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| 121. Bullet in the Head Director: John Woo | |
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Amazon.com Reviews (33)
Loud, irritating and chaotic. Jacky Cheung's shameless overacting and bulgy, beady eyes were as irksome as the excessive violence - give this one a miss - its a wet blanket of sentimentality and schlock.
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| 122. The Bride With White Hair Director: Ronny Yu | |
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Description Reviews (58)
What a bloody freak show.
++if your looking for a more like crouching tiger h.d movie then naww this is not the type for you..... you should check out Dragon Inn then..... ++if you don't like this part (1) then you souldn't get part 2 cause, part 2 just Su&^K ai ya but, worth siting through till the end...... ++this movie is GREAT two TUMBS UP! ... Read more | |
| 123. Butterfly and Sword Director: Chi Li Tang, Michael Mak, Michael Mak Dong-kit | |
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Reviews (16)
Despite a strong cast and beautiful scenery, the movie ultimately disappoints. One saving grace for this film is Donnie Yen. Though his great talents were wasted in his fight scenes due to over-use of wires, poor camera work and disastrous editing, he managed to compensate by putting more heart and warmth into his character, the ever serious but sincere Yip, who is the only likable character in the film. Too bad we have not seen Donnie Yen as often as we see Jet Li or Jackie Chan. A much better actor than Jet Li and extremely gifted in martial arts, he exuberates a certain charisma that simply draws people to him, either in a major role or a supporting role. Michelle Yeoh on the other hand is marvelous. She conveys emotions just as effectively as she does swirls and kicks. The scene where she glides through the air between two bamboo trees is one of few good action scenes in the movie, but it perhaps is one of the most graceful and elegant scenes I have seen in any martial art films. Two stars for Michelle and Donnie.
Donnie plays a drunken loaner, who's hopelessly in love with Michelle Yeoh. Aside from that, there's Tony Leung and his goofy wife. The rest of the cast is pretty cooky. This is a typical early 90s film for those of you familiar with the genre.
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| 124. Anna and the King Director: Andy Tennant | |
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Reviews (126)
This movie in all its entirety affected me very deeply. The intense emotions of the characters are so expertly performed and directed that they feel incredibly real. These emotions, which course through "Anna and the King," create a moving, exciting, and anticipatory experience. I am very grateful to all of those involved in the making of "Anna and the King" for producing such a beautiful and extraordinary film. Anyone who is contemplating viewing this movie... do it. I only hope that you, too will have the pleasure of being able to fully indulge in this feast for the senses.
The movie evolves around three clear themes. First, the clash of cultures, which is enlightening and entertaining and as the movie evolves so does the acceptance and admiration each of the characters show for the positive points of the other's culture. Second, the relationship between Anna and the king, which starts as annoyance, moves to respect and continues developing from there. Third, the political atmosphere, which is characterized by attacks to Siamese people by Burmese armies, suspected to be supported by no other than the British Empire (the events unfold in 1862). Although the movie is rather long, the events unfold at a pace that keeps the viewer interested at all times. The music fits the mood of the action perfectly well, and in the proper scenes it is so uplifting that it steals the attention of the viewer. Jodie Foster delivers a well-rounded role, but in my opinion the performance of Chow Yun-Fat is at a higher level. Finally, the scenery and the palaces where the movie develops are absolutely amazing. Overall this is a highly enjoyable movie that will leave you thinking for a while about how every culture has its positive aspects and how, with a little patience, everyone can learn to appreciate this.
I also recommend the soundtrack, it is beautiful and suits the story well. ... Read more | |
| 125. Sonic the Hedgehog: The Movie Director: Kazunori Ikegami | |
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Reviews (93)
Robotnik has Sonic and Tails head for Robotropolis to stop the Robot Generator from exploding. The duo, along with Knuckles, save the day, but it was a set-up just to capture Sonic's data for the all-new HyperMetalSonic. And Robuttnik is planning to destroy the Earth of the Sky! HyperMetalSonic is not "never-before-seen" as the cover dictates. Metal Sonic was directly from the 1993 Sonic CD game. He also appeared in Knuckles Chaotix, Sonic R, and a few issues of the Archie comic books (#25, to be exact, and two upcoming issues). Sonic would definitely have needed 50 Magic Rings and seven Chaos Emeralds, but this film makes no mention to the Rings or Emeralds. The videogame Sara loses to Robumnik is reminiscent of "Sonic the Fighters", an arcade-style fighting game that never came out on Saturn. Viewers will notice Buttnik's robots fanning the President and washing the windows. Overall, this is a great movie, and it had Knuckles, whose only other animated appearance was in an episode of the new "Sonic Underground".
