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| 101. Dawson's Creek - The Complete First Season | |
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Reviews (183)
A lot of people who watched the first two, three or four seasons of Dawson's Creek have probably stopped by now. But they should still buy this DVD set because the first season was amazing. From the pilot, to the Saturday Detention episode, to the Beauty Pageant, to the first kiss shared by Dawson and Joey in the season finale, the first season was definitely memorable. The first season writers, led by Kevin Williamson, knew how to write. They knew how to be dramatic without going overboard. They knew how to make viewers laugh and how to make them cry. They knew just how to get to that place in our hearts that would make us fall in love with this show. And even if you aren't in love with the show anymore, like me, this DVD set is definitely worth buying. It will bring back memories that you have long since forgotten, and it will instill in you a feeling of nostalgia and love for Dawson's Creek. I hope that the remaining seasons are eventually released on DVD, as I will miss Dawson's after its May 14, 2003 two-hour series finale (which, by the way, should be as great as the first two seasons since it was written by Kevin Williamson). I am very happy this will be released soon and I can't wait to relive the first season.
Dawson's Creek is a real gem in the realm of dramas that are geared toward the teen and young adult audiences. This season begins the show by introducing us to is characters and their diverse personalities. Joey is a quiet and insecure young woman, while her childhood friend Dawson is a Steven Spielberg wannabe who is lost in is own world of fantasy. Through this season, and the rest of the series, these two characters explore themselves and the various forms of relationships that exist between them. Sometimes they date each other, and sometimes they are just happy to share intimate moments as friends. My favorite episode in this season is "The Scare," as it really shows of Dawson's quirky sense of humor. It plays out just like a scary movie (but of course, Kevin Williamson had directed the Scream series and I Know What You Did Last Summer!), as Dawson sets up his home as a haunted house. Pacey finds an estranged woman at a convenience store, and brings her to Dawson's place, only to find out how weird she is. As the group tells ghost stories, the woman horrifies the crowd by telling them that is not what everyone thinks she is. The group listens intently as she tells of how she carries a big knife in her purse, and likes to slip open peoples throats to see how far the blood will spurt. She and her demented boyfriend really stir things up for the guys when her boyfriend comes over to the house in a rage, trying to get at his girlfriend. Everyone thinks that he is a fanatical killer, trying to keep him out of the house. Finally his girlfriend leaves somewhat peacefully with him, leaving Dawson and the gang confused over his real intentions. Joey plays a mean joke on Dawson, pretending she is dead, and Dawson is left in a state of panic. Later, the two ask each other what they would do had they ever really died, and they use this as a moment of bonding. One thing that stands apart about this show is how young the actors are when they begin the series. We really get to see them mature as the show progresses through its seasons, while they keep their basic demeanor. We meet new characters including Jack McPhee and his sister Andi. This really is a series that I can watch time and time again while keeping myself interested in the character development and the developing storyline.
I think that the first season has the best dialogue out of all six seasons. Although, it was also the most controversial, due mostly to the teacher/student relationship between 15 year old Pacey Witter and 36 year old Tamara Jacobs. I just thought that it made the show more interesting. This is the show that made the WB. It quickly got better ratings than another awesome show on at the time, Buffy the Vampire Slayer. There were even talks of a crossover of some sort between the two shows, but it never happened. I think that the best episode in this season is Detention. It is an obvious rip-off of the Breakfeast Club, and it is put together really well. It delves into Joey's obvious affection towards her best friend Dawson, and I just really love all of their reasons for being in Saturday Detention, Pacey's is the funniest. All in all, I would recommend that you buy this excellent season. You wont regret it. ... Read more | |
| 102. Berkeley Square | |
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Amazon.com In 1902 three young nannies find jobs in well-to-do London households and get to know each other. Naive farm girl Lydia finds an unfamiliar world both in city life and with the progressive-thinking family who employs her. Earnest, rule-abiding Matty is a hard-working East End girl who slowly learns to loosen up. And, after a tragic affair with the eldest son of a grand Yorkshire family, Hannah's life in London is full of chilling secrets and grave life-and-death decisions. --Tara Chace Reviews (25)
The entire series exceeded my expectations, in costumes, vivid storylines, props, etc. The children were absolutely darling and I highly recommend this series to anyone with a love of English history. ---- Marilyn, Official Reviewer for www.historicromancewriters.com
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| 103. The Other Side Of Heaven Director: Mitch Davis | |
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Reviews (73)
