Reviews (104)

Classic Audrey Hepburn... with an Interesting "Backstory"
This is by far one of my favorite Audrey Hepburn movies. In "Roman Holiday," Audrey plays a reluctant princess who escapes from her repressive royal life to have a one-day adventure in Rome... with Gregory Peck. This is a classic 1950s fairy tale romantic comedy.

It's hard to believe that "Roman Holiday" was Audrey's first major film, because she's fabulous in it! She has a certain grace and charm that is unequaled. The Academy clearly agreed... Audrey won the Best Actress Oscar for her role as Princess Ann.

What most people don't know is that the script was an original creation by the famous screenwriter, Dalton Trumbo. Trumbo had already been blacklisted for refusing to answer HUAC's questions regarding his possible Communist affiliations. Trumbo was sentenced to a year in prison, and he spent his last few months of freedom working diligently on the "Roman Holiday" script. He was able to sell the script (for much lower than his usual price) by putting a friend's name on it. The money he earned from "Roman Holiday" took care of his family's needs while he was in jail.

"Roman Holiday" is a fun, family-friendly romantic comedy. I highly recommend it!

Simply wonderful
What a wonderful movie! What a great romantic fantasy!
It is one of my all-time favorites, one of the films I could watch several times, without getting bored.

I don't think that the plot is important here, but the way the actors performed and the place where the story is set.
In Rome, a European princess manages to escape the rigid and boring life and have and unforgettable experience, living for one day as a normal person. She does all the things that she was not allowed to do before, such as cutting her hair, eating ice-cream, strolling down the streets and why not, falling in love with an ordinary man.

This is the role that brought Audrey Hepburn an Oscar and made her a well-known star.
It is the natural and ingenuous performance that makes her such a charming and unforgettable character, a graceful presence on the screen.

Her companion is Gregory Peck who has also a great performance and makes the film even more delightful. He plays the part of a young and charming journalist, looking for news that might increase sales of his newspaper and bring some money in his pocket.

The DVD includes also a section with a kind of "making of": interviews of the people who participated at the shooting, memories, etc. This is even more interesting, as you will have the chance to listen to the people who were involved in this project, and the stories behind the scene. You will also see that time did not alter too many of Audrey Hepburn's features and even at an older age she still looks refined and elegant.

I have one complain about this movie: 118 minutes seemed to be not enough for such a romantic story. I believe that everyone of us would like to dream about what is like to be lost in the "eternal city" for one day and enjoy the simple things of life.

Light, feel-good romance in Rome
Since my family is going to Italy this summer, my father had us watch Roman holiday because of the setting and all of the landmarks shown in the movie. It was my first Audrey Hepburn film, and it definately will not be my last. In this ligh hearted tale, a princess of a European country becomes fed up with her duties and sneaks out to enjoy a day in Rome, where she soon meets, and falls in love with, an american reporter. This movie is incredibly charming and very romantic, with one of the saddest endings that doesn't seem all that sad. I would recommend it to everyone, regardless of age or movie preference.

It's always open season on princesses
ROMAN HOLIDAY should appeal to everyone who loves a good romance, and this one is a great one. The rest us of will be well content with the splendor of Rome and the chance to see the remarkable Audrey Hepburn in her debut movie. In other words, ROMAN HOLIDAY has something for every palate.
The plot? Princess Ann (we're never quite sure which country she's princess of) is enduring a grueling tour of European nations. Weary to death of the royal treatment, one night Ann escapes into the Roman night. Unfortunately for her she had a while earlier been given an injection to help her sleep. The drug takes effect while she's out and about, and reporter Joe Bradley (Gregory Peck) discovers her asleep on a street bench. Believing she's inebriated, and being a gentleman, he tries to deliver her safely to her home. That plan fails and, being a gentleman, Bradley arranges for the young stranger (he doesn't learn she's the missing princess until the next scene) to sleep on the sofa in his small, one-room apartment.
Cary Grant was originally offered the part of Joe Bradley and he turned it down. One of the dvd's specials tells us he refused the role because he didn't want to play second fiddle to an ingenue. Maybe so. It's tempting to decide, on the basis of this scene, that Peck was woefully miscast. Ann, nearly asleep on her feet, asks Bradley "Will you help me undress?" A natural enough request coming from royalty, I guess. Bradley fumbles around with her neck scarf, unties it, hands it to her and says "You can handle the rest."
Peck plays the scene for a smile. Grant would have made it one of the highlights of the movie. After savoring the opportunity for the audience's delight he would have removed the tie and given the camera a quick peek, as if to say "Listen here, I know this is a cliched, silly situation. But doesn't this look like fun. Don't we make a handsome couple?" Grant was a supple pagan god who drank more than once from the well of hedonism, and he was always careful to bring the audience along for the good times. Peck was an Old Testament prophet, a little too stern and stiff to give himself over to pleasure.
What Peck brings to the role is authority and a handsome arm for Hepburn to rest on. Grant would have distracted us, and ROMAN HOLIDAY is best when our attention is focused squarely on Audrey Hepburn. She delivers a tour de force performance, and you can understand the excitement she generated even after a half century.
The specials include the documentary "Remembering ROMAN HOLIDAY", which surprised me with all the people who were involved and dropped out of the production of the movie. "Edith Head: The Paramount Years" is a short biography of the famous and talented fashion designer. "Restoring ROMAN HOLIDAY" shows us a number of before and after shots - this is a VERY clean print. There is also a trio of theatrical trailers and a stills photo gallery.

Perhaps the most romantic movie ever made
This was Audrey Hepburn's debut in a starring role. She was 24-years-old and had appeared in two or three other movies but just in bit parts. Here she plays a reigning European princess visiting Rome who would like an escape from her daily regime of official duties, thus the title and theme of the movie, a Roman holiday.

Gregory Peck plays an American newspaper reporter living in the Eternal City. We first see him playing poker with his cronies, and losing. His relative "poverty" and Princess Ann's fabulous wealth and station present a formidable barrier to their ever finding true love and marital happiness. Part of the fun of the script is in seeing how this will play out and how their differences are resolved in the end. I will give you a small hint: very carefully!

The script comes from a story by Dalton Trumbo who is perhaps best known as the author of the anti-war novel, Johnny Got His Gun. Trumbo was one of the "Hollywood Ten" who were blacklisted from working in the industry during the excesses of the McCarthy era. He went to Mexico and continued working on film scripts but under assumed names or had his scripts presented by "fronts." In this case Ian McLellan Hunter fronted for Trumbo and won an Academy Award for the story. Later the Academy awarded Trumbo a posthumous Oscar for his work.

