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| 1. Lilo & Stitch Director: Chris Sanders (III), Dean DeBlois | |
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Reviews (414)
There are good things in this movie. Some parts are purely delightful. Stitch and Lilo can both be cute at times, and it was nice to hear some traditional Elvis. Cobra Bubbles, the social worker, is a funny guy. And some of the parts are funny, too. That's about it. I'm an animation major, so I realize that I'm very critical when it comes to Disney. But truthfully, I was SHOCKED when I found out that people actually like this movie. For one thing, it's badly written. It needs a decent script. It's boring. The plot is choppy. Everything is twisted (not gracefully) to be about families, and worst of all, the characters are incredibly cruel to each other (for laughs, I felt) and never really turn around until the last two minutes. I thought these were flaws that were so blatant everyone would notice them. The little movie critic that lives in my head was screaming bloody murder. Just a few things to warn parents about--Lilo is a brat, Nani is abusive, and Stitch just is there to tear things down. I'm surprised that this movie wasn't rated PG-13...I believe it was going to be, but then they took out the part with Pudgy (Lilo's pet fish) getting pecked to death by seagulls. Yeah, and you thought this was a kids' movie. One of the most disturbing parts is when Stitch & Lilo shove a little girl off her tricycle and take off with it, leaving the little girl sobbing in the dirt. If you think that's funny, you have some serious mental problems. There's a lot of screaming, it's not very funny, and to me, very unconvincing. The moral this one left me with was, hey, it's okay to treat others like ....because Ohana means family. I won't buy that. I'd strongly suggest parents read some proffessional reviews on this movie, there's a reason this movie hasn't made much money in comparison to the Disneys of the past. "Hunchback" and even "Pocahantas" grossed over $100 million more than this one. I hope that says something. Methinks parents HAVE been doing their jobs and reading the reviews on this one. (In gentle reprimand to someone below who called parents "stupid"). As for me- if I ever work for the Disney animation studio, I'll do everything in my power to make clever, sweet, funny movies like "Aladdin" and "Monster's Inc." and keep painfully hideous movies like "Lilo & Stitch" from ever gracing the storyboards of Burbank. What the HECK were they thinking?
Speaking of Miyazaki, Daveigh Chase, who provides the voice for Lilo, also did the voice for Chihiro in the English language dubbing for SPIRITED AWAY. Unbelievably, she dubbed the voice for major characters in the two best-animated films of the year. I have to be honest here: I was really scared that LILO AND STITCH was going to win the. It didn't. It is very, very good, but SPIRITED AWAY is not merely the best-animated film in the past couple of decades, but quite possibly the best ever. I knew that if the voters only watched both LILO AND STITCH and SPIRITED AWAY, then the latter would easily win the Oscar. Luckily, enough did, and it won a well-deserved Oscar. But LILO AND STITCH was a very strong second, and in many years would have won. The film is the story of the accidentally pairing of two misfits. Lilo is a Hawaiian girl who is being raised by her sister Nani, and Stitch is a genetic creation of an "evil genius" mad doctor, a powerful warrior creature. Lilo has lost her family, and Stitch, or "Experiment 626," as he is otherwise known, has never had one. The movie essentially tells the story of how each helps the other find what she and he both need most. Hopefully, this is the beginning of a new practice: instead of creating an endless number of variations of old, traditional, and familiar stories, Disney will turn their resources to original, new, and inventive stories.
Disney animated movies are marketed at kids, of course, and By these standards, LILO & STITCH gets the expected top Jumba is arrested and his creation seized, but Experiment OK, the script is sentimental, and for all those worrisome The production values are very pretty, the artwork style This may not be "must-see-video" but it is recommended.
