Reviews (2)

Raise Your Voice
This is a movie with Hilary Duff in it. She gave her brother concert tickets, but he was grounded. So Terri (Hilary Duff) snuck Paul (her brother) out by pushing his car down the driveway. They were listening to loud music, and Paul was driving the car down the road, when a drunk driver in a huge pick-up truck plowed right into their car. Terri was in the hospital, but unfortunely, Paul sadly died in the terrible crash. I'm not going to give any more away. I saw it in Regal Theatre near Old Country Buffet. It really is a dramatic, romantic, funny film. I hope it will inspire you as much as it did for me. It tells you to follow your dreams, if you're Terri, her dad, Paul, whoever. Just please go see it. It's the best movie I've ever seen. Thank You.

RAISE YOUR SEATS
IF YOU LIKED A CINDERELLA STORY,IF YOU LOVE MUSIC THEN BE PREPARED TO SEE THIS MOVIE FAR MORE THAN ONCE.HILARY DUFF CAPTIVATES AUDIENCES ALL OVER THE COUNTRY ONCE AGAIN WITH AN OUTSTANDING PERFORMANCE THAT PEOPLE WILL BE TALKING ABOUT ALL YEAR! ... Read more

Reviews (202)

For God's Sake, John, Sit Down...
First, let me say that I'm not a big fan of movie musicals. However, I've always made an exception for 1776. I suppose it's my abiding interest in history, and in the popular presentation of history, that keeps me coming back to this film. For the uninitiated, 1776 is the story of the signing of the Declaration of Independence, and was first presented on Broadway in the late 1960s. Set in Philadelphia in June and early July of 1776, the action centers around John Adams's attempt to get a reluctant Continental Congress to declare the 13 colonies independent of Great Britain. Adams, and his allies (including Ben Franklin and Thomas Jefferson), is opposed at every step by the conservatives in Congress, led by John Dickinson of Pennsylvania. Although we know the ending, it is to scriptwriter Peter Stone's credit that we realize things may have turned out rather differently.

My first recorded version of this movie was taped off of a local television station that had drastically edited it for length and content. When I finally got around to buying the VHS version of 1776, I was amazed at what had been left out, particularly when it came to the earthier dialogue. Imagine my reaction to the new DVD director's cut edition of this musical; it was like watching a completely new movie. Bridging scenes that had been edited out now provide a nearly seamless narrative flow, and the musical number "Cool, Considerate Men" has been restored, providing for greater balance between the conservatives and radicals in Congress.

The cast, a number of whom reprise their roles from the Broadway production, is nearly flawless. William Daniels IS John Adams, hard-headed, driven, passionate, "obnoxious and disliked". Howard da Silva is equally effective as Benjamin Franklin, elder statesman and earthy man-of-the-world, while the rest of the actors do very well by their characters. Of necessity, the film's emphasis is on Congress, and therefore on the male of the species; women are limited to two roles--Martha Jefferson, played by Blythe Danner, and Abigail Adams, played by Virginia Vestoff. Of Danner's role, there is little to say beyond the fact that the actress is a luminous screen presence. Vestoff, on the other hand, has a rather more substantial role as John Adams's wife, confidant, and sounding board. The film effectively portrays the correspondence between John and Abigail, a partnership that was, in many ways, remarkable in American history.

Director Peter Hunt keeps things moving along at a lively pace, propelled by the music of Sherman Edwards, who also wrote the lyrics. It's hard to pick a favorite song, but two stand out in my mind--the chilling "Molasses to Rum to Slaves" and the poignant "Mamma, Look Sharp". The former underlines the flawed nature of the American Experiment--that a new nation established on the principle that "all men are created equal" would also keep hundreds of thousands of people in chains. The latter song brings home the fact that while Congress engages in endless debates, men (and boys) are dying on the field of battle.

I could dwell at some length on the historical inaccuracies embodied in this movie--the character of Judge Wilson, for one, and that of Richard Henry Lee, for another. However, purism aside, what 1776 makes clear is just what a close run thing independence really was, that there was, indeed, a significant proportion of Americans (and their representatives) who wished to remain loyal to the British crown. Better yet, the Founding Fathers are portrayed mot as marble men, but as the passionate, flawed, flesh-and-blood individuals they were.

Delightful History
While obviously a stage play transfered to the screen, "1776" is an interesting movie on several levels. While I can't swear to the accuracy of the history on a micro level - although, from what I've seen in the academic sources, it's pretty accurate - this brings some pretty stodgy material to life.

The cast is intriguing - Howard daSilva(who was blacklisted during the McCarthy era) as Benj. Franklin; William Daniels(St. Elsewhere's Dr. Craig)as John Adams; Ken Howard(The White Shadow)as Thos. Jefferson; Blythe Danner; John Cullum; and others. To see daSilva, Daniels and Howard singing and dancing on the stairs of Independence Hall, debating who should write the Declaration, is a delight.

A few famous one-liners - "Gentlemen, if we do not all hang together, we, most assuredly,will all hang separately." And some commentary, which may not be completely accurate, but is indicative of the personality involved - "Rhode Island's in the 'necessary'."

This is no where near a great movie, but it is both educational and entertaining. And there is little funnier in film than Adams' and Franklin's discussion of sex.

Good Muscial. Good History. Good Fun.
"Is anybody there? Does anybody care? Does anybody see what I see?" John Adams (William Daniels, St. Elsewhere, among other things) musically muses in 1776. He is frustrated and believes that the cause of independence may be lost over the issue of slavery.
1776 is a good musical. Maybe it's not the best musical of all time, but pretty darn good. It's fun, it's witty, it's a little naughty in places, and it's very close in historical accuracy. It is a tradition in my household to watch it every 4th of July, to remind ourselves that the holiday is more than just picnics and firework displays.
The music is special too, because it has meaning to the character(s) that sing it and meaning for us. For instance, when Martha Jefferson (Blythe Danner) sings her song, "He Plays the Violin", it has a poignancy to it, because she sings "Say I died loving bride, loving life, loving wife..." and we are reminded that she dies before Jefferson ever sees the Presidency. The exchanges between John and Abigail Adams show us both the love and friendship they shared and the hardship that the wives and families of the revolutionary leaders suffered. When Edward Rutledge of South Carolina (John Collum, Northern Exposure) incredible performance "Molasses to Rum to Slaves", tells us both something about the economics of the times, the compromises that policymakers have to make, and the tragedy of slavery that haunted our nation until the American Civil War and still has repercussions resounding in our ears. He chastises Thomas Jefferson (Ken Howard) on Jefferson's hypocrisy, "You, sir, are a practitioner." Tough words there but true!
1776 isn't only about colonial history; it was written during the American involvement in the Vietnam War. The young messenger (Stephen Nathan) that carries the dispatches from George Washington, sings "Mama, Look Sharp." This sad, dirge-like song is so moving, because it tells us that while the policymakers are quibbling and quarrelling in Philadelphia (or Washington, D.C.), someone is out there dying for the policies and decisions they have implemented. Something to note is that the song "Cool, Cool, Considerate Men" comes right before the Messenger's song and he walks through them, but the cool men don't even seem to see him. No wonder Nixon wanted it taken out of the picture!
But stop all the doom and gloom. There are fun, rousing songs as well like "Sit Down, John", "The Lees of Old Virginia", and "The Egg". I love this musical, because it makes the founding fathers seem more real than any history book has ever done. This musical captures perfectly the anxiety that shadowed the birth of the United States of America. Whether they were on the left or the right, I feel such love for the idiosyncratic, irascible, dynamic men that helped create this ever-evolving democratic republic.

