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| 41. Beautiful Thing Director: Hettie MacDonald | |
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Description Reviews (261)
The story centers around Jamie (Berry) and Ste (Neal), 2 teenage classmates and neighbors in a working-class development in London. Jamie is a reserved teen sharing a normal relationship with his single, pub manager Mom (Henry). Ste lives an emotionally and physically abused life at the hands of his single father and older brother. What transpires between them is a very tender and emotional tale of first love and budding homosexuality. Awakening sexual desire, guilt, fear and, eventually, love is played out in an honest & sincere fashion. The entire cast is superb. As Jamie & Ste, Glen Berry & Scott Neal give their characters a sweet and emotionally accurate innocence... especially when joyously galavanting through a forest together and sharing a long kiss. Linda Henry is exquisite as Jamie's Mom, Sandra. She delivers a fantastic and multi-layered performance as a woman trying to deal with her own life, in addition to her son. As the Mamas & the Papas loving neighbor Leah, Tameka Empson graciously adds some needed turbulence (comically and otherwise). The script is heartfelt, comical (some moments between Sandra & Leah are a bitingly hilarious), and fresh. Definitely a wonderful comedy-drama and, perhaps, the best coming out film of the decade.
The downside of this film is that its "R" rating (certainly not for sex -- it's gotta be for the rough language) deprives a whole group of young people from experiencing a film that could bring so much goodness to their lives. Every teenager, gay and straight, ought to see this movie. It cuts through all the stereotypes and shows just how beautiful the love between two regular guys can be. Their story is so moving that one would have to be pretty cold and hard not to root for the triumph of Jamie and Ste's love. Indeed, making it a required part of the high school curriculum would go a long way in freeing young people from fear and prejudice, and would do much to help them become more loving and accepting people. What an inspiration and beacon of hope it could be for young gay people looking for a way to love and a reason to hope! You will be glad and grateful for seeing this movie. In fact, I guarantee that you will not be able to see it just once -- you will want to see it again and again. And that's why you will want to buy it! That's what I did!
The story has been summarized in many of the other 250 or so reviews, so I won't do that here. But I will urge you to get this movie and watch it -- it will touch you and be beneficial whether you are just coming to terms with being gay, if you're out and completely fine with yourself, or if your kid or friend has just come out to you. Even if you don't know many gay people, watch this movie and see what you think. It deserves all the awards, recognition, and reputation that is has. I only wish I had seen it sooner (and that other people had seen this before I had to come out to them!). This is a British film, so expect more rough language than you'd see if it had been made in the U.S... I'd also recommend using the Closed Caption to keep from getting a bit confused from the language differences (for instance, I thought Ste had said he was Naked when it made no sense ... ends up he had said Knackered... sleepy I guess LOL). Whether you rent it or buy it, find some way to see this movie.
Buy two. One for yourself and one for someone you care about. ... Read more | |
| 42. Creature Comforts Director: Nick Park | |
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Description Reviews (51)
The first, Creature Comforts, winner of the 1990 Oscar for Best Animated Short Film, is cute, as various zoo animals are interviewed on what it's like to live in a zoo. This one contained some of the funniest moments of the four shorts on this disc. This short runs about 6 minutes. The second short, Wat's Pig, is a story of two brothers born into nobility and separated at a young age, one becoming the ruler of a kingdom, and the other a poor peasant, and what happens when a neighboring kingdom decides to declare war. This one runs about 11 minutes. The third short, Not Without My Handbag, is a darkly humorous tale, which is, as other reviewers put it, in a rather different style of animation than the other three shorts. The style and story line reminded me a lot of Tim Burton's The Nightmare Before Christmas. Due to the darker humor of the subject matter here, it may not be appropriate for younger viewers. This one runs about 11 minutes. The final short, Adam, is a funny look at the first being created, and the problems he must face in a rather limited environment. This one runs approximately 6 minutes. In all, there is about 35 minutes of material here (no extras), and even at a seemingly lower price, one must consider if it's worth the money. I did enjoy all the shorts, but I do wish they could have included more, even if it meant a higher cost. I would have liked seen these included as extras on either a Wallace and Gromit or Chicken Run DVD, but to release so few on one DVD seems a little wasteful. I feel like I've just had the appetizer, and now I am waiting for the entree.
