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| 1. Billy Jack Director: Tom Laughlin | |
![]() | list price: $9.97
our price: $5.99 (price subject to change: see help) Asin: 0790740729 Catlog: DVD Sales Rank: 3743 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (68)
Billy Jack returns to the reservation after a tour in Vietnam to find tension between the students of the Native "Freedom School" and the local townspeople. Some townspeople are motivated by fear and distrust, others buy old-fashioned racism. Billy Jack defends the students of the Freedom school, violently if need be. The hippie, anti-racism/fascism message is not subtle. However, the answer to the world's problems does not lie in the simple "love one another" mantra of the the peace movement. Billy Jack gets respect and some degree of safety for the students at the Freedom school only by kicking the racist antagonists in the face. At the same time, taken too far, a confrontational approach doesn't make it all better..even if you have the moral authority. Billy Jack finds this out as he is surrounded by the authorities, wounded and bleeding to death in a shack. It takes courage to fight back, and it takes just as much to realize that black and white responses to life's challenges do not amount to functional solutions to those problems. As stated in some reviews of this movie, some of the acting and music leave much to be desired. However, we know that in real life people don't act as emotionally convincing as actors portray them, and the bad hippie songs actually make the movie believable. The improv-theatre scenes are a bit corny, but honest and quite amusing. A few are excellent, actually. The movie is honest about violence, race, and sexuality. I think it would be viewed as politically incorrect today, in spite of its hippie message. The opening scene where wild mustangs are coralled against the visual backdrop of a Southwest canyon and the musical background of Coven's anti-war anthem is quite moving. A very beautiful movie, and one of my favorite movies of all time.
If a person could have jammed anymore sixties clichés into an hour and a half, I'd like to watch their movie, too. Leading the pack would be the connection to "Indians", followed by ear-ringing singalongs at the school.....being bitten by rattlesnakes in a "purification process"....guerilla theater.......expressing yourself......"squares"......and on and on. Jean is the lady that runs the school and, despite a notable lack of physical contact, is Billy Jack's lady. She is the good cop to his bad and spends a great deal of time doing one of two things: trying to talk Billy Jack out of collapsing your windpipe OR sneering with satisfaction once he actually does it. Jean's philosophy is plain and straightforward: there isn't a problem in the world that couldn't be solved in a peaceful manner if people would just love one another....and if that doesn't work, I'll un-cage Billy Jack and set him out to snapping your limbs like twigs. She also has the most unusual set of sideburns I've ever seen in my life. There's not been a movie made that I'd rather watch than this one. Buy it. Quickly.
God Bless! Happy movie watching and book reading everyone. www.therunninggirl.com
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| 2. The Ultimate Billy Jack Collection (The Born Losers / Billy Jack / The Trial Of / Goes to Washington) | |
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our price: $62.96 (price subject to change: see help) Asin: B0002QO3BY Catlog: DVD Sales Rank: 42205 US | Canada | United Kingdom | Germany | France | Japan |
| 3. The Trial of Billy Jack Director: Tom Laughlin | |
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Reviews (13)
The next chapter of the film is notoriously long as the character Jean (Taylor) continnues to recounts events from a hospital bed about the kids at the "school" and the local evil rich people. This movie is just too preachy and it never bothers to examine some of their (school) prejudges and uncivil behavior. The only redeeming value is that Tom Laughlin still brings out a "Billy Jack" persona. Tom is Billy jack, and is convincing in the role he was made for. The fght scenes, with Hapikido Master Bong Soo Han are, for its time, very good and still worth watching.
I will say this, however--the film has some great aerial shots of Monument Valley and Canyon de Chelly.
