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| 61. Fatal Fury OVA - Double Impact | |
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Amazon.com Reviews (7)
Now, the second Fatal Fury was downright awesome. Terry, Tony, Andy, and Joe all are developed so beautifully and in such a great plot. I don't know who they got to do Krauser's character, but by gone, they did an excellent job. I love it that he was not so easily beat; it demonstrated how powerful he really was ('cause he was such a cheater in the game!) If you can find the second one on DVD by itself, go ahead and get it; it is my personal opinion that the first one is not worth the money because of how poorly it its developed.
The first OVA is your typical game-to-movie. It squishes as many characters as it can into one piece, and mainly tries to put in as much fighting as possible. There isn't much in the way of plot, just characters duking out moves one by one. As usual, there's a fighting competition the main characters enter and, as usual, things get heated and moved to the bad guy's terrain. If you've seen this sort of formula before, you've seen them all. The second OVA is different. Even if it still shows all the characters from the game, it has two thing the first OVA didn't: plot and character development. It does it much better than any other game-to-movies I've seen. Its as if they took every thing they heard was wrong with the first OVA and improved on it. They do a very good job, and the one hour OVA has all the qualities of a real film, with the exception of perhaps theatrical quality, but the animation is good enough for you to forget that. Basically, they are all around good OVAs, but one is mediocre and saved by the second. Who knew a sequel could improve the original so well?
The Fatal Fury franchise is full of promises and this first animated feature takes the characters beyond the video game boundaries. It's cool how the fighters (Terry Bogard especially) are written as being normal and sensitive rather than always butch, evil and trying to start a fight. The characters in the Street Fighter series were too much like this but Terry Bogard always appears innocent and his adult form still looks like the child he was at the beginning. But my fave character in Fatal Fury was always Geese Howard. He is such a cool bad guy and live action bad guys should be more like him. Andy Bogard and Joe Higashi are amusing supporting characters and make great sidekicks for Terry. The ending is a little too quick but when you consider that there is a follow up and a great animated movie it ain't so bad. If you like this one then the others should give you a good fix. FATAL FURY 2 Not a revolutionary animated movie by any means but this sequel to Fatal Fury has a reasonably good story and interesting characters. The color scheme is bright and easy on the eye and the animation style is better than most Japanese anime in which everyone looks like Asian/American to appeal to both audiences. I thought that Krauser was a cool bad guy and, for once, one that I doubted the hero (Terry Bogard) couldn't defeat so easily. His costume was a bit excessive and it is hard to believe that he could be so agile under such a suit but one can overlook such a flaw easily. Terry's brother Andy returns and so does Joe Higashi but it's the 2 new characters that are the best thing about this movie. Kim is a teenage boy who idolizes Terry and considers him to be a real role model. But he is gutted when he discovers that Terry is just a burnt out drunk and will do anything for him until he gets back on his feet. The other new character is Mai and she is a very "bouncy" character if you know what I mean. The fight scenes are very well thought out and vivid. Every punch and kick looks painful and the other heavies look pretty mean too. But we all know that in the end Terry is gonna beat the crap out of them. Just like the video game says...Terry Bogard is the King of Fighters. But at 68 minutes you feel a little cheated. But with such a short running time there is no room for fat. The DVD is in 1.33:1 with a nice picture transfer with brilliant colors and the Dolby Stereo soundtracks are adequate but not impressive. Many trailers are available and there are some cool motion menus.