Never Thought History Could Be So Much Fun!
Witty and wonderful songs help tell the story of the trying times leading to the writing and signing of the Declaration of Independence. Definitely helps explain how America's founders could want independence, while still tolerating slavery.

The sound quality is far superior to earlier releases. This is an opportunity to see "Cool, Cool, Considerate Men," the production number which President Richard Nixon had Jack Warner cut from the original production. It certainly adds to the impact, and should NOT have been cut!

Includes Screen Tests and Trailers. Best of all, it also includes an option to hear a full Director and Screenwriter Commentary on the production.

Why were'nt our history classes this informative AND FUN?!

A Patriotic Lump In The Throat
What a wonderful combination of history, theater, and music. "1776" has been one of my favorite musicals since the late '60's. To some, a musical version of the signing of the Declaration of Independence must seem odd and truly out of place, perhaps blasphemous. True, the music is not by Rodgers and Hammerstein, so there will be nothing from this film to whistle in the shower. But I can imagine this film, to most viewers anyway, ranking up there with "Yankee Doodle Dandy" as required viewing every 4th of July.

I am impressed with how the film (and play) stay close to history, although, for the sake of art, some details are changed. The characters come alive, away from the dusty history books, and show humor and a great desire to do something wonderful for the world.

The commentary is very informative. How interesting it is to learn that, on President Richard Nixon's suggestion, friend Jack Warner (the film's producer) cut all references in the film showing conservatives standing in the way of independence. Fortunately, the original, director's cut edition has been restored to DVD, and presents a film more fluid than what was found on the edited, pan-and-scan tape.

If you don't care for the music, at least watch this great film to see what our Founding Fathers were up against in "1776". If patriotic films bring a tear to the eye, keep a box of red, white, and blue tissues handy. ... Read more

Reviews (15)

Whatever Lola wants she gets!
The film version of Gwen Verdon and Bob Fosse's first success together. With Ray Walston as the devil and Verdon as his muse, Lola, this film can not fail to please. An excellent example of Fosse's early choreography. Unfortunately, its producers thought that they could cut "The Game", a wonderful song sung by the Senators. A must for any musical video collection

Hollywood's Hall of Famer: a Grand Slam!
Forget about carping reviews. If you like: musical comedies; baseball;Gwen Verdon; selling your soul to the Devil; great dancing; happy endings; ironic gambits reaffirming olde time(pre-PM) morality, DAMN YANKEES is grand slam hit.This film adaptation of Broadway's World championship rendering of "The Year The Yankees Lost the Pennant" is classic Americana(It's more like"The Devil & Daniel Webster" than Goethe's Enlightenment epic,"Faust"). Tab Hunter does a fine job as guileless, baseball-loving, middle-aged dreamer who sells his soul to Mr.Applegate (My Favorite Devil/Martian; "Paint Your Wagon" schemer,Ray Walston).

Star of the show is Gwen Verdon. She's the devil's 007-ette,LOLA with"license to get-down".Down and sassy-classy she bedazzlingly is,as she funks; punks;Bob Fosse's-n-weaves/"sleezes" her way on Applegate's satanic service to seduce Superstar Joe Hardy into "eternal contract".WHATEVER LOLA WANTS (ultimately)she doesn't get. Because...like the show's theme banners...YOU GOTTA HAVE HEART! In The Ninth,Verdon's not-so-wicked witch of the West(like this superbly entertaining; funny; full-of-good-will fun flick) has Valentine Heart to the max.If you're a Yankee fan (as lovers of baseball begrudingly become)catching a glance of baseball legend Mickey Mantle in the film is a nice touch recalling innocence in values that've been lost to the Real Applegate and cohorts.Being from Houston, I look forward to some Yankee greats pitching for us next year. Until then, DAMN ASTROS(er)YANKEES is a Hollywood Hall-of-Famer well worth checking-out and cheering on.

SONG LEFT OUT!!!
This movie has been one of my top 20 favorites for a long time. I first saw it on television in the mid sixties. The very first song that begins the movie during the opening credits is "Think About The Game". When the home video was released, this song, sung by the Senator's while Joe Hardy was busy with the Shifty McCoy trial, was, without explanation or reason, was stupidly left out of the video version. I feel cheated and wanted my money back. Can anyone tell me why?

Thank-you.

Good soul-searching musical.
This is another film which would probably be better rated if it wasn't so slavishly compared to its stage original. It does its job just fine, thank you, but you must remember that stage and film are two different media. In the conservative postwar 50's there was very little controversy shown (or allowed to be shown) in the film and TV media; a Faustian book made into a film musical probably scared the Hays moral office to death! That said, the Abbott-Donen collaboration does a more than competent job of telling the story, and scores an extra base hit retaining most of the Broadway cast of the show in the first place. I've read that the studio tried to lure Marilyn Monroe into playing the Lola role (and assuring box-office returns), but the producers were smart enough to know that the role needed a real dancer-actress combination. In short, it needed Gwen Verdon. It needed her special brand of eccentricity, sexiness, and heartbreak. And it got her. If you're still not convinced, take another look at the exquisite cafe' dance of "Two Lost Souls."

How Lola can he go?
Shoeless Joe from Hannibal, Mo is the mysterious "Joe Hardy" who makes a pact with the Devil to be young again and the greatest baseball wonder the Washington Senators have ever seen. His agreement comes with an "out" clause but hired temptress, "Lola" uses all of her most beguiling tricks in order to put the vamp on innocent Joe and keep him from short-changing the Devil of another hard-earned soul.

Gorgeous boy Tab Hunter plays the part of quiet, innocent and unpretentious Joe, an easy soul target for the Devil and his indebted temptress, played by Gwen Verdon. Although the singing was slightly less than what it could have been, the dance parts were terrific.

Unfortunately, this famous Broadway show was placed before a movie camera and little was done to take it from the ranks of the contrived enthusiasm of a play to the artful poise of a feature film. The scripts made for stiff dialogue and the sets were composed as they would have been on a fixed stage. What could have made for a very entertaining musical became a stage play adapted by convenience with no consideration for creative filming. ... Read more

Amazon.com

Sean Penn (looking rather Rupert Pupkin-like) is Samuel Bicke, whose life, circa 1974, has become unbearable. His wife (Naomi Watts) has left him, his dead-end sales job is killing him--even his best friend (Don Cheadle) has had enough. Bicke's a loser, but at least he's an honest one. Nixon, the epitome of dishonesty, becomes the locus of his rage, so Bicke devises a plan to eliminate him. Paul Schrader claims he finished writing Taxi Driver before the real-life Byck attempted to assassinate the president. Maybe so, but the similarities are hard to ignore (and "Bickle" sounds a lot like "Byck"). Niels Mueller (Tadpole) doesn't disguise the fact that his debut was inspired by the guy. If The Assassination of Richard Nixon doesn't hit Taxi Driver's (admittedly lofty) heights, it's still a discomfiting look at a man determined to leave his mark on the world, only to become a footnote. --Kathleen C. Fennessy ... Read more

Reviews (27)

Provocative Movie, Stunning Performance
In 1974, a Baltimore man named Sam Bycke attempted to hijack an airliner so he could crash it into the White House and incinerate President Nixon, and he sent audiotapes to Leonard Bernstein detailing his motives. "The Assassination of Richard Nixon" (2004) is "inspired" by this historical footnote. In it, Sean Penn plays the role of Sam Bicke, a pathetic man who is desperately out-of-place in 1974 America.