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| 126. Return of the Dragon Director: Bruce Lee | |
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Reviews (55)
Much of the cast from Fist of Fury (The Chinese Connection US title) are back in this Italian mobster / martial arts flick. The story is quite simply a case of the Italian mob trying to get the daughter of a recently deceased restaurant owner to sell the property over with little success and so they turn to violently disrupting the restaurant's clients and employees. Bruce Lee arrives from Hong Kong to solve the problem which allows for various set pieces involving lots of fist and foot action. Way of the Dragon (or Return of the Dragon US title) isn't a patch on Fist of Fury (The Chinese Connection US title) in terms of story or Bruce Lee kicking bad guys around the place but it does bolster some fine moments all the same including a very good final showdown with Chuck Norris in which both martial artists flex their wares before going at one on one. Although Bruce Lee has improved on his technique since the latter films this may disappoint those who where expecting more action than what was in Fist of Fury. The nunchaku scene is certainly less graphic or intense than the one in the Fist of Fury but at least he has two of them this time! There is also a very good scene involving a test bag kick which sends the bag holder flying and an okay kick-about on some wastelands but the end fight between Lee and Norris is really what this movie is about and this is probably the only reason why you should want to watch this. So get this movie to see one of the great Bruce Lee one on one battles, but choose Fist of Fury if you want to see Bruce Lee scrapping virtually non-stop.
The chuck noris and bruce lee fight is a pretty good end fight sceen too.
The movie is nothing short of brilliant and it has several themes to it, and yes I'll explain everyone of them. Bruce Lee in all his films managed to maintain a family element in his films. He is either fighting alongside family members against crooked politicians or Chinese gangs. In short, he comes to his family's defense when they need him. Also unlike most Hollywood directors who use people for a film and throw them away, Lee always wanted to include his friends in his films (Chuck Norris, Kareem Abdul Jabbar, Nora Miao and others). The costar of this film, Nora Miao was in The Chinese Connection and Fists of Fury. She is a pretty decent actress in those films. So Bruce comes in to help his family from these thugs threating their humble establishment and he beats the hell out of them. LOL I remember the first time as a kid I saw Bruce Lee's movie in the U.S. not only were they good ,but soon after many Asian stars (Jet Li, Chow Yung Fat, Jackie Chan) saw there was a market for martial arts action and gave their best efforts to live up to the same high quality Bruce Lee had in his movies. On top of that, the whole Martial Arts movement have inspired many people to take self defense karate courses and martial arts training. A kick can do much more damage than a fist sometimes. Anyhow, soon the head crime boss (Robert Wall who is the godfather of Freddie Prince Jr.) enlist the help of a famous US martial artist named Colt (Chuck Norris) to eliminate Bruce. The action scenes are incredible. To see Bruce go into his routine and execute his moves to perfection is inspiring. Especially the fight with Chuck Norris, before fights him he goes into a mind boggling array of stretch exercises that were soon copied by bogus Bruce Lee imitators including Chuck Norris. Without giving too much away, the film is jam-packed with flying fists, kicks and humor. In one scene for example, an Italian thug tries to use Bruce Lee's nunchucks against him and ends up hurting himself!!! The movie is a great buy for any action fan, and if you're a Bruce Lee fan, you should have this in you're collection. More info about the movie: On Amazon.com, the movie has gotten great feedback from it's viewers, including Leonard Maltin. Chuck Norris was a student of Bruce Lee's martial arts school along with James Coburn, Kareem Abdul Jabbar and others. Raymond Chow produced this film but it was Lee who wrote ,directed and starred in it. Raymond Chow has executively produced other great martial arts films like "Police Story" by Jackie Chan and the Bruce Lee movies "Fists of Fury" , "Chinese Connection" and "Enter the Dragon."