This is a review of the VHS version. ... Read more | |
| 4. Billy Jack Goes to Washington Director: Tom Laughlin | |
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our price: $9.99 (price subject to change: see help) Asin: B00004XPOO Catlog: DVD Sales Rank: 8393 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
I was a big fan of Billy Jack in '72 and I must admit that I also enjoyed Trial of Billy Jack in 1974. I had not seen Trial since 1974 until recently. It's a pretty awful film. Now I've seen this film. There is some "dangerous" material in the film that probably did upset people in political power who saw the film. It does show how some corrupt politicians work. It wasn't a great revelation to anyone in 1977 however that our political system was loaded with corruption. We had just been through an over-dose of Watergate. The film can be over-analyzed today and you can see some prophetic things in the film if you want to. Let's not go there. The film plays like an over-produced t.v. movie. There are some impressive location shots in Washington D.C. and around the Grand Canyon. There was a very expensive and detailed sets built to replicate the U.S. Senate accurately. There were some real actors in the film. People like E.G. Marshall and Sam Wanamaker . It was one of the last films Pat O'brien was in, and it was the first one for Lucie Arnaz. Frank Capra Jr. was one of the producers of the film which borrows quite a bit from the classic Frank Capra film. Mr Smith Goes to Washington. If you expect the film to have some action or even a couple of good martial arts fights you will be very disappointed. There is a brief, poorly choreographed fight scene that occurs in about the middle of the film. Future bad action director Hal Needham was stunt coordinator. And Dolores Taylor who always turned the other cheek rather than fight, actually is part of the fighting in this one. Sometimes pacifists get angry and kick ass too I guess. The film is more interested in its message and in showing us how the mechanics of political corruption work and how one man might change the system and fight corruption. The structure is close to the Mr. Smith film. E.G. Marshall does put in a watch-able performance and Tom Laughlin who would only be considered a decent actor if you put him next to someone like Chuck Norris is better than you would think. He's still a stiff, soft spoken guy, but there's a natural quality to his performance through most of the film. He's not trying too hard to act (which is good because he can't). But through most of this film you don't get the feeling he's looking for his camera marks or too conscious of where the camera is. A Senator suddenly dies and the top secret document he has is stoeln by a mid-level lobbyist. Senator Joseph Paine played by E.G. Marshall, calls Governor Hymie (I'm sorry Dick Gautier plays the Governor and when I see him I think of him as Hymie the robot from Get Smart) to go over possible replacements for the Senator. At the meeting is Bailey (Sam Wanamaker), a rich power broker who's got Senator Paine and others in the palm of his hand. He doesn't agree with Govenor Hopper's choice of Billy Jack for Senator. Hopper likes the demographics Billy Jack appeals to and since he's been pardoned of his felony conviction he's in. He won't be too difficult to control for the few months he's in office it's decided. Ah but of course Billy Jack isn't easy to control at all. He puts through what everyone believes to be an innocuous bill for a National Children's School. Unfortunately it's proposed location happens to the be same place as the nuclear power plant all the heavies have been maneuvering to put through. Senator Paine who was one partners with one of Billy Jack's relatives must save his political career and destroy Billy Jack and ignore that he was once once a champion of lost causes. Eventually the deck is stacked so heavily against Billy Jack it looks as if he can't possibly win or even save face. Ah but then it's time for the famous filibuster scene. Laughlin does better than you think in the scene that will of course remind you of the classic one with Jimmy Stewart. Some of the same lines are used as a matter of fact. Laughlin isn't just ripping off the film though, he is using the movie to deliver a message about how the people really do have the power to change a corrupt system. It's an optimistic message. The film does offer a couple of good scenes. Most of them however play like scenes from an episode of an old version of West Wing. The film is sometimes very dull with scenes allowed to go on for several minutes too long. Establishing shots are also stretched a bit too long. There are several scenes that fade to black... which adds to the t.v. movie feel of the film-- you almost expect there to be a commercial. If you have any affection for Billy Jack, the film is worth seeing and is not the total disaster you might have been led to believe. It's corny, cliche'd and rather predictable, but there are a few scenes that have enough edge to them as to be borderline daring for their day. There may be some truth to what Laughlin says about the film not being distributed because of political pressure. I don't think there was much interest in distributing a somewhat controversial film after the country had been through Watergate. It was a minor reason however to not push the film too hard. If distributors thought they could make money, they would make money and distribute just about any film. The main reasons the film wasn't distributed was because it