Long time Hollywood studio director William Wyler directed the film entirely on location in Rome. He has a formidable list of credits going well back into the silent film era including such outstanding films as Wuthering Heights (1939), The Letter (1940), The Little Foxes (1941), etc. His clear directorial style and his attention to detail work well here. The sets in Rome are charming, especially Peck's bachelor apartment. The bit players, especially Peck's landlord are excellent and the events are dreamy in just the way a romantic meeting in Rome ought to be. Wyler is especially effective in presenting Audrey Hepburn in the most flattering light and getting the audience to identify with her.

Gregory Peck's character should be a bit of an adventurous rake who finds that love is more important than money or fame, but it is impossible for Peck to play a morally compromised character, and so even as he appears to be using Princess Ann for his own ends, his behavior is always correct. I was somewhat amused to notice that at all times Peck appears wearing a tie! Eddie Albert plays Peck's friend, a photographer/artist. It is interesting to note how Hollywood's perception of the paparazzi has changed over the years. Here blood-sucking, intrusive greed does not exist. Instead we have noble self-sacrifice!

I have seen most of Miss Hepburn's movies and I can say that she was never more enchanting than she is here. She is gorgeous and cute at the same time, charming and impish, sweet, regal and very winning. In a sense she started at the top with this film, garnering her only Oscar as Best Actress in 1953; but as her fans know she never came down off that pedestal. Even playing poor Eliza Doolittle in My Fair Lady (1964), there was never any doubt about the quality of her style and character.

This is the most romantic film I have ever seen, perhaps partly because Miss Hepburn is so wonderful, but also because the script in a sense turns the usual woman's romantic fantasy upside down. Instead of the woman finding that the man she is in love with has fabulous wealth and position, it is the other way around!

The ending manages to be realistic yet romantic. There is a hint of something almost spiritual beyond what happens. So convincing are Hepburn and Peck that one can almost believe the story is true; and indeed I am sure that Trumbo lifted the essentials of the plot from some ancient tale.

I have a weakness for movies about unrequited love, or love that goes on forever, or love that is caught at some perfect moment and lives eternally in that moment. Roman Holiday is one of those near perfect movies that plays beautifully upon one of these themes. ... Read more

Reviews (41)

"..OH, PA-PAHHH...SELLING A FAKE MASTERPIECE IS A 'CRIME'! "
This delightful comedy has all the delicate sparkle of a newly-opened bottle of French Champagne. Forget "My Fair Lady," forget "Breakfast At Tiffany's,"...1966's "HOW TO STEAL A MILLION" is Audrey Hepburn's best film from the 1960's. One of the last great romantic comedies of style to be filmed before the anti- establishment films of the late '60's prevailed, "How To Steal A Million" combines the elements of visual elegance (opulence even, look at the purple velvet bannisters and carpet on the golden staircase in Audrey Hepburn's Paris chateau) with sophisticated dry wit; a beautiful, romantic score with a "kooky" twist on the "French farce." Beautiful scenery, sublime chaos, near-Hitchcockian-intrigue, zippy car chases in quirky autos, and Audrey Hepburn's wacky fashions make for one of the best combinations the screen has seen so far. Ironically, the best twist in this story is that the "MILLION" Audrey Hepburn's and Peter O'Toole's characters are trying to "STEAL" is not what they 'actually' ARE stealing (on purpose). To figure that one out...watch AND ENJOY this MAGNIFICENT movie! "Oh, Pa-Pahhhh! ..."

Fantastic Movie :)
I love this movie. It has everything: romance, comedy, quirkiness and a kissing-in-a-closet scene! Audrey Hepburn was as adorable and entertaining as ever, and this was the first time that I'd ever seen a Peter O'Toole movie and he was fabulous! He's extremely funny and pretty darn spunky! You could just instantly fall in love with him, the second you saw those bewildered round blue eyes peering over the top of the "Van Gogh" painting. I didn't find this movie boring for an instant and I loved watching them steal back the "Cellini" sculpture, using, amongst other things, a bucket, a magnet and a boomerang! I think that this is now my favourite Audrey Hepburn movie. They make an extremely likable couple and their exploits in "How To Steal A Million" are engaging and engrossing.

I give 5 stars to everything I review...Don't I?
I love Breakfast at Tiffany's, but this has to be my absolute favorite Audrey Hepburn film!!! It will be released in December 2004 on DVD!!! Very good plot...cool cool cool....beautiful actress...yeah yeah yeah.....what more could you ask for???...It is a long wait, maybe you should order the video cassette used......!

You don't think I'd steal something that didn't belong to me
Charles Bonnet, Nicole Bonnet's incorrigible father, makes a living forging long-lost masterpieces and then selling them at auctions or to private collectors, such as American business magnate David Leland. Bonnet's quite a character and is an artist, albeit a forger, living the moment, but also being the artist. When he paints a Van Gogh, he IS Van Gogh. Nicole is exasperated, worried that he'll be caught and sent to prison. Charles' flippant response is "The trouble is, you're so honest." So when he authorizes the loan of the prize of his collection, the Cellini Venus, a copy of it sculpted by her grandfather which her grandmother posed for, Nicole thinks her father has flipped his wig. It is worth a million dollars--hence the title.

What Nicole dreads the most occurs when the museum announces that one Professor Bauer will be conducting tests to determine the statue's authenticity. To that end, Nicole enlists the aid of Simon Dermott, a burglar she caught in her father's house trying to steal a Van Gogh (fake, of course), to steal her father's sculpture to save him from being jailed for fraud. She doesn't tell him the real reasons, of course. Dermott thinks it's a crazy idea, given the high-tech security devices and the numerous police detail milling around the museum, but combined by Nicole's persistence and her charm, finally gives in. But just what does he hope to accomplish with a toy boomerang?

The actual heist and scenes in the museum are worth waiting for, as that's where the exciting parts are. The cramped quarters in the broom closet underlines the tension of two people scared that they'll be caught, although it furthers the budding romantic storyline. And Dermott's ingenuity is well demonstrated. As he says, "wait for normal human reaction." A particular comical touch comes in the form of a portly museum guard who has a large mustache and quite a fondness for the bottle. Oh, and that alarm is pretty annoying, so beware!

Audrey's Givenchy fashions become ridiculously funny, such as the pillbox hat and large-rimmed sunglasses in her opening scene, and even becomes a point of parody when Dermott remarks at Nicole dressed as a cleaning woman, "It Givenchy a night off." As it turned out, one night turned into thirteen years, as Givenchy was pressed back to work for Bloodline.

