Description

Based on the bestseller by Stephen E. Ambrose, the epic 10-part miniseries Band of Brothers tells the story of Easy Company, 506th Regiment of the 101st Airborne Division, U.S. Army. Drawn from interviews with survivors of Easy Company, as well as soldiers' journals and letters, Band of Brothers chronicles the experiences of these men who knew extraordinary bravery and extraordinary fear. They were an elete rifle company parachuting into France early on D-Day morning, fighting in the Battle of the Bulge and capturing Hitler's Eagle's Nest at Berchtesgaden. They were also a unit that suffered 150 percent casualties, and whose lives became legend. ... Read more

Reviews (703)

Band of Brothers - The Complete 10 Chapter Miniseries
This 10 chapter miniseries set is an exquisite mix of Saving Private Ryan with the documentary feel of an A&E type production and the drama, look and the inevitable touch of Spielberg/Hanks brilliance and genius.

Incredibly real and gut wrenching, the miniseries begins at 101st Airborne Division training camp at Camp Toccoa, USA. Whereupon we learn about the tough reality of being in the Airborne Division and the severity of living under a military chain of command. Under the command of Lt. Sobel, Easy Company is trained and drilled every single day until they become on of the best companies in the Division, a fact that will prove to be woeful in battle.

At long last (2 years in training) the Allies have concocted a plan to start the invasion/liberation of Nazi occupied France and Europe. D-day is gruesome but Easy Company is more terrible events are yet to come.

As we follow along the story, we slowly get into knowing people like Lipton, Luz, Perconte, Winters, Buck, Bull, Skip Muck, Popeye, Guarnere and many memorable characters who we see triumph, survive and perish in the cruelty of war.
We are taken into the very jaws of the enemy at battles like Foy, Carentan, Bastogne, the Eagle's nest, all these in the dreariest and bitter conditions of bad weather and lack of supplies. We are also shown the harsh confrontation and evil they were up against when Easy and other companies face the concentration camp in Landsberg.

A miniseries all WWII fans and followers are sure to enjoy, hands down a top 5 stars and Thumbs Up.

You will enjoy it.

Powerful testament to the human spirit
BAND OF BROTHERS (USA/UK TV 2001): The trials and tribulations of Easy Company, 506th Regiment of the 101st Airborne Division, from the D-Day landings in Normandy to their capture of Hitler's Eagle's Nest in Austria at the end of World War II.

Co-produced by Tom Hanks and Steven Spielberg, HBO's epic 10-part miniseries (based on a terrific bestselling book by the late Stephen E. Ambrose) was the most expensive TV undertaking of its day, costing a massive $120 million to produce. And, as the old saying goes, every penny is up there on the screen. Borne from the success of Spielberg's SAVING PRIVATE RYAN (1998) - with which it shares a similar dramatic and visual style - BAND OF BROTHERS' recreation of a glorious (and hard-won) chapter in American history assumed an even greater patriotic significance during its initial US broadcast, when it coincided with the horrific attacks that destroyed the World Trade Center in September 2001. Written with economy and grace, and directed with emotional intensity by a series of directors (including Phil Alden Robinson, Richard Loncraine and Hanks himself) whose combined efforts achieve a genuine aesthetic uniformity, the movie is a masterpiece of storytelling and historical documentation. Punctuated by horrific battle sequences, in which the camera is placed within mere inches of the death and destruction, the film manages to transcend its educational remit by its relentless focus on the human cost of war. Almost every episode opens with testimony from surviving members of Easy Company (none of whom are identified until the end of the series), which further strengthens the emphasis which BAND OF BROTHERS - book and film - places on the bonds which drew them together in times of conflict. And, because it's a true story, there's no telling from one episode to the next which of the 'characters' will live or die, which makes it all the more potent and visceral.

The entire production represents quality writ large: Beautifully filmed on various European locations (including the UK and Austria), the movie is noble without being the least bit pompous or austere, and it manages to humanize a large cast of essential characters with small touches of humanity and humor, all of which serves to heighten the sense of terror as they descend into the maelstrom of conflict. The first - and longest - episode is deceptively staid, featuring David Schwimmer (a long way from TV's 'Friends') as the bullying, cowardly commanding officer Herbert Sobel, whose tyrannical methods nevertheless shaped Easy Company into a fighting force which eventually cut a swathe through the heart of occupied Europe. Brit actor Damian Lewis takes the spotlight thereafter as Easy Company's most respected platoon leader, Richard Winters, with Ron Livingston as his right hand man, Lewis Nixon. Other standout performances in a flawless cast include Matthew Settle as battle-hardened platoon leader Ronald Speirs whose wartime career was distinguished by numerous acts of bravery (fuelled by a unique - if morbid - personal philosophy), Shane Taylor as company medic Eugene Roe, Neal McDonough as 2nd lieutenant 'Buck' Compton (laid low by his horrific combat experiences), and Donnie Wahlberg as 1st sergeant C. Carwood Lipton, who maintained the morale of his fellow soldiers, even when the odds seemed stacked against them. Every episode has its merits, but stand-outs include David Leland's 'Bastogne' (ep. 6), which recounts the horrendous circumstances surrounding Easy Company's involvement in the Battle of the Bulge, and David Frankel's 'Why We Fight' (ep. 9), in which the full horror of the Nazi regime is uncovered in a German forest. Additionally, the closing moments of chapter 10 ('Points', directed by Mikael Salomon) are truly heartbreaking.

Like the movie itself, HBO's region 1 DVD is magnificent. Housed in a beautifully embossed metal case, all ten episodes are spread across five discs (running a total of 624m 23s). The image is letterboxed at 1.78:1, anamorphically enhanced, and picture quality is stunning throughout, with faded colors (a deliberate artistic choice) and strong contrasts. The Dolby 5.1 soundtrack is spectacular and horrific, designed specifically to immerse the viewer in some of the most terrifying battle scenes ever captured on film. Closed captions are included, though there are no open subtitles. Crucially, each disc contains biographical information on the soldiers represented in every episode, which allows the viewer to keep track of an extensive array of characters, and there's a useful glossary, map and timeline of Easy Company's advance across Europe. Perhaps the number of chapters per episode could have been doubled (as it stands, there are six for each instalment), but that's a minor glitch in an otherwise exemplary presentation. The sixth disc in HBO's package contains a fascinating, feature length documentary on the real members of Easy Company (essential viewing), and a series of video diaries by actor Ron Livingston of the boot camp to which many of the cast were subjected in preparation for filming, during which the actors seem to have cultivated the same bonds of friendship experienced by real soldiers in combat situations.

It's doubtful that a more fitting tribute to the men of Easy Company could have been devised than BAND OF BROTHERS, a truly remarkable experience, given the Rolls Royce treatment on DVD. By turns engrossing, provocative and deeply, profoundly moving, it stands as a testament to those who fought and died for our freedoms, almost a lifetime ago.

Who did save Europe?
I have seen this mini-series and like every movie that will ever be made by any film maker (US, Ireland, China, Germany, etc…) it is not an accurate account of what really happen. If the US did not save Europe who did? Was it the Russians, the French, the German’s? I forgot the German’s where conquering Europe. Ireland, who did HELP save Europe? Any way, I am thankful and grateful for all who fought to free Europe and the rest of the countries in this world. I am a naturalized citizen and retired member of the Arm Forces of the USA, who with out their sacrifices I would have not been able to come to this great, wounderful, and giving nation I call my home. It also shows the stupidity of the leadership of all nations, but most of all it shows the prize that Americans paid for the freedom we have today. God bless all those who fight for freedom. This is what this movie is all about, FREEDOM!

Idiot's guide to WWII
This tripe just reinforces the idiotic opinion held by so many Americans that "America saved Europe" from the Nazi's. Rubbish. Read a good book instead.

"It appears the Germans are bad, very bad."
I was lucky enough to catch this excellent mini-series on a replaying on the history Channel because 1.) I don't have HBO and 2.) I don't have over $100 to spend on this box set. But I wish I did. This is probably the best war movie I have ever seen. It follows Easy Company, probably the most famous platoon of world war 2 from their training in boot camp, to the very end at hitler's "Eagle Nest." They were a platoon that suffered 150% casulties.

With the exception of its length (over ten hours) this is right up their with a big bedget movie. It has great actors, awesome cinemetogrophy, and great war special effect. Don't let the fact that this tv miniseries is a wimpy piece of junk. It's not! Because it was on HBO, the makers made sure to keep it realistic with the violence (lots of blood, injures, lossed limbs, etc...), theirs bad language and even a little nudity. So don't let a little kid watch this. The late Michael Kamen provides the excellent score and really provides a ambient backdrop to the sorrow and loss and horrible side of war.