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| 62. Ranma 1/2 - Martial Mayhem - The Complete Fifth Season Boxed Set | |
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Amazon.com A few gentle momentsprovide the needed balance to the insanity: Ranma apologizes--sincerely--to Akane in"Hot Springs Battle Royal" and admits he thinks she's cute in "Ranma theLady-Killer." Richard Cox, the voice of boy-type Ranma (and Inu-Yasha), has grownmore comfortable in the part, effectively conveying the sullen and likeablesides of Ranma's personality. (Rated 13 and older: slapstick violence, nudity,mildly risqué humor) --Charles Solomon Reviews (4)
First, technical notes: the animation quality is much better than the previous season, more on par with the 1st/2nd season in quality and detail, although the evolution towards the OAV-style is obvious (and welcome). Copious line art is available on the fifth disc, along with the ever-present "naked" opening/closing, and good on-disc notes. Some new and playful incidental music appears in this season from Kenji Kawai that perhaps Viz will release on CD one day???? These are certainly some of the more bizarre and original offerings, including a Dragon's Whisker (holding Ranma's pigtail together) with strange effects on men pursued by murderous bean, curry, pizza and pork buns; the ghost cat from season 4 returns to possess Ryoga; a weird martial arts school with impossibly huge mouths gets their clutches on girl-Ranma; and the Principal's relationship to Kuno is revealed. Some are clinkers (the Tea Ceremony School is tedious at best), but they're definitely unlike anything you've seen before. English notes: Richard Cox (boy-Ranma) has improved greatly since season 4, although in the first few episodes the English voices seem to have trouble with their lines flowing well (might be a dubbing artifact). Unfortunately, Teryl Rothery has been replaced as Kodachi, and her replacement sounds too much like Ukyo (lacking the shrill quality that made Rothery's voice perfect for the character). Also, while Nabiki is still Angela Costain, some of her later voice work is rather deep-sounding as if like she had a cold. Miriam Sirois is still fabulous as Akane, and Venus Terzo continues to be a superb girl-Ranma as well. Quibbles aside, this box set does much to drag the series back on positive territory, and the episodes are in general good fun. Recommended for fans and even those just starting their journey to Ju-sen-kyo.
Episode reviews (these are on a scale of 1-10): "Gimme That Pigtail" - 6 | |
| 63. Yu Yu Hakusho - Spirit Detective Set (Uncut Version) | |
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Reviews (22)
The real strength of this series is its characterizations. This set mostly introduces characters who will play a major role in the rest of the series, so you get a lot of first impressions, but they are good ones. The kids and even the demons are likable, and their enemies thoroughly evil (as they should be!). The interplay of the characters is at times very funny. This series has a wonderful sense of imagination and humor. Some of the jokes and language are a little adult at times, and there's a lot of violence (some of the fights stretch over two or more episodes), but overall its very lighthearted and fun. Highly recommended.
This is a pretty good anime and while he seems immortal remember he loses his life once and almost twice and unlike such animes as DBZ they can't be brought back to life. When you lose in this game you die so I see no reason why the director would want Yusuke to be deleted from the series.
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| 64. Kiki's Delivery Service Director: Hayao Miyazaki | |
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Reviews (219)
The themes of Kiki's Delivery Service are noble ones. There are far worse ways to spend a few hours (or a few dozen) than watching a young girl make friends and gain self-confidence, especially one as appealing as Kiki. Buy yourself an extra copy of this video. When you wear the first one out watching it by yourself, you'll need the spare to placate the kids.
The themes of Kiki's Delivery Service are noble ones. There are far worse ways to spend a few hours (or a few dozen) than watching a young girl make friends and gain self-confidence, especially one as appealing as Kiki. Buy yourself an extra copy of this video. When you wear the first one out watching it by yourself, you'll need the spare to placate the kids.
The flying scenes are especially exhilirating. Like much of the movie, these scenes are slow paced so you can enjoy them. As Kiki wends her way high over ocean, countryside, forest, city, you feel as though you are flying with her. My favorite is when she is flying over the city lights at night.
A few spoilers I left out aside, that's the gist of the movie. I read once in an interview with writer/director Hayao Miyazaki that he does not sit down and write scripts so much as he sits and draws, letting the story evolve from there. This method has worked beautifully for Miyazaki in movies like PRINCESS MONONOKE and SPIRITED AWAY (two far superior films). Sadly, KIKI is not such a film. The movie, like the story's heroine Kiki, just kind of wanders around, pointless. The movie tells the audience Kiki has to go away for a year to "learn how to use her powers," but how exactly is she supposed to learn without anyone to teach her? She has no real mentor. And Kiki's main ability is flying. But she can already fly before she leaves home on her journey in the first place. The reclusive artist lady who lives in the woods is also another mind-boggler. Other than a semi-sage like character (who doesn't give any really great advice), she serves no real purpose. The translation for this film was also the worst. Stay away altogether from the English dub with a young Kirsten Dunst as the voice of Kiki and the late Phil Hartman as the voice of Kiki's talking black cat, Gigi. The translation for that dub was terrible. I think the point the film is trying to make under all these silly adventures is that young women can be strong and independent and overcome obstacles. A good message, but one that can be gained much more effectively and entertainingly in other films, such as Miyazaki's own film SPIRITED AWAY.