1) Creature Comforts - directed by Nick Park, this short is only five minutes long. It is a funny concept: animals are interviewed at a zoo, and they talk about the advantages and drawbacks of captivity. This, however, gives no space to the excellent action scenes that charactherize Park's best work. It is just the animals talking in front of the microphone. 2) Wat's Pig - this one narrates the story of two brothers separated at birth: one ends as king, the other is raised by a pig. There is no payoff here at the end. 3) Not without my handbag - this one is weird, in the line of Beetlejuice. Some people say it is a little scary for small children. I don't think is scarier than other cartoons in TV. This is the funnier of the lot. 4) Adam - a small (and naked) man in a small planet, "a la The Little Prince", while his creator (God) works on him. Interesting, and more in line with the visual humor that we expect. Somes notes regarding the price. Ten dollars sounds cheap for a DVD disc but consider that it is only 35 minutes long, it is not close captioned and lacks any extras. The transference, as noted by other reviewers, is not great (while maybe better than VHS, but that is expected). I will recommend this disc only to the die hard fans of clay animation.
The juxtaposition of the creatures of our Earth having such a clear image of human (and arn't they) lives is beautiful. Seemingly trapped to the day and yet somewhat content in their memory of what has, might have, or may be. Lovely! Thanks, Nick.
Individually, the four shorts are nice, although the vocal tracks are muddy and overpowered by the musical soundtrack in places. Closed captions or subtitles would have been helpful, but they aren't included. Unfortunately, you can't watch the features individually. Even though there is a "Play All" option on the menu screen, if you start with "Creature Comforts" all four shorts will play. "Creature Comforts" is the best of the four, but because of the poor sound it also suffers the most. With no commentary track or making-of bonus feature the irony of the interviews (talking with kids about zoos and seniors about retirement homes) is lost. "Wat's Pig" - with its minimal dialogue - comes across nicely, although the parallel storylines can be hard for younger viewers to follow. As with all four of the films a commentary or making-of feature would have been nice. "Not Without My Handbag" has a good Tim Burton-esque style, but unless you're prepared to discuss the afterlife, the underworld, or the intricacies of contract law, it's not really appropriate for younger viewers. This is where the individual-play bug in the main menu is most apparent, as you have to manually stop the DVD after "Wat's Pig" (or hit the Skip button) to avoid this one. "Adam" is my second favorite, and with its minimalist soundtrack it comes across the best of the four. Yes, there is cartoonish nudity. No, it doesn't conform to the Biblical chain of events. Nevertheless, it is a very witty story with three or four big laughs in its brief play time. Ultimately, this DVD is worth less than the sum of its parts. Wait for something better to come along. ... Read more | |
| 43. Kama Sutra: A Tale of Love Director: Mira Nair | |
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Amazon.com Kama Sutra is the story of a young woman named Maya (the stunning Indira Varma) who has always been lower on the social scale than her well-born friend Tara (Sarita Choudhury), and has always lived in Tara's shadow, wearing her used clothes and being made to feel inferior. When Tara is betrothed to the handsome King Raj Singh (Naveen Andrews, from The English Patient), Tara sneaks into the king's tent on the eve of the wedding and seduces him. Later, after being trained to master the Kama Sutra's many "lessons of love," Maya will be the king's courtesan, and emotions will run high between the former best friends. But the plot is of secondary importance here (a fact that resulted in many mixed reviews), and so Kama Sutra works best as a colorful and irresistibly sexy story that is worth seeing just for the startling beauty of the film and its cast.--Jeff Shannon Reviews (78)
KAMA SUTRA: A TALE OF LOVE Synopsis My Review
This story is about LOVE (of course), true love broken by the society and its "powerful ones". In this case, the powerful one is a Prince, evil yet very sexy Naveen Andrews (Kip in "The English Patient"). The object of his desire is Maya, who is forced to become courtesan, after some unfortunate events. But, Maya was brought up as a princess... Indeed, Maya grew up with the evil Prince's future wife-to-be, Tara, so it gets very complicated: Prince has beautiful Tara, but he desires beautiful Maya (they are both so beautiful, why not have them both?...Prince manages to do that for quite some time). There is another amazingly beautiful woman in this film, whom I enjoyed seeing on screen once again: famous Indian actress, Rasa Devi, playing Rekha-- older courtesan and Maya's mentor, and what a wonderful mentor she is! In short, Kama Sutra: A Tale of Love, is one of the most beautiful and most sensuous films in years. It is entertaining and at the same time philosophical! It was nice to see "making love"-scenes, as oppose to random and mostly meaningless sex-scenes that seem to dominate today's cinema. I only regret that there wasn't more dancing in this film. I also regret over-using the word "beautiful" in my review:)....but, in this case, it is more than appropriate.
