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| 1. Never Cry Wolf Director: Carroll Ballard | |
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Reviews (64)
The latter complaint is the major reason for all the ranting by some "reviewers." To them a Disney film showing human nakedness seems a sacrilege and they want their bowdlerized world returned to them, and they want Disney censured and made to promise never to do anything like that again! The complaint that there wasn't enough tension in the film is also off base since this is a contemplative, even spiritual film, not a slick thriller. People with sound-bite attention spans who need to mainline exploding cars and ripped flesh to keep them interested need not apply. The criticism that Director Carroll Ballard's film is not entirely true to the book is legitimate, but I would point out that movies are seldom if ever entirely true to their source material. A film is one kind of media with its particular demands while a book is another. It is impossible to completely translate a book into a movie. Something is always inevitably lost, but something is often gained. Here the cinematography and the beautiful musical score by Mark Isham are fine compensations. The acting by Charles Martin Smith as "Tyler" (Farley Mowat) and Brian Dennehy as Rosie, the exploitive redneck bushpilot, and Samason Jorah as Mike the compromised Inuit (who sells wolf skins for dentures) and especially Zachary Ittimangnaq as Ootek, the quiet, wise man of the north are also pluses. Note how compactly the main issues of the film are exemplified in these four characters. Indeed, what this film is about is the dying of a way of life, not just that of the wolves, but of the Inuit people themselves who are losing their land and their resources while their young people are being seduced away from what is real and true and time-honored for the glittering trinkets of the postmodern world. This is a story of impending loss and it is as melancholy as the cold autumn wind that blows across the tundra. What I think elevates this above most nature films is first the intense sense of what it would be like for a lower forty-eight kind of guy to survive in a most inhospitable wilderness, and second the witty presentation of some of the scenes. Ballard works hard to make sure we understand that it is cold, very cold and desolate and that there are dangers of exposure and weather and just plain loss of perspective that have killed many a would-be adventurer and might very well kill Tyler. I think it was entirely right that near the end of the film we get the sense that Tyler is going off the deep end emotionally, that the majestic and profoundly melancholy experience has been too much for him. Tyler begins as a greenhorn biologist dropped alone onto a frozen lake amid snow covered mountains rising in the distance so that we can see immediately how puny he is within this incredibly harsh vastness. The following scene when Ootek finds him and leaves him and he chases Ootek until he drops, and then Ootek saves him, gives him shelter, and leaves again without a word, was just beautiful. And the scenes with the "mice" and running naked among the caribou and teaching Ootek to juggle were delightful. The territorial marking scene was apt and witty and tastefully done. (At least, I don't think the wolves were offended.) This movie was not perfect, however. For one thing, those were not "mice" that Tyler found his tent infested with. I suspect they were lemmings posing for the cameras. Those who have seen the film about the making of this movie undoubtedly know what they were; please advise me if you do. Also the "interior" of Tyler's tent was way too big to fit into the tent as displayed. Also it would be important from a nutritional point of view for Tyler to eat the "mice" raw as the wolves did! (The actual creatures that Mowat ate I assume were mice.) If Tyler had to exist purely on roasted and boiled rodent for many months, he would encounter some nutritional deficiencies. Still, eating a diet of the whole, uncooked mouse would be sustaining whereas a diet of lean meat only would not. (Add blubber and internal organs for an all-meat diet to work.) Incidentally, the Inuit people get their vitamin C from blubber and the contents of the stomachs of the animals they kill. Where were the mosquitos and the biting flies that the tundra is infamous for? Since this movie appeared almost twenty years ago, the public image of the wolf has greatly improved and wolves have been reintroduced to Yellowstone Park. I think everybody in this fine production can take some credit for that.
