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| 181. Rescue Me - The Complete First Season | |
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Description Reviews (13)
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| 182. Alias - The Complete First Season | |
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Amazon.com Confusing? This is all just in the first episode of Alias, the brainchild of Felicity creator J.J. Abrams that plays like a cross between Buffy the Vampire Slayer and James Bond. With its double-edged tension (how long can Syd play double agent?) and one heck of a MacGuffin (the dreaded Rambaldi device, the mythic creation of a Renaissance genius), the show leads its viewers from episode to episode with visceral, compelling action, not to mention the nascent romance between Syd and her CIA handler, Vaughn (Michael Vartan), and her clashes with her heretofore distant father. Sharp, smart, and always suspenseful, Alias' center was held by the gorgeous Garner, a stellar action heroine and an even better actress who could pull off Sydney's exotic undercover missions and conflicted emotions with equal dexterity. By the end of this first season, which concludes with a breathtaking cliffhanger, you'll be seduced into Alias' world with, happily, no desire to escape. --Mark Englehart Reviews (257)
For starters, let me just say that the packaging of this box set is really great. The carboard box holds three snap cases (like what a normal DVD comes in) each with two discs in it. I prefer this format to the fold out format used in other box sets (like "Buffy the Vampire Slayer" and "Friends"). The menu is easy to use. The picture quality is outstanding. The only thing I disliked about the DVD itself is the fact that each episode begins with the background information about Sydney and the "Previously on Alias" section. I got really sick of both of these. Now, for the reason I took away a star. It has to do with "Alias" as a show. I've already told you that I really love this show. We all like how the plot is continuous and important twists are revealed in every episode. But that's sort of a problem. The episodes are so laced into the overall series arc (backstory, missions, Sydney as a double agent) that no single episode is better than any other. They're all good, but none are excellent. No individual episode is a classic. My three favorite shows- "Buffy", "Angel", and "Friends"- all have individual episodes that you can go back and watch as a stand alone. "Alias" doesn't have this. After you watch the whole season, you won't be going back and saying "I'm in the mood to watch ENTER A SPECIFIC EPISODE HERE". You sort of have to watch the whole season to keep up the effect of the action in each episode. They are completely reliant on each other. Still, this is a great show and you should buy it, by all means. I just wanted to voice my opinion.
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| 183. Toy Story Director: John Lasseter | |
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Reviews (81)
Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.
The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules. This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.
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| 184. Magnum, P.I. - The Complete Second Season | |
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Amazon.com Reviews (17)
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| 185. The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man) | |
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Reviews (5)
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| 186. Complete Cadfael Collection | |
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| 187. Dead Like Me - The Complete Second Season | |
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Reviews (13)
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| 188. Star Trek Voyager - The Complete Seventh Season | |
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| 189. Donnie Darko Director: Richard Kelly (II) | |
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Reviews (663)
The film takes place in 1988. Jake Gyllenhaal stars as the title character: a troubled, sleepwalking teenager who has recurring, frightening visions. Donnie is a quest to understand the forces that are affecting his life and sanity. Gyllenhaal's outstanding performance helps to hold the film together. He is a quirky, offbeat leading man; at times frightening, at times appealingly vulnerable. Gyllenhaal's work is superbly complemented by that of an eclectic ensemble cast which includes Katharine Ross, Drew Barrymore, and Noah Wyle. I was particularly impressed by Patrick Swayze's turn as a creepy, oily motivational speaker. "Donnie" defies genre classification. It blends together elements of serious family drama, 80s period piece, horror, satire, and science fiction. In a sense, it is a deconstruction of the whole 80s teen movie genre. The script makes intriguing use of 80s pop culture. "Donnie" has scenes of weirdness and absurdity, and is often punctuated by bizarre dialogue and strange, frightening imagery. And there are some really moving scenes that tap into the universal experience of human loneliness and the need for love. If there was ever a movie that had all the elements to make it a cult classic, it's the haunting "Donnie Darko."
