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| 21. Not for Ourselves Alone - The Story of Elizabeth Cady Stanton & Susan B. Anthony Director: Ken Burns | |
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Reviews (8)
For the first time, I understand what a woman's life was like back 150 years ago. I understand how much progress has been made, and how everything that I take for granted every day -- being able to choose my career, have a life separate from my husband, vote, own property -- was gotten only through the incredible struggle of women like Susan B. Anthony, Elizabeth Cady Stanton, and Lucretia Mott. They faced mockery, disdain, insults, dismissal and a millenium of tradition at every step, but never stopped fighting. They fought not just for themselves, but for me and every generation of women that came after them. The fact that I graduated from high school and college without knowing the story of these two great women is almost unforgivable.
I always thought of myself as somewhat well-informed on the topic of American History, but I knew virtually nothing about these two incredible women. Their friendship, the beautiful blending of their unique gifts to create one stupendous and powerful whole of a suffrage movement, their dedication and devotion - all these elements combined to make this story perfectly wonderful. I borrowed the video from our local library, but I think I need to buy it. I've watched it twice and wept tears of joy and gratitude at these womens' sacrifice and unselfish labors for all womankind. It is a delight to watch. I just had no idea women had to fight so hard and so long to be granted a basic human right like voting. And Elizabeth's "best" lecture, "The Solitude of Self" was one of the most powerful essays I've ever heard. Very stirring and inspiring. Even the [background] music was superior. This video will not leave you where it found you. Should be required viewing for everyone. Period.
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| 22. First Person: One in a Million Trillion: An Interview with Rick Rosner Director: Errol Morris | |
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| 23. Lewis & Clark - The Journey of the Corps of Discovery Director: Ken Burns | |
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Description Reviews (39)
I had read about Lewis and Clark in grade school...everyone has...but it's not until I'm 40 years of age watching these Ken Burns movies do I finally understand the context and the signifigance of the events. Highlights in this movie for me include: I watch one of these movies and I invigorates my enjoyment of history and I end up adding 2 or 3 related books to my reading list. If this is your first Ken Burns movie, you'll love it and this is a good one to start with. If you're already a Ken Burns fan, you will not be disappointed. Highly recommended.
It is also amazing to see how many vistas Burns and crew were able to find in such a seemingly pristine state. One of the real shocks to me was to understand how nearly deadly the Great Plains were to the Corps because of the lack of wood. Growing up in Michigan with trees everywhere, we take wood for granted. On that expedition, its lack was a real hardship. While not as dramatic as war and without and the lack of contemporary illustrations requires a different presentation style than Burns normally provides, this is still a visual feast and good solid food for the brain. Worth viewing many times for many reasons. Don't forget to read Stephen Ambrose's "Undaunted Courage" as well.
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| 24. Victory of Faith ( Der Sieg des Glaubens ) Director: Leni Riefenstahl | |
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| 25. New York - The Center of the World (Part 8) Director: Lisa Ades, Ric Burns | |
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| 26. Thomas Jefferson Director: Ken Burns | |
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Description Reviews (17)
Gore Vidal and George Will, at the opposite ends of the political spectrum, are among the historians and commentators that appear, reflect and illuminate on the life and ideas of the most contradictory of America's founders. Like most, if not all, of Ken Burns' productions, "Thomas Jefferson," the program's script/narration is its most distinctive and memorable feature. I only wish a text of program's script accompanied the DVD. The appearance and commentary by Black historian John Hope Franklin provides appropriate balance to the program that tends to applaud Jefferson the man, his achievements and contributions. The fact that Jefferson didn't free his slaves, and/or regularly had sexual intercourse with one of his slaves seem to me easily understood, considering his life and times. I'm not the least bit shocked, and my admiration of Jefferson is not diminished by these facts and/or speculations. Every American should regularly be introduced to this giant of the American Experience. "Thomas Jefferson: A Film By Ken Burns" should be every collection of quality DVD documentaries, and shown and studied in all American History classes. I hope that PBS continues to release all of Ken Burns' productions on DVD.
