons, until cancellation in 1963. --Jeff Shannon | |
| 186. World War II Collection - European Warfare (The Battle of the Bulge / Battleground / The Big Red One Special Edition / The Dirty Dozen / Where Eagles Dare) | |
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Description Battleground: Van Johnson, Ricardo Montalban and George Murphy star in this remarkable war film, nominated for six Oscars(R) (including Best Picture) about courageous American G.I.s caught up in the battle at Bastogne. The Big Red One Special Edition: "The real glory of war," Samuel Fuller said, "is surviving."A decorated combatant with the famed U.S. First Infantry in WWII, Fuller survived.His 1980 film version of his war experiences did not...until now.Working with 70,000 feet of vault materials and Fuller's shooting script, critic/filmmaker Richard Schickel heads a reconstruction that adds over 40 minutes and transforms a truncated but admired war film into an epic masterwork.Lee Marvin, in a richly layered performance now revealed as one of his finest, stars as the sergeant of peach-fuzzed riflemen fighting from North Africa to Normandy and across Europe.The film is the squad's combat diary, war as it's fought and sweated and bled, and, maybe, survived. The Dirty Dozen: Twelve jailbirds will earn their freedom...if they survive a suicide mission against the Nazi brass. Tough-as-nails Lee Marvin leads a nothing-to-lose convict squad of Charles Bronson, Jim Brown, John Cassavetes, Trini Lopez, Telly Savalas, Donald Sutherland, Clint Walker and more in the all-time action trendsetter.Where Eagles Dare: The mission is clear. Get in. Get the general. Get out. Commandos charged with freeing a U.S. general from an Alpine fortress should also be told to trust nothing - including the search-and-rescue orders just issued. Richard Burton and Clint Eastwood go Where Eagles Dare in this twisty World War II thriller written by action master Alistair MacLean (The Guns of Navarone, Ice Station Zebra) and directed by Brian G.Hutton (Kelly's Heroes). Known for fiery dramatic roles, Burton ventures into the realm of movie pyrotechnics with dynamic efficiency. And Eastwood's cool-fire presence heightens one searing action sequence after another. The film became Eastwood's then-largest hit and its studio's #1 moneymaker of the year. | |
| 187. National Treasure (UMD Mini For PSP) Director: Jon Turteltaub | |
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Amazon.com Reviews (263)
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| 188. Ranma 1/2 - The Digital Dojo - The Complete First Season (Box Set) | |
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Description The first season of Ranma1/2! Available for the first time on DVD! Reviews (42)
The box is nice, but the DVDs are no frills. The Furinkan Gazettes, although no liner notes, would still have been a nice addition. Still, this is a great series and a good box set. I highly recommend it. Four stars.
(1) The first few episodes introduce the enchanted spring phenonema and establishes the Ranma/Akane relationship. Nowhere else in the series was this done adequately. (2) The introduction of the Shampoo character. Rumiko's blend of Love, martial arts and gags reaches its zenith here. This is perhaps one of the best anime episodes ever produced. (3) I really love this first season because this is where creator Rumiko Takahashi has creative control. There is a subtleness in the humor and relationships that was unfortunately lost in the later seasons. Rumiko's mastery lets you actually feel what the characters are feeling as the story progresses. This is an all time classic for people who wish to collect the best of anime. Caution: This series contains "comic nudity". It's not kinky stuff, but just illustrates how Ranma doesn't have modesty after getting transformed into a girl after contact with cold water. It's not a "sex comedy" but a "gender comedy" focusing on relationship and gender roles.
I have now watched the first 4 seasons of Ranma 1/2 in chronological order and I think seasons 1 and 2 are the best. Season one introduces you to the main characters and sets the background for following episodes. Yet each episode is entertaining and usually adds a new character or interesting story element. Someone who is very familiar with the series may find some of the first few episodes "thin" because many of the main characters don't get introduced till later. However, for those who are relatively new, I think the build up in history and character development is perfect. Enough time is devoted to each new character introduced to give them some depth. In the season 1 set, the story line is relatively linear from episode to episode (each episode continues where the last left off). In seasons 3 and 4 this no longer occurs quite as much with the some episodes becoming almost completely "stand alone". In conclusion this is a set that all Ranma fans should have and anime fans that haven't yet watched Ranma should definitely start here. ... Read more | |
| 189. Nip/Tuck - The Complete First Season | |
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Reviews (33)
The plot centers on Dr. Sean McNamara (Dylan Walsh) and his partner in crime Dr. Christian Troy (Julian McMahon). They are both plastic surgeons who share their medical practice. Together they help people to hide on the outside what they can't face on the inside. Sean McNamara has a wife (Joely Richardson) and two children, and seems to be relatively content with his life. That is, if you ignore the fact that he doesn't talk to his wife and kids as much as he should because of his work hours. Furthermore, his wife feels resentment towards him because she raised the kids alone and helped support him through medical school while ignoring her own dreams. Christian Troy is the antithesis of Sean in many ways. He is a commitment-phobic sex addict who tries to get out and enjoy what life has to offer. The fact that he makes a ton of money and can wave that notion in women's faces certainly aids him in his quest. Undoubtedly, he has made several enemies along the way. The relationship between these two is complex. They are more than mere business partners. They are best friends and confidants, and together they get themselves mixed up in strange medley of unsettling incidences that will test their friendship and ultimately bring them closer than ever before. Throughout the course of this first season, they will be unwillingly involved in trafficking drugs across the border, disguising child molesters, and even getting rid of a dead body. In addition to the roller coaster ride of events they experience together, they each have their own separate personal ordeals that must be dealt with. Dr. McNamara's crumbling marriage is a constant reminder of his failures, and Dr. Troy's risqué love life will come back to haunt him. The ultimate theme for the series is that no matter how beautiful we look on the outside, there can still be hideousness on the inside. We are a society of grit and grime, and no amount of money and technology will change that. Nip/Tuck portrays that harsh reality in a brutal, in-your-face manner that is both intriguing and addicting. The symbolism seen in the opening of each episode is a great way to emphasize this point. I must admit that I wasn't all that interested in this series after the first couple of episodes. They seemed to plunge the viewer right into the plot without spending much time developing the characters. I wanted to know who these people were and why they would do some of the things they were doing. However, I'm glad I stuck with it and continued to watch. With each new episode, small tidbits of each character's personality are revealed. These are complex characters that can't be explained in a few episodes. The writing for each episode is phenomenal, with each one being better than its predecessor. I definitely suggest this series to fans of good television. I should note that the plastic surgery scenes tend to be quite graphic and are definitely not suitable for everyone, but don't let that keep you from checking this out. I can't wait for the second season to come out on DVD!
