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| 101. Miss Evers' Boys Director: Joseph Sargent | |
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Description Reviews (8)
Much of "Miss Evers'" impact stems from Alfre Woodard's astonishing performance as the title character. Had this actually been a theatrical release, she would likely have walked off with an Academy Award. She had to settle for an Emmy, which was certainly well-deserved. I have seen Alfre Woodard in roles in which she did not appear comfortable, but she inhabits the role of Nurse Eunice Evers totally (or perhaps, Eunice Evers inhabits her). Her performance alone would be enough to recommend the film. But it does indeed have much more to offer--including a great supporting cast (including producer-leading man, Laurence Fishburne, Joe Morton and Craig Sheffer), an intelligent and complex script, and capable direction. Thanks be unto the heavens that someone is still producing powerful, fact-based social drama. We need them now more than ever.
This movie is the antidote for those people. Our government has made some tragic mistakes and this movie exposes one of the gravest mistakes our government ever made. Our family watched this together and we were all incredulous. But it is all true. This movie is based a true incident and amazingly, the whole thing was successfully covered up for 40+ years. This movie had an curious side effect for me - It inspired me to pray for our country and its leaders. The people involved in this heinous scheme need prayers of forgiveness. Hopefully, this could not happen again.
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| 102. The Best of The Chris Rock Show - Volume 2 Director: Linda Mendoza | |
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Reviews (8)
"The Best of the Chris Rock Show, Volume 2" is another hysterical compilation of incredibly funny skits and jokes that Rock and other talented writers on his show have given television audiences in the past few years. Using fake recreations, commercial spoofs, and the talents of the ultra-funny Wanda Sykes, this collection will have you on the floor laughing. Some of the funniest skits on this DVD include "Selvina Delvina," featuring Wanda impersonating a possessive singer who only sings about her man and the "Make You Wait Hair Salon" where Wanda and Chris play the owners of a Harlem salon where waiting is a necessity and the service is slow. Another funny sketch is "Halle Berry 911" where Rock does a William Shatner-type role as host of a reality-based show (spoof of the show "Rescue 911"). The sketch which shows Berry as a menace to drivers was actually inspired by two automobile accidents she was involved in and ran away from the scene of the accident. I don't think the Oscar-winning actress will find this mockery of her driving skills amusing, but Rock sure does a hysterical job. The "Baby 1 Credit" and the comical driving safety sketch are also added bonuses on this DVD. This DVD, which comes with bonus material of Rock's version of HBO's "Taxicab Confessions" is also great, although most of the material on this disc is the same as Volume 1. Overall, this DVD is one of the best comedy DVDs to come out in a long time. It's much more funnier than his "Pootie Tang" movie and worth every cent. Born with a gift for comedy, Rock is definitely one Saturday Night Live Alum who hasn't lost his touch. This DVD is a must have for anyone into outrageous, mouth dropping comedy sketches. Highly Recommended!
If you liked "Bigger and Blacker" or "Bring the Pain", you will love this! ... Read more | |
| 103. Once Upon a Time...When We Were Colored Director: Tim Reid | |
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Reviews (9)
The movie spans a total of 16 years, beginning when Cliff was born, and ending when he is seventeen. The character of Clifton Taulbert was played by three different actors (age 5, age 10 through 11, and age 17). Charles Earl Taylor Jr. (who played Cliff at age 5) did a superb job, as well as Damon Hines (Cliff at age 17). Ray J (who played Cliff at ages 10 through 11), I believe, could have played his part in the movie better by adding a little more expression in his voice. On the whole, all of the other actors in the movie performed wonderfully. The theme of racial discrimination is evident from the beginning birth scene in the cotton fields where the white owner of the fields refused to give the mother of Clifton a full days pay because of his inconvenient birth in the middle of the cotton crop. The movie then moves on to a scene where Cliff (age 5) needed to use a restroom at a gas station. It was marked "white only" and the gas attendant stopped him before Cliff had a chance to use it. His Uncle Cleave (played by Richard Roundtree) then showed young Cliff a "W" and a "C" and explained to him that he could only use things marked with a "C" (for colored). Cliff's Uncle Cleave, who delivered ice for the people who owned iceboxes in Glen Allen, was a major roll model in Cliff's life. Cliff's Uncle always told him to get a good education so he could move away from Glen Allen when he was older. Perhaps the scene with the most evidence of racism is when Cleave takes Cliff into town and they see the KKK in white hooded robes marching down the street. This movie receives four stars out of five from me because of the disappointing acting from Ray J (Cliff Age 10 through 11) that in my opinion could have been played much better. Also throughout the movie there are scenes that clearly show the local color of the town of Glen Allen. A church scene, where the people of Glen Allen gathered together to worship god and have a picnic, showed the great sense of family in the town. Other scenes (like one of a dace club) help us get a feel for what life was like living in Glen Allen. I think that these scenes were a very good addition to the movie. All in all, with its wonderful directing, fantastic cast, and a good moral, Once Upon A Time...When We Were Colored was superbly made. The fact that it was a true story is stunning in itself because of the abundance of racial discrimination that happened in these times. Once Upon A Time...When We Were Colored is a must see movie for anyone who wants to learn more about racial discrimination.