Burns begins the documentary with an anecdote which is the 19th century equivalent of JFK's quip to a 1962 dinner for 49 Nobel laureates that it was "the most extraordinary collection of talent, of human knowledge, that has ever been gathered at the White House-with the possible exception of when Thomas Jefferson dined alone." But the primary focus is on the inherent paradoxes of the man who could write the Declaration of Independence but own slaves, write about their unpleasant body odor, and avoided emancipating them. The charges continue in kind: Jefferson denounced the idea of political parties yet founded the first one, denounced the moral bankruptcy of Europe but enjoyed the gilded Paris salons, deplored a centralized government and then became the chief executive of the nation and doubled its size by buying the Louisiana Purchase. The thesis of this documentary appears right before Jefferson's name appears at the end of the introduction: "He remained a puzzle, even to those who thought they knew him best, embodied contradictions common to the country whose independence it fell to him to proclaim in words whose precise meaning Americans have debated ever since." The key point here is not just that Jefferson is an enigmatic figure but that his paradoxes are those written in the soul of the nation. It was not until Abraham Lincoln spoke at Gettysburg in November of 1863 that America finally accepted the proposition that "all men are created equal," but it was Jefferson who wrote the proposition. The gap between his vision and his actual achievement as a human being is arguably a defining element of the American spirit. Do I think that Jefferson fathered children by Sally Hemmings? Yes, I do; the fact that she turned out to be the half-sister of his late wife Martha, along with his promise to Martha on her deathbed that he would never remarry, seems a compelling rationale to explain his behavior, although I would never confuse seeking physical comfort with love. Why did Jefferson never free his slaves? That is the question that will never be known for sure (there is at least enough DNA evidence to show that the Hemmings children were fathered by a Jefferson, whether Thomas or one of his relatives, perhaps his brother Randolph). My best guess at this point would be that he was afraid of what would happen to his slaves if they were freed and sent off into the world out of the reach of his protection. That his economic problems were such that the slaves were sold off after his death is but another contradiction in the long line of those that defined his life. By now we are as familiar with the method of a Ken Burns documentary the same way we know the conventions of a situation comedy, romance novel, or rock 'n' roll song. The camera studies historic engravings and paintings before shifting to contemporary film taken in all four seasons of Jefferson's Monticello home and other key places from his life. The documentary was written by Geoffrey C. Ward and Jefferson's words are spoken by actor Sam Waterston with Ossie Davis providing the narration. Blythe Danner does the voice of Martha Jefferson, whom she played in the film version of the musical "1776." Many of those who have followed Burns' work will no doubt find much of the music familiar and be reminded from time to time of "The Civil War" and "Baseball." If there is a failing in this documentary it is that it has trouble doing full justice to Jefferson's words, which in the final analysis are his greatest legacy and testament. The problem is that Jefferson usually wrote on large pieces of paper and the camera cannot capture an entire line, forcing it to rely time and again on showing us a few choice words and phrases. Yet there is no denying the power of those words or of seeing them written in Jefferson's own hand.
However, I believe these battling opinions have led to an even worse condition. Jefferson is too much ignored in our schools. I believe this series can help our children gain additional understanding and appreciation for this vital Founding Father without resorting to worship. It is worth viewing more than once.
Reveals Jefferson as a very complex character who perhaps cannot be fully understood by history (let alone by his peers). Perhaps overly focused on the slavery issue in Jefferson's life, especially towards the end, but perhaps this is fair as the contradictory Jefferson displays both intellectual forwardness and the fixed attitudes of the plantation owner. A small complaint, but Sam Waterston's voice as Jefferson bugs me since I believed he defined himself as Lincoln in 'The Civil War'. He does a solid job, however. Highly recommended documentary on American history. ... Read more | |
| 27. The Thin Blue Line Director: Errol Morris | |
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| 28. New York - The Center of the World (Part 8) Director: Lisa Ades, Ric Burns | |
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Spanning a full three hours in length, "New York Episode Eight: The Center Of The World", provides the viewer an intense, in-depth look into the planning, development, construction, and sad demise of the famous Twin Towers in Manhattan, complete with breathtaking aerial views of the behemoths during construction and after completion. The story of the complex and almost Herculean task of creating the massive World Trade Center is skillfully and entertainingly weaved on this program utilizing new interview footage, intercut with archival video footage of the day. I like the fact that Director Ric Burns doesn't rush to tell the story at a mile-a-minute pace. The saga of these great buildings evolves at a more leisurely, relaxed pace during the program. The sheer scope of what we lost in just a few short seconds as the Towers crumbled into dust on September 11, 2001, might not be fully realized until viewing a program like this one, which provides many of the statistics and specifications for the Trade Center's combined 220 stories. Also included on the program is a