It's definitely not for everyone though. No sirree. First of all, if you're squeamish, the brilliantly reproduced surgeries can be a bit nauseating. (I'm a surgeon, and I loved 'em. My wife, an ex-nurse, had to close her eyes...) Third, if you appreciate good acting, it does not get any better than this. Seriously. This is "Sopranos" good; "NYPD Blue" good. The two lead performances are pitch-perfect, both deeply flawed and often morally reprehensible individuals who at the end of the day, you can't help but root for. The "supporting" players are a heck lot more than that, and provide tons of drama, amusement and eye candy. Fourth, the screenwriting is bling-bling eye-popping, smart as all hell and consistently surprising. The thirteen episodes link nicely together, the first ones dovetailing back into the last ones. I was constantly taken aback at the twists, the lines, the situations they came up with. Let's just say that I learned in the very first episode that crocodiles prefer ham to human flesh. And that fact is actually important to the story... I haven't even had a chance to go through what appears to be fairly extensive supplements and deleted scenes. I HAD to write in...I will recommend this to ANYONE, anyone over 18 I should say, who likes good television and may like to be pleasantly shocked from time to time. With great restraint I have withheld many (if not all) plot points, because the exhilarating thrill of discovering them on your own is something you'll only feel once. Without spoiling too much, the show centers on the Miami plastic surgery practice of McNamara/Troy. The one thing that struck me the most about these shows is the amount of genuine heart that stands at the center of each episode. There is a large amount of provocative, politically incorrect but unassailable truth here...nothing you'd like to admit, but stuff you instantly recognize. As you get to know these characters, establshing empathy fir them is easy. It's darn near irresistible. I was hooked from the first five minutes. I could write more, but I need to go check out the extras, AND the four NEW episodes I have on tape. I have just GOT to get my Tivo hooked up...
Drs. Sean McNamara and Christian Troy are not as shallow as their profession would have you assume. I think that is the focal point of the show. These two guys care more than they should, and they care about each other most of all. Each episode has a story in itself, as well as advances an overall story of the season. You'll find yourself addicted to the next episode. You'll want the next story and you will want to know what is going to happen to these characters, Sean and Christian, Sean's wife and son, as well as the patients that come through or in and out of the plastic surgeon's lives. This is a show where you care about the principle characters along with the second tier story tellers, i.e. the patients. Definitely give this series a try. F/X has got the best one-hour dramas out there. ... Read more | |
| 190. Gilmore Girls - The Complete Second Season | |
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| 191. Keeping Up Appearances - The Full Bouquet Set (Vols. 1-8) | |
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| 192. The Simpsons - The Complete Third Season | |
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Amazon.com Reviews (205)
This season on top of all of the visual imporvements also showed us some of the most entertaining and memorable episodes. LISA'S PONY has Homer turning into a zombie doing the graveyard shift at the Kwik E Mart to pay for Lisa's new Pony, a pony he bought for her after ruining her talent show audition. SEPERATE VOCATIONS has Bart and Lisa switching personalities after taking the Career Aptitute Normalizing Test (or CAN'T) a test to tell you what field you would be best in. Bart cleans up his act, and is offered a hall monitor job at school after hearing he should be a cop, a disgusted Lisa turns tough after reciving Home Maker instead of blues artist. FLAMING MOE'S has Homer's own alcohalic drink saving Moe's Tavern, with Moe taking all of the credit and Homer getting nothing. BART THE LOVER has Bart toying with his lonely teachers feelings by sending her love letters to her, while she thinks it's a man who answered her personal's ad. THE OTTO SHOW is one of everybody's favorites with Bart's pal Otto losing his bus drivers job and having to live with the Simpsons. Finally, I MARRIED MARGE has Homer retelling the kids how he proposed to Marge and his struggles to find a job with Bart on the way. There are PLENTY of other good episodes to talk about in this season such as the softball episode, the episode where German investors buy the power plant and the soapbox derby episode (hopefully will be released in it's original un-cut fashion, even when shown the first couple of times back in 90-91 some scenes were edited out.) The next best thing after this will truly be the next best season of the Simpsons, which is season 4 which also had some excellent episodes, ( DUFFLESS, A STREETCAR NAMED MARGE, HOMER THE HERETIC, ITCHY & SCRATCHY THE MOVIE along with the immortal KAMP KRUSTY.) If season 3 is the best, then season 4 is a close 2ed or maybe 1a and 1b. When this season is released, it might be one of the best DVD sets ever. Anyone who calls themselves Simpsons fans needs this set as theirs hardly a stinker in the bunch. Get it!!