If you are at all interesting in Worl War II or like war movies in general. You must do yourself a favour and check this masterpiece out. You will not be dissapointed. ... Read more

Amazon.com

Otto Preminger expanded his vision in the 1960s with a whole series of ambitious, expansive dramas with huge casts and big themes. Advise and Consent (1962), an examination of deal making, party politics, and congressional diplomacy in Washington's legislative halls (based on the novel by Allen Drury), is one of his best. Preminger broke the blacklist with his previous film, Exodus, and it rings through in this drama about a controversial nominee for secretary of state (a confident, stately Henry Fonda) accused of being a Communist. The nomination process becomes the center ring of the political circus, with fidgety accuser Burgess Meredith in the spotlight; devious, silver-tongued Charles Laughton cracking the whip as a southern senator with a grudge against Fonda; and party whip Walter Pidgeon lining up votes behind the scenes. Arm twisting and diplomatic hardball turns to perjury and blackmail, and a melodramatic twist gives this lesson in party politics a salacious soap opera dimension.

With The Americanization of Emily (1964), screenwriter Paddy Chayefsky (Marty) sinks his satirical fangs into a story of an American naval officer (James Garner) selected to be the first victim at the invasion of Normandy. Julie Andrews plays a prim, British war widow who falls for him. Cynical in tone, the story becomes an interesting collision of manipulative interests and renewed life, the same formula that worked so well in Chayefsky's scripts for Network and Hospital.

One of the first Hollywood films to deal openly with white racism toward Japanese Americans during World War II, Bad Day at Black Rock (1955) (directed by action maestro John Sturges, The Great Escape) stars Spencer Tracy as a one-armed stranger named MacReedy, who arrives in the tiny town of Black Rock on a hot day in 1945. Seeking a hotel room and the whereabouts of an ethnic Japanese farmer named Komoko, MacReedy runs smack into a wall of hostility that escalates into serious threats. In time it becomes apparent that Komoko has been murdered by a local, racist chieftain, Reno Smith (Robert Ryan), who also plans on dispensing with MacReedy. Tracy's hero is forced to fight his way past Smith's goons (among them Ernest Borgnine and Lee Marvin) and sundry allies (Anne Francis) to keep alive, setting the stage for memorable suspense crisply orchestrated by Sturges. Casting is the film's principal strength, however: Tracy, the indispensable icon of integrity, and Ryan, the indispensable noir image of spiritual blight, are as creatively unlikely a pairing as Sturges's shotgun marriage of Yul Brynner and Steve McQueen in The Magnificent Seven.

Novelist Evan Hunter burst America's postwar bubble when he described an inner-city school terrorized by switchblade-wielding juvenile delinquents. Director-screenwriter Richard Brooks's 1955 adaptation of Blackboard Jungle still packs a tremendous wallop (even if it was shot mostly on the back lot). A forerunner of Rebel Without a Cause and West Side Story, this black-and-white classic--set to Bill Haley and His Comets' "Rock Around the Clock"--is part exposé, part melodrama, part public-service announcement. Glenn Ford, at his slow-to-rile best, plays Richard Dadier, an incoming English teacher at North Manual High School. An idealist who knows how to handle himself in a dark alley, Dadier stands his ground and earns the begrudging respect of school thugs led by Vic Morrow and Sidney Poitier. Anne Francis plays Ford's especially vulnerable wife; Richard Kiley is the timid math teacher with the priceless jazz-record collection; Louis Calhern and John Hoyt are among the more cynical North Manual High veterans. See if you can ID Jamie Farr and director Paul Mazursky as gang members. The film was nominated for four Oscars.

More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama Face in the Crowd explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry "Lonesome" Rhodes turns out to be a megalomaniacal rat bastard. The film turns apocalyptic as Rhodes exploits his power to sway the masses, helping to elect a reactionary presidential candidate. The parodies of television commercials and opinion polling were cutting edge in their day (Face in the Crowd was the Network of the Eisenhower era), and there are some startling, near-documentary sequences shot on location in Arkansas. An extraordinary supporting cast (led by Walter Matthau and Lee Remick) helps keep the energy level high, even when the satire turns shrill and unpersuasive in the final reel.

Fury is tough stuff from director Fritz Lang (M), making his first American film with this 1936 story of an innocent man (Spencer Tracy) who escapes a lynch mob and then orchestrates his apparent murder at their hands. Tracy is superb, and the film is uncompromising, until studio interference takes some of the wind out of Lang's sails right at the end. But as the portrait of a character who comes to reflect the destiny he is trying to avoid, this is still essential Lang and a pre-noir classic.

I Am a Fugitive from a Chain Gang (1932) is one of the toughest and most uncompromising movies to evercome out of Hollywood. Paul Muni stars as a regular Joe, just back from World War I, who is unjustly convicted of a crime and sentenced to 10 years of bruisingly unfair treatment on a chain gang. Even a successful escape can't shake the spectre of the chains, nor the amazingly fatalistic twists the screenplay has in store. This picture could only have been made at Warner Bros., where social-justice movies flourished in the 1930s and criticism of judicial systems and prisons was sanctioned. Muni's weird acting style (he was recently off Scarface) somehow fits the film's furious tone, and director Mervyn LeRoy--as in his earlier Little Caesar--was dexterous enough to build the action to an unforgettable ending. It's a film that filters the American Dream through Depression realities and noirish pessimism (with a streak of pre-Code sexual frankness--note the one-night "friend" Muni makes the night of his escape). This one holds up, folks; it's a stunner. ... Read more

Reviews (5)

Adequate boxed set
Samuel Goldwyn once said, "If you want to send a message, try Western Union."This collection of message movies from the early '30s to the mid '60s shows just how right the old mogul was.

In most cases, the messages have aged badly.Hiller's "The Americanization of Emily" is a pathetic attempt to portray World War II as a sham, while the conciliatory pacifism of Otto Preminger's "Advise and Consent" seems naive now that the Cold War has ended.(Preminger's treatment of Gay themes is silly and superficial, especially when compared to superior British efforts of that time such as "Victim.")Elia Kazan's "A Face in the Crowd" is deeply condescending -- the people of Piggott, Arkansas, have never quite forgiven the director for turning their perfectly pleasant small town into a gallery of sweating grotesques -- and its satire of mass media was hackneyed even in the 1950s.Richard Brooks's "Blackboard Jungle" is a squaresville expose of juvenile delinquency disguised under hip rock-and-roll music.

I've always felt that John Sturgis's "Bad Day at Black Rock" is a much-overrated film, though I confess I enjoy Andre Previn's dramatic score; the film's message against racism, however, is surprisingly feeble, especially given that the film's only nonwhite character is a mute, grinning railroad porter.And who today seriously favors lynch law, the target of Fritz Lang's "Fury"?(Again, this is a movie about a racial issue -- lynching -- in which nonwhite characters are never granted a voice.)Oddly, the oldest film in this set is the only one that still packs a punch: Mervyn LeRoy's "I Am a Fugitive from a Chain Gang" helped put an end to this brutal form of incarceration.Now that the chain gang is making a comeback, perhaps this film should, too.

But even when the messages don't work, the films themselves usually do -- with the exception of "Emily," this collection's one real dud.Each DVD features a transfer that ranges from merely adequate ("Black Rock," "Fury") to superb ("Advise and Consent"), with an original theatrical trailer and, in all but one case, an audio commentary.(The commentaries come from film scholars or directors, and as such are far more interesting than an average gabfest.)Perhaps to break the monotony, "A Face in the Crowd" foregoes audio commentary in favor of a brief documentary, comprised mostly of interviews with the aging cast.A few of the DVDs also offer period theatrical shorts.

This is hardly Criterion quality, but for the money it's not a bad value.

A MAGNIFICENT ASSEMBLAGE OF LANDMARK FILMS AT A GREAT PRICE
Warner Brothers home video department just keeps topping their previous exceptional achievments.

Here we have SEVEN magnificent, acclaimed feature films from the 1930s to the 1960s that still have the power to reach the "gut" of the viewer and be profound and provocative. Of course, each film is available individually, but the value of buying this boxed set brings the price to around $8 per film. Unreal.

Any serious cinema afficiando owes it to him or herself to buy this.

Pre-release reviews have praised the exceptional transfers (typical of WB), and I cannot imagine anyone not being blown away by this boxed set of incomparable films.

Superb Selection of Socially Sensitive Cinema
Warner Home Video has done it again.Their "Film Noir Classics"
collection was an excellent quintet of seminal noir movies, and
this collection is an equally well-considered compilation of
socially conscious movies, movies that challenged the American
conscience, and helped effect politial and social change.

This collection is also a good introduction to the work of
a number of prominent directors, including Otto Preminger,
Elia Kazan, and Fritz Lang.

I must quibble with a previous reviewer who stated that
BAD DAY AT BLACK ROCK was a black-and-white movie.It
is, in fact, in color.

"Bad Day At Black Rock" on DVD?!?!? Finally!!!
I've been waiting for years! My first chance watching this was renting the Criterion Laserdisc 500 years ago or so when the dinosaurs still walked the Earth (we needed the larger Laserdiscs to fend ourselves from the dinosaurs). This is a black and white, widescreen (they better not crop this thing) noir/mystery with great wit and an edge. Spencer Tracy rocks the house in BDaBR as the one-armed man. Gotta love it. Great twists, lovely female co-star. If you can't afford to go to film school, buy this pack of films and take notes (I'm only familiar with "Blackboard Jungle" - but the rest are supposed to be classics as well, especially Chain Gang, and Fury is German filmmaker Fritz Langs first American film, also with Spencer Tracy) - buy Sergio Leone's "Once Upon a Time in The West" too since that movie is a class in filmmaking in itself. Oh yeah, if you're gonna skip film school you should probably buy some books from these guys too. And get some popcorn, ice cream and beverages too.