Overall this movie is a well-told story and the scenery is fantastic. Overall an entertaining if not great movie.
Maya, born into a servant caste, and thereby relegated to a powerless situation in a rigid society, manages with daring, intelligence, and humor to live an authentic life. She acts boldly, at times, to shape her destiny; but she also accepts with equanimity the turns of fate that she cannot control. I think I can say without giving away anything that I love the final scene where, on the metaphorical path of life, she walks serenely out of the chaos and madness created by powerful men into the peace of her own future. Oh, that one might do as well in the madness of the 21st century.
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| 44. Brother Sun, Sister Moon Director: Franco Zeffirelli | |
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Reviews (115)
Conceived and executed in much the same visual manner as his ultra-popular ROMEO AND JULIET (1968), Franco Zeffirelli's BROTHER SUN SISTER MOON attempts to draw parallels between the work and philosophy of St. Francis and the ideology which underpinned the worldwide hippy movement throughout the 1960's and early 70's. Hence the ragged-but-lyrical cinematography (by Ennio Guarnieri), fractured editing (by Reginald Mills), and the use of contemporary - but strangely timeless - folk songs written and performed by Donovan, all of which conjures the requisite mood of spiritual awakening whilst simultaneously dating the movie quite firmly within its period. Cynics will hate it, while others will embrace Zeffirelli's defiant romanticism. Daringly, Zeffirelli's script (co-written by Suso Cecchi d'Amico and Lina Wertmuller) contrasts Francis' piety and virtue with the bloated pomp of official Church doctrine, weighed down by internal politics and social indifference, though it's difficult to gauge if this represents a veiled attack on Christian orthodoxy or is simply a reflection of Francis' dismissal of outdated customs in favor of a return to Nature. Lovingly crafted by Lorenzo Mongiardino (art direction) and Danilo Donati (costumes), the movie is toplined by a cast of gifted newcomers and screen veterans, including Judi Bowker (one of the most beautiful actresses of her generation), Leigh Lawson, Kenneth Cranham, Valentina Cortese and Alec Guinness. But the film derives much of its visual strength from Faulkner as the young, battle-scarred nobleman laid low by his wartime experiences, who emerges from the horrors of conflict with a completely new and spiritual outlook on life. Faulkner was one of a handful of young actors (including FELLINI-SATYRICON's Hiram Keller and LISA AND THE DEVIL's Alessio Orano) who emerged from European cinema in the 1970's, handsome and talented in equal measure, to burn brightly and briefly before disappearing into relative obscurity. Here, Faulkner's intense beauty and fresh-faced innocence are illuminated by Guarnieri's worshipful camera and Zeffirelli's attentive direction, which places him center-stage throughout (there's even a generous, PG-level nude scene halfway through the movie). This was Faulkner's cinematic debut, and while Zeffirelli couldn't have made a better choice for such a crucial role, the director later described him as being slightly aloof from his fellow actors, which may explain his subsequent disappearance from the movie scene. But here, his grace and dignity are displayed in abundance, and it's hard not to fall in love with him, every time he appears on-screen. Picture quality on Paramount's DVD is grainy in places and vivid in others, but overall, this is a huge improvement over previous video incarnations, all hideously cropped from the original hard matte widescreen version presented here. Sadly, there are no extras whatsoever, not even a trailer! It would have been nice to see footage from the Italian cut (FRATELLO SOLE SORELLA LUNA), which runs approximately 14 minutes longer and replaces Donovan's music with a fully orchestral score by Riz Ortolani. The film's editor, Reginald Mills, produced a 16mm documentary in 1973 entitled FRANCO ZEFFIRELLI A FLORENTINE ARTIST, compiled from footage shot during the making of the movie and featuring a lengthy interview with the director himself. Running a mere 51 minutes, it provided an invaluable insight into Zeffirelli's working methods and the thinking which gave rise to the finished product, and its absence from Paramount's disc is hugely disappointing. It's nice to have the film on DVD in its present form, but the lack of extras reeks of missed opportunity. 120m 56s
Pax et Bonum, A young Irish Secular Franciscan.