This season contained some of the most memorable episodes this show has seen like Flaming Moe's, and Like Father Like Clown. This season also featured guest stars such as Michael Jackson, Joe Mantegna, Neil Patrick Harris, Chick Hearn, Magic Johnson Jackie Mason, Catherine O'Hara, Aerosmith, Terry Cashman, Beverly D'Angelo, Spinal Tap, Kimmy Robertson, Joe Frazier etc. Episodes feature Homer inventing a new alchoholic beverage, Lisa getting a pony, A retelling of the early days of Marge and Homer, a company softball team featuring Wade Boggs, Roger Clemens, Ken Griffey Jr., Steve Sax, Don Mattingly, Ozzie Smith, Darryl Strawberry, Joe Canseco and Mike Scoscia, the return of Herbert Powell, Homer's brother, and much more. This season is definetly my pick as the defining season of The Simpsons. It's also one of the reasons why The Simpsons is the best show on television. This set will also feature specials such as: Disc One: This is the ultimate set for fans of The Simpsons brimming with special features to perfectly compliment this brilliant season.
These episodes are classics Mr. Lisa Goes to Washington and When Flanders Failed are to of my favourite. The other are just as good, really there are no faults in this season and the next four seasons are just as good if not better. The plots are really good here, especially flaming moe's which is a true classic i love that episode so much. This is the peak of tv, nothing comes close to the simpsons at it's best...
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| 193. Doctor Who - The Key to Time - The Complete Adventure | |
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Amazon.com Unlike the other Doctor Who DVDs from BBC America, The Key to Time: The Complete Adventure is debuting in North America rather than the United Kingdom, the reason being that the Baker serials have proven more popular with American audiences. And while offering somewhat fewer supplemental features than the previous releases, the boxed set is a rare opportunity to own an entire season of Doctor Who at one time. For fans of the series and Baker in particular, The Key to Time: The Complete Adventure is a must-have. --Paul Gaita Reviews (34)
Through the course of six adventures, the Doctor and his new assistant, Romana (played by the gorgeous Mary Tamm), together with a robotic dog named K-9 (the pun has been completely lost on me, I realize now, after so many years of Who viewing) travel throughout time and the universe in search of six segments to a powerful artifact known as the Key of Time which is capable of providing it's keeper with absolute power over all that exists/has existed/ever will exist. Luckily, in order to use the key of time one has to be powerful enough to be able to put it to use, and out of all that exists there exist only two beings capable of doing this. Unforunately (and inevitably), one of them is pure evil, and if the Key falls into his hands... well, you get the picture. Of the six, my favorite has to be the first, "The Ribos Operation", set on a Medieval-esque planet that is just on the verge of an astronomic revolution, while contrary to most people's opinions, my second favorite is the fourth, "The Androids of Tara", also set on a Medieval-esque planet but in specific, hidden ways technologically superior to our own time. Going onto a tangent that includes a minor complaint extending not just to these six stories but much of the entire series: a question arises when one considers just how earth-like each of the planets the Doctor visits, as far as flora and fauna and inhabitants go... How can we explain this? Either a tremendous coincidence is at work, or each planet was long ago terraformed or colonized by humans in the distant, distant past. I would have enjoyed at least some small attempt to make the sights and sounds of each less developed planet at least a LITTLE alien (the swamp environment of Power of Kroll was a step in the right direction, but what if the plants were all tinted blue or even purple? Why should the skies always be blue?). Of course, in letting this little factoid bother me I'm stepping away from the point of Doctor Who, which is of course good, imaginative, and exciting stories, all of which are entirely present in each of the stories we're given. Incidentally, three and a half stories I realize now are excempt from my little complaint, at least only as far as the setting goes: "The Pirate Planet" (penned by "Hitch-Hiker's Guide to the Galaxy" author Douglas Adams) is fine because it's set on a technologically advanced planet quite a few steps ahead of present day earth; "Stones of Blood" is set on modern-day (read, mid-seventies) Earth; and the final tale, the extended epic "The Armageddon Factor", is once again set on a trio of planets with a highly developed technological society. The half comes with "Power of Kroll", as the fact that the humans in the story specifically are descendants of colonists from Earth is stated more than once as the narrative progresses. Also, a familiar face guest stars as one of the villains in "The Armageddon Factor": the Marshall is played by John Woodvine, who(m) I immediately recognized as the doctor (lower-case "d") from John Landis' classic "An American Werewolf in London", one of my favorite movies. Just cool to see him, nothing really more than that. The main reason to own these stories is for the stories themselves... extras aren't such a big deal to me, but we're still given a few, which I appreciate. Each story has a commentary track (with Tom Baker on three of them), plus a few actor bios and behind the scenes photographs. Good enough for me. I would like to mention the covers on each DVD case... my gosh but they're awful! Compare any of the covers from the Key of Time series with other DVDs from BBC's Doctor Who line... they could have done a lot better if they'd tried. But as it's what's inside that counts, that won't go against my perfect five-star rating. All in all, "The Key of Time" is an excellent smorgasbord of Doctor Who adventures, with something unique to turn to for every day of the week. You'll get some great humor, some interesting ideas, and some lovely acting, and you will have a lot of fun in the process. Buy it today! (and thank you for reading these random, disorganized thoughts) Carry on Carry on, MN
