Reviews (37)

The ultimate revenge trip
This screen adaptation of the A.J. Quinnell novel has received mixed reviews, but I found it remained generally true to the spirit of the book.

Creasy (Denzel Washington) is a broken-down, alcoholic, ex-special forces assassin. Visiting his friend Rayburn (Christopher Walken) in Mexico City, he ends up taking a job as a bodyguard to make ends meet. A kidnapping spree has spread throughout Latin America and a wealthy young couple hires Creasy to protect their young daughter. Less concerned with her safety, their primary reason for hiring him is to fulfill the terms of a kidnap-insurance policy.

Pita (Dakota Fanning)'s spunk and unabashed friendliness slowly penetrate Creasy's veil of pain and alcoholism. Soon, he's not only protecting her, but is also coaching her at swimming and helping with studies. Then, in the turning point of the film, despite Creasy's quick-witted defense, Pita is kidnapped from her piano lesson and Creasy left for dead with multiple gunshot wounds.

Corrupt cops, mobsters, and other officials are all taking their cuts from the kidnapping game. As Creasy begins to recover, he sets off on the ultimate roadtrip of revenge. And all hell breaks loose.

I rated this film four stars. Tony Scott has to tone down the nausea-inducing quick cuts, fades, over-exposures, and other tricks of the trade. When he gets into story-telling mode, he does his best work, as Fanning and Washington are nearly perfect in their roles. Do yourself a service and read the books. Nothing matches the entire Creasy series.

Makes "Deathwish" look like a cakewalk.
"Death is his art. And he's about to paint his masterpiece."

That is the right line for this movie, spoken by Christopher Walken, the right actor. Obsessed with the grandeur of bloodshed, "Man On Fire" is apocalyptic, spun from the roughest parts of the Old Testament. Tony Scott's movie is a kidnapping drama set in Mexico City - a "special place" according the end credits. Special indeed - take the film at its word, and half the cops are corrupt and in competition with kidnappers for ransom money. The corrupt judicial unit, dubbed "La Hermandad," is impenetrable. Unless you're Denzel Washington.

In a performance that melds elements of his Oscar-winning turn in "Training Day" and his work in "Courage Under Fire," Washington is John Creasy, a suicidal alcoholic ex-Marine offered a job through war-buddy Rayburn (Walken) to protect the daughter of a sweatshop industrialist (Marc Anthony). This daughter, Pita, played by the increasingly skilled Dakota Fanning - who's given dialogue and mannerisms better suited to a 16-year-old - charms Creasy out of his shell, makes him become her swim coach. Fanning is, in a sense, a peculiar little girl, so far beyond her years in gestures that when she laughs at a joke of Rayburn's that she'd have no way of understanding, we begin to wonder if her maturity has been misused.

So then - Pita's snatched in a setup, Creasy's shot, and after he recovers, his counterpunch makes "Deathwish" look like a cakewalk.

"Kill them all," Pita's mother (a glammed-out Radha Mitchell) whispers as Creasy holds his Bible. This vengeance either invigorates you or it doesn't. As these films go, "Man On Fire" is among the most violent and malevolent. The script, by Brian Helgeland, pretends to ask the larger questions about sacrifice and morality, but it isn't into sparing lives. There is torture, then more of it, then death. When a nightclub is blown up, the crowd roars. That's quite a bit unlike the recent fire in Rhode Island.

The most controversial scene involves a rectum bomb set to Creasy's digital pager. "I wish - you had more time," Creasy intones ironically. A corrupt cop, stripped to his underwear and bent over a car under a freeway, has no more time.

Cynical and a bit beefier, Washington is good as the tough hombre with a rocket launcher. The mark of a good actor is to want what he wants even when we shouldn't. Washington's that guy. Walken shuffles around with his offbeat cadence, utters the movie's best line, and disappears. Anthony is jittery in a limited role. Mickey Rourke makes a cameo using his real, non-sandpaper voice. Mitchell isn't much of an actor, but she's platinum gorgeous, and a perfect trophy wife she makes. Between her and Anthony's character, you wonder where Pita got her smarts.

Mexico City, when we can get a clear view of it from Scott's dizzying camera, is a bright, messy backdrop. Scott's editor on "Spy Game," Christian Wagner, achieves the feat making sense out of chaos and vice versa, though an early scene featuring a drunk, bawling Creasy could have been pieced together more clearly. Helgeland adapts A.J. Quinnel's novel, and it's not his best work - the plot holes are big enough to drive Hummers through. Scott resorts to flashing dialogue, both Spanish and English, on the screen in a pop-art, free-verse-poetry presentation that's at first unique, then distracting, then annoying. Notice, too, that it doesn't start happening until Fanning's offscreen.

As it unfolds on a desolate bridge near a Biblical tree in the middle of Mexico, the end of "Man On Fire" is the kind of preordained, wide-shot-to-show-significance material Scott has loved since "Enemy of the State," the first of his "import" trilogy that hopefully ends with this film. Prior to that Will Smith vehicle, Scott made hard-boiled, straight-ahead popcorn flicks - "Days of Thunder," "Top Gun," "The Last Boy Scout" "Crimson Tide" - that were shallow, lurid, painfully macho but, at the very least, aware of themselves and fun. "Man On Fire" is enamored with its potential greatness when it's really a B-movie playing with an A-list star and budget.

Washington is Creasy Bear...storyline diverges from the book
If you've read the book, the movie's storyline is a little disappointing. If you've seen the movie and haven't read the book yet... You really need to. It is most satisfying, and will give you a better understanding and appreciation of the character Creasy.

The location switch from Italy to Mexico works well. Of course, we miss out on the Isle of Gozo. As with most novel-to-cinema adaptions, we miss out on a lot of subplot (Creasy's women). And as is inevitable with a major studio production, the ending has been "Hollywood-ized." (can't tell you more without giving away the ending... read the book).

However, Denzel Washington does an excellent job portraying the character Creasy, as I knew he would. Dakota Fanning is Pinta, no question about it. Christopher Walken, always a good choice, was an excellent casting choice here. A.J. Quinnell would be proud. Marc Anthony...? Well, A.J. Quinnell would understand.

Great Movie
Denzel Washington is one of the greatest actors around. And Dakota Fanning is absoultely amazing.
The script just has you on the edge of your seat the entire time. With alot of surprises and suspense.
Very enjoyable, one of the best movies this year.

Absolute Masterpiece
This movie is by far once of the best movies I have seen in a very very long time. One guy made the comment that Denzel didnt have a character that was believeable, this couldnt be anymore further from the truth. This movie is great from opening credit to the closing credits. Denzel once again not only wows me but Dakota Fanning did an outstanding job also. Anybody that hasnt seen this movie really needs to take the time and watch this. GREAT, AWESOME movie. you will all be happy you did...September 14th cant come soon enough.....5 stars isnt a good enough rating for this movie but its all i can give it

GO SEE THIS ... Read more

Reviews (62)

Great 70's movie
I used to watch Convoy over and over as a kid. It is unfortunate that it is not being produced on DVD or VHS considering how many movies not nearly as entertaining are being marketed. I think if you didn't see it when it first came out you'd find it silly and dated today, but I feel to those of us who saw it initially growing up, it is a classic. Modeled after a catchy country western song by C.W. McCall and with stars such as Kris Kristofferson, Ali McGraw, Burt Young and Ernest Borgnine, I'm surprised it is so obscure. It has some great 70's car/truck chase and crash scenes and a good soundtrack. Hopefully it will come out of moratorium soon and be available.

Breaker-19
CONVOY is the best trucker movie of all time. I've watched this movie 1000's of times when I was a kid and I enjoy it even more now. This movie has action, comedy and romance. Kris Kristofferson was great in this movie, he really brought out the excitement of being a truck driver. As for Ali MacGraw, she was also great and beautiful co-star. The director, Sam Peckinpah did an excellent job capturing the essence of truck driving. After so many years of searching for this movie I finally have a copy of my own thanks to Amazon.com. I'm impatiently waiting for it to come out on DVD(extended verison)....

Convoy
I bought the VHS version of the movie going off the other reviews listed.I received it yesterday and watched it twice.The quality is excellent.No fuzzy picture or sound.If you want a copy of this old classic movie,get one on video.

CONVOY
i havn't played my copy yet. the dvd i got, came from half.com which is a letterbox version, not digitally remastered and released by PACIFIC FAMILY ENTERTAINMENT. i paid less than $5.00 brand new.