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| 45. Shag Director: Zelda Barron | |
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Amazon.com Reviews (67)
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| 46. Billy Elliot Director: Stephen Daldry | |
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Reviews (200)
Following the family tradition, Billy is expected to learn boxing at the Everington Boys Club where, instead, the 11 year-old becomes enthralled by the girls' dancing class, led by a chain-smoking teacher (Julie Walters) who soon recognizes his raw talent. He loves watching Fred Astaire in old movies and is instantly drawn towards the ballet class, but when his macho father and rabble-rousing brother (Jamie Draven) discover he's taking ballet classes, they ridicule Billy - "Lads do boxing and football and wrestling, not friggin' ballet!" - forcing him to hide his slippers under the mattress and sneak off to class. Then come the auditions for the Royal Ballet School and Billy's defiantly joyful, foot-stompin' "I Want to Boogie" sequence. What makes this heartfelt English import such a gem is the collaboration of screenwriter Lee Hall, cinematographer Brian Tufano ("Trainspotting") and former stage director Stephen Daldry ("An Inspector Calls"), who - despite the simplistic predictability of the plot - create eccentric, lovable characters and evocative imagery. One haunting sequences focuses on a little neighborhood girl dragging a stick along a brick wall, which dissolves into a phalanx of plastic police shields. Another involves the father grimly chopping up Billy's mother's beloved piano for needed firewood. While some of the authentic, heavily accented dialogue may be indecipherable to some, the musical soundtrack, combining classical and pop, is terrific. In the title role, newcomer Jamie Bell embodies awkward determination, juggling grim reality with a surreal fantasy world, explaining, "Just because I like ballet doesn't mean I'm a pouf!" As Billy's father, Gary Lewis ("My Name is Joe") is tough-yet-tender, and Julie Walters ("Educating Rita") scores as Billy's crusty yet compassionate teacher. ("I feel like a sissy," Billy tells her. "Well, don't act like one," she retorts.) Jamie Draven and Stuart Wells lend strong support. Jean Heywood is touching as Billy's senile grandmother, whom he tenderly cares for and who repeatedly recalls, "I could have been a professional dancer." While the bleak setting, in the 1984 miners' strike in northeastern England, is reminiscent of "The Full Monty," the energetic mood evokes "Flashdance" - and it was a bit hit at both the Toronto and Cannes Film Festivals. On the 'Lund Movie Scale' of 1 to 10, "Billy Elliot" is an exhilarating 9. Combining comedy and poignancy, it's all about being able to express yourself.