The Ribos Operations- A pretty good Robert Holms Story about greed for a valuable mineral set in a medieval type culture. The Pirate Planet- This is the Gem of season 16. One fo the great Douglas Adams Dr. Whos. It's about a planet that continuously experiences economic boons whose native's never bother to question why. The Doctor must face the extremely loud and boisterous Captain to find the answers. Wonderfully humorous dialogue and one of the few Whos that can hold the interest of non fans. The Stones Of Blood- Another excellent story (from a dialogue perspective at least). Satan worshippers pray to giant stones which can move across the countryside sucking the life out of people. There's even a decent slasher film type scene with a couple camping in the woods. The Androids of Tara- A swashbuckling adventure about an alien civilization who's garb look medieval but who also employ android technology. Kind of silly but kind of fun. The Power of Kroll- The worst one of the season. Laugh as the green painted swampies worship the giant latex Squid. Be warned... at any moment the giant rubber tentacle could come and drag someone away! Kind of like the gong show. The Armageddon Factor- The final battle for the Key To Time. Can the Doctor defeat the mysterious Shadow? I always found the Shadow to be incredibly scary although it doesn't make up for the fact that they could've probably cut a half hour out of this.
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| 194. Combat - Season 1, Campaign 1 | |
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Amazon.com Image's Combat! Season One: Campaign One establishes a watermark for other studios and distributors to follow with their own vintage television DVD sets. Commentary tracks by Robert Altman, first assistant director Michael Caffey, and actor Tom Lowell are featured on three episodes, while several other key participants, including actor Pierre Jalbert (Caje), directors Richard Donner and Ted Post, and Combat! episode guide author Jo Davidmeyer are featured in interviews for the featurette "Memories of Combat!." Davidmeyer also provides interesting factoids about each episode in the scene selection menus. A gallery of production photos rounds out the uniformly excellent supplemental features. Image's comprehensive boxed set is a must-have for devotees of the series and WWII drama in general. --Paul Gaita Reviews (15)
They always start out with "staring Rick Jason and Vic Morrow." Instead of great sweeping epics this program focuses on a single squad with their trials and tribulation with confronting the Germans in WWII. Each episode is one hour and has to oppose a problem and a solution in that time. This was back in the time of professional privates. In 1967-1968 Vietnam if you were lucky certain areas actually had TV broadcasting at 1600 hrs. You guessed it; this was one of the programs. I wonderer what the locals thought of the episode? This would be a good series to own. Not just for the nostalgia, but the personal conflicts portrait in the program are still with us today.
Some of the Highlights: Lost Sheep Lost Shepherd....Jeffery Hunter is the guest star as a priest who fell from grace and is now a tanker...when he blows up the church steeple, you cannot help but think of his role in King of Kings. Forgotten Front...guest star Albert Paulsen (who recently passed away) portrays a very sympathetic German who is captured by Saunders...the writers had to add the final scene between Caje and Saunders because the producers did not like the final outcome of Paulsen's character... Cat and Mouse...a very exciting and tense story with Albert Salmi as a Seargent equal to Saunders in grit and determination. Reunion....what does one do, when you find out your long lost father is a collaborator for the Germans? The Medal....Frank Gorshin reluctantly, then aggressively, takes credit for a heroic act that he didn't do... No Time for Pity....one of the many episodes which shows the war's effect on children.... The Sniper....German sniper picks off US soldiers in French town. No Trumpets No Drums...Caje suffers through a period of angst after killing a little girl's father.... These epsisodes, and others are the high points of the first season...but since the characters have not yet fully evolved, there are some episodes that they are secondary to, at times, rather mundane characters: Any Second Now....Hanley is caught under some rubble in a church with an unexploded bomb for company...a rather boring subplot between the British demo man and his love interest... Missing in Action....Howard Duff as a downed pilot is again center stage to a romantic plot line The Chateau...Doc #1 is given the star treatment in this episode..the problem is that he is not a very good actor The Prisoner....Shecky Greene's comedic talents are on display but the episode is too "Hogans Heroes-ish" to be any good... The Walking Wounded...this time we have too much Gary Merrill.. Off Limits....William Windom and Peggy Ann Garner are lovers and guess what?...Garner is married to one of Saunders men!...yawn Well, I could go on but I will spare you....as I said, for the first season, there are highs and lows, but they do set up what is to come, and if you have some patience, there are many rewards in this first season.... So by all means, pick up this first season because the price is right and there is much to enjoy....as the seasons progressed, the show just got better, culminating in the 2 part masterpiece, "Hills are for Heroes" from season 4.... Recommended with some reservations....