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| 104. Penitentiary 2 Director: Jamaa Fanaka | |
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Reviews (5)
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| 105. Black Sister's Revenge Director: Jamaa Fanaka | |
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Description Reviews (5)
The only reason I gave this picture 4 stars is because I can't for the life of me find out the name of that song that plays at the end of this movie. If anybody anywhere can tell me the name of that song and who sings it, I would greatly appreciate it. Send me an e-mail and I will reply with great thanks. Maurice
I enjoyed the music and hints of black militancy. Like at one point when the main character Anna Mae(?) says the same line as Jonathan Jackson when he attempted to liberate his brother George Jackson. All and all, it's good for laughs and jokes.
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| 106. Classified X Director: Mark Daniels (III) | |
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Description Reviews (4)
He's respectful of the people who made careers as a black actor in Hollywood while still pointing out the broad assumptions underlying the roles and the changes from decade to decade. I checked this film out becuase of Spike Lee's comment about it on the Bamboozled dvd. Like Spike, MVP doesn't apologize for not suger coating how he sees things. And his views are fascinating, if difficult. I consider this a must see dvd for anyone interested in film history, black cinema, or a different look at the Lethal Weapon series. MVP talks about how there was a moment when he saw past the film on the screen and into the broader view of the films taken together as a whole. After viewing this dvd I had quite a bit to think about. I wish I had seen this film before Bamboozled as it is a great prequel to the message of the Spike Lee film. My hope is that these two together lead to more extensive studies of the topic - perhaps a joint project with MVP, Spike Lee and other interested actors/directors. If you're even thinking about ordering this dvd - do it. It's less costly than a large pizza and much more filling.
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| 107. Best of Def Comedy Jam Set 2 | |
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| 108. The Breaks Director: Eric Meza | |
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Description Reviews (31)
Cheers
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| 109. Black Mama, White Mama Director: Eddie Romero | |
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Reviews (7)
What you're going to get from Black Mama, White Mama is a straightforward statement on race relations in the United States. We have two women in America. Both have children. One is black and one is white. It's about the struggles that each have as powerful women in a male dominated society. What it's like to be a strong black woman. And what it's like to be a strong white woman... in a society where you're automatically labeled a B*tch when you tell others what to do and why you don't like them much... it's called being straightforward. Anyway. Black History Month shouldn't just be about MLK, Jr. Or Malcolm X. It should be about powerful movies like this one, that make a strong statement about race relations between women in America that have children and have to get up everyday and get out of bed and use the bathroom and drink O.J. from the carton.
Women's prison? Yes, as avid movie fans know, we have a minor genre dealing with women's prison. Its formula has been the same: cruel wardens, violence among the prisoners, the rigid rules that donimates them, etc., and before the hit of "Coffy," Pam Grier had to serve about two years in this genre. By the time of 1970s the genre has become famous (or notorious) for its violence and nudity, and both stars here also are thrown into women's prison on an unnamed island just after the opening credit. So you know what you see in the next shower room scene. Thankfully, the prison sequences are not long, and Pam & Margaret soon manage to escape, chained together by the hand, and run and run and ... well, the rest is, as you expect, lots of set-pieces: shootings between guards, gang, and revolutionary guerrillas (!) They are mildly entertaining, especially when Pam is on the screen, but as a whole too familiar to get excited. Still, several scenes are momorable: both stars disguised as nuns, and a very unique way of giving a false scent to a chasing dog by giving a pooch Margaret's underwear. And check out their clothes, especially Pam's (red one); they always look too clean for runaway prisoners! "Black Mama, White Mama" is worth a look for Pam Grier fans because it seems a miracle now that she survived those Grade-B films to finally be praised by her portraying Jackie Brown with her dynamite performance 24 years later. Another interesting thing about "BMWM" is that the story is co-wriiten by Jonathan Demme, who one year before "BMWH" produced and also co-wrote the same kind of film "The Hot Box," which incidentally features Margaret Markov. (For the record, in another film "Arena" Pam and Margaret both appear.) Demme himself is to direct another women-in-prison movie called "The Caged Heat," his first feature film, in 1974. A long way to "The Silence of the Lambs," isn't it?
