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| 41. The Queens of Comedy | |
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Description Reviews (42)
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| 42. Baby Boy Director: John Singleton | |
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Reviews (80)
"Baby Boy" tells the story of Jody,played by model/singer Tyrese STEROTYPICAL is a term I hear a lot when people bring up "Baby Yet while I can see where the nay-sayers are coming from in a way I also don't feel offended by "Baby Boy".To Singleton's credit,the characters are never turned into carictures. All in all,I feel that "Baby Boy" is showing a diversity in black images.Yes,I love films like "Best Man" and "love jones"
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| 43. Muhammad Ali - The Whole Story Director: Sandra Consentino, Joseph Consentino | |
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Reviews (17)
Some of the rarest and greatest footage I've ever seen! It felt like a treat to watch the fights I've only read about - I watched both Liston fights! - how many people can say that? As the fights are concerned - you get to see them! - you get to watch Ali dance and dance - you get to watch him float like a butterfly and sting like a bee - you get to watch him apply his craft - I've never seen the amount of Ali fights as I did on the day I watched these videos. To be fair - some of the fights you only get a couple of important rounds - but as a whole this is the greatest of any Ali VHS/DVD I've ever seen. You get to see some others interviewed about Muhammad Ali - from his brother - To Angelo Dundee - to Malcolm X - it' just incredable the amount of footage that this makes available to you. I know it's said a lot, but if you're an Ali fan you HAVE to own this...you have to!
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| 44. Mo' Better Blues Director: Spike Lee | |
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Description Reviews (26)
This is a visually stimulating film. Spike Lee's uses of colors and lighting creates a mood that is essentially Jazz. The ambiente atmosphere of the film is highlighted by outstanding music composed by Branford Marsalis. Mo-Better blues is an urban tale that will strike at the heart of all. Those who are new to Spike Lee's brand of photography are in for a treat. Also be sure to check out other Lee classics Do the Right Thing, Jungle Fever, Crooklyn, and He Got Game.
I really enjoyed this film. Everyone has (or has had) a Bleek in his life: someone who is so self-centered on his/her desires that he/she doesn't show respect or regard for anything else. However, we always lose the love of our life for various reasons. Then, what do you do when the love of your life is suddenly taken from you? That is this film's theme. Bleek's true love was music - jazz music. Bleek's love of music was the most important thing to him. Music overrode everything: an incompetent manager (who just happened to be his best friend), his lovers, and the contentment of his bandmates (the money issue which is related to having an incompetent manager). I enjoyed the score and the jazz pieces included in this film (after all, Bleek played the trumpet). I really liked the cinematography in this film because the film showed the beauty of New York City - the brownstones, the Manhattan skyline (a brief glimpse), the Brooklyn Bridge, etc. All in all, a good film. Rated 4 stars (not 5 stars because I thought the ending of the film was too rushed).
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| 45. Pootie Tang Director: Louis C.K. | |
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Reviews (85)
The plot isn't complex, Pootie fights bad guys (like drug dealers) with his magic belt, sings songs that somehow people can understand, and the ladies love him. Chris Rock plays his father, one of his friends, a DJ, and probably some other character I'm forgetting. Meanwhile The Man wants to brainwash Pootie into endorsing their horrible product, and (surprise surprise) he loses his magic belt, and goes on a mission to get it back. Wanda Sykes is great as...uh...I forget her name, but she narrates the story and helps Pootie, plus she wears a different cool-... wig in every scene. I wasn't rolling on the floor laughing, but the movie was funny and entertaining It starts out with Bob Costas interviewing him and saying he's gonna show a clip from his movie, 80 minutes go by, maybe even less (the end credits seemed to go on for 10 minutes) . The opening, with him fighting Dolemite-type bad guys, is hilarious. I also was impressed that the movie didn't rely on gross-out humor and wasn't violent-I don't think anyone got killed- and has a positive message that makes it a good family movie. I think it was "Do right, fight what's wrong, but the important thing is to love the world while you're doing it ." And what's wrong with that?
Based on the character on HBO's Chris Rock Show. The story is: The film also has tons of other stars like: comic Chris Rock (as Pootie's friend, his father, and a radio DJ), comic Wanda Sykes (as Biggie Shorty), comic Dave Attell (as Frank), J.B. Smoove (as the annoying Trucky), Laura Kightlinger, J.D. Williams (as Froggie), and Bob Costas (as himself). This is movie is great but you have to give it a chance and realize that it is purposely ridiculous.
Other than that...just a dumb comedy.