One small slice of trivia that should interest Baby Boomers and new viewers alike. *Combat!* was actually used as a sort of half-fast training aid by US Marine Corps NCOs during operations in the city of Hue during the 1968 Tet Offensive. At that time, the USMC had no formal training in military operations on urbanized terrain (MOUT), and most of the young riflemen deployed to re-take the city had only an imperfect idea of how to go about the sort of house-to-house fighting required. The older NCOs tried to explain the principles involved in moving through streets under fire, but got nowhere until a couple of them remembered the popular television series. "You guys all watched *Combat!* right? Okay, you do it like you saw it on TV." Combining this very basic universal understanding of fighting in built-up areas with M-48 tanks and M-50 Ontos in support (and a whole lot of C-4), the Marines cleared the NVA out of Hue, killing more than 5,100 North Vietnamese and Viet Cong while laying the foundation for the modern MOUT war fighting doctine in use today.
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| 195. The Andy Griffith Show - The Complete First Season | |
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Amazon.com | |
| 196. Best of Hitchcock Volume 2 | |
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Reviews (4)
Torn Curtain isn't a complete disaster but is far from a perfect film. Marnie is downright embarrassing. I know a number of Hitchcock scholars consider it his last great work; I'd argue that this misogynistic Freudian work of mumbo jumbo is among Hitchcock's worst films. Sure, it has a couple of stunning set pieces but the film script has clearly traveled through too many hands (although it was based on Hitchcock's concept of the film and Evan Hunter is the only screenwriter credited, Ernest Lehman, Joseph Stefano and a couple of other writers tried their hand at adapting this meandering mess). It suffers from flaws that Hitchcock had worked through earlier in his career (with the flawed but interesting Spellbound). The only other film that comes close to Vertigo and The Birds is the minor masterpiece Frenzy. Hitchcock was clearly energized by the competition of young upstarts following in his footsteps. Frenzy, again, demonstrates that Hitchcock could be at his best even this late in his long career. The Trouble with Harry is a fine dark comedy from Hitchcock and, although it hasn't aged all that well, still features sparkling dialogue (courtesy of writer John Michael Hayes)and strong performances. Saboteur is another minor masterpiece from Hitchcock that still manages to be engaging. The sequence set on the Statue of Liberty as Robert Cummings tries to save the foreign spy (played by Hitchcock regular Norman Lloyd)is still gripping and powerful today. The real reason to own this set is the episodes of Alfred Hitchcock Presents included on the bonus DVD. Hitchcock directed all these himself. They vary in quality from good to exceptional. Since they aren't available indivdually, it's a must have for fans of the director's work. If you want to purchase Hitchcock's best films, get them individually but if you need this bonus disc, this set is the expensive way to go.
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| 197. Law & Order Special Victims Unit - The First Year | |
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Amazon.com Wolf penned series premier "Payback," which sets the scene, but not the tone. It's a lively, if uneasy mix between horror (rape) and comedy (risqué banter). As the show progressed, humor would be written out altogether (leaving Richard Belzer's Homicide-derived John Munch with increasingly less to do). Less emphasis would also be placed on the home lives of this "elite squad of dedicated detectives." Mostly, "Payback" introduces us to the unit, centering around partners Olivia Benton (Mariska Hargitay) and Elliot Stabler (Christopher Meloni). For two people with so little in common, they make a terrific team--arguably one of TV's best. Stabler is married with four children; Benton is single and her closest relationship is with her mother (Elizabeth Ashley). While Stabler can get a little rough with suspects, Benton tends to over-empathize with the victims. They report to the no-nonsense Captain Cragen (Law & Order vet Dann Florek). Like the parent program's Lenny Briscoe, he's a recovering alcoholic. Dean Winters and Michelle Hurd round out the rock-solid cast. As it would continue to do in successive years, SVU's first season proved that network TV could explore sex crimes without being salacious or exploitative. "Uncivilized," for instance, concerns a child murder that is automatically pinned on a local sex offender, when the actual perpetrator isn't quite so obvious. "Disrobed," in which Brian Cassidy (Winters) leaves the department and Benson (with whom he had a brief affair) shoots a suspect is another standout in a strong year. SVU was followed by Criminal Intent in 2001 and features several guest appearances from Jerry Orbach (Briscoe) and Angie Harmon (Abbie Carmichael) from the original Law & Order. --Kathleen C. Fennessy Reviews (29)
As the intro to each episode states, the SVU, or Special Victims Unit, is in charge of particularly heinous crimes that are sexually based. Lead detectives are Benson (Mariska Hargitay) and Stabler (Christopher Meloni). Detective Munch (Richard Belzer) is paired first with Cassidy (Dean Winters) and later with Jefferies (Michelle Hurd). Ice-T doesn't become Munch's partner until season two. The entire group of detectives is commanded by Captain Don Cragen (Dann Florek). As a previous viewer stated there are commercials at the beginning of disc one, but on that disc only. The set includes 22 full length episodes including the pilot for the series. Two featurettes are also on the final disc. Special Victims Unit: The Beginning features cast members and producers giving insight into the making of and success of the show. Dann Florek's Squad Room Walk Through clues us into life on the set and little tidbits about the squadroom such as the photo on Olivia's desk (that of Mariska's real mother, Jayne Mansfield with her two dogs Momsicle and Popsicle), the wanted pictures on the bulletin board (actually crew and office workers), the rationale behind props in Captain Cragen's office, and many more insider scoops. If you're a fan of great writing and acting as well as cop shows, this is one set you can't miss. The fifth season of SVU is slated to be released on September 7th in time for the fall premiere of season six. After that, Universal is reportedly going to go back and release the other seasons in the actual order.