"Lilo and Stitch" however had me laughing and crying in the same breath. Set in Hawaii this is a very different kind of Disney film. I loved it from the very first moment when Lilo tried to explain to her dancing teacher why she had to feed a friendly dolphin peanut butter sandwiches rather than tuna to the moment Stitch realises he wants a family of his own to belong to, this gem of a film managed to get under my skin like no other Disney animation. The plot is quite simple; a genetically created monster escapes a prison ship and heads for earth. All he has on his mind is destruction and mayhem but fate has something else in store for him and he finds himself pretending to be a dog in order to evade the bounty hunters sent to find him. His new "owner" is a lonely but strong minded little girl called Lilo who is still grieving over the loss of her parents in a car accident. She calls her new "dog" Stitch and gives him unconditional love, something this monster has never known before. Suddenly Stitch's desire for destruction takes a back seat as he tries to help the one person in the whole universe who is not afraid of him. There are great scenes like Stitch finding a frog in the middle of road but it is him who gets run over by a truck and not the frog but as he is indestructible all that happens is that he gets knocked out. We see the frog later on in the same road, and Stitch saves it, something he would have never done if he had not met Lilo. It is a touching scene, not syrupy, just nice and thoughtfully done. Another scene that is side splittingly funny is when Stitch steals a child's tricycle, jumps on it, grabs Lilo and tries to find his way off the Island only to be told by Lilo that "isn't it great, there are no cities on the Island?" Stitch faints when he hears this; he has been genetically programmed to destroy cities! All of this mayhem and chaos ultimately leads to Stitch having to make a decision. Does he abandon Lilo and try to escape or does he take on the powers that be that want to destroy him and try and keep his new family together? Stitch's attempt to save Lilo when she is in danger is hilarious but at the same time quite emotional, surprising for an animated film, especially a Disney one. The music is great and I'm a fan of Elvis all over again, the songs are really appropriate but let me assure you this is not a musical cartoon, rather it is a cartoon with a selection of songs that blend into the story and plot quite nicely. The characters are believable, even the ex-CIA Welfare Officer who despite his gruff exterior has a heart of gold, to the obnoxious little girls who tease Lilo for daring to be different. This is cracking good film for all ages, and I will be very surprised if most people don't like something about it, even if it is just the music score! ... Read more | |
| 2. That Darn Cat! Director: Robert Stevenson | |
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Reviews (2)
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| 3. The Ugly Dachshund Director: Norman Tokar | |
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Amazon.com Reviews (5)
I've been begging Disney for years to release this movie on DVD. I'm so glad they finally did!
Mark is now even more outnumbered by females 5-1, and he's ready for some more masculinity in the family. When Mark picks up the Dachsies at the Vet hospital, Mark discovers from the doctor that a male Great Dane pup has been rejected by his mother, and agrees to take it home and allow Danke to nurse it. Fran believes that Danke just had another puppy, even though he looks different. As time goes by, Fran realizes that "Brutus" is a Great Dane and insists that he be taken back to the hospital. Mark agrees, but can't get that pup off is mind. When Mark is given a birthday only fit for Dachshunds, he blows his top, only to find Fran surprises him with Brutus, now almost full grown. Over time the Dane and Dachsies grow up and get into lots of mischief. Most of the times the Dachsies were responsible, but Fran can't believe that for one minute! The ending of the film brings Fran and Mark back together and they both become proud of the Dane Brutus has grown up to be. I highly recommend this film to all ages. I watched The Ugly Dachshund when I was little, and now my daughter enjoys it, so it definitely stays a favorite over the generations. This wholesome, comedic type of film is hard to find these days, so grab this dvd up while you can! I also recommend other Disney titles starring Dean and Suzanne- Blackbeard's Ghost and Shaggy D.A.
