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| 121. Enter the Dragon Director: Robert Clouse | |
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Amazon.com Reviews (127)
While the film borrows heavily from Dr. No of the James Bond series it is Lee that separates this film from the mundane. Lee's screen presence is undeniable only surpassed by his phenomenal ability as a martial artist. His battle with the guards in the under ground dungeon is "extraordinary" as Han so aptly observes. Lee's mega watt glare is also a site to behold particularly when he stares down an unsuspecting henchman who dare's to question why Lee is not in the provided uniform. ETD is directed by Bob Clouse who actually does a good job freeing up the surroundings so that Lee has plenty of room to strut his stuff. All of the fight sequences were staged and expertly executed under the direction of Lee. A testament to this is that 30 years after it's initial release ETD can still hold it's own next to the more special effects driven features like "Crouching Tiger Hidden Dragon" or "Kiss of the Dragon." In the climatic scene of ETD Lee exacts revenge on Han in spectacular fashion. I recommend this DVD without reservation it is simply a true classic in every sense of the word!
This double disc has several compelling documentaries that examine Lee's life and skills. A special treat is previously unseen footage of Lee in action. Disc Two includes John Little's feature length biography Bruce Lee: A Warrior's Journey with a meticulous reconstruction of Lee's intended cut of The Game of Death.
To start with, there is of course the movie Enter the Dragon (ETD) - Bruce Lee's magnum opus that was not released until after his unfortunate death in 1973, but sealed his immortality. The plot is simple enough - Bruce is a modern day Shaolin monk who is somehow enlisted by the British/Hong Kong government to infiltrate the island of Dr. Han (Shieh Kien), a crusty old renegade Shaolin gone bad who holds a yearly martial arts tournament to recruit talent for an international opium and prostitution racket. Roper (John Saxon), or "Loper" as Bruce says his name, is the established Hollywood caucasian star brought in because of reservations about Bruce's ability to carry the film, while Williams (Jim Kelly) is the token blaxploitation character who, this being the 70's, is kind of a Shaft/Superfly ass-kicker and, in the spirit of horror movies, is the first to die at the hand of Han - actually, at his artificial, interchangeable, iron, and oftentimes bladed hand. Even Jackie Chan and Sammo Hung, as young Hong Kong stuntment before they became stars in their own right, make infamous appearances as guys on the receiving end of Bruce's wrath. But the real point, or value, of this movie is that Bruce Lee shines throughout with his incredible fight sequences - he once again casts Bob Wall as whipping boy, hitting him with lightning fast punches, an insane skip side kick, and a great groin shot that still makes me wince despite hundreds of viewings; he has some fantastic weapons sequences with staff, double escrima sticks, and nunchaku; and he more than lives up to his reputation as the "man with three legs" as he demolishes armies of scrawny Asian guys whose gung fu is pitiful in comparison (check out the guy laughing in the background as Bruce connects three successive roundhouse kicks to one sap's head in the final mob fight). This was totally innovative and amazing in 1973 as the first ever martial arts movie made in Hollywood and despite all the subsequent copycats and modern day wire-fu flicks, no one has ever matched Bruce's intensity, charisma, and moves. There are some classic dramatic sequences as well with Bruce speaking English in his own voice (unlike all of his Hong Kong movies whose English versions are horribly dubbed), such as Bruce teaching a student and rapping him on the head as he expounds some homespun Zen philosophy or Bruce poignantly asking "why doesn't someone just pull a .45 and settle it?" Incidentally, this is the uncut version of the movie with some extra scenes not included in the theatrical release - basically Bruce talking quasi-philosophy (well, actually, it's someone else dubbing in Bruce's voice) with his Shaolin elder that he later recalls in the final fight sequence. Of course, few people who buy this DVD don't know all this already, so what's new? Well, there is a commentary track by producers Paul Heller and Fred Weintraub - there's some interesting tidbits, but overall it's disappointingly uninspired. Then there's "Blood and Steel: The Making of Enter the Dragon" - a newly produced documentary short that includes some rare and new footage - a clip from Bruce's Hong Kong TV appearance in which he breaks 4 dangling boards; an interview with John Saxon, Lalo Schifrin, and the kid who gets smacked on the head by Bruce in the movie (now apparently a well-known Hong Kong director); and several minutes of on-location footage shot with Ahna Capri's handheld Super 8 camera that has never been seen before (it's short of amazing, but it's new and therefore gold to diehard fans). On disc 1 there's also a soporific Linda Lee (Cadwell) interview, another "making of" featurette with on-location footage shot by the AD, John Little's short "In His Own Words" featuring most of the Pierre Burton interview, and some old black and white movies (with sound) of Bruce kicking his buddies and hitting his heavy bag in his Los Angeles backyard - though these have all been previously available in one place or another (including the 25th Anniversary ETD DVD). Disc 2 includes all of the TV and theatrical trailers for the movie (somewhat repetitive) and two previously released Warner Brothers documentaries - Warrior's Journey, which captures and knits together the lost Game of Death footage (GOD) in its available entirety, and Curse of the Dragon, a George Takei (Sulu of Star Trek fame) narrated documentary released around the time of Brandon Lee's death. These are both decent films, with Warrior's Journey a real gem with the GOD footage - the definitive way to watch Bruce in widescreen duel nunchakus with Dan Inosanto and try to deconstruct Kareem Abdul Jabbar's fighting style while sporting the iconic yellow and black tracksuit revived by Uma Thurman in Kill Bill Vol 1. Curse of the Dragon is interview heavy (Kareem, Taky Kimura, Paul Heller, James Coburn, etc.) but also includes clips from Bruce's childhood movies, his Green Hornet screen test, his appearance at Ed Parker's Long Beach Karate touurnament, and some backyard work-out footage with Coburn. But once again, these films have already been released before on their own, so while decent, they're less than revelatory. And so, what we have here is by far the best available version of ETD that now exists and probably ever will, complete with a lot of nice extras, most of which have been available elsewhere. It's nice to have it all in one package (there's no apparent need to sell Warrior's Journey as a standalone product anymore) at a reasonable price. On the other hand, Lee worshippers will no doubt wish that there was more - why not include the complete Green Hornet screen test, or a Jim Kelly or Jackie Chan interview or commentary track, the complete James Coburn training session footage, all of the Ahna Capri film, more ETD outtakes, or maybe even "Kentucky Fried Movie," a parody of ETD released many years ago... but what can you do - Bruce died 31 years ago and this is the legacy he left behind. ... Read more | |
| 122. Sharpe's Waterloo Director: Tom Clegg | |
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Description Reviews (5)
I am very plesed that the budgets have become much bigger as the series progressed. Far more extra's, more horses (some of them actually moving together as cavalry should) more variety of uniforms and nice settings. I look at period/costume pieces for more than just a plot...I am looking for an escape in time...the Sharpe Series does this for me (as does the Hornblower's) I am looking for a "feel"...for 90 minutes I want to believe I am in another world...I want the flavor of what it was like to live in another time, doing historic things. Sharpe's Waterloo does a good job at making me feel I am actually there at the defence of La Haye Sainte...there is no examination of the whole battle...just the worm's eye view of the men who had to hold the gate... So if you want the glamor and the big picture...maybe this isn't for you...however,if you want to pick up a rifle and help hold a key spot on the battlefield in a fighting that was desperate...then this is definitely for you.
Of course, I looked forward eagerly to the release of the series on DVD. In the meantime, I read all of the books. Since the completion of the television series, Bernard Cornwell has extended the story of The last episode in the series, Sharpe's Waterloo, suffers more in comparison with the book, because the underlying events are familiar. 100 minutes is hardly engough time to explain the manner in which the battle of Waterloo unfolded and to develop the several other story threads involving Sharpe. Still, it is fine culmination to the series. As in all of the DVDs in this series, the video quality is poor. This has been mentioned by other reviewers but needs some explanation. The color is good, the video has little noise, and there are no surprizing artifacts. The problem is image resolution. The DVD is encoded at 4.35Mbites/sec with almost no variation responding to changes in scene or motion. This is low: the Abyss, a high-quality DVD transfer, is encoded at 5.79Mbites/sec with occasional bursts at over 7Mbits/sec. The difference is dramtic. All of the Sharpe DVDs are fuzzy and lack detail; they appear to be out of focus. There are not enough pixels in the image to provide a good image on even a small TV screen. And forget about watching these on a large screen. Still I recommend this series. Buy the DVDs, put your chair across the room, and enjoy. At the end you'll want more. That's the time to buy the books.
But Wellington places him on the staff of the Prince of Orange, young, arrogant and incompetent - his adulterous wife, Jane wants her lover, Rossendale, to kill him - and Napoleon has humbugged them all, quickly and efficiently splitting the Anglo-Dutch and Prussian armies apart, to destroy each individually. Will Sharpe survive this? Boney's attacking, the Prussians have still not arrived to give aid, and the fate of Europe will be decided in this little valley near a town called Waterloo... Bernard Cornwell's original novel, "Waterloo: Sharpe's Final Adventure", was masterful - it managed to weave an exciting personal story for Sharpe and at the same time give an understanding of how this most famous of battles unfolded. Unfortunately, "Sharpe's Waterloo" doesn't really do that. I could follow it because I already knew how the battle progressed, but I would think the viewer who knows little about what happened that day wouldn't be able to follow the grand scheme of battle. As a result, we see Sharpe take part in various bits of the battle but never quite get why each is important. On the other hand, one could argue that this shows the fog of war from the soldier's perspective - that the individual didn't really know how the big picture was forming up. This isn't particularly convincing to me, because I've seen it done magnificently in Ted Turner's production of "Gettysburg", and with a good script I don't see why it can't be done here. Also, the same budgetary limitations that have plagued the series also show up here. One doesn't get the impression in the slightest that this was a battle than involved more than 300,000 men, all in all, on all sides. We never get much more than one regiment at a time on screen and the final advance of the Imperial Guard as a result winds up looking pretty wimpy. Given this was the grand finale, I had hoped they would splurge a bit, but sadly this was not the case. On the positive side, the acting is cracking as usual and loose ends are (more or less) tied up. The battle at La Haye Sainte is particularly well done, even given the budgetary problems. Sharpe does a lot of swordplay and firing and realizes his dream of commanding a battalion. We see the deaths of beloved and hated characters, and Harper and Sharpe finally get their wish - to see Boney. The rest, as they say, is history, and you're going to have to watch it to find out what happens to our heroes. The transfer, like the latter few episodes, is surprisingly good compared to the earlier DVDs - one wishes heartily that they could have put some extras in, though. About time for them to adapt "Sharpe's Devil" one of these days, I think... ... Read more | |
| 123. X-Men Director: Bryan Singer | |
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Reviews (755)
The DVD extras are great, with trailers, some interesting deleted scenes, "The Mutant Watch" featurette, a Bryan Singer interview, Hugh Jackman's screen test, still photo gallery and TV spots. To quote Darth Vader: "Impressive. Most impressive."
First and foremost, the Dolby Digital and DTS 5.1 soundtracks are remarkable. Anybody who has a decent surround sound system-set up correctly!!!-will marvel at the amazing acoustical environments created by the sound team of X-Men; I suspect that THX played a large part in the success of mixing a soundtrack in which every sound effect is mixed with such careful attention to detail that one wonders how such perfection can be possible-I wish every movie's soundtrack would be so immaculate. As if the sound wasn't enough to sell me on X-Men, the picture quality is outstanding as well-far exceeding that of a typical DVD. Again, I'm sure THX played an important role in the video transfer process. And, technical aspects aside, the movie was written and executed very well. I think the X-Men team did an excellent job of taking a highly unrealistic story line and turning it into a movie in which the plot and characters evolve without the sense of corniness often associated with films of this nature. So, all in all, I appreciated X-Men and would recommend it to anyone who appreciates a well made movie-if not for the sound quality, alone (granted, this will not contribute to a viewer's satisfaction at all, if not played through a quality surround sound system). But there are few movies that I enjoy watching more than once, and this is definitely one of them. Enough said.
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| 124. Prince Valiant Director: Henry Hathaway | |
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Reviews (13)
Fox has done a decent job of restoration on this 1954 Technicolor film. While the look is dated and the film stock is more grainy than we're used to today, the majority of it looks remarkably good. I suspect much of it was newly struck from the black and white color separation masters, but the frequent lap desolves have the second generation look of excessive grain and poorer color fidelity. There's one bad anomaly in the transfer at 24min.15sec., a 15 second shot that looks to be third generation. It's soft, grainy and blocked-up. Except for a couple rear projection shots elsewhere in the movie, nothing else in the transfer looks this bad. Otherwise this is a fine looking 16X9 anamorphic DVD of a vintage Cinemascope film. Originally this movie was presented in some theatres in 1954 in 4-track magnetic stereo. Here, what survives of the stereo tracks is presented in Dolby Digital 2.0 (not 5.1 as stated in another review here). I'd have preferred if Fox had gone to the efforts of doing a proper 4.0 transfer, but the stereo still sounds good, with the directional dialogue of the era intact, though it can be a bit distracting when left and right speakers are too far from the screen (in theatres the speakers would of course be behind the screen). I found I had to raise the dB level of my rear surrounds to +10 in order to bring out the ambient sound of the film, mostly reserved to the music, but at 1:27min.21sec., when pig fat is used to light fires during the siege of the castle, the mono surround did come alive with fire noise and that was fun. I'm only giving this DVD three stars because Fox didn't have enough faith (and they may be right) in this library title's marketability to include a commentary track by star Wagner, or a least some feature on the film's production history, and because the sound wasn't remixed for 4.0, but if you're a fan of such films I highly recommend this DVD.
Lacking the style of Curtiz's swashbucklers, the solid scripting of Thorpe's "Ivanhoe" or the visual panache of his stunning tribute to the Brandywine illustrators, "Knights of the Roundtable", "Prince Valiant" packs in lots of well executed, wide-screen action, terrific set pieces, wonderful costumes and attractive landscapes. Done with a straight American accent (apart from James Mason's stage-villain turn as the traitorous Sir Brock) it often reminds one of George Lucas's "Star Wars". I've shown this to alot of kids & they all love it. Presented in its original 2.35.1 aspect ratio from a really clean print, it looks remarkably good considering it's a B-picture from half a century ago. Oh, it also stars the wonderful Donald Crisp ("National Velvet", "How Green Was My Valley"). Overall, a steal for the sell-through price. Enjoy!
The film score by Franz Waxman is perfection. It is dramatic and fun. As an adult, I wish that the transfer had been in Dolby 5.1. The performances are appropriate for this film except for Mr. Mason who does no wrong. I would like to add that the sword fight at the end of the film is of equal to the excitement found in the final duel in Scaramouche.
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| 125. The Golden Child Director: Michael Ritchie | |
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Amazon.com Reviews (27)
And yet...for some reason, after watching this film, i felt somehow unfulfilled. Perhaps it was not explaining who the real bad guy was(i'm sorry, Forces Of Evil is not enough for me). Maybe it was the low low grade action. Maybe it was just the Forces of Evil surrounding me, but the truth is, i just couldn't bring myself to be able to like this film. It is however not all bad, This is Eddie Murphy on vintage "Trading Places" style form, which is always worth the laugh, and there is one dream sequence which is so surreal its...well, surreal. Despite this however, my suggestion would be to watch it on TV rather than buy it. it just aint worth the nuggets. ... Read more | |
| 126. Wake of Death | |
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| 127. Assassins Director: Richard Donner | |
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| 128. The Four Feathers Director: Zoltan Korda | |
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Amazon.com Consider The Four Feathers, produced in England in 1939, at Alexander Korda's London Films studios, where a family of Hungarian expatriates aspired to exalt their newly adopted country, its history and traditions, and also to out-Hollywood Hollywood. With this film, they realized both ambitions, in spades. A.E.W. Mason's novel of stiff-upper-lip honor and valor had already been filmed three times (and at least that many remakes have followed, superfluously). This is the only version that matters. On the eve of the British army's departure to reconquer the Sudan, a young lieutenant descended from a long line of military heroes resigns his commission and is tendered a white feather--the symbol of cowardice--by each of three brother officers. From his fiancée's plume he plucks a fourth, then fades out of their lives... to embark, a year later, on a private quest that will carry him down continents and through unimaginable sacrifice to hard-won redemption. John Clements (who never had much of a film career) is excellent as the tormented Harry Faversham. But it's Ralph Richardson, as Harry's romantic rival John Durrance (wonderful names!), you'll cherish--he and that spitting image of the Duke of Wellington, C. Aubrey Smith, whose blustery recollections of the Crimean War strike a satiric yet affectionate keynote. Directed by one Korda brother, Zoltan--who shot spectacular sequences in the Sudan--and exquisitely designed by another, Vincent, The Four Feathers is a Technicolor milestone, and its music score is an early triumph by one of the Kordas's legion of Hungarian-expatriate helpmates, Miklos Rosza. --Richard T. Jameson Reviews (29)
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| 129. Dragon Ball Z - Bojack Unbound (Uncut) Director: Daisuke Nishio | |
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| 130. Thunderbolt and Lightfoot Director: Michael Cimino | |
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Reviews (17)
George Kennedy plays Red Leary, a member of Doherty's gang who eventually catches up with him. Geoffery Lewis plays Goody, Leary's sidekick. After cornering Doherty,(nicknamed Thunderbolt) and Lightfoot, Doherty convinces them that the money is gone, although he is unaware the schoolhouse had been moved. They all then decide to rub off the same bank because no one would suspect them of doing it again. The plans leading up to it are funny. I always liked the part where Kennedy tells off the snotty kid while they are planning their route in the ice cream truck. Bridges dresses in drag to fool the security guard. When the whole operation is done, the police still catch up with them, and all hell breaks loose. Still, Thunderbolt and Lightfoot escape and find the money stashed behind the moved schoolhouse on the side of the road. They then buy an expensive convertible and light victory cigars. What happens next is very sad, although I won't give that away. The movie is highlighted by beautiful Montana scenery and long quiet periods with no music, creating a relaxing and peacful setting that will please any action buff. Cimino was obviously off to a good start, and he would win an Oscar for DEER HUNTER 4 years later. This is the most underrated movie of Eastwood's career, and it shows him on the other side of the law and doing a very good job of it.
The scene of Red and Goodie in the ice cream cart confronted with an obnoxious lad is a classic in cinema. The climax of this film is superb. A definite MUST SEE for all Eastwood fans!
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| 131. The Doom Generation Director: Gregg Araki | |
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Amazon.com Reviews (123)
This movie is a prime example of how movies should be made.. its an indie classic in the making.. a cult hit if you may.. it never lets go once it grabs ahold.. watch and enjoy.. you won't be dissapointed..
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| 132. Best of the Best Director: Robert Radler | |
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Description Reviews (18)
i'm sure there's a small following of "best of the best." we are still waiting for the dvd version. It's a fun movie. enjoy! ... Read more | |
| 133. Desperado (Special Edition) Director: Robert Rodriguez | |
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| 134. Nick Knight Director: Farhad Mann | |
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| 135. Iron Monkey Director: Woo-ping Yuen | |
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Reviews (131)
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| 136. Henry Fielding's Tom Jones Director: Metin Hüseyin | |
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Amazon.com Reviews (22)
Just try to watch this one with a straight face!
This dramatization of this most wonderful book is nearly perfect. I say nearly perfect because that are one or two little problems with the sound (no, Honour doesn't mean she wouldn't say a word if Sophia were to go to bed with Mr. BLIFIL inst | |