Reviews (687)

Mononoke a must for Fantasy Fans
This is an amazing anime feature reminding me a little of Crouching Tiger, Hidden Dragon (Except that was Chinese Folklore). It has simplistic yet very professional and detailed animation by Hayao Miyazaki. Featuring a beautiful instrumental score rendered by the Tokyo Philharmonic Orchestra. This movie is set in isolationist Japan, and is filled with eastern/Japanese cultural elements for us westerners to attempt to understand. Along with a decent fantasy helping of personified animals and Gods. Be careful watching it if you can constitute a western audience member. This isn't a tree hugger movie like Fern Gully (me shudders). If you think this movie has contemporary western political motives then you are thinking too hard! I had to stop myself and just enjoy it. The story really has no antagonist because both sides in the story are equally guilty of one emotion (try and find the best line in the movie that sums up what I just said)...plus it smacks of Eastern values and mythology. And that's all I'm going to say about the story. If a devout conservative can love this movie...anyone can. Leave the soap box at home. Incidentally the english dub features the voices of American Hollywood stars such as Gillian Anderson (The X-Files)and Billy Bob Thorton (Armageddon, Pushing Tin, etc...)...But don't tell the real Anime buffs that I watched it dubbed...lol...I know only real anime fans watch subbed anime.

Excellent Display of how our world is!
I have experienced some of the things that Miyazaki has put in "Princess Mononoke". For example, i've had to step into fights and then get rejected by both sides. We ourselves are demons in a certain view. We hurt others when they're in the way of our dreams or whatever. For example, if I wanted to rule the world and my friend opposed me, I would hurt him. Miyazaki is clearly showing this and that's why I give "Princess Mononoke" a 5-stars rating.

Be literal, "artistic" metaphors are stupid!!
Don't listen to rhogen, he's not smart. So what if all the characters have human actions, this movie is full of dizzying contradictions and superstitious crap!! Those who think in a literal way are much smarter than those who don't. I'm not an Evangelist Christian from Mississippi who thinks Princess Mononoke is full of paganism, I'm a Soviet Marxist who thinks Princess Mononoke is full of anti-human new-age supersition and metaphors that are silly and nonsensical. Miyazaki screwed up and should keep his enviromental anti-human commentary in Japan, like killing people will help trees grow. Watch Akira (Streamline version), Ninja Scroll, and Ghost In The Shell. All of those anime have adult and provacative content, but don't have anti-human new-age spiritual crap, "artistic" metaphores, and they don't make you puke out your lunch.

Don't be so literal, this is artistic metaphor at its best
I have to respond to those who freak out about the "superstitions" of this film. Being a totally non-magical thinker myself I can understand the first-order reaction. But frankly, you need to see the metaphors. When the spirit gods express anger at "humans", this is metaphorically our own conscience questioning and evaluating what we are doing. It's that simple. If you can do that, you will be able to LOVE this film. SEMI-SPOILER: The first great thing about it is that there are no mustache-twirling villains. Everyone's motivations are human, they're doing what they think is best. That's just the appetizer. Great stuff!

VISUALLY SPECTACULAR, HOT-BUTTON MESSAGES, BUT..
The reviews for this typical Miyazaki blockbuster are so rabidly of the WOW mentality that you may expect something mind-blowing. 'Manage your expectations and enjoy the bloody ride' is my advice.

In terms of sheer execution this is one of the best anime capers you'll see, replete with beasts of mythic proportions, lush forests, sparkling waterfalls, and some mind-numbing inter-galactic slaughter. I could wager in a blink that this is what inspired Tarantino to do that little anime insert in Kill Bill Vol 1.

Plus, the film has some swank credentials under its belt: the Japanese voices are dubbed, not just subtitled, by big *American* stars -- Billy Bob Thornton, Minnie Driver, Claire Danes, Bill Crudup, etc -- who lend their laryx to a host of universally relevant issues such as the plight of indigenous people and nature in the face of unchecked business interests, the death of spirituality in the name of social progress, misogyny in its many variations, etc.

But I have my gripes. The film is violent. Very violent. Sometimes senselessly violent. I had to frequently turn my volume knob to the left. There are gigantic guns, and blood and guts splatter the landscape every minute. Most of this soon seems overdrawn (and the film is looooong) with all this supposedly cool action amounting to precious little in terms of any clear message about good versus evil. The underlying purpose is summed up brilliantly by a roadside beggar when he says something like the world is cursed, but we still find a reason to live.

I also found something lacking in the animation itself. While exquisitely vivid it seems to lag in its flair for capturing natural motion. Disney or Pixar movies pore over a sense of suppleness when an eye is raised or a muscle is twitched by a character. Miyazaki's animators on the other hand haven't penetrated beyond the skin, the moving creatures feel inarticulate and jerky, particularly when played against the very 2D painted backgrounds.

But that still doesn't stop me from recommending this powerful cult flick, a must if you're an anime acolyte. If not, then be prepared for a Tarantino x 100 and you'll do fine. ... Read more

Amazon.com

If you want the full sledgehammer-to-the-stomach effect of Audition, stop reading this review now. Just watch it and take the consequences. At first glance, Takashi Miike's jack in the box of a movie works like a romantic comedy: amiable widower Shigeharu Aoyama (Ryo Ishibashi) decides it's time to find a new wife, and a friend suggests holding a fake audition to find the right girl. It soon becomes clear that there is something wrong with Aoyama's choice. This is no ordinary Fatal Attraction-style thriller, however; Audition slowly and carefully builds into a wrenching exploration of both deep male fears and the stereotype of the cute, submissive Japanese woman. Audition is by no means an easy movie to watch--even hardcore horror fans may have trouble--but it will stay with you for a long, long time. --Ali Davis ... Read more

Reviews (103)

Tender and brutal
You've probably heard that "Audition" is extremly violent - and that's true. But what makes this violence so disturbing is the tenderness that lies in this movie's heart.
Basically, it's a story about two lonely people, in a lonly society (as one character notes - "All of Japan seems lonely"). These two people try to make a connection, and each of them fails miserably. The man find it hard to see past his ideals about what a woman should be - and misses the person in front of him, while the woman needs, probably because of her troubled childhood, demands total love.
Out of the failure of the relationship comes a climax, which is very brutal and graphic (I've found it hard to watch - and I'm a med school student and am used to the dissections...). The fact that you come to care so much about these characters, make the violence seem human, and not horror movie cartoon gore.
A spacial notice should be made to the work done by the lead actrice, Eihi Shiina. It's her first time on-screen, and acording to the director's note, a large part of her acting in the latter part of the film came from improvisation. Perhaps she was working on her inner demons, but her performance is hard to forget.
I'd recommend this to anyone who thinks he can stomach graphic scenes.

A+
AUDITION - directed by Takashi Miike (2001)
DVD/VHS
10/10
Japanese with English Subtitles
This film is un-rated and contains graphic violence.

Takashi Miike has accomplished drawing the audience in slowly with subtle and well-made storytelling that turns into a roller coaster ride of white-knuckle extreme terror. At first it seems as though Miike is presenting at straightforward family drama. Husband/father Aoyama (Ryo Ishibashi) widowed seven years prior decides under the gentle and humorous direction of his son (Tetsu Sawaki) it is time to remarry. Simple? Well, no. Aoyama's drinking buddy Yoshikawa (Jun Kunimura) decides to hold a fake audition for a film in search of the perfect woman. The editing during this sequence has a natural rhythm and humor that highlights the whole facade as the numbers of unusual women are asked a series of questions. Enter Asami (Eihi Shiina), a former ballet dancer, who seems to have suffered in her past. Aoyama falls in love quickly, and against the warnings of Yoshikawa moves forward in quest for the perfect mate," a compliant woman is best." Takashi quickly cuts to a still shot of Asami, sitting on the floor her head bent down, her hair falling over her head so we can't see her face, a telephone in the foreground, and a very large canvas bag. Throughout soundtrack is very well done and there are very different types of music to fit each scene. At this point, however, there is total silence. Long enough to create tremendous tension. Miike takes the audience with Aoyama as hints Asami's of psychotic disintegration almost subliminally sneak into the narrative. At the midway point we become just as disoriented as Aoyama. Is love blind and deaf? In a series of well-edited montage scenes we are shown previous shots of conversations with different dialog, or simply, more direct. Asami seems to be disclosing all of her painful and tragic past. Or is she? Do we really listen when we are in love, or do we simply hear what we want to hear? Asami's lifelong forced submission and compliance have been driven so deep they boomerang ..standing these traits on their heads. I enjoyed Takashi's sense of direction. The film flows, picking up pace towards the final scenes effectively employing the lost art of giving the audience the maximum amount of tension and fear while revealing little. By then it is too late. Throw in a couple of misplaced acupuncture needles, dismembered limbs, three fingers and a tongue. Well, you can imagine the scenarios. Or can you? This is a slow burn, with a great pace and it really pays off. Not for the squeamish, faint of heart or anyone who is afraid of needles. Deeper, deeper..deeper.