The last comedy Audrey acted in, How To Steal A Million, originally titled Venus Rising, was the third and last film Audrey did for William Wyler, after Roman Holiday and The Children's Hour. It was also the first time Hepburn acted with a leading man closer to her own age since Anthony Perkins in Green Mansions, Peter O'Toole being three years her junior. Her wide expressive eyes and that winning smile are put to good use here. And she does have a great line: "You don't think I'd steal something that didn't belong to me?"

Hugh Griffith is fun to watch as the rascally Charles Bonnet, with the same bulging eyes, funny hair, and goatee. O'Toole (Simon) is also an asset, suave, calm, clever, and quick with one-liners. So is Eli Wallach (Leland), an excitable and impulsive millionaire with his sights on the Venus. And Jacques Marin, who is the befuddled senior museum guard, previously appeared with Ms. Hepburn in Charade, as the chief of police.

Panned when it first came out, I'm not sure why this doesn't hold out even today. Hepburn herself acted in it because she felt indebted to Wyler, who made her what she became, but at least she had fun with O'Toole, as the two were gigglers and many takes had to be required, especially in the broom cupboard scene. It's an enjoyable and frantic caper film, a genre popularized by Topkapi six years ago.

Who Knew I'd Fal, For Someone old Enough To Be My Father?
After watching this movie I was struck by how gorgeous Peter O'Toole's blues are. He's funny and sweet and sarcastic, as well as wealthy and intelligent, in other words, any straight woman's dream. The plot is sweet and quick and very tongue in cheeck. Audrey's at her best and "gives givenchy a break" "in one of the scenes, a genuinely hilarious one that I won't describe lest I ruin the plot. And remember - boomerangs and empty whisky bottles are a lot more useful than you might think them. ... Read more

Reviews (47)

Great movie and the DVD Transfer is Crystal Clear!
I don't think I've ever seen a good print of this film till I bought the DVD, which is fabulous! I'm not a die-hard Audrey Hepburn fan, but she is very charming and looks fabulous in the fashions. I love the ability to skip the numbers I don't like with the DVD since I find this a very uneven film. When it is good it is nearly flawless (and that's most of the time--opening credits, Think Pink, Funny Face, Bonjour Paris, The Photo Shoots, S'Wonderful, the final fashion show) but when it is bad it is horrid (a 60 year old Fred Astaire trying to be a beatnik, Fred's unending "matador" dance number, the whole plot with the Professor, Clap Yo'Hands). I was disappointed in the additional features--the original trailer is ho hum and the Paramount "documentary" is really just an extended sales pitch with bad stock footage. Where's an interview with the great Stanley Donen? Still, overall well worth purchasing.

A Marvelous Movie!
Fred Astaire and Audrey Hepburn together on screen. Just that alone makes seeing this movie worthwhile. However, this film has a lot of other things going for it. To begin with, this film gives the fabulous Gershwin score a first class treatment. Astaie's version of the title song is definitive, and while no singer, Hepburn's rendition of "How Long Has This Been Going On" has a sensitivity and power that is quite hard to find in many musicals. Next, The lush Paris locales are simply beautiful. After decades of musicals that were done entirely on soundstages, it is a breath of fresh air to see the realism and freedom of space that on location shooting can bring to a film. Then, there's Kate Thompson. While Fred and Audrey are glorious, it's Ms. Thompson who's the real scene-stealer as the bossy magazine editor. She transforms "Think Pink" into a delightful Showstopper, and always gets the best lines. Enugh talk. Go see this movie. It's a treasure you won't soon forget.

P.S. If your wondering why I took off a star, it's because of the age difference between Astaire and Hepburn. Astaire was in his late 50's when he made this film, and Hepburn was not yet 30. I simply don't believe that their romance is reasonable. After a few great song and dance numbers, it's not really a big deal, but it's worth a star.

Where Was MArni NIxon?
Funny Face has just about everything going for it. Audrey Hepburn, Fred Astaire, Stanley Donen, great Gershwin tunes, a terrific rare glimpse of the incomparable Kay Thompson and above all some of the most exciting visuals and overall art direction ever caught on film. So what happened? The sad decision to let Hepburn do her own singing. That's not to say her voice is bad. It's very... nice. But for a full blown musical of this scale, the audience is yearning for Hepburn's character to really give out with a great set of pipes. Perhaps not quite to the extent of Kay Thompson, an actress perhaps better suited for the stage than the intimacy of the screen. Yet while the movie does not fulfill its promise, it's still well worth seeing. The transformation of Hepburn from mousy bookstore clerk to haute couture model is as wonderful as her similar transformation in "Sabrina". The modeling sessions with Astaire directing Hepburn are delightful and above all the VistaVision presentation of late 50s gloss can not be matched, (the opening credits nearly make up for the entire movie). With Richard Avedon and Suzy Parker's influence the movie almost makes you forgive its failings. Still by the last frame the audience is left with only one thought: "Where's Marni Nixon when you need her?".

The Ultimate Fashion Musical!
Anyone who loves Breakfast at Tiffany's and Roman Holiday knows that Audrey Hepburn is one of the most magical women ever captured on film. But there is something special about Funny Face. It captured a part of the real Audrey -- part book worm, part great dancer, part reluctant star. The "On How to be Lovely" scene with Patricia Neal is one of the most glorious moments in film. You just cannot help but smile when they start singing that song. It will make you fall in love with Audrey over and over again!

Isnt bad. Far from Great.
Fred Astaire, the greatest movie star of all time (Along with Chaplin of course) paired with Audrey Hepburn in this enjoyable, but still slightly dissapointing romantic musical set in France.

If your expecting this film to have great dancing, then dont. It hasnt. What you get however is a very colourful movie with a few decent songs, but others can be questionable.

The basic story is, Fred Astaire is a photographer who discovers a girl (Hepburn) who works in a bookstore and makes a model out of her (Check other reviews for more on the story).

Overall, not too bad a movie. Could have been better, but recommended for fans of either Astaire or Hepburn. ... Read more

Reviews (156)

Fascinating ......they're after the same rainbow end
I love this film.From the first scene when the yellow cab stopped with Holly alighting,having her breakfast in front of Tiffany's to the very last scene when Holly & Paul reconciled and kissed in the rain...