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| 2. Homeward Bound - The Incredible Journey Director: Duwayne Dunham | |
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Amazon.com Reviews (41)
A family needs to relocate for a brief period, but cannot take along their 3 pets; a cat and two dogs. Left in good hands on a farm, the animals feel abandoned by their masters, determined to find them. The 3 pets 'escape' only to endure many challenges. Upon hearing what happened, the family begins a desperate search for their beloved pets. Of course, all ends well. This film does more than give a mushy account of a pet/master reunion; there are serious 'situations' dealt with honestly and with feeling. A stepfather at last is accepted by the children of his new wife. The ultimate triumph of this movie is the plea to NEVER LOSE HOPE!*****
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| 3. The Black Stallion Director: Carroll Ballard | |
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Amazon.com Reviews (53)
I have never seen a movie more beautifully filmed. From start to finish you will be riveted during the trauma of the sinking freighter, the desert island scene (about 45 minutes with no speaking - you will be amazed at well they pull this off!), The Black's homecoming to New York and the final race. I still watch this movie on occassion and my heart beats harder each time as Alec and The Black are rescued from the island and during the race. Still, my favorite scene is during the final credits where we return to the island and see Alec and The Black playing together and rolling in the sand on the beach as the most beautifully reminiscent music plays. This is the stuff dreams are made of - I have always wanted to be Kelly Reno on that island!
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| 4. Two Brothers (Full Screen Edition) Director: Jean-Jacques Annaud | |
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Reviews (12)
If you've ever seen Director Jean-Jacques Annaud's other animal film, "The Bear," it's told in much the same way -- very little dialogue between the human characters. The animal trainers and the director did an amazing job with the tigers so, at times, I could almost tell exactly what was going through the tigers' minds. Also, Annaud films some of the scenes from their point of view to give that additional depth to the characters. Guy Pearce shows some fine work as McRory who is torn between the spoils of hunting and his love of Kumal. Great scenic shots of the Asian jungles, too. It's just a great family film.
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| 5. Two Brothers (Widescreen Edition) Director: Jean-Jacques Annaud | |
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Reviews (12)
If you've ever seen Director Jean-Jacques Annaud's other animal film, "The Bear," it's told in much the same way -- very little dialogue between the human characters. The animal trainers and the director did an amazing job with the tigers so, at times, I could almost tell exactly what was going through the tigers' minds. Also, Annaud films some of the scenes from their point of view to give that additional depth to the characters. Guy Pearce shows some fine work as McRory who is torn between the spoils of hunting and his love of Kumal. Great scenic shots of the Asian jungles, too. It's just a great family film.
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| 6. Flipper Director: James B. Clark | |
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Reviews (5)
Chuck Connors, best known for playing Lucas McCain on "The Rifleman" TV program, is once again cast as a strong father figure. Here he is Porter Ricks, a fisherman trying to eek out a living, and support his wife (Kathleen Maguire) and young son Sandy (Luke Halpin). Life is very hard, as after surviving a hurricane, Porter must leave his family to repair his boat damaged in the storm. While his father is away, Sandy is exploring the sea with some friends. A dolphin (Flipper), is shot with a spear by another boy in the party. The shooter is himself injured, and is taken away for medical attention. Sandy returns to the scene, with shotgun in hand, prepared to put the injured dolphin out of it's misery. Of course that can't happen, and Sandy brings the injured dolphin home. Flipper's recovery is a most miraculous one, but the real story deals with the relationship between father and son, and the growth of the young man. Sandy is a good kid, but not syrupy sweet. Ricks loves his son, but is determined to have him face the realities of life. Thanks to Flipper, both father and son learn some valuable lessons in life. The story of Flipper's origin, has a more serious tone than the TV program. Though it doesn't have a lot of warm and fuzzy moments, it is still fairly good family entertainment.
I liked this movie, but I don't like it as much as I like "Flipper's New Adventure." You won't see Flipper make any rescues this first time around, and he doesn't have the same 'voice' as he has in the series, but you will see the smart dolphin do plenty of tricks and show that he had a huge brain even in his first outing. If you've ever liked the TV series or even if you haven't ever seen it, but you like dolphins or just good movies, I recommend getting "Flipper." It'd probably be especially good for kids of any age to watch, and possibly a good family movie. To make it short, it'd be a good buy.
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| 7. Savage Sam Director: Norman Tokar | |
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Description Reviews (5)
All three are abducted by Indians, who intend to make Tommy a slave, Kevin a brave, and Marta a squaw (they leave Tommy and Marta pretty much alone, but their voracious manhandling of little Kevin would certainly be censored today) When Tommy is accidentally left behind, he teams up with the dog, Savage Sam, to rescue the others (although the fragile little thing loses consciousness at the drop of a hat). Eventually a posse of white men joins them, and they shoot the Indians and go home. Aside from the anti-Indian prejudice, "Savage Sam" is superior...in plotting, characterization, and suspense. I loved Uncle Bill. . .um, I mean Uncle Beck (Brian Keith) strutting around in his flamboyant pink shirt as if daring us to draw conclusions about his character...