Audition
The other reviews will give you a description of what the film is about (though probably too much of one), so I won't dwell on the subject. It's a film that Should be seen and not described anyway. This Is one of my all time favorite films, so I am going to be incredibly biased. This film is excellent: Takashi Miike (the director) is perfectly in his element with this kind of film. The best way, I think, to describe this film is to say that Audition is to Japan, what Silence of the Lambs or Psycho is/was to America. The lead actress, Eihi Shiina, does a frighteningly great job in her film debut. Simply put, Audition is an awesome and exceptional film :).

Overrated
Audition is a film that relies heavily on the last twenty minutes of its running time. In the first eighty minutes there is only one, but good, scare. Otherwise this is a fairly tedious film that has very little emotion, for which the director is to blame. On imdb.com this film is given a 7.3/10 rating. I feel that this film deserves more of a 4/10 rating, becasue it really is boring. The amazon.com review states that this film will stay with you long after you have seen it, but that doesn't necessarily mean that it is good. This film relies on the violence towards the end of the film for its substance. This violence too is ridiculous, just like the rest of the film, which is not really a true horror movie. I am not a person who rejects violence; I like movies like The Wild Bunch, Kill Bill Vol.1 and Evil Dead, because those movies actually had something to go with the violence. I don't recommend this film unless you are a true horror fan or you are just curious.

It was okay.....still better than most Hollywood thrillers!
I went into the viewing of this film with great anticipation since I'd heard how terrifically chilling it is. Although I will try and write about the film as a whole without giving away too much of the events, please be warned that some plot points may exposed.

However, as you may already know, the story centers around a single father(Aeyoama) that is considering the prospect of a second marriage; with his 16-yr old son's approval and recommendation, actually. After holding phony auditions, with the aid of his friend, to find the "perfect" girl, he is smitten as a kitten with a girl named Asami, and together they begin the courting process.

Too much time was spent in scenes where Asami proclaimed how happy she was that Aeyoama had called her for a date, or happy he called her, blah blah blah. I don't know how Aeyoama could not help but roll her eyes (I was!) after listening to her express that sentiment over & over, but hey, perhaps that is the type of complacency he was searching for in a wife? Originally, he'd picked Asami out of a stack of eligible partners as a result of the thoughts she had written down on her application. After meeting her though, it seemed like he became much more interested in her physical appearance. In one isntance, Aeoyama
compliments his son on the sexy young lass that followed him home from school that afternoon.

Eventually, she disappears and Aeyoama completely loses it, goes against his best friend's advice as well as his dead wife's warnings (in dreams) and goes to search her out, whatever the cost.

When she finally does reappear, Asami is no longer her shy bashful self. Instead, she is at the far end of the sensitive scale, to put it lightly. She inflicts pain on Aeyoama that can be expressed as the novel "Misery" times 100.

It seems as though the unspoken arrangement between torturer & torturee was written soon after Asami had gained Aeyoama's love for her. But apparently, this love was based on the love that Asami had been shown in her own life, as we are treated to scenes of Asami growing up & her studies of ballet. This is something that Aeyoama was not aware of, or probably failed to pick up on. It would be interesting to discover if he would have volunteered for the severe torture at the end of the film, had Asami asked; in comparison to Van Gogh's cutting off of ear. Apparently baking a cake for the loved one was not an option.

Anyway, there is a bit of confusion on this last idea since she is definitely getting her cookies out of the carnage she is inflicting; the idea being that she is the heroine and Aeyoama is the filthy "man" that uses and abuses females. She must phsyically alter him to represent the grotesque being he really is.

Very interesting ideas, very well adapted into film, but falls short in arriving at a conclusion of any kind. Some may view that as a plus, but I wanted Aeyoama to either accept responsibility for the violence infliced on him, or reject it. ... Read more

Amazon.com

When 12-year-old Renato, riding through his small Italian town on his new bicycle, sees the voluptuous Malèna, little does he know he's launching on an infatuation that will carry him through the tumultuous days of World War II. Malèna begins as an enraptured depiction of Renato's adolescent mind--the way he stares, hypnotized, at Malèna's garters pressing through the material of her tight skirt, or his frustrated rebellion against the indignity of wearing short pants--but soon transforms into a portrait of small-town prejudice. Malèna's looks spark lust and envy in the townspeople; when her husband dies in combat, the gossip only intensifies, to the point that Malèna is dragged into court to defend herself against accusations of adultery. When the women of the town refuse to sell her edible food at the market, Malèna has little choice but to become what she's been unjustly accused of being. At the end, a twist of fate turns this tale of longing and jealousy into a heartbreaking love story. Monica Bellucci exudes the can't-help-it eroticism that makes Malèna such a lightning rod for everyone's desires; she's like a more zaftig Isabelle Adjani. The movie seems to wander at times, but the ending has a powerful emotional impact. From the director of Cinema Paradiso. --Bret Fetzer ... Read more

Reviews (79)

One of the best!
Malena is truly a great film. It works on so many levels. I have a relative who doesn't usually like foreign films but had to admit this is a great one. Its funny, its sad and it has a message. The story of the beautiful Malena is one that is heart-breaking. Malena is a beautiful woman whose husband is fighting in World War II and is left alone in this town. She is subjected to constant rumours and harassment by the men and women in their village.

Renato is the young boy obsessed with her. He is also the only person who knows the truth about her and knows she doesn't do the things people say she does. Malena wasn't dating everyone, she was sewing for people into the night, carrying her husband's picture and dancing to their favorite music. The sad thing is that Malena has to become what everyone had labeled her once word got back that her husband was killed. Women refused to sell her food and she had to sleep with men to survive. There is a scene towards the end that really upset me. This movie shows how rotten both the men and the women were to her. Malena shows how dangerous lies and assumptions are to a person's standing in their community and their own self-respect.

Malena is a very funny movie at times. There are scenes with Renato that made me laugh out loud. However, its a film that goes deeper than many out there. I would have to say this has become one of my all-time favorites. A beautiful, thought-provoking film.

A Beautiful Film
This lovely and heart-wrenching movie was made even more special by the fact that the two main characters barely speak (well, one of them IS the narrator). I had never heard of the beautiful actress Monica Belluci (Malena) but now look forward to seeing her perform again. She was exquisite and spoke volumes with just her facial expressions.

Giuseppe Sulfaro played Renato, a young boy feeling the first stirring of his sexual awakening who falls in love/lust with the beautiful Malena. His acting was very touching, especially when he goes to the church and lights a candle every day to try to ensure that Malena will come to no harm.

This coming of age film about love, jealousy, ostracism, and hate during four tumultuous years of World War II was filmed on the coast of Sicily - and what beautiful cinematography it was. The score was also magnificent, befitting the gorgeous setting.

ETMR - Malena
1. Humanity: The boy Renato, we learn, is a free spirit. He expresses, out of all the characters in the film, the willingness to step outside his natural, cultural boundaries and grow past his traditional philosophy. This film is not only about the life of Malena, but also about Renato's growth into an adult. What events force Renato to grow into this new kind of thinking?

2. Implications: The film shows the evolution of Europe, and the break from traditional values, not only through Renato but through the insanity of the war. In what ways does the movie show a critical eye to the old world?

3. Evolution: In what ways is the movie distinctly European, and yet more in detail, distinctly Italian? Do you think the film is trying to make a general statement on the madness of war, or is it trying to make a visceral attack on the rigidity of Italian traditionalism?

4. Realism: The story premise is interesting: imagine if you had a guardian angel in the form of a young boy, but you never knew he existed... do you think the set-up of the story was meant to describe an actual sequence of events with the boy, or is the movie playing a more important role with symbolism?