From the title sequence I knew something was up, they weren't ordinary, a kid bouncing up and down through the screen. Then moving into the first "real" scene I watched closer, the film drew me in, I couldn't stop watching. Right off, the viewer finds great character development, with 11-year-old Billy at home caring after of his aged "Grama" and then more, with his dad and older brother heading off to the miner's picket line in their small Northern England town. His newly deceased mom appears there at home in family photos on the piano top. Next scene, Billy is drawn into a girl's ballet class that just happens to meet where he's taking boxing lessons. That's where we meet the rest of the main characters, his school-mate Michael, his dance teacher, Mrs wilkinson and her daughter, Debbie. The expected conflicts arise as Billy pursues his passion for dancing. Family, culture, economics, and just plain ol' growin' up come into the fray. Billy's resolve and guts drive him through to his goal of being a ballet dancer. The happy ending is expected, but getting there is what's unexpected. This film has greatly directed scenes that are composed like a master painter. Scenes move artistically from one to the next. Watch for the blend from the Fred Astaire movie clip moving right on screen to the scene with Grama and him as they go to visit Billy's mom's grave. Later, watch for the slight turn of his father's head as he sits on Billy's bed moving to the next scene as dad decides to be a "scab", going back to the mine for Billy's sake. I think "little" stuff like that makes for a great movie. The story is well written. The acting is dramatic and believable. I missed it at the theatre but found "Billy Elliot", a real treasure, buried at my local video store. And then later, with the added features on DVD.
The film is set in Durham, England during the bitter coal miners strikes of 1984. The social tensions and economic hardships are portrayed with frequent views of riot clad policemen and in the difficulty Jackie and Tony (Billy's foul mouthed older brother) have in just feeding the family. The tensions are of course there when father and brother find out that Billy has been taking the money for boxing and attending ballet classes. The film handles the family relationships well. Jamie Bell (Billy) is excellent in portraying the passion with which he comes to have for his dancing and the acting of Gary Lewis as Jackie - showing outrage, disapproval, grudging acceptance and then support, largely with facial expressions - is excellent. There is a scene that shows this subtle acting best. Billy, dancing and Jackie watching, show their feelings completely without a word being expressed. A very good 'feel good' movie, light on the sentimentality and just enough weight on the 'heavy' topic of father and son relationship.
You'll love Billy Elliot, it's the most exciting and heartwarming film I've seen this year. William
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| 47. Cats - The Musical (Ultimate Edition) Director: David Mallet | |
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Reviews (436)
"Macavity , Macavity theres not one like Macavity there never was a cat of such deceitfullness and suavity he always has an alabi or one or two to spare at what ever time the dead took place Macavity wasnt there" These are only two of the great songs in the show! it is really really good; great songs, funny, good acting, good dancin!
I'm no great Andrew Lloyd Webber fan, but that's not really the point. I don't think that you need to be to recognise when something is well done. And whilst it may help? to have seen the stage show before, it's clearly not essential to enjoy the DVD. Sometimes it can be the opposite, as people may feel a film version does not live up to their expectations/memories of the live show. If you are considering buying this then please do, and for goodness sake, do not worry AT ALL about this being unsuitable for children. Some previous reviews commenting on it's unsuitablity for children are way off the mark. I can only imagine they live in households where table cloths are required to reach to the floor, lest young ladies in the house are offended by the sight of the table legs! Unreal...
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| 48. The Importance of Being Earnest Director: Oliver Parker | |
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The movie is hysterical-i laughed throughout the entire thing-and it was not merely the verbal wit, but the physical comedy and dare I say again the chemistry of the actors that made the movie a true delight. Colin Firth and Rupert Everett are absolutely perfectly fitted to their roles, and "the muffin scene" (which those who have seen it must remember!) had me laughing so incredibly hard! Reese Witherspoon is grand, as is Frances O'Connor. Judi Dench's role was perfectly suited to her, and the twists of the story put the characters in such hilarious situtations. I must say, my only regrets after viewing this movie are: I cannot wait for the DVD ~ the extra features *sigh* ~
Everything's so agreeable except Reese Witherspoon's cast here... Parker must have been mistaken for Christ sake! Witherspoon is so NOT right for the choice. Her indifferent beauty and bubbly profile are totally incompatible with the rest of the casts - who has got the lordly Englishness. She plays the "ward" of Jack Worthing (Colin Firth) who's kept and schooled in his country house, no wonder.
