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| 181. Saiyuki:Solders of Destiny Director: Lee Kresel, Osamu Tezuka, Taiji Yabushita, Daisaku Shirakawa | |
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Reviews (21)
Three new characters show up. The war prince Homura (voice acted by none less than Jason Douglas, he also was the English voice of Lord Illpilatzo from Excel Saga, he always gets casted for the world conqueror bit doesn't he?), and his two minions Zenon and Shien descend to start a rebellion against the heavens. Now it looks like there is a three way race to get Scriptures now... This Disk features FOUR new adventures for the Sanzo party and their enemies. Episode 27: Basic Introduction of Homura and his minions... Homura calls the Sanzo party by their past life names, destroys literally truckloads of Demons with but a thought, and Sanzo's gun has no effect on Homura. Episode 28: Homura starts to gather demon followers, he apparently can turn demons into "gods". The Merciful Goddess refuses to do anything to stop Homura, says that watching Homura will keep her from being bored for awhile. Apparently Homura is the half human son of the Jade Emperor... the gods will do nothing to stop him as they have grown lazy and fat. Sanzo's party has to share a single room and draws cards to see who gets the bed while the others sleep on the floor. The episode ends with an attack on Houtou Castle to get the Seiten Scripture. Most notable scenes: The first meeting of Sanzo (of God Sanzo) and Son Goku. Goku and Gojyo fight over the bed and the innkeeper walks in and sees them in a rather embarrassing situation. Episode 29: Homura and gang assault Houtou Castle. Homura single handedly bests both Dokugakuji and Kougaiji. Dr. Ni (that crazy scientist with the stuffed bunny) just hands over the Seiten Scripture to Homura in hopes that he will leave Lady Koushu and the rest with their lives. Sonzo gets a rude awaking from the merciful Goddess, who reminds him of the Teachings of his Master. The "if you meet the Buddha kill the Buddha" which has been said at least 3 times in the series now... Zenon kills a demon who killed his human wife. Basically this episode was to show that these new characters are in fact a force to be reckoned with. Episode 30: Homura sends his latest Assassin to kill the Sanzo party to get the Scripture that Sanzo carries. This demon makes a village into a ghost town, his "Perfect Paradise". He calls himself the Undertaker, and puts the entire Sanzo party through all kinds of physiological torture. Basically Puts a plate of food in front of a hungry Goku to only make it disappear a second later. Deprives Gojyo of women and alcohol . Burns Hakuryu to get Hakki upset, and gently just pisses Sanzo off with the whole ordeal of things going on. They basically best him and go on their merry way. Most notable scene, Gojyo practically begs Sanzo for a smoke, and Sanzo reminds him that he said "You said my smokes tasted like Crap." Basically this DVD has the basic ADV basics, a new opening theme and animation, new closing theme and animation, but no longer gives you any previews of upcoming episodes. Like all the other volumes of Saiyuki they give a wonderful Culture references from the "Journey to the West" and other Japanese jokes you hear while listing to the Japanese audio. Also this series is best kept in context with the Japanese audio as the English seems to completely warp it at times... all in all a good DVD for Saiyuki fans. And also the fact that you can't go wrong with Zenon, how cool is a god with an AK?
The four reel from one hair-raising adventure to another as they head for the final confrontation. Arguing, brawling and womanizing in between the heroics. As I've noted elsewhere this is an essentially masculine story, with women playing what is so far a very secondary role. This is a different spin than usual for this kind of anime, and it is surprisingly successful. In these episodes each of the demons faces their own personal demons - Hakkai's grief over the loss of his beautiful wife, Goku's need for someone he can trust, and Gojyo's surprising soft spot. Sanzo is the wise man and healer in this group of stories, although sometimes his advice is every bit as harsh as the problem it solves. Dialog is what really makes this series work. Not that there is anything to slight in the story or the artwork, but the snappy give and take of this modern gang-on-a-mission is what carries the day. In addition, the episodes refuse to become yet another tale of finding and destroying evil in the goriest fashion possible. Instead, they demonstrate instead a surprising amount of literary merit.