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| 127. Bride of Chucky Director: Ronny Yu | |
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Reviews (179)
I also thought that the music was perfect for this movie. Instead of using a creepy musical score, they used songs from Rob Zombie and other metal groups. The features on the dvd were very good. The audio commentary with Jennifer Tilly (Tiffany), Brad Dourif (Chucky), and Don Mancini (the movie's writer) were both informative and funny. I won't give the ending away, but let's just say that it was unexpected. It was gross and sick...but it was also a perfect ending that will lead to the next Chucky movie.
What places this movie a cut above the usual moronic slasher flick is an OUTSTANDING performance by Jennifer Tilly as Chucky's "bride" Tiffany. I had never seen her in a starring role before, and the whole time she was on the screen I kept asking "Who IS this chick? She's great!!" and couldn't wait to look up her name in the closing credits. -- Definitely not the usual quality of acting you'd expect in this type of B-movie. After she meets her demise and is transformed into a doll, the film becomes more predictable and gradually descends more to the level of your standard Chucky flick. The late great John Ritter's talents seem wasted here in a pretty cardboard role, and unfortunately the two teen leads are never more than the typical generic "kids in distress". But director Ronny Yu does seem to have some notion of his film's place within the horror genre, and there's a wonderful and inspired nod to classic horror and "The Bride of Frankenstein" during Tiffany's transformation sequence. Nice little touches like this, and the fact that this movie does not take itself too seriously and often seems more like a parody of the slasher/Chucky genre, made it even more enjoyable for me. I hear that Jennifer Tilly will also be involved in the sequel currently filming, "Child's Play 5: Seed of Chucky", which should make it interesting. But I actually wish they'd go back and do a PRE-quel to this movie, focusing on living woman Tiffany's life before bringing back Chucky. -- She is one deliciously twisted, mean and sexy momma! This movie has not made me a Chucky fan, but it definitely has made a new fan of Jennifer Tilly out of me. In conclusion, if you're looking for a fun, mindless and light movie just to waste a couple of hours on, this one isn't bad.
This is not a good film. It is a horror movie that is so over the top on ridiculousness that it borders on comedy. I never thought I would see Chucky the killer doll, who I feared so much as a child, in a love scene. Seeing Tiffany the killer doll making cookies for Chucky while they're holding a couple hostage is quite amusing. The domestic dispute that develops between the dolls shortly after this is just hilarious. This movie isn't for everyone. You'll enjoy this if you were a fan of Jason X, Freddy vs. Jason or the Evil Dead movies. If you have a dark sense of humor you'll probably love this movie. ... Read more | |
| 128. The World of Apu Director: Satyajit Ray | |
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Description Reviews (13)
The middle of the film shows the happy time when Apu and Aparna get to know each other and fall in love. Two people who were complete strangers become incredibly close as we see a simple romance that rings true in a way few in cinema ever have before or since. However, after all of the suffering and hard times we have endured to this point in the trilogy it is hard to believe that Apu has finally found happiness, and indeed tragedy follows. We are suddenly confronted with the sense that we have come full circle and that once again our hopes in this story have come down to the fate of one small boy. Even after three films Ray's genius is in using the camera to show character. What is memorable in these films are always the moments, and not the dialogue. It is the look that characters give each other than communicates much more than the words. For those who would complain that they do like to watch foreign film because it involved reading subtitles, these films should not be a problem. Ultimately it is the cinematography of Subrata Mitra and music of Ravi Shankar that are the chief mediums of communication (the only other time I have been struck this much by a similar combination was in "Road to Perdition," where the late cinematographer Conrad L. Hall won his final Oscar and Thomas Newman was nominated). Although "The World of Apu" can stand on its own, you would be foolish not to go back and start with "Pather Panchali" ("Song of the Road") and "Aparajito" ("The Unvanquished"). Satyajit Ray is one of the greatest directors of the world, whose impact on the film industry in India was monumental, and deservedly so. When you are working out the short list of "foreign" directors with whom you need to become familiar Ray is right there with Akira Kurosawa and Ingmar Bergman.