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| 46. Malcolm X Director: Spike Lee | |
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Reviews (72)
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| 47. House Party Director: Reginald Hudlin | |
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Description Reviews (24)
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| 48. Eve's Bayou Director: Kasi Lemmons | |
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Amazon.com Reviews (34)
With a stellar cast including Sam Jackson, the incomparable Debbie Morgan, Lynn Whitfield, Diahann Carol, Megan Goode & Jurnee Smollet, this drama seethes with intensity broken by moments of levity. ... Read more | |
| 49. How Stella Got Her Groove Back Director: Kevin Rodney Sullivan | |
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Amazon.com essential video Reviews (66)
Drama is also high among Stella's conventional acquaintances - with whom she is shy to display her all-too-Jamaican boyfriend - and, while Winston appears comfortable in spite of the nationalistic disparity, it is all too obvious that Stella is not. Throw in a protective son (Michael Pagan) and life-long friend, the convivial and cancerous Delilah (Whoopli Goldblerg), and you've got the perfect formula for an engaging and plenary love story for everyone. Based on the novel by Terry McMillan and directed by the celebrated Kevin Sullivan (of "Conviction" and "Barbershop 2: Back in Business"), "How Stella Got Her Groove Back" is both fun and political in a refreshingly unusual way.
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| 50. The Speeches Collection, Vol. 1 | |
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Description Reviews (10)
Two unfortunate omissions are the American University "peace" address, and the complete omission of material from the Senate. There is occasional overlaying with "nostalgia" footage but it's mercifully brief and seldom obscures the speeches themselves. Clips of the speeches addressing the federalizing of the Alabama Guard in the U of A integration struggle, and of the announcement of the blockade during the Cuban missile crisis, are excellent but it's unfortunate that they are not longer. But these are quibbles. Some truly great stuff here; a very good cut of the Inaugural (with most of the famous quotes given their proper contexts); nicely chosen clips of the Kennedy-Truman "open convention" squabble; a couple of extemporaneous excoriations of Nixon; the address to Protestant ministers on the subject of Kennedy's religion. Definitely one for your collection if you are interested in public speaking, or if you teach speech or history.
However, forget what I just said and buy this tape anyhow. Just to be able to hear the words of this great and inspiring American is a blessing. John F. Kennedy's message of courage, dedication, and sacrifice for the common good are as relevant today as they were 40 years ago. If you were born after JFK, then you definately need to see this video. If more people listened to what Kennedy was saying and tried to live up to his challenge, then this country would not be in the sorry situation that it now is. This is particularly applicable to the current self-serving national and business leadership of our country. Listen to John F. Kennedy, and remember a time when our national leadership was concerned with goals much higher than just making as much money as possible at the expense of everyone else. To listen to this inspiring speaker is to be challenged to make our country the great place it could be.
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| 51. A Raisin in the Sun Director: Daniel Petrie | |
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Reviews (23)
Sidney Poitier as Walter Lee is the "giant...surrounded by ants" as he dreams of escaping his job as a chauffeur and investing in a liquor store. Poitier's body language and subtle gestures as he argues about how to spend his mother's ten thousand dollar life insurance check powerfully convey his anguish. The close-up of Poitier's slow transition from an insolent and angry young man to a tearful and repentant son in one scene with his mother is unforgettable. Claudia McNeil, as the mother, is stalwart, strong, and full of pride. Ruby Dee, as the devoted wife, trying to decide whether to have an abortion in order to lighten her husband's load, is simultaneously resolute and resigned. Diana Sands, as Beneatha, the agnostic medical student, reflecting the beginning of the "Roots" and "Black Power" movements, provides some comic relief as she practices African "home-from-the-hunt" dances. At the heart of the play is the issue of discrimination against black people and the limitations on their dreams, and the filming in black and white is appropriate. The small dying houseplant that Lena nurtures remains the major symbol here, as it is in the play, but through the cinematography new symbols emerge. The kitchen cupboard door opens and shuts as family members open and shut themselves to each other and the outside world, and numerous scenes take place between two people with a door in the background, opening and closing as their emotions change. The film quality and its high contrast have withstood the test of time, the sound is good, and the acting, especially as revealed in the close-ups, makes this a classic film, better than any stage version I have ever seen or imagined. Mary Whipple
Wonderful family film. Highly recommended.