Thanks George!
Vice President of Warner Home Video's classics catalogue, George Feltenstein, recently promised us this fantastic collection of films and here they are way sooner than expected! While individually they have very little to do with one another, aside from their controversial response upon initial release of course, they are all a very worthwhile addition to the collections of serious film lovers. ... Read more

Reviews (463)

If there was ever an offer you couldn't refuse, it's this!
Francis Ford Coppola and Paramount Home Entertainment held a press conference and street fair in Brooklyn, and yours truly was there! The exciting news, of course, was announcing the release of THE GODFATHER DVD COLLECTION on October 9, 2001! If the preview of the set is any indication, then I must say this will be the crown jewel in any DVD collection!

The three films will only be released together in this set. The Godfather and The Godfather Part III will each be on one disc, and The Godfather Part II will take two discs. The first of the good news? Francis Coppola has recorded full-lenth audio commentaries for all three films!

But wait, there's a fifth disc that will blow your socks off! Check this out -- the bonus disc contains 3+ hours worth of special features, including: > "The Godfather Family: A Look Inside" documentary > "Francis Coppola's Notebook", an inside look at taking the book to screen! > "On Location" with production designer Dean Tavoularis! > "The Godfather Behind The Scenes" 1971 featurette! > "The Cinematography of The Godfather"! > "The Music of The Godfather" -- two featurettes! > "Coppola and Puzo on Screenwriting"! > Storyboards from GF2 and GF3! > "The Corleone Family Tree" character and cast bios! > Academy Award® acceptance speeches! > Photo galleries with captions! > Theatrical trailers! > Filmmaker bios! > Corleone Family timeline, with real-life events mixed in! > Never-seen alternate opening of GF3! > And "all" of the extra footage found in the televised Godfather Saga!

The picture quality looked fantastic -- Coppola's American Zoetrope did a wonderful job restoring the films! From what I could tell, the sound quality was perfect, and the on-screen menus looked great. And the DVD packaging looks very nice.

All three films are in widescreen format with English 5.1 surround sound, French mono, and English subtitles.

Perhaps the only "bad" news I heard was that there were no plans at this point to release the chronological version on DVD. Francis said that the films were meant to be seen with the flashbacks, and I tend to agree. The biggest plus of having The Godfather Trilogy or Epic on tape, or watching The Godfather Saga on TV, was all the extra footage included. Well, the bonus disc in The Godfather DVD Collection contains "all" of the extra footage, and even something we've never seen anywhere before: an alternate opening for The Godfather Part III. Francis didn't give a firm "no" though; he cited technical reasons for not being able to include all the extra footage on DVD: the different scenes are in various levels of production ("they weren't mixed and scored"), making it difficult to add them seemlessly with today's technology. Maybe, but they seemed to be okay in the boxed sets and on TV to me.

Do yourself a favor and order the biggest DVD release of all time!

The Godfather Series: Movies You CANNOT Refuse.
What can one say about The Godfather series? All three films were masterpieces. Classics. Part One told the tale of Vito Corleone played by Marlon Brando--the Mafia Don of a family in the 40's and 50's, which eventually is head by his son, Michael (Al Pacino) in the sequel. Part Two also tells the story of Vito as a young man in Sicily played by Robert DeNiro. In the final installment set about twenty years after the original, Michael's dreams of becoming legit are countered by his trigger-happy nephew (Andy Garcia), along with new and opposing foes that make it impossible to go straight and leave his crime backround behind. To quote Pacino: "Just when I think I'm out, they pull me back in," and countless other lines will be quoted for years to come. The performances are absolutely perfect, the screenplay and direction are superb by Mario Puzo and Francis Ford Coppola. What more can I say? You must watch all three to appreciate just how great these movies are. At three hours apiece they would be great fun for a rainy day. Pop them in at 8 in the morning and by 6 you'll be a member of the family. Part One is my favorite. Check out GoodFellas, another one of the best films of all time.

A Classic
Ah, the music, the scenery, the horse's head...

Belonging to a family headed by two German matriarchs who married two Italian guys, watching The Godfather every year or so was a family tradition. I felt like I knew the Corleones and loved them, never mind they knocked off a few people who deserved it now and then. This mixed feeling is what makes the series so fascinating.

The story is really about four men - Marlon Brando/Robert de Niro as Don Vito Corleone, the ultimate old-school mob boss, and his three sons - James Caan a force of nature as hotheaded Sonny, who lives to regret going to his sister's rescue one fateful day; John Cazale heartbreaking as Fredo, who's existence depends on his mother's continued good health after he makes the worst mistake of his life, and, most of all, Al Pacino; bonechilling as Michael, who outlives them all but lives to wish he hadn't.

The first movie has most of the cliches - the Italian wedding, the "sleeping with the fishes" line, the amazing baptism/massacre scene, and Brando's whole performance. The second ostensibly deals with the respective rises of Vito and Michael to power and Michael's gripping cat-and-mouse game with wily old Hyman Roth, but I'll bet what everyone never forgets about this one is what happens to poor Fredo. If Michael hasn't lost his soul by the end of Part I, he's lost it by the end of Part II. Part III was inevitable, I suppose, but there's really nothing else to say. A good movie, yes, but the other two are so great that it's almost an anticlimax.

Coppola's legacy enclosed with others
While the original film ranked #2 on the AFI's list of 100 Greatest Movies (#1 being Citizen Kane), many film buffs, afficionados, and audiences believed that the first Godfather film deserves that #1 spot. How many people do you know who know some of those famous quotes like, "I'm gonna' make him an offer he can't refuse," or "Never take sides against the family again, ever..." A few maybe? Or perhaps you grew up in an Italian family like mine and your father can translate the Italian for you while you watch? Now how many people can quote Citizen Kane beyond, "Rooooosebuuuud...."

Despite the excellence of the first film, it is my opinion that Godfather part 2 delves deeper into the family, more into the two-toned life that Michael Corleone orchestrates between the family business and his family. Nowhere is this more apparent than with the relationship he cultivates between himself and Hyman Roth (wonderful performance by Lee Strasberg), cementing the old adage that you keep your friends close and your enemies closer. On the surface they are friends, behind closed doors they are co-conspirators, between each other they are close friends and confidants. Beneath it all, in the depths of each man's heart, they are mortal enemies, Corleone ultimately the victor. The whole movie is a mounting tension between the two, reaching heights as when Hyman fumes over the death of a great man, Mo Green, whom Corleone had killed in the first film. In the end, Hyman becomes just another victim, mowed down by a Corleone footman.

The court proceedings are shot in a way that transmits the claustrophobia and morose tedium of the justice system back in the days of McCarthyism (the eras align somewhat, both post-war 1950's). The court is crowded, people line the walls, journalists write furiously in the heat of the courtroom, in the background, people walk in and out of the proceedings like is was a Wal-Mart. People speak into microphones, their voices drone in the hollow, sparse room.

And then Michael Corleone has his own brother killed. Many would say this is when Michael gives himself over fully to the title "Godfather." This is actually one of the central themes of the first film, when exactly does Michael become Godfather? The first film has a wonderful moment where, in the family office (the predominant colors are brown and orange), Brando gets out of his chair, moves over to the side of the office, Michael gets up from the couch on the other side, moves to the desk, and sits in his fathers chair. This is when Michael becomes Godfather in my opinion, but Coppola is good enough to give us more moments that question exactly, "When?"

Coppola's film legacy lies within this box set, as does Pacino's, Brando's, Caan's, and Duvall's. DeNiro managed to go off and do other things, his legacy lies somewhere else, but to the aforementioned actors, they have never done another film or role as well as what they did in the Godfather films. You don't realize it until you pop in the bonus disc, but composer's Nino Rota and Carmine Coppola also put their legacy into this film with the music. Who can forget Rota's seven-note theme that opens and closes the film? Carmine Coppola adds a more Italiano flavor to the music in the flashback scenes featuring DeNiro as a young Vito Andolini (a.k.a. Don Corleone in the first film).

There's so much to go over, the least of which is film #3. But the contents of the other three discs justifies the cost, which could actually be higher. But really, this collection is an offer you can't refuse, or do I have to put a gun to your head??

Godfather collection~ a def. 5 stars
personally, I thought Godfather II was the best out of the three films. I loved the fact that the movie kept fading from Michael's reign as Godfather to Vito Corleone's in 1920s New York and his olive oil (wink wink) business. great storytelling on Mario Puzo and Francis Ford Copolla's respective parts in II.
Godfather was a classic, no mistake in that..what's weird is that the movie makes the audience love the mafia...never have I seen the mafia world portrayed from the inside out so unbelievably.
part III was a bit disappointing...really made us want more of Michael Corleone and the rest of the family. ... Read more

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Errol Flynn is one of those names that define movie stardom. Chiseled good looks that stopped just short of being preposterous. A brash and jaunty manner that charmed men and women alike. Whiffs of bad-boy scandal offscreen that only enhanced his legend (not for nothing did "In like Flynn" become a national catchphrase!). And enough marquee-worthy titles that in memory's ear ring like classics.