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| 65. Robotech - The Macross Saga - Complete Collection | |
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Amazon.com Reviews (27)
1. Do not expect high quality DVD video or audio found in remastered movies like Disney's Beauty and the Beast. YES SIREEE! Overall, the quality is still acceptable (to me at least): It is TV quality. Just imagine, you are watching a TV show as you were back in the 80s. It is still better than my old Robotech VHS from F.H.E.
Picture quality is not important to me and I refuse to penalize a ground-breaking mid-80s anime for 'unsophisticated' animation or whatever. The animation is as thrilling now as it was then, but what's most important, the story is truly excellent. Excellent characterizations, excellent story development: the Zentraedi, the Veritech fighters, the SDF-1, are all introduced slowly and there was real care given to raising tension and building a universe. I admit I find the very same things annoying that I did so long ago: Minmei is very annoying, for example, and Lisa somewhat stuffy (though my 8-year old self had a crush on her), and some cheesy/ditzy moments. But my excitement at finding this series on sale has been mightily met. This was a cartoon series that rose above what it had to be. It matches its epic scope with clear characterizations, including a surprisingly mature love triangle. Not to mention cool fighters and cool fights. I never knew until now that the three parts of the Robotech saga were joined later by Carl Macek upon US entry. That was brilliant.
Robotech: the Complete Macross Series Sells for around $60-$65 Robotech: The Legacy Collection: Macross Saga (Collections 1-3) Robotech Remastered: The Macross Saga (Volumes 1-3) Macross: Super Dimensional Fortress (Sets 1-3) | |
| 66. Castle in the Sky Director: Hayao Miyazaki | |
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Amazon.com Reviews (132)
Set in an alternate 1920's earth, where airships rule the skies and entire continents can fly, Castle in the Sky is the story of two orphans who meet by chance. A young girl, Sheeta (Anna Paquin), floats literally from the sky after narrowly escaping capture from a band of pirates, wearing a mysterious glowing necklace. She is caught by Pazu (James Van Der Beek), a brave and resourceful young assistant engineer, who notices that the crystal she wears has fantastic magical properties. It is this crystal that several suspicious parties are trying desperately to get their hands on, including the Dola Pirate Gang, and the Army, led by the nefarious Colonel Muska (Mark Hammil). It soon becomes clear that the real prize in this race is the ancient, supposedly mythical, floating island of Laputa. What follows is a grand chase towards the Caste in the Sky, with captures, narrow escapes, air battles, and more. Miyazaki's love of flight is more than apparent at the way the action soars, moving easily from land to air, and the pace of the movie, though the film runs over two hours, only lets up when and for as long as it needs to. Miyazaki showed in both The Castle of Cagliostro and Nausicaa of the Valley of the Wind that he has a talent for making rousing adventure movies, and, though Castle has some of the ecological messages found in Nausicaa (and later, in Princess Mononoke), they always take a backseat to the events that drive the movie. The characters here are a varied, strange, and incredibly fun lot. The Dola Pirates are always entertaining when their banter flys, Mark Hammil has a blast as the scheming villian, and Pazu and Sheeta are two of the cutest leads you could ask for. They're also a refreshing taste from the "ordinary" in the anime genre. Sheeta is more than capable of handling herself, and Pazu is a cheerful idealist, a nice break from the surly teenage leads that overpopulate anime. In addition, their relationship is wonderfully done; it's the simplest, most pure form of love imaginable, that neither tries to be romantic or plutonic, but is just shown as it is. There is never a single kiss on screen, but the audience knows, through the body language and the words in their moments together that these two will be together one way or another for life. And even though this is one of Miyazaki's earlier films, the animation is still fairly impressive. Of course, it looks a little dated next to the likes of Spirited Away, but it still looks and feels like a wonder. The character designs are Miyazaki's usual simplistic but expressionistic fare, and the vehicles that populate the world are imaginative and plausible, and the architecture has a surprising amount of variety. The real treasure on this DVD release is the completely redone musical score on the English Language version of the film. Back in the mid-'80's, Studio Ghibli was not nearly the powerhouse it is today, and consequently, composer Joe Hisaishi was at times forced to put his rather sparse score on sythesizers and such. However, the new score contains everything from the original release, and a heck of a lot more, all done in beatiful orchestral renditions. And as for actual quality of music, the score for Castle in the Sky easily holds its own against Mononoke in terms of quality and power. Of course, you have to watch the english dub of the movie to hear this, but having said that, it's not a bad job, arguably superior to Mononoke and Kiki's Delivery Service in terms of the actor's performances. Cloris Leachman is hilarious as Dola, Paquin does a fine job of Sheeta, and even Van Der Beek manages to be only marginally annoying. And really, how can you not like Mark Hammill? Overall, Castle in the Sky is one of Miyazaki's best films, showcasing some of the most imagination, colorful characters, and dazzling adventure, it also carries some fairly powerful emotions. It also looks great, even after eighteen years, and is simply a great deal of fun to watch.