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| 49. The Six Wives of Henry VIII - Complete Set | |
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Description Reviews (54)
King Henry VIII is played to perfection by Keith Mitchell. He has set the standard by which all others in the part will be judged, and he is the linchpin around whom the entire series revolves. He plays the young, athletic, erudite, golden king in the first tape, and the viewer watches him age and deteriorate throughout the entire series, until he finally becomes the sore riddled, morbidly obese, self absorbed, tyrannical hulk of his later years. Each one of the six wives has her own unique story. The plays tell that story, each a first rate drama unto itself that segues into the next one seamlessly. All the queens are portrayed by very talented thespians, and the supporting cast is superlative. All in all, this series provides a fully absorbing historical drama that should not be missed. It is through the story of each of the wives that one is able to see England transform itself from a catholic country to a protestant one. It also provides a birdseye view of the political intrigues which fueled such a transformation. Bravo!
This classic BBC television series from 1970 is an outstanding production of 6 plays, all by different authors, depiciting the relationship Henry VIII had with each of his 6 wives.It's an entertaining and enlighting look at the monarch, played exquisitely from his youth to his sickly old age by Keith Michell.The six very different women, most of whom meet with a tragic ending are also portrayed brillantly by the actresses and will draw you into their joys and fears at being the Queen of England. Catherine of Aragon(Annette Crosbie), Ann Boleyn(Dorothy Tutin), Jane Seymour(Anne Stallybrass), Anne of Cleves(Elvi Hale),Catherine Howard(Anglea Pleasence) and Catherine Parr(Rosalie Crutchley),were all picked to serve a purpose for the Royal Court. Some served useful in forming political alliances, and some in gaining favors for social climbers in the court. But to Henry....They were there to provide him with sons..heirs to the throne..and God help them if they didn't. The production is wonderful. The costumes, make up, each play beautifully written, and the majestic performances will have you enthralled with each story and hanging on every word.The authentic look at this Royal soap opera is one any student of European history, or anyone who loves stories about Kings and Queens would be thrilled with.It is a five star performance. The DVD did not get the kingly treatment it deserved.Although there is nothing about it that will interfere with your enjoyment of this treasure, it is very dated. The costumes and magnificent jewelry need to be brightned up, the outdoor scenes are a bit grainy, and the sound(although clear and distinguishable) is a very low recording.The price is a little high considering what this could look and sound like on DVD with a restoration.So 4 stars for the package. It is absolutly worth the view and worth owning though.Unless a new edition comes along(this edition was released July, 2000), I would suggest to check with the sellers here, the prices seem much more reasonable.(I got a great deal at about half the price). You may lose your head over this one.....enjoy...Laurie
Now, to be warned, I only bought the DVD instead of the videotapes simply because I knew I'd be watching them a lot, and didn't want to wear out a tape. They list "scene selection" on the box, but the scenes are actually the choices between plays on each DVD. That's it. No extras, no nothing, so only buy the DVD if you are either going to watch them a lot, or want a DVD because it's easier to store. I spent a lot of time when I first got the DVDs trying to find the scenes for selection, when it finally dawned on me that I could choose a play, and that's it. Oh, well. After seeing this series for the first time, I became totally obsessed with finding out more about the era, and have since read dozens of books about Henry and his wives and his children. Although each wife's story is condensed to 90 minutes, all six playwrights do a fine job of elaborating the basics. Less dramatic license than I would have thought has been taken in many cases. Glenda Jackson is also marvelous in her six-play series, "Elizabeth R," which I recommend. But it's Keith Michell all the way here. I can't praise him enough. I'll keep looking for acting this good, but I doubt I'll find anything.