The old days
When you seee this movie, you will realinze how life in America was not anoying. ... Read more

Description

Catch him if you can. The Fugitive is on the run! Harrison Ford and Tommy Lee Jones race through the breathless manhunt movie based on the classic TV series. Ford is prison escapee Dr. Richard Kimble, a Chicago surgeon falsely convicted of killing his wife and determined to prove his innocence by leading his pursuers to the one-armed man who actually committed the crime. Jones (1993 Academy Award and Golden Globe winner as Best Supporting Actor) is Sam Gerard, an unrelenting bloodhound of a U.S. Marshal. They are hunted and hunter. And as directed by Andrew Davis (Under Siege), their nonstop chase has one exhilarating speed: all-out. So catch him if you can. And catch an 11-on-a-scale-of-10 train wreck (yes, the train is real), a plunge down a waterfall, a cat-and-mouse jaunt through a Chicago St. Patrick's Day parade and much more. Better hurry. Kimble doesn't stay in one place very long! ... Read more

Reviews (126)

Fugitive is Dr. Richard Kimball: Go get this movie.
If I were stranded on a desert island and all I could have was my abysmally sparse movie collection, I would make sure "The Fugitive" was in it. Thankfully, it is. This is one of the most entertaining and engaging movies ever, far superior to a lot of movies playing these days. For the few of you who don't know the plot, I'll run it past you without spoiling much...

The story revolves around a Chicago surgeon named Dr. Richard Kimball (Harrison Ford) who is convicted of murdering his wife (Sela Ward). He pleads innocent, claiming that a one-armed man committed the heinous crime (the opening sequence, showing the murder in flashback style, is chillingly realistic). Well, no one believes the good doctor's alibi, and he is sentenced to death. However, after his prison bus crashes into a train, he escapes back to Chicago to find the murderer, while keeping away from US Marshal Sam Gerard (Tommy Lee Jones) and his team of deputies.

Having never seen the old TV series, this movie was nevertheless fantastic. The thrills just keep coming, as well as the tongue-in-cheek humor, courtesy of Tommy Lee Jones and Joe Pantoliano (as Cosmo, Sam's deputy), who really steal the show in a lot of scenes. The screenplay is obviously very sharp. The train-and-bus wreck will take your breath away, as will the waterfall sequence. Aside from these action scenes, it's great that this movie is shot in Chicago, one of the greatest cities in North America. Sorry, personal bias, I loved Chicago when I visited a couple years back. The acting is very well done, and the characters are very three-dimensional. Sometimes it feels like you're watching a modern "Les Miserables". Nice transition from action thriller to action-mystery as the film enters its second half. If you follow the plot, which is fairly easy to keep up with, the ending will shock you. All in all, "The Fugitive" is definitely worth the bang for your hard-earned buck. If you haven't seen this wonderful piece of movie-making, do so ASAP.

Quality-wise, the DVD is pretty good. Director Andrew Davis does a cool little documentary on how the train wreck was filmed.

MOVIE-10/10
DVD EXTRAS-8/10

Ford hits another home run
Ditto what that other reviewer said: this is another great Harrison Ford vehicle. They really DON'T make movies like this any more. It needs not typical DVD additions, not cut scenes, not trailers, or interviews.

Back in the day, Wednesday morning school was dominated by the discussion of the latest episode of "The Fuge" from the night before. This is the only film I can think of which actually did justice to the classic television show from which it sprang.

Tommy Lee Jones is a fantastic U.S. Marshal Sam Gerard. He appears not to be obsessed with the capture of Dr. Kimble (as was his television predecessor, portrayed by Barry Morse). Nonetheless, we get the feeling that he brings the same determination to every case he has. Ford once again is the "everyman" (if a doctor who gets sent to prison for killing his wife and then escapes can be thought of in those terms) who prevails through all manner of adversities. [As an aside, I wonder how well Ford could stretch himself - could he ever be convincing as a real bad guy, like a John Malkovich or Anthony Hopkins?]

This movie has a lot of pluses. It is a great story, updated from one of the sixties' best shows. Sure, there were great stunts. The bus crash/train wreck was stunning (made even more so by seeing Ford almost comically hobbling along, trying to outrun the carnage while wearing leg shackles).

However, it is the competition between the two dogged adversaries Jones and Ford that makes this work. They are one real pair of incredibly strong personalities- (and screen presences) Nothing better than the sequence in the dam early on with Ford protesting his innocence and Jones equally sincere reply "I don't care". Both smart, even though Jones hides his behind a gruff and self-deprecating exterior. The good and decent Doc must be determined (after all, it is his can on the line), but seeing him persevere - hiding his own persona in a hospital, evading the police while tracking down the one armed man is intense, even though we know the outcome.

Great editing; especially when we think the Marshals are getting close to the big bust, and we find out that they are actually making a collar across town.

This one is a winner.

A classic action thriller
What makes "The Fugitive" such a successful and superior film is that it knows what it is: an action/mystery film. It makes no attempt to make itself bigger or more intellectual than it is (as did the American version of "The Vanishing"). Harrison Ford, surprisingly underplaying the role of Dr. Kimball--others might have overworked his grief and angst--turns in a brilliant performance. And the always reliable Tommy Lee Jones does an icy, sparkling job as Kimball's persuer, US Marshal Sam Gerard. So good a performance that he earned a well-deserved Oscar for it.

The other key to the movie's success is Andrew Davis' dazzling direction. He keeps the pace frenetic for a good deal of the film, and the pot is always kept boiling. Close calls and intense chases keep the tension and suspense at fever pitch. "The Fugitive" will endure for a long time as a classic action thriller.

I did not kill my wife
That is well known sentence from this action hit which put an Oscar in hands of Tommy Lee Jones. Somebody killed dr. Richard Kimble's (Ford) wife, but all clues are against him. After all, who can be stupid enough to say that - One arm man did it?! His escape after bus accident will be his second chance to proove his innocents. But, that will be damn hard. Especially because after him is federal marshal who "doesn't care" about anything, except to bring the fugitive back (by any costs). Kimble will discover that he was in strong net made of lies and conspiracy, and that his only way out is to find proofes to clear his name and bring killer in front of justice. Jones supposed to be a good guy, but you'll hate him all the movie (well, it's not his falt, he's just good actor). Harrison is great, older, but still in good shape. Since Indiana Jones, he never has better role than this. You'll be right next to him, trying to solve the puzzle, hoping that he will succeed to find who ruined his life. Excellent story, good locations and ideas. Definetly collection material.

Train Wreck of Action
This is one of the best-crafted action/suspense films I've ever seen. I've viewed this many many times and have been rewarded each time by picking up on different subtle nuances.
Every element of this film works in unison and are what make this a great film and give it the punch that it has. There's the story which is as finely crafted as they get, a cast that couldn't have been any better (and boy do the actors deliver in their performances), tight pacing, great photography, and some unbelievable effects.

This is a modern masterpiece! ... Read more

Reviews (163)

Almost Great, But . . .
Most of "True Lies" is a wonderful combination of action, adventure, thriller, and comedy. Most of this movie could stand up against most James Bond movies.

However, I have one major concern. In the first third of the movie, when Arnold Schwarzenegger's character thinks his wife, played by Jamie Lee Curtis, is having an affair with a car salesman who pretends to be an international spy to attract women, his response is pretty sadistic. He uses his resources, as the international spy that Arnold's character actually is, to have his wife's phone tapped, have her followed, have her captured, have her interrogated, and have her coerced into becoming a spy. He's already gone too far, but he goes even further by having her first assignment be to pose as a prostitute in order to plant a miniature microphone in the hotel room of a sleazy stranger (played by Schwarzenegger, hiding in the dark, and using someone's tape-recorded voice). I find that entire sequence very distasteful and uncomfortable to watch.

My recommendation: watch the movie, but fast-forward through that entire sequence described above. It's cheap, sleazy, and distasteful.

True Lies - An extremely entertaining action/drama film!
"True Lies" is quite simply, one of the most entertaining, fast paced and hilarious films that Arnold Schwarzenegger has ever starred in. From the very first time I saw this movie in the theater to several viewings both in VHS and DVD format, I've found that the superior script and exceptional acting in this film entertains every time. I've read of and heard many lament over some aspects of this film and the best I could say to those is that quite often the movies that Hollywood produces are a sensationalism of real life events and ultimately a movie such as this one is for entertainment not making statements about any one group or individual and as a medium for entertainment, this film succeeds completely!