detailed account of the fascinating tale of high-wire artist Philippe Petit, who, on August 7, 1974, walked from the top of one tower to the other, 1,360 feet above the streets of New York. In all, Petit spent 45 minutes walking (and dancing) from one tower to the other, making a total of eight passes between the immense structures. This program shows many spectacular pictures of Petit carrying out his death-defying and one-of-a-kind performance. A performance which, for many people, "humanized" the bulky steel Towers. The final 52 minutes of the documentary focuses on the destruction of the Trade Center on 9/11/2001. During the majority of those final fifty-plus minutes of the program, you might very well find yourself with one hand clasped over your open mouth, still in near-disbelief that this awful tragedy could have possibly taken place on that sunny Tuesday morning. No matter how many times you've seen those planes hit those two beautiful pieces of architecture, and no matter how many replays you've seen of the Towers pancaking down into the street, the events of 9/11, even years later, are still powerful enough to produce the inevitable "Oh My God...How Could This Happen?!" type of emotion within us all when we see it again, such as in this PBS documentary film. It's a tragic event of such proportions that it seemingly will never grow old, and will never cease to resonate in our minds. A more complete, detailed, and heartfelt examination of the fallen status symbols known as the Twin Towers you're not likely to find anywhere. This DVD program is a keepsake and a timeless reminder of not only the sadness of what America lost in September 2001, but also serves as an uplifting reminder of what the Trade Center stood for in its nearly 30 years of existence. The pride and sense of accomplishment in rejuvenating a decaying New York City that was felt by the many, many people who were involved, in any small way, in helping those Towers rise to become (at the time) the tallest buildings in the world, is something that no terrorist actions can ever destroy. And that sense of pride can be felt in this documentary program. This is a DVD that you'll be proud to own, and is one to be treasured for many, many years to come.
What makes this documentary unique is the amount of time it spends on the political, economic, and architectural wrangling that went on before the towers went up. The story of its construction is an amazing tale all its own. Burns uses aerialist Philippe Petit's stunt back in the 70s as a kind of humanizing effect to the buildings' superhuman size. Of course, this makes the inevitable outcome even more devestating. Mr. Burns has adroitly used an extraordinary amount of photos and footage, and the interviews bridging them are all expertly selected. Some of them were astonishingly moving. I never before thought that former Mayor Koch could be so feeling. In any event, this is a documentary that will probably make all other documentaries superfluous, with the exception of WORLD TRADE CENTER-ANATOMY OF A COLLAPSE which handles the more technical details. This is a terrific and befitting conclusion to Ric Burns' astounding documentary.
I think that now, years after the event, and the nation "healing" by falling back in to the old ways of bitter bipartisanship and political bickering, we need this film to remember what happned on that terrible morning. The forces of evil pricked a sleeping giant, but boy was that a miscalculation their part!
I was on the street within 2 or 3 minutes of the first plane hitting. I saw the second plane hit tower 2. No matter what you saw on TV, you can't imagine. It was a day of extraordinary power and emotion, fear, sorrow and loss, surreal - the knowledge that you'd seen something as profound as the JFK assination, the bombing of Pearl Harbor. Epic in scale, gobal in impact, yet inherently intimate. Your own personal disaster movie. Even still, This Ric Burns film is an amazing thing. It's just great. I've watched it a dozen times and I don't get tired of it - the writing, the music, the history, the wisdom - the personal feelings of a diverse and meaningful group of New Yorkers. It's historic, epic, emotional - up to the task of documenting the impact of 9/11 on New York. It represents all the things that make New York great: ambition, literacy, reflection, humanity, wonder, perspective. The use of Philippe Petit - the French high wire man - as a linking device...was inspired. A stunning thing. ... Read more | |
| 29. Gates of Heaven Director: Errol Morris | |
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By asking people to speak of their deceased and beloved pets, Errol Morris has coaxed out of them deeply moving reflections about heavy philosophical issues.There are few films that combine humor, sympathy, and thought in so stirring a fashion.
The cinematic production values are top notch, not a simple tryst with a camcorder (which usually serves the purpose for most documentaries) but colors that pop off the screen. The chats with pet owners are moving and poignant. Don't look for something obvious to blow you away. Just watch it, embrace it, and feel it. And then you will wonder at it. It is immensely thought provoking. Highly recommend watching this marvel if you can get your hands on it.
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| 30. Horatio's Drive - America's First Road Trip Director: Ken Burns | |
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Jackson grasped the opportunity to become part of history at the perfect time. Cars we becoming more reliable, Indians were no longer a threat, and America was populated enough that he didn't go too long without seeing other people. And in just a few short years roads and cars would be commonplace, which would make the feat less exciting and adventurous. Ken Burns does a fantastic job of documenting this journey of a lifetime. He has a way to make the viewer feel like they are sitting right along side with Jackson, his mechanic, and the dog.