"Castle in the Sky" is by Japanese filmmaker Hayao Miyazaki, who I've come to believe is one of the most masterful storytellers alive today, and maybe of all time. It begins with a young girl, Sheeta, drifting down from the sky into the arms of a young miner named Pazu. From there begins an incredible adventure as these two search for answers to the girl's origins while running from both air pirates as well as mysterious agents. I don't intend to reveal much of the plot here, but suffice it to say, this movie reignited the feelings I used to have as a child when watching such classics as "The Wizard of Oz" and the "Chitty Chitty Bang Bang" (which I also just recently purchased on DVD. The movie was created several years ago, but was recently brought to America, with a wonderful redubbing into English, thanks to Disney Studios. If you're looking for visuals like the mind-blowing, computer simulations in recent Disney hits such as "Finding Nemo", this isn't it. However, if you're a fan of traditional cel animation, this film may be one of the best ever produced. Miyazaki's attention to detail, his ability to bring these two dimensional characters to life, is awe-inspiring. For me, the greatest thing about this movie is that it's reminded me of the kind of fictional magic I hope to create myself one day, and makes me wonder if it's too late in my life for me to become an animator. The bad thing about seeing a movie like this, is that I know that I could never produce anything nearly as beautiful. Fortunately for me, if I ever get the opportunity, I'm just stubborn, determined, and delusional enough to give it a shot anyway.
The story opens with an action sequence without any explanation about what is happening. This causes us to focus our attention and to try and figure out what is going on and what all these strange people and machines are. In some ways it seems like a 1930s serial, in others futuristic, and in others ancient myth without connection to the world in which we live. While this isn't as beautiful as "Spirited Away" or even "Princess Mononoke", it is still head and shoulders above nearly everything you see passing as an animated movie nowadays (with a couple of exceptions). My kids encouraged me to get this DVD and they enjoyed it immensely. I expected to like it, but enjoyed it more than I expected. Miyazaki has a unique imagination and has a powerful ability to use his wonderful images to tell the story in delightful and beautiful ways that go beyond conventional live action movies - no matter the special effects budget - or even most animation. Watching his stories is a special experience that I am grateful to him for sharing with me.
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| 67. Grave of the Fireflies (Collector's Edition) Director: Isao Takahata | |
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Reviews (396)
It seems brining up the topic of this movie results with two knee-jerk reactions. A) This is an Anti-American movie where Americans are blamed for all deaths in Japan while ignoring Japan's role. OR B) An indictment of America for killing these two children, and a call to avoid war at any costs. The first is a poor description of this movie due to the movie's elements. Americans are almost never mentioned, save as the pilots of the inhuman planes that fire-bomb the villages. The movie instead raises questions that many should be able to ask: who was at fault? The Japanese people for refusing to help these children? The aunt for expecting too much of a 14-year-old boy traumatized by his mother's death? The Emperor of Japan refusing to surrender when he was obviously defeated? Seita for having too much pride? The Americans for retaliating after Pearl Harbor? Or, as I wonder if the movie suggests, that when people are dying of starvation, politics and finger pointing cease. The movie spends almost zero time blaming a set of people for Seita and Setsusko's situtation (interestingly, the only "bad guys" there seemed to be in the movie where people like the farmer who beats Seita for stealing his crops). When people are set in a blame-first mentality, it's refreshing to see a movie that has little of this pop-culture quality. Because of all of this, the 2nd Knee-Jerk reaction to this movie ("I'm sure Bush had a hand in this!") is incorrect as well. Overall, everyone else has done a good job of describing the basic content of this movie, so I won't repeat it all. However, this movie is recommended for those who want to see the power of an animated movie that is usually not done in the US. The characters of Seita and Setsuko are so well done (I don't think I've seen a 4 year old portrayed that real in a long time) and strong that you can't help but have a sinking feeling in your gut everytime you know something is going to happen to them. Most notable, Setsuko is not a stereotypical cartoon child. She cries wildly during the night -supposedly due to bad dreams about the war, she refuses the food that could keep her healthy, and plays around her cave with an utter disdain for the war going on around her. There are no cutesy catch-phrases to sell Burger King cups by. By the end, the wasting away of the characters is a very difficult things watch. In the end, I didn't cry (I'm bad at this, I rarely cry at movies), but was still speechless for a few hours afterwards. This is not a movie to watch if you are emotionally unstable at the moment or prone to depression. But, you will be moved. We are fragile.