Flynn's stardom wasn't on a par with the richly ambiguous artistry of Cary Grant, or the deep, enduring heroic legacy of John Wayne, or the indelible character work amassed by Flynn's Warner Bros. contemporaries Humphrey Bogart, James Cagney, and Edward G. Robinson. Still, this most celebrated of Tasmanian devils was a one-of-a-kind, often raffishly entertaining icon of Hollywood in the '30s and '40s who played a big part in making the golden age glow. And for most of us, to say "swashbuckler" is to conjure up Flynn's wolfish grin above a rapier, director Mike Curtiz's wall-filling shadows of dueling men, and the symphonic, trumpet-filled music scores of Erich Wolfgang Korngold.

Stardom came swiftly. After two small-part assignments at Warners, the studio awarded Flynn the title role in Captain Blood (1935)--in retrospect, a sort of rough draft for his most beloved movie,The Adventures of Robin Hood (1938; not in this collection). The hero, an Irish-born physician wrongly convicted of treason during the reign of King James, is sentenced to a life of slavery in Jamaica. In short order he's charmed his new master's niece (the bright-eyed Olivia De Havilland, Maid Marian-to-be) and contrived an escape with his rebel comrades to become lusty, albeit passionately populist, buccaneers. The film's budget was clearly limited (there's a stark absence of horizons in the tropic and seagoing scenes), but director Curtiz's camerawork cunningly evokes the ever-present tilting and rolling of life aboard ship. Much-Oscar-nominated, the movie certified Flynn as the Douglas Fairbanks of the sound era--even in blond tresses and without what would become his signatory mustache.

If Captain Blood became the Flynn-Curtiz prototype for swashbucklers, The Sea Hawk was the last, luxury model off the line. Warners was always wired in to the zeitgeist, and this 1940 movie about English privateers saving Queen Elizabeth's island nation from the Spanish Armada does double duty as an in-Der-Fuehrer's-face allegory of the looming world war. No blank horizons here, and every wall sports a towering map of a world ripe for conquest. Slickness is all: Claude Rains and Henry Daniell are impeccably devious diplomats, and Sol Polito's black-and-white cinematography shifts into sultry sepiatone when the Sea Hawks sneak off to the tropics on a transatlantic espionage mission. (As for Flynn's mission, his swashbuckling would hereafter be confined to contemporary war pictures for the duration.)

He also saddled up for some lively Westerns. Dodge City (1939) is a knock-down, drag-out barn-burner in brassy Technicolor, with Flynn as a trail boss reluctantly turned town marshal. Curtiz directs yet again, with flair if not necessarily historical conviction, and the presence of Robin Hood costars Olivia De Havilland and Alan Hale (Little John) is virtually mandatory by this point. Ripe villainy is supplied by Bruce Cabot and--substituting, perhaps, for the un-frontier-worthy Basil Rathbone--the fox-faced Victor Jory.

They Died with Their Boots On (1942) is filled with spectacular Civil War and cavalry action, though its hagiographic treatment of George Armstrong Custer should set historically enlightened viewers on the warpath. Nonetheless, it features Flynn's most interesting performance in the collection. Whereas Curtiz was the ideal director for the star in boy's-own-adventure mode, Raoul Walsh elicited more nuanced work from him (see especially their wonderful Gentleman Jim, not included in this collection), and the scenes between Flynn and Olivia De Havilland achieve a tenderness that deepens with each reel. The magic-hour cinematography is by veteran John Ford cameraman Bert Glennon.

And that--apart from a new documentary feature, The Adventures of Errol Flynn--leaves The Private Lives of Elizabeth and Essex (1939). Sad to say, that doesn't leave much. Bette Davis (taking the role Flora Robson played in The Sea Hawk) and Flynn (as the English knight the not-so-Virgin Queen loved but feared as a rival) have zero chemistry; she delivers a mannered performance only a Bette Davis impersonator could love, and Flynn demonstrates how stiff he could be (no pun intended) when clueless about his material. In fairness to both, the movie is a static adaptation of a very repetitious and declamatory Maxwell Anderson play. Its inclusion here is notable only as a vast technical improvement on the long-ago VHS release. --Richard T. Jameson ... Read more

Reviews (15)

In Like Flynn...Again
Okay, here it is. Strait up. I adore Errol Flynn. Always have, always will. Can't remember which of his films I saw first on television years ago (though my little grey brain cells keep whispering "They Died With Their Boots On"), but whatever it was, it made me instantly a Flynn junkie and I have remained so ever since. It is hard to say which of the "Tasmanian Devil's" movies I like the best, though I'm inclined to believe it is a toss-up between "The Adventures of Robin Hood" and "The Charge of the Light Brigade" (this awesome film amazingly MISSING from this "signature" collection...and it's unfathomable absence the priciple reason I have rated this collection as only 4 stars instead of 5). How does one have an Errol Flynn "signature" collection with "Charge of the Light Brigade" so glaringly unincluded? Boggles the mind.One would hope Turner Classics would produce a "Volume II" to this, a follow-up that would feature "Light Brigade", "The Dawn Patrol", "Gentleman Jim","Adventures of Don Juan", and one of Joanne Woodward's favorites, "That Forsyte Woman" from MGM (or else "Uncertain Glory" or "Edge of Darkness").

It is good to see Flynn coming back "In" again (to play on the old "In like..." expression). He took a major hit some two decades ago with a most worthless book that became a bestseller ("The Secret Life of Errol Flynn" by Charles Higham )and smeared his name and reputation mean-spiritedly. This author, Higham, termed Flynn a traitor and Nazi spy and pedophile homosexual, supposedly using "credible" witness tesitimony and "classified documentation" to bolster his outrageous claims. He had Flynn doing all sorts of things to further the cause of the Reich and hooked him up with secret meetings all across Europe and in the Caribbean with his "Nazi intelligence controllers". Among his claims were that Errol used his influence to have secret aerial shots of Pearl Harbor filmed during the production of "Dive Bomber", which he funnelled to German Intelligence ("Abwehr"), and thence to the Japanese to help plan their attack.
He also had Flynn at a secret nazi confab in the Bahamas with the Duke and Duchess of Windsor and other British traitors. These were only two "for instances" of this kind of thing. Then he had Flynn "spy controlled" by Dr. Julius Erben, a low-level Abwehr agent....with documents (supposedly) to "prove" it.

In short order, all Higham's claims came crashing down in the face of REAL research by REAL researchers digging up REAL facts.
All the times Higham had Flynn meeting with "Nazis" in Europe, he could not have done so, as all the Warner Brothers' shooting logs still exist and Flynn's whereabouts can be tracked meticulously. Higham hadn't counted on that when he began his smear campaign. In fact, on the very day when Highman had Errol "conspiring" in the Bahamas with the Windsors, the actor was, in fact, standing on a log across a stream in Chico. California, facing Alan Hale with a quarterstaff while William Keighly directed the meeting of Robin Hood and Little John for "The Adventures of...". And, as for "Dive Bomber", the Japanese ALREADY HAD their Pearl Harbor mockups built (courtesy of Honolulu spies)and were preparing for the raid WHILE "DIVE BOMBER" WAS IN PRODUCTION....AT SAN DIEGO...NOT PEARL HARBOR!!!!
Situations like this...CONNIVANCES....turned up everywhere in the Higham book. And the "documentation" he offered turned out to be edited out of context, and, in some cases, the blacked out names didn't relate to Flynn at all...Higham just CLAIMED they did. But originals obtained under the Freedom of Information Act proved the distortions here as well. And Dr. Erben? Well he WAS a German agent, but he only knew Flynn briefly, and ,interviewed before his death, he affirmed that Errol had NEVER been a German agent, that he...Erben...had used Flynn's celebrity to gain him access to people, but that Flynn himself never realized he was being used in this manner. It should also be noted that the Abwehr, under Adm. Wilhelm Canaris, worked secretly more AGAINST Hitler's Nazis than FOR them. aided in the assassination plots AGAINST Hitler, and, by war's end, had been disbanded and taken over by the SS and its leaders executed.In fact there is strong reason to believe Abwehr may have been half-connected to the British Secret Intelligence Service, MI6. So even if Flynn might have UNKNOWINGLY been "associated" with this ANTI-Nazi German intelligence organization, that might not have been such a bad thing after all!
As to the homosexual pedophile stuff, none other than Flynn's old arch-enemy BETTE DAVIS stepped forward to declare that a "crock". Said that sounded like Orry-Kelly malarkey, Orry-Kelly being a Warner's costumer in "the day". According to Davis, Kelly delighted in spreading nasty, vicious, hurtful rumors about people who "crossed him"...and Errol did that from time to time.
To have "Queen Bette" the Flynn-hater come to his defense was astounding enough, but then the OTHER shoe dropped. JOAN CRAWFORD, Bette Davis' OWN arch enemy, came out BACKING BETTE!!! Crawford, who'd once called Flynn "The most beautiful man who ever lived", said the gay stories sounded EXACTLY like something that would come out of Orry-Kelly; that if you'd ever worked at Warners you'd have picked up on it immediately.