In this version, director Eddie Romero (of the Blood Island trilogy) has, instead of a black guy and a prejudiced white guy, a black hooker and a revolutionist white girl, which allows for cat-fights and nude scenes, as well as the chase through the Philippine jungle. The two escapees are pursued by the cops, a drug lord, a bounty hunter, and a guerrilla leader, all with their own motives for catching the runaways. This is another bare-bones DVD from MGM which has only the movie trailer and a scene/language selector for bonus features. (Well, you do see Pam Grier's bare-bones, so that's not so bad!) The image quality is not the best, though. Still, it's worth its price for Romero/Grier/women-in-prison fans.
Later they are chained together for interigation because they both have information on two separate parties (druglords and a terrorist group planning to take over the island). While enroute they escape with the help of a terrorist ambush. While on the run, and chained together, Grier wants to go to one side of the island to get her boat and stolen cash, while Markov wants to go to the other side of the island to get the weapons her terrorist friends need. High points 1) they dress as nuns while on the run 2) a lot of nudity 3) The rhinestone cowboy Puerto Rican bounty hunter who is as much out of place on that island as is a snowball. ... Read more | |
| 110. Booty Call Director: Jeff Pollack | |
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Reviews (23)
The scene where Jamie Foxx and Vivica Fox are speaking Chinese in the restaurant is classic. A great movie but the stereotypes are so over the top it sometimes feels like you're watching a cartoon.
Fortunately, I had the pleasure of watching this on VHS a few years back. I honestly don't remember laughing so hard in my life. And 99% of the time I was laughing at Bunz. The other characters, Lysterine (Vivica A. Fox), Rashon (Tommy Davidson) and Nikki (Tamala Jones) are just window dressing. Foxx simply steals every scene he's in. With the exception of the angry lady scene and Bernie Mac's HILARIOUS cameo, oh, and of course, the blatantly stereotypical convenience store clerks, they are just there to act as foils for the impossibly funny Bunz. You know, instead of that big butt on the movie sleeve, they should have put Jamie Foxx's face on the cover. Anyway, minor spoilers ahead. These are my favorite scenes. The Chinese restaurant! Bunz exchange with the waiter, Bunz speaking Chinese (he learned it from watching Kung Fu movies with...ah, I won't even spoil the joke!) Bunz doing impressions spot on of William Shatner and Martin Luther King while er...you'll see! Bottom line: Jamie Foxx is a genius. Don't mind the critics who pass this off as sophomoric. Well, of course it is! But like the editorial review says, it's funny. This will most likely become a cult classic now that Foxx's career is starting to really take off.
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| 111. Lady Day - The Many Faces of Billie Holiday | |
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Amazon.com Fairly or not, documentaries like this one will inevitably be compared to Ken Burns's Jazz, especially when they contain some of the same material, as is the case here. But while Lady Day doesn't always benefit from the comparison (actress Ruby Dee, reading from Holiday's autobiography, and narrator David Smyrl race through their lines as if they've got a train to catch), it surpasses Jazz in one vital respect: instead of constantly interrupting the music with voiceovers, Lady Day offers some of Holiday's few performances on film or TV in their entirety, including "Strange Fruit," her graphic and disturbing song about Southern lynchings, and "Fine and Mellow," in which a visibly and audibly deteriorating Holiday is backed by Lester Young, Ben Webster, and other jazz immortals. --Sam Graham Reviews (7)
However, if real footage is what you are after, this DVD may well disappoint you too. In this latter case I strongly suggest you spend your money on "The Ladies Sing the Blues" DVD. Being interested in a combination of real footage and adept commentary I got disappointed on both ends. In the whole DVD, there are at most three incomplete songs where Lady Day actually sings, yet there are a few too many (poor taste) instances when her voiced dubs some disconnected Jazz players/dancers. As well, in addition to some general socio-historical vignettes, I found the commentary to be just a suite of encomiums with no critical side to it.