wasn't a very good film, it was critically savaged at press screenings, it came after Watergate, the recently released film Master and The Gunfighter starring Laughlin was a box-office disaster and it had been over three years since Trial of Billy Jack which had been only a modest success. Laughlin was not well liked in Hollywood and he had certainly lost a lot of his Billy Jack fan base. Billy Jack was a film much like a one hit wonder. It appealed briefly to a wide demographic for a variety of reasons that had little to do with quality. The success of Billy Jack went to Laughlin's head and he burned a lot of bridges talking about how he was single handedly responsible for its success and he knew how to make important films that spoke to the people. He claimed he had important things to say and he was going to be not just a big powerful movie -maker and star, but a force that would make changes in politics. Wait a minute said people who saw Billy Jack. We liked the film because it was cool, not because Tom Laughlin was beating the system and proving he knew what the public wanted by its success. For five minutes he scared some people, but when the public took a closer look at Laughlin they decided they didn't like him. He wasn't a good actor, writer or director and he was just another egotistical guy who thought he could have a ministry based on making movies, rather than being a t.v. evangelist. He wore out his welcome and he refused to accept the public responded to his film for a variety of reasons, not just because of Tom Laughlin or an optimistic message. Laughlin still very much believes in himself and his message. The message is one that involves personal responsibility and morality. If you listen to him part of you will scream out, who the hell does this guy think he is and part of you might agree with what he says. But Laughlin isn't John Lennon and he still tries to convince you that doors have been slammed shut on him because he wants to tell people the truth about conspiracies and corruption. Because of his limited talent, he has an every man kind of appeal. But he's an ends justify the means kind of guy, and he believes he alone has figured out the way some things are. That type of thing changes from being interesting to being annoying, unrealistic and then just plain tired. I'm glad the world has people like Tom Laughlin in it, but I wouldn't want him to run things anymore than I would want another Nixon or Gingrich to. And Laughlin's idealism is fused with his huge ego. What no one can ever take away from Tom Laughlin, is that he did accomplish something pretty amazing. He forced himself onto the American screen and for a brief period of time was embraced by a very fickle public. When it was time for him to fade away he didn't want to give up his fame and celebrity. He over-stayed his welcome and I hate to say embarrassed himself, but that's what he did. When a shaggy underdog gets some success and is perceived as a pompous ass, it's time to lay low. He didn't. He misread the market, over-estimated his own talent and abused the bit of public goodwill he had won over. I don't know that he's even yet realized exactly what has happened. Perhaps he still believes that he crashed and burned because a secret society of power brokers wanted to silence him. Then again maybe he knows this very well and realized if he continued to play his role, he wouldn't completely fade away into obscurity. Chris Jarmick, Author (The Glass Cocoon with Serena F. Holder Avai
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| 5. Billy Jack Collection | |
![]() | list price: $29.99
our price: $26.99 (price subject to change: see help) Asin: B00004XPOK Catlog: DVD Sales Rank: 7245 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (68)
Billy Jack returns to the reservation after a tour in Vietnam to find tension between the students of the Native "Freedom School" and the local townspeople. Some townspeople are motivated by fear and distrust, others buy old-fashioned racism. Billy Jack defends the students of the Freedom school, violently if need be. The hippie, anti-racism/fascism message is not subtle. However, the answer to the world's problems does not lie in the simple "love one another" mantra of the the peace movement. Billy Jack gets respect and some degree of safety for the students at the Freedom school only by kicking the racist antagonists in the face. At the same time, taken too far, a confrontational approach doesn't make it all better..even if you have the moral authority. Billy Jack finds this out as he is surrounded by the authorities, wounded and bleeding to death in a shack. It takes courage to fight back, and it takes just as much to realize that black and white responses to life's challenges do not amount to functional solutions to those problems. As stated in some reviews of this movie, some of the acting and music leave much to be desired. However, we know that in real life people don't act as emotionally convincing as actors portray them, and the bad hippie songs actually make the movie believable. The improv-theatre scenes are a bit corny, but honest and quite amusing. A few are excellent, actually. The movie is honest about violence, race, and sexuality. I think it would be viewed as politically incorrect today, in spite of its hippie message. The opening scene where wild mustangs are coralled against the visual backdrop of a Southwest canyon and the musical background of Coven's anti-war anthem is quite moving. A very beautiful movie, and one of my favorite movies of all time.