Marbear
What I HATE about this DVD is that every time you pop it in, you have to sit through the same commercials. You Can't Skip Them! Here's a preview of the ads you aren't allowed to Skip. 1. Watch Law & Order on USA Also look at the ad insert to tell you AGAIN. Watch Law & Order on USA. (...)6 unavoidable ads before seeing even 1 Episode! Look, I'm a fan... So it looks to me that Dick Wolf isn't going to squeeze any more viewing time out of me by tormenting me with these annoying commercials. WHY! WHY! WHY! Torment me?!?!? Ok, glad to get that off my chest. Quick review on the first season. The show, to me, has gotten IMPORTANT!!! | |
| 198. Star Trek The Next Generation - The Complete First Season | |
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Amazon.com Patrick Stewart was perfect as Enterprise Captain Jean-Luc Picard, whileMarina Sirtis struggled with a wretched hair bun and an ill-defined character,eventually blessing Counselor Troi with delicate nuance. Denise Crosby made astrong but underutilized impression as Security Chief Tasha Yar, and left theseries before season's end, allowing writers to develop Klingon Lieutenant Worf(Michael Dorn) into a fan favorite. Brent Spiner transcended Spock comparisonswith his triumphant portrayal of the android Lieutenant Commander Data; andwhile Jonathan Frakes was accepted as First Officer Will Riker, fans ultimatelyrejected Wil Wheaton as ensign Wesley Crusher, the teenaged son of the ship'sdoctor (Gates McFadden). Still, these 25 episodes laid a firm foundation forsubsequent seasons, and highlights include the Raymond Chandleresque "holo- novel" of "The Big Goodbye," Data's backstory in "Datalore," the Klingon ritualsof "Heart of Glory," and a Romulan encounter in "The Neutral Zone." The DVDsupplements (all on the seventh disc) are good enough to make anyone wish formore: four featurettes recall myriad first-season challenges, filled withinsider perspective and enough NextGen trivia to satiate all but the mostobsessive Trekkers back on Earth. Looking back, it's easy to see whyNextGen lived long and prospered. --Jeff Shannon Reviews (143)
The first season has often been termed 'sterile' by some; this probably has some merit given that any new series doesn't necessarily have chemistry from the outset. However, some of the episodes are in the opinion of this writer among the best in the series--among these, "Code of Honor," "Where No One Has Gone Before," "Justice," "The Big Goodbye," "Datalore," "11001001," "Home Soil," "Coming of Age," "Heart of Glory," "The Arsenal of Freedom," the Stefano-written "Skin of Evil," "Conspiracy," and "The Neutral Zone"--the latter episode perhaps introducing us (albeit cryptically) to the Borg. The segment on "Memorable Missions" was particularly poignant, especially the portion where Natasha Yar (Denise Crosby) reflects on her work on ST:TNG. The interviews with the Production (and other) Staff were also very interesting and informative; I found the excerpt with Michael Okuda intriguing and eye-opening. This DVD boxed set is a must for lovers of any of the five Star Trek series. I've already placed my order for ST:TNG Season Two. :)...