5. Stageplay: The script provides for a seedier look at the foundations of Fascist Italy. Do you think what was included was sufficient, do you think it was lacking in raw material, or do you think it contained too much teenage sensuality?

Lopsided film that doesn't have much life
This is a story of an Italian boy who grows a adolescent infatuation with a married woman who is so beautiful that she is horribly gossiped about. Here are the reasons this is a bad film. 1)The film often drifts into the fantasies of the main character(all of them are about Malena). At one point, this is so prevalent you wonder sometimes what's real and not. You also start to wonder why the filmaker did this and I have no real answer except that he couldn't come up with anything else. These dream sequences pull the film away from a grounding reality that the film fails to establish. 2)The title character is almost non-existant as a real character. We see her in real life and in fantasy, but she hardly says anything, or reveals anything about her inner character. This makes her a hollow basis for the film because she is in fact hollow and the character who is infatuated is vacuous as well. 3) The combination of these characteristics makes this film get to its conclusion heavyhandedly and it never feels real even if the results at the time were close to what we see. Dramatically, it's just dumb and vacuous. You wish it were more because you feel that Malena would have something interesting to say, but the filmaker chose not to. These things only approach my biggest gripes with the film. The gossip sequences, which are many, seem flippant and careless, and not the razor-sharped judgement that they would have to be in order to be a real factor in her life, which they are in the film. Sloppy, just sloppy storytelling. How the film ends is also very telling of just how bad this film truly is. He speaks about how he's loved many women, but the one he remembers best is Malena, the ideal that never came to grips with. An ending like this would be good if the film developed a relationship beyond what is in this film. This would be compelling if the protagonist was someone with more of a vocal perspective rather than a visual one. As is, it would have been far more effective to use yet another fantasy to illustrate her historic importance to him, but by then I'm sure that the film would seem incredibly redundant because of the rest of it. If this film had established the strong importance of the difference between fantasy and reality and how the protagonist felt about that it would be better. The film doesn't take this road, however, by putting in the scenes of harsh realism which aren't earned from the deadpan, flippant tone of the rest of the film.

La Bella Bellucci
Titillating, tantalizing, and tragic are just a few adjectives that come to mind...It takes no genius to realize Monica Bellucci is one of the most drop dead gorgeous international beauties of the current cinema. She is the Italian version bonafide beauty of Catherine Zeta Jones ! If that isn't saying much...

Belucci seems to play recurring roles of women in great distress and abuse.She does this so convincingly and makes it look so effortless that she is a rare actress who can say much with her facial expressions and actions without really saying much; It's all in the eyes, baby. Malena is the telling of a 27 year old widow left to fend for herself in a small Italian village after the downfall of her husband during WW2.No one will employ her and the women sell her rotten food;it's cruelty in severe doses for Malena. Her father has disowned her due to false allegations of being the town temptress. Men and boys alike fantasize and want her. The women hate her. In comes a young 12 year old boy named Renato Amoroso who develops an obsessive crush over Malena but guards her and holds vigil from afar. This "crush" is what propels Renato into becoming and maturing into a young man who begins to understand that there is much more to romance and life than just lustful sex. He watches and follows Malena secretly and witnesses the many transformations she goes through to survive in a town that has turned hostile against her simply because of her striking beauty ! All of this will culminate towards an unexpected ending which will leave a strong impression to stay with Renato for the rest of his life!

Cinematography is...well, it's filmed in Italy, what more can I say except stunning panoramic views of the Italian coastline.Plenty of comedic and colorful characters in the beginning. The film starts off with much humor when the viewer is permitted to see into Renato's mind concerning fantasies of farce and romance. But things turn sinister as a town bent on hate begins to enclose on Malena... The film score by Ennio Morricone is extrememly effective, captures the time period and also is very likeable and memorable ! The best surround effects take place during a German air raid over the town. You can also hear great detail in the surrounds of the ocean waves crashing and wind rustling through trees;this transports the viewer to an Italian vacation. The only gripe is that this Miramax dvd version of Malena is missing about 12 to 17 minutes of scenes that were included in the Italian or European release.This was due to more nudity involving Belluci's character and some scenes that raised eyebrows between more explicit sexual fantasies of Renato's. ... Read more

Amazon.com

Leading off the set of four Akira Kurosawa classics is Seven Samurai (1954), unanimously hailed as one of the greatest masterpieces in the history of the motion picture. It was the inspiration for countless films modeled after its basic premise, but has never been surpassed in terms of sheer power of emotion, kinetic energy, and dynamic character development. The story is set in the 1600s, when the residents of a small Japanese village seek protection against repeated attacks by a band of marauding thieves and hire seven unemployed "ronin" (masterless samurai), including a boastful swordsman (Toshiro Mifune), who is actually a farmer's son desperately seeking glory and acceptance. The climactic battle remains one of the most breathtaking sequences ever filmed and one of Kurosawa's crowning cinematic achievements.

In another of the many Kurosawa-Mifune collaborations, The Hidden Fortress (1958) tells the story of a warrior and a princess trying against all odds to return to their homeland with their fortune. Along the way, they are simultaneously assisted and thwarted by two itinerant and not-too-bright farmers with their own designs on the treasure. Frequently cited for its thematic influences on Star Wars, The Hidden Fortress combines an epic tale of struggle and honor with modern comic sensibilities.

The partly comic Yojimbo (1961) was inspired by the American Western genre. Mifune plays a drifting samurai for hire who plays both ends against the middle with two warring factions, surviving on his wits and his ability to outrun his own bad luck. Yojimbo is striking for its unorthodox treatment of violence and morality, reserving judgment on the actions of its main character and instead presenting an entertaining tale with humor and much visual excitement. One of the inspirations for the spaghetti Westerns of director Sergio Leone and the 1996 Bruce Willis vehicle Last Man Standing, this film offers insight into a director who influenced American films even as he was influenced by them. The 1963 sequel, Sanjuro, is more lighthearted and less cynical, a rousing adventure with Mifune becoming an unlikely big brother to a troupe of nine naive samurai. It isn't the subtlest of Kurosawa's films, but it's one of his most entertaining. ... Read more

Reviews (12)

Must-buy for anyone even interested in Kurosawa...
I bought this as a "blind buy" at Best Buy. I had never seen any of the 4 films and had about 100 dollars in my pocket. I had been wanting to see "Seven Samurai" for the longest time but could never find it. I saw that my local Best Buy actually had a few copies and immediately picked it up. I was sure I was going to buy it when someone who worked there asked me if I had seen the box set. So he pointed me to the box set and I bought it without a second thought.

When I put in "Seven Samurai" I had never seen a Kurosawa film and 3 and a half hours later I had a new favorite film and new favorite director. The other three films, "The Hidden Fortress," "Yojimbo," and "Sanjuro" were equally amazing, most notably "Yojimbo." These films were so great that two days after buying it I bought Rashomon. I would recommend this to anyone with 80 dollars lying around and even a slight interest in seeing a Kurosawa film. You will not regret it.

It's no newborn, but it's a bundle of joy!
While I certainly can't fully recommend this set to those who already own most or all of the DVDs included within, I can recommend it to those who don't. And I do so, wholeheartedly. Not only does it look great sitting on a shelf, but the four DVDs inside are all absolute classics (all the DVDs are the exact ones released already, individually, by Criterion). Seven Samurai is, I believe, one of the greatest films ever made (perhaps THE greatest as my Listmania List suggests). Yojimbo is simply excellent as well. It's funny, phenomenally shot, terrifically acted, and contains a brilliant climax. Mifune is the ultimate screen bad @$$ in Yojimbo, and while Sanjuro isn't quite as good, it's a ton of fun just seeing Mifune reprise the role. Then there's The Hidden Fortress, the film that inspired R2-D2 and C-3PO in Star Wars. The Hidden Fortress is a superior film to the original Star Wars with excellent cinematography, adventure, and a tremendous spear battle set piece. This is a wonderful set and well worth every cent, especially if you don't own any of the Criterion releases of these films already. I personally owned all four of them prior to getting this set, and that didn't stop me. Then again, I'm what you call a Kurosawa fanatic so...just pray for me as you buy this set. :-)

Tony the Tiger would say, GRRRREAT!!!!
Awesome films by Kurosawa! It would have been nice if they were all digitally remastered with color added, but you'll have to settle for black & white which isn't too bad.