Performance wise, Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton, Tia Carrere and Art Malik all deserve great honors and the accolades they received for their respective parts in this film. "True Lies" was probably Arnold Schwarzenegger's best overall performance both in the action and the dramatic sense. Jamie Lee Curtis couldn't have been any better in this role and I can honestly say that I was impressed with Tom Arnold's performance in this movie whereas any other film or show I've seen him in I was not impressed. I believe the only other movie I've seen that Art Malik was in was "The Living Daylights" and in both that movie and this one his work has been exceptional.

Say what you may like about director James Cameron but you would definitely have to admit that prior to the current but most likely "temporary" culmination of his career as a director with the movie "Titanic" and heading off to run the "Dark Angel" television series, few directors could come close to matching his accomplishments. "True Lies" was James Cameron's fifth highly successful hit in a row and with this movie and "Titanic" one could definitely say that during this run of box office hits, he had the pulse of the fans as he wrote screenplays and directed these extraordinary films.

The Premise:

Harry Tasker (Arnold Schwarzenegger) is a high speed "spook" working for a highly secretive government agency that is a watch dog/operator spook agency that identifies and handles terrorist threats to the United States. Along with his handler Albert Gibson (Tom Arnold), they uncover a major terrorist operation which is bent on using nuclear warheads against the US to accomplish its goals. As Harry, Albert and their organization are working to uncover the terrorists plot; his family becomes heavily involved in the story which is where Helen Tasker (Jamie Lee Curtis) comes in to play and some extremely hilarious scenes involving Simon (Bill Paxton). What follows from there is one of the most hilarious and exciting action/drama films to have come out of the nineties.

I highly recommend this film to any and all who are interested in seeing a great, fast paced, highly intriguing and hilarious action/drama movie and aren't interested in reading too much into the plot or the characters in the plot that are used as plot devices. {ssintrepid}

Special Features:

-Original Theatrical Trailer

A lot of fun - over the top action with humor & drama
True Lies is an action romp with several story lines that flow into each other for the big climax. Harry (Arnold) and Helen (Jamie Lee) are in a stereotypical middle-class marriage where the husband is totally career focused and because he is "successful" he thinks all is well at home. Helen is bored and miserable because she feels invisible to her husband. Their daughter Dana (Eliza Dushku - Faith from Buffy) is alienated from them both and headed down a very bad path.

Harry has a secret life as a spy for a super secret government organization. His partner is Albert (Tom Arnold in his best role / performance anywhere) and they are closer to each other than to anyone else in their lives as they travel the world saving us all from the bad guys.

The terrorism they are battling could have been ripped from today's headlines. However, I doubt such a film could be made today because of political sensitivities. I was surprised how much of it held up.

But this film is about fun more than drama. The action is exciting, but preposterous and the scale of the action crescendos toward the final ridiculous aspect of Harry flying a Harrier jet while saving his daughter, fighting the big bad guy and fending off an attacking helicopter all at the same time. Another problem, a small one for this kind of action film, is the endless weapons fire focused at the heroes to no effect, while Helen can simply drop a machine pistol down the stairs and wipe out a platoon. It is a delightful seen, however. If you can suspend disbelief for this, the movie can be a lot of fun.

Many have called the film misogynistic, and I suppose you can see some of that in the film. But Bill Paxton's wonderful performance as the sleazebag Simon is easily the most despised person in the film and he is a male.

There are other find performances in the film. Faisal, played wonderfully by Grant Heslov (we should see more of him), is a terrific character who holds a lot of the story line together even though his role isn't that large. And Tia Carrere as the mercenary art dealer Juno is simply one of the best things in the movie. Art Malik is great as the villain Salim Abu Aziz. Mr. Malik provides the right kind of energy for such an over the top film. He provides the kind of passionate megalomania that makes all the fighting seem appropriate.

With all the sub-plots weaving in and out, the humor, and the fine performances, I think this is one of Arnold Schwartzenegger's best films. And I thought his pairing with Tom Arnold was great. Too bad we never saw them together again.

One of Arnold's best
Even Tom Arnold is good in this movie, and that's saying alot. Jamie Lee Curtis steals the show, but Arnold is great as the butt kicking spy. Amazingly they even have Middle Eastern terrorists as the bad guys...who would have ever thought of that? Most movies these days stay so far away from that subject they can get downright comical in their efforts to find a bad guy.

This is just a plain fun movie. Bad guys, stuff blowing up, hero dad saves the day. Great for a Saturday evening to get a few laughs and relax.

The best One of All
For sheer appeal and entertainment, "TRUE LIES" surpasses any of the Terminator Series, Twins or really any other Schwarzenegger film. It is about as perfect a movie as one could hope for - with all the action, humor, drama and sex appeal there is to offer. Jamie Lee Curtis is absolutely incredible as the plain Jane wife who becomes entrapped in a world of espionage and shadows. (The strip tease was one of the best scenes in filmdom ever.)

Tom Arnold was also perfect for his role as the patient buddy spy who is the perfect cover. Tia Carrere was also perfect as the evil villaness with a flair for the upscale. Whoever did the casting deserves a medal. Dialogue, action, plot - I loved it all! ... Read more

Reviews (108)

Classic timepiece movie...
This is a classic movie that is as much social commentary as car chase. I remember watching this on a Saturday matinee on my local television station (long before the advent of cable television) and was mesmerized.

I recently purchased the VHS version and it was just as sweet twenty years later.

The premise isn't much: the main character, former member of society now riding on the fringe, has to get a car to San Francisco in 15 hours. Load up on amphetamines and off we go. The 'plot' is merely a vehicle for the ride.

The car chase scenes are great and realistic (none of the special effects laden hocus pocus you see today) and the cinematography of the West is beautiful. The characters, from the DJ who plays mystical guide to the helpers the driver meets in the desert, show life on the fringe. I'm sure on some level this is a mystical, metaphorical journey of sorts but to me it is simply fun to watch.

The soundtrack is absolutely great. It is kind of the O Brother Where Art Thou of the 70s -- the one that missed the radar. It isn't music you hear on the radio and it certainly isn't mainstream in any fashion but it sure is good.

I give this five stars quite simply because of the cinematography, the cast of characters and the music. Well worth the visit. They just don't make films like this anymore.

Vanishing Point on DVD.. Please !!!
Someday this cult classic will make it to DVD, and my freinds if enjoy fast paced car chase action movies this is a must for your collection. Not only is it a great movie, but the soundtrack of songs from such artists as Delany & Bonnie, Mountain, and Kim Carnes (years before she did "Bette Davis Eyes") would be a great soundtrack if it ever was put together (Problem is back in 1970, movie soundtracks were rare, only musicals had them).

The movie is basically about a driver name Kowalski who's trying to deliver a Dodge Challenger from Denver to San Francisco in less than 24 hours. It's filled with flashbacks and events that take place thoughout Kowalski's life all while he's speeding though the desert in the Challenger.

Cops, Hippies, Bikers, Gospel Faith Groups, Kowalski meets them all during his journey.

Read the other reviews to get more detail about the movie, but trust me, the music and cinematography are outstanding and you"ll really enjoy this movie.

Much more than a car chase movie
This movie held me spellbound the first time I saw it and is still capable of this after countless viewings. This is more than just a car chase movie, it actually has depth and a story to tell. The scenery of the great American West is also first rate and the soundtrack never fails to set the mood.

The story of the main character, an auto delivery driver named Kowalski unfolds as he takes delivery of a white '70 Dodge Challenger which is as he puts it `souped up to 160' and proceeds to drive it from Denver to San Francisco. His plan, however is to do this in 15 hours to win a bet. As Kowalski makes his journey his life is revealed to us through flashbacks and recollections which are usually triggered by what is currently happening to him in real time. Through these the viewer learns that despite his apparent lawless behavior, Kowalski is a man of good character.

It is this good character, sense of duty and strong moral code that led to Kowalski's fallout with the establishment. He had been a decorated war hero and was honorably discharged from the military. A few years later, he was a decorated policeman. However, when he saw his police partner behaving in an unsavory fashion, he reacted. His reward was to be dishonorably discharged from the police force. This ultimately led Kowalski down the path to where we are introduced to him.