Groberg (Christopher Gorham) was called by the Church for a three-year mission assignment to Tonga when he was a 20-year-old student at Brigham Young University in the 1950's. Before leaving he makes a vague pact with his girlfriend, Jean, (Ann Hathaway). A difficult seven week journey takes him to the South Pacific, where he meets his native Christian assistant and companion, Feki, (Joe Falou), and they finally arrive at the remote island of Niuatoputapu. Groberg has been instructed to do two things: learn the language and build the "kingdom." Initially treated with scorn by the natives, he sets about to learn the language by reading the bible in English and in Polynesian. After four days he has mastered the language, and begins to win the respect of the natives. From here on, it's a series of incidents, each of which is a sort of independent story: he resuscitates a seriously injured child; sleeping with his feet exposed leads to rats nibbling on the soles of his feet, requiring weeks of treatment to "seal" his feet; a boat trip with two natives nearly drowns them all when the boat is capsized by a storm; a severe storm destroys the island food supply, and everyone nearly starves to death. The young native women are fascinated with Groberg, and one in particular offers herself---but Groberg is not tempted. He is finally taken to task by the girl's mother for rejecting the daughter, but Groberg explains his moral view and his commitment to his true love in the U.S. His experiences and his feelings are also conveyed through a series of letters to Jean, his fantasies about her, and her letters to him. They ultimately marry, in the movie and in real life, and return many times for mission work in the South Pacific. There is lavish cinematography of the spectacularly beautiful islands and beaches, as Groberg grows to love both the people and the places. The storm special effects are very well done. It is a thoroughly enjoyable story, made even more interesting by the knowledge that it is basically true. The movie can be criticized for it's single-minded perspective on the role of the missionary, and there is little insight into the indigenous culture of the natives. But it's very entertaining, and it's staggering to think of the hardships missionaries have endured to bring the benefits of our civilization to these far-flung places (a mixed blessing, some will say). The story is told without proselytizing. Theology and faith are important underlying ingredients but are not emphasized at all. It's pure story telling, with no F words, little or no violence, a love story with no gratuitous sex. I recommend it if you can enjoy an uplifting story, absent those typically R-rated elements.
I too have experienced this kind of love. My husband waited for me as I served a mission for the church of Jesus-Christ of Latterday saints. Our love grew stronger every day as I was going through similar experiences. We married shortly after I came home. Now, after children and the events of life we are still happy and in love. True love is saving and can last forever. My husband also served a 2 year mission for this church. I can tell you it is not easy to leave all of your friends and family for 2 years relying only on letters as communication. We serve missions because we want to share the joy that comes from this truth. There is no deception about it. Why else would we pay our own way, leave our families, and go half a world away for 2 years? The answer is love. We serve missions because we love you. As stated in the beginning God loves his people everywhere. So next time you see a mormon missionary be kind.... they are far from home and are here merely to share joy and the love of God. I feel compelled to respond to a few of the criticisms of this movie. First of all... to the person who said it was unbelievable that this man would refuse the sexual offer from the islander girl.... I want you to know that Mormon Elders and Sister missionaries all over the world keep themselves chaste. Perhaps as unbelievable as it is in this day and age We as "Good faithful mormons" in our youth save ourselves for marriage and the one true love. Also, to the young man who wanted the relationship worked up for sensational reasons, let me say it is a true story. This young mormon couple had a very simple and pure love. They are chaste and virtuous. This movie was never meant to be titillating entertainment.
There are a few parts that might have been improved. Does this poor guy really have to wear a tie every day in this tropical location? And when the native men get baptized by him, what does it mean that they are then wearing white dress shirts and ties as well? Is the implication that only Western office attire is "righteous"? Other than wardrobe, though, the film does seem to show respect for the Tongan natives. It also gives a glimpse of some of the crises they may face. Devastation by hurricanes, being cut off from communication and food supplies, lack of medical services, being exploited by Westerners (who entice some of the young women to leave with them - clearly intending to sell them into prostitution), as well as the seemingly universal problems of alcoholism and family conflict, etc. ... Read more | |
| 104. Femalien Director: Cybil Richards | |
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Reviews (36)
This whole movie just exudes professionalism, from the acting to the camera work to whatever else directors do that makes a film a real treat to watch. You won't find this many attractive women in most films of this type, either. Venesa Taylor in particular is a living doll; hers is a classic beauty that is quite rare these days. She is just completely captivating. She has talent, too, and her naïve, innocent manner of speech and appearance just suits her role in this movie to a tee. The sex scenes, even the ones that don't include Venesa Taylor, are also as good as you will find in movies of this genre. Basically, Femalien has it all. Forget about all the disappointments you may have felt when watching other supposedly good movies of this type; Femalien is sure to please. As long as you are aware of this movie's exceedingly erotic nature and don't approach it expecting a thrilling science fiction adventure, there is simply no way you can be disappointed.