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| 4. Best in Show Director: Christopher Guest | |
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Reviews (239)
At the start, we meet several couples and individuals who will be showing their dogs in the Mayflower competition in Philadelphia. Some are shown in real scenes, other in fake interviews. Christopher Guest is Harlan Pepper, a down home North Carolina boy who runs a fishing supply store. He also raises champion blood hounds and dreams of being a ventriloquist. Eugene Levy and Catherine O'Hara play the Flecks. He literally has two left feet, and she is an aging hot babe, who is constantly running into men from her past, much to Mr. Fleck's annoyance. Parker Posey and Michael Hitchcock are the Swans, a couple of yuppie lawyers who have channeled way too much emotion into their dog. Sherri Ann [Jennifer Coolidge] is a very buxom and very wealthy matron who, along with her trainer, Christie [Jane Lynch], has entered her pom-pommed poodle. Finally, we met Scott and Stephan [John Michael Higgins and Michael McKeen], a gay couple who has entered one of their beloved toy dogs. In their spare time, Scott and Stephan produce calendars, using photos of their dogs dressed up like characters in famous movies. The movie follows the characters before, during and after the competition. The show itself is quite authentic looking. It even spoofs sports announcing. One of the announcers is a proper Englishman, full of knowledge about dog shows. The other is an American who is completely clueless. Their scenes are among the film's funniest. The humor is Best in Show is too dry for some viewers. It's often subtle comedy. I enjoyed it, but I like my humor from broad to dry and everything in-between. I also think I share Guest and Levy's point of view. They seem to be dog lovers who think that what goes on in the world of championship dog lovers is somewhat over the top. What the characters in the movie express towards dogs isn't exactly love. It's more obsession and a need to be noticed. In fact, these people require more attention than their mutts do.
Welcome to Philadelphia, the home of the Mayflower Kennel Club Dog Show. Among the crazy dog owners are Starbucks yuppies Hamilton and Meg Swan (Michael Hitchcock and Parker Posey), gay couple Scott and Stefan (John Michael Higgins and Michael McKean), ventrilogist hick Harlan Pepper (Christopher Guest), and buxom airhead Sherri Ann (Jennifer Coolidge) and her lover/trainer Christy Cummings (Jane Lynch). Front and center is two-left-footed Gerry Fleck (Eugene Levy) and his wife Cookie (Catherine O'Hara), whose sexy past keeps coming back to haunt her. All these people converge at the dog show, and face difficulties ranging from wrenched knees to televised lesbian smooches to lost squeaky toys -- and some of the dogs are getting a bit crazy as well. With an obnoxious commentator watching over it all, they all strive for the ultimate prize. Poodle, Norwich terrier, bloodhound, Shih Tzu or emotionally scarred Weimaraner -- who will be best in show? "Best in Show" does for dog shows what "This is Spinal Tap" did for old metal -- it makes affectionate fun of them. Christopher Guest returns to mockumentary turf in the moderately funny "Best in Show" -- it's flawed, but still far above the average comedy. The biggest problem with "Best in Show" is that Guest tries too hard. The jokes and goofiness are over-the-top, belying the mockumentary format. And the jokes get a bit repetitive. How many times can Cookie run into old boyfriends? Isn't the gay humor both cliched and overdone? But, the humor itself is quite funny, with plenty of strange lines like "We have so much in common! We both love soup... and the outdoors... snow peas... talking and not talking. We could not talk or talk forever and still find things to not talk about." No flaws can be found in the veteran mockumentary cast -- these people look like they're having a good time. Hitchcock and Posey are chillingly good as the couple who met over J. Crew catalogues in a Starbucks, while Coolidge is deliciously dumb as a bisexual Anna Nicole Smith clone. McKean and Higgins, despite being cliched, play their roles with unadulterated delight. Fred Willard's vulgar commentator is over-the-top stupid, but still amusing. Despite repetitive humor and the occasional dud joke, Christopher Guest's follow-up to "Waiting for Guffman" is an amusing look behind the scenes of dog shows. It's not "Best in Show," but it's one of the best of breed.