Simply marvellous piece of work. With the flawless performance from Audrey Hepburn and George Peppard. The unique mood of the movie.And my fave song "Moon River". Who can forget the part when Holly sitting by her window plucking the guitar strings and singing...."Moooonnn River...." Great adaption from Truman Cropte's book with many magical touches and refinements. It's about a free-spirit girl Holly's struggle in Life,her fear of Love and commitment, she didn't even think she own her nameless 'cat'. Paul is a struggling writer who actually a 'kept-man' by a rich lady. Fate brought them together,first as neighbours to friends and eventually lovers. They were soul mates who needed each other and are made of each other....they are after the same rainbow end.

The idea was refreshing....esp.doing things that each have never done:- Strolling down New York street in the morning, stealing, visiting the Library and of course Tiffany's. Simply amazing, fantastic and romantic .

The best part about it was both Holly and Paul were practical people with dark secrets and not really perfect human beings and it make the story more realistic but not losing the romantic fairy tale feel.

This film is one of the best in movie history. It touches my heart my soul with scenes with the perfect combo of laughter,sadness,ironic,truth,secrets,romance,life,etc....... Timeless and Unforgettable......

Fascinating¿They are after the same rainbow end!
I love this movie. From the first scene when Holly(Audrey Hepburn) alighted from the yellow cab to have breakfast in front of Tiffany to the very last scene when Holly and Paul(George Peppard) reunited and kissing in the rain.

Mesmerizing film, shine in all departments. Excellent adaptation from Truman Capote's same name novel. Skillful directing by Blake Edwards and flawless performances from both the leads and not forgetting great supporting casts. This role was made for Audrey Hepburn, she was graceful, witty, charismatic and totally awesome. One of her best performance ever!

The story was about a free spirited and helpless Holly Golightly who lived with a nameless 'Cat', didn't want to own anything and afraid of love and commitments. Life pretty much socializing because holly's goal in life to marry one of the richest man under 50. Things take a twist with Paul Varjak moved into the apartment below hers. Paul was a struggling writer who actually a kept man by a rich lady. They became neighbour to friends then soul mate and eventually lovers.

This is not the usual romance story, "Breakfast at Tiffany's" is a timeless classic, showed sincerity, sensibility and class.

I also love the song of this movie "Moon River". Who can forget the part when Holly plucking the strings of the guitar and singing it "moonnn----riv---ver"......

This movie touch my heart with memorable characters, song, etc and I've watched it from time to time because each time I watch it, I renewed the feeling. Marvellous vintage classic.Simply divine!

One of the best chick flicks ever
I loved Breakfast at TIffany's. I had read about it from all of the gossip girl books and eventually became curious about the movie. I figured the movie would be good but I didn't expect to fall in love with it as much as I did. It is one of the best romantic comedy, chick flicks I have ever seen.

Good for ALL ages!
Because of the fact that I'm only 17 years old, I just got around to watching this movie. I'd always heard about it but I never knew what it was about. And, to be quite honest, I didn't even think about watching it because I thought it was in black and white! (Eh, I didn't know when it was made!)

My dad made me watch it this past weekend and I fell in love with it! Unlike most romantic comedies made today, both main characters are broke. It doesn't follow the mold of: poor/average girl falls for rich guy blah blah blah or the other way around. It was funny (Mickey Rooney's character was HILARIOUS!) and sad (when Holly finds out about Fred) and sappy (the last 20 minutes) all at the same time.

This movie is great for anyone, whether you saw it the first time around or you're a "late viewer" like me.

my fav movie!
i love this movie so much!
it is a love story but its not sappy it is so fun to watch

it is not an earlier version of pretty woman at all (as another review stated) audrey hepburn does not play a prostitute really she just has a lot of suitors. Anyway i completely recommend it so worth the $ ... Read more

Description

A trio of crooks relentlessly pursues a young American (Audrey Hepburn) through Paris for the fortune her dead husband stole from them. The only person she can trust is a suave, mysterious stranger (Cary Grant). A deliciously dark comedic thriller, Stanley Donen’s Charade dazzles with style and macabre wit to spare. Unavailable for nearly three years, The Criterion Collection is proud to re-release this ’60s spy classic in a gorgeous new
anamorphic transfer.
... Read more

Reviews (140)

That's Entertainment!
I saw this movie in 1963 when it was released. I was captivated by it then and remain so. The kaleidoscopic opening credits are as beautiful as I remember, and the chase scenes-- on foot here-- are still exciting. We will never see anyone like Audrey Hepburn again. A total original, she and Gary Grant-- showing considerable skill as a comedian here-- are magnificent as a couple, having both style and electricity, often forgotten qualities in many of today's leading actors. Heburn and Grant are assisted by the likes of James Coburn, a young Walter Matthau and George Kennedy in supporting roles. Then there's Henry Mancini's score and direction by Stanley Donen. The plot takes many interesting twists and turns as Ms. Hepburn tries to figure out just who the dashing Mr. Grant really is-- a criminal or her savior or perhaps both or neither.

If you've seen this movie before, you'll enjoy a replay. If this is your first time, you'll in for a real treat, a delightful way to spend an evening.

Old Style Hollywood Glam in Gorgeous DVD Transfer
This is an exceptional DVD transfer of an exceptional movie. Criterion has done a magnificent job of restoring Charade to its colorful glory. The film is presented in its original 1.85:1 aspect ratio. The print is clear, crisp, and beautiful to behold. You feel as if you can reach out and touch the actors.

And what actors! The film features the dashing older version of Cary Grant and the youthful gamine Audrey Hepburn, with enough chemistry between them to ignite a fireworks factory. The plot is a convoluted and flimsy trifle about cold war spy shenanigans, with cases of mistaken identity and episodes of grave danger for Miss Audrey. But Cary, the classic good guy in cad's clothing, is there to save the day. In addition to which he provides chaste romance that sizzles beneath the civility.

Audio commentary is provided by director Stanley Donen and screenwriter Peter Stone. While interesting and funny in spots, it does drag a bit over the length of the film. It may be better to check it out when you find something in the film that you would like to hear dissected. Otherwise, you'd be better to stick with the delightful, corny dialogue spoken in the dulcet tones of Cary and Audrey. The soundtrack music is to also to be savored, done up in classic '60s spy movie style by the movie maestro Henry Mancini.

If you have nothing to do on a rainy day and own a DVD player, this is the movie you want to have on hand to pop in the machine and deliver you from care. It's a keeper (and it comes in a keeper case!).

the original is always better
and lucky for you this is the original. loved it.

Good mystery--stiff romance
The mystery in this movie is great...dark characters, and questions at every turn, along with a great ending! However, I did not find the romance between Hepburn and Grant believable. Their relationship seems forced, with the Hepburn character to bright to fall for the lame explanations that she is given by Grant's character.

I would have appreciated a less definitive ending with respect to their relationship, which would have been fine given how the mystery aspect of the story comes to a close.