Sure, I've seen almost all of Miyazaki. My kids love them and I love, for instance, the playfulness of Totoro and how Kiki finds her self confidence. And then there is the technical brilliance of, say, Spirited Away. But Takahata's Grave of the Fireflies is a cut above. It shattered me emotionally, yet somehow uplifted me spiritually. I don't see it as a sad movie, devoid of hope, as someone wrote here. It is a beautiful tragedy with a message to tell. It is a film for adults and it hits on many levels and I am still seeing meaning in it after three times viewing it. The hope comes from the love of the brother and sister for each other and their dignity. Despite their many hardships they are, with a few exceptions where Saita completely breaks down, well mannered. Meanwhile, everyone they meet cares only for themselves, or at least shows a rude ambivilance towards the two. The contrast is incredible. Yet, judgement is not passed upon them. It is left to us to judge. Nor is judgement passed on the enemy, whom the closest we get to, is seeing them as they streak overhead in their bombers. Also, the hope is shown by the "spirit" Saita and Satsuko who shadow the real characters at important crossroads in their lives and in the very last scene as ghosts watching over modern Japan. But the movie is not about Japan or World War Two or even War itself. It is about compassion and the human spirit. As a film, it is most like Schindler's List and the same emotion and depths of emotion I felt in that movie I feel with Fireflies. Everyone should see this movie.
"Grave of the Fireflies" is the sad tale, based on the semi-autographical book "Hotaru no Haka" by NOSAKA Akiyuki, which tells of the author's experiences during the aftermath of World War II, in which he lost his little sister to malnutrition, for which he blamed himself. In "Grave of the Fireflies," 14 year old Seita and his 4 year old sister Setsuko lose their mother after the Allied forces bomb their village. Their father is in the Navy and at sea, and hasn't been heard from in a long while. Without going through the entire plot, suffice it to say that the story is a moving and frightening look back at the lives of two young children who should never have to face such horrors at their tender ages. The tone and mood of this heartwrenching piece is set from the very first scene, when Seita utters the fateful words "September 21st, 1945. That's the day that I died." Before watching "Grave of the Fireflies" I'd heard that it'd been referred to by many, like movie reviewer Roger Ebert, as one of the greatest war films made, and after watching it, I have to agree. Only a person with the emotional depth of a gnat or the heart of block of wood could watch this film and not feel the emotional power of it. It's the kind of story that lingers in your consciousness long after, and forces you to see the true face of war, the REAL consequences and victims of the violence we seem all too quick to inflict upon each other these days. And the most incredible thing about this movie is its subtleness, its complete lack of political propaganda or any attempt to try to blantantly force a moralistic ideal down the viewers throat. Director Isao Takahata shows supreme trust in the story itself, choosing to use the beautifully illustrated film to portray the tale in all its moving glory. In Japan this movie was shown in schools as an educational piece. I don't know if this has been done in America, but I think that it should. We need to learn to understand the entire spectrum of war, and on an even more basic level, we just need to teach our children the lessons of empathy and compassion so that when they find themselves in positions in which their decisions impact others, they'll take care to consider the consequences before making those decisions. I also think that every world leader should be forced to sit down and watch this film over and over until its message is ingrained into the nooks and crannies of their brains, because it often seems that compassion and empathy are qualities sadly lacking these days.