An amazing happening. Bette Davis defending Errol Flynn and Joan Crawford backing her up. Shades of the Apocalypse.

Though now totally discredited among those who KNOW, many uninformed people still are under the impression this hog swill was true.It all needs to be set right. The DVD "Adventures of Errol Flynn" in this collection attacks the old tale, Tony Thomas in "Errol Flynn, The Spy Who Never Was", demolishes it handily, as does Flynn's stunt double Buster Wiles in "Errol & Me". The Walt Disney movie "The Rocketeer" unhappily plays with the smear job, featuring Timothy Dalton made up as Flynn (though called "Neville Sinclair") and casts him as the dastardly villain Charles Higham worked so to make him appear(and the "why" of it has never been learned).I am a fan of the "Rocketeer" movie but this aspect of it has always distressed me.

But it looks like Errol's turn is coming around again. This "Signature Collection" puts him center stage again and he deserves the limelight. "Elizabeth & Essex" lets him act, and "The Adventures of..." outlines his life. But "Captain Blood", "The Sea Hawk", "They Died With Their Boots On" and "Dodge City" show perfectly what it was he did...and how he did it...that let him charm America and the world.

A must for all Flynn Fans!
This is a great collector's set.
Absolutely fantastic!
The movies are the best and the documentary is extremely well done.
Seeing Olivia again was the best part. A class act at all times and still a beauty!
I strongly urge all of you fans of Errol Flynn to pick up this boxed set.

Good, but...
Warners gives you good value here: multiple titles at one low price, plus the TCM documentary that aired early in '05.

HOWEVER, it would have been nice if the color flicks ("Elizabeth and Essex" and "Dodge City") had been given the same loving restoration that Time-Warner bestowed on "The Adventures of Robin Hood."Both of these titles have color edging in various shots -- caused by uneven shrinkage of the three acetate negatives used in three-strip Technicolor.For "D.C. and "E & E" no such time, energy and moolah was wasted, so there are times when you think your vision is failing as you gaze at the blurry images.

Nevertheless, it's a good package.Let's just hope that next time they digitally tweak the color and delete the print dirt and scratches.

THE ULTIMATE ACTION STAR OF THE 30'S AND 40'S
The Adventures of Robin Hood Special Edition DVD that came out a couple of years ago was simply one of the greatest DVDs ever.But Flynn's films have been slow to come out on DVD and so it makes this set a veritable treasure chest for the dashing Flynn.The great thing is that Warner Bros. didn't go on the cheap and just throw these five films on disc...as with Robin Hood they are givig us a number of extras with the collector in mind.Again they have Leonard Maltin introducing each feature with the Warner Night at the Movies with short features and cartoons so you can simulate what it would have been like to go to the theater back in the era.This is really a great touch.Add to that each film has been re-mastered and looks fantastic.Also included is the outstanding new TCM documentary on Flynn.I had just seen this on TV a few weeks ago and it was just magnificent and features interviews with Olivia De Haviland, Flynn's daughter and former wives, and others who worked with the star.Absolutely fascinating!

Besides Robin Hood, my two favorite Flynn Films are Captain Blood & The Sea Hawk.In Captain Blood from 1935, Flynn plays Dr. Peter Blood, an English physician unjustly convicted of treason and sentenced to slavery in the West Indies. Relying on only courage and brains, he escapes from his captors and becomes the legendary pirate known as Captain Blood, a brilliant swordsman and seaman whose crew is comprised of several of his fellow former slaves. Olivia de Havilland plays Arabella Bishop, the dashing pirate captain's romantic interest (and niece of the evil plantation owner and slaver, Colonel Bishop, who is played by Lionel Atwill). Sparks fly between Captain Blood and Arabella as their tempestuous relationship builds, and the conflict between Blood and builds as well as the pirate captain and his crew start to not only believe that they can fight Colonel Bishop, but they can win . . . .

Basil Rathbone did his usual fine job as Flynn's rival (except for his attempt at a French accent!) Captain Levasseur. Also along is long time Flynn drinking buddy Alan Hale. The Young Olivia De Havilland, has never looked more beautiful, and you can see the chemistry between her and Flynn almost immediately. They would go on to star in seven more films together!!

The Sea Hawk, 1940 - Along with Captain Blood and The Adventures of Robin Hood, The Sea Hawk completes a grand trilogy of Flynn Swashbucklers and forever cemented his role as the king of that genre. Rousing action and grand battle scenes highlight this film as Flynn plays Captain Thorpe, an English privateer who is secretly given permission by Queen Elizabeth to attack Spanish ships in anticipation of war between the two countries. To the rest of the world, Thorpe is still a pirate, however.

The specatacular opening sequence has Thorpe and his crew capturing a Spanish Galleon and taking the booty back to England. Thorpe soon finds himself attracted to the daughter of Spain's new ambassador Dona Maria Alvarez de Cordoba played by Brenda Marshall, making for some fun scenes. But England's devious Lord Wolfingham is in league with the Spanish and helps set a trap for Thorpe and his crew, ultimately capturing them and chaining them aboard a Spanish ship. Thorpe and his crew must now free themselves and hope to get back to England to help rescue them from the Spanish attack.

Flora Robson is absolutely brilliant as Queen Elizabeth, capturing the look that we've always seen in paintings of that famous ruler. Flynn's good friend and drinking buddy Alan Hale again is along for the ride as first mate Carl Pitt. The chemistry between these two was always magnificent. The only real cast weak link was Henry Daniell as Lord Wolfingham. He simply could not compete with Basil Rathbone as Flynn's villianous foe.

The film was directed by Michael Curtiz, one of the finest directors of the 30's and 40's and who had already directed Flynn in Captain Blood, Charge of the Light Brigade, and The Adventures of Robin Hood. He and Flynn often clashed but there's no denying that Curtiz always got the best out of Flynn.

I don't think you can argue much with any of the films included in this collection although I personally would like to have seen "Charge of the Light Brigade", "The Prince and the Pauper" or "Objective Burma" over the "Private Lives of Elizabeth and Essex" since I'm not a big Bette Davis fan.All in all this is simply a great colleciton of films from one of Hollywood's true legends.

His Wicked, Wicked Adventure Films
This is not the definitive collection of Errol Flynn's best movies as Warner Brothers held back "The Adventures of Robin Hood", "The Dawn Patrol" plus his other films made under director Raoul Walsh. Obviously they will go into a second collection. But this is not a bad set as four of the films are excellent with only one clonker in the group (the movie adaption of the Broadway play, "The Private Lives of Elizabeth and Essex").

The Collection retails for $42 while to buy the four action films separately ("Dodge City", "Boots", "The Sea Hawk", and "Captain Blood") would cost you well over $60. Plus you have thrown in the various extras and the exclusive documentary of his life in this Collection.

If the viewer likes Errol Flynn as the charming rogue in his film roles and enjoys the Hollywood action spectacles prior to WW II, then you will enjoy this set. Mr. Flynn starred in over 60 movies, wrote three books and two screenplays. His gift for storytelling (and the truth as he saw it) is on display in his witty autobiography, "My Wicked, Wicked Ways." ... Read more

Reviews (5)

I hope it gets the star treatment
I hope that the studio gives these films the treatment that they deserve. I grew up watching these great film noir classics and I was excited when they released "The Thin Man" on DVD a few years back but I really wanted to have the complete set.It would be great if they have loads of extras but I will still be happy with the films themselves. I am going to go out on a limb and give it five stars just because I am hoping for a crisp transfer that will allow me to enjoy some pictures that I have not seen in several years.

Classic Comedy Gold Mine on DVD
FINALLY!! One of the Premiere classic comedy series of films is finally making its way to DVD from Warner Brothers. Warner Brothers DVD sets have been an embarressment of riches lately and one hopes that this Powell-Loy series will have the full treatment it richly deserves. Powell and Loy's Nick and Nora Charles are one of the silver screens most memorable duos and these films stand up to repeated viewing. I cut my classic film buff teeth on these films and have worn out all VHS copies. Wow, first the Marx Brothers see two wonderful box sets and now this. Can Laurel and Hardy be far behind in a quality set?)
Now - here is some details about features I was able to gather from various web sources:
1. Each film DVD case features the studio film poster
2. There are 7 DVDs in all- 6 for the films and a bonus 7th disc entitled "Alias Nick and Nora" which features two documentaries on William Powell and Myrna Loy.
3. It appears that the "Warners Night at the Movies" feature is here also. All film DVDs feature comedy, musical, and mystery shorts as well as classic cartoons. Could not find out titles.
4. Other features are to include: two radio adaptations of the series. I own a Lux theather radio adaptation of "The Thin Man" which had not only Powell and Loy reprising their rolls but features some narration and introdution by Van Dyke. Lux theater adaptations were common and excellent productions. To have both the main stars and the director was a first rate show. ALSO: the pilot episode of the TV series.
IN short- if the informaton is correct this is a DVD set that should be on the shelf of every film buff... and another triumph in the recent exellent DVDs from Warner Brothers. BUY IT NOW!All I can say is the Classic film buffs motto:
"Thank Goodness for Turner Classic Movies and thank goodness for Warner Brothers DVDs"

Wow! this is a great series..finally in a dvd set! Bravo!!
I am so happy that warner decided to release this dvd box set..I suppose writing to them to release a boxed set pays off! Now the dreaded wait for the release begins =)

Thank you Warner Bros.!!!! The Thin Man has arrived!!!
Finally, the excellent Thin Man series is coming in a definitive set!!! I have been waiting for this release for a very long time. William Powell and Myrna Loy are absolutely fantastic in these films and in my opinion, are one of the greatest of the onscreen duos (right up at the very top with Hepburn and Tracy). Their chemistry together is pitch perfect and these films are a delight to behold. The best, I think, is the second entry in the series: After The Thin Man. This is an excellent sequel and probably the best of all of them (though each is great in its own right).
Well, enough said, order this great box set right now and treasure these classic films for years to come!!
(Also, Thank you to Warner Brothers for realizing the importance of releasing classic films on DVD. You're doing a great job with your releases and are catching up to Criterion quite quickly).