Criterion re-releasing "Charade" in anamorphic
(...)

They're also offering to upgrade existing letterbox copies of their previous release for $15. If you're looking to buy this disc I would recommend waiting until Amazon offers the new version (soon, I'm sure), or buying directly from Criterion (no discount). I certainly want to buy this DVD, but I've been waiting for an anamorphic release. And soon it will be here! ... Read more

Amazon.com

Paris When It Sizzles is an unusual screwball comedy to say the least.Whether it works is another matter, but the premise and humor are interesting enough to make it enjoyable.The basic problem with the film is its two stars: William Holden and Audrey Hepburn hardly sizzle with onscreen chemistry, and Hepburn's character, Miss Simpson, falls far too easily into the hands of Holden's drunken screen writer. However, the story is an interesting play on the typical Hollywood romance, with two plotlines running in parallel to each other. Holden's Richard Benson has only two days to finish a script for an enigmatic producer (Noel Coward).Hepburn's Miss Simpson is drafted in as the typist and as the script is dictated it manifests itself on the screen, allowing the two lead characters to play out any number of romantic stories.It's the cameo appearances in the imaginary world that really steal the show, with the blink-and-you'll-miss-it last screen appearance by Marlene Dietrich, as well as Tony Curtis having fun with his own screen persona.Not one of Hepburn or Holden's best, but worth a look purely for the interesting slant on the mechanical nature of Hollywood's romances. --Nikki Disney ... Read more

Reviews (30)

Bubbly Fun
I'd avoided PARIS WHEN IT SIZZLES for years because of the universal pans it received -- what a mistake! The new DVD release will undoubtedly give the film a new lease on life, and hurrah for that. What movie did the critics see? This picture may not be top-drawer work from anyone involved, but it's still a great deal of fun, and definitely worth a look. Hepburn is enchanting, as always, and it's enjoyable to see her spoofing horror and action film conventions. Knowing her real-life feelings for Holden adds a special poignancy to their work together here, particularly in his big self-loathing monologue; her reaction shots to him are very moving. He's game, as are Tony Curtis and Noel Coward in cameos, and there's real wit in the Axelrod screenplay. If only the average comedy released today could have a tenth of the style or flair in this "flop" of Hollywood's later golden era!

No matter what people say, it's the BEST
To Audrey Hepburn fans everywhere, this is a must see and must have. The script is hilarious ("Oh, Maurice, I'm like so happy for you" and "I'm not that kind of a girl. Oh dear, maybe I am that kind of a girl!") Audrey Hepburn shines in this movie, and William Holden plays the drunken, funny movie writer. No matter how bad the reviews of the famous people may be, this is a terrific movie. It made my laugh so hard I cried. And belive me, you won't want to miss when Audrey Hepburn's drunk and she's making up this story involving planes, horses, beaches, vampires, bats.... Well, I can't give it all away. See this one. Better yet, buy it. It's definately worth it.

WHAT A SHAME I DIDN'T READ ALL OF THE REVIEWS FIRST!
HAD I READ ALL REVIEWS, I WOULD HAVE FOUND OUT THE TRUTH ABOUT THIS FILM. THE 5-STARS REVIEWS ARE SIMPLY NONSENSE, THEY DON'T GIVE YOU AN ACCURATE FEELING FOR THE MOVIE. THE 1-STARS - NOW THOSE REALLY KNOW WHAT THEY ARE TALKING ABOUT! THEY KNOW A STINKER WHEN THEY SEE ONE AND ARE NOT AFRAID TO SAY SO.
I AM SELLING ONE OF THESE "PARIS... USED FILMS AND I HAVE TO BE HONEST, I HAVE TO SAY THE TRUTH - SO BE FOREWARNED! THIS FILM IS BAD, IT IS NOT ENTERTAINING AND THERE IS NO PLOT OR CHARACTER DEVELOPMENT OR ANYTHING REDEEMING ABOUT THIS FILM.
THE DESCRIPTION OF THE MOVIE OUTSIDE OF IT'S BOX IS REALLY A WARNING. IT TELLS YOU HOW THE MOVIE HAVE SUCH BEAUTIFUL SCENERY OF PARIS. WELL- THAT'S A WAY TO TELL YOU THAT THIS IS ALL THIS MOVIE HAS IN IT THAT COULD BE OF POSSIBLE INTEREST. GOOD LUCK!

IF YOU BUY THIS FILM, DON'T SAY I DIDN'T WARN YOU.

Oh my!
I was so dissapointed!
I kept watching just thinking it would get better.
WRONG!
Don't waste your time. This is painful!

This One's A Sizzler!
'Paris When It Sizzles' is a funny, light-hearted masterpiece that is made even better by the two brilliant stars, Audrey Hepburn and William Holden.

Holden plays a famous writer who hires Hepburn to be his typist. But she is not too pleased when he reveals to her that he has not written anything yet, or even thought about the story line! So with only two days to get the script finished, the couple set about coming up with a plot, adding romance, twists, humour, switches, switches on switches, and switches on switches on switches!

The script is then brought to life by the imagination of Holden and Hepburn. With Holden playing the main man, and Hepburn playing the main girl. And also other roles played by Tony Curtis, and a cameo from Audrey's husband at the time Mel Ferrer.

This is an enjoyable film that won't leave you asking any questions. It is one Hepburn and Holden's best. Definitely not one to miss. ... Read more

Reviews (75)

DESERVES A TEN!!!
My appreciation for this movie has sky-rocketed this last week. I recently watched the new Sabrina with Harrison Ford... it didn't even compare! This version is much much better! I've read the review for this movie... some think Bogart was too old for this movie or that the interplay between Hepburn and Bogart wasn't good. I definitely disagree! The chemistry between Audrey and Bogart is fantastic... the screen just sparks with it! I'm not sure of the behind the screens of this movie... some say that Bogart and Hepburn didn't work well together... all I know is that is produces something between them that is incomparable! Only couples like Cary Grant & Katharine Hepburn, Lauren Bacall & Bogart can produce this much chemistry on the screen!

I love the story of Sabrina...
Sabrina (Audrey Hepburn) is the plain looking daughter of a chauffer. She falls in love with the playboy son, David (William Holden), of the wealthy people her father serves. David doesn't notice her... Her father sends her off to a cooking school in Paris and there she becomes transformed into a dazzlingly gorgeous young lady. She comes home stunningly beautiful and catches the eye of the playboy son, David. Linus (Bogart) has worked out a merger with this company and rich family who owns sugarcane plantations. Part of the deal is that David is marrying their daughter. So Linus has to draw Sabrina away from David, because he's already engaged... and Sabrina falls in love with Linus... I won't give the end away... I'll just say it's worth the watch... It leaves you satisfied. Sometimes you watch a movie and at the end you are like... "So?" ... It didn't end well... Well this is not one of those movies! I love this movie to death! The best Actors, music, and chemistry! A definite watch!