It seems that the god Homura's decision to rebel and gather the scriptures for himself has attracted some followers. First Souto, head of a group of crack divine shock troops gets the assignment to take Sanzo down. A little later, Homura and his own sidekicks, Zenon and Shien show up to demonstrate that Sanzo and Goku are completely outclassed in this contest. As usual, the monk pulls through, but not without serious damage. While all this is going on there are two visits from season one - first a pair of twins in the service of Gyokumen Koushu show up with utter destruction on their mind - and then the idiot impersonators show up again for a short sojourn into the more violent forms of comedy. Somehow, our heroes keep up their attitude and return to each conflict determined to survive. Production quality seems to have improved an order of magnitude since the last season. In the previous DVD I wasn't sure whether to believe it or not, but with this second one it is clear that the show has iimproved, both in art and writing. In the middle of all the action, the group finds time to develop as characters, and both animation and color have increased in intensity. This series is a bit past the point where one can pick it up mainstream. This isn't a bad thing from a watcher's point of view, but be prepared for a sudden urge to empty your wallet for the series.
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| 182. RahXephon - Harmonic Convergence (Vol. 3) Director: Yutaka Izubuchi | |
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Amazon.com Reviews (7)
Video and audio quality of this DVD edition is very good. Most anime fans dislike dubbing and prefer to watch Japanese sound with English subtitles. However, subtitles are not that good. I found out that listening an important conversation, which you couldn't understand it at first, for a second time is much more efficient than figuring out what happened from subtitles. You should notice that there are actually two English subtitles. First subtitle is the regular one and the second one is similar to the "Pill" option of Akira, it only translates Japanese words on the video and background conversation on scenes such as a news heard from a TV. This second English subtitle is benefical to turn on. Leaflets on DVD's are very wellcome and useful. There are fully coloured drawings of mechas and persons together with a brief information. The leaflet of this first volume also includes short interviews with Japanese cast but no translation notes this time. Production sketches, opening and closing animations are there again in the extras, as well as ADV previews. Final extra of this volume is the early production promo trailer. As being early, this is not as good as the trailer in the first volume. To summarize, this volume has the weakest extras amoung the first four. Third volume has only three episodes. 10th movement, first episonde on this volume is among the weakest of those in the first volumes. This is only because of its slow pace but it contains some important key points. I would give the volume four stars if all the episodes were like this one. However, the next episode is very "Matrixish", making it up - 11th movement is to be praised by Matrix fans like me. I, as a science fiction fan, give five stars to this volume as well as the other three and I am looking forward for the rest.
In the next episode, Ayato, pilot of the RahXephon, encounters a new Dolem, 'Vivace,' in battle. It thrusts Ayato into a strange dream world that is a partial replica of the Tokyo locked behind the time barrier. He finds himself more in touch with his on inner turmoil and fears of intimacy than he expected to be, creating a crisis that will resound through the rest of the series. The last episode is Quon's tale. Her role so far has been that of a beautiful, but physically weak woman who is most noted for her poetry and violin playing. In undergoing her own crisis - triggered by Ayato's in the previous episode, Quon comes face to face with her own potential, and very nearly overreaches herself. Often, this series will get compared to Evangelion, and not inappropriately. But there is much more going on here at the character level than it's forbearer offers - and correspondingly less action. If you can imagine Evangelion grown up a bit, with even better music and art you would have a good idea of what to expect. I find it fascinating both as art and concept, with a difficult to achieve naturalness to the acting. By all means seek this series out, it shows every sign of being a keeper.
This disk is going to be a love or hate. The art and color use are still great. Not much is revealed about the main story line and as I said its a few steps away from where the rest of the series has been so far. If you are looking for answers you wont find them here but if you pay attention you can intuit a few things that I feel will be major in the story line later. I liked departure from reality episode. It reminds me more than just a bit of the Twin Peaks TV series. The pacing could have been faster but I think it was done well enough. It also sets some interesting character relasionship umm.. dificulties. I'm interested to see if they intend to work through them or if they will just go away next episode and everyhting will be fine again. Could go either way. Like I said - love it or hate it, to each their own.