In simplistic terms, Bicke is a total "loser." He's been separated from his wife (Naomi Watts) and three children for almost two years but entertains pitiful delusions of reconciliation. He has one friend, a black auto mechanic (Don Cheadle). He flees from one job to another, ending up selling office furniture for an unctuous boss who gives him self-help books on tape and a tape recorder-player with which to boost his ego, fire up his motivation, and master the pushy art of friendly persuasion. But Sam doesn't have the drive to study the tapes in a serious way, the social skills to translate their theory into effective practice, or the temperament to persuade people to buy things they don't really want for prices they don't want to pay. Not only that, but he is too busy trying to force himself back on his wife who wants nothing more to do with him than to collect his child support checks to help her meet the expenses of raising the children and maintaining the house while she moves on with her life, struggling to get a loan to start up an ill-conceived business with his friend to sell and install tires out of a bright red bus that doesn't even run, and railing against the corrupt unfairness of a social system that rewards people with obscene amounts of wealth and power for lying, conniving, and manipulating while people of integrity and decency flounder and fail to find success or happiness. As Bicke's failures mount, he becomes increasingly unhinged, quitting his job, stealing from his brother, making an abortive attempt to kill his ex-boss, and then seizing upon an insane plan to assassinate President Nixon and destroy the White House in a blaze of glorious triumph of the little man over the iconic symbols of oppressive and immoral wealth and power. As he explains in his rambling tape to Leonard Bernstein, he's going to demonstrate that even the smallest grain of sand on the vast beach that is the American and world population can have a mighty impact on everyone.

Sean Penn has to be one of the finest actors on film, and I believe that this film features one of his greatest performances. In fact, I think it's stunning. I can't imagine anyone doing a better job of capturing Bicke's alienation from society; his bumbling social ineptitude and incessant self-preoccupation; his maddeningly clueless pursuit of the impossible; his crushing despair as he sees his marriage, his friendship, his career aspirations, his relationship with his brother, and his entire life inexorably disintegrate; and his irreversible plunge into the black depths of tragedy.

Some have criticized the film for being a rip-off of "Taxi Driver." I may be in a distinct minority, but I actually found Penn's Sam Bicke to be a more believable and compelling character than DeNiro's Travis Bickle, and "Assassination" a more involving study of alienation and decline into madness than "Taxi Driver."

Others have complained that "The Assassination of Richard Nixon" is an unmitigated and unrelenting downer with no redeeming message or point. I admit that I have probably never squirmed with as much discomfort or felt such unremitting bleakness while watching a film as I did while watching this one. My wife kept saying with exasperation, "He's stupid . . . a stupid man!"

Yes, I believe that he was stupid in terms of social or emotional intelligence, and not terribly bright intellectually or strong in any other way, and that this unfortunate constellation of inadequacies crumbled into madness under the demands and pressures of everyday life. I believe that this was the "point" of the movie and that it was portrayed so masterfully that it was all the point there needed to be. If one watches this film with an open and compassionate mind and heart instead of being clouded by expectations of a "good time" or by judgmental contempt for the protagonist, one can gain deep and valuable insight into the anatomy of alienation, despair, and desperation to "be somebody" in a world that is oblivious to your existence when it isn't being contemptuous of it.

Sam Bicke is so pathetic that it's hard to sympathize with him when he constantly whines about deceit and injustice at work and in life, doggedly pursues his estranged wife who obviously has no interest in reconciliation, and pushes awkwardly and overbearingly for a business loan that hasn't an iota's chance of being approved. But there are many people in this world who are like Sam Bicke to some degree or other, and they are human beings who hope and dream until they feel so defeated and hopeless that they live out their sad lives in lonely, lingering obscurity, or eat, drink, or drug themselves to quicker death, or destroy themselves and sometimes others in sudden, ugly acts of shocking violence.

I believe that it is incumbent on us as individuals and as a society to minimize this suffering and destruction by taking more of an interest in the Sam Bicke's of our world, showing them that we do care about them, providing them a niche in society where they can feel nurtured, valued, and loved, and making expert help available to them and steering them toward it when they need it.

I had never even heard of The "Assassination of Richard Nixon" until recently, but as soon as I did hear of it, I just had to see it. I'm glad I did. Bearing in mind that I'm a pretty tough grader, I give it an A-.

Interesting film...great acting
Genre: Political Thriller/Drama

Genre Grade: B

Final Grade: B-

While Sean Penn gave an excellent performance in this film, the extremely slow pace of the story was barely enough to keep me from turning it off. However, if you can get through the thick plot, there is a great story to be told. This movie is based on a true story about a man who decided to "go all out" back in 1974 during the Watergate scandal.

Obviously his attempts are defeated in the end, as Nixon was never assassinated. However, the views brought forth by Sean Penn's character (one I'm sure he loved taking on) are disturbing to me. Not because I think they're wrong, but because I think they're right. While some of the ideas this man had might have been over-the-top, I could clearly see the reasoning for his motives. There were some very powerful lines in this film that I would love to hear a conservative try to argue their way out of without sounding like an insensitive prick. Not about this madman's views on assassinating a president he doesn't agree with, but on his views of America being controlled by power-hungry bastards. This point is strengthened in the analogy of the power structure of businesses and the lack of respect for employees.

While this movie might be politically over-the-top or confusing for some viewers, I think it holds some strong statements that people should think about. Whether you agree with the ideas this film presents or not, I would hope you would at least see the message that sitting back quietly while the greedy liars take over our country is not the answer.

It is my belief that being apolitical is dangerous and could be compared to burning the flag. While you have every right to not care what your government officials are doing behind closed doors, you should respect your country by taking a stand for what is right.

Sorry for being so political.

Quotables:

Samuel Bicke: "The meek shall not inherit the earth. The earth belongs to the bullies who do not care how they get to the top...as long as they arrive. I am an honest man. If that is to be my undoing then so be it. But I will not go quietly."

Where is the Commentary from writer-director Niels Mueller
This film is nothing like Taxi Driver, a very lazy comparison, the only similarites are in the time period both films take place in, and the simple fact that President Richard Nixon is the crook that corrupts two nations. The fact that very few REAL Bickle's or Bicke's have carried out such desperate actions, out-lined in both films, is testament to the overall good of the masses suffering under the weight of the evil few. NIXON, REGAN, BUSH times 2 THATCHER, BLAIR, and oh so many more down the pipe of history.
The most important message this film has is that to succeed in a capitalist society an individual should be as corrupt as the power elite who decide how the world is governed.

Superb film, very much a bitter pill, Sean Penn, America's most underrated actor, why has he not won more awards? Answer : because someone like Mr America "mom's apple pie" Tom Hanks is more pallatable, in feel-good ignore all, movies.
My only complaint is that I bought this dvd under the knowledge that there was a commentary track from writer-director Niels Mueller. Not on my dvd. In fact all you get as extras is two trailers for the film.

I think this dvd is over-priced considering it is all, but a bare-bones release.
Superb film, not so hot dvd
5 for the film only 3 for the dvd which means I score this dvd an overall 4 / 5

Shows how the little man tries to strike back...
Sean Penn plays Sam Bicke in this slow moving drama.Bicke is like a billion guys out there.He's a nice guy, he's honest, and he's surrounded by the opposite.His bosses are telling him how to lie in order to be a successful furniture salesman, his wife leaves him, and he cannot get a loan for a tire service company because his partner is black.

Like the title of a Megadeth record: THE SYSTEM HAS FAILED.All systems have postives and negatives, and this one shows how in 1974 (It's not really much different 30 years later...is it?) that dishonesty can be the best policy.

Bicke won't take it any more, he decides to do something about it.Something about...all of it.

I think there are TONS of modern day Sam Bickes out there.This does not mean they will do something bad, it just means that there is still always the common man, working for peanuts, who despite having honesty, integrity, honor, and courage, will never get out from under being oppressed by the government system that is meant to help, but more often than not, continues to hurt.Shows how we all feel when no matter how many times we try and do the right thing, the crooks always seem to have more success!