"Baby, You've Arrived!"
The most delightful series in the history of film is finally coming to DVD with all six sparkling diamonds included. Since the quality of the VHS version of all six films is crisp and quite excellent, so will the DVD follow suit. Most film buffs already own these films and certainly have seen them many times, but the anticipation of having them all on one collection, and on DVD as well, has been almost palpable. Sugar is sweet, but this is sweeter.

It is impossible to tabulate how many millions of people have been entertained by these witty and sophisticated mysteries. The huge success of The Thin Man, the origional 1934 film based on Dashiell Hammett's fine novel of the same name, prompted MGM to break new ground by producing an "A" picture sequeal, and follow that with four more "A" pictures featuring William Powell and Myrna Loy as Nick and Nora Charles.

The origional film introduced the sophisticated and fun couple we all have come to love over the years. The Thin Man was set over the Christmas holiday and was the first time audiences got to enjoy the banter of Nick and Nora, as ex-detective Nick was pushed into action, martini in hand, by his better half. Nora had the money and Nick had the know-how. Clyde Wynant, portrayed by Edward Ellis, as nearly everyone knows, was actually Thee thin man. But the tag stuck to Nick Charles and the rest is, as they say, screen history. A very pretty Maureen O'Sullivan was a standout in the origional film as the young Dorothy Wynant.

What delighted audiences, however, was the playful fun between Nick and Nora as they solved the mystery. Nothing in the movies has even come close to being this wonderful in the seventy plus years that have followed. When Powell and Loy returned as Nick and Nora a couple of years later, the magic that had surrounded the origional was still there, where it would remain through the last entry in this brilliant and ground breaking series of films.

After the Thin Man was nearly as much fun as the origional, as Nick and Nora, to Nora's delight and Nick's dismay, became involved in another mystery set immediately following their adventures in the origional. All the fun was still there as was the mystery. Nora told reporters in the film: "Nick was sober in Kansas City!" Their dog Asta was back again as well, and became a houshold name. A young Jimmy Stewart got to star in this one also.

While the first two films have been widely available, some of the others are more difficult to find and those who have not been fortunate enough to see them will have that rectified now. They were quite teriffic indeed, beginning with-------

ANOTHER THIN MAN

Dashiell Hammet's Nick and Nora were once again perfectly portrayed by William Powell and Myrna Loy, and this third entry, like the other two, is a breezy and fun comedy mystery done with style, class and top drawer production values from MGM at it's zenith.

In this one, little Nicky Jr. is a year old and proud parents Nick and Nora are having a ball. Nick is trying to get out of going to Long Island because Colonel McFay (C. Aubrey Smith) only wants him to go over financial reports and other mundane matters that might interfere with Nick's drinking. But there is also a threat on the Colonel's life and Nora wants a quiet weekend in the country, so off they go. It turns out anything but quiet, of course, and Nick has to solve another murder.

A sharp and clever script with snappy dialog keep this one moving along nicely. Pretty Virginia Grey is the Colonel's daughter Lois and Ruth Hussey plays little Nicky's nurse, Dorothy. Lois wants to marry Dudley Horn (Patrick Knowles), much to the chagrin of the Colonel and his secratery, Freddie (Tom Neal), who is in love with the lovely Lois as well. It seems some of the Colonel's business dealings have been just a little on the shady side since the death of Nora's father, his business partner. Phil Church (Sheldon Leonard) may have been on the wrong end of one of these shady deals and with all this going on you can guess what happens next.

The interplay between Nick and Nora about their quiet little weekend is a lot of fun. A body in the road and a pool house fire get things moving quickly in this light and breezy entry in the series. Nat Pendelton is along as Lt. Guild this time and Marjorie Main has a nice turn as a very funny landlady. Muriel Hutchison also has a nice role as Church's girlfriend, Smitty, in a mystery a little more complicated than you might think.

This time the gathering of suspects, including Don Costello as Diamond Back Vogel, takes place at a bithday party for Nicky Jr. thrown by Nick's old pals. Shemp Howard has a funny role as Whacky, as does Harry Bellaver as Creeps. Otto Kruger is on hand as A.D.A. Van Slack when Nick suprises everyone with the killer's identity.

One of the highlights in a film with many fine moments is a scene at The West Indies Club. Nora learns a little more about Nick's past there than he would like! This is a fun film to watch, and there is a magic here which can never be duplicated. This is five star entertainment you don't want to miss.


The series continued with------

SHADOW OF THE THIN MAN

The most fun and sophisticated series in the history of film continued with Maj. W.S. Van Dyke's 1941 entry, Shadow of the Thin Man. William Powell was back, of course, as Dashiell Hammett's greatest creation, Nick Charles. Myrna Loy was back as his better half, and needless to say a shaker of martinis and a lot of witty banter was sure to follow as Nick and Nora got involved in yet another murder mystery. Nora has a new du in this one and is cuter than she's ever been. Nick is busy in the park reading a fairy tale to Nicky Jr. which sounds suspiciously like a racing form, and it isn't long before Nick and "Mummy" are off to the track.

A jockey has just been murdered by the time they arrive with a police escort and it appears to be tied in with a gambling syndicate. Nick does his best to avoid getting roped into real work but when another murder occurs at a wrestling match and a reporter who's an acquaintance of theirs is fingered for the job, Nick sort of saunters into action. A third murder occurs before Nick can get it all sorted out and when Nora gets one of the clues first, a trap is set for the killer. Nora is adorable and she ends up "saving" Nick's life once the denouement scene rolls around.

An attractive cast of MGM players which includes a funny turn by Louise Beavers as the Charles' maid and a very young and pretty Donna Reed as the girlfriend of the accused, make this one easy to watch. Nick gathers the suspects all together as usual, and it's quite a suprise when he fingers the real killer. A gun hidden in a drain pipe, an expensive bracelet used as payment for blackmail and a ledger worth killing for all play a part in the mystery portion of this one.

But the Thin Man films were always about how much fun the audience could have watching Nick and Nora interact as she pushed Nick into action, drink in hand. There is a very funny scene where Nick is shamed by little Nick into drinking a glass of--gulp--milk! Both Nick and Asta get dizzy on a carousel and Asta starts a brawl in a restaurant as this entry moves along at a nice pace. And I'd be remiss not to mention a turtle race on a bar counter which adds to the fun.

This entry is a fun breath of fresh air. A great one to own and watch over and over now that it will be on DVD.


Sanwiched between Shadow of the Thin Man and Song of the Thin Man was-----

THE THIN MAN GOES HOME.

While still keeping the fun and wit of the other films, this entry has its critics. I am not one of them. Nick goes home to Sycamore Springs and has eased up a bit on his social activities (getting tight) and Nora seems more the traditional wife. This is normal and in keeping with the story of a wife visiting her in-laws. This one was still a lot of fun and taking issue with such minor nuances is unfair to the film. It was five star entertainment that while a tick below the others, was stillfar above anything else. I'm sure this entry is the favorite of someone and it definitely is worth owning so the collection will be complete.


The final entry was------

SONG OF THE THIN MAN


Starting with "The Thin Man," William Powell and Myrna Loy were Nick and Nora Charles, Dashiell Hammett's greatest creation. This series stood apart from others in that it was a class "A" production all the way, MGM giving these wildly popular films their best contract players and their finest behind the scenes people to create something unparalleled in American film history.

The origional "The Thin Man" was a masterpiece of light and witty comedy mystery that has never been equaled. For that reason it is unfair to compare the five films that followed with the first one, and once that is set aside, each of the five was charming, witty and classy, the perfect way to solve a mystery and be entertained at the same time. This was the last entry and was just teriffic, as "The Thin Man" went out in style.

Manhattan meets the hip jazz scene in this one as Nick and Nora are involved in solving another delicious murder, with nice touches from Nicky Jr. and, of course, their dog Asta. It begins when Nick and Nora have a night out on the gambling ship "S. S. Fortune."

The film opens with a young and stunningly beautiful Gloria Grahame singing "Your Not That Easy to Forget" and only gets better. As Nick and Nora rub shoulders with the elite and a few of Nicky's old pals a chain of events leads to murder, discovered the next morning when the chief suspect stops by with his fiance to ask for Nick's help. Nick turns him over to the cops for his own safety when he is shot at but the deal is sealed when the bullet hits a bottle Nick had been saving for a special occasion, and as he puts it, "An old friend of mine went completely to pieces."