One thing that didn't age as well as the rest of the film is the title song. Really hokey. But after that's over, the story is told in a no-nonsense style. It dramatizes something Texas settlers contended with for four decades: the abduction of children in an Indian raid. As befits a family film, "Savage Sam" soft-pedals the realities of such raids. Tommy Kirk's character, a teenage boy, would have been treated more harshly. Torture on the trail and a horrendous death upon arrival at the tribe's base camp would have been his fate. The teenage girl would have been raped right off. But Kevin Corcoran's character, a young child, would have been taken for adoption, just as the film shows, and the Indians' good-humored toleration of his combativeness is right in line with that. All in all, a serious depiction of a slice of history that few Americans learn about in school anymore.
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| 8. A Cry in the Wild Director: Mark Griffiths | |
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| 9. White Fang Director: Randal Kleiser | |
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Amazon.com Reviews (8)
So why does it only get three stars? Well, that's Disney's fault for releasing it only in full-frame format. A film of such awe-inspiring scenery and photographic grandure deserves to be seen in it's original widescreen aspect ratio. And if they can release the inferior and ridiculously useless sequel in anamorphic widescreen, one can only wonder why they wouldn't give this film the same treatment. I realize that sometimes pan-and-scan prints are the only ones available, but this film is not that old, and in any case the German DVD (the title over there is "Wolfsblut") was released in widescreen with an English audio track, so Disney must have a widescreen print in their possession. Special features could have saved this release another star, but there's nothing here except a Spanish audio track. And with no extra content, Disney could have easily fit both widescreen and fullscreen versions on one disc. To those who either don't have a widescreen preference or don't like this film enough to care, the subject of this rant will seem a minor quibble. If that is the case, then by all means rent (or buy) this film, as I still fully endorse it on its own merits. But for my own part I won't be touching this one until Disney wakes up and puts out a widescreen reissue. ... Read more | |
| 10. Iron Will Director: Charles Haid | |
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Reviews (33)
Iron Will is a moving true-life story about the determination and valor of one heroic young American who sets out to win a 500-mile dogsled race across the U.S. and Canada. Up against seemingly impossible odds, "Iron Will" Stoneman strives on to achieve his dream: to save his parents beloved farm and go to college; and somewhere along the way, the seventeen-year old boy becomes a man. Although this movie is a bit formulaic and anyone can guess the Disney ending, that doesn't make it any less thrilling to watch; when I first saw this film in the theater, the whole room was cheering him on at the end! Definately worth your time to check out this great family-friendly film!
A story of life at its cruelist of the hardships a musher faces in some of the world cruelist territory. An oldie but a goodie and as a sled dog freak one of my favourites even got a couple of good shots of the malamutes...which sadly are the bad guys dogs... ... Read more | |
| 11. Toby Tyler, or Ten Weeks with a Circus Director: Charles Barton | |
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| 12. Mighty Joe Young Director: Ron Underwood | |
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Amazon.com Reviews (67)
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| 13. Benji Director: Joe Camp | |
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Reviews (10)
The story of this movie is almost as extraordinary as the film itself. Everybody laughed at Joe Camp when he described the movie he wanted to make. This man who had never even made a movie or worked with animals before was committed to writing, producing, and directing a film told from the viewpoint of a dog. There would be no dubbed voices telling the audience what the dog was thinking; the dog himself would communicate his feelings through his demeanor and facial expressions. Even Frank Inn, Benji's owner, thought the idea was crazy when Camp came to him looking for a dog who could act. It just so happened, though, that Camp spotted Benji and immediately knew he had found his star. Benji was already an older dog who had retired from a distinguished seven-year career on the television show Petticoat Junction. Frank Inn, the man who had rescued Benji from the pound many years earlier, didn't know it, but Benji's greatest performance was yet to come. In a way, the story of the movie is rather simple. Benji is a stray who is loved by folks all over the neighborhood, yet the place he calls home is a lonely, abandoned house. Every day, he follows the same routine: he first heads to the Chapman house to be fed and loved by young Cindy and Paul (whose father will not allow them to keep a stray dog), then he is off to chase a neighboring cat (whose owner is played by Frances "Aunt Bee" Bavier), wake up old Bill (Petticoat Junction buddy Edgar Buchanan) at the café, entertain a police officer, and rummage for food in the park. One special