I enjoyed the movie, SEAN PENN IS AWESOME as Sam Bicke.Based on a true story.If you are into movies about character development etc. this is definitley your movie!

One Note - Endlessly Repeated
And now for a dissenting opinion...

I want my 95 minutes back! Although it actually felt much longer. This film is played like an extended acting class exercise. Sean Penn runs through his usual set of "dramatic, Dramatic, DRAMATIC!!!!" chops (see any of his recent movies) as he plays the everyman whose inner demons and inability to cope with life's frustrations gradually overwhelm him. He mumbles, he darts his eyes, he explodes in rage - shouting and spitting, he sobs inconsolably. Yeah, yeah... Thank you, Mr. Penn - We'll call you.

The movie suffers from inevitable comparisons to Taxi Driver. The regular guy, feeling stripped of power in his life, decides to make a stand and a statement by offing a public figure. The comparison is not helped by the similarity of the character names - Bicke here, Bickle in Taxi Driver. Then there are the scenes where Penn seems to purposely copy DeNiro's sidelong glances, tilted head, and mumbled attempts to connect with people around him.

The difference in the films is in the craftsmanship. "Nixon" is filmed almost entirely with a handheld camera - zooming, swooping, and shaking in their best pseudo-documentary style. Aside from making one mildly seasick and mindful of television coffee commercials, it simply pulls us away from the storyline, ever aware that we are watching someone filming an actor.

The second major problem is that there really is no story arc or character development. Bicke starts out as an ineffectual man with plans that are constantly thwarted and stays there. His life was the same before we enter the action, remains the same throughout the film's events, and is easy to extrapolate as always going to be the same, no matter what he might ever do. Even if this is the point, truth does not equal entertainment nor interest. If nothing happens and nothing changes, you might as well summarize the concept. Nothing is gained by playacting it in a tedious and inevitable dramatization. I felt no new knowledge about the character, empathy for his plight, or realization about myself at the end of the film that I didn't have at the 10-minute mark.
... Read more

Reviews (18)

Where do I start
This movie dug right in and got me. The love story between to young people trapped in their lives was intense. The struggle between loyalities and the moral decay brought on by the inner city depression was so real.
Jason and Joshua--brothers. Dealing with a traumatic past that haunts them. The secrets revealed in the end were deep and clarified much of Joshua's anger. He was such an angry boy.
Lyric, another victim of circumstance was Jason's escape. Her name nearly said it all. Though it was her friend how quoted poetry it was Lyric who brought the words to life with her feelings for Jason.
The movie as a whole EARNED it's R rating, unfortunately, and I can't say I recommend it for young teens--it does have it's graphic sexual scenes and violence.
But BEHIND that, the story was a powerfully told.

Love IS courage. Sing Jason's Lyric!
Jason's Lyric is a true love story. In the midst of so much blight this film shows you that you don't need to have a Monster's Ball to know that love is courage and that there is hope in the bleakest of situations.
Allen Payne and Jada Pinkett give the best performances of their careers in this story of a man coming to terms with his troubled past while trying to help his brother (Bookeem Woodbine) who has just got out of prison. One day at work he finds his true love Lyric (Jada Pinkett) who wants to help him achieve his dream of a better life. He gets several chances, but is forced to turn them down because of his obligation to his brother. In a climatic conflict with his brother, Jason stops being his brother's keeper and resolves his personal issues. Jason achieves his dream and moves on with Lyric.
The script is well written; characters are well defined and have more dimensions than shown on the surface. The choices they make in their to change lives feel natural and not forced. Allen Payne makes you feel Jason's pain while Jada Pinkett shows us Lyric's love and compassion. Both Payne and Pinkett deserve better than what Hollywood has offered them currently, when given quality material they shine. Bokeem Woodbine makes you feel sorry for Jason's brother; you hate what he does, not him. Other noteworthy performances include Suzanne Douglas and Forrest Whitaker as Jason's Parents, and the two child actors who play young Jason and his brother. The production values are top notch on this film; I don't know why critics roasted this movie. It is very well done and should have been nominated for some Oscars.
This film has quite a few steamy love scenes; this film is not for kids. However, adults will find this to be a powerful and moving story full of hope character and courage.

A TRUE LOVE STORY
I saw this movie ten years ago when I was 13 and ten years later, I still love it. But now that I'm older, I can appreciate the story line even more. Jason is a troubled man haunted by his past that he continues to have nightmares. Due to his past, he feels obligated to help his brother who nothing but a criminal and content to stay one and his mother to help her out with his brother. But when he meets Lyric, a woman full of passion, sympathy and dreams, he realizes that he has to let the past go. But his brother continues to come between Lyric and himself until the end when he has to make the ultimate decision: to be with the woman he loves or to be with the brother he loves.

Great movie
This movie is great. I like the story line and Jason's struggle with his family issues and pass. I enjoyed Lyric's story also and her need to leave the area to start a new life. I own this movie, so it must be good.

my favorite movie ever!!!
i love this movie. not only for the love story but for the relationship between jason and his brother this is a very emotional movie, lots of great acting i cant really think of enough good things to say if you like dramas this is definately the movie to buy. i recommend this to anyone who wants to watch a movie that will make you feel something, very touching. ... Read more

Reviews (337)

The happiest sound in its best version yet!
Reviled by some, beloved by many, consistently referred to as the most popular movie musical ever made, THE SOUND OF MUSIC more than fulfills the promise of its beautiful visuals and expert song numbers on home video via DVD. This edition tops the 1995 laserdisc by allowing the sparkling, exemplary design of its 70mm. Todd-AO frame to be exhibited with increased sharpness and resolution. The 4.1 Dolby Digital soundtrack is powerful and clean, but since this film was originally mixed for six-track magnetic stereo, it's curious why the effort wasn't made by Fox to split the surrounds! Nonethless, the film sounds terrific. The extra features make this package a bargain at the price. Full length commentary by director Bob Wise, with the musical numbers presented sans vocals, is a great touch. And the two documentaries are beautifully presented; full of facts and bits of arcane information that any fan will truly enjoy. A great movie, and a great DVD rendition. More like this, PLEASE!

Wonderful!!! One of the Best Musicals Ever Made!!!
First of all, I'd like to confess that I've probably watched this movie more than one hundred times in my lifetime.

"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience.

Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl.

This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.

The Hills Are Alive...Now and Forever
No matter how many times you've seen this 1965 musicalization of the 1959 stage classic, it's still a joy to behold. For me, there are many reasons. On location filming in Saltzburg heightens the story's magnitude. The casting of Julie Andrews as Maria Von Trapp was a coup for both 20th Century Fox and director Robert Wise. She's magnificent and ever so professional. Back then, this was only her third Hollywood movie. But she's a pro from start to finish. Everything she does it fraught with such emotion and conviction, you'd swear she was Maria Von Trapp. Opening up the stage play with several new scenes, sub plots, songs, characters and dialogue also benefits what could have been a very sticky situation. Finally, there's the DVD itself. This is the widescreen version that was shown back in theaters when the film first opened. It includes the intermission and the Act II opening music. With no formatting for television, you get to see everything in all it's technicolor glory. On video, half the Von Trapp children didn't fit on the televsion screen. Musical numbers lost there scope as did scenes where you had 13 characters in one room and only saw 7 on the screen. I highly recommend this DVD. But wait, there's more. The 87-minute documentary is awesome. So are segments showing scenes that were cut and up dates on how the kids look today.