Isn't It Romantic?
Audrey Hepburn simply sparkles as Sabrina Fairchild, the chauffeur's daughter in this enchanting romance classic. Bogart plays the eldest of two brothers (the other played by William Holden), a bookish industrialist who starts off competing for Sabrina's affections but winds up falling in love with her instead. Hepburn is magical as the lead, glittering like an angel atop a Christmas tree. Holden cuts a romantic, charismatic swath and figure as the devil-may-care playboy working himself up to marriage number three. Based on the play, Sabrina Fair, Billy Wilder directs with sardonic wit, charm and the ease of a true master of the cinema. This is a love story that remains timeless. Paramount hasn't restored the film, though there is nothing terribly wrong with the transfer as is. Fine details occasionally shimmer and once in a long while a scratch or chip in the camera negative can be detected by the naked eye. Over all though, this is a great looking DVD. Also included, a featurette that glosses over the making of the movie. Bottom line: Hepburn, Holden and Bogart prove themselves as not only stars, but American pop icons. Isn't it romantic? - Definitely!

Audrey's second film is my favourite
It almost begins like a fairy tale, how once upon a time, on the north shore of Long Island, some 30 miles from New York, there lived a small girl on a large estate. So goes the opening narration by Audrey Hepburn, which sets the story in motion and introduces the Larrabee estate and family, also goes on to describe an English chauffeur named Fairchild and his daughter, Sabrina, played of course by Hepburn, in this romantic comedy based on Samuel Taylor's play Sabrina Fair.

Sabrina's sent to a cooking school in Paris, which not only prepares her for a vocation, but to help her get over her crush over David Larrabee (William Holden), the dashing playboy who spent short periods at many colleges and even shorter periods with his three wives (consecutive, of course). Ironic, considering that Holden had a crush on Hepburn, which led to a brief affair, and for him, a torch he carried through the rest of his life. The advice she gets is "don't reach for the moon." The thing is, she's the last of the romantics, "l'amour toujours" as described by Linus Larrabee, the business brains behind the multimillion Larrabee holdings, which include land and water, copper, construction, and now, a new kind of plastic that's resilient and tastes sweet(!!)

After two years in Paris, she is a vision of beauty, chic, with a new haircut, and transformed, yet still the romantic, as she vows to be in the world and of the world, and "never ever run away from life, or from love either."

Linus plans to marry David off to Elizabeth Tyson, whose father owns the second largest sugar cane in Puerto Rico, the ceremonial part of a $20 million merger with Tyson. This is put in jeopardy with Sabrina's return, and David, who previously ignored her, is bedazzled. Yet Sabrina, who's reluctantly wooed by Linus to salvage the deal, finds out there's more to him than just the "cold businessman...with ice in his veins, ticker tape coming from his heart." She finds out he's nice and quite human.

"Remember, it's the 20th century" is a reminder that the Victorian days of knowing one's place is gone. Fairchild sees life as a limousine: "there's a front seat, there's a back seat, and a window inbetween." He later says "Nobody poor was called democratic for marrying someone rich." Mother and Father Larrabee believe that, as they are scandalized at David's affections towards Sabrina, and see her in terms of class status.

Other great scenes include the cooking school, but the party scene when Sabrina appears in her bare-shouldered white dress and becomes the belle of the ball dancing with David, shows her at her most radiant and resplendent.

Humphrey Bogart is great as Linus, scheduled, sensible, loyal, observant, honest, and yet with a softer side. John Williams is perfect as Tom Fairchild. And Jenny the maid is played by Nancy Kulp, best known as Ms. Hathaway in the Beverly Hillbillies TV series. But Francis X. Bushman as old Mr. Larrabee has some funny moments with a penchant for martinis and cigars (whenever his wife's not around). Hepburn would be reunited with director Billy Wilder in Love In The Afternoon.

However, Sabrina also sees birth of a long-time association between Audrey and a certain Hubert de Givenchy, who did her costumes for many of her films. No Oscar for Hepburn, though she was nominated, but this film got me on my Hepburn kick back in the 90's, and is especially wonderful for those living "la vie en rose" as Sabrina does. To conclude, forget the 1995 remake--watch the original instead.

Sabrina
Personally, I found this movie to be very boring and trite. In fact, I fell asleep through it twice. I am a big Audrey Hepburn fan, so I was very disapointed when I watched this and found it so incredibly dull. I did though very much enjoy the remake and have seen that several times.

A Wonderful Movie but I also like The Remake!
I saw Sabrina on TCM and I liked it and I think it's a wonderful movie and I think Audrey Hepburn, Humphrey Bogart and William Holden were terrific and I recommend this movie and I'm planning on buying the DVD! I will probably get slammed for saying this but I also liked the remake that starred Julia Ormond, Harrison Ford and Greg Kinnear and I plan on buying that movie on DVD too! They are both charming, delightful movies that can be enjoyed on their ownrights and though I have seen remakes that were horrible the remake of this movie was fine but I suspose that since I saw the remake first that I was able to enjoy it because I wasn't comparing it to the original! ... Read more

Amazon.com essential video

Audrey Hepburn plays a Parisienne whose husband is murdered and who finds she is being followed by four men seeking the fortune her late spouse had hidden away. Cary Grant is the stranger who comes to her aid, but his real motives aren't entirely clear--could he even be the killer? The 1963 film is directed by Stanley Donen, but it has been called "Hitchcockian" for good reason: the possible duplicities between lovers, the unspoken agendas between a man and woman sharing secrets. Charade is nowhere as significant as a Hitchcock film, but suspense-wise it holds its own; and Donen's glossy production lends itself to the welcome experience of stargazing. One wants Cary Grant to be Cary Grant and Audrey Hepburn to be no one but Audrey Hepburn in a Hollywood product such as this, and they certainly don't let us down. --Tom Keogh ... Read more

Reviews (140)

Audrey Hepburn gets lit matches dropped on her? Wow.
No, this film doesn't have the fascinating thematic explorations that lurk under the surface of Mr. Hitchcock's thrillers, but that's like criticizing a delicious hamburger for not being a filet mignon. Director Stanley Donen and writer Peter Stone deliver an entertaining caper film that nicely balances humor and suspense, neither facet undercutting the other (for example, Mr. Grant's continually changing identity throughout the course of the film is both witty AND mysterious). And don't let the fact that the movie is a star vehicle for two of our most famous romantic leads fool you. There is certainly romance, but the film is gritty and violent when it needs to be, too (see my lit matches line in the title). All in all, this is a terrific entertainment that delivers the goods. And, of course, Criterion's DVD extras will you keep you busy for a couple of hours after the film is over.