One of the big things that drew me into this movie is that it doesn't hand you the explanations on a silver platter. Instead it allows you to think about it and draw your own conclusions long after you've seen it. Some reviewers on IMDB have already done a great job of touching on the philosophies of freedom and individualism prevalent in this movie, so I won't waste the time trying to top those. I'll add that I feel this is a type of an expressionist film. Kowalski is kind of an `Everyman' who is on a journey to find his place in the grand scheme of things. Along his path he encounters various characters that watch over him and help him along, but there are also those who wish to shut him down. Whether you think the conclusion of Kowalski's journey is successful or not is up to you.

Another big plus is the realism in the driving scenes, where the drivers are actually driving their machines and occasionally things happen like tires going flat or the car needs fuel. Most modern car chase sequences leave me wanting with all of the computer generated car moves and general lack of realism. I know they sometimes got it wrong back then too, doing things like obviously speeding the film up. In this one though, they got it right. The driving here brings us into that realm of manhandling 4000 lbs. of American Iron, in all the glory of big-block V8 roar, screaming smoking tires, and hands grappling with the steering wheel.

Another thing that's cool to me about this type of movie is the appearance of the car. At the beginning, the car is resplendent in gleaming chrome and white paint. As the story moves along, the car gradually gets a more dusty battered countenance. I won't spoil the end, but those who've seen it know.

The final things that tie this whole thing together are the soundtrack and scenery. They seem to go hand in hand, from the upbeat rock & roll as Kowalski starts out to the stirring guitar strains during the thoughtful moments. I also cannot say enough about the scenery, which really draws the viewer in. It ranges from the mountains of Colorado, across Utah and into the searing Nevada desert.

In closing, I'll say that this is one of my favorite movies. It won't be understood by everyone, but those of us who fantasize about getting in a classic car and blasting down an open two-lane highway devoid of SUV's, sport sedans and minivans will likely get it.

Still Incredible!
I own over 1000 DVDs. Most I haven't gotten around to watch. In three days I've watched this one 3 times. Maybe this explains why when I was a kid I sat through this like a zillion times in the theater. A perfect film....

A 70's Drive In Cult Classic
Fast action, terrific photography, great period atmosphere, colorful characters and a first-rate rock soundtrack add up to a true drive-in classic that retains its "cult classic" reputation even after more than 30 years.

This DVD includes BOTH the 97-minute U.S. print typically seen on cable and video AND the 105-minute U.K. version which includes a couple of flashbacks featuring Charlotte Rampling that for some reason were completely excised for U.S. release. The excised scenes add just a tad more insight into Kowalski's character; while not essential to the whole plot (such as it is), these scenes ARE interesting and definitely will be appreciated by hardcore fans of the film. Kudos to 20th Century Fox for making available both versions. Being a real fan of the era that this movie was shot in, it's a kick to hear director Richard C. Sarafian's commentary track. Highly recommended! ... Read more

Reviews (349)

Fantastic!
Quentin Tarantino's debut film RESERVOIR DOGS broke new ground that many other directors and screen writers were afraid to tread upon. This amazingly well-written, directed, and acted film is about a jewel heist gone wrong and the consequences of each man's suspicions. Harvey Keitel is wonderful as tough but compassionate Mr. White(Each man is given an alias name, no one's real name is used), Michael Madsen is cool and psychotic as Mr. Blonde, Sean Penn delivers a strong performance as Nice-Guy Eddie, Lawrence Tierney is very intimidating as Joe, the crime boss, and Quentin Tarantino gives a great cameo performance as the short-lived Mr. Brown. The really great performances definitely go to Tim Roth and Steve Buscemi. For Roth(Mr. Orange), this was a breakthrough role in which he spends a good deal of the movie drenched in his own blood and in his screams of pain never once goes into an over-the-top performance. It's right on the money. Buscemi is dripping with attitude and gives one of his best performances until FARGO in RESERVOIR DOGS. From the moment he appears on screen, you know its gonna be a bumpy ride. A must-see for anyone who enjoys lotsa suspense, catchy dialogue and music, and some great action scenes.

Tarantino Makes His Mark
Quentin Tarantino's directorial debut, Reservoir Dogs is a brilliantly written, unique film that paved the way for Mr. Tarantino's breakthrough film, Pulp Fiction. The plot of Reservoir Dogs revolves around a diamond heist that goes afoul. A group of criminals who have never worked together are assembled and given names like Mr. White, Mr. Pink and Mr. Blonde. The film is intercut with flashbacks in which the characters played by Michael Madsen, Harvey Keitel and Tim Roth are explored in more detail. Mr. Madsen is incredible as the psychotic Mr. Blonde and his scene in which he brutalizes a cop in medieval fashion is alternately disturbingly brutal and humorous. Steve Buschemi is a scream as the jumpy Mr. Pink and Mr. Keitel provides the film with its backbone as Mr. White. Mr. Tarantino has keen eye for detail and the opening scene in a diner in which the crooks are discussing everything from what Madonna meant in her song "Like A Virgin" to 70's songs to tipping contains some of the sharpest dialogue in years. Mr. Tarantino also uses music to great effect and he overlays scenes with the voice of comedian Steven Wright as host of a radio show K Billy's Super Sounds of the 70's. Reservoir Dogs is a tremendous debut film and introduced Mr. Tarantino as a force.
The 10th Anniversary Edition is nice a step up in sound and quality from the first edition. The extras are good, but just the overall better sound and picture is worth purchasing this version if you already own the first.

Stylized, intelligent--but someone tell Quentin he can't act
To a degree amateurish, but to an equal degree compelling and original, Reservoir Dogs is a stylistic, gritty look at the gangsters of Quentin Tarantino's imagination. The story, such as it is, is the weak point of the film. The strange tale of an undercover cop who tries to bust up a family-sized gangster ring is just plain silly at times. The strong points, however, are many. Each character has a terrific, interesting voice; the dialogue is snappy and artistic; the music choices are inspired. And that infamous "ear" scene? Frankly, it's one of the few scenes that doesn't work. It just comes off as dumb.

Think of Reservior Dogs as the rough sketch for a movie yet to come: Pulp Fiction. Pulp Fiction is superior in every respect, but it's a treat to see its progenitor.

Bold enough to be a new genre
Quentin Tarantino has done an amazing job at taking a very low budget, and using a unique method of story telling and raw dialogue to turn it around. He was also lucky to get a great cast much like Pulp Fiction did. This film creates a new genre, because his un-chronological and very raw vision will be and is being copied all over the world. Many people criticize Tarantino for worshipping violence and profanity. However, when you examine the film's plot, it is really quite reasonable that characters swear as much as they do. And also, the violence in the movie only seems as bad as you make it in your mind, as the worst parts are only partially shown. This is another one of Tarantino's tricks. Some great performances are had too, for example Michael Madsen. His cold-blooded and partially psychotic character misleads us, up until a scene where he attempts to burn a kidnapped police officer, where our adoration of him turns to hate. However, Quentin quickly balances that out wonderfully. The ending may be a little "off" for some people, but all in all a great film.

Awesome movie. Awesome DVD. Definitely one of the Best!
First and foremost, this is indisputably Quentin Tarentino's best film ever. After having seen it some dozen-plus times, it still captivates and intrigues me with every watching. The way the plot works itself out is ingenius, the suspense is second-to-none. Steve Buscemi, as Mr. Pink, is a highlight of this movie: He plays his character ridiculously well.

The entire two hours of this film are violent, disturbing, riveting, captivating, and raw: All said, this film is like a cinematic car accident - you rubberneck, you gasp, you feed this primordial urge to see violence and power. The story of five men - Mr. Blue, Mr. Pink, Mr. White, Mr. Brown, Mr. Blonde - converge when they are called into do a jewelry store heist. However, theyf ind out that one of their fellow gangsters has set them up: That the heist failed because someone among them had ratted them out.
The entire movie unfolds as, really, a two hour dialogue between Mr. Blonde, Mr. Pink, and Mr. White - as well as with the subsequent intruders into the wharehouse. The entire film, essentially, takes place in a wharehouse with sporadic flashbacks and cuts to other instances which lead up to the final scene.