Having the viewed all the discs, I disagree. While it is true there are not additional features on the set (like interviews, directors comments, etc) I found the picture quality and sound to be good. There were no times when I had to raise the sound to hear. In other words, it is like watching the tapes - except on 3 discs which take much less space. The performances need no comment. This series has stood for years as superb and transfering it to DVD hasn't changed that
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| 50. Cleopatra (Five Star Collection) | |
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Reviews (108)
This still hold the worlds record as the most expensive film ever made 45 millon at a time when you could spend 2 millon on an epic and still get something grand but many drawbacks and waste and script rewrites , directors getting tired and producers fed up and many times a sick Liz Taylor ,it also holds the record for the largest sets ever built. At the hights of the Roman Empire and the Egyptian Empire, Julius Ceaser a respected Ceaser and general wars to make and expand the greatness of Rome, after the battle little does he know that while he may conquer countrys there is one thing he cannot conquer the love of his neighboring Egyptian Queen and ruler of Egypt Cleopatra who is feirce and ambitious and seducting and uniting Rome and Egypt as one she will do that at all costs even if it means loving a Ceaser and bearing him a son.But when both nations are locked into war and famon , The Roman senate decides that Julius is no longer capable of being a Ceaser so they , assasinate him.Cleopatra alone and not fufilling her dream she meets the beloved Roman General Mark Antony and is immidiately swept into another love affair from a Roman but Antony seemingly betrays Egypt and strikes Cleopatra's anger and frustration now hated and decived by Rome Antony is once again engaged in war with announced Ceaser Octavian as Antony wars at Actium he must endure a terrible defeat. But as the movie ends in a almost Romeo and Juliet style as Antony dies in the hands of the only thing to him that was worth fighting for Cleopatra , when she realizes how much Antony loves her she causes her death and is bit by a serpent and dies before Octavian can capture her alive. An amazing film , a legendary film sprawling in intrigue and betrayal and lust the DVD contains a two hour making of the film and a legend that almost bankrupted 20th century fox if Cleopatra was made today it would cost twice as much as TITANIC to make.Cleopatra was a virtual flop and badly tanked at the box office but this movie is good because it manages to bring a legend to life with unserpasssed and powerful brillance few Hollywood films can do today.Not even reacent 2001 Best Picture winner Gladiator is as big in scope and scale everything is just small next to this film the will live in the annels of film as the story will live in egyiptian lore for centurys to come an specticale worthy and awsome film.
The Music of the film is the BEST. Till this Day, I don't know why the Oscars didn't give Cleopatra the award. Of course, Oscars didn't give Gone with the Wind, Gladiator, and lots of other film's beautiful scores the Oscar, it's weird. How do I know about all about Cleopatra? I have ALL the books, interviews, and even the full movie shooting script of this movie, I am the biggest fan! If you have seen the movie, you'll realize that Cleopatra was usually unhappy and tense. But there is a happy side of her, for example, there was a scene where Cleopatra, Antony and her son with Caesar were in the garden, Cleopatra watching them play swords. Then Caesarian, the son, stubbed Antony with his wooden sword and Antony cried out in "pain", and Caesarian suddenly went crying, saying "don't die, don't die!" Antony suddenly comes back to life and tickles Caesarian, then drags Cleopatra into them and they were all laughing and rolling on the floor... it was so happy, and that's one of the many sides of Cleopatra that's been cut off. In the four-hour version, we first see Cleopatra dumped out of a carpet. That was NEVER intended to be the first scene we see Cleopatra. From the script I learned that there was a whole story of Cleopatra outside Alexandria, and she and the others planned to meet Caesar and how to sneak her in. Just after they got to the Palace, some soldiers almost caught them and the maid had to lure the guards away... it was thrilling to read the pages of the script! There are sooo much to saying about what Cleopatra should have been, but sadly, no one expect FOX has the missing footage, and they are the best scenes of the movie (some scenes were so humorous that I laughed out loud!). In the late 70's, 20th Century FOX called a recording session to record the lines of the movie so they can restore it, since the sound elements were missing. But it was called off at the last minute. But the three-and-half hours of missing film footage was NEVER lost! With today's technology, they can totally restore the film back, including the sound. They also have the missing part of the unused scores, but why doesn't FOX, after making a two hour documentary about the film, restore it? No one knows! Movies like "A Star is Born", "Lawrence of Arabia", "Sparticus", and many other classic movies has been successfully restored and loved by many. Why not Cleopatra? I am writing just to let you know the truth about the movie, and hopefully, if more people know maybe FOX will restore the film to the intended way. In a Late interview with four-time Oscar winner Joseph L Mankiewicz, the director and screenwriter of the movie, when the subject Cleopatra went up, he literately cried (on TV!). He said he wanted the film to be perfect that he bit his nails until they were bleeding that he had to wear gloves when he was writing the script... He called Cleopatra his "butchered masterpiece". But however, it's still one of the best movies out there! Totally worth buying!! FOX: PLEASE RESTORE CLEOPATRA BEFORE IT'S TOO LATE, BEFORE THE FILM ROTS OR A STUDIO FIRE AND BURNS THEM TO DUST, LIKE FOX'S 1917 VERSION OF CLEOPATRA!