As a recap, the title character is a giant robot with yet unexplored but sound-related abilities, and uniquely pilotable by teenager Ayato Kamina. Kamina has just been freed from the space-time bubble surrounding Tokyo-Jupiter (where time runs at a rate years behind) and has been told that what he thought was reality is a construct by an alien race of Murians. The battle for Tokyo-Jupiter and its numerous human inhabitants is waged with Dolems--the Murian giant robots--and RahXephon, on behalf of the "real" Earth. Call Vol. 3 the Quon Disc, as it deals heavily with delving into exactly who this unnerving girl who calls Ayato "Orin" or "Ollin" (depending on the version) is. The two continue to find more and more connections with each other, and this volume spends most of its time exploring that. Each episode features one Dolem battle (one and a half in the first); one, in particular, is very important in setting up the series. As the battle progresses, RahXephon is swallowed by the Dolem and transported to a different temporal space, and Ayato proceeds to go through a hallucinatory dream/trance that takes him back to Tokyo/Jupiter and explores some of his hidden feelings. It's a necessary volume, but one that is a bit slow-paced, even for RahXephon fans. However, nearly everything shown will come back in some form in the series later episodes. The previously mentioned Dolem fight will seem like a preview for the things to come in the pivotal Vol. 4, which will kick this series into high gear. Great art, in the new modern style seen in series like Gasaraki or Full Metal Panic--cleaner, CGI-integrated, not line-y art; different music, mixing techno-pop with majestic orchestra. A great series that takes some time to develop...and this is the last disc in that slow process. Not recommended by itself, but necessary if you have started collecting the series. ... Read more | |
| 183. Sins of the Sisters | |
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Description Reviews (3)
This story actually starts with a good idea, but does not amount to anything further than that because of a overly complicated story and an over excess of crazy sex. Hans, leader of a band of young crusaders is betrayed by the Pope in the year 1212, thus loosing his faith in God. Becoming a fallen angel, Hans is reborn as Aiko 700 plus years later. In an attempt to save his/her friends in the past, Aiko travels back in time to save them. However, in the past Hans and Aiko are being hunted by a demonic woman who can manipulate time and people; choosing Aiko's long lost lover to help her in her scheme. All this and more packed into two 45 minute episodes. Take a chance with it if you want, but i would not suggest it. Rated 16+ for a lot of nudity/sex/rape, violence and some language.
This was a story unlike anything i have seen. and quite frankly i never want to see it again. I got the dub version, and the voices stunk. then the script was horrible too. that didnt make a very good movie.
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| 184. Soul Hunter - Complete Collection | |
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Reviews (9)
However, despite the relative complexity and obscurity (to most Westerners anyway) of the original material, this show is still quite accessible. It can get a bit confusing at times with so many different characters and factions introduced, but they generally take the appropriate time to introduce and give enough background on the characters introduced so even the unfamiliar viewer can understand the relationships involved. At times, the show does feel a bit crowded though with so many people getting introduced. The main lead, Taikoubou, who at first just comes off as somewhat stupid (albeit good hearted) does actually get good character development in the second half, but I was vaguely dismissive of him during the first half of the series. In a sense, the initial set up of the show is somewhat deceptive. It appears, on first, that it is simply going to focus on a "battle of the day" formula of Taikoubou squaring off against whatever demon he is dealing with, but over the course of the opening episodes as characters are gathered and the background is established, that aspect begins to be minimized as a more grandiose plot slowly develops involving the fate of the Yin Dynasty and the role of supernatural beings in human history. Toward the very end, we get a few surprise elements that are interesting thematically, but a bit rushed to for maximum effectiveness. When the show is staying a bit closer to its roots and focusing on the various themes of honor, duty, obligation, and royal corruption it actually is fairly good, but the writers and director far too often let the show drift away from what was working to try out something that was considerably less interesting. Unfortunately, various design and story choices also knee cap Soul Hunter and help to prevent it from rising from being average overall. Perhaps the most obvious is certain anachronistic elements that sometimes show up in the show. The mystical beasts and vaguely science fictionesque "magic" mecha did not really bother me as they fit in with the general atmosphere of the show, but the random appearance of say a modern stereo system just seems jarringly out of place. Later you get elements like Dakki playing a video game to "simulate" whether the forces she controls will be able to beat another