Leaving his disturbing past,Apu is now working in Calcutta.He is now alone in the world- no strings attached.He dreams to be a writer,he plays flute in his time off and he thinks he is different from any other young man-Apu lives in his dreams.He never ever wants to "settle down"-he hates that kind of a life.One day his friend Pulu comes in to his den and invited him to his sister's marriage.By some beautiful twist of fate,the groom turns out to be eccentric and Apu lands up marrying the bride(Aparna).They start a new life back in Calcutta. Ray paints the young and funful lovelife of Apu and Aparna with some eternally beautiful scenes.Camera tells more than spoken words in this part of the movie.Apu assures Aparna on the way back from a movie show that he would dedicate the book he is working upon to Apana. Now comes the inevitable-Aparna dies in her native place giving birth to their son Kajal.Apu couldnot believe this news--how could this happen to him again and again?He leaves Calcutta forgetting Kajal(to Apu,Kajal's existence would mean Aparna is nowhere now) although the manuscript was with him. Apu did not want to "settle down"--now his life has been unsettled by fate-the whole world is now meaningless to him. On the other front,in Aparna's native place,the 6-year-old boy Kajal's world is strikingly different from any other boy's world of his age-while he believes his father is very strong ,very big and stays in Calcutta although he has never seen him-and he does not belive these guys who are telling that his father would never come back.But,one day his father really comes back--just to show up his "responsibilty" and not to take his son back as he's an alien to him. But,seeing Kajal's life has become a hell without a "father's presence" -Apu,perhaps for the first time in his life makes a conscious and mature decision of taking his son back with him. The ending scene of the movie is a celebration of life--as Apu is seen laughing again and Kajal,on top of his father's shoulder,too is laughing and Kajal's eyes show the lovely dreams which reminds us of child Apu himself.The life goes on instead of ups and downs.
Apu's ancestral family home has been destroyed; he has lost his sister, father and mother and is now living alone next to a noisy railway. As he faces the realities of existence, he spends his time reading, playing a wooden flute and occasionally looking for work. His job prospects are disheartening at best. His optimism is reminiscent of his father's attitude to life and he is also becoming a writer. His beauty and artistic carefree spirit is always in danger of being funneled into a life of quiet desperation. After reuniting with his childhood friend Pulu (Swapan Mukherjee), Apu attends a wedding in which he ends up having to make decisions that changes the entire course of his life. Aparna (Sharmila Tagore) and Apu fall in love and yet can we hope that Apu has found true happiness? All hopes are soon dashed as the unthinkable occurs. As Apu dreams of publishing his own novel, his life plays out a story of impending doom. The scene where he lifts a child from a location close to a railroad is a foreshadowing of an event that soon takes place in his own life. Finally life throws him a challenge he is not willing to face. It takes times for Apu to process the tragedy in his life and finally he is overwhelmed by grief. Although this movie is filled with tragedy, there are moments of humor. Apu's casual defiance when he turns on the lights amused me because I'm always turning on lights and my husband is always turning them off. You will find yourself laughing at various moments throughout the Apu Trilogy. The World of Apu is best watched after viewing Pather Panchali and Aparajito. After watching all three movies I tried to sleep for a few hours and awoke with words racing through my mind. The Apu Trilogy immerses your mind in a world of contemplation and I could not help thinking that Apu was on some journey towards enlightenment. Through his suffering he learned more than he could have ever learned through a life of leisure. Throughout Apu's life he continues to show an almost undaunted optimism and in the end he exchanges the fantasy for the reality. ~TheRebeccaReview.com
regardless of anything and everything, however, one should walk the desert and cross the seven seas to see this movie. 'the world of apu' is a complex study of the artist, the role of economic conditions on the artist's life, and a commentary on india's traditional marriage system. and yet, with all these topical distinctions, the movie rarely fails to do anything but touch the heart - in light or in break - in the most primitive and simple way possible. to put things into perspective, this movie encapsulates the most beloved director, actor, actress, and musician of the bengali speaking world in 1959. and in 2003, it is one of the most beloved movies of anyone and in anywhere in the world. 'the world of apu' is not only my personal favorite of the apu trilogy, but along with the stars, the moon, and the air that i breathe - it is one of my favorite things in the world. criterion, are you out there? ... Read more | |
| 129. Highlander - Endgame Director: Douglas Aarniokoski | |
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Amazon.com Reviews (218)