This DVD is an awesome buy. It comes with a fullscreen and widescreen edition, as well as lots of special editions: trailors, posters, picture galleries, etc. Definitely, this movie is an excellent addition to anyone's DVD collection. One of the best values I have in my collection! ... Read more

Description

The swashbuckling classic comes to rip-roaring life in this lavishproduction, filled with breathless romance and derring-do! In the eyes of high society, SirPercy Blakeney (Brideshead Revisited's Anthony Andrews) is a typical fop, surroundedby adoring ladies and clueless gentry. However, he is also a master of disguise and bearsan infamous secret identity: the Scarlet Pimpernel, dashing and fearless rescuer of victimsof the French Revolution! Sir Percy also falls head over heels for the beautiful Marguerite(Somewhere in Time's Jane Seymour), who is also wooed by the villainous PaulChauvelin (The Lord of the Rings' Sir Ian McKellan), Robespierre's Chief Agent for theCommittee of National Security. Suave, stylish, and utterly irresistible, this dazzlingadventure is sure to capture your heart! ... Read more

Reviews (161)

Better Each Time
It's the type of movie that I always expect to be entertaining, but not really 'great.' And every time I see it I find myself wrong. This is THE BEST adaptation of the Pimpernel. Other films have gotten some elements right but not others; this one bags them all (except that I still prefer the most recent version's interpretation of Robespierre, he's priceless). Anthony Andrews is the definitive Sir Percy: hilarious at parties, charismatic in battle, irresistable in love, and unrecognizable in every disguise. Jane Seymour is perfectly lovestruck and intense, and Ian McKellan as Chauvelin shows a man being eaten alive by jealousy. All the portrayals are larger-than-life, but suitably so, for the film has no place for realism. Scenes swing from very funny to almost painfully tense to heart-stoppingly romantic. This production hits every note right (although I wish someone would assasinate that hateful blond child). Not to be missed, definately. So why can't I buy it, I've been trying for a year now? Let's hurry up the DVD.

Sink me! But it's demmed brilliant!
Hopefully "The Scarlet Pimpernel" will someday make its way back to the big screen, but in the meantime this television version holds the place as probably the best one to date. First and foremost, the script never has a dull moment, as it's jam-packed full of romance, intrigue, suspense, and adventure. The action continuously bounces back and forth between England and revolutionary France, where the mysterious Scarlet Pimpernel is saving innocent lives from the cruel blade of Madame Guillotine. Anthony Andrews, as foppish Sir Percy Blakeney, an English aristocrat with a big secret, never fails to deliver. His droll, dry delivery of Percy's lines contrasts brilliantly with his dashing Pimpernel persona. Jane Seymour is a perfectly lovely Marguerite, entirely believeable as a spirited French actress caught between her loyalties. And Sir Ian McKellen is delightfully menacing as Citizen Paul Chauvelin, an agent of the French Republic and Marguerite's spurned lover. The plot is fast-paced, and every scene is as well done as the one before. It is truly a classic to be treasured. Unfortunately, the DVD is only a basic transfer and has no bonus material, but at least it's finally getting its due!

Great Movie, Horrible DVD
When the first second of the first scene shows you little cubes instead of people's heads, the walls, and the torches, you might think the DVD transfer has some problems. When not even the letters in the credits stay stable, you begin to wonder whether you wouldn't be better off buying an old VHS copy and turning it into a tiny-sized Divx file. ARRRRGH!

Which breaks my heart, because this version of The Scarlet Pimpernel is one of my all-time top ten movies. I'd be rating this with one star if the movie wasn't five-star. Too bad I can't actually see it!

Sink me! I'm renting it, and now I've ordered my own copy!
I've watched this movie five times in one weekend, and yet I still want to see it again. The copy currently in my DVD player is one that I'm renting. But I love this movie so much that I've ordered my own copy to add to our home library. Anthony Andrews is the best Sir Percy Blakeney/Scarlet Pimpernel that I've ever seen. I wish there was some way they could make sequels with the same cast members all looking as they did when this 1982 movie was released.

Sink me! Indeed
I took a chance and purchased this dvd purely based on your reviews. I must say that I am simply enamored by this movie. Yes, it differs to the book but it is certainly forgivable. One simply has to understand that it is based on two of Baroness Orczy books and then it all falls into place.

Now, for the movie. Anthony Andrews as the foppish/valiant Sir Percy was excellent. I thought he delivered an exceptional performance. I could not find any fault in his performance especially since the book Percy is so inane and a complete idiot...well, at least, his alter ego in any case. At times, it is so amusing to watch him, especially when he tries to undo Chauvelin. **smiles** I cannot say enough about his performance. When he is also conflicted by his love for Maguerite and his cold treatment of her, it is also beautifully done. His expressions are so real. His concern for the families of the aristos adds such a beautiful side to his character as well. You can actually see that he cares.

Jane Seymour as Maguerite was wonderful as well. The chemistry between her and Anthony Andrews was superb. They conveyed so much fire simply by a glance.

Ian Mckellan was also good. I must admit that when I realized he would play the villian that did not sit well with me (I love him as Gandalf but he really looks different out of the wizard's costume), however, it worked out well.

In conclusion, I thought this was a splendid movie. The sets, the music, the dances, etc were all engaging. There was never a dull moment. I actually ordered the film for my mum since I figure she would love it as well. Though I have never seen any of the other versions, I cannot imagine another one uprooting the love I feel for this one. It would be demmed near impossible. ... Read more

Reviews (1388)

Quentin Tarantino's Tribute &...
The guy is very creative in displaying a story in a very original structure and media. Kill Bill is a cult movie fan's greatest dream come true. Everything is in there from good old Western Coybow movies to the cinema of the east slapped together. For the sterotypical "white" person who only consumes the blockbuster hits of what ever popoular trend is out, this movie may appear silly or confusing to a degree of laughter. Thats the beauty of this movie, it shows us which movie watchers are out there. In the theaters I caught a lot of white people laughing at the asian sequences of the film and they were also dumbfounded by the special appearances of the actors from Wild Zero, Ichi the Killer, Battle Royale, and Suicide Circle to name a few. (i was hoping to see Tekashi Kitano) The only special appearnce of a star they would know is "David carra..whats his name...? the guys from that Kung-Fu show...yeah." A lot of people failed to see the element of honor that was displayed in both films between characters which was a very beautiful element. The action sequences were directed very well so that it made up for a lot of the actor martial arts flaws such as akward positions and hyper extended punches, so there are little moments killed.

One sad thing though is that Kill Bill Vol.2 had a trailer for the 2002 film HERO, which is now going to hit theaters here that did it injustes. They stated that the movie was presented by Quentin Tarantino, but I've overheard many reactions of people thinking that it is directed by Quentin Tarantino rather than the truth (Zhang Yimou). Plus the trailer gave the art film a false representation of an epic war film, many may be disapointed. So are movies like Kill Bill building bridges with Hollywood and Asia or are they just going to jokingly stereotype Asian films and cuture in an unfair way? Fans and crowds shall tell in time.

Oh and by the way, I don't want to sound like "white" people are not cool, I use the term "white" for the typical stereotyping day by day american. As far as stereotypes go, sometimes people enjoy becoming part of it and making it obviously true. I look forward to one day the stereotypes are non existant and everyhting in around our lives is understood for what it is and not what it looks like on the surface.

Maiming and decapitation are never fun. Until now...
Oh, the joy of being a movie geek. This year has been a tremendous blessing for all of the human race, or just us film fanatics, as the movie gods have listened to all our prayers to deliver cinematic goodness. One of these that came as a major grace is called "Kill Bill: Volume One", the latest offering from the dark, perverted but brilliant mind of Quentin Tarantino. Last seen under the spotlight in 1997 with "Jackie Brown", we have been painfully awaiting his next move throughout a six-year-span. Well, time finally came upon us and the wait is definitely worth it.

Appropriately entitled "Kill Bill", Tarantino tells a simple revenge story, albeit through his usual non-linear storytelling structure, about a lanky blonde woman (played by the invigorating Uma Thurman) only known as "The Bride" a.k.a. "Black Mamba" who wakes up from a coma to exact revenge on her former assassin group called "The Deadly Viper Assassination Squad" lead by Bill (David Carradine), who aren't really happy of her decision to quit and marry someone in El Paso, Texas. Hence, bloody carnage ensues as Bill and the gang made of eclectic members-Budd, Vernita Green, Elle Driver and Oren-Ishii-massacres The Bride's family and guests on her wedding day, including her unborn baby. Bill saves her for last and shoots her head (on what could be one of the most startling introductions in a movie). Thinking that she's dead, they leave her cold in her blood-splattered wedding dress, which is a terrible mistake on their part, as The Bride gets up from her hospital bed after four years with furious determination and will to destroy every single one of the perpetrators, saving the best for last, which is, of course, Bill, proving that as far as justice goes, it can easily get very poetic.