There are no shortage of suspects as Nick and Nora start nosing around, aided by a young Keenan Wynn as one of the hip band members. It's very funny as Nora begins to pick up the lingo of Wynn and his jazz friends, who seem to have a language of their own. The victim seemingly had no end of enemies. He was deep in debt to a dangerous gambler, had been cheating on his girlfriend, was running out on a contract to play at the "S. S. Fortune" for greener pastures, had publicly humiliated Grahame's former boyfriend Buddy Hollis (Don Taylor), and more.

Before it's over, Nick and Nora will walk in on another murder, and Nick will stage a suprise back on the waters, gathering all the suspects back on the swanky "S. S. Fortune" to trick a killer. Patricia Morison, Jayne Meadows, Dean Stockwell, Ralph Morgan, William Bishop and Marie Windsor all offer fine support to make this closing chapter one of their best. Some nice family moments (Nick and Nora style) with Asta and Nicky Jr. are put in the mix as well, Nicky Jr. seemingly a chip of the old block.

The same carefree and fun loving ambiance that was a staple of every entry is here and a good atmospheric mystery to boot. There is nothing shabby about "Song of the Thin Man." It is a bar that many have attempted to reach when making a light comedy mystery but these films have endured because of their wit, fun and charm. Nothing has ever come close to them and you won't want to miss this one, or any of the others.


IN SUMMATION----


There are only a handful of screen couples who quite deservedly rivaled William Powell and Myrna Loy in the hearts of moviegoers. But Fred and Ginger, Bogie and Bacall, Ladd and Lake, and Gable and Harlow all portrayed different characters from film to film. This places Powell and Loy in a separate category, all by themselves. Perhaps that's the way it should be.

Everyone will want in on the fun early so I suggest pre-ordering this wonderful Thin Man collection if possible, or at least placing it on your wish list to purchase the second it becomes available. The term "must have" was created for releases like this one..... ... Read more

Description

Bullitt features Steve McQueen and the unforgettable car chase scene. Now available as a two-disc special edition, it includes over 5 hours of special features, including 2 new documentaries. In The Getaway, McQueen teams up with Ali McGraw in a supreme action thriller directed by Sam Peckinpah. Steve McQueen brings his cool fire to the title role of The Cincinnati Kid, one of the best poker movies of all time. In Papillon, McQueen teams up with Dustin Hoffman to escape from prison on Devil's Island. In Tom Horn, McQueen performs exciting recreation of Horn's latter-day career in a turn-of-the-century West where gentler ways supplanted the law of the gun. Steve McQueen stars in his first big-budget film Never So Few with Frank Sinatra. ... Read more

Reviews (1)

Long Time coming
If anyone deserves a box set it's Seve McQueen. The greatest of the Hollywood "Mans Man". McQueen made some great movies for Warner Brothers as he did for MGM before them, and we are lucky to get the fantastic Warner Brothers DVD treatment that they have bestowed on their recent box set.

While The GREAT ESCAPE is my personal favorite McQueen film I am happy to see BULLIT, and NEVER SO FEW in the same set. It's pretty funny seeing a movie not starring Steve McQueen in his box set. Never so few was a staring vehicle for Frank Sinatra, but because of his scene stealing co-star Sinatra went on record as calling NEVER SO FEW a McQueen film. It also had a great Director John Sturges who also made THE MAGNIFICENT SEVEN, and THE GREAT ESCAPE with McQueen.

PAPILLON, THE GETAWAY, THE CINCINATTI KID, and the very underated TOM HORN are also included in the awesome box set. I was not yet born when Steve McQueen passed away, but I can tell you this, I have not been on the planet for more than twenty three years, but I can safely say that there has not been a actor/stuntman cooler than Steve McQueen. ... Read more

Amazon.com

The Complete James Dean Collection includes two-disc special editions of the three major films Dean made during his meteoric career: East of Eden (1955, never before available on DVD), Rebel Without a Cause (1955), and Giant (1956).In addition to new transfers, the films collect new and vintage documentaries, commentary tracks, publicity materials, and even the infamous "Drive Safely" commercial spot Dean filmed shortly before his death in an auto accident.

East of Eden is an acknowledged classic, and the starring debut of James Dean lifts it to legendary status. John Steinbeck's novel gave director Elia Kazan a perfect Cain-and-Abel showcase for Dean's iconic screen persona, casting the brooding star as Cal, the younger of two brothers vying for the love of their Bible-thumping father (Raymond Massey) in Monterey, California, at the dawn of World War I. Massey is a lettuce farmer, striving for market domination with an ill-fated refrigeration scheme. Having discovered that his presumed-dead mother (Oscar winner Jo Van Fleet) is a brothel owner in nearby Salinas, Cal convinces her to finance an investment that will restore his father's lost fortune, but neither money nor the tenderness of his brother's fiancée (Julie Harris) can assuage Cal's anguished need for paternal acceptance that comes nearly too late. Kazan's oblique camera angles and Dean's tortured emoting may seem extreme by latter-day standards, but their theatrics make East of Eden a timeless tale of family secrets and hard-won affection.

When people think of James Dean, they probably think first of the troubled teen from Rebel Without a Cause: nervous, volatile, soulful, a kid lost in a world that does not understand him. Made between his only other starring roles, in East of Eden and Giant, Rebel sums up the jangly, alienated image of Dean, but also happens to be one of the key films of the 1950s. Director Nicholas Ray takes a strikingly sympathetic look at the teenagers standing outside the white-picket-fence '50s dream of America: juvenile delinquent (that's what they called them then) Jim Stark (Dean), fast girl Judy (Natalie Wood), lost boy Plato (Sal Mineo), slick hot-rodder Buzz (Corey Allen). At the time, it was unusual for a movie to endorse the point of view of teenagers, but Ray and screenwriter Stewart Stern captured the youthful angst that was erupting at the same time in rock & roll. Dean is heartbreaking, following the method acting style of Marlon Brando but staking out a nakedly emotional honesty of his own. Going too fast, in every way, he was killed in a car crash on September 30, 1955, a month before Rebel opened. He was no longer an actor, but an icon, and Rebel is a lasting monument.

Giant got its name because everything in the picture is big, from the generous running time (more than 200 minutes) to the sprawling ranch location (a horizon-to-horizon plain with a lonely, modest mansion dropped in the middle) to the high-powered stars. Stocky Rock Hudson stars as the confident, stubborn young ranch baron Bick Benedict, who woos and wins the hand of Southern belle Elizabeth Taylor, a seemingly demure young beauty who proves to be Hudson's match after she settles into the family homestead. For many the film is chiefly remembered for James Dean's final performance, as poor former ranch hand Jett Rink, who strikes oil and transforms himself into a flamboyant millionaire playboy. Director George Stevens won his second Oscar for this ambitious, grandly realized (if sometimes slow moving) epic of the changing socioeconomic (and physical) landscape of modern Texas, based on Edna Ferber's bestselling novel. The talented supporting cast includes Mercedes McCambridge as Bick's frustrated sister, put out by the new "woman of the house"; Chill Wills as the Benedicts' garrulous rancher neighbor; Carroll Baker and Dennis Hopper as the Benedicts' rebellious children; and Earl Holliman and Sal Mineo as dedicated ranch hands. ... Read more

Reviews (2)

The Icon Who Never Gets Old
On Sept. 30, 2005, we mark the 50th anniversary of the death of James Dean.While baby-boomers may find that incredible, what's even more incredible is that throughout those 50 years, Dean's status as the icon of disaffected youth and rebellious adolescence has not only held up, but burnishes itself anew every time it is displayed before our eyes.
In a film career which spanned only 16 months and included only three films, James Dean defined the disorientation of disaffected youth, as one strives to carve out one's identity, separate from one's parents, and discover what values truly define and shape that identity and self.The remarkable thing about his movie roles is that they did this not only for his generation, but speak for each succeeding generation down to the present day.In no small part due to his tragic death at the age of 24, he never ages, and therefore remains the icon of all that is cool to all generations, whether you identify with Elvis, the Beatles, Sting or Kurt Cobain.Onscreen, James Dean remains the Real Thing in a way few other movie stars have ever been.
Bringing what Marlon Brando called "a subtle energy and a sense of intangible injury" to each of his roles, Dean created a cinematic presence which was so compelling, it had few, if any equals.He became at once the gravitational center and the propulsive force of every scene he was in.It did not matter if he was acting with Raymond Massey, Julie Harris, Natalie Wood, Rock Hudson or Elizabeth Taylor.For each and every moment he was onscreen, you could not take your eyes off him and what he was doing.
In the process, Dean managed to encapsulate and project all the conflicts and contradictions of youth in a manner and to a degree which remains unparalleled.Dean's characters were full of hurt and hubris, anger and uncertainty, confidence and vulnerability... all at once.Other young actors are merely young, and maybe heartfelt.Dean's characters are young with an experience which defies their years, thereby expressing an intensity of feeling and inner conflict that no one else could match.
This collection of all three of Dean's starring vehicles providessomething of serious value to everyone who cares about movies and American culture.The DVD transfers are first rate, and it's hard to believe, for instance, that "East of Eden" has been unavailable to viewers in any format for the past 10 years.Take advantage, movie fans!Even 50 years later, James Dean remains as compelling, as fascinating and as powerful as he ever was, and... HE NEVER GETS OLD.