army. The way they choose to portray Dakki early on was a bit odd, as she comes off as a simple flighty bimbo rather than a ruthless manipulator. One could argue that it was supposed to show how unassuming she appeared to others, but I thought it could have been accomplished with a lot more subtlety than they choose to use here. I have a hard time understanding why these elements were included since they don't really fit well with the show and don't really work strongly as comedy either. There is also some odd tone shifts. While many great examples of both Western and Eastern fiction often alternate between comedy and tragedy to maximize emotional impact, there are just several comedic elements that felt a bit out of place especially later on as the plot starts getting much more serious in tone. Also, if a show is going to break through the Fourth Wall and acknowledge its fictional nature, they need to be a bit more consistent about it. They would have a character speak to the audience, do nothing with that aspect for episodes, and then suddenly have an odd exchange like this out of no where (this might not be an exact quote but it is pretty close): "Onee-san, why are we wearing [] outfits like this anyway?" "Fan service for the viewers." A lot of this irritated me, because Soul Hunter kept temporarily rising to levels of excellence in regard to both characterization and thematic elements right before letting some bizarre random element or unnecessary plot development totally disrupt the atmosphere of the show. If they were going for more a comic feel overall, it would have been sense, but that just isn't wasn't they really were getting across, particularly as we get to the second half of the series. The elements were often unnecessary or could have been toned down to the overall betterment of the show. Visually the show is pretty new and so the animation and art quality are pretty high. The character design choices range from the very tame to the wildly exotic and anachronistic at times, but overall I liked the character design work. There are a number of battles and they are well animated even if they focused a far too much on long range mystical attacks for my personal taste. Overall, this show had a lot of potential but just didn't quite make as good use of it as it could. The sad thing is once the show got going it actually did have a lot of good characterization, plot, and thematic elements, but the uneven nature of the writing and design work kept dragging it down and preventing it from achieving excellence. Though this show had, overall, an interesting plot, ideas, and some interesting characters, it was far too uneven in quality and execution to be called more than average overall. If fantasy or Chinese myth/history derived epics aren't really your thing go ahead and subtract a star.
I want to know how a series with at least four deaths in the first DVD can be classified as 'just silly'. The plot is a bit deeper than it first appears, as is the main character. I myself own up to volume three and it has drawn me in to its bizzarely addictive little universe. In fact, I'd buy it just for the Translator's notes, which are at times strangely hilarious in their own right. Its definitely worth the money. ^_~ ... Read more | |
| 185. Lizard in a Woman's Skin Director: Lucio Fulci | |
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Description Reviews (1)
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| 186. Mobile Fighter G Gundam Boxed Set - Rounds 7-9 | |
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Reviews (3)
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| 187. Robotech - The Macross Saga - Legacy Collection 2 | |
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Amazon.com Reviews (24)
This box continues the action big time, it just becomes better and better. And to top that they even put in yet another superb bonus DVD into the package. Did _you_ know about the Robotech toys? You will after getting this box... "A must have for Robotech fans" IMVHO.
Another disappointment I have is the fact that the Robotech DVDs aren't in 'Perfect Collection' format, where the viewer can watch both the American-release eppie and its original unedited Japanese (w/ English subtitles) counterpart. You know, a little something for both the hard-core Robotech nut and the Macross/anime purist. Sadly, this ain't likely to happen in the near future- the Macross series (which was re-made into the first part of Robotech) is getting its own separate DVD release. Looks like I'll have to clear off some more space on my video shelf... Anyway, this particular set includes Volumes 3 & 4 (shows 13 through 24) of "Robotech: The Macross Saga" (lots more death & destruction, and the loss of a couple of the series' beloved stalwarts), and an extra features disc that's exclusive to this set. Probably the most interesting bit on this extras platter is a 15-minute interview with producer/writer Carl Macek on a Dallas-area community-access show. Although the clip is somewhat bland, Macek does discuss the other then-upcoming Robotech projects that never really took off, including the Sentinels series and rarely-seen Robotech Movie, which saw only a limited release in the Dallas- Fort Worth area before it pretty much disappeared from the scene. In fact, a few scenes from the movie are shown here, and are likely the only parts of the ill-fated flick that'll ever see the light of day