Criterion does the film justice
Being born in 1980, I suffered the disadvantage of not being aware of this film's existence until recently. I caught Charade on television and was absolutely enthralled -- the dialog is witty, the plot is unpredictable, the art direction is stylish, and the actors are at their charming best. The Criterion DVD offers a crisp, flawless print of the film. And like other Criterion titles, Charade gets some fabulous graphic design on the packaging and menu screens. A high quality production throughout.

What a wonderful movie, and what a wonderful DVD
Wow! THis is a great DVD, though that does seem to be almost repetive when Criterion is in the DVD's Title.

Charade is a classic movie in the Tradition of _The 39 Steps_. Because of Cary Grant's concern about the age between Audrey Hepburn and himself, we see an interesting twist on the type of movie. WHat is that twist? The Leading lady chases the Leading Man, which makes a good film even more interesting and fun to watch.

This is a movie I can reccommend without hesitation, especially the Criterion Collection version.

Another Audrey Must See!
If you're in love with those "Audrey/handsome co-star parading about Paris doing interesting things" movies, you must buy this... buy the Criterion Edition though.. It's worth the money.

Nothing is really what it seems...
And that includes the quality of this release. It just goes to show that you can take a great screenplay from a great book, cast some stellar Hollywood performers at their peaks, add clear expert direction, stunning location sets, stir in a Mancini score, and still end up with a painfully disappointing experience. Especially when you consider the promise of the new DVD format, and today's digital remastering techniques. Re-released through several small-time distributors (Front Row Entertainment of Canada, etc) Charade has been reduced to a sad caricature of it's original beauty. By using worn-out, poor-quality source for the transfer to DVD these distributors have marketed a product that is not only inferior to the existing VHS tape versions, but an insult to the DVD format. To see this type of travesty is to know the real tragedy of copyright expiration and it's resulting offspring--corporate greed at the expense of art, businesses reaping profits at the expense of unaware consumers, and worst of all...sometimes the loss of great examples of cinema magic. Thank goodness Criterion was able to resurrect what appears to be close to if not original film, and produce a release of Charade that shows what DVD is all about. If you haven't seen Charade, I won't spoil it by telling you the plot here. But whether you've seen it or not, I will tell you this: Spend the money and get the Criterion version for DVD, or save your money and buy the VHS tape version. Avoid the budget DVD versions at all costs--they're no bargain...just a waste. Enjoy! ... Read more

Reviews (140)

That's Entertainment!
I saw this movie in 1963 when it was released. I was captivated by it then and remain so. The kaleidoscopic opening credits are as beautiful as I remember, and the chase scenes-- on foot here-- are still exciting. We will never see anyone like Audrey Hepburn again. A total original, she and Gary Grant-- showing considerable skill as a comedian here-- are magnificent as a couple, having both style and electricity, often forgotten qualities in many of today's leading actors. Heburn and Grant are assisted by the likes of James Coburn, a young Walter Matthau and George Kennedy in supporting roles. Then there's Henry Mancini's score and direction by Stanley Donen. The plot takes many interesting twists and turns as Ms. Hepburn tries to figure out just who the dashing Mr. Grant really is-- a criminal or her savior or perhaps both or neither.

If you've seen this movie before, you'll enjoy a replay. If this is your first time, you'll in for a real treat, a delightful way to spend an evening.

Old Style Hollywood Glam in Gorgeous DVD Transfer
This is an exceptional DVD transfer of an exceptional movie. Criterion has done a magnificent job of restoring Charade to its colorful glory. The film is presented in its original 1.85:1 aspect ratio. The print is clear, crisp, and beautiful to behold. You feel as if you can reach out and touch the actors.

And what actors! The film features the dashing older version of Cary Grant and the youthful gamine Audrey Hepburn, with enough chemistry between them to ignite a fireworks factory. The plot is a convoluted and flimsy trifle about cold war spy shenanigans, with cases of mistaken identity and episodes of grave danger for Miss Audrey. But Cary, the classic good guy in cad's clothing, is there to save the day. In addition to which he provides chaste romance that sizzles beneath the civility.

Audio commentary is provided by director Stanley Donen and screenwriter Peter Stone. While interesting and funny in spots, it does drag a bit over the length of the film. It may be better to check it out when you find something in the film that you would like to hear dissected. Otherwise, you'd be better to stick with the delightful, corny dialogue spoken in the dulcet tones of Cary and Audrey. The soundtrack music is to also to be savored, done up in classic '60s spy movie style by the movie maestro Henry Mancini.

If you have nothing to do on a rainy day and own a DVD player, this is the movie you want to have on hand to pop in the machine and deliver you from care. It's a keeper (and it comes in a keeper case!).

the original is always better
and lucky for you this is the original. loved it.

Good mystery--stiff romance
The mystery in this movie is great...dark characters, and questions at every turn, along with a great ending! However, I did not find the romance between Hepburn and Grant believable. Their relationship seems forced, with the Hepburn character to bright to fall for the lame explanations that she is given by Grant's character.

I would have appreciated a less definitive ending with respect to their relationship, which would have been fine given how the mystery aspect of the story comes to a close.

Criterion re-releasing "Charade" in anamorphic
(...)

They're also offering to upgrade existing letterbox copies of their previous release for $15. If you're looking to buy this disc I would recommend waiting until Amazon offers the new version (soon, I'm sure), or buying directly from Criterion (no discount). I certainly want to buy this DVD, but I've been waiting for an anamorphic release. And soon it will be here! ... Read more

Reviews (156)

Fascinating ......they're after the same rainbow end
I love this film.From the first scene when the yellow cab stopped with Holly alighting,having her breakfast in front of Tiffany's to the very last scene when Holly & Paul reconciled and kissed in the rain...

Simply marvellous piece of work. With the flawless performance from Audrey Hepburn and George Peppard. The unique mood of the movie.And my fave song "Moon River". Who can forget the part when Holly sitting by her window plucking the guitar strings and singing...."Moooonnn River...." Great adaption from Truman Cropte's book with many magical touches and refinements. It's about a free-spirit girl Holly's struggle in Life,her fear of Love and commitment, she didn't even think she own her nameless 'cat'. Paul is a struggling writer who actually a 'kept-man' by a rich lady. Fate brought them together,first as neighbours to friends and eventually lovers. They were soul mates who needed each other and are made of each other....they are after the same rainbow end.