If a person could have jammed anymore sixties clichés into an hour and a half, I'd like to watch their movie, too. Leading the pack would be the connection to "Indians", followed by ear-ringing singalongs at the school.....being bitten by rattlesnakes in a "purification process"....guerilla theater.......expressing yourself......"squares"......and on and on. Jean is the lady that runs the school and, despite a notable lack of physical contact, is Billy Jack's lady. She is the good cop to his bad and spends a great deal of time doing one of two things: trying to talk Billy Jack out of collapsing your windpipe OR sneering with satisfaction once he actually does it. Jean's philosophy is plain and straightforward: there isn't a problem in the world that couldn't be solved in a peaceful manner if people would just love one another....and if that doesn't work, I'll un-cage Billy Jack and set him out to snapping your limbs like twigs. She also has the most unusual set of sideburns I've ever seen in my life. There's not been a movie made that I'd rather watch than this one. Buy it. Quickly.
God Bless! Happy movie watching and book reading everyone. www.therunninggirl.com
| |
| 6. Billy Jack Director: Tom Laughlin | |
![]() | list price: $9.99
our price: $9.99 (price subject to change: see help) Asin: B00004XPOM Catlog: DVD Sales Rank: 39469 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (68)
Billy Jack returns to the reservation after a tour in Vietnam to find tension between the students of the Native "Freedom School" and the local townspeople. Some townspeople are motivated by fear and distrust, others buy old-fashioned racism. Billy Jack defends the students of the Freedom school, violently if need be. The hippie, anti-racism/fascism message is not subtle. However, the answer to the world's problems does not lie in the simple "love one another" mantra of the the peace movement. Billy Jack gets respect and some degree of safety for the students at the Freedom school only by kicking the racist antagonists in the face. At the same time, taken too far, a confrontational approach doesn't make it all better..even if you have the moral authority. Billy Jack finds this out as he is surrounded by the authorities, wounded and bleeding to death in a shack. It takes courage to fight back, and it takes just as much to realize that black and white responses to life's challenges do not amount to functional solutions to those problems. As stated in some reviews of this movie, some of the acting and music leave much to be desired. However, we know that in real life people don't act as emotionally convincing as actors portray them, and the bad hippie songs actually make the movie believable. The improv-theatre scenes are a bit corny, but honest and quite amusing. A few are excellent, actually. The movie is honest about violence, race, and sexuality. I think it would be viewed as politically incorrect today, in spite of its hippie message. The opening scene where wild mustangs are coralled against the visual backdrop of a Southwest canyon and the musical background of Coven's anti-war anthem is quite moving. A very beautiful movie, and one of my favorite movies of all time.
If a person could have jammed anymore sixties clichés into an hour and a half, I'd like to watch their movie, too. Leading the pack would be the connection to "Indians", followed by ear-ringing singalongs at the school.....being bitten by rattlesnakes in a "purification process"....guerilla theater.......expressing yourself......"squares"......and on and on. Jean is the lady that runs the school and, despite a notable lack of physical contact, is Billy Jack's lady. She is the good cop to his bad and spends a great deal of time doing one of two things: trying to talk Billy Jack out of collapsing your windpipe OR sneering with satisfaction once he actually does it. Jean's philosophy is plain and straightforward: there isn't a problem in the world that couldn't be solved in a peaceful manner if people would just love one another....and if that doesn't work, I'll un-cage Billy Jack and set him out to snapping your limbs like twigs. She also has the most unusual set of sideburns I've ever seen in my life. There's not been a movie made that I'd rather watch than this one. Buy it. Quickly.
God Bless! Happy movie watching and book reading everyone. www.therunninggirl.com
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