in a legitimate commercial recording. BTW it's probably just as well anyway; I've seen the entire Robotech Movie on bootleg video. It's a pretty sad sight to say the least... Also featured are brief character bios & animation model sketches of various mecha & equipment seen in the Macross segment. Unfortunately, these extras weren't too new to me, since most of the bios & sketches are also available in the Robotech Art 1 book. But, since Robotech Art 1 is a rare book, and thus very hard to track down, these particular bits are likely to be brand-spankin'-new to the average 'Techie. Then there's the featurette that takes you behind-the-scenes at the 1986 Robotech Galaxy of the Stars convention, complete with droves of geekin' fanboys, autograph booths, toys, buttons, posters, & other swag, and... Malcolm Jamal-Warner? What's he doing there, and why does he have his own autograph table? Was it part of a plot to cross over ROBOTECH with 'The Cosby Show'? Methinks a sinister conspiracy is afoot... Like the previous box set extra features platter, this set's disc includes clips from the show dubbed in different languages. I find these parts kinda painful to look at. It's mainly due to the fact that the voice actors doing the foreign dubs tend to sound better than the English ones! Better emoting, inflections, the whole nine yards- especially the French & Portuguese voice-overs! I'm glad to see some folks still take pride in their work. Too bad it's in languages I only partially understand! Finally, there's the wide array of Robotech toy ads- action figures, vehicles, die-cast toys, playsets, and fashion dolls! All done in that trademark loud, pumped-up 80s hype-it-to-death style that got many a spoiled brat to annoy the 'rents to buy, buy, buy! And you thought Transformers & G.I. Joe toy commercials were obnoxious! 'Late! ... Read more | |
| 188. Cowboy Bebop - Session 4 Director: ShinichirĂ´ Watanabe | |
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| 189. Those Who Hunt Elves - Ready, Set, Strip! (Vol. 1) Director: Kazuyoshi Katayama | |
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Amazon.com Reviews (12)
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| 190. Magical Shopping Arcade Abenobashi (Vol. 1) Director: Hiroyuki Yamaga | |
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Amazon.com Reviews (8)
The whole show to me seems like a video game that they have to learn how to get out of.
First off, I'll speak of the art. Abenobashi is done in a bright, visually pleasing style very similar to the animation of FLCL, Gainax's other recent comedy series. It is high quality, and the dizzying animation style keeps pace with the equally dizzying storyline to leave your head spinning. Second, the characters. Sasshi and Arumi, the two main characters, make for a cute couple, and their constantly-at-odds personalities provide a great deal of the humor of the series. In general, the characters are all quirky, bizarre, and interesting, from the town transvestite to the improbably-busty Mune-Mune. Third, the music. I'm not sure I'd really call it quality music, but the quirky tunes fit well with the show. It's not as outstanding a match as the Pillows with FLCL, but it's far from bad. I found the opening song rather endearing, despite its preponderance of badly-pronounced English. Fourth, the voice acting. Someone at Gainax seems to have a thing for regional dialects and odd pronunciations. The vast majority of the characters in the series speak in Osaka-ben, which is part of its charm. I wouldn't recommend watching this series dubbed, as the Osaka dialect is transfigured into an irritatingly fake-sounding Texas accent. Again, I can't say that the voice acting in the series quite lives up to the wonder that was FLCL, but it's definitely a cut above average. Lastly, some general comments. The overall trend of the series seems to be that each episode the two main characters -- Sasshi and Arumi -- find themselves in a new alternate universe version of their home, the Abenobashi shopping arcade. The alternate universes are not so much alternate in the sense of Sliders, as each is a representation of a particular genre or cliche -- with its own 'rules' of reality based upon that. For example, the second episode is based upon fantasy rpgs (such as the older Final Fantasy games), while the second is a mish-mash of science fiction and mecha anime. The stabs at the convention of each genre are witty and genuinely funny, and this is one of many shows that makes many of its jokes by parodying other anime. Interestingly, Abenobashi unabashedly parodies other anime by Gainax, at one point going so far as to play one of the songs from the show Neon Genesis Evangelion. I think it was at this point that I fell in love with the series. It takes a great sense of humor to be able to make fun of oneself so completely and effectively. The one serious drawback I can see with this series is that I'm not sure that the conventions and pace that it has set itself can last thirteen episodes without becoming tired and boring. Hopefully at some point the series will break the format which it has presented itself in in order to remain fresh and interesting. If the problem isn't addressed, however, I can see how the latter end of the series could be rather disappointing. Over all, I must say that I was very impressed with this series. Every time Gainax steps up to the plate, they hit the ball.