However, this is only half of the story, as Miramix, the film distributor, and Tarantino himself decided to cut the three-hour long movie in half and released them four months apart. That being said, I am very sure that Volume Two will be as equally brutal and vigorously entertaining to what I've seen four times in the theaters (Yes, four times! It's that good!)

"Kill Bill: Volume One" is perhaps the most violent American movie ever (and I've seen a lot of movies). It can be easily be used as an example of how the morals of the Western world have dramatically fallen in the 21st century. But it's most important to know that this movie was made as an ode to those rare, odd, cheesy and absurd kung-fu, Western, exploitation, slasher and grindhouse movies we usually see gathering dust in the cult section of a video store or occasionally seen playing on television at 3 in the morning. Kill Bill: Volume One on the surface looks like a very empty fluff made to only shock the already seemingly desensitized viewers, but underneath, it is really a very intelligent piece of art. Intelligent in a sense that it knows the rules of the cinema: it knows it audiences are and doesn't give a damn thing or two to those who don't want to get involved. For instance, The Bride wears a yellow jumpsuit during the last hour of the movie. To the uninitiated, it's just a striking sexy vintage number. To those in the know, it's a replica of Bruce Lee's tracking jumpsuit from his 1979 movie Game of Death. And this is just only a fraction of Tarantino's endless references, in-jokes and homages to old and obscure cinema. From Brian DePalma to Godzilla, from giallo films to Japanese animations, God knows what else are there he injected. I say this movie is an entire pop culture of pop culture.

Even without this quality, it's still deliciously entertaining, boldly creative and visually arresting, it's safe to say that this is an instant classic. No, this is not an Oscar-winning movie, let alone be nominated. But not everything has to have a deep storyline with complex characters to be a great film. This movie has no substance and as empty as a dead shell. But it's an amazingly great film, nonetheless. The fact of the matter is that Tarantino made this with great respect, love and passion of the medium, that he practically utilizes everything to its full advantage from complicated camera shots (the long tracking shot of The Bride going to the washroom is incredible), beautiful cinematography (the claustrophobic and filthy Hospital environment, the beautifully exotic and bright Japanese backdrop), the amazing eclectic selections of music (from Nancy Sinatra's "Bang, Bang" to "The Green Hornet" theme song) and the excellently choreographed fight scenes as if we're watching an amazing, exhausting ballet dance with swords. Oh yeah, and the beautiful gushing of the blood and gore like water coming down from Niagara Falls.

"Kill Bill: Volume One" is an extravagant, highly-stylized, ultra-energized, uber-violent piece of celluloid. It's made up of a world were grativity is without law, violence is sheer poetry, pissed-off Caucasian women likes to play with samura swords, and even assassins have feelings. It's a world where obscure 1970's disco music goes perfectly seamless along with the motion of decapitation and maiming.

Oh what fun!

Aside from that movie that left me with tears featuring hobbits and wizards and that fetus-looking boy-fish who seems to say the word "Precciooooooussssss...." a lot, this year belongs to Kill Bill: Volume One (and I cannot wait for Volume 2!)

Thank you, Tarantino for your sick and twisted mind.

great movie
i loved this film! great STYLE, great action, great story. and very funny. i loved the use of zamfir's famous tune for the samurai scene! it's a delicious homage (or parody?!) of various genres - japanese samurai (esp kurosawa), chinese kung fu, american spaghetti westerns. wonderful.

HOLLYWOOD Tarantino??
Great movie I have to say, paying respect to crazy asian cinema. My only gripe is Uma Therman being in the movie. I would have like to see Quinten dig up and unknown actor or maybe some B movie or expoitation actress. And although I like Lucy Lu I can think of a hundred different asian actresses that would have fit the role better. ANyway, great movie! If you like this movie check out any movie by Takashi Miike like: Iche the Killer, Dead or Alive, Dead or Alive 2, Dead or Alive Final, Audition, Shark Skin Man and Peach Hip Girl.... any one of these movies makes KILL BILL look like a Walt Disney film!!

5 stars for SONNY CHIBA and GORDAN LEU!!!!!
I just saw this movie on DVD after not getting a chance to see this in the theaters. 5 stars for Gordan Leu and Sonny Chiba!! Awsome to see these 2 great legends of asian cinema! I remember seeing Gorden Leu as a kid from just about EVERY great Shaw Bros. kung fu flick! And Sonny Chiba? ..... Cmon! The Japanese James Bond!? Excellent casting. Great flick!! ... Read more

Description

He said he'd be back.This time experience T2 like never before!Go EXTREME with the best picture and sound ever!ARNOLD SCHWARZENEGGER returns as the Terminator in this explosive action-adventure spectacle.Now he's one of the good guys, sent back in time to protect John Connor, the boy destined to lead the freedom fighters of the future.LINDA HAMILTON reprises her role as Sarah Connor, John's mother, a quintessential survivor who has been institutionalized for her warning of the nuclear holocaust she knows is inevitable.Together, the threesome must find a way to stop the ultimate enemy - the T-1000, the most lethal Terminator ever created.Co-written, produced and directed by James Cameron ("The Terminator," "Aliens," "Titanic), this visual tour de force is also a touching story of survival. ... Read more

Reviews (595)

T2 eXtreme:Nice case,nice extras,AMAZING image/sound quality
This is a truly wonderful dvd. If you own a home theatre system or seek the highest quality in dvd image and sound, this is the dvd for you. The high defenition version of the film is only playable with a high-end PC, but the special edition and theatrical versions on the tv are a big improvement on the 'ultimate edition dvd'. This is due to the brand new high quality transfer. The extras aren't amazing, but their pretty good. There is a documentary on T2's effect on the film industry and an 8 minute featurette on 'Life on the Set'. There is some great new DVD-ROM content though. There's a great little morphing program which takes a while to master seeing as there are few instructions. There is also a fun T-800 'FX Studio' in which you shoot at your imported digital photos to reveal your friend's or granny's endoskull. There is also a 'Skynet Combat Chassis Designer'. I haven't a clue what this is as I haven't used it yet, but I think it's some kind of online game. I have read several reviews with complaints about the metal outer case, but I had no problem whatsoever. The only advise I can give is to push in the front and back of the sleeve when taking the inner case out. It comes out no-problemo. If I had to choose betweem the 'Ultimate Edition' and the 'Extreme edition', I'd stick with Extreme. If however, I didn't have a dolby sound system and/or a widescreen tv, I'd take the 'Ultimate' (Way more Extras) - Oh, and by the way, the movie itself is probably one of the best films ever made.

The Ultimate And The Extreme
I was upset when Artisan announced yet another version of T2 (I think this makes 3 reissues but I lost count). Why? For those of us out there, who consider ourselves DVD-Philles, most of us already own the "Ultimate Edition"of T2, which is pretty dang cool in its right. I made up my mind. I wasn't going to fall into that trap. I was burned by The Mummy and American Pie and learned the hard way-not again

Having said that...Once I heard that writer/director James Cameron and co writer William Wisher had recorded a new audio commentary for the film. I have to hand it to Artisan..this was a shrewd move. One of the minor quibbles I had with the previous release of T2, was its audio commentary. As good as it was to have a lot of contributors, the last time out, I could tell that the track was just "pieced together" from different parts of the disc. Most of the info on the track was just "lifted" This was the only downer on the "ultimate edition" The "new" is very good and worth a listen. As for the film, the 2 disc "extreme edition", has both the special extended cut, and as an "Easter Egg", the theatrical cut as well. I have to admit, the look of the T-1000 (Robert Patrick) and his morphing looks pristine, as does the original Terminator (Arnold Schwarzenegger). But I would also caution that the High Definition Digital transfer will only look like a real improvment if you have the equipment to handle the technology. Luckily, for me, I have a friend with an updated system, but it's still not the top of the line

As for the other extras in the set, they are just ok. There are 2 new retrospective documentaries. One one the film's ground breaking effects; The other, is a "life on the set" montage, while the film was still in production. You can also build your own Terminator and track its progress online, and rounding out the set's extras is a graphic fact track about all things Terminator.