4 Timeless works of art
Akira Kurosawa usually makes it into the top 5 directors of all time on most people's lists. He set the standard for epic battle scenes and the telling of a great epic story. He is sited by many directors as their greatest influence (including George Lucas, and Steven Spielberg to name a few). Kurosawa was trained in the samurai genre with some of the early great Japanese directors. These 4 samurai films show Kurosawa at the height of perfection. A couple of these stories went on to inspire "The Magnificent Seven" and "Star Wars". With the addition of the recent Tom Cruise flick, where one can clearly see the Kurosawa foundation at work, the samurai genre is still as timeless as "Shakespeare". If we were to continue with the same analogy then Kurosawa would be considered by most to be Shakespeare himself. This DVD set is worth every penny, you will watch these films many times over.

Four classic films
Action movies like Akira Kurosawa's are a rarity. They have stories, and the action revolves around that; there's nothing used for shock, but they manage to hit you in the gut anyway. Each film in this collection of "Samurai Classics" is vivid, compelling, often humorous and stars the fantastic Toshiro Mifune.

"Seven Samurai" is the now-classic tale of an impoverished country village, which is regularly pillaged by bandits. Desperate to protect themselves, the villagers send out some young men to hire samurai to help them. What they get is a ragtag but willing band, led by a weary veteran and including an eager-puppy teen, a seeming nutcase (the predecessor of Captain Jack Sparrow?), and basically anyone who will fight for a square meal.

"Hidden Fortress" was one of the shaping influences on George Lucas's "Star Wars." In it, a general (Toshiro Mifune) and a princess are attempting to sneak across a border. The problem is, they are being helped by a pair of greedy, not-too-bright farmers (Kamatari Fujiawara and Minoru Chiaki), who bumble as often as they assist.

"Yojimbo" was an adaptation of Dashiell Hammett's "Red Harvest," the story of a detective who cleans up a city. This darkly humorous film introduces a wandering samurai-for-hire (Toshiro Mifune again), who stumbles onto a war between two clans. He's smarter than just about everyone else in the film, and so he begins playing both sides, deftly avoiding disaster as he deals with the clan war in his own way.

"Sanjuro" is probably the lightest of all Kurosawa's movies. The scruffy, wily hero of "Yojimbo" (Toshiro Mifune yet again) returns, this time taking nine naive, inept young noblemen under his wing. They have to somehow rescue the Chamberlain, his wife and young daughter from the Superintendent -- assuming that "Sanjuro's" army of nine doesn't botch it all up.

Kurosawa's filmmaking is not flawless. For example, when people are cut down in battle they have a tendency not to bleed (or they bleed too much). However, for form it can't be beaten. Battle scenes have a flash-bang intensity, or the slow, building pressure of duels. There's also early slow-motion effects, as demonstrated in "Seven Samurai" during a one-on-one fight.

Kurosawa was a lover of American cowboy flicks, and at times this shows, especially in the rugged hero of "Yojimbo" and "Sanjuro," who acts like a medieval Japanese gunslinger (he even has the piercing eyes for it). But first and foremost, these are stories -- no more and no less. Kurosawa's storytelling ability is laced with drama, humor, and all this without meandering or preaching.

For any rabid cinephile, Kurosawa's films are a must. Epic action movies with plenty of swords, mayhem and grizzled heroes don't come any better than these. ... Read more

Description

The Decalogue Special Edition is a three-disc set with exclusive special features. Disc 1 begins with "Roger Ebert on The Decalogue," a special appreciation by America's best-known film critic.Episodes 1, 2, and 3 of The Decaloguefollow. Disc 2 Includes Episodes 4, 5, 6, and 7. Disc 3 completes the series with Episodes 8, 9, and 10, and rounds out the experience with three documentaries about director Krzysztof Kieslowski."On the Set of The Decalogue" us a brief interview with the director; "Kieslowski Meets the Press" is an extensive Q&A between Kieslowski and the European press; and in "Kieslowski Known and Unknown," friends and colleagues offer tributes and insights on the famed director. A printed booklet included with The Decalogue Special Edition DVDcontains an introduction to The Decalogueby Kieslowski, an interview with the script writer Krzysztof Piesiewicz, and complete casts and credits. ... Read more

Reviews (45)

So excited this is out
I'm so glad the Decalogue was finally released! I saw the series at a film festival in NYC about 7 years ago, and then (cough) acquired a video copy. But I'm so glad it's out on DVD - the quality is amazing.

The stories are touching and poignant (a word I thought I'd never use!) - and relevant to this day. Each is based on one of the ten commandments, and each story intertwines with the others in subtle ways (characters from one film appear in others, there's a mysterious character who watches all but 2 of the films from the outside).

So well done - Kieslowski was a phenomenal director (see the Blue, White and Red trilogy for more examples).

See what the fuss over Kieslowski is about
"The Decalogue" is a series of 10 films based roughly on the Ten Commandments and is directed by the renowned Polish director Krzysztof Kieslowski. Each film or part of "The Decalogue" is about one hour in length and is independent of the other parts, but have some of the same characters in the background or in passing from other episodes.

Although the films of "The Decalogue" are supposed to be, to some extent, based on the Ten Commandments -- there is not a direct commandment to episode relationship. Several of the episodes deal with adultery and some episodes deal with more than one commandment. Overall, I would say the stories themselves are depressing. Nevertheless, the plots are captivating and the way the stories are put together is intriguing. While watching these 10 films of "The Decalogue," you know are watching something great and know why Kieslowski is attributed with being clever at his craft.

"The Decalogue" was originally aired on Polish television, but two episodes were expanded into the films "A Short Film About Love" and "A Short Film About Killing" (both about 1.5 hours long) and received a larger audience.

"The Decalogue" includes many of Poland's most famous actors, including Boguslaw Linda, Zbigniew Zamachowski, Mirislaw Baka, and Krystana Janda.

This new release of "The Decalogue" contains 3 disks, which include:

* "Roger Ebert on The Decalogue"
* The 10 parts (or episodes) of The Decalogue series
* "On the Set of The Decalogue" (1988)
* "Kieslowski Meets the Press" (1988)
* "Kieslowski Known and Unknown" (1998)

Furthermore, a small booklet is included that has information on the actors and information on "The Decalogue." As a set, this series will provide a lot of entertainment with a total running time of about 584 minutes. "The Decalogue" is in Polish with English subtitles.

Patience is a requirement.
I bought this DVD set because I was such a huge fan of Blue, White & Red. I also enjoyed the Double Life of Veronique. I found the premise intrigue with the Decalogue. I mean, 10 one hour stories base on each different commandment. First of all, let me say it isn't obvious, which makes it very very good indeed. It doesn't hit you on the head with "HAVE NO OTHER GOD OTHER THAN ME". But the patience required in viewing these is to view all ten because it is truly a remarkable achievement in story telling AND in conveying the 10 commandments in a way no other filmmaker can do, except for this wonderful director. I can tell you now, that it will not be for everyone. The story is in Polish with english subtitles, but it's best to watch it that way because, just like in american films, people's subtle way of talking and stresses ads as much to the film itself than mere dialogue. Kieslowski intended the story to be told in that way and dubbed dialogue would, perhaps, ruin those little subtle nuances. But the key to the decalogue is not the film itself, but the lesson and honesty it protrays in the story and in the film making process. It let us know that a story that has been read millions of time and told thousands of times and probably film in dozens of ways, can be shown in a refreshing, wonderful light that one can never hope to imagine and inspire us to look at the bible again. There is no glitz here, no CGI, in fact the set takes a backseat. It is the story that matters and the wondeful thing about these stories is that the people act normal. No overly dramatic characters is what makes this film a worthwhile see. If you are a film student, it is a must see. This is the type of work that leads to discussions and that is a good thing. The one drawback that I have with this is that the video is rather dark. But then again, it was filmed quite awhile ago. Another note, you have to be in somewhat and openminded and serious mood to watch this film.

A creative triumph!
Kielowski made a glorious work. This set talks about the relativeness you may approach every one of these ten commandments.
In a miserable building Kielowski shows us with no mercy sight the close space in which the polish citizen live. All the story are a serious ehic conflict and the resolution usually goes on the opposite side of the real spirit of the commadment itself.
Specially remarkable are the Chapters 1, 2, 4, 5, 6, 7, 8 and 10.
Kielowski made his own script for the polish TV.
An unforgettable masterpiece ; a must for any serious lover of the cinema.