Basic story : Osaka shopping district kid duo gets swept into alternate usiverses of their block where they deal with condensed, stereotypical worlds based on their shopping district home. It is a 13 episode series released in 2002 in Japan as a kids show. While it is off beat, it is very enjoyable. The show uses every bit of information and energy they can muster to keep these silly, fantastic and post modern affairs tangible or at least enjoyable. Littered through out are tons of sci-fi, anime, manga, hollywood, video game and literature references. As the father of Harumi says at one point 'No matter how much GEEK knowledge you have, you are no match for me.' Great animation, wonderful backgrounds and a very offbeat idea. While these first stories are indeed Gainax, later episodes on fuirther disks are done heavily in Korea and look cheap. ADV keeps good picture quality, but not always as nice as the original Japanese releases. Fun fun fun. Nice acting and posing. I can't imagine anyone except prudes regretting this purchase. Some sexual/odd erotic situations/imagery. Guns occassionally. No tangible death.
First off, I'll speak of the art. Abenobashi is done in a bright, visually pleasing style very similar to the animation of FLCL, Gainax's other recent comedy series. It is high quality, and the dizzying animation style keeps pace with the equally dizzying storyline to leave your head spinning. Second, the characters. Sasshi and Arumi, the two main characters, make for a cute couple, and their constantly-at-odds personalities provide a great deal of the humor of the series. In general, the characters are all quirky, bizarre, and interesting, from the town transvestite to the improbably-busty Mune-Mune. Third, the music. I'm not sure I'd really call it quality music, but the quirky tunes fit well with the show. It's not as outstanding a match as the Pillows with FLCL, but it's far from bad. I found the opening song rather endearing, despite its preponderance of badly-pronounced English. Fourth, the voice acting. Someone at Gainax seems to have a thing for regional dialects and odd pronunciations. The vast majority of the characters in the series speak in Osaka-ben, which is part of its charm. I wouldn't recommend watching this series dubbed, as the Osaka dialect is transfigured into an irritatingly fake-sounding Texas accent. Again, I can't say that the voice acting in the series quite lives up to the wonder that was FLCL, but it's definitely a cut above average. Lastly, some general comments. The overall trend of the series seems to be that each episode the two main characters -- Sasshi and Arumi -- find themselves in a new alternate universe version of their home, the Abenobashi shopping arcade. The alternate universes are not so much alternate in the sense of Sliders, as each is a representation of a particular genre or cliche -- with its own 'rules' of reality based upon that. For example, the second episode is based upon fantasy rpgs (such as the older Final Fantasy games), while the second is a mish-mash of science fiction and mecha anime. The stabs at the convention of each genre are witty and genuinely funny, and this is one of many shows that makes many of its jokes by parodying other anime. Interestingly, Abenobashi unabashedly parodies other anime by Gainax, at one point going so far as to play one of the songs from the show Neon Genesis Evangelion. I think it was at this point that I fell in love with the series. It takes a great sense of humor to be able to make fun of oneself so completely and effectively. The one serious drawback I can see with this series is that I'm not sure that the conventions and pace that it has set itself can last thirteen episodes without becoming tired and boring. Hopefully at some point the series will break the format which it has presented itself in in order to remain fresh and interesting. If the problem isn't addressed, however, I can see how the latter end of the series could be rather disappointing. Over all, I must say that I was very impressed with this series. Every time Gainax steps up to the plate, they hit the ball.
When one of the magical figures that make Abenobashi a comfortable place to hang around is accidentally destroyed, Arumi and Sasshi discover that all was not as it seemed. The Arcade is just a place to shop, but a portal to other realities. They are catapulted headlong into a series of wacky adventures filled with unexpectedly twisted characters. Don't be surprised to find hostile mushrooms, buxom pirates, dizzy transvestites, rude noises, and a host of the equally peculiar. This is a 13 episode series that achieved a cult status in Japan for its rather daring story line. Not that it is a particularly explicit series, but it crosses some taboos in its irreverence and deserves its 15+ rating. Even though it is about two 11-year-old children, it sometimes sounds like Benny Hill. And the English language acting that tries to smooth some of this rudeness over winds up making it even worse. For some reason, the dubbing crew decided to play the folk of the Shopping Arcade with heavy Southern accents - making the English dialog sound like Beverly Hillbillies meet Godzilla. I assume this was meant to convey something about the class or culture of the characters, but I found its effect was either tedious of irritating. They also managed to butcher the translation. The subtitling is much better, and the Japanese acting captures more of the spirit of what is going on. I you don't like dealing with subtitles you probably will not like this series. ... Read more | |
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