Femalien is the story of an alien landing on Earth to study human interactions. The energy being is given the form of a young woman. What follows are scenes of her spying on couples and her interactions with others. The alien is collecting and cataloging experiences for her race who have risen above physicality but still miss it. During her adventures she tries to help a local woman retain ownership of her diner. While the plot is weak I do recommend this film for those times when a movie like Invasion of the Star Creatures or Galaxina is the sort of thing you are looking for.
This review pertains to the 'Director's Unedited Cut' version, on DVD. ... Read more | |
| 105. Like Water for Chocolate Director: Alfonso Arau | |
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| 106. A Love Song for Bobby Long Director: Shainee Gabel | |
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Amazon.com Reviews (26)
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| 107. Life Is Beautiful Director: Roberto Benigni | |
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Actually, the film I kept thinking of has never been seen: Jerry Lewis' THE DAY THE CLOWN CRIED. I've read the script and I can only imagine the reviews of that film if it was ever released! (Now there's a film in itself: a daffy but deranged filmmaker, popping pills and performing pratfalls, producing his movie about a German clown entertaining Jewish kids on their way to the ovens. Yikes.) LIFE IS BEAUTIFUL doesn't go that far, but I found myself constantly distracted by Benigni's rubbery slapstick taking place in a concentration camp. Yeah, it's sweet that he wants to spare his son the horrors of the camp...but they're in a camp, a concentration camp. Jerry Lewis must have gone nuts when Benigni won the Best Actor Academy Award (William Goldman, the sage of screenwriters, certainly did in print by saying this was the greatest Oscar abomination since THE GREATEST SHOW ON EARTH won Best Picture in the 1950s). I admit I was put off at Benigni's antics at the Oscars--"I LUFF YOU, I LUFF YOU ALL, I MAKE LUFF TO YOU ALL!" I can't even picture Jerry Lewis carrying on that much if he'd won Best Actor for THE BELLBOY. Now that I think about it, maybe he would.... Yes, movies are a great escape from reality--but there are some realities that shouldn't be part of that escape.
2. Implications: Life is Beautiful expresses the need for family strength. What does this mean for today? 3. Evolution: Life is Beautiful employs a style that is at first jarring to watch, and then succeeds on its own as a force of comedy. How has this affected cinema since its release in 1998? 4. Realism: Is the game Guido plays with his son feasible realistically? 5. Stageplay: The basic story is one of a man trying to remain optimistic during a time of intense suffering. How does the light-heartedness of the plot change the realistic consequences of the Holocaust?
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| 108. Work and the Glory | |
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Description Reviews (8)
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| 109. Farewell My Concubine Director: Kaige Chen | |
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| 110. Flashdance Director: Adrian Lyne | |
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Reviews (50)
But it's one of my favorite movies. Why? The director, Adrian Lyne, got his experience directing TV commercials, where the entire message has to be conveyed in 60 seconds, and in Flashdance every moment is contributing something. The key is the cinematography. Leonard Maltin calls Lyne a "visual stylist", and he is, but he's more. He takes Roman Polanski's cinematographic innovations and pushes them to new limits; the camera tells the story. When you watch "Flashdance", watch how light and camera angle are used. Light: Pittsburgh light, hazy, smoky, dull, reflecting off puddles, blazing from lamps, dim, bright, strobe, whatever; lighting carries the mood of each scene. As for camera angle, in most movies we are observers, outside the movie, watching the actors. In some of "Flashdance" that is also true, but then in many places the camera angle shifts so we are inside the movie, seeing what one of the actors, or several of the actors, see at that moment. It just pulls you in. If you're not familiar with the film, the first time you watch it wait for the final "audition" scene, and watch how the camera is first an observer, before the dancer enters the audition room, then sees from the dancer's view as the audition begins, and then shifts to show us what the judges see, as the dancing becomes compelling. I don't know about you, but this grabs me and pulls me in; I could watch that scene five times running. And there are many other scenes in which camera angle is used similarly but not quite as obviously. I give this movie four stars; I would give it five if the music and dancing were as well integrated with the plot as in some other movies.