Thou shalt not...
Krzysztof Kieslowski obviously had a thing about "theme" series -- the Color trilogy, the unfinished "Heaven" project... and of course, the Decalogue, a wonderful collection of made-for-TV movies that focuses on the Ten Commandments. Kieslowski's style is not at its most polished here, but unpolished Kieslowski is still magnificent.

Kieslowski ran the full range of emotions in the Decalogue -- he'll make you laugh, then cry, then stare in disbelief. In one, he presents a man and his son "playing God" with a computer; in another, a murder is followed by execution ("thou shalt not kill"); a woman lures her lover away from his family on Christmas Eve ("keep holy the Sabbath"); and the delicious black comedy where two brothers inherit their dad's valuable stamp collection ("thou shalt not covet thy neighbor's goods").

By Hollywood standards, the Decalogue probably shouldn't exist. Not only is it religiously-themed, but was made on a very small budget and written in under two years. But Kieslowski proved his mastery by creating the one-hour short movies (two were screened in longer form), and loosely stringing them together.

Don't expect the obvious in Kiewslowski's movies. This is no Sunday-school storytelling, with hell awaiting two-dimensional sin. It's a series of delicate, subtle stories about people who seem real, rather than allegorical paper dolls. At times, Kieslowski becomes too heavy-handed, like in the admirable (but obvious) fifth story about capital punishment. Okay, we get it -- all death is terrible. However, he's subtle more often than not.

As with the Colors trilogy, there's a web of interconnected stories, with characters who brush by each other but don't actually touch. Not to mention that mute guy who watches from the sidelines -- a Kieslowski touch. But there the resemblance ends. The settings are bleaker, and the characters are less effervescent. But under the grayness and grime is his undeniable talent, his sense of sadness and gravity, and his sympathy for those who stumble morally.

Krzysztof Kieslowski used a tiny budget and bleak backdrops to create a modern masterpiece, a sprawling movie in ten parts. Watch the commandments, one by one, in the form of the Decalogue. ... Read more

Reviews (242)

Sexy, sweet, and sad
"Y Tu Mama Tambien," directed by Alfonso Cuaron, tells the story of two young guys in Mexico: Julio (played by Gael Garcia Bernal) and Tenoch (played by Diego Luna). When we meet them at the start of the film they are straddling that line between boyhood and manhood, and are interested mainly in hanging out, taking drugs, and having sex with their girlfriends. But there relationship is challenged when they take an erotically charged beach trip with a more mature woman named Luisa (Maribel Verdu).

"Y Tu Mama" is a combination of road trip and coming-of-age story. The film is sexy and often very funny, but with an edge of sadness and introspection running throughout. A voiceover narration is effectively used as a cinematic device.

The cast delivers superb performances. Verdu has an offbeat sexual allure and delivers a very touching performance. Luna and Garcia Bernal bring an appealing energy to their roles, and there is solid three way chemistry among them all. The film is full of visual appeal, and some scenes almost have a documentary feel. There is some wonderful footage of the people and places the trio encounter on their journey.

The graphic nudity and sex scenes of the unrated version may be a bit much for some viewers, but I found this aspect of the film to be well integrated into the filmmakers' overall artistic vision. A story of lust, loss, and tenderness, "Y Tu Mama" is an enjoyable and moving film.

Fantastic!
After consecutively watching two movies from Mexico (Amores Perros and Dona Herlinda & Her Son), I eagerly awaited for Alfonso Cuaron's Y Tu Mama Tambien. I was not disappointed. The Mexican film industry has definitely arrived. This is one gem of a film that deserves all the critical acclaim it has been receiving in film festivals around the world.

You can classify this movie as you wish - road movie, coming-of-age tale, may-december interludes, study of a woman in mid-life crisis, sex-starved youth meets lonely woman longing for love and affection - but no matter what the tag is, it remains a masterpiece of modern cinema.

The three main leads (Gael Garcia Bernal, Diego Luna, and the amazing Maribel Verdu) all deliver knockout performances that led me to a rollercoaster of emotions culminating in two realizations: 1) that life is too short to waste and 2) that life's lessons come to you in the most unexpected situations. Sure, there is sex dotted generously in this 2-hour film, but they are quickly outshadowed by everything else.

While I originally saw Y Tu Mama Tambien during the film festival in Venice, I was fortunate enough to buy a DVD copy of this movie in Hongkong (foreign movies in this format are released much earlier here) and add it to my growing collection of must-see movies.

Watch this one or buy/rent the DVD, you won't be disappointed.

Not "X"actly for the whole family
Frankly, I'm uncertain about publicly acknowledging that I viewed this movie because it really pushes the edge of decency. I noticed this movie had received a nomination or two at a recent Academy Awards presentation. I've noted over the years that the few foreign language films that are nominated (almost exclusively in the Best Foreign Language Film category) are generally worth watching (if you can ever get ahold of them). Thus I was looking forward to the opportunity to see this one. Let me warn you, this is not a movie for the whole family. As a matter of fact, I wasn't even sure adults should be watching the simulated sex that the movie opens with. The first third of the movie seemed like an X-rated "Cheech and Chong's Summer Vacation". Everything about it seemed so excessive and the humor seemed to be of that quality. The two main characters, recent high school graduates, seem way too out of control. Convinced that there had to be more to it, I persevered and, frankly, I'm glad I did. It was still excessive but it turned into a pretty good movie.

What made this movie work was the way the female lead was able to confront, challenge, and (to a certain extent) reconstruct the juvenile code of purpose and morality that the two boys readily flaunted. She had come from a relationship that had been way too high brow for her liking yet she was not about to descend quite so low as these two post-puberty Bart Simpsons. In searching for something that she could love, she took a chance and eventually found what she was looking for. Without her role, this movie falls apart.

There are other positive things that could be said about the movie but I must repeat that this is not a movie for everyone to watch. I'm not sure it was a movie for ME to watch. I noted a comment or two in other reviews about some of the excesses so I won't add to that. The excesses, I suppose, serve the perpose of showing us just how immature and irresponsible the two boys are. This serve as a point of comparison to how they were changed by their experience. However, just as I was prepared to rationalize watching all of this, their relationship took another, totally unnecessary, turn that almost spoiled the whole movie for me. Yet, I am glad I watched it. Let's leave it at that.

horrible movie, pure pedophile homosexual crap
this movie has two young boys masturbating on a diving board. (...)this is a horrible movie, and the director should be arrested. horrible. pure filth.

Y Tu Mama Tambien some ok moments but overall not good
Y u mama tambien is a shambled mess by director alfonoso cuaron who is now at the helm of directing the next potter film. perhaps he'll make up for the failures of his past movies in that movie but not this one.

Essentially the movie is billed as a "coming of age" film, but anyone who is really honest will tell you, none of the characters really grow up, in fact most of the time, these characters unable to see their own bad behavior, fail to grow up at all.

I've seen movies like this before like in "american pie" and "porky's" and this is basically the latin version of those type of dumb adolescent movies.

I did find myself laughing in a couple of scenes however it's the laughing sense where your actually laughing at the characters and how dumb they are in getting themselves into certain situations.

Take the characters of tenoch (diego luna) and julio (gael garcia bernal), boys from the barrio who proceed to hit on a somewhat naive and weak older woman named luisa while her husband is away on business.

Luisa knows that these pathetic boys (they have no jobs and both of them basically live of the wealth of their parents), just want to sleep with her and keep using the most pathetic lines possible to "score" with her.

It's pathetic, but that kinda describes the whole movie. yeah it seems like it's a nice movie filled with some interesting locales of Mexico and a good blend of the culture but not really especially as presented through the eyes of these two losers.
Take a couple of scenes in the movie that kinda sum that up :

Tenocho farts in the car with julio beside him, he lays an ugly one and is reprimanded by Julio. Two minutes later Julio farts (the same guy supposedly who had manners) and laughs hysterically.

The two boys then laugh together as kind of like "hahaha we pretend to like the rules, but we break them like it's a joke".
That kinda seems to be attutide of the two. Luisa is just a "fresh piece of meat" that happens to be the target of these salivating lowlifes. lol

Even sadder is that Luisa succumbs to the advances of these two, however it's not due because of their charming personalities.. Hell no. It's actually due to the fact that Luisa catches wind of the fact that her husband has been having an affair with another woman.