Excellent quality of the footages.....the conersations with the , also late great, Carmen McRae are fun to watch too. I WOULD DEFINATLEY get this DVD/VIDEO if I were you. Im only 15, I LOVE THIS MUSIC---and this women. Enjoy! Highly Recommended. (Now there are movies on Lady Day and Ella Fitzgerald....WHERE'S THE VIDEO ON DINAH WASHINGTON????) =)
To see this video brings Billie Holiday to life -- her brassiness, her vulnerability, her talents and her tragedy. It was a loss to the jazz world. I highly recommend adding this video to you collection. ... Read more | |
| 112. Black Caesar Director: Larry Cohen | |
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Reviews (18)
It's a shame Williamson wasn't given access to a broader array of high quality scripts. In a lot of ways, Williamson is more accomplished, educated, and polished than Reynolds. ... Read more | |
| 113. Mixing Nia Director: Alison Swan | |
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Reviews (5)
When we meet up with the protagonist, Nia is leaning toward with her Black heritage and is trying to find some sort of authentic Black experience -- whatever that is. This leads her to quit her job with an ad agency that has assigned her to a campaign for malt liquor and to begin dating her writing instructor. The instructor (Isaiah Washington), who thinks that Nia is not Black enough, makes it his business to change her. She meets him in a class that she takes after she decides that she wants to be a writer. Nia is the product of an upper middle class home, has white friends, and has dated white men before. Washington decides that he need to counteract all that. Washington is very good here as the dreadlocked, blacker- than-thou, race man. Fine though he is, I would not date someone who felt like he had to make me over. He even goes so far as to reorganize her books separating the works of Black authors onto a separate shelf. Washington's character treats Nia like a project instead of a lover, and you get the feeling that being with him is her way of doing pennance for her perceived sins. She even gets her hair braided to appease him. In addition to being bi-racial, Nia is also a product of divorce, and her father (white and Jewish) points out to her that she identifies more with her mother and other African Americans than with him. This gets her to thinking about her life. Ultimately, she makes peace with herself and kicks her domineering man to the curb. She stops worrying so much about trying to fit in and decides to just live. Kudos to Alison Swan for a well-developed film.
This dilemma is handled in an imaginative and mature fashion. I really recommend this movie.
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| 114. Sidney Poitier: One Bright Light Director: Lee Grant | |
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| 115. The Wash Director: D.J. Pooh | |
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Amazon.com Reviews (37)
Dre is better suited to the straight man role whereas Snoop's pot dealing is laid out perfectly for him, 'The Wash' is simply a film that is basically a showcase of rappers fooling around and getting the chance to appear in a film - with cameos from Xzibit, Shaq O'Neill, Truth Hurts and an un-credited Eminem - who surprisingly has the funniest part in the film, although it could have had a bit more meaning rather then just the actor/rappers being the main attraction (hint hint: Friday). The movie also features an appearance by writer/producer DJ Pooh as a rather stupid (literally) kidnapper. Pointless, but a feel good movie. One to watch if you have time to kill and feel like listening to very stereotyped black language.
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| 116. Can't You Hear the Wind Howl? - The Life and Music of Robert Johnson Director: Peter Meyer | |
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Reviews (11)
Like most who watch this video I bought the 2 CD Robert Johnson set and read the in-depth booklet that comes with the CDs. The booklet is good, and I'm a good reader, but my retention was not that high and I much prefer this DVD as a medium to the booklet. The DVD is fascinating from so many perspectives: a good biography, a glimpse back at early 20th century culture, and as an attempt to understand the signifigance of this musician. For people who love documentaries, biographies, or music...highly recommended.
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| 117. Train Ride Director: Rel Dowdell | |
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Description Reviews (9)
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| 118. Mama Flora's Family Director: Peter Werner (III) | |
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Reviews (12)
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| 119. House Party 3 Director: Eric Meza | |
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Description Reviews (8)
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