So what we have here is a tale of two immortals, Connor and Duncan MacLeod (Christopher Lambert and Adrian Paul), who apparently are out to stop an even more powerful and evil immortal (Bruce Payne) who holds a grudge against Connor. That's the basic premise, but getting into details would only be confusing, to me and whoever's reading this. There are a LOT of subplots at work here, individual scenes that don't really seem to mesh with the main story, and if they do, they're never concluded satisfactorily. Example? How about when Connor is kept locked in a room with an iron mask covering his eyes; how exactly did he end up there and how did he even escape? What about those people who keep track of the immortal kills; who are they, how do they do it, and considering there are tons of rules these immortals have to follow in combat, how come these people never enforce the rules? For that matter, considering the evil Kell (the film's villain) isn't even following these rules, why shouldn't Connor and Duncan team up to take him down? Those are only a few of the movie's numerous head-scratchers, suffice to say if this is the first and only Highlander movie you've seen, don't worry, I'm as every bit as confused as you are. The series never follows a singular mythology, which simply means if you watch the first film, each of the individual sequels plays as a follow-up to that film, and certainly not the one that came before it (i.e. part 2 sort of follows part 1, part 3 negates part 2 and follows part 1, part 4 negates part 3 and follows up to part 1). But even that rule isn't completely sound. Even Highlander: The Quickening chose to negate much of what occurred in the first film, done in such blatant manners that you can't help but slap your forehead when you witness what a true mess this series became. If you've seen it, you know what I'm talking about; Connor and Ramirez are really from another planet called Zeist and they've known each other from then (which makes their "first" meeting in Scotland in the original film a headscratcher). I haven't even gotten to the fact that all these immortals are fighting to return to Zeist, even though they were banished there for being rebels (doesn't this mean they should all, I dunno, work together?) According to the Renegade version, immortals are from the past, which is still almost as mucked up. But I digress, the point here is to review Endgame, and for what it is, it might please Highlander fans, if they prefer Paul to Lambert, as the former is the true star of the picture, and is highlighted in most of the action sequences. The action itself is relatively decent, the climactic swordfight could have been better filmed, but it's not like I was expecting a lot from the action in this movie in the first place. When it comes to the series, I'm a casual open-minded viewer and what keeps me coming to each sequel is the hope that finally, someone will capitalize with the grand ideas at work. Instead, this quartet is mostly viewed as an embarrassment to sci-fi/fantasy/action filmmaking, an insult to lucid storytelling, and a spit in the face to those who enjoyed the first movie. I didn't absolutely hate Endgame, it's had enough watchable moments to keep my attention, but it's definitely a bad movie, and doesn't have the awe-inspiring kitsch value of The Quickening. I have one more thing to complain about and that's the amount of effort put into marketing this picture. Obviously, Dimension films wanted to milk the series for all it was worth, but they actually gave us trailers that featured cool scenes that were never even meant to be in the film. Alternately, when we have a great sci-fi action film like Equilibrium left to die at the box office, I'm only further upset at what Dimension believes is or isn't worth marketing.
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| 130. Bulletproof Monk Director: Paul Hunter | |
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Amazon.com Reviews (64)
60 years ago in Tibet, The Monk with no name (Chow Yun-fat), a mighty martial arts warrior, has been entrusted with the Scroll of the Ultimate, which has some kind of incantation written on it. If anyone were to read it aloud in it's entireity, they would gain ulimited power. Obviously, not everyone would use this power for good, like the evil Strucker (Karel Roden), who wants it to rule the world. He's been chasing the Monk every since he obtained the right to protect the scroll. Now, in present day New York City, Strucker is still chasing the Monk, who must soon find a replacement protector for the scroll, since one person can only guard it for 60 years at once (One of the perks to guard the scroll is that for that 60 year period, you don't age one day.) And the Monk may just have found the right man for the job. Kar (Seann William Scott) is a poor pickpocket with impressive martial arts skills, which he has gotten from imitating kung fu movies at the theatre (aptly named the Golden Palace) where he is the projectionist. Kar, it seems, keeps on fulfilling prophecies that the next protector of the scroll must. All the Monk has to do now is teach Kar how to use his skills for good, and that if you truly believe that the laws of gravity don't exist, then they don't. BULLETPROOF MONK is one of those movies based on a comic book that nobody has ever heard of (along with TIMECOP, MEN IN BLACK, THE MASK.) But loaded with more (...)to satisfy any martial arts buff, it is simply not a movie you should allow yourself to not see. You can count on it.