day, Benji meets a cute little white dog in the park, and the two of them become inseparable. Then disaster strikes; Benji's home is invaded by strangers who kidnap Cindy and Paul and hold them hostage there. Benji goes all over town trying to tell his human friends where the children are, but no one will listen to him. If he is to save the children he loves as well as his new friend Tiffany, he is going to have to come up with a way to make the humans understand him. The last twenty minutes of this film are among the most powerful cinematic moments I have ever witnessed. Benji turns in one of the greatest performances of all time. Laugh if you will, but I consider Benji's performance one of the ten greatest performances of all time - that includes human as well as animal actors. Two scenes in particular reveal the depth of Benji's acting skills. I cannot describe what happens here without giving away important plot details, but it sends tears pouring down my cheeks no matter how many times I watch it. You can literally read Benji's thought process and intense emotions on his face. While it may not be manly to admit, I actually sob during these climactic scenes. To be honest, I cry many times throughout this movie. I am one of those people who love animals more than people, really, and I can't stand to see an animal sad or hurt. Benji's loneliness at the beginning of the movie touches me deeply, and his joyful relationship with his new little friend Tiffany moves me beyond words. The later scenes, though, include one traumatic moment that almost breaks my heart when it happens. Obviously, I could sing praises to Benji all day. This is one of the greatest movies of all time; there really is no other movie like it. Joe Camp succeeded fabulously in telling this story from Benji's point of view. Even the most minor human characters express feelings that go far beyond mere words, and the music, while certainly evocative of the early 1970s era, complements and intensifies every scene perfectly. (The theme song I Feel the Love, sung by Charlie Rich, won a Golden Globe award and was nominated for an Academy Award.) In closing, I must mention the fact that Benji was as much a hero in real life as he was in this feature film. This vintage American "mutt" whom Frank Inn rescued from an animal shelter as a puppy really left an impressive mark on this world. He and owner Frank Inn literally toured the world, bringing joy to untold numbers of children. More importantly, he indirectly saved the lives of thousands of dogs waiting and hoping to be adopted from animal shelters. I love Benji as if he were my very own dog; he was a ray of sunlight in my childhood and he remains a true hero to me still. I dearly hope that today's children can get to know and love this dog and this movie as much as I do.
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| 14. Rascal Director: Norman Tokar | |
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| 15. The Black Stallion Returns Director: Robert Dalva | |
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| 16. The Trumpet of the Swan Director: Terry L. Noss, Richard Rich | |
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Amazon.com Reviews (13)
I've never read the book, so I can't speak to how well it follows the original story (but does anything from Hollywood EVER follow the original book?) And I concede the animation does not meet the highest standards. (There's a pretty obvious flaw in Louie's big trumpet performance.) But on to the positives... While the animation isn't the best quality, the color is bright and beautiful! And the vocal talent is terrific! The cast of voices includes Jason Alexander (Father), Mary Steenburgen (Mother), Seth Green (Boyd), Reese Witherspoon (Serena), Carol Burnett and Joe Mantegna. Each actor injects life and personality into their character. I especially liked Mary Steenburgen's "mother" and Jason's "father" is very entertaining. My daughter thinks the camp leader who mumbles through the megaphone is funny--I found him annoying at first but I got the joke when I saw the campfire scene. And as a music lover I must mention the film's music. Louie's "trumpet voice" is performed by Michael "Patches" Stewart, and the music score is by Marcus Miller. I find myself humming the tunes at work and my 3 year-old is already starting to sing along with the words! Bottom line...small children will love Trumpet of the Swan!
This doesn't follow the original book very well. If you are someone that believes a movie has to follow the book word for word you will be dissapointed. However, if you can get past that, you will enjoy this book. Louis a trumpeter swan is born unable to talk. He falls in love with Serena and can't court her. He goes to school and learns to read and spell and write. However, as other swans can't read it does him very little good. In the meantime his father gets a trumpet for him. Louis learns to talk through the trumpet and music. This is a classic video. It is well done. I have read reviews for the dvd that say there is poor pictures and audio. This is not the case for the VHS tape we have at our house. This movie is about relationships between parents and friends and husbands and wives. It is about music and love and more. Well worth the money.
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| 17. Charlie, the Lonesome Cougar Director: Winston Hibler | |
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