Seeing her husband's infidelity face first, Luisa then like many women in that of position irrationally basically sleeps with both boys during separate instances.. LOL Even more hilarious is the case when these two fight over Luisa as if they sort of own her. Lol It seems that they are oblivious to the fact that they have basically had a couple of one night stands with a vulnerable woman who only wanted to strike back at her husband

Oh yeah I forgot to mention the couple of cheap lies that the boys use to entice Luisa to being with them is that their on a journey to "Heaven's Mouth" , a special beach in Spain presumably. lol

However this turns out to be one of the silly twists in the film does it really exist or not? I didn't particular care by the end ... Read more

Amazon.com

La Belle Noiseuse is a thrilling and unconventional drama about the responsibility of an artist to his vision and the conflicts that arise when such responsibility is perceived as a threat to others. Michel Piccoli (Le Doulos) delivers one of his finest, most lived-in performances as Edouard Frenhofer, a famous painter living with his artist wife Liz (Jane Birkin) on a spacious estate in the French countryside. Frenhofer has lacked inspiration for a decade and has given up on painting. The idea behind his unfinished masterpiece, La Belle Noiseuse ("The Beautiful Troublemaker"), has been seemingly unattainable for a decade; Liz was the original model for it, and Frenhofer's exhaustion with the project has an emotional parallel to his dispassionate relationship with her.

Along comes a rising artist, Nicolas (David Bursztein), who suggests that his girlfriend, Marianne (Emmanuelle Béart), a writer, could help Frenhofer jumpstart the painting's completion. From this point, most of La Belle Noiseuse becomes a remarkable, seemingly unedited and privileged look at the development of a bond between artist and muse. Béart, fiercely brilliant, spends the majority of the film nude and continually molded into sometimes-painful positions as Frenhofer struggles--sketch after sketch, paint upon paint--to find something beyond the obviousness of Marianne's body. As the two struggle to meet each other halfway, Liz and Nicolas feel marginalized and jealous, putting pressure on Frenhofer to disregard such personal concerns or give in to them. Adapted by French New Wave master Jacques Rivette from a story by Honore de Balzac, the lengthy La Belle Noiseuse is fascinated by the artistic process; it is itself a patient process of watching ideas and aesthetic courage reveal themselves in the face of extraneous aversion. --Tom Keogh ... Read more

Reviews (4)

Superb
I am not sure what the person before me knows about French cinema and the history of this film in particular but before posting comments that border sheer ignorance PLEASE do some research. This true masterpiece of a film was shot in 1.33 and that is how La Belle Noiseuse it was shown during the Cannes film festival. This is the prefered original aspect ratio (perhaps some have forgotten that not all films are supposed to be seen in widescreen, many were shot in an academy ratio of 1.33). Though La Belle Noiseuse is a modern film, just like Godard often does, Rivette has chosen a ratio that fits best his vision.

With this said the length of the film has nothing to do with the artistic merits it conveys. This is a strong, utterly sophisticated, yet bold and original film that reaches the very core of the creative process artists go through. Exceptional work!!

A word before it's released
This is a 4-hour French film, and I have seen the VHS version. Although the film is generally criticized for being way too long and boring, I personally found the film very appealing. I enjoyed the slow pacing. The film definitely involves the viewer, and 4 hours later, you feel like you really know these characters, who now have a life of their own. There is a substantial amount of nudity in the film, but it's more about posing for an artist than about sex. This is, in fact, an art film, not a mainstream film. As such, it delves into human emotion as much as it paints the beauty of the female form. I'm giving this film, in advance of its DVD release, 3 stars because it is being released in standard format, which is an insult to any film, and because it may not appeal to the average mainstream viewer, who may be too impatient to watch all 4 hours of it. But for me, it will be a welcome addition to my limited collection of French films.

I absolutely agree with everything said by the 5-star reviewer (except for the statement about this being released in its orginal format, which is apparently erroneous). But having read contemporary French language critiques of this film, and having dicussed it with a few of my French friends (who mostly complained about its length), I still believe that the average mainstream non-French viewer will probably find the film a bit too long and boring. Fans of art film in general, and French films in particular, will definitely treasure it, though. Include me in.

See it any way you can...
La Belle Noiseuse is now available on DVD through Amazon.co.uk. Unfortunately it is transferred in 1.33:1 aspect ratio, which is falsely stated to be the original ratio, whereas in fact the film was shot and screened in 1.66:1 - while for some films this might be tolerable, here the cropped picture detracts woefully from the cinematic experience - profiles are severed, actors inexplicably move half off screen, the beauty of many tableaus is compromised. One can only hope that Criterion decide to provide an American edition. That said, the actually picture quality is good and the subtitles legible.
*
There is an interesting interview, however, with Rivette, in which he tells of Divertimento being edited together entirely from out-takes. To illustrate the point a dinner table scene is shown, first from La Belle Noiseuse, and then from Divertimento -in the first there are many cuts and changes of point of view, in the second a slow zoom in onto one couple and only a single cut. In a way, then, Divertimento is an entirely different film. Rivette explained the changes as in part stemming from a certain boredom attending the traditional editing process - he and his editor did their best to entertain themselves, and to create a significant variation on the original work of art.
*
As an exploration of the artistic process, and of the psychological danger involved in exploring the depths of another human, the film is wonderful. Of course, in terms of aesthetic beauty it is also hard to fault. Michel Piccoli is sensitive and somehow manages to vie for command of the screen against the charms of Emmanuelle Beart (who really is stunning).
*
This, I think, is by far Rivette's best work, and definitely worth viewing in whatever available format.

Only for hardcore "La Belle Noiseuse" fans (like me)
After receiving extraordinary acclaim for his 4-hour masterwork "La Belle Noiseuse", seminal French New Wave director Jacques Rivette edited it down to 2 hours (by jettisoning its long real-time takes of an artist at work), substituting alternate takes of certain scenes and making subtle but important changes in the scene order. The result is "Divertimento", a slightly darker and, in my opinion, substantially lesser work.

If you admire "La Belle Noiseuse" as much as I do, "Divertimento" will give you a thought-provoking but not revelatory new angle on a great film. If you haven't seen "La Belle Noiseuse" yet, don't cheat yourself by watching this one first. ... Read more

Amazon.com essential video

Unanimously hailed as one of the greatest masterpieces in the history of the motion picture, Seven Samurai has inspired countless films modeled after its basic premise. But Akira Kurosawa's classic 1954 action drama has never been surpassed in terms of sheer power of emotion, kinetic energy, and dynamic character development. The story is set in the 1600s, when the residents of a small Japanese village are seeking protection against repeated attacks by a band of marauding thieves. Offering mere handfuls of rice as payment, they hire seven unemployed "ronin" (masterless samurai), including a boastful swordsman (Toshiro Mifune) who is actually a farmer's son desperately seeking glory and acceptance. The samurai get acquainted with but remain distant from the villagers, knowing that their assignment may prove to be fatal. The climactic battle with the raiding thieves remains one of the most breathtaking sequences ever filmed. It's poetry in hyperactive motion and one of Kurosawa's crowning cinematic achievements.This is not a film that can be well served by any synopsis; it must be seen to be appreciated (accept nothing less than its complete 203-minute version) and belongs on the short list of any definitive home-video library. --Jeff Shannon ... Read more

Reviews (294)

Epic tale even though it's decades old.
I was simply amazed watching this film at how simple the tale was but at how masterfully crafted and told the story was written. This movie will seriously play upon your emotions and only a cold hearted person, without emotion wouldn't be able to connect to this plot. Compassion, sadness, desperation, love and triumph are all prominent in this film. And the balance between these elemenys is impeccable.

The cinemetography is masterful. There is an intense to detail. Every shot is masterfully done. The atmosphere will pull you right in. The acting is top notch and there absolutely no room for improvement in the script. It's just hard to say something bad about it. Even being a foreign film, Japanese too -[and you know Japanese and Chinese movies have a lot of mythology involved that is hard for us Americans to understand.]- but the plot is truly one that is worth high praise. Seven Samurai is a roller coaster of emotions and it gives an indepth view into the mind and soul of the warrior spirit. Seven Samuari is the best movie I've seen in a long time and definately one of the greatest movies of all time. I'd gladly recommend this movie to anyone. 5 glowing stars. 10 if they were possible.