Sadly, this time around, its a painful experience for the viewer, unless you are so into puzzles, sci-fi, symbolism and finding out what a movie means AFTER watching it that you can forgive what is, after all, really poor storytelling. Hint - A really good movie doesn't need multiple websites stacked with backstory and explanations. And, as usual, its all the fault of the script, which isn't a film script at all. Its a / Philosophy/ Religiousy / Science Fictiony puzzle (although I left out a few things there). This puzzle unfolds as a series of vignettes masquerading as scenes, related by Kelly's 'themes' but little else. The majority of the characters are little more than pawns whose job is just to move the puzzle plot on... nice..... and.......... slowly (with the odd music montage and cute-dialogue sketch thrown in, as if they were ad breaks). The main character was ok and most of the actors did well with what little they had to work with, but the MAJORITY of them should have been cut from the finished film, they are so redundant. There is no drive in the film and little sense of progression. We know loosely what the main character is ultimately facing, but never immediately so there is never any sense of anticipation, suspense, hope or fear for the viewer. We are simply passed more information and explanations to debate and question later with our fellow sci-fi-symbol buffs. I'm not saying you sit there waiting for things to happen because things do happen (to be fair some of the "scenes" are entertaining in their own way). But you do sit there waiting for a STORY to develop so you can start experiencing something (which is what we pay our money for, isn't it?). But there is no drama, no connection and NO STORY. All you get is a cool song and a plot twist (explained). Some people are happy with that I guess
Jake Gyllenhaal, from MIDNIGHT MILE & OCTOBER SKY, played Donnie Darko brilliantly. He was a young man smarter than his teachers, his parents, and his friends. An intrepid curious lad who could ask those questions very few wanted to answer. He is a kid who is being treated for mental illness, even though he may not have been clincially ill. He was outspoken, outrageous, and socially boorish...like most smart teenagers. Roger Ebert wrote," Donnie is appealingly smart yet sarcastic, more quixotic than eccentric, more curious than frightened. The film's prologue is bang on target. A bright sunrise on dark foothills, suddenly interrupted in the frame by the insertion of the black silhousette of a young man's head. Donnie Darko, there on the hard ground near his bicycle, far from home. After he cycles home, his arrival is treated as familiar behavior; sleep sojourns, adventurous forays into the darkness. That very next night, we witness him roused from his slumber by someone calling his name. He slips outside and we meet the presence that has beckoned him...a medium longshot of someone in a rabbit suit...someone named Frank. But this rabbit, tall as HARVEY, is not a benign companion. Its face is twisted into a demonic death mask. With Darko away from the house, we see an accident happening. Something has fallen out of the night sky, and crashed directly into Donnie's bedroom; a 707 jet engine. If he had been there when the engine came acallin', he would have died instantly. Frank sends Donnie off to do devilish chores; flooding the school, and burning down a house. Nothin is linear or logical in Darko's dreamlike world. His parents are too understanding. His new girlfriend, Jena Malone, is really too easy to get to know. Physical laws, like an axe being buried in a bronze statue, are tweaked and violated. The film can only approach some level of cohesiveness if one is able to conjure up a premise, a through line. For me, most of the characters presented are probably actually a part of Donnie's This film poses more questions than it offers answers for. There are theories that we, as spiritual entities, can sustain more than one version of our "Self" in parallel dimensions similtaneously. Somehow, it seemed that Donnie called on one of his alternate selves to swing through those last few brief moments, those seconds that stretched out into 30 days. Perhaps time is relative, and does not exist on the other side. I think this movie requires several viewings to begin to be fully appreciated. It is an original vision, bizarre yet strangely familiar, and immediate with it's punch to the emotional gut. It is eccentric, yet appealing.