It's About Time!!!
James Dean will have been dead for 50 years on September 30th, 2005, and seeing that death has only enhanced his iconic image, even if Dean only starred in three studio pictures, I don't think it too much to ask that these films finally get the recognition they deserve. In fact, fans have had to wait so long for a "Dean Collection" that these discs better be flawless as the films themselves almost are. "East of Eden", "Rebel Without A Cause", and "Giant" will be included in this set and the first two mentioned really are screen burners in every aspect.

James Dean made his starring debut in "East of Eden", based on the best-selling John Steinbeck novel which retells the Adam and Eve story, and he was a star from then on. Dean plays Cal Trask, the "Cain" character, to glorious, brooding perfection. In fact, when Steinbeck himself met Dean, he told director Elia Kazan "He is Cal".

"Rebel Without A Cause", probably Dean's best-known film, is a landmark of method acting. Dean as Jim Stark, a pseudonym of James and Trask (as in Cal Trask from Eden), is not the quintessential teenager that everyone paints him. He is so much deeper and older than he appears. "Rebel Without a Cause", directed by Nicholas Ray, is truly a magnum opus of a film. A must see!

"Giant" is a very lush and grand film. Perhaps a bit overdone, but entertaining none the less. Edna Ferber, who wrote the novel, also said Dean was a wonderful choice to play Jett Rink, a common salt of the earth man, who rises to great heights, only to be ruined by his own demons. Dean is the most fascinating thing about "Giant" and easily steals every scene he is in. "The Complete James Dean Collection" is long overdue in any format, let alone DVD. Now, a new generation will be able to experience the myth that is James Dean. ... Read more

Description

He is the ultimate high-seas hero: a man of unshakeable courage, unwavering principles and extraordinary skill. Joining the Royal Navy at the outset of the bloody Napoleonic Wars, Horatio Hornblower rises quickly from raw recruit to seasoned sailor, and his exploits become the stuff of legend.

A&E's lavish adaptations of C.S. Forester's classic novels charmed millions of viewers with their swashbuckling action, broadside battles and below-decks intrigue. This expansive set brings together the complete, Emmy-winning Hornblower saga for the fist time. Ioan Gruffudd (Black Hawk Down, Titanic) gives a star-making performance as the dashing hero, and the stellar supporting cast includes Robert Lindsay (Me & My Girl) Jamie Bamber (Band of Brothers) and Paul Copley (Queer as Folk).

All six feature-length Hornblower films: The Duel, The Fire Ships, The Duchess and the Devil, The Wrong War, The Mutiny, Retribution. Extensive DVD bonus features include The Making of Horatio Hornblower featurette and two full-length programs: England's Royal Warships and Sail 2000: Aboard the Eagle. ... Read more

Reviews (26)

Outstanding films of adventure!
Nothing like great naval adventures at sea featuring the English Navy of old! The Horatio Hornblower series are so well filmed! The acting is great, the stories are excellent and the photography is always perfect. I thoroughly enjoyed these movies featuring mutiny, battles, facinating characters and the rough life of being at sea for the English Navy. The series follows Ioan Gruffudd on his naval military career as Horatio Hornblower and each movie is an adventure all by itself! This set completes the series and is put together very well. I can't wait for more movies to come out!

Just fabulous!
Although the Horatio Hornblower DVDs derive from an A&E "made for television" miniseries, all of the episodes are of movie quality. The acting is just great, the stories are wonderful, and each one stands very well on its own, although the episodes are best if watched sequentially. The sets and effects are very well done.
For those who don't know, the Horatio Hornblower series of books was written by British author C.S. Forrester, and deals with the career of a fictional British naval officer during the Napoleonic Wars. The series is somewhat faithful to the books, but significantly departs from the books in a number of places. But this is all to the good--purists (such as myself) will not be offended by this.
This is a "must have" for anyone who likes war movies. Each episode contains a solid storyline and chronicles Hornblower's growing leadership abilities. These are tails of adventure, leadership, hardship, and war. Very little gratuitous violence--young children and adults alike will enjoy this series.

Hornblower is number one!
I first saw these movies from the library and loved them so much I had to beg my parents to get them for me (no easy task). I have all eight movies and I watch them at least three times a week. I am a HUGE fan of anything relating to the 17th century british navy, and enjoy watching Hornblower rise from a nervous midshipman to a high ranking officer. You don't need to see them in order, though it would help if you are watching them for the first time. A thousand times better than masters and commanders. Lots of action! Good humor. An absolute must see! You'll love them as much as I do!

Fantastic...!
This is a great production... It's a gift to society. Great story and loveable characters, and great acting...! The music score is lovely... (keep forgetting the composers name) but it's lovely! Must say that next to "Band of Brothers" this is the best TV show ever made...!

Beat to Quarters!
Before Patrick O'Brian (who is justly due all accolades) there was the Hornblower series by C.S. Forrester, which has screamed for big screen treatment for decades. Before A&E tackeled the series, the best we have had is the old B&W Gregory Peck version caled "Captain Horatio Hornblower" which merges several of the middle books (the oldest ones) together. It was a good movie, but standard Hollywood stuff.

The A&E series starts with Book 1 "Midshipman Hornblower" and works up from there. The charcterizations are good and the screenplays, while taking inevitable liberties, are more or less faithful, especially in the characters of Hornblower and Bush. (My favorite was "Lieutenant Hornblower", Forrester's most complex novel in which Hornblower is caught up in a mutiny against a paranoid captain, and then has to extemporize an assault on a Spanish fort. The A&E series is at its best in this story, and keeps us guessing, as does the book, whether the ambitious Hornblower pitched his captain down the larbord stairs to save his neck and that of his fellow officers.)

Ioan Gruffudd (not a household name, although he had a small part in Titanic) is a supurb young Hornblower. There is strong support by the Kennedy and Bush characters, as well as Captain Pellew.

There will be inevitable comparisons with "Master and Commander," which I deem unfair. By the time "Master" begins, Cameron Crowe's Jack Aubrey is already a seasoned captain. In "Hornblower", we see Gruffudd's Hornblower evolve into his rank, making mistakes and learning. The Aubrey-Maturin novels are more complex, but Hornblower is one of the finest characters ever developed in the genre, and the success of the A&E series is how this is captured.

The A&E series was not a theatrical release and is not nearly as big on scale or special effects. None of ships actually used in the Hornblower series are particularly large, and do not match their historical counterparts.

Recommendations: I loved both the Foerrester and O'Brian series, and re-red them from time to time. They are like Port and Madiera, each have their use. ... Read more

Amazon.com

This sweeping miniseries from 1986 captures the rise and fall of an African emperor. Shaka Zulu begins following a British expedition sent to bargain with the fearsome Zulu army assembling on the outer edges of the British colonies in South Africa. Led by Lt. Francis Farewell (The Day of the Jackal, A Bridge Too Far), the expedition hopes to bamboozle a superstitious primitive, but their arrogance gets taken down a notch by a cunning and ruthless warlord who has unified vast territories through a combination of political charisma and military discipline. At this point, the focus shifts to how Shaka (the riveting Henry Cele), king of the Zulus, rose from a brutal childhood to royal grandeur--a semi-mythological tale filled with family strife, political intrigue, witchcraft, and bloody warfare. Powerful performances by Cele and Dudu Mikhize (as Shaka's iron-willed mother, Nandi) give this sprawling epic the drive and emotional scope of a Shakespearean drama. Shaka Zulu also draws sneaky parallels between the Zulu and British empires, often to sharp satirical effect. Full of richly conceived characters and compelling political maneuvering, this eight-hour series brings faraway history to living, breathing life. Also featuring Christopher Lee (whose always-steady career exploded at age 79 with juicy roles in The Lord of the Rings and Star Wars: Episode II, Attack of the Clones). --Bret Fetzer ... Read more

Reviews (7)

Amazing
This is a Brave heart movie wayyyyy ahead of time, great plot, landscapes, action, and is a real history that is a "wanna see movie"

S P E C T A C U L A R !!!!!!!!
AN "EXTRAORDINARY" FILM IN EVERY ASPECT OF THE WORD ! A 4 DVD SET UNLIKE NOTHING I EVER SEEN BEFORE, IT'S WORTH EVERY PENNY. GET THIS MOVIE WHILE IT CAN STILL BE FOUND.

Something to remember.
I saw this mini series when I was 13 - ten years ago. Even then it had a major impact on me. I've been trying to find it at rental stores for the last five years, but unfortunately, I'd been living in a small town and the movie rental stores were less than impressive in regards to selection. Only recently did I find out that Amazon sells movies as well as books (and lots of other merchandise) and so I immediately searched for it.

And Voila! I found it.

I can't in good conscience put five stars here, since I haven't actually seen the DVD version - but I KNOW that the mini series