I've seen this film some days ago, and now i continue thinking about the story of this film. I felt love, happy, sad and pain when i watched the film. Only i tell you that I have NEVER cried so many like in this film. You must to see it!!!!!!!! pd1=I think that should be obligatory to view at school. pd2=I'd like that all governings of the world watched this film. pd3=I recommend it for people older than 14 or 15 years. (It's too sad for the children)
To truly convey the sense of immenent tragedy and hopelessness throughout the entire film they have the opening scene showing Seita (one of the main characters) die and his spirit reunite with that of his sister's, Setsuko, whereupon we watch the rest of the film as Seita remembers the events unfold around them. Right away we know that whatever they go through, whatever good or bad happens to them, Tragedy is lurking somewhere, waiting to strike. Personally, from then on, almost every scene was heartbreaking, but none more so than watching the slow degeneration of his sister's body trom malnutrion, but thankfully not her spirit. This is not to say they were all harsh. There were a few scenes that were just centered around the joy of being alive, but even then there was always something to remind us of what was going on around them. I was as happy as they were getting to watch them run down the beach and into the ocean, or seeing them chase fireflies outside of thier aunt's house, but the best time for me was their first night alone in the cave, and to help his sister to not be afraid, Seita helps Setesko catch a bunch of fireflies to light up their darkened abode. Seeing the wonder and enjoyment on her face was almost enough to bring me to tears after all the previous emotional despair. And it was then extra sad to see them wake up in the morning to dead fireflies and then taking the time to dig them a grave. Very touching. This young girl, while visibly suffering, was generally more prone to have fun and let her attention be diverted. You can see this come to its fufillment when Seita gives her a bite of the watermelon, and she uses her last words to say that it tastes good. No complaints about the pain she is obviously dealing with. No crying out to her brother that she doesn't want to die. Just a simple way of saying thank you to her brother. In this same scene we also see how much Sieta truly cares for Setsuko. After giving her the bite of watermelon, he generously sets a piece on her chest, and the rest within easy reach. Instead of breaking his fast with her, Seita selflessly rushes outside to start the rice cooking, more for her than for himself. In his rush to meet her needs he doesn't even realize that she has said her goodbye to him, and she dies while he is in the act of helping her in the only way he knows how. Another heart rending scene is after she dies and we see a rememberance of how she played and tried to help take care of their small live-in cave. Seeing all that innocence shown so purely in the face of a child in the midst of war moved me to tears and made me thankful to be a father of a similar aged little girl. This is a movie that truly stays with you and changes how you look at things. Normally after watching a movie I will read, write, or socialize with my wife of friends for awhile. Not so after this one. I went to bed deeply impressed by what I had seen. I awoke the next day thinking about it. I had one of the most mellencholy days that I have ever worked because I was in a constant remeberance of it, trying to soak up all the lessons in it, as I knew I would not watch it again for a long while. It was almost twenty hours later that I finally picked up a book again, a long time for me. And even now it is still right there, beneath the surface of my normal thoughts. Just writing this review brings back vivid scenes. One last thought about the movie. As other reviews have said, it was upsetting to see the way their aunt treated them. She basically drove them out of the house in all ways short of actually telling them to leave. But one cannot really blame her for her actions. Sure she was being selfish. But she was also living in fear. It really was taxing her family's resources having them there. There wasn't much to go around.In these kind of circumstances most people will try to hold onto everything, becuase you might not survive if you have to share your meager things with others. She shared with animosity and disaproval of their every action because she had no ideathat giving out of Love and a desire to help your fellow human will bring you more back in return. My final words are watch this. Even if it is hard for tuo to see, or brings up things you thought were past, watch it anyhow. You will be better off for it. Personally I would not recomend letting children view this though. Let them retain their innocence while they have it. War, pain ,and death are not pretty sights, but even less so for our young ones. ... Read more | |
| 68. Transformers - First Season Collector's Edition | |
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Amazon.com Reviews (175)
SOUND QUALITY (2/5 STARS) EXTRAS (5/5 STARS) SPECIAL/UNIQUE ON THIS DVD RELEASE: COMMENT:
Rhino did one better by restoring the series, going for the 35mm source, and the original vocal/sound effects tracks. While the sound is spot on (and actually better, as the "changes" reflect effects unearthed in the new mix), the 35mm masters are from the *first* take that Sunbow ordered. In essence, that source has errors that were corrected (or not, depending on the episode's budget) before airing. For the most part, Rhino has corrected these errors using alternative sources (including the suddenly very horrid-looking broadcast master), but they weren't perfect (and the bonus disc manages to catch them with their pants down)-there are additional moments where Starscream, Skywarp, and Thundercracker are miscolored, for instance, and the disappearance of the Decepticon space cruiser in "More Than Meets the Eye", Part III. Rhino wanted the best quality possible, as evidenced by a few feats of digital editing where the 35mm master was only slighty "wrong". However, most have noticed the big issues with "Heavy Metal War", which has a huge host of "new" errors, while still covering up a lot of problems with the 35mm master (the last minute or so of the ep has a good 4 cuts to the broadcast master in order to cover up missing animation, for instance). However, since the ep features the first appearance of the Constructicons (plus a major battle between Optimus Prime and Megatron), we notice the errors that much more. The fact that the three affected scenes are the ones featuring Megatron's challenge of Prime, the power transfer sequence (which Rhino would have been better served by just using the broadcast master for the entire scene, save the few shots that weren't fixed by Sunbow in 1984), and the battle between Prime and Megatron makes it almost unbearable on some level. Rhino did a great job with the remastering process, even with their mistakes. Of course, Toei's mistakes in processing the animation (most of which are amazingly dumb, especially for such a high quality studio) and the lack of a 35mm master of the corrected episode don't make it any easier for Rhino. One not only hopes for an even better job from Rhino with season 2, one expects it, largely because the re-take budget dwindled to practically zero from that point on as Sunbow's workload increased almost sixfold (as evidenced by the whopping three distinct styles in the animation in Season 2). Regardless, if you like Transformers, you'll probably enjoy this box set.