Incredible movie, must see, but don't buy the one disc
First off. Think you have seen the Sound of Music? Well you haven't. I thought I had, many times. Of course it was always around Xmas with the commerical breaks. But that is a much edited version. There are small but significant cuts everywhere in that version. So this is a great thing to have. My 3 stars relates directly to the lack of extras on the one disc. The movie is 5+ stars, but the lack of extras warrants the 3 stars.

So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.

This has been a great thing to share with my daughter.
I grew up with this video and watched it on TV every year. The songs have always stuck in my head. I even did the Sound of Music Tour when I was in Austria. But now I've got my daughter introduced to this beautiful music. This and the Wizard of Oz are her favorites.

I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more

Reviews (195)

Here Come THE JETS!
WEST SIDE STORY remains unique...to the point of astounding...in status among most accomplished classics in cinema history. Legendary director Robert Wise[whose eclectic mastery of film ranges from "lost" mythology epic, HELEN OF TROY to sci-fi milestones-THE DAY THE EARTH STOOD STILL and STAR TREK:The Movie]perfectly renders a film of passion;tragedy;humor and ultimate celebration of youthful humanity. Leonard Bernstein's score is peerless Americana: classic ART and popular entertainment.Jerome Robbins'choreography is electrifying;Steven Sondheim's "libretto lyrics" are ensconded in popular music immortality.

West Side Story's ensemble cast is likewise peerless.
Natalie Wood is superb as American JULIET, Maria. Richard Beymer's Tony/Romeo charcterization wonderfuly combines heroic "tough guy" with star-crossed lover. George Chakris(Bernardo)and Russ Tamblyn (Riff)jive; fight and dance their rival gangs into legend. My favorite is Rita Moreno.Her performance as earth mother/eternal woman figure, ANITA is remarkable. Her ferocious sexual brio;lioness-Queen humor("if you can fight in/for AMERICA!");home girl insouciance, and passionate GRACE are archetypal.WEST SIDE STORY thematically equals--if not surpasses--its SHAKESPEAREAN progenitor.It is America's SOUND OF MUSIC.The ten Academy Awards could be justly re-awarded.

[When I learned "my" homies back in Massachusetts'Pelham Regional High School...citadel/incubator of so-called 5-college professoriate and University of Mass'PC satrapy centered in Amherst...BANNED WEST SIDE STORY as Racist(this year the school is featuring VAGINA MONOLOGUES)I wondered: "WHERE ARE THE JETS when you need them?"]...

Certainly WSS was never conceived--as Mel Gibsons's THE PASSION OF CHRIST--to stir Culture War and rally believers. WEST SIDE STORY is,"unsimply",American film making at its finest and cinema art of world class caliber. It is movie ICON,which,as The JETS challenge, remains at-the-ready: "to beat every last f.....'gang on the whole f.....'street!"(10 Stars)

powerful,realistic , the finest musical drama I have seen
This ia a very intense, fast moving story in which many of the scenes easily could have happened in real life in New York at that time.

The quality of the music and lyrics blends beautifully with the action, and the choreographed dances are breathtaking.The actors fit their parts to such perfection that I could not imagine anyone else than Natalie Wood playing Maria, or George Chakiris as Bernardo, and on and on for the rest of the Jets and Sharks. My favorite musicals are those from 1950-1970 and of all the great ones like Oklahoma, South Pacific, and the Sound of Music, West Side Story impresses me as the most exciting dramatic musical of all time. It is hard to find a boring moment in this movie. When I think about this movie, the ballet numbers, choreography, and excitement stand out the most in my mind. For a fast moving drama this is a classic against which to compare other musical drama. Who would have thought that a mere conflict between two gangs could have been portrayed into such a dynamic movie. The producers certainly succeeded in bringing up to date the Romeo and Juliet saga. The romance and tragedy of Tony and Maria will always be indelibly impressed in my mind.

Magnificent adaptation of Romeo & Juliet!
Robert Wise made his masterpiece with this film mixing the essential spirit of the shakesperian mood , recreating it in the modern times as a racial conflict.
Wise mixed the drama with a credible plot . The coreography is towering and the music ( Oh what kind of inspiration was in the mind of Leonard Bernstein , acquire buy also the soundtrack; Maria became a classic ), Rita Moreno won a deserved Academy Award and this became a personal triumph for Natalie Wood one of the most beautiful faces ever seen in the cinema story .
The sequence fights between the bunchs is perfect articulated , there is a fine balance between drama and music.
Enjoyable film and of course for all a generation of teenagers in that age , who actaully are grandparents , still remember with nosthalgie that unforgettable jewel picture .

The Best Musical
West Side Story is one of my favorite musicals. The music and the choreography is incredible. Natalie Wood and Richard Beymer make a perfect Maria and Tony. Now that it is on the 2 Disc Special Limited Edition, it is even better. You can have the original intermission music if you wish and there is a great documentary called West Side Memories which shows how this amazing musical was made. Along with the special edition you get a book that contains the original screenplay, a timeline of the show from when the idea was first thought of and to when it came to the screen, a pamphlet you could of bought in the theaters when it first opened in 1961, and newspaper clippings of what critics thought of the show. Even if you didn't get the special edition this show is still worth owning. The songs are incredible. My favorites are "Maria", "America", and "I Feel So Pretty" which a ninety minute instrumental version is used for the intermission.

Best movie Ever
This movie is a must anyone who loves musicals, it's a total classic. If you thought you knew a lot about the movie, think again, because with all the extra fetures will provide you with more knowledge that you than think about.

The movie has definatley got some of the best dance seguences ever made for a musical. ... Read more

Reviews (115)

Not bad if you're an Angelina Jolie fan
Originally, this wasn't a movie I was very interested in watching until I realized Angelina Jolie was the co-star. Okay, so I admit-I'm an Angelina Jolie junkie. But that's beside the point.

The plot of "Original Sin" isn't too original. Wealthy Cuban landowner Antonio Banderas buys a mail-order bride (Jolie) and gets a little more than he bargained for. Not only is his soon-to-be bride more beautiful than the photo she sent, she is quite the hellcat in bed. Not exactly the demur Virginia schoolteacher she professed to be.

Following the typical Hollywood "stupid male" syndrome, Banderas signs over his fortune to his new bride, only to find she has absconded with his money. Not only does Banderas go off half-cocked in search of Jolie, but when he finds her, he only wishes to bed her, not concerned his fortune is gone. A bit too unrealistic here, considering Banderas was homicidal and violent only minutes earlier. Of course, Jolie is also following the Hollywood stereotype of female characters that fall in love with men who wish to kill them.

Thomas Jane adds an exciting dimension to the movie as the psychotic sidekick of Jolie, although their relationship isn't quite defined, nor explained. The "spit in the mouth" routine was a bit much for me and could have been left out with no detrimental affects to the movie.

In all, if you wish to see a lot of Angelina Jolie naked, this is the movie for you, although the flapping breast image was a bit much. Myself, personally, I could have went without seeing the naked butt of Antonio Bandera repeatedly, but to each their own. "Original Sin" is a skin flick of mild entertainment value.

-...

I Like them both...
I haven't seen it(yet) but I like them both, but I heard that Antonio has a few"eye popping moments" How much does he show exactly? Like everything? Or what? Just so I am not surprised when I do see it.. How much?

Mildly entertaining chick flick
WARNING: SOME VERY MILD SPOILERS*****

The first time I saw this, I was prepared to laugh at a sleazy, direct-to-video Harlequin novel-on-celluloid. What is it about Antonio Banderas? He's very handsome and not a bad actor, but he seems to choose a lot of really cheesy projects, "Femme Fatale" being a particularly awful one I recall watching.