With this edition, be warned, you lose many of the extras found on the previous edition. But the Cameron/Wisher audio commentary is still quite a draw. Mega fans of T2 should have both, while others should think carefully, Ultimate wins for its extra content, while Extreme gets points for a great commentary--I have both for now...I still don't like multple special edition DVD's of the same film

one of the if not the best sequel ever!
in this sequel to the awesome original,arnold is a good guy sent back to protect john conner.another newer model of terminater comes after them.this t-1000 is made from quasi-liquid metal.it can be solid or liquid as needed.johns mom sarah decides to go and waste the dude who found the original terminaters hand and was largely responsible for the eventual takeover by the machines.this is a bit much for smaller kids.the action is incredible in this one.the first part was a indt film.this one cost 80 million dollars and made 78 million in its first weekend.it is the best of the 3 id say.if you are squeamish,you might want to go see bambi instead.belive it or not,its even emotional in a spot or 2.sara isnt a tenny bopper in this one but a dykey rambo bitch.her shrink isnt around long,but while he is,he is very obnoxious.of course he lived.it seems the guy in any movie who really needs killed,never gets it.sara deserved an award for this one.she did an awesome job playing a psycho with a lot on her mind.the message is no fate but what we make.in part 3 youll see that just isnt true,but i alredy knew that.intensity galore!sara plays a very intense character.all the action,the nukes,it freakin rocks!this is arnolds best!the special effects kick ass too.they made a 3rd.im hoping for a 4th also.but since it takes 10 years for another sequel,id better not hold my breath.and,by the way,who cares if arnolds to old.cant they find another musclehead to play some sort of new terminater?its do-able.we know it.hollywood knows it.so get off your lazy asses and make it already.i belive its about time for the big showdown between machine and man.

The Epitome of Action Films
We are all too familiar with the story of this movie, so I will spare you the details. "The Terminator" was a sleeper sci-fi hit that was a rarity in its genre. Movie-goers were beginning to see sci-fi films that rose above others in the genre and even other genres. "Alien", "Blade Runner", "Star Wars", and, the film that started the revolution, "2001: A Space Odyessy". What made "Terminator" so different was not just another bleak view of the future, but a tense, edgy thriller with some damn fine writing. But while it took an effort to make films like those, it took a greater one to make a sequel. "Aliens", "The Empire Strikes Back", and very few others accomplished this task successfully. As for "T2", unless you've been living under a rock, we all know how well it did. This is definitely the best of the series (in my opinion at least) and definitely one of the best action movies to grace the face of our planet. This is the movie that also started the trend of making action movies with ridiculously huge budgets and paying action stars ridiculously huge salaries. But T2 delivers, with a great story, stunning visuals, and Schwarzenegger in his prime. Plus who can forget Brad Fiedel's synthetic score which has been parodied numerous times?
Why another DVD though? This film has been put on DVD almost as many times as "Independence Day". Special features are somewhat reserved here, so what justifies another release? DVD producer Van Ling answers the question in a quaint little insert about how new technology has developed since the last T2 transfer. They can now present T2 the way it should be, digitally mastered from a 1080p, 24sf digital telecline transfer for "superior video and audio quality". This release of T2 is aimed toward the home theater crowd. All that confusing talk means that the picture is presented with more clarity.
And the sound is just awesome. The DTS track has been dropped from the "Ultimate Edition" in exchange for a Dolby Digital 5.1 Surround EX track and a Dolby headphone track. If you have the technology, try to watch a DVD with a DTS track whenever possible. In the case of this DVD, there's only the Dolby 5.1 EX track. But the track on this "Extreme DVD" defies both the Dolby and DTS tracks from the "Ultimate Edition". It takes full advantage of a dimensional sound field.
The goodies here are minimal; a SFX documentary, a behind the scenes montage, and a few DVD-ROM goodies that I didn't bother to try. But there is the original version of the film available to Windows Media Player 9 users on the second disc. You can watch it on the first disc as well, it's disguised as an easter egg. On the main menu of Disc 1, hit the right button five times while highlighting "Play Extended Version". There's also an enhanced mode with behind the scnes and there's a spankin new commentary by James Cameron himself.
But the question remains; is this DVD worth buying? It really boils down to what your reasons are for buying this new DVD. If you don't own the film, yes. If you're troubled by the mediocre video quality of either of the first two releases, then yes. If you want Cameron's commentary and other new supplements, yes. And if you want to playback T2 in HD on your PC (and even if you find that your computer equipment is currently insufficient for HD playback), yes. But if you want extensive behind the scenes, you might want to stick with your "Ultimate Edition". This "Extreme Edition" delivers though, despite falling short in the behind the scenes section.

awesome
okay. I just saw this movie and its the best movie ever made and james cameron is the best director ever.Now lately I keep reading all this comotion between the extreme version and the ultimate version. Well i'd pick the extreme. The reason I didnt pick the ultimate is because even though it has great quality its probley nothing close to the picture and sound on the extreme version. I also didnt pick it because its to hard to find. I picked extreme for many reasons. Lets start with the picture and sound its awesome nothing else to say. It also has an also metal case that I heard ruins the dvd inside it but still its awesome. Now as a previous reviewer said extreme dosent have the special extended edition well I dont really care {no offence to the previous reviewer who wrote that} because it only has 2 minutes of more footage {litterly} I think the scene of the t-1000 searching johns room is cool and I wouldent mind that in the movie but the special extended edition ruins the ending with a new "happy ending". Be warned its ruins the ending to the best movie ever. Even though the origian ending on the special edition is good enough. People say that the new happy ending stops a sequel. But see I dont really want to see t3 because it should have ended with t2. and finally yes i'll admit ultimate has more bonus footage extreme has a very godd amount of features as well and extreme is for the great price (...). I have nothing else to say. ... Read more

Reviews (335)

Be Wary Of The Dark Lord
The long awaited DVD release of Director Ridley Scott's infamous fantasy-adventure, LEGEND, is worth it. Tom Cruise is a forrest dweller, chosen to undertake a mythical quest, to save a beautiful Princess (Mia Sara). She is being held captive by the demon-like Lord Of Darkness, (Tim Curry), who with his great powers, wants to plunge the world into an eternal ice age. When first released in 1986, the director made some drastic cuts to the movie, after a poor test screening. The end result was a 90 minute film that felt rushed and incomplete. When it came time to release LEGEND overseas, Scott reinserted some 24 minutes back into the movie. Now, fully restored, both fans and non-fans can finally see the film, the way the director intended. The story is a bit darker than most fairy tales and that is to the film's advantage. Curry is just great as the antogonist. The make-up and creature effects from Rob Bottin rival anything I have seen lately, using CGI.

Here is how the 2 disc "Ultimate Edition" DVD breaks down:

Disc One-contains the 114 minute cut of the film; along with Composer Jerry Goldsmith's original score for the film. The Goldsmith score was replaced in an attempt to broaden the film's appeal. It is great to finally be able to hear in the film. There is also an ejoyable and informative commentary from Scott that is well done.

Disc 2-contains the 90 minute U.S. theatrical cut of the movie with the Tangerine Dream music. The rest of the special features are on the 2nd disc as well. Among the notable bonus material-a making of documentary, "lost scenes", storyboards, a music video, and photo gallery/publicity. There is also script to scene comparison in the form of DVD-ROM.

I have always been a fan of this film and to finally have both versions in one place is cool. I must say that this film has its detractors but I think that is in large part due to the initial edit. Fans should like the release. If you like the work of Ridley Scott, give this one a look, you will enjoy it. I recommend this DVD as rental. first, for those who have never seen LEGEND. For all others, I Highly Recommend this DVD

Two Movies for the Price of One! Darkness and Light!
LEGEND never really found an audience in theatres despite Ridley Scott and Universal's constant tinkering with the final cut. Seems many movies of this era were victims of audience test screenings, and the desire to give people a commercial product that went down easy -- see BRAZIL for a prime example of how studios think (the "love conquers all" version). So LEGEND was severely edited and rescored with a hasty (but often effective score by TANGERINE DREAM). It was short on plot and long on art direction, but sumptuous visuals and an all-out acting job by Tim Curry and make-up artist Rick Bottin made the movie an easy favorite of many fantasy fans. The movie looks stunning, and the story is a universal plunge into archetypes. Nothing wrong with that, it certainly worked for STAR WARS!