From the introduction of the Transformers in the 3-part opening episodes "More Than Meets The Eye" to the introduction of Skyfire (Fire In The Sky) & Dinobots (S.O.S Dinobots & War Of The Dinobots) to the introduction of the Constructicons (Heavy Metal War) & the Insecticons (A Plague Of Insecticons). This first season is what started it all. None of us would be writing reviews, or caring about the Transformers all these years later, if not for this first season. The 2nd season gets better with introductions of Omega Supreme, the Aerialbots and others. The 4th disk is all Special Features with bumpers, Botcon special and oher extras and outtakes. The first Box Set is definately one of the best. The animation and characters stand the test of time. This was long before they created Transformers with little or no character. Optimus Prime is one of the best leaders ever in a cartoon, cool characters like Sideswipe, Jazz, Bumblebee and many others in the first season left us fans wanting more and more. The only problem I have with the Transformers cartoon continuity (not this box set but the overall series) is that there seems to be chunks of story cut out. For example, how did Teletran One get destroyed? What happened to the Ark? Where did Transformers from the Movie come from originally? Was Hot Rod built by the Autobots on Earth or was he a rebuilt Autobot from Cybertron? Same for Sky Lynx. Who created Autobot City aka Metroplex? What happened to Sparkplug (Spike's Dad)? If someone could answer some of these questions please feel free to email me at Joecool1@ptd.net
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| 69. Akira (Special Edition) Director: Katsuhiro Ôtomo | |
![]() | list price: $39.98
our price: $31.98 (price subject to change: see help) Asin: B00005MAM2 Catlog: DVD Sales Rank: 2188 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description 2) Todd McFarlane Toy Insert (limited to 300,000 total inserts)* Anime masterpiece first time ever on DVD for North American release! * Created and directed by Katsuhiro Otomo.Special Features: * Digitally re-mastered including High Definition film transfer, High Definition restoration. * THX Certified * New English dialogue, new 5.1 mix (on the English audio only), scene access and more. * Disc 2 contains supplementary materials including "Akira" Production Report, "Sound Clip," director's interview, trailers, production materials, Restoration of "Akria", and "Akria" glossary. * Widescreen format (1:78) and enhanced for widescreen TV's (anamorphic).Akria The Special Edition (DVD9, 2 discs) Reviews (557)
The Special Edition vocals are a departure from the old vocals, and, as other reviewers here note, are not always an improvement. The translation is also subtly different, with fewer memorable lines. However the story is easier to understand at the same time. Both versions have their high and low points... The DVD transfer, BTW, is flawless -- and the soundtrack on DVD (I had worn out my VHS type) is impressive with my 5-speaker Dolby Digital setup. The movie also has some of the downsides of much Anime -- some characters are cardboard cutouts, the animation has moments of lameness that appear dated followed by beautiful, flowing chase scenes. And the movie does not always make perfect sense, but then, if you are watching a movie about people who can channel pure energy, why get technical? Warning for all squeamish people: This movie is NOT for you. More people die in this movie than in Apocalypse Now, Platoon and Pearl Harbor combined. (Of course, 20 million people die in the first scene, but that's beside the point...many of the deaths are graphic and my wife had a hard time watching). The Special Edition includes lots of neat extras on the second disc -- trailers, making of, cool stuff about the weird instruments used to make the eerie music, and an interview with the creator, who doesn't seem to realize the enormity of his creation.