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| 5. Snow Dogs Director: Brian Levant | |
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Reviews (108)
In Alaska, he meets a bartender who knew his mother. Ted wants to leave because he doesn't belong in Alaska. But to stop him, the bartender tells Ted who his father is. He finds out that his dad was white (and Ted is black). One kid in the theater asked what a diary was when Ted found his late mother's diary in the house that she lived in. Overall, I didn't really enjoy this film, but I guess that young kids could give it a shot. I did chuckle a little bit at some parts, like when he said that one of the dentist operations would hurt more than a tickle and less than paying your taxes (a little adult joke, the kids wouldn't get it). Some of the lines in the movie didn't come out right, though. One of my favorite parts was when Ted was dreaming and Michael Bolton made a cameo.
There is so much to enjoy about this movie, which comes from a long tradition of Disney snow/dog/sled racing classics ("Snowball Express," "White Fang," "Iron Will"). It's lighter in tone but still provides some thrilling moments against a spectacular Alaskan backdrop. (They could have capitalized on the scenery even more.) The laughs come naturally in this script, as a Southern city slicker thrust into the Alaskan wilderness is bound to run into goofy situations. Cuba Gooding, Jr. is in fine comedic form, and a scraggly James Coburn easily takes to his lighter side. Both actors have proven their dramatic prowess with serious, decidedly adult roles, but the two fit snuggly into this family film and share some amusing and touching scenes. Though "Snow Dogs" lacks the scriptural tightness of films before it, it warms the heart.
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| 6. The Cat From Outer Space Director: Norman Tokar | |
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Reviews (20)
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| 7. Cats & Dogs (Full Screen Edition) Director: Lawrence Guterman | |
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Reviews (174)
Plot Pros: Cons:
Perhaps the most frustrating thing about 'Cats And Dogs' is that it's obviously biased, especially for a movie that scoffs at people for actually having a favourite animal! That said, the special effects are fantastic and it's jam-packed with great characters and one-liners. For instance, a dog labelling himself 'Toto Annihilation' will have you rolling in your seats. Plus there's the fact that cat lovers can console themselves in the fact that the felines are undoubtedly the best characters, from the dictatorship of Mr Tinkles to the Samurai fighting cats and the Russian spy cat. The dogs, for their part, are mostly pretty wet, except for a marvellous Susan Sarandon as a stray mutt. Although it's surprising that many of the celebrity voices are highly unrecognisable. Indeed, you hardly notice Alec Baldwin or Toby Maguire. Unfortunately though, for all it's style and obvious wit, it still has such a lame plot that you'll be gagging from some real action. It's the characters that engage rather than the big action sets. The idea is good too, but it's still more flashy effects than story or character progression. Thankfully though, the ladles of sickly sentiment are not as bad as in many kids' movies.
When the hound went around in circles attempting to catch his own tail, I laughed so much she left her favorite chair to console me. After that, I had to temper my enjoyment of this assorted group who learned of the ancient Egyptian fascination with cats from a book. The cats had no faces, only pug noses and lots of fur -- maybe that is Persian. They were the strangest looking cats I ever saw, must be Japanese. Star has a very pretty face and is short-haired. Some weird alien cats arrived (and left) in kamisake planes to attack the hound dog. These weird fat cats resided with a comatose factory owner. Watching them drive his black limo and propel him around wired with several IVs as they gave orders for the workers to abandon the Mason factory, it was quite something. The stray, a greyhound, was evocative to the puzzled hound. These dogs had decided they were Russian spies. A conference of dogs takes place similar to a Russian agency something like our United Nations. On Canine News Network, we heard Wolf Blitzer heralding a Revolution against the human race. The cats took over the Mason factory and captured the hound's human family as hostages to secure a potion to make humans allergic to dogs. The leader uses a World Domination booklet to indoctrinate the mice on how to infiltrate the sewers to infect human existence. The dogs save the day and the scientist's family in the midst of a fire. As the cats maneuver heavy equipment in the factory, the hound jumps through the air like Mighty Mouse to "here to save the day." He exits the inferno in falling snow to discover his valuable place in the family. The big fat white cat ends up modeling outlandish outfits made for him by a foursome of sisters in a big house, seemingly a fate worse than death.