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| 31. Huey Long Director: Ken Burns | |
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| 32. Vernon Florida Director: Errol Morris | |
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We was working our way down through some palmettos. Now palmettos are kind of offset. When I got as close as I could get I eased out real slow and ease it up and(whew) pow! Got her off. It hit the ground like a toooon of bricks. And here he is(points to turkey beard) with about an eleven inch beard. Now you got a ball here and a ball here and a ball here and a ball here. And if all those balls are functioning... you're not a one track mind - you're a four track mind. I can write cat s--t with one hand and dog s--t with the other. ... Read more | |
| 33. Triumph Of The Will Director: Leni Riefenstahl | |
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It has great footage and shows all of the regular Nazi Nuts and ones you have never seen or heard before. I loved being able to listen to them in German with subtitles instead of having a narrator. You can have that too. I bought the Special Edition DVD. The quality of this black and white film is the best I have ever seen. Special features include English subtitles and voice-over narration (all optional). Leni did not hire Industrial Light and Magic to insert millions of regimented Nazi followers. They are the real thing. The Nazi movement clearly stirred nationalistic fervor. You cannot deny the images. They speak for themselves. The German people were caught up in a movement of incredible proportions and this movie shows you what it was like in the early years of the Third Reich. Germans killed millions and millions of Germans died in WW II. This movie will give you a very good idea of what the Allied forces were fighting against.
Sadly, the near-sightedness of the Nazi mentality and its contradictory nature were already glaringly apparent at the time the movie was shot. Hitler's frenzied admonitions to value "peace" but at the same time to cultivate "courage", bristle with contradiction and hypocrisy. Brief allusions to racial purity and clear-cut moral rectitude are darkly ominous, as are the reiterated pledges of allegiance to Hitler , the man. It's instructive to compare Nazi rhetoric with much of today's political hype. Though, as many others have pointed out, nobody else has done it with quite the same elan. Sad to think that had they watched their own film with a more discerning eye, they might have seen what we see. From an artistic standpoint, I can appreciate why it's cited as one of the most accomplished of all propagandist vehicles. Nazi shortcomings notwithstanding, the film is stunning. Riefenstahl's contribution is self-evident - even if she didn't direct the action herself, she captured and organized it admirably. But for all that, it is still the action which is most spellbinding. The gripping facial expressions, the charismatic speeches, the thundering shouts of allegiance, the enormous scale and choreography - all of this actually took place! Combine that with historical perspective - knowing what all of it would lead to - and the movie acquires a distincively haunting quality. I not only recommend this film to others, I strongly advise it. It captures the very essence of social fanaticism. Many will instinctively feel its primitive appeal, and then, after putting it into perspective, recognize its inherent madness. Watching this movie, appreciating the feelings it evokes and reflecting on what it all means, will make the viewer a better person.
If one understands the socio-political climate of Germany in the late 1920s and early 1930s, one can clearly see what sentiments the film seeks to evoke and hence recognize its significance and brilliant execution. For example, Germany was in a state of shambles because of the global economic depression and many Germans feared an inevitable collapse to anarchy or Bolshevism. The opening scene starts with a Wagnerian piece and shows Hitler in a plane peering down from high above the clouds as he arrives for the rally. The scene sought to reassure a worried public that The Fuhrer was omnipotent, omniscient, and was coming down from the heavens to save a troubled nation in a godlike fashion. When he arrives at the stadium, Hitler is shown walking with his SA escort out of the crowd and towards the podium instead from behind the podium to look down at the crowd; this was to instill the notion that Hitler wasn't just another Berlin bureaucrat from the old failed Weimar Republic coming to talk down to a broken people; it was done to evoke the sense that he was a man of the people for the peole: selflessly arising out of a worried crowd of fellow Germans to lead them to a better and safer future. This particular scene was so influential in film that George Lucas adapted it (and many other scenes) for the closing scene to the original Star Wars when Luke, Han, and Chewy are decorated by Lea. Other scenes of happy German blonde and blue-eyed youths or common laborers performing paramilitary/social tasks were intended to evoke a proud sense of unity, purpose, and safety amongst all true German "volk" in these troubled times. In the background, the narrative voice recites how all German women should should bear many children for the Fatherland; how men should unite for the Fatherland and not Godless Bolshevism; how youths should work to better their nation; etc., etc. The mass communication techniques of Riefenstahl and Goebbels are still used today by virtually every modern government and media firm. This film is important not only as a histiorical tool in understanding the rise of Nazism and the dynamics of facism, it is a very important landmark in the development of film, mass entertainment and mass communication in general. I strongly believe that every person who seeks to better understand their world and media see this film at least once and study it. ... Read more | |