This DVD collection gives you two versions of LEGEND -- the original director's cut with over twenty minutes of added footage and the original Goldsmith score; and in addition, you get the original US release. In essence you get two different movies! The moods vary, the characters seem a little different, with whole new speeches and images to enjoy. If you are a fan of the movie or Ridley Scott it's a MUST-HAVE! This is what DVD dreams are made of. While many bemoan the fact BLADE RUNNER does not come with its 2 versions -- the fact is other than the narration and the happy ending, there is not MUCH different. But here we have a case where you can see what happens to a movie as it goes through development HELL. Fascinating stuff, and it comes LOADED with extras.

The only downside is the director's cut gets the royal treatment of a 5.1 sound mix while the other version gets a 2 channel Dolby mix, and even the video quality seems different with again the director's cut looking better than the theatrical release. But at last we can see a widescreen version of either cut, and we get a lot of extras that explain some of why the movie is the way it ended up. Beautiful images, two good soundtracks (I like both though the mood changes), and basically strong performances. LEGEND is a waking dream!

Great 80's movie.
The villains in this movie are what steal the show. From the goblin, to the orc, to the swamp troll, and to the unforgettable devil they are what make this movie what it is.

Just seeing Tim Curry in that oh so cool satan get up is worth the price of admission for this dvd.

Legend; Ultimate Edition
(Please note that my review mentions a few scenes and plot elements which you may not wish to know beforehand if you have never seen the movie; however, I would definitely not consider them spoilers.)

Legend is one of "those" movies for me. Like many of the movies I saw when I was young, it helped define my childhood. I first saw Legend during its first televised airing in Canada at about the age of 8. My mother taped it off of television for me, and over my unicorn obsessed childhood it became etched into my memory. Strangely, the version I saw then I have never been able to find in stores.

When the taped-from-tv version finally gave out on me, my mother bought for me an official Legend release for Christmas. I watched the movie with a sense of horror as I found that scenes that I felt were pivotal or pleasureably memorable to the movie were not present. The two notable scenes missing were the scene in which Gump riddles Jack about moonbells, and the one in which Jack faces the witch on his way to Darkness. The lack of these scenes brought the movie's greatness down a few notches for me. Perhaps if I'd never seen it with those scenes I wouldn't have noticed, but knowing just what was missing, and what the movie was without them, ruined something for me. So, when I found Legend: Ultimate Edition, I decided to buy it to see if the Director's Cut was the better version. However, I was aware when I bought it that my childhood version of Legend featured the Tangerine Dream score, and not the original. So I wasn't really sure what I was getting.

Imagine my annoyance to find that the Director's Cut is no better. In fact, I think it's worse. I will pick out three specifics that bother me:

Lily: In the U.S. Theatrical release, I like Lily. She is sweet, and innocent, and a little foolish, but endearingly so. In the Director's Cut, Lily's dialogue makes her out to be much less likeable - she seems immature and spoiled, a brat. There were points where I wanted to slap her for being so irritating.

The Score: The Tangerine Dream score has an atmospheric and often shadowy feel to it; the original score is much too over-the-top and takes away from the atmosphere of the film. Really, it does not feel much as though Jerry Goldsmith was watching the same movie everyone else was. Legend's dreamlike fantasy world grows into a dark nightmare, and this is served quite well by Tangerine Dream's interpretation; the original score is comical and clumsy in comparison.

Added Scenes: The scenes left in the Director's Cut were cut from the U.S. Theatrical release, with the exception of the scenes I mentioned previously, for a good reason; in addition to Lily becoming an irritating brat, most of the uncut scenes serve only to make parts of the film drag, or disturb the sense of flow. Some of them seem pointless or silly, as when Jack does a sudden flip in the air for no apparent reason. Perhaps if the score was more suited to the movie, certain scenes (such as the flip) wouldn't seem so comical or out of place, but when his flip is accompanied by a wild clashing of instruments, one has the urge to laugh at the clumsiness of the scene.

Now, back to those two scenes missing from the U.S. release. Why am I griping about two little scenes? Without the riddle scene, there seems a rather uncomfortable transition between Gump's rage at Jack for taking Lily to see and touch the unicorns. Not to mention it's a great scene! Also, Gump's riddling Jack is important to the story - Jack can't simply claim that love is the reason he did something stupid and then not have to answer for it. The riddle is a moment in which Jack can prove himself worthy, worthy of Gump & company's assistance in righting his wrongs, and worthy of the quest itself.

The scene with the witch is just cool. And, yes, Jack again proves himself. Jack's youthful inexperience needs to be tested a few times before he reaches Darkness. The U.S. Theatrical release leaves these out and Jack reaches Darkness untried. It goes against the whole idea of the quest. Silliness.

To be perfectly honest, I would not buy Legend: Ultimate Edition again if I had known the Director's Cut would annoy me so much. I would dearly love to find out why and how I saw a version that came somewhere in between the U.S. Theatrical release and the Director's Cut, and even get my hands on an official copy, but that will likely never be. Needless to say, Legend *is* a beautiful movie, and if you must have it, stick with the U.S. Theatrical release, cut scenes not-withstanding. I think my viewing of it is simply sullied by my memory and from knowing that my first viewings were of a superior version to the ones actually available.

Tiny Tom and The Unicorns
I am adding this version to my Wish List today while I contemplate whether I want to pay 17 buck to see Tom Cruise in tights. I watched this movie (US version) over & over in high school & just loved it (except the cheesey soundtrack, which is not as bad as the one for "Ladyhawke"). I also viewed the UK version when it came out on laserdisc & it is over the top! If only Ridley Scott could issue the drugs he was on when he made this bad boy, we could all know where he was coming from. It is very freaky & vastly enjoyable. I have told so many people about this movie, because whenever Tom Cruise's acting history comes up, this never gets mentioned! Why not?! He's playing some sort of woodland boy-nymph & skipping around with unicorns, fer chrissakes! Plus, Billy Barty is in it, Tim Curry is the personification of evil (his prosthetic chin is bigger than Bruce Campbell's real one), and Mia Sara (aka Sloane from "Ferris Bueller" & Jean-Claude Van Damme's wife from "Time Cop") is a flighty princess who has a serious come-to-Jesus meeting with Darkness. I have suspected for years that this is the movie that paid for Tom's new teeth, because they are quite snaggly here & it is not makeup.Too bad it didn't make him any taller. Anyway, I do recommend this movie highly, but as camp fun. If you have to roll a 20 sided dice to decide whether to buy it or not, just go ahead. You'll love it. ... Read more

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The Dirty Harry giftset includes all 5 hit titles of one of the most famous cops ever to hit the big screen. They include: Dirty Harry, Dead Pool, The Enforcer, Magnum Force, and Sudden Impact. ... Read more

Reviews (25)

Clint Has Yet Another One Liner. This Time In A Documentary.
"Sometimes It's Best To Leave A Good Thing Alone" says Eastwood, one of the most popular actors to walk the Earth, When asked if another sequel should be made to this series. He's as wise as he is gifted. Everyone is dying for another Dirty Harry but I've seen so many poor sequels in my life. Yes, They could probably make a good one, But Eastwood has a point. He is Dirty Harry and knows that character better than anyone (Excluding whoever invented the most popular film detective). He's lived a long life and has all those experiences to reflect upon. In other words, He's Smart. That documentary is found right here on this DVD set. There are a moderate amount of bonus features which make this worth buying as well as the five movies. If you are reading this you probably know how good the movies found here are, All worthwhile, But some are better than others. You be the judge on that. Cheers.

Great Film Series! Poor DVD Extra Features.
Dirty Harry is without a doubt one the most famous characters ever to be portrayed by Clint Eastwood. It was almost like seeing the man with no name being given a badge in modern times. The first film is arguably the best, for a great deal of reasons. First you have a great villain: Scorpio..completely off his rocker, who's vile and deadly..somebody you want Harry to show no mercy to. Plus this is the only film that ever gives any real insight to who Harry is and why he's become this sort of rogue cop with a vengeance. One of my favorite scenes is when he's talking to his dead partner's wife as he reveals a bit of himself to her. It's a poignant moment we never really ever see again in the Harry character. But the movie succeeds in keeping our eyes glued to the picture because we want Harry to track down Scorpio and save the girl he's kidnapped just as much as Harry does! The final scenerio on a bus is very good. A modern day classic at its best!

The other Dirty Harry movies are not as clever as the first film, and by saying that I mean that they're still good movies, but the 1st film is more superior. "Magnum Force" deals with the story of cops who take the law into their own hands (including a you