Few better than this, anywhere
Quite possibly one of the five or six best movies ever made, anywhere. Simple tale of a peasant village forced to hire samurai to defend them from mountain bandits gains incredible gravity and power as it moves along. Film encapsulates so much of the human condition it's hard to tabulate it all: politics, warfare, violence, the human need to persevere in the face of terrible odds, and on and on. All performances are superb: the everyman-ish Takashi Shimura as the eldest samurai bespeaks great heart and intelligence; Toshiro Mifune as wild-eyed Kikujiro is unforgettable and scene-stealing. Final 45 minutes are unbelievably violent and fast-moving even by today's standards, and never let the viewer out of their grip. Has spawned a host of remakes (most notably "The Magnificent Seven"), as has Kurosawa's "Rashomon", but few if any measure up to the power of the original. Original 208m edition is showcased here on DVD in the correct 1.33:1 aspect ratio; beware shorter prints with much of the drama butchered out. Hard to go wrong with this one in your collection.

a classic that inspired many tributes
A reviewer once wrote that the most amazing thing about Seven Samurai is that one-and-a-half hours into the movie, we're still in the character development part, and nobody's even noticed the movie has been running that long already. sure, it's not for everybody, especially for those who grew up with mostly Hollywood commercial fare that last 70-90 minutes. but for even the borderline film enthusiast, the Seven Samurai is a treat. Here, some of Japanese cinema's greats (Kurosawa, Mifune, Takashi Shimura) come together at the perfect time, to do the perfect job. Here, possibly, is the greatest movie of all time, and you are watching it.

the best special feature, the commentary track, is very detailed, in fact at some point, it is annoyingly too detailed! but if you want to know why toshiro mifune's acting was over the top, or where he was born (Manchuria), or why millet seems so low compared to rice, or why the light seems to change during the scene where we first see Kanbei Ishima (the bald, dignified leader of the samurai, here portrayed by Takashi Shimura), then the commentary track is indispensable. I've seen this DVD twice, with commentary on, and with commentary off. It's quite easy for me since I don't understand Japanese anyway, so the dialogue comes to me strictly through subtitles. needless to say, I highly recommend watching it in the manner I described.

there have been many "tributes" to this movie, from the obvious (The Magnificent Seven, The 13th Warrior), to the not so obvious (Disney/Pixar's "Bug's Life"). In all of them, the idea that a band of warriors would come to the rescue of an obscure village for nothing more than a bowl of rice (what, not even meat to go with that?), or in the case of "Bug's Life" nothing more than the chance to finally give a good show, seems ridiculous and unbelievable. As many reviewers have posted, the wretched farmers don't even deserve sympathy. Until you realize (the commentary helps a lot on this) that these samurai agreed to take the job because it gives them a chance to do what they do. They went there because once again, they can prove themselves worthy.

Must be understood to be watched...?
Watching the 'direction' in this movie, and others by this director, is like seeing the first ever 'lace-up' shoe or the first ever internal-combustion engine. You may happen to appreciate that the 'overused' ideas, employed in the film, were used there for the first time; the originality pervading the movie from beginning to end alongside gritty and convincing acting. However, it is still subject to a style of story-delivery that was original 50 years ago - that modern film watchers are jaded with.
To avoid a long spiel: if you hate black and white; if long silent scenes with no music overplay; if obscured scenes and dramatic angles are not your thing, you just won't enjoy this film. No matter how much of a masterpiece it is. Know your limits, people. And stick to Titanic. This film isn't for you. Now go. Leave.

PS: (...)

Seven Samurai
Akira Kurosawa's heroic tale of honor and duty begins with master samurai Kambei (Takashi Shimura) posing as a monk to save a kidnapped child. Impressed by his bravery, a group of farmers begs him to defend their village from encroaching bandits. Kambei agrees and assembles a group of six other samurai, and together they build a militia with the villagers while the bandits loom nearby. Soon the raids begin, culminating in a bloody battle. ... Read more

Reviews (135)

A rich experience worth viewing over and over again
This is a magnificent movie. It is visually beautiful - the colors and the way the shots are framed are stunning. The visuals are controlled in ways that add to the poetic power of the story. I do not speak Japanese, but the sound of the language combined with the musical score also adds to the intensity of this movie. The subtitles are good, but I am sure that those who understand Japanese get even more from this story.

This is not a film of Shakespeare's "King Lear". Rather, it is an adaptation and is based on the underlying themes of the play. It is not important for me to list the differences between the play and the movie, it is just important that a first time viewer not expect the Shakespearian story. If you know the play you will recognize aspects of the movie and enjoy the ways in which Kurosawa adapted the story to his own and Japanese sensibilities. It may nod to Shakespeare, but Kurosawa makes this his story.

The costumes, music, and acting are superlative. For me, the trademark Kurosawa battle scenes are more wonderful here than usual. This is a masterpiece by a filmmaking virtuoso who is also a sensitive enough artist to make a spectacular movie that is also poetic, humorous and heart breaking, tender and brutal as well images that are beautiful and others that are hideous.

This isn't light viewing or mind candy, but it has so much to offer that it is worth watching and learning from over and over again.

The Greatest Adaptation of Shakespeare to Film
"Ran" (Chaos) is the greatest cinematic adaptation of Shakespeare and a masterpiece in its own right. In adapting the broad scenario of "King Lear" to a setting in Sixteenth Century Japan, Akira Kurosawa felt free to manipulate it to his own purposes, leading to a film that is perhaps even more bleak than the play.

First and foremost "Ran" is a visually stunning film, unencumbered by the received tradition of Shakespearean language, which never translates well onto the cinema screen, he has allowed the scenario to develop into images that are beautiful and horrific. Filmed on the slopes of Mount Fuji there is a sense of unreality, or nightmare about the whole epic, as though it is taking place in a mythic space, at once recognisable and alien. For a director best known for his black and white movies ("Seven Samurai", "Rashomon"), Kurosawa surprisingly uses color to breathtaking virtuoso effect. The scenes of soldiers flooding in waves across the volcanic wasteland of Mount Fuji carrying vivid blue, red or yellow flags are amongst the most extraordinary ever filmed. The battle scenes shock and astonish, not least because Kurosawa's use of sound is so exquisite and original; many of the most horrendous images of battle are shown without sound effects with only an elegiac musical accompaniment. Far from sanitising them, the effect is to shock you out of the viewing habits formed watching so many other "war" movies.

Yet "Ran" is so much more than a broad epic, or war movie. The more intimate scenes are carried off with understated conviction, the sly hypocrisy hidden behind formality and convention is conveyed in highly poised and stylised interior shots. This film can be both visceral (prepare yourself for the beheading of Lady Kaede: as visually explosive as anything by Tarantino, and set within a film that is more than mere surface) and restrained, depending on the nature of the scene. There are moments of quiet and tenderness that resonate long after the film had ended.

It is odd that so few successful films have been made from Shakespeare. The pre-eminent playwright of the western canon has translated beautifully into opera and stage directors can continually find fresh things to say about the plays themselves, yet in general film had been hopelessly incapable of doing anything of note with Shakespeare. Think of the ghastly declamatory rhetoric of Laurence Olivier in "Henry V", or the inane pop video that Baz Lurmann made from "Romeo and Juliet", not to mention Kenneth Brannagh's tediously self-important "Hamlet". Somehow Kurosawa succeeds where all these others fail. His earlier "Throne of Blood" was a beautifully realised adaptation of "Macbeth" to the Samurai period in Japan: "Ran" builds on that achievement and surpasses it. Perhaps the fact that Kurosawa was Japanese allowed him more creative license to work with Shakespeare, able to approach it simply as valid material for film making, and not as the shibboleth that it is to western artists.

In Ran we have the late masterpiece of one of the greatest and most important film makers. It is a distilled and precise work, powerful, visceral, contemplative, epic and intimate. In short this is film making on a par with the greatest art. Ran shows us what mainstream film making can achieve, but so rarely does.

WHO WILL ENJOY THIS SENSATIONAL MASTERPIECE:
People who care about grandiloquent visuals yet a controlled palette accentuated by the immemorable use of sound -- or, in one major battle scene, the absence of the sounds of the battle, the horrors of war somehow magnified by the silent screams and the unheard bullets, only the quietly mournful dissonance of the haunting background score to be heard.

Castle gates close with resounding, hollow booms, shutting people out, shutting people in. A crescendo of cicadas. And the final anguished shriek of a flute lending a much more effective voice to the great tragedy that has been played out than closing words might have done.