Dr Jacques COULARDEAU
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| 111. Sunset Boulevard (Special Collector's Edition) Director: Billy Wilder | |
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Reviews (151)
A striking film, visually, emotionally, and in every sense, this is a dark, bitter, darkly comical study of what happens when a faded star (who was a bit out of touch with reality to begin with) clings a little too tightly to her gone days of fame. Gloria Swanson gives a phenomenally powerful, over-the-top performance as Norma Desmond, histrionic ex-silent film star. Bill Holden is fine as the down-and-out screenwriter from Dayton, Ohio, that accidentally gets mixed up with her. Max von Stroheim is magnificently creepy as Norma's devoted butler, and Nancy Olson is heartbreaking as the one innocent with no idea of the trouble that surrounds her. Every frame is perfectly filmed, every image marverlously conveyed, every line wonderfully spouted. Nothing is wrong or out of place. And practically every line is a classic. Most remember the last line of the film's insane conclusion: Norma, finally completely descended into madness, sweeping dramatically down the grand staircase as cops, reporters, and even Hedda Hopper look on; the music swells to a deafening height, and Norma--with that deranged look in her eyes--breathes, "I'm ready for my closeup..." But the best line of all, and the line that symbolizes everything that stands for the golden days of Hollywood, is spoken when Joe recognizes Norma and makes the mistake of saying, "You used to be big." She eyes him bitterly, raises her chin, looks down her nose at him and cries, "I AM big! It's the PICTURES that got smaller!" If you have to choose a movie to see one day, and can only choose one, don't let the opportunity go by. See this.
A superb film all the way around except for the casting of Nancy Olson. Inexplicably, Olson won a supporting actress nomination from the academy that year, but I fail to see why. Her character gets on my nerves, especially making goo eyes at William Holden. But this is just a little quirk I have. The film succeeds brilliantly mainly because of Swanson. It has an effecting score, great cinematography and great acting from the principle characters (Olson notwithstanding). You will not be disappointed with this one!
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| 112. Shadowlands Director: Richard Attenborough | |
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Amazon.com essential video Reviews (85)
With every viewing of this touching and true romance, I become more appreciative of what a fine film this is. Had I written a review after the first time I watched it, I probably would have gone 4 stars. The first time around, I really got to know C.S. Lewis and Joy Gresham thanks to the deep and moving performances of Anthony Hopkins and Debra Winger. After that it was joy spending more time with them, really getting to know their story, and taking in the magnificent work of Director Richard Attenborough and the photography of Roger Pratt. The story is a bittersweet tale of a mid-life romance that is all to short. C.S. Lewis, the famous writer of children's stories, lives the quiet life of a proper gentleman. He's a professor at Oxford,devout Christian,set in his ways, never married and is repsected by all that know him.When Joy Gresham a divorced, Jewish, Communist, brash New Yorker, with a young son enters his world,things as he knows them are about to change.They develop a friendship and soon she starts to melt the icy wall he has built up around his perfect world. To the shock of all those that know him well, Lewis finally lets his emotions be a part of his life. It is only when Joy becomes terminally ill with cancer, that he realizes the full depth of his love for this woman and her son, and must learn to deal with the pain as well. I can't think of anyone else who could be C.S. Lewis. Hopkins is a virtuoso. One look at his eyes and we know the depth of his feelings. Winger is an impressive of a match for him as Gresham was for Lewis. She knows how to grab your heart and keep it("Terms of Endearment"). I must also mention the talented young Joseph Mazzello who turns in a remarkable performance as Douglas, Joy's son. William Nicholson has turned his stageplay into a beautiful screenplay, and the music by George Fenton flows with the story. The DVD is a nice presentation in widescreen, that takes in the splendor of the scenery and sights of England. The tech info here states that the sound is in Dolby Dig 5.1. It is not.(This appears to be the only edtion) The sound is in DD2.0 Surround, and although the dialouge is a little low, the surround sound is very good. Special features include a "Behind the Scenes Featurette" and excerpts of interviews with the stars, the filmmakers and a now grown Douglas Gresham. The story is a true love story.Five Stars for one that reminds us that to love and to be loved is worth the price of the pain it sometimes brings......enjoy....Laurie
This movie is well-made, and very accurate as to the period and setting. Anthony Hopkins's performance is stunning--he seems to fit Lewis perfectly. I have always had a picture in my mind of how Lewis would look and behave, and Hopkins comes about as close to my mental image as is reasonably possible. That having been said, Debra Winger's acting is absolutely horrid. Her accent is bad, her mannerisms are annoying, and she is simply not convincing in her role as Lewis's love. Also, I did not like that the movie ignored such great friends of Lewis's as Owen Barfield and JRR Tolkien (even if these men played a less significant part in his later life). I would have liked to see these men, as well as others, in the movie, but was disappointed. Despite these shortcomings, however, Shadowlands is a pretty good representation of Lewis's life, and you can't beat Hopkins's brilliant acting when he plays the Oxford fellow. If you're a CS Lewis fan, this movie is worth seeing.
I like the BBC version better. It is closer to the original play. I recommend the movie, because it well done. However, I do not recommend the movie as a way to learn more about C. S. Lewis. It is a beautiful, fictional love story.
Nonetheless, the thrilling chemistry between Debra Winger and Anthony Hopkins is very, very hard to resist and I wholeheartedly recommend this supposedly "Hollywood" version. It's ranks for me in the same genre as "The Remains of the Day" and "84 Charing Cross." To begin with, how immaculate the casting is: Debra Winger plays an uninhibited and witty American poetess, while Anthony Hopkins plays a reclusive British middle-aged scholar at Oxford. They meet over tea. She is in a withering marriage, but in her bull-in-a-china-shop American fashion, she arrives like a fresh wind to rock his musty ivory-tower existence. As the film progresses, her crudeness (only exacerbated by Winger's awkward NY accent) is soon peeled away to reveal a heart of gold and a life-affirming sense of humor. For instance, while escorting her around Oxford, Hopkins haughtily says, "I do not really go in for seeing the sights." In response, she says, "So what do you do, walk around with your eyes shut?" Such sprightly but tender moments evoke the screenplay's stirring underlying message -- pain is an inevitable ingredient of love. If you are looking for a somewhat weepy but always warm and wonderful romantic film, this is one of the best you'll find.
But, if you know absolutely nothing about CS and Joy Lewis' life together and know nothing much about CS and Joy Lewis at all, you will enjoy this movie. It is a well-made, Hollywood love story. The acting is excellent and the storyline is compelling. Just keep in mind that this is NOT how it really happened and PLEASE go read for yourself the true story. Oh, yeah, don't forget the Kleenex. It's a three box-er. ... Read more | |
| 113. The Inn of the Sixth Happiness Director: Mark Robson | |
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What is most notable about this dvd release is the excellent commentary by Nick Redman, Aubrey Solomon and Donald Spoto. Redman talks about the real Gladys Aylward, Solomon talks about the film production and Spoto discusses Ingrid Bergman. There were many things changed for the film version and many of them are small and inexplicable. For example, Aylward's given Chinese name was Ai-weh-deh (not Jenai), an adopted child was actually named Ninepence (Sixpense in the movie), etc. Other changes were more larger in scope - Aylward's journey to China was quite harsh and she almost died several times. The inn-keeper, Jeanne Lawson (memorably played by Athene Seyler) was no as agreeable a woman as portrayed in the film - she was actually a cantankerous person prone to fits and thought to be quite mad by the villagers. Aylward herself was thought by many to be fanatical and to put it bluntly, off her rocker. Many other fascinating aspects about the film and the women (both Aylward and Bergman) are included.
Ingrid Bergman is luminous as Gladys. It is one of her very best performances, and my personal favorite. Robert Donat, who passed away before the film was released, is also marvelous as the Mandarin of Yang Cheng, and Curt Jurgens as Captain Lin Nan is handsome and believable as the man who falls in love with Gladys. In a small but pivotal part, Athene Seyler is terrific as Jennie Lawson, the elderly missionary who helps Gladys in her early years, and Peter Chong is a delight as Yang the cook. The fabulous location filming by Freddie Young was done in Snowdonia National Park, North Wales, a remarkable substitute for Shaanxi Province, in the heart of China. The village reproductions are very well done, and look incredibly similar to films I have seen shot in China. The lovely score by Malcolm Arnold adds much to the film, and Alan Burgess, whose book "The Small Woman" is the basis of the story, wrote the script, which is witty, wise and wonderful, with Isobel Lennart. In the film, Chinese tradition has five "Happiness" wishes: Wealth, longevity, good health, virtue, and a peaceful old age and death. "Each person must decide in their heart what the sixth happiness is".
The casting choices will try your suspsension of disbelief, to say the least: a Swede as an Englishwoman, a hulking German as a half-Dutch/half-Chinese colonel, and an Englishman as a Chinese mandarin. That said, this is still a fun film if you take it for what it is. It boasts an unusual story and exotic setting, and Bergman is as radiant as ever (even if she overacts in a couple scenes). Donat and Jurgens are uqually winning, in their own way. Hardly Bergman's best film, but certainly worth a watch if you're a fan.
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| 114. The Life and Death of Peter Sellers Director: Stephen Hopkins | |
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