But I thought this was a decently entertaining, if not brilliantly deep film. I was unaware at that time of it's provenance -- it's based on an excellent novel by Cornell Woolrich called "Waltz into Darkness". The book is well worth reading if you like this film. It was also made into a film in the mid-sixties by Francois Truffaut called (inexplicably ) "Mississippi Mermaid". Strange title, because the original novel is set in 1870s New Orleans and Julia travels to meet Louis on a steamer down the Mississipp BUT in the Truffaut film he reset the story in the 60s and the action of the film in colonial Africa and the French Riviera!

"Original Sin" is, interesting, vastly closer to the novel than the Truffaut version. The setting is changed to Cuba, presumably to accodomodate Bandera's accent, but the period is correct and the story doesn't work well in modern times, so overall, I find "Original Sin" to be the better of the two movies -- and that's saying a lot, as Truffaut is revered as a brilliant director. ("Mississippi Mermaid" is NOT by any means one of his better efforts, however.)

An early cautionary tale of "personals ads" and blind dating, the story seems even more relevant today than when it was written. Luis (Banderas) writes to a mail order bride, who is supposed to be plain, shy and religious. He is surprised when stunningly beautiful and sexy Julia (Angelina Jolie, of the collagen injected lips) shows up. Even though she betrays him and cheats on him and steals all his money...he still loves her. Both film versions clean up the ending -- I won't give the film ending away -- but in the book, Julia/Bonny actually kills Louis/Luis. A very bleak ending. Don't worry, the movie is a lot more fun.

The kind of film that falls under the heading of "guilty pleasure", "Original Sin" has lots of great costumes and sets and Banderas and Jolie are two of the sexiest people imaginable and we get to watch them getting hot and heavy. (BTW: the "unrated version" isn't really all that dirty...I don't get the rating thing. The sex isn't graphic or bizarre in any way -- it's two people who are MARRIED and making love. In the age of "Sex in the City", what the heck is the big deal?)

Anyways, call over your best girlfriends, microwave some popcorn and have a good time....

Some Memorable Lines From An Otherwise Forgettable Movie
Overall, I would rate this film a passable 3-plus stars, just above ok, but I just had to add the comment for anyone thinking of buying (or renting) this movie that I thought it had some unexpectedly apt and quoteable dialogue and astute observations on the nature of love. It has interested me in seeking out the book on which this film is based.

Being Sinful Can Be Good
Antonio Banderas plays a wealthy Cuban who is to be married to an American woman he doesn't know. He marries an actress, played by Angelina Jolie. But she isn't the woman he thinks she is. This movie had twists and turns wondering where it would lead the viewer. It was a seductive and captivating movie. Angelina Jolie plays the role of a seductress very well. Antonio Banderas is gorgeous as a dashing, yet naive man. ... Read more

Reviews (24)

A film to be viewed as though listening to Bach.
Rather than telling the "story" of Glenn Gould, this film seeks to give his essence, his art, in the way that Bach gave the essence of his feelings through his music. After seeing the entire film, the viewer comes away with a much better understanding of Gould, his personaltiy, and his art, even without learning the details of his life.

Although some knowledge of the music he played, particularly Bach and Beethoven, will add greatly to the enjoyment of this movie, it is not essential for an appreciation of the film or of Gould himself.

Several of the "short films" are especially moving. In one, as Gould prepares for what will be his final live appearance, he interacts with a stagehand, who is genuinely moved by his performance and by the man. In another, he shares his first hearing of one of his own new recordings with the maid in his hotel. She is at first perplexed and concerned at his insistence that she listen, but the music itself, and Gould's own involvement in listening to it, then bring her to a new understanding of what she's witnessing.

All in all, a wonderful film, especially for lovers of Glenn Gould and the music he played.

Non-linear Story Telling at its Best
I doubted that a biography of any pianist, even somebody as eccentric and talented as Gould, could hold my attention for the length of a feature film -- even one that purports to be 32 separate films. I was wrong.

Thirty Two Short Films about Glenn Gould is an incredible venture in story telling, in biography, in education, and an heroic attempt to show a story from multiple vantage points, using a varied set of devices.

As each of the 32 "short films" evolve, a web develops, connecting details and revealing an incredible life. We get less a biographical theory in this movie, than a larger set of questions than we dared to ask before the film began.

I found the experience to be brilliantly artistic and mentally stimulating. The cinematography builds mood and the music is unsurpassed. Definitely not an action movie--most skateboarding teenagers would rather have root canals than sit through this. Let them watch DUNGEONS AND DRAGONS or ORANGE COUNTY.

I thoroughly enjoyed this movie without reservation. It earned more than the mere five stars Amazon will let me give it.

(If you'd like to discuss this move or review in more detail, please click on the "about me" link above and drop me an email. Thanks!)

Glen Gould Rocks You
What an interesting collection of meditations on the stupefying musicality of Glen Gould. This pianist is from another planet. Classical music has never been so exciting to a rock n' roll fan.

VIGNETTES, NOT "SHORT-FILMS", AND FASCINATING!
Several reviews of this DVD operate under the misconception that it is intended as a documentary or as a fictional re-enactment of some short films on Gould. It is neither.

The "movie" (by which I mean the integrated thirty-two vignettes) is an exploration of Glenn Gould (Pearl Harbour, Colm Feore, Storm of the Century), the Canadian-born musician who is considered to be one of the world's greatest pianists, an eccentric genius whose performance of Bach's Goldberg Variations was recorded and included onboard the Voyager space probes.

By no means a conventional biography, the film's episodes rarely attempt to pin down exact events or particular dates in his life. Exceptions include his interviews, radio broadcasts, and his final concert appearance. Rather, the film shows us phases and stages of his life, from his childhood to his career as a concert performer, his hobbies - the stock market, humour, travel, and experimental radio broadcasts - and his last days, when he complained to friends and relatives of his apprehension of death.

The aesthetic of the film is self-consciously arty, deliberately bizarre, and exceedingly concerned with crisp, polished sound - exactly like Glenn Gould.

It runs for 100 minutes or so, which means each vignette should have an average of 3 minutes. In reality some of them are 1 minute long, and other more key sequences (like one where Gould is at a truck stop) are of 5-6 minutes duration.

Very worthy purchase if you are familiar with or interested in the quirky but brilliant musician.

Totally Remarkable--and NOT just for snoots!!
It would be utterly ridiculous to give this film anything less than five stars. Classical music snobs who believe the film doesn't give enough "insight" into Gould's day-to-day life are missing the point. Gould himself didn't have much time for classical music snobs, by the way.
This is a totally original film that incorporates marvelous acting, densely-layered cinematography, and a variety of technical and emotional details seamlessly. It is not a dry, interview-style documentary, nor is it an overly artsy-fartsy "biopic." This film is subtle yet overwhelming, beautiful yet quiet, and (for me at least) life changing. My appreciation for and understanding of music grew exponentially after I saw this movie.
Ultimately, I believe that "32" belongs to the avid moviegoer who doesn't spend a great deal of time at the symphony. Its complexity and originality will show you how music enables us to be truly *alive*. The Bach is only secondary. ... Read more

Description

DVD Features:
5.1 surround sound
Commentary track with Cinematographer Christopher Doyle
Interviews with cast and crew
Behind-the-Scenes footage
Storyboards and original drawings by Christopher Doyle
Theatrical trailer
Previews
Weblinks

If you’re interested in this this, these films may be of interest:
Bright Future
6ixtyNin9
Lost In Translation
The Last Samurai
Bridge on the River Kwai ... Read more