If you're expecting flaming Gladiator-type fight scenes or Samurai action, you may be disappointed. That said, the battle scenes are magnum opus if you know how to appreciate visual splendor. The screenplay may be relaxed overall, sure, it takes a while to unfold a tale of filial destruction ("King Lear" adaptation) but when the forts crumble and arrows fly asunder, the pace of the film is unbridled.

Whether you're a film philistine or a major Kurosawa buff or simply someone who relishes tastefully done cinema, this is absolutely worth the ride. I highly recommend this as a rental, but the discerning types may also want to add it to their collections. It's among Kurosawa's best.

Not as good as all you people are making it out to be
This movie is terrible. I bought it expecting a good action epic with lots of battles and sword fights. There are no battles there are 2 massacres where all that happens is "samurai" with guns? shoot each other and women. samurai dont have guns. The story was good but they ruined it with 2 hours and 30 mins of talking on and on about the same topic over and over, yak yak yak. There is no drama the characters dont develope except for the old guy who just walks around starring and goes crazy. The perfomances are the same in everyone, yelling even when there happy, and they all sound the same even the women. No action, no drama, nothing except talk and fake blood from the stupid shooting, not swords, guns, What? Very bad movie, I was dissapointed, greatly. I would give 0 stars but they dont let me.

William Akira Shakespeare Kurosawa
This film is undeniable the most notable adaptation of any work of William Shakespeare to the movie. The insights in every detail, the superb cast, the overwheelming photography, the camera's handle makes us inevitably to remind that happy sentence of Orson Welles who said once:
"One film is really extraordinary , when the camera is an eye in the mind of a poet".
Casually this film is made in 1985, the same year of Welles'death.
Kurosawa was a truly master. Once upon a time a critical compared to Kenji Mizoguchi with Bach. If this methaphor is assumed valid, then Kurosawa would have his musical image in Ludwig van Beethoven.
The amazing scene of the castle in flames, with a remarkable red that invites us to reflect about the human condition, his hunger for power, the horror generated by that unthirsty ambition. The multiple readings that concern with the violence and the passion carrying the devasting facts that appear all along this film.
The opening sequences in which the three brothers are together with their father is filmed with such kind of perfection that I wouldn't wonder to know that this an obligated reference for all those students of direction. In this sense, this multiple exchange of points of view reveal us without affections of any kind,the essencial nature of the human being inmersed in the purest spirit shakesperian.
Kurosawa, like the great giants of th cinema handles the camera like Gods, includes the color and the nature's elements like adittional actors (Dreams). Just remember that Akira was the first filma maker who dared film against the sun in that glorius film Rashoman from 1950. His achievements all along his brilliant career are too many and certainly, would be beyond the reach of this shorts analysis.
This is one of these gems that you must see over and over, just when you admire this eternal masterpiece.
To be true the others Shakespeare's versions that deseve to be carried to the desert island would be in my opinion Titus 2000 (Julie Taymor), Othelo 1953 (Welles) , Richard III 1955 (Olivier), and Throne of blood 1957(Kurosawa).
But this movie is just several steps ahead all the titles above mentioned. ... Read more

Amazon.com essential video

Since its debut in the manga weekly "Shônen Sunday Comics" in 1988 and as an anime series a year later, Rumiko Takahashi's gender-bending comedy Ranma 1/2 has been a popular favorite in both Japan and the United States. The first OAV episodes make it easy to understand why: the stories blend outrageous physical comedy, absurd situations, and likable, obtuse characters with just enough sentiment to keep the humor from becoming mean-spirited. Ryota Yamaguchi's screenplays push the nutty situations to the maximum, and director Junji Nishimura keeps the action moving. School blowhard Kuno hatches a phoenix that looks more like an outsized marshmallow Easter chick than the noble bird of legend: it imprints on Ranma, causing no end of trouble. An enchanted brooch produces 180-degree revolutions in the emotions of Shampoo, the Chinese girl. When she wears the pin right-side up, she chases Ranma harder than ever; when she wears it upside-down, she detests him with equal fervor. A demon escapes after 300 years of imprisonment and possesses members of the cast: Ranma and Ryoga use their martial arts skills to bombard the monster with charms that would recapture it--if they had spelled the magic formula correctly. The filmmakers balance these absurdities with gentle moments that anchor the character relationships. When Akane knits a scarf for Ranma in "Tendo Family Christmas," it looks like it's been attacked by a flock of voracious moths. He happily dons it and hands her a gift he bought with money borrowed from her venal sister Nabiki. Not realizing that Akane's spirit has been trapped in an enchanted doll, Ranma holds it and reflects on the things that make her attractive to him. The warm moments play against the exaggerated slapstick--when Akane punches Ranma, he literally goes flying--and vice versa. Ranma fans will want this three-disc set in their libraries; newcomers will find it an excellent introduction to one of the best-loved anime series of all time. Not rated; suitable for ages 12 and up: minor nudity and cartoon violence. --Charles Solomon ... Read more

Reviews (32)

Ranma 1/2 OAV series
THe Ranma 1/2 OAV was ok. It has Comedy, martial arts mayham, devilish dolls, haunted caves, magical phoenixes, evil ogres,and more. There are 12 episodes in all. The 1st one is when shampoo hates Ranma because of a weird jewl. Ranma does alot of stuff to make shampoo say 'Ranma I love you'.Ranma even says 'Ok shampoo is that the way you want it i WONT STOP INTILL YOU SAY RANMA I LOVE YOU'. In The last episode Akane's soul gets trapped in a evil dolls body. The evil doll's soul is in Akanes body and wants to kill Ranma! There is alot of action in this dvd too. But I can't tell you because my arm is getting tired of typing. This DVD and the ONLY RANMA OAV SERIES does not show Ranma and Akane get marred or TRIE to get married. SO DONT BELIEVE IT WHEN PEOPLE SAY THE OAV SHOWS THEM GET MARRIED!

A Must have for Ranma 1/2 Fans.
Technical:
This Boxed set features 12 OAV episodes.
This set of 3 DVDs were mastered well and shows off the high quality animation. There are very little compression artifacts. I had to look hard to find one. The sound is Dolby Digital 2.0 in Japanese and English (although the English version sound like the bass should be turned down a notch).

Story:
This set was not intended for newcomers to the Ranma ½ world. There is very little to no character introduction in this DVD set. For those looking to see the Ranma series from the beginning, take a look at "Ranma 1/2 Digital Dojo - The Complete First Season Boxed Set."
The first episode starts right off with a zany comical love triangle between Ranma, Akane, and Shampoo. But that's the way most of these episodes are: A zany wacky comical love triangle.

Ranma:
The Ranma ½ series is a story about a boy who is training at the "Anything goes Dojo of Martial Arts." A while ago, Ranma's father took him on a quest to train when they "fell" into a curse. Now Ranma, his father, and other characters is this series have to be careful around water. The curse turns Ranma into a girl when he is soaked with cold water. Yes, he actually morphs into a girl, his father turn into a Panda bear! Warm water turns them back to normal, but you can guess how a boy turning into a girl can create some "interesting" situations.
The real story is centered on how Ranma and his fiancé, Akane (don't) get along. Their problem is that they both love each other, but they're just to stuck-up and arrogant to admit it. Throw in three other women who are trying to steal Ranma's heart, and other men who are trying to steal Akane's and you have a real winner!
This is a lighthearted romantic comedy that I think everyone will enjoy.
Not for little kids though, slight language and brief nudity.

A third movie!!!
I don't own this yet but I will be ordering it soon. One thing I can tell you about it is though that one of these so called OAV episodes is acually a movie. Yes one of these is acually the third movie, it's that the style of it was so simular to an OAV that it is confused with the OAVs alot. You will enjoy this product though because all of Ranma 1/2 is good.

Ranma 1/2 is still the best
Here it is, the best Ranma 1/2 episodes of the Ranmaverse. The animation is top notch. Lots of people who see this will probably notice that Ranma's (female) voice is different compared to the others. Another stand out is during the "Tendo Family Christmas Scramble" while the girls are singing karaoke, they sing "Little Date" (the second opening theme) in english, if you know the song, they forget to say the lyrics "Fall in love!", you can also tell because their mouths are moving but nothing is coming out. Besides these two things everything is terrific. Sorry for pointing out a few defects, but I just h