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| 190. Great Expectations - Laugh and Learn About Childbirth Director: Sheri Bayles | |
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| 191. Nip/Tuck - The Complete Second Season | |
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Reviews (7)
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| 192. The Big Red One - The Reconstruction (Two-Disc Special Edition) | |
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Amazon.com Even in the studio-truncated version, there was no shortage of astonishing moments and sequences: the squad choking on dust in a bat-filled cave in North Africa as German tanks clatter past the entrance; Fuller's cold-blooded distillation of the D-Day slaughter on Omaha Beach, with a wrist watch on a dead arm in the surf marking time as the water slopping over it grows redder; the rifle squad delivering a Frenchwoman's baby in a German tank on a battlefield full of corpses; a commando-like raid on Nazi troops bivouacked in a Belgian insane asylum. A quarter-century later, film critic Richard Schickel and Warner Bros. executive Brian Jamieson succeeded in restoring 15 never-seen sequences and fleshing out 23 others to create The Big Red One: The Reconstruction, a "new" film nearly an hour longer. Above all, BR1: The Reconstruction has a rhythm the 1980 cut lacked. The arc of years, battles, and battlegrounds is so much more satisfying. Greater play is given to Fuller's feeling for children caught up in the sidewash of history and atrocity. And the 2004 cut puts sex back into the movie, not orgiastically but as a fact of life and a rarely forgotten driving force. We can see now that Fuller touched, bluntly and shockingly, on the phenomenon of infiltrators--English-speaking German warriors who donned GI khaki and moved among their enemies waiting for a chance to strike. It's also apparent, as it was not in 1980, that Lee Marvin as the eternal Sergeant leading the young squad is magnificent. This was Marvin's greatest role, rivaled only by his walking dead man in John Boorman's Point Blank. Just beneath the masterly implacability, we glimpse the tenderness, rage, dark humor, experience, and wisdom beyond guilt that have enabled him to survive, to preserve others and to soldier on. His performance, like Fuller's film, is a masterpiece. --Richard T. Jameson Reviews (54)
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| 193. Escaflowne - The Series (Limited Edition Boxed Set) | |
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Amazon.com Reviews (64)
Escaflowne follows the life high school freshman Hitomi Kanzaki as she is transported from Earth to a mystical world called Gaia. Hitomi teams up with the young prince Van and the gallant swordsman Allen. Prince Van has lost his kingdom to an attack from the evil empire of Zaibach. Allen is a knight of a nearby country. Allen wishes to oppose Zaibach but the king of his country does not wish to bring Zaibach's wrath upon the kingdom. From this point in the story, viewers are lead on a whirl-wind journey of love-triangles, mecha fights, character drama, and a mystery about the real origins of Gaia. Each character (there are several) is given plot time to show their pasts, their dreams of present, and their general personalities. And though there are quite a few bloody fight scenes and some weird happenings, Escaflowne is a fairly clean work of anime. One thing to think about is that Hitomi does an awful lot of fortune telling and such work. I was somewhat unhappy about this because I do not enjoy such things but I overlooked it. Anime fans should find no problems here. Having watched the series twice, I would recommend it to almost any anime aficionado as well as many sci-fi and fantasy fans. You will be treated to a wonderful story full of wonderful characters that presents itself in top-of-the-line artwork and has an AMAZING score. If you are seriously considering buying this WHOLE series, I can practically gaurentee you won't be disappointed. If you're not sure, try buying or renting the first volume and see if you get sucked in.
Escaflowne begins (to whet your appeitite for more) one fateful day when high school sprinter Hitomi Kanzaki experiences a disturbing vision of another world and discovers from her best friend that Amano (the track team star she has a crush on) is about to go abroad. On an impulse, she asks him the next day for her first kiss -- if, she can sprint 100 meters in thirteen seconds. But then, a young warrior prince and a dragon appears before Hitomi during the run ... that's when Hitomi's world gets turned upside down as she is transported to the warrior prince's homeworld of Gaia! This Limited Edition Boxed Set comes with a beautiful Black Escaflowne figurine and tons of special features. Dialogue is offered in both English and original Japanese with English Subtitles. This is an anime series not to be missed by an Otaku of any level of experience.
To differentiate between the two, check the number of discs/DVDs that are said to be included in the set. The Limited Edition set will contain 8 DVDs, while the Perfect Collection is said to contain only 3. With that said, however, either should provide you with a complete collection of episodes from the series. I don't see how you can go wrong with that =P...unless, of course, you're a serious collector =)... As for a comparison on the quality of the two, well, I don't own either, so I honestly have no idea. Sorry for being a somewhat unknowledgeable reviewer, but I just wanted to add the above bit of info to hopefully prevent customers from obtaining something other than what they desired. Cheers!
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