| 34. Empire of the Air Director: Ken Burns | |
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Burns portrays brilliant yet egocentric FM radio inventor Edwin Howard Armstrong as the centerpiece of his film. Armstrong's friendship with RCA Chairman David Sarnoff and his personal and legal troubles with Lee DeForest and later Sarnoff are really the center of the documentary. While Armstrong's story is somewhat heartbreaking, Sarnoff's story is alternately despicable and inspiring. It shows his rise from a Russian immigrant selling papers on the street to become, at his death, one of the most cutthroat and powerful people in entertainment. Then, there's Lee deForest. He's portrayed as a flamboyant self promoter that built his life and career on the backs of others including Armstrong. With the stories of these three men is also the story of radio from its early days. Burns weaves together old-time broadcasts and many interviews with popular public figures, people who knew Armstrong, deForest, and Sarnoff, and individuals associated with early radio. I acknowledge the earlier review that says the movie slights Tesla...it does. The documentary probably should have mentioned Tesla in some way, but the focus of the movie is more on the lines of the three men that made radio what it is today. You will laugh at Lee Deforest, and you will feel deep sorrow in your heart for Edwin Armstrong. You may even hate David Sarnoff a bit. Ken Burns is a great filmmaker, and he's working with great material here. He clearly has a message in this movie. I wish Hollywood would get ahold of this book and make it into a feature-length movie. The documentary based on the book is really and truly a masterpiece. I recommend this documentary to anyone interested in the medium of radio or television. I also recommend this film to anyone interested in inventing or the history of inventing in general.
It's easy to think we've progressed so much since the invention of radio but when you think about it, radio and its progeny are everywhere. Even the computer on which you're reading this owes its very existence, ultimately, to the trinity of Lee de Forest, Edwin Howard Armstrong and David Sarnoff. A more colorful cast of characters could not have been created by mere fiction. De Forest, the frustrated-at-every-turn inventor who, nonetheless, stumbled upon the pivotal technology that began the age of electronics. Armstrong, voracious reader of scientific journals and tinkerer, who understood de Forest's inventions even better than de Forest himself. David Sarnoff, protege of the great Marconi, opportunistic, driven by a fierce loyalty to the company he headed at its inception until his death, RCA. Ken Burns tells the story with remarkable detail in just 2 hours. Like his other productions for PBS, "Empire of the Air" is mostly archival footage and still photos interspersed with interviews of those who were present at the creation of radio. The stories of the three "Men who Made Radio" begin with brief histories of each and more detailed descriptions of their contributions. Lee de Forest invented the Audion tube, mostly by copying or "borrowing" the work of others, but when pressed for an explanation of how it functioned, he found himself at a loss. Edwin Howard Armstrong DID understand it, so much so that he invented the technologies that enabled de Forest's "fire bottle" to carry voice and music into the air. David Sarnoff, at first a courier for American Marconi and eventually put in charge of the brand new Radio Corporation of America, saw in radio a means of bringing information and entertainment to far-flung Americans. Burns also captures the personalities of each: de Forest's belief in the lone inventor and that the fame he always sought was just around the next corner; Armstrong's sheer brilliance that ultimately led to the invention of both AM radio as we know it and FM radio as well; Sarnoff's drive and his faith in the corporation above all else, even to the point of choosing his allegiance to RCA over his long-time friendship with Armstrong. All three would eventually battle it out in court, at a cost of the life of one of them at his own hand. The Radio Era began with the work of lone inventors and ended with major improvements and new technologies coming out of the well-funded and staffed research laboratories of the likes of RCA, Westinghouse, General Electric and AT&T. By the late 1950s, the days of great inventions appeared to be over. There were no new worlds for individuals to conquer. Having survived 2 World Wars with the help of radio, with color TV beaming entertainment into our homes, America and the world believed that they had seen it all. We would never again see the likes of de Forest, Armstong and Sarnoff, as well as their contemporaries Edison, Bell and Ford. That is, until the 1970s when a guy named Steve in Cupertino, California convinced his friend, also named Steve, that they could start a company to sell computers that would fit on a desktop. That's a story for whole 'nother PBS special called, appropriately, "Triumph of the Nerds," ... ... Read more | |
| 35. Bright Leaves Director: Ross McElwee | |
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| 36. The Congress Director: Ken Burns | |
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| 37. Horatio's Drive: America's First Road Trip Director: Ken Burns | |
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Amazon.com Reviews (5)
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