"Star Trek is one of our most popular and enduring video franchises," said Eric Doctorow, president, Paramount Home Entertainment Worldwide. "We are very excited to be releasing Star Trek: The Next Generation on DVD because we are now offering consumers the ultimate home viewing experience for this immensely popular show." The contents of the Season One box set are as follows: Disc 1: Encounter at Farpoint Parts 1 & 2 (episodes 101, 102), The Naked Now (103), Code of Honor (104) Disc 2: The Last Outpost (107), Where No One Has Gone Before (106), Lonely Among Us (108), Justice (109) Disc 3: The Battle (110), Hide and Q (111), Haven (105), The Big Goodbye (113) Disc 4: DataLore (114), Angel One (115), 11001001 (116), Too Short a Season (112) Disc 5: When the Bough Breaks (118), Home Soil (117), Coming of Age (119), Heart of Glory (120) Disc 6: The Arsenal of Freedom (121), Symbiosis (123), Skin of Evil (122), We'll Always Have Paris (124) Disc 7: Conspiracy (125), The Neutral Zone (126), Special Features Disc 7 includes the following special features: - The Beginning: focusing on the challenges of creating a new series and keeping to Gene Roddenberry's vision. Includes interviews with Roddenberry, Patrick Stewart, Robert Justman (former producer of the Original Series), Rick Berman (Co-Executive Producer at the time), Jonathan Frakes, Marina Sirtis, Denise Crosby and other cast members. - Selected Crew Analysis: features first-season cast members talking about their roles, their acting backgrounds prior to being cast and their impressions of the Star Trek legacy. Also features a comparison between the launch of the series in 1987 and the comments from the cast seven years later (1994), using archive interviews and b-roll to present a fascinating "before-and-after" look from the series cast members. - The Making of a Legend: features commentary from the first-season production staff members - Michael Westmore (Make-up), Herman Zimmerman (Production Designer), Mike Okuda (Scenic Artist), Richard Stembach (Scenic Artist), Dan Curry (Visual Effects), Peter Lauritson (Co-Producer), Rick Berman and others - as they discuss the making of the new series. Uncovers information on how the beaming effect is achieved, Worf's make up process and how much time and effort goes into creating each episode. - Memorable Missions: cast and crew discussions of specific episodes and events that occurred during the first season. The DVD of Star Trek: The Next Generation - Season One is presented in a full-frame version, and the audio is presented in Dolby Digital 5.1 and Dolby Digital 2.0 Stereo. The DVDs are subtitled in English and closed-captioned for the hearing-impaired. The Season One box set carries no suggested retail price but is expected to be priced by retailers for their customers at under... It is not rated in the U.S. by the Motion Picture Association of America; it is, however, rated G in Canada. Each disc has a running time of approximately 176 minutes, with the exception of Disc 7, which has 88 minutes of features and approximately 60 minutes of special features. All seven discs are encoded with the Macrovision AntiCopy process. The above information pertains to the North American release only.
"Star Trek is one of our most popular and enduring video franchises," said Eric Doctorow, president, Paramount Home Entertainment Worldwide. "We are very excited to be releasing Star Trek: The Next Generation on DVD because we are now offering consumers the ultimate home viewing experience for this immensely popular show." The contents of the Season One box set are as follows: Disc 1: Encounter at Farpoint Parts 1 & 2 (episodes 101, 102), The Naked Now (103), Code of Honor (104) Disc 2: The Last Outpost (107), Where No One Has Gone Before (106), Lonely Among Us (108), Justice (109) Disc 3: The Battle (110), Hide and Q (111), Haven (105), The Big Goodbye (113) Disc 4: DataLore (114), Angel One (115), 11001001 (116), Too Short a Season (112) Disc 5: When the Bough Breaks (118), Home Soil (117), Coming of Age (119), Heart of Glory (120) Disc 6: The Arsenal of Freedom (121), Symbiosis (123), Skin of Evil (122), We'll Always Have Paris (124) Disc 7: Conspiracy (125), The Neutral Zone (126), Special Features Disc 7 includes the following special features: - The Beginning: focusing on the challenges of creating a new series and keeping to Gene Roddenberry's vision. Includes interviews with Roddenberry, Patrick Stewart, Robert Justman (former producer of the Original Series), Rick Berman (Co-Executive Producer at the time), Jonathan Frakes, Marina Sirtis, Denise Crosby and other cast members. - Selected Crew Analysis: features first-season cast members talking about their roles, their acting backgrounds prior to being cast and their impressions of the Star Trek legacy. Also features a comparison between the launch of the series in 1987 and the comments from the cast seven years later (1994), using archive interviews and b-roll to present a fascinating "before-and-after" look from the series cast members. - The Making of a Legend: features commentary from the first-season production staff members - Michael Westmore (Make-up), Herman Zimmerman (Production Designer), Mike Okuda (Scenic Artist), Richard Stembach (Scenic Artist), Dan Curry (Visual Effects), Peter Lauritson (Co-Producer), Rick Berman and others - as they discuss the making of the new series. Uncovers information on how the beaming effect is achieved, Worf's make up process and how much time and effort goes into creating each episode. - Memorable Missions: cast and crew discussions of specific episodes and events that occurred during the first season. The DVD of Star Trek: The Next Generation - Season One is presented in a full-frame version, and the audio is presented in Dolby Digital 5.1 and Dolby Digital 2.0 Stereo. The DVDs are subtitled in English and closed-captioned for the hearing-impaired. The Season One box set carries no suggested retail price but is expected to be priced by retailers for their customers at under... It is not rated in the U.S. by the Motion Picture Association of America; it is, however, rated G in Canada. Each disc has a running time of approximately 176 minutes, with the exception of Disc 7, which has 88 minutes of features and approximately 60 minutes of special features. All seven discs are encoded with the Macrovision AntiCopy process. The above information pertains to the North American release only.
I would not recommend this DVD for people who want to watch it on large screened television based on its output picture quality.