To sum up, I'm quite frankly embarassed to have this movie in my possession. Maybe I'll donate to the local library so other people curious about this trash may only have to waste their time and not their money as well.
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| 131. A Man Called Hero Director: Wai Keung Lau | |
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Description Reviews (25)
Don't get me wrong, I loved the movie, but hell... It tried to do way too many things at once. There's a great deal of characters, subplots, and confusing flashbacks (the editing could've used work). The first half of the movie is also quite slow. But dammit, forget the story and watch the actors and special effects. Ekin Ching does a good job of protraying Hero and Bad guy Francis Ng is excellent as usual (he's such a badass). The surprising role was in Shu Qi - who is usually protrayed as a ditzy, young, immature, and spunky girl (Storm Riders and Gorgeous). Here, she plays a serious and quiet (!) Japanese Ninja who becomes emotionally involved with Hero (although the movie never develops this point... in fact, the movie never really develops anything at all). Overall the movie has an impressive cast - although it's kinda funny to watch the Japanese roles given to Chinese actors. Yuen Biao is also present with a very small part. Special effects are excellent, although I'm not sure how to compare it with Storm Riders. The climatic fight has a little bit of corniness and is sped up to the point of being unrealistic. When Francis Ng calls Ekin Ching and his voice zooms through the entire city of New York, I tripped out. Never in my life have I seen such a concept on film. Other great moments belong to the sword fight in the rain and the run in with Hero and the Japanese Ninjas (although the outfits were silly). In the end I was wondering what the hell I just watch and tried to make sense of the story... After a while I realized that it didn't matter - it was fun to watch and I was very satisfied with the effort put into this production. I'll be waiting for the sequel - for now, this Special Cut DVD was worth the money.
The movie leaves you guessing as to how Ekin got his powers. However, you may have been inclined to focus solely on Hsiu Chi.
I won't go into a massive rehash of the plot b/c the film does suffer a bit from some of the hallmarks of Hong Kong cinema: there's far too much story to be told in two hours, but, somehow, it all manages to fit together. There are a few plot points (Sword Hua's search for his sister, Hero's love-hate relationship with the Elements, Shadow's real intentions, etc.) that don't get enough screen time -- surprisingly -- but sacrifices were made, and what's left for the story is more than enough to chew. This film is dazzling to watch, and I think it so for a variety of reasons. It takes the traditional martial arts formula of the mystical hero, and it turns the film upside down to avoid going overboard in every way possible. Also, it strives to be much more of a contemporary 'period piece' -- set in what one could guess is America, circa 1920/1930 (I honestly don't remember that a date was mentioned) ... a creative choice that does give the principal characters far more of a 'superhero' feel and less of battling martial artists. That and EVERYTHING THAT COULD POSSIBLY BE WRITTEN ABOUT THE FILM'S CLIMAX ON THE STATUE OF LIBERTY MUST BE BELIEVED! While there are a few parts of the Statue's final battle that are hard to swallow, it's easy to look the other way and just be dazzled in the way many other blockbuster films have tried to do. A MAN CALLED HERO (not to be confused with Jet Li's HERO) is a remarkable find, and it's a remarkable piece of work from a man called Andrew Lau. This is a definite owner. While parts of it are more guilty pleasure than anything else, A MAN CALLED HERO is wonderfully entertaining and even manages to tug on a few heartstrings along the way. ... Read more | |
| 132. Fist of the White Lotus | |
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Overall the movie is extremely entertaining and has some great fight scenes and some very interesting and unique training scenes. Pick this one up. It's an important assett to your kung-fu collection.
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