All five Oscar wins were won for the spectacular surroundings that continue to amaze audiences after forty-one years: costume design, art direction, special effects, sets, cinematography. Few other films from the classic days was as elaborate as "Cleopatra". The multi-million dollars spent was worth it. The backgrounds are accurate desplictions of the actual Ancient Egypt and Ancient Rome. The buildings and the structure styles are amazing. The wardrobes are accurate to the actual styles worn by the characters. The elaborate costumes, namely the ones worn by Cleopatra, are unforgettable. This set a record for most costume changes by an actress for one film, 32, which would take 33 years to break ("Evita", 68). The make-up work blends perfectly with every costume. Elizabeth Taylor's role as Cleopatra is unforgettable. Her previous research of the subject is present. More perfect is the Oscar nominated role (Best Supporting Actor) of Caeser played by Rex Harrison. His expressions of love and life turbulances greatly improve the movie's theme. All other actors also play their roles wonderfully: Richard Burton, Martin Landau, Carroll O'Connor, and others. "Cleopatra" is a great classic film that will continue amazing audiences for many more years. This will leave them with an unforgettable experience. After viewing, those looking for more should also watch the bonus features, which have a lot of interesting details behind the film.
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| 51. Persuasion Director: Roger Michell | |
![]() | list price: $27.95
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Reviews (189)
The film makers did take some liberties with the story....it has been commented on several times by critics that Anne and the Captain never kissed in Austen's novel. While this is true, most of the film adaptations of Austen's works that I have seen include scenes of kissing between men and women who have come to an understanding of their love for each other. "Persuasion" is certainly a more faithful adaptation of Austen than is "Mansfield Park," which was released about the same time, probably because it does not have a political ax to grind.
1) It isn't stuffy and unnatural. The characters sound human when they speak; you can imagine that this is how people spoke in the 19th century - not like pompous orators, but like real people. The world surrounding the characters isn't overly polished or brightly lit; again, there's a natural, "lived-in" feeling to all the buildings and landscapes; they do not look like they came out of a glossy postcard. 2) The performances. I don't have enough praise for Amanda Root, who plays Anne Elliot, a woman whose marriage prospects are slim to nil, and who has just been thrown into the company of a man whom she rejected years ago. Root can speak volumes just with her eyes, and everything about her fits perfectly with the gentle, wry and intelligent Anne Elliot. As Captain Wentworth, Ciaran Hinds is also great; he disappears into the character. Both actors aren't conventionally beautiful or handsome either; Root in particular blossoms before the viewers eyes - at first she's very faded and quiet, and then we (like Wentworth) see her spirit shine out. In addition to Amanda Root and Ciaran Hinds, the rest of the cast also do a wonderful job. Perhaps because there aren't any big name actors, we can get totally immersed in the film. 3) It's true to Austen. There's subtle humor, real human feeling, and a keen understanding of human nature. It's an unforgettable love story. 4) The kiss. One kiss - perfectly timed, perfectly executed... you will melt. 5) The soundtrack. This holds true particularly for the assembly at Bath, and the Italian vocal pieces.
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| 52. Victor/Victoria Director: Blake Edwards | |
![]() | list price: $19.98
our price: $13.99 (price subject to change: see help) Asin: B00003CXD9 Catlog: DVD Sales Rank: 1988 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (75) | |