ENCOUNTER AT FARPOINT: As a pilot, this episode does what it's supposed to: introduce us to the series and characters. The actors are initially stiff and robotic in their roles except-ironically-Data the android. Storywise, the episode is weak, but there is a fun cameo by an aged Dr. McCoy. Grade: B- THE NAKED NOW: The crew is infected with an alien virus which causes them to lose their inhibitions. This contrivance allows us to learn more about their characters' personalities and past lives. Grade: B CODE OF HONOR: Tasha Yar is kidnapped by the chief of a visiting delegation and the crew must win her back through contests of honor. Dull performances abound-the characters show little emotion in the face of dire circumstances. Grade: D THE LAST OUTPOST: The crew's first encounter the Ferengi, who are effectively dislikable and disgusting. However, the climactic battle falls flat. Grade: C WHERE NO ONE HAS GONE BEFORE: The first engaging episode of the season. A warp drive accident sends the Enterprise to the far side of the galaxy and the crew has to figure out how to get back. Grade: B+ LONELY AMONG US: The crew must deal with feuding alien races that are guests on the ship while a mysterious energy force takes control of various officers. These two unrelated storylines seem crammed together, neither one satisfying. Grade: C JUSTICE: The worst episode of the season. The crew visit a planet where Wesley is sentenced to death for a trivial offense. Picard inexplicably agonizes over having to defy the society's ridiculous rules. Take Wesley and go already! Grade: F THE BATTLE: A Ferengi captain offers Picard his old ship as a gift, but it turns out to be a revenge plot to discredit Picard. Some interesting glimpses into Picard's former life, but ultimately an uninvolving episode. Grade: B- HIDE AND Q: Nemesis Q returns and gives Riker god-like power to see what he will do with it. Riker is reluctant to use these abilities and once again the melodramatic Q fails in his ploy to trip up the "unworthy" humans. Grade: C- HAVEN: Troi's Betazoid mother Lxawana arrives aboard the Enterprise with plans to immediately carry out Troi's arranged marriage. Lxawana's eccentric behavior is intended to be the source of much comedy but it mostly comes across as dumb. Grade: C THE BIG GOODBYE: Picard uses the holodeck's imaging capability to insert himself and others into a 1940's-era detective story. What could have been a lame premise gains poignance as the holodeck characters come to question their own reality. Grade: B+ DATALORE: The Enterprise returns to the planet where Data was "discovered" years before. There they find Data's identical counterpart, Lore, who turns out to be an evil twin. This disappointing episode gives short shrift to Data's origins. Grade: C+ ANGEL ONE: The Enterprise goes in search of crewmembers from a long-lost ship believed to have sought refuge on Angel One, a planet governed by women. The story is basically a commentary on social change and gender politics, but has some humorous moments. Grade: B- 11001001: While in spacedock for a routine computer upgrade, the Enterprise is hijacked by a race of aliens with only Picard and Riker aboard. An above average episode with good character development, particularly Riker. Grade: B+ TOO SHORT A SEASON: The Enterprise is called upon to chauffer an aged admiral to a hostile planet to conduct negotiations. The story focuses on unfamiliar and unsympathetic characters and virtually ignores the regular characters. Grade: C- WHEN THE BOUGH BREAKS: An advanced but barren race kidnaps some of the Enterprise's children and the crew must figure out how to retrieve them. A dull episode with more "aliens" that don't seem alien. Grade: C- HOME SOIL: While visiting a terraforming station on a desolate planet, the crew discovers a previously unknown life form--a grouchy blinking light. There is much scientific jargon tossed about, but it can't disguise a flimsy story. Grade: C- COMING OF AGE: Wesley takes the entrance exams for Starfleet Academy while Picard undergoes an administrative interrogation. There is enough character development to make this episode better than most. Grade: B- HEART OF GLORY: Arguably the best episode of the first season. The Enterprise rescues fugitive Klingons from a battle-ravaged ship who try to convert Worf to their cause. An intriguing look at the warrior nature of Klingons. Grade: A- ARSENAL OF FREEDOM: The Enterprise away team beams down to a planet of arms merchants to determine why there are no life signs and are attacked by a machine that wiped out its creators. Ho hum. Grade: C SYMBIOSIS: After saving the crew of an imperiled freighter, Picard and Co. discover two societies who have an unhealthy dependence on each other. An obvious anti-drug message is the moral of a disjointed story. Grade: C- SKIN OF EVIL: While rescuing Troi from a crashed shuttle, the Enterprise crew encounter an oily black snowman of pure evil. This creature kills a main character, whose death is quick and undramatic. Despite losing their colleague, hardly a tear is shed among the crew, even during the final eulogy scene. Grade: B- WE'LL ALWAYS HAVE PARIS: Answering a distress call at a remote outpost, Picard runs into an old flame. The plot involves some techno-malarkey about a rip in the time continuum, but this is secondary to the soapy, unrequited love story. Grade: B- CONSPIRACY: Picard discovers a conspiracy at the highest levels of Starfleet Command. The story starts strong, but the ending is rushed and disappointing. Low-budget special effects diminish the impact. Grade: B+ THE NEUTRAL ZONE: The Enterprise crew rescue people from the 20th century frozen on a derelict capsule while investigating the destruction of several federation outposts. The episode has litle action, but features the return of the Romulans. Grade: B+ ... Read more | |
| 199. Law & Order Special Victims Unit - The Fifth Year (2003-04 Season) | |
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| 200. .hack//SIGN - The Complete Collection (Limited Signed Edition) Director: Kôichi Mashimo | |
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