Amazon.com

Robert Bresson always claimed his films are about hope and redemption,but so many end in death or suicide that it's a struggle to reconcile the statement with his films. His final film, based on Leo Tolstoy's story The Counterfeit Note, is no different. It's the harrowing tale of an innocent man, Yvon (Christian Patey), whose victimization at the hands of an arrogant upper-class delinquent and a greedy shop owner sends him on a downward spiral into a life of crime. The once-happy husband and father turns bitter, angry, self-pitying, and ultimately coldly brutal in the chilling conclusion. It's Bresson's most expansive film and biggest canvas, weaving the paths of numerous characters across Yvon's journey, but he edits with jackrabbit jumps, running headlong through the story with a painful feeling of inevitability. On its simplest level, Yvon's story is an elaborate chain of cause and effect, the ripples of a selfish act resulting in the fall of a proud man and the destruction of his soul, and Bresson presents every link in that chain with precise, cold clarity. There is little hope evidenced in L'Argent, but there is powerful sense of loss and sadness in this portrait of a society so obsessed with money that it loses its humanity. --Sean Axmaker ... Read more

Reviews (17)

No 80s flashback is complete without the Breakin' movies!
Breakin' 2 (and the eagerly anticipated, soon-to-be-released original "Breakin'") have been added to a short list of 80s flix that I just have to have in my collection. Let's be real, if you were an urban teen/pre-teen in the early 80s, you will probably remember seeing this film at "the show" and you will love this DVD. Not because the acting is great ... it isn't. Not because the storyline is amazing ... it isn't. However, you will get a warm feeling inside remembering all of the cheesy things we did then. You will undoubtedly spend most of the time watching the movie thinking, "did I really think that was cool/hip/exciting/real back then?". And then, you will have to laugh to yourself!

For me, these were the days that I wanted to see a movie more than once ... not because I needed to catch the hidden meanings or because I thought the action scenes were amazing (i.e. the Matrix), but because I thought the main character(s) were CUTE and I LOVED the music! Priorities, right?!?

You can read the film description and other reviews to find out the plot. What I can tell you is that this movie, despite being corny at times (I can admit that now), is a wonderful walk down memory lane. In addition to the breaking, popping and locking around which the stories revolved, the Breakin' films introduced us to some up-and-coming celebrities (e.g. rapper/actor Ice-T) and some of the best music still being played in dance clubs everywhere. House music/techno fan alert -- the song "Din Dah Dah" is prominently played in Breakin' 2. (Any club DJs out there ... where can I get that song???)

I was, and continue to be, a die hard Breakin' fan ... proud to put my full name on this review! I highly recommend this DVD to anyone who just wants to relax and have a good time (whether you want to reminisce about the 80s or not)! If you are looking for serious cinema, this DVD is probably not for you.

The defining story of our generation
I'll be forthcoming and say that I've never actually seen Breakin 2: Electric Boogaloo, nor do I have the slightest knowledge of break dancing. I can, however, say this about Electric Boogaloo; it is, without a doubt, the finest feature film ever produced. It is a movie of great élan and sophistication. Not only was Electric Boogaloo the only movie in history to win the Academy Award for Best Picture twice (in 1987 and 1988), it was also the highest box office grossing movie of all time, taking in 3.46 billion dollars in the United States alone. This movie was also the debut of actress Kate Winslet, who plays Alyona Ivanovna, as well as the career making performance of Alan Arkin, who beautifully portrays the seemingly autistic Milo Minderbender.

Boogaloo takes off right where the original Breakin left off, with Turbo, a.k.a. "Boogaloo Shrimp" searching the mean streets of Washington, D.C. for his long lost dance partner Ozone, a.k.a. "'Shabba-Doo." One nuance between the original and Electric Boogaloo is that Danny DeVito was cast over Adolfo Quinones for the part of Ozone. I think the plot has something to do with a kangaroo stealing Boogaloo Shrimp's stolen casino money in the Australian Bush and his personal search for redemption, which he eventually finds-along with his money-in Jesus Christ.

I'll finish by saying this; if you have not yet had the pleasure of viewing Breakin 2: Electric Boogaloo, you should consider moving to Canada because I'm sure that at least one moose in Northern Quebec also missed this fine feature. Breakin 2: Electric Boogaloo is the sine qua non of any video library and a credit to our great nation itself. This is not a movie to miss regardless of your understanding of breakdancing culture.

Who would have thought.....
Who would have thought that this movie would be worth a dang...turns out this is an EXTREMELY dated film which I love. Breakin' 1 was so awesome I had to get Breakin' 2. Michael "Boogaloo Shrimp" Chambers is the best freakin' dancer I've ever seen. This movie is worth it just to see this man dance, and I'm not even in to dancing!!! Adolpho just kinda gets in the way. My only regret is that Chambers isn't more recognized.

Don't even bother!
It was a total let down. I had heard the hype, and it was boring beyond boring! The 1st was bad but alright. It was watchable but to make a sequel boy they must be despreate for money. If your into your old time hip hop stick to BEAT STREET. if your into ur fresh hip/ hop watch You got served or honey!

"Breakin' 2" - an entertaining sequel or pure evil?
I have never seen a film that so eloquently personified evil. This movie, the sequel to the most exquisite, laudable and praiseworthy film "Breakin'", is among the worst I have ever witnessed. On the back of the "Breakin'" DVD it says that "Breakin' inspired a sequel." Whoever was responsible for molding the pure and uncontaminated brilliance that is "Breakin'" into this horrendous excuse for a film needs to be punished. After seeing the movie, I was enraged. My anger was at first directed to the easiest targets, namely Lucinda Dickey, Adolfo "Shabba-Doo" Quinones and Michael "Boogaloo Shrimp" Chambers, who make up the insurmountable dance troupe "TKO" in the Breakin' movies. However, after exploring the nature of my indignation and after trying to rationalize the feelings of anger and betrayal that raced through my body, I realized that it is not the actors fault, but my own. This epiphany made me recognize that I expected too much from this movie. How could I have expected that the absolute genius of Breakin' the first could be repeated and duplicated in a sequel? I set the bar to high, and I got hurt. So, you may ask why this youngster who uses a thesaurus a little too much for his own good would rate this movie so high after writing such a deplorable (and, might I add, superb) review? Well my friends, there is an answer to this seemingly unsolvable conundrum. The answer is that by watching this film, one attains a greater appreciation for the awesomeness that is "Breakin'." The inferior nature of "Breakin' 2: Electric Boogaloo" amplifies the greatness of the first "Breakin'" film. I sincerely hope that this review will shed some light on the true nature of the Breakin' films, in all their glory. Thank you. ... Read more

Reviews (20)

Bette As Janis
Those of us of a certain age well remember the ultra-talented and ultimately doomed 60s icon, Janis Joplin.

In this thinly disguised Joplin biography, Bette Midler outdoes herself as an out-of-control, incredibly talented, self-destructive singer who turns to the bottle, sex, and anything else she can to hide from her intense inner pain. It sounds like a cliche, and by now it is, but that was Janis--and Bette does her one better. Her angst shines through with great poignancy, even when she is belting out hit after hit, responding to her audience as though she is making love.

Hard living, hard boozing, and bent on destroying herself, the singer has us riveted to her story. Her tearful phone call to the father who never approved of her is one of the high points of the film: Bette pulls out the stops.

Alan Bates is divine as always as the singer's manager, but this film belongs to Bette. If you are not aware of Midler's incredibly wide-ranged talent, this is the perfect movie. It can make you a lifelong fan.

Leaving off one star due to the directores missteps
Pure, powerful, raw, intense and unforgettable. This movie really is all those. Bette Midler took a role that legally had to change it's main characterization and managed to give that years best (yes, even over Sally Field) performance. She is thee reason to watch and though the time period should have been more defined it still gives a sense of how music was changing to the corporate [stuff] we now have before us.