The idea was refreshing....esp.doing things that each have never done:- Strolling down New York street in the morning, stealing, visiting the Library and of course Tiffany's. Simply amazing, fantastic and romantic .

The best part about it was both Holly and Paul were practical people with dark secrets and not really perfect human beings and it make the story more realistic but not losing the romantic fairy tale feel.

This film is one of the best in movie history. It touches my heart my soul with scenes with the perfect combo of laughter,sadness,ironic,truth,secrets,romance,life,etc....... Timeless and Unforgettable......

Fascinating¿They are after the same rainbow end!
I love this movie. From the first scene when Holly(Audrey Hepburn) alighted from the yellow cab to have breakfast in front of Tiffany to the very last scene when Holly and Paul(George Peppard) reunited and kissing in the rain.

Mesmerizing film, shine in all departments. Excellent adaptation from Truman Capote's same name novel. Skillful directing by Blake Edwards and flawless performances from both the leads and not forgetting great supporting casts. This role was made for Audrey Hepburn, she was graceful, witty, charismatic and totally awesome. One of her best performance ever!

The story was about a free spirited and helpless Holly Golightly who lived with a nameless 'Cat', didn't want to own anything and afraid of love and commitments. Life pretty much socializing because holly's goal in life to marry one of the richest man under 50. Things take a twist with Paul Varjak moved into the apartment below hers. Paul was a struggling writer who actually a kept man by a rich lady. They became neighbour to friends then soul mate and eventually lovers.

This is not the usual romance story, "Breakfast at Tiffany's" is a timeless classic, showed sincerity, sensibility and class.

I also love the song of this movie "Moon River". Who can forget the part when Holly plucking the strings of the guitar and singing it "moonnn----riv---ver"......

This movie touch my heart with memorable characters, song, etc and I've watched it from time to time because each time I watch it, I renewed the feeling. Marvellous vintage classic.Simply divine!

One of the best chick flicks ever
I loved Breakfast at TIffany's. I had read about it from all of the gossip girl books and eventually became curious about the movie. I figured the movie would be good but I didn't expect to fall in love with it as much as I did. It is one of the best romantic comedy, chick flicks I have ever seen.

Good for ALL ages!
Because of the fact that I'm only 17 years old, I just got around to watching this movie. I'd always heard about it but I never knew what it was about. And, to be quite honest, I didn't even think about watching it because I thought it was in black and white! (Eh, I didn't know when it was made!)

My dad made me watch it this past weekend and I fell in love with it! Unlike most romantic comedies made today, both main characters are broke. It doesn't follow the mold of: poor/average girl falls for rich guy blah blah blah or the other way around. It was funny (Mickey Rooney's character was HILARIOUS!) and sad (when Holly finds out about Fred) and sappy (the last 20 minutes) all at the same time.

This movie is great for anyone, whether you saw it the first time around or you're a "late viewer" like me.

my fav movie!
i love this movie so much!
it is a love story but its not sappy it is so fun to watch

it is not an earlier version of pretty woman at all (as another review stated) audrey hepburn does not play a prostitute really she just has a lot of suitors. Anyway i completely recommend it so worth the $ ... Read more

Reviews (140)

Audrey Hepburn gets lit matches dropped on her? Wow.
No, this film doesn't have the fascinating thematic explorations that lurk under the surface of Mr. Hitchcock's thrillers, but that's like criticizing a delicious hamburger for not being a filet mignon. Director Stanley Donen and writer Peter Stone deliver an entertaining caper film that nicely balances humor and suspense, neither facet undercutting the other (for example, Mr. Grant's continually changing identity throughout the course of the film is both witty AND mysterious). And don't let the fact that the movie is a star vehicle for two of our most famous romantic leads fool you. There is certainly romance, but the film is gritty and violent when it needs to be, too (see my lit matches line in the title). All in all, this is a terrific entertainment that delivers the goods. And, of course, Criterion's DVD extras will you keep you busy for a couple of hours after the film is over.

Criterion does the film justice
Being born in 1980, I suffered the disadvantage of not being aware of this film's existence until recently. I caught Charade on television and was absolutely enthralled -- the dialog is witty, the plot is unpredictable, the art direction is stylish, and the actors are at their charming best. The Criterion DVD offers a crisp, flawless print of the film. And like other Criterion titles, Charade gets some fabulous graphic design on the packaging and menu screens. A high quality production throughout.

What a wonderful movie, and what a wonderful DVD
Wow! THis is a great DVD, though that does seem to be almost repetive when Criterion is in the DVD's Title.

Charade is a classic movie in the Tradition of _The 39 Steps_. Because of Cary Grant's concern about the age between Audrey Hepburn and himself, we see an interesting twist on the type of movie. WHat is that twist? The Leading lady chases the Leading Man, which makes a good film even more interesting and fun to watch.

This is a movie I can reccommend without hesitation, especially the Criterion Collection version.

Another Audrey Must See!
If you're in love with those "Audrey/handsome co-star parading about Paris doing interesting things" movies, you must buy this... buy the Criterion Edition though.. It's worth the money.

Nothing is really what it seems...
And that includes the quality of this release. It just goes to show that you can take a great screenplay from a great book, cast some stellar Hollywood performers at their peaks, add clear expert direction, stunning location sets, stir in a Mancini score, and still end up with a painfully disappointing experience. Especially when you consider the promise of the new DVD format, and today's digital remastering techniques. Re-released through several small-time distributors (Front Row Entertainment of Canada, etc) Charade has been reduced to a sad caricature of it's original beauty. By using worn-out, poor-quality source for the transfer to DVD these distributors have marketed a product that is not only inferior to the existing VHS tape versions, but an insult to the DVD format. To see this type of travesty is to know the real tragedy of copyright expiration and it's resulting offspring--corporate greed at the expense of art, businesses reaping profits at the expense of unaware consumers, and worst of all...sometimes the loss of great examples of cinema magic. Thank goodness Criterion was able to resurrect what appears to be close to if not original film, and produce a release of Charade that shows what DVD is all about. If you haven't seen Charade, I won't spoil it by telling you the plot here. But whether you've seen it or not, I will tell you this: Spend the money and get the Criterion version for DVD, or save your money and buy the VHS tape version. Avoid the budget DVD versions at all costs--they're no bargain...just a waste. Enjoy! ... Read more