A brilliant, visually stunning, spectacular and unique futuristic animated science fiction thriller from Japan that set the ground for anime back in 1988, based on a popular Japanese comic book and is one of Japan's most popular and highest grossing movies. In 1989, it was brought here in America and amazed audiences as well as critics and introduced them to Japanese anime. Phrased for it's awesome animation, great artwork, details, stunning background, ultra-violence, high action, Atmosphere, character devolpment and a odd ending which makes this movie a one-of-a-kind experience that you must see on DVD. The DVD 2-Disc set is great and has great picture quality and CD-like sound in THX, Widescreen format, Bilignal with english Subtitles, and tons of Extras such as Trailers, "Behind the Scenes" and more, so if your interested in Anime or a fan of Animation, Science-Fiction, Action and anime then this is a must own. Also recommended: Ghost in the Shell, Blade Runner, Scanners, Total Recall, Heavy Metal, Day of the Dead, Carrie, Roland Emmerich's Making Contact ( a.k.a. Joey), The Shining, 2001: A Space Odyssey, Starship Troopers, The Matrix, Mad Max, Fist of the North Star ( 1986 animated), The Crow, The Road Warrior, Firestarter, The Rage: Carrie 2, The Fury, Metropolis ( anime version), The Dead Zone, Nightmare City, Die Hard, The Noah's Ark Principle, Saving Private Ryan, Esclaflowne: The Movie, The Sixth Sense, Minority Report, The Running Man, Wizards, The Thing ( 1982), Altered States, The Stand, Terminator 1 & 2, and Spriggan: The Movie.
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| 70. Visitor Q Director: Takashi Miike | |
![]() | list price: $29.95
our price: $26.96 (price subject to change: see help) Asin: B00006FDBW Catlog: DVD Sales Rank: 11845 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (25)
great flick, way more enjoyable and stimulating than 'happiness of the kitakuris'. takashi miike is awesome.
Visitor Q examines a Japanese family with more problems than you could shake a stick at. The movie opens up with a young prostitute and a middle-aged man engaging in intercourse in front of a home-video camera. Throughout the act, the man keeps expressing remorse and doubt about what he is doing. Remorse for what, cheating on his wife? Nope, turns out the prostitute is actually his daughter. After this disturbing act that lasts not long, the lady taunts her own father with cries of "early bird!" and charges him 100 000Yen for the act, way more then he can afford. No problem, the girl says just give the rest of the sum to mom once you have it. Incest is the first of many atrocious acts committed by this family. Throughout the course of the movie the viewer is submitted to various scenes of necrophilia and domestic violence. Most bizarre is the young teenaged boy who continuously whips and beats up his mom, a crack addict and herself a prostitute. Mom doesn't seem to mind too much though and even encourages the boy to beat her up even harder as long as it's not on her face. Visitor Q has a cheap Snuff-film kind of look to it and I wouldn't be surprised if Miike had filmed this with an 8mm camera, it certainly looks that way. If Miike's sole intent with Visitor Q was to shock the viewer with as many outlandish images as possible than this can be considered a success. However, I found this film to be quite lacking on an emotional level. The family and their disturbing actions are presented in such a hollow way that the viewer doesn't even feel any sympathy towards them. The family members themselves seem to be quite satisfied with their current lifestyles. There is only one exception in the form of a scene where the young woman who works as a prostitute sits on her bed in her room and holds a stuffed animal in her hands. There is a glimmer in her eyes that suggests that better days used to exist for her. It would have been nice to see fragments of the family's past so that we could answer the following questions: Has this family always been this screwed up? If not then what led them to become this way? What is the purpose of them holding a video camera and wanting to tape all of their atrocities? Miike never bothers offering any answers. Visitor Q works well as long as it's taken strictly for what it is intended to be: a piece of exploitation filmmaking. It doesn't challenge on any emotional level the way Audition does, it's just a forum to throw as many shocking scenes in the viewer's way. Or is it perhaps meant as a social commentary on the ever-increasing absurdities of reality TV? Or a portrait of the changing dynamics of a Japanese society that has over the last couple of decades increasingly become attuned to the ways of the American models of entertainment and capitalism? It's open to our own interpretation but one thing's for sure, Miike never fails to shock or to challenge.
Very bad...THis movies plot was just as stupid as the film...DO NOT GET THIS FILM!!! -0000000/5 stars
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| 71. Ghost in the Shell - Stand Alone Complex (Vol. 1) [Limited Edition DTS DVD and Audio CD] | |
![]() | list price: $49.98
our price: $39.98 (price subject to change: see help) Asin: B00024I18W Catlog: DVD Sales Rank: 4789 Average Customer Review: US | Canada | United Kingdom | Germany | |