After many years, still powerful...
This film brings back memories, and I'm glad the DVD finally came out, though there are no extras. Bette, in her film debut, was brilliant and deserved every award she got. Often compared to Janis Joplin, I think the screenplay of Bill Kerby & Bo Goldman gave Midler a bit more personality and personal angst. Midler handled it all like a seasoned pro. A truly excellent performance. Her concert scenes were good, too. Frederic Forrest was nominated for an Oscar, and he was quite fine (he was also in "Norma Rae" with Sally Field, who won the Oscar over Midler in '79). But it was Alan Bates as the oily, manipulative agent (baby-sitter?) who truly deserved recognition. The Oscars also recognized the film for its Sound and brilliant Editing. Sorely missing from the nominations were the Adapted Score and the wonderful title Song, written by Amanda McBroom. This is a powerful and entertaining film, with fine acting and great direction by Mark Rydell, loaded with humor, pathos and sadness, and all brought to life by the remarkable Bette Midler.It's worth watching again. Also, watch for David Keith (her personal bodyguard/masseur, later on), who later made such a strong impression in "An Officer and a Gentleman".

Great movie...so-so DVD
First of all, this is a fantastic movie with a great searing performance by Bette Midler and electrifying musical numbers. However, I am disappointed with the lack of features. It didn't keep me from buying the DVD, as I did not own this movie previously. The only features are a theatrical trailer, some trailers for other movies and DVD issues, as well as a commentary by director Mark Rydell. A movie like this definitely deserves a Special Edition, single-disc or double-disc. However, I bought it in Best Buy for $9.99, so for $10, it's a good DVD, but in the future, I'd love to see a special edition.

Another pro to the DVD, besides a commentary and a low price, is the picture and sound quality. Much better than what I saw on television, although it could probably stand to be restored to even better quality. Maybe on the Special Edition DVD, if there ever is one, it will be fully restored.

All in all, if you don't own this movie, like I didn't before I bought this, then buy it, even though it's pretty bare bones. If you own the movie on VHS, I'd hold out for a Special Edition, unless you absolutely have to own it on DVD, then go for it!

The Rose - close corollary to a Carly Simon Saga
For any of the 'young'uns' out there in Lurker Land, this 'old' 'dude' wagers that not only will s/he *not* recall, s/he would not give a 'hoot' re: the close correlation between any of Miss Carly Simon's (btw, we're touching on the Simon and Schuster Publishing House, 'case you _care_) well-articulated, heart-on-her-sleeve heartwrenching songs, Miss Joplin, and every single Decent -and- tormented Lady -and- Gentlemen since Woman was fashioned to be Man's companion (boo! hiss! evolution SMELLS).

Translation: The Rose, like Ms. Simon's many pouring outs of her heart into her music, is no less than The Story of A Good Woman in Lonely Agony ... not that her scuz of a 'manager' ... or even her 'fans' ... could *really* give a 'holler' .....

How can I emote this strongly, you may be wondering / not welcoming ... well, chiefly 'coz, 23 YEARS after viewing Bette Midler in THE ROSE in our Student Auditorium at College, in my own world, I've yet to find confirmed in the fickle, hypocritical, abusive, neglectful, tormenting, uncaring, unfeeling JERKS that are my felllow "men" (-and- women !) more so gracious, loving, kind hearted, mature, and principled "ladies and gentlemen" than, ruefully, the aforementioned, assorted, fruits and nuts.

And no, I am not happy about it. And yes, I think I and those who suffer this CRUEL world in the way Bette so superbly depicted dear Janis as having had to, only can speak of the hurt, the pain, the loneliness and the terrible torment foisted on us. You Go, Rose !! ... Read more

Reviews (23)

How do you lose an American journalist in Chile?
Missing begins with journalist Charlie Hormon (played by John Shea) and his wife Beth (Sissy Spacek) spending time in Chile during the coup of 1973. Charlie wants to get the big scoop and although the streets are muddled with dead bodies and tanks, he feels quite safe, and consoles Beth with the line "They can't hurt us, we're Americans."

Needless to say Charlie turns up "Missing" and the majority of the film follows Beth and his father, Ed (Jack Lemmon), on a search for him. During their search Ed finds himself dumbfounded by the corruption and bureaucracy he constantly comes across, not only of the Chilean government but also surprisingly of the one he trusted most, the American government.

One may find this movie slow-moving if you don't really have too much background into the coup or are old-enough to remember some of the Cold War politics of the past. You don't get to know Charlie well enough through the script to really care that he's missing. These factors may add up to a dull movie for some viewers or it could motivate you to learn more. The film rewards every viewer with great acting performances and a cool soundtrack by Vangelis.

MISSING is left-wing propaganda? Not by a long shot!
Based on the true story of Charles Horman,a young American journalist who mysteriously vanished during Chile's 1973 coup and was later found dead, MISSING is an extremely well-constructed political drama--the first American film from Greek director Costa-Gavras (Z, STATE OF SIEGE).

John Shea portrays Charles Horman, who, while covering Chile with a friend (Melanie Mayron), disappears from view, causing his wife (Sissy Spacek) to ask for help from Shea's staunch "my country right or wrong" father Ed (Jack Lemmon). Lemmon openly disapproves of Shea's and Spacek's political views and staunchly supports the preservation of the American way of life. Unfortunately, his rose-colored view of his country slowly but surely come apart as he and Spacek, who are initially at considerable odds, unravel bit by bit important details. As one Chilean informant tells them, Shea disappeared because "he knew too much." He knew that thousands of innocent people were being murdered by the new Chilean government, a staunch right-wing one that ousted a far more Marxist regime led by Salvador Allende.

Eventually, MISSING comes to a point of increased sadness and anger, as Lemmon comes to realize that not only was Shea killed (in the national soccer stadium), but that his own government probably had a hand in doing it. The unfolding tragedy brings Lemmon and Spacek together in the end.

A very poignant and highly dramatic story, with a fine score by Vangelis, MISSING also boasts typically top-of-the-line performances by Lemmon and Spacek, who have never been anything less than watchable. The script by Costa-Gavras and Donald Stewart (the latter of whom would do the adaptations of three Tom Clancy novels in the 1990s), won a richly-deserved Oscar for adapted screenplay (from Thomas Hauser's similarly-titled novel).

As to the previous reviewer's attack on the film as left-wing propaganda, I honorably but strongly disagree with that notion.

The facts have shown that the U.S. government supported the coup against Allende only because he believed in communism, but the regime that came to power then systematically trampled over the basic human rights of its people. And here, it very well may have contributed to the death of a young American--and the U.S. government turned its back on that man! No government anywhere in the world, anti-communist or otherwise, is worth American support if it ignores human rights. THAT is the political arguement clearly at the heart of this excellent 1982 drama.

A MUST HAVE
Thought-provoking,shocking,and brave. As relevant today as it was when it first appeared in the early 1980's. The fact that this movie will most likely not be available outside the U.S. and Canada says a mouthful. There is no way you can walk away from this movie and not be disturbed.

Outrageous, unbelievable and true.
I have looked at the cover of this video many times and then put it down again-not being very interested in South American history. It just so happens that I'm taking a class in South American history (!) and we watched the film this week. If you want to know what a 'military coup' is...this film does an excellent job of illustrating just that. It is absolutely terrifying. And the fact that it was U.S. backed has simply outraged me. Richard Nixon's administration was so corrupt. Henry Kissinger had knowledge of this torture and allowed it to happen. I can understand why he's afraid to leave the country. He could easily be charged with war crimes against humanity. This is not an easy film to watch, but for over a decade, this is how Chile existed.