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| 52. Martin Luther King Jr. - I Have a Dream | |
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Description Reviews (5)
Dr. King did not disappoint me. As I strained to pick out his figure --- nearly lost in a sea of over 300,000 faces crowded beneath the Lincoln Memorial --- I heard the voice that stirred souls to action in tumultuous times. I heard the cadence, rhythm, and volume of it. I heard the phrases rising and falling like waves crashing on the shore. I felt a lump in my throat as I considered the power and importance of the message. And I wondered if we are already too far removed from this message. Nearly two generations hence, are we closer to Dr. King's dream? Does today's generation understand the price paid for its freedom? Are we cultivating leaders who will rise to the needs of tomorrow? Leaders of character, integrity, vision, action, teamwork, and service? This was the example and spirit I sought to inspire those students. I was, however, disappointed by the quality and integrity of the video. I was at first surprised to hear Peter Jennings of ABC News narrating the video. As I watched, it became clear the content of the video was an excerpt from a narrative on the life of Dr. King, yet I could find no credit to Mr. Jennings, ABC News, or other source material. It ended abruptly as if it had been hastily or carelessly editted. I found this distracting and disappointing. If I had an opportunity to select an alternative source for Dr. King's speech, I would select a better one.
The video does not show the entire speech, but it does present enough to gain a good understanding of its content. Perhaps the single most important reason to watch the video (as opposed to reading a text version of the speech) is to witness King's change in tone, demeanor and style as he reaches the end of the speech. As he begins to call for "letting freedom ring" he abandons his notes and begins to seemingly speak extemporaneously, and the passion in his voice begins to rise. It is a powerful visual, lost in any textual version. The video concludes with a brief explanation of the assassination and memorial service.
I recommend this speech to anyone who is interested in seeing a very skilfull speaker. In addition, the subject matter of the speech is moving and relevant to many of the issues facing America today. ... Read more | |
| 53. Richard Pryor: Live on the Sunset Strip Director: Joe Layton | |
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Reviews (10)
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| 54. Devil in a Blue Dress Director: Carl Franklin | |
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Amazon.com essential video Reviews (18)
If you like the old style of film noir in movies like "Laura" or the newer modern film noir like "L.A. Confidential" you'll love "Devil in a Blue Dress". It's gripping, edge of your seat stuff.Director Carl Franklin and director of photography Tak Fujimoto give us a great look at this steamy side of Los Angeles in the 1940's.The musical score by Elmer Bernstein is wonderfully atmospheric, and the old rhythm and blues or"Shout and Jump" music by such greats The DVD(Columbia Tri-Star) is a nice transfer. It is in widescreen, with a full screen version on the other side. Picture and colors are outstanding. The sound was good, dialouge a little low at times but still good. Features include Director's commentary during the film if you want, Don Cheadle's screen test and trailers. There are subtitles for those needing them. All that is needed now is another EASY RAWLINS story..how bout it Denzel?..........Enjoy........Laurie
"Devil in a Blue Dress" is based on the detective novel of the same name by Walter Mosley. Screenwriter and director Carl Franklin has altered and simplified Mosley's novel for the screen and employed cinematographer Tak Fujimoto to create a stark and moody environment in sunny California. Fujimoto's cinematography looks great and is reminiscent of the film noirs of the 1940's, when the story takes place, and also does an excellent job of communicating the tone of the novel visually. The degree to which the film evokes the style of World War II era film noirs is striking considering that "Devil in a Blue Dress" is in color. This film isn't as sexy as the novel on which it is based, nor is it as effective in conveying Easy's desperation. It is, however, more tightly woven, more plausible, and more enmeshed in city politics. Don Cheedle's interpretation of "Mouse" couldn't be better. And the cinematography is a pleasure to watch. "Devil in a Blue Dress" a stylish and enjoyable neo-noir adaptation.
As far as underrated acting goes - Tom Sizemore is spectacularly sleazy as the coldhearted DeWitt Albright and Maury Chaykin is his usually creepy self as the political Matthew Terell. Easy Rawlins (Washington) is a familiar character - he's a man who will do just about whatever he has to do in order to earn some cash, although he's proud of his dignity and won't sell himself short. He's also more amiable and compassionate than the average man is, which is what ultimately differentiates him from the bad guys of the story. The lesser-seen element here, however, is that he also happens to be Afro-American. It's refreshing to see a film concentrate upon this culture without trying to dictate too many things to us about it - race is an element of this film, but it's not a particularly prominent or overblown one. A myriad of different characters are introduced - sometimes it seems as if the film is actually relying upon the appearances of new characters in order to progress the plot, and even then some things aren't made very clear. I understand that the writers were simply trying to convey the sheer volume of the situation that Easy has gotten himself into, but its lack of tautness just gets annoying after a while. And there is a cool aura of mystery surrounding the plot until you realize that it's simply going down the all-too-familiar cinematic road of political corruption. The final theme of an average man achieving complacency through oppression is well communicated, but couldn't it have been done in a slightly more interesting/original/unique way? ... Read more | |
| 55. Disappearing Acts Director: Gina Prince-Bythewood | |
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