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| 8. Turner and Hooch Director: Roger Spottiswoode | |
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Reviews (26)
I have seen this movie a hundred or so times and I keep wishing that the movie just mind end a little different. Please Mr. Director....there has to be an alternate ending. Can't wait for a sequel.
I want to buy this DVD, but I can't see if there is a commentary or any extras.
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| 9. Million Dollar Duck Director: Vincent McEveety | |
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| 10. Dr. Dolittle 2 Director: Steve Carr (III) | |
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Reviews (56)
There are some very amusing moments in the film with the animals. There are also some funny moments as Dr. Dolittle tries to cope with his sixteen year old daughter just being a teenager. Much to his delight and surprise, however, it turns out that she appears to have inherited his unique ability to communicate with animals. This DVD provides picure perfect visuals, as well as excellent sound. The disc also has some nice extra features, such as a kid's guide to grizzlies and the director's commentary. This is a value packed DVD.
John Doolittle (Murphy) now a world renowned medical doctor for both humans and animals is called to action because an endangered species of bears is becoming more at risk. It's up to Dr Doolittle to find a perfect mating pair and get them to mate. He has one problem though, the male bear that he finds is Archie (Steve Zahn) and he's been in captivity all his life and doesn't know anything about living in the wild. It's up to Dr Doolittle and Lucky (Norm McDonald) to teach Archie the ropes so that he can become a wild bear and mate with a female. I thought that this one had it's share of laughs. The little iguana is really funny and Archie the bear is pretty funny too. Plus the rest of the animals in the forest are pretty funny. My only problem is that as usual, a ferret is portraying a weasel. Although ferrets are very closely related to them, It was a bit silly on why they didn't just get a weasel. And a cameo by the Crocodile Hunter Steve Irwin doesn't hurt. This is another great family comedy that kids will love not only for the animals but because it has a lot of child related comedy and adults will laugh at this one too. Check out DR DOOLITTLE 2 and don't forget to get DR DOOLITTLE!
Doctor Dolittle was undoubtably concocted by liberals to further their environmental agenda. If you are skeptical, let me give you a brief outline of the movie. First, we see a doctor who can talk to animals. This skill comes in handy when the doctor is consulted by animals concerned about the fact that their homes are being destroyed by evil lumber companies. The good doctor agrees to help fight for the animals in order to save their homes. To accomplish this task, Doctor Dolittle must mate two endangered bears in the forest. If the two bears have cubs, then the evil industrialists would be forced to abandon their ambitions. This movie is politics aimed at young children, and references to them are not at all subtle. Does the movie ever once mention how stupid it is to halt harvest of an entire forest in order to save two bears? Does it touch on the fact that wood is an extremely valuable resource that must be harvested for the survival of America? Does it speak of the jobs that will be lost in the lumber companies due to the setback? Of course not. This movie just goes to show how liberal Hollywood really is. If your family is on the left of the political spectrum, you should love this movie. If not, the movie wouldn't be worth the price of the shipping. ... Read more | |
| 11. Dr. Dolittle Director: Betty Thomas | |
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Reviews (82)
The truth is that few people grow up entirely. Halfway through this movie, I threw in the towel and decided to admit I was enjoying this adolescent gem. It's infectious. Eddie Murphy's Dr. Dolittle is not recognizable as the character in the Hugh Loftis book. He's been totally updated. The only element left from the novel is Dolittle's ability to talk to animals. He understands them. They converse. Thankfully they do not sing, as they did in the dreadful Rex Harrison musical comedy thirty years ago. That film lost a fortune for Fox Studio. At this late date, Mr. Murphy and friends seem to have recovered its money. It may seem like a gift to be able to communicate with guinea pigs, owls, dogs, pigs, pigeons and other creatures. This gift could be a one-way ticket to the funny farm, which is the problem Dolittle faces. One of the best things about "Dr. Dolittle" is that it's short. The producers were wise enough to get in and out before the audience realized this was basically a one joke, one special effect story. Murphy seems to have undergone a personal transformation in the last few years. Now he is completely at ease and in control in gentle comedies like this and "The Nutty Professor", just as he was in the sexy and crime-driven vehicles that made him a movie star in the 1980s. It was bathroom humor that earned this picture a PG-13 rating. It may have deserved it, but kids seem to learn this stuff younger these days. Maybe they are just more open than my generation was. This touch of crudeness helps "Dr. Dolittle" to work. Full of smart remarks, these animals are survivors. They are also endearing. They assure that the movie never becomes sickeningly sweet. Besides, nobody expects Eddie Murphy to give up his bad boy image completely. One element I found interesting is that, despite all the advances in digital special effects, when you see a lot of animals talking on screen, it doesn't look any more real than it did in the days of Francis the Talking Mule. It just cost ten times as much to create the effect.
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| 12. Joe's Apartment Director: John Payson | |
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Reviews (28)
The movie is great on many counts. Hear are just a few examples: The film turns traditional values upside-down in a hilarious way, without being pedantic. The film isn't as serious as a Sondheim lyric, as popular as a Lloyd-Weber musical, as beautiful as a Les Miserable melody. But it doesn't try to be. And it doesn't need to be. It allows the viewer to, for perhaps a too brief period, forget about his or her confining values and exhausting proprieties, and just be entertained. After an escape like this film, we may indeed return to our severe or drab realities refreshed, much like a good night's sleep can make one more alert the next morning. ... I believe that entertainment like this, in appropriate doses, could be just what the world does need....
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| 13. The Horse in the Gray Flannel Suit Director: Norman Tokar | |
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Reviews (17)
Jones is an advertising executive that is stuck between an employer who is pressuring him for a jazzy new ad campaign, and being a single parent of a daughter that desperatley wants a horse. He is not to keen on horses, the cost of the riding instructions she is attending, or even the instructor. Of course the instructor (Diane Baker) feels his daughter is a fantastic rider and should actually compete. He is opposed to the extra cost and the let he fears his daughter will have. Through a few twists, suddenly the 2 needs meet and he not only buys a horse but lets his daughter enter it in shows. But he really does it to promote an ad campaign and figures out a way to have his clients pay for it. Meanwhile his daughter develops a love interest in another horseman, a very young Kurt Russell. And Dad begins to fall for the instructor he hates. Dianne Baker and Dean Jones have a wonderful chemistry and if you loike them together you should really see them as a married couple in another Disney comedy called, "the Ugly Dachsund". The DVD version listed here does NOT include widescreen, or remastered, or have any extras, which is a big dissapointment. My VHS version is clean though and looks fresh even though it is also not in widescreen.
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| 14. Beethoven Director: Brian Levant | |
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Amazon.com Reviews (15)
Charles Grodin and Bonnie Hunt are great as the kind and loving parents, and Nicholle Tom, Christopher Castile, and Sarah Rose Karr are equally delightful in their roles as the 3 kids. Overall just a really sweet, funny, and good family film.
The strength and the fun of this movie comes from the family who adopts a lost St. Bernard puppy, much to the father's dismay. The three children in this film, Ryce, Ted, and Emily (played by Nicholle Tom, Christopher Castile, and Sarah Rose Karr) are cute enough; what I like so much about this movie is the way they're shown as such a normal, loving, typical family that many of us could probably say we have seen before somewhere in our own lives. You've got the grumpy yet loving father, the nurturing "stay at home" mother, and the three mischievous kids. Overall, it's a film you might enjoy with your family...worth at least a rental.
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| 15. Beethoven's 3rd Director: David M. Evans | |
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| 16. The Barefoot Executive Director: Robert